Enola Holmes 2 (2022)
Enola Holmes 2 is a 2022 mystery film and the sequel to the 2020 film Enola Holmes, both of which star Millie Bobby Brown as the title character, the teenage sister of the already-famous Victorian-era detective Sherlock Holmes. The film is directed by Harry Bradbeer from a screenplay by Jack Thorne that adapts the book series The Enola Holmes Mysteries by Nancy Springer. Unlike the film's predecessor, it does not adapt one of Springer's novels and instead takes real-life inspiration from the 1888 matchgirls' strike.[2] In addition to Brown, Henry Cavill, Louis Partridge, Susie Wokoma, Adeel Akhtar, and Helena Bonham Carter reprise their supporting roles, while David Thewlis and Sharon Duncan-Brewster join the cast.
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Short filmTranscript
00:00:00 [MUSIC]
00:00:10 [MUSIC]
00:00:20 [MUSIC]
00:00:30 [MUSIC]
00:00:40 [MUSIC]
00:01:09 Perhaps I should explain.
00:01:11 [MUSIC]
00:01:13 My name is Enola Holmes.
00:01:15 You may remember me.
00:01:17 After solving my first case,
00:01:19 Hello.
00:01:22 I started a business.
00:01:24 A detective agency.
00:01:27 Open and ready for my first clients.
00:01:31 I was going to join the pantheon of great Victorian detectives.
00:01:35 Detective Field.
00:01:37 Yes, sir.
00:01:38 Andy McIntosh.
00:01:39 Sir Alfred Hornblower.
00:01:41 And the infamous Reginald Swain.
00:01:44 And best of all, I would be joining my brother.
00:01:48 I would be his equal.
00:01:50 A detective in my own right.
00:01:53 Worthy of the Holmes name.
00:01:56 Congratulations.
00:01:59 Or so I thought.
00:02:06 [HONKING]
00:02:08 Am I addressing the secretary?
00:02:11 How old?
00:02:13 Stone the crows, you're young.
00:02:15 But my age is an advantage.
00:02:16 I can go to places others can't.
00:02:18 Explore where others won't.
00:02:20 And I can fight.
00:02:21 I know Jiu-Jitsu.
00:02:22 But you're a girl.
00:02:28 Yes, I am.
00:02:29 What experience have you had?
00:02:35 The Tewksbury case.
00:02:37 Well, that was Sherlock Holmes.
00:02:38 That was Sherlock.
00:02:39 Sherlock.
00:02:40 Sherlock Holmes, wasn't it?
00:02:41 I assure you, it was mine.
00:02:43 Good man, that Tewksbury. Brave lad.
00:02:46 Tell me.
00:02:47 Tell me.
00:02:48 Yes?
00:02:49 Might your brother be free?
00:02:51 Read all about it!
00:02:54 Read all about it!
00:02:56 Sherlock Holmes and the cases of Rixton Course.
00:02:59 So, my brother.
00:03:01 Well, I had not a single case.
00:03:04 Sherlock has been drowning in them.
00:03:06 Though his latest appears to be vexing him.
00:03:11 My mother, meanwhile, is still on the run.
00:03:16 And trying not to draw attention to herself.
00:03:20 Though that's never been her forte.
00:03:27 (DRAMATIC MUSIC)
00:03:29 Yes.
00:03:42 And then there is...
00:03:44 him.
00:03:46 My Lords, reform is not a task to be accomplished,
00:03:49 nor a bill that can be passed.
00:03:51 Rather, it is a constant need for change.
00:03:54 (CROWD CHEERS)
00:03:56 Lord Tewksbury.
00:03:58 The champion of change and progress.
00:04:01 A man to approach with the noblest cause.
00:04:04 (DRAMATIC MUSIC)
00:04:07 But I had no time for distractions.
00:04:19 And besides, he's still in Lincoln Poop.
00:04:22 Too many people make it their sole purpose in life
00:04:25 to fit into the world around them.
00:04:28 This is a mistake.
00:04:31 It's your path, Enola.
00:04:33 Sometimes you'll stumble.
00:04:36 Sometimes you'll fall.
00:04:39 But no matter how lost you feel,
00:04:41 if you stay true to yourself,
00:04:44 the path will always find you again.
00:04:50 But my path, it seemed, had come to an end.
00:04:54 I was a failure.
00:04:58 All I could do now was go home.
00:05:02 (BELL RINGS)
00:05:12 (BELL RINGS)
00:05:14 (DOOR SLAMS)
00:05:24 Enola Holmes?
00:05:27 Yes?
00:05:28 I come to the right place, then?
00:05:30 Is it true you find lost people?
00:05:35 Where did you get this?
00:05:39 It's months old.
00:05:41 I found it on the street.
00:05:43 And who have you lost?
00:05:46 My sister.
00:05:50 (SIREN WAILS)
00:05:56 Watch the gap!
00:06:06 (HORSE GALLOPING)
00:06:08 She disappeared a week ago.
00:06:16 Everyone says she's run away, but Sarah wouldn't do that.
00:06:19 Not to me.
00:06:21 She's my only family now.
00:06:23 This way.
00:06:29 The other girls are still at work.
00:06:35 Tea.
00:06:37 Thank you.
00:06:39 Might I see her bedroom?
00:06:42 Ours, you mean?
00:06:44 You're standing in it.
00:06:46 We're lucky. Most girls here are five to a room.
00:06:52 This might help.
00:06:59 (GASPS)
00:07:02 Oh, Sarah likes to leave cheese out for them.
00:07:05 She's soft.
00:07:08 What does she look like, Sarah?
00:07:13 About this tall.
00:07:15 Pretty. Very pretty.
00:07:18 Green eyes, red hair, freckles.
00:07:21 Red hair?
00:07:23 We weren't sisters in the usual way.
00:07:25 Found sisters.
00:07:27 Sarah took her in.
00:07:29 Who's this bit?
00:07:31 Enola Holmes.
00:07:33 She's a detective.
00:07:35 She looks like she'd blow over in the wind.
00:07:37 May?
00:07:39 Hmm.
00:07:41 So, Bessie, what was Sarah wearing the day she disappeared?
00:07:45 What's she doing?
00:07:47 Shh! She's wasting her time.
00:07:49 It was a rubber dress.
00:07:51 A green one.
00:07:53 Does she like reading?
00:07:57 Oh, yes. She taught herself.
00:07:59 Sarah said she had to learn about the world if she were going to live in it.
00:08:03 Make-up.
00:08:10 Did she have a suitor?
00:08:12 No, but there's plenty of taking an interest.
00:08:15 She weren't much of a gardener.
00:08:19 Look, how about you quit sniffing round?
00:08:25 Quiet, May. Just let her do her job.
00:08:29 (SUSPENSEFUL MUSIC)
00:08:31 The 12th of March.
00:08:45 Does that date mean anything to you?
00:08:47 That's enough.
00:08:49 We don't need help from people like you.
00:08:51 I found her, so she's staying.
00:08:54 Bloody girls, poking their nose in.
00:08:56 And she didn't leave a note?
00:09:00 Just this.
00:09:02 She worked two jobs, you see.
00:09:06 We couldn't get by without it.
00:09:08 Washed glasses at a pub.
00:09:10 Someplace called the Stag Antlers.
00:09:12 You can have it.
00:09:14 Oh, no. It's all right.
00:09:17 We'll figure that out later.
00:09:19 I'm going to go and get my bag.
00:09:21 We'll figure that out later.
00:09:23 So, tell me, when was the last time you saw her?
00:09:26 A week ago. At the Match Factory.
00:09:29 She had a fight with Mr Crouch, the foreman in his office.
00:09:33 What about?
00:09:34 He said she was thieving. But Sarah's honest.
00:09:37 The Match Factory. Is that where she works?
00:09:40 Where we all work.
00:09:42 We're match girls, ain't we?
00:09:44 Then that's where we'll start.
00:09:47 So you'll take it? You'll take the case?
00:09:51 Thank you, Miss Holmes. Thank you.
00:09:54 At last, my first case.
00:09:58 Well, actually, my second.
00:10:00 I shall find you, Sarah Chapman.
00:10:02 Red hair, green dress, make-up, science books, 12th March.
00:10:06 Whatever you've been up to...
00:10:08 ...the game is afoot.
00:10:12 Stay with me. Follow my way.
00:10:15 How many girls work here?
00:10:18 500. Maybe six.
00:10:21 How do I look? Is my neckerchief all right?
00:10:25 Oh, well, it's round your neck.
00:10:27 Morning, Bessie.
00:10:29 Morning, Doris.
00:10:31 Mouth.
00:10:37 In.
00:10:38 Mouth.
00:10:39 Mouth.
00:10:41 Come on.
00:10:42 In.
00:10:43 Out.
00:10:44 Please, Mr Crouch.
00:10:45 I said out.
00:10:46 Mouth.
00:10:47 What are you looking at?
00:10:49 Oi, you girl. Name and a register.
00:10:53 Mouth.
00:11:00 What are you looking for?
00:11:03 Trifers.
00:11:13 That's the phosphorus.
00:11:15 Don't worry. You get used to the smell.
00:11:18 Is this why she worked?
00:11:29 Put the matches on the comb.
00:11:32 Slide them along.
00:11:36 Up and into the box.
00:11:38 Simple enough.
00:11:40 Simple enough.
00:11:42 You try.
00:11:44 That is a penny off your wages.
00:12:00 She's just learning the way, Mr Crouch.
00:12:04 Well, she better learn quicker, or it's a penny off yours, too.
00:12:08 Anyone else want a money, Doc?
00:12:10 How about you? Eh?
00:12:12 No. Didn't think so.
00:12:14 Right, back to work.
00:12:19 I need to get up into that office.
00:12:27 Not a hope.
00:12:30 [MUSIC PLAYING]
00:12:32 Mum talking.
00:12:44 All it takes is one small thing to change the rules of the world.
00:12:50 [MUSIC PLAYING]
00:12:52 Oi.
00:13:11 Faster fingers, faster fingers.
00:13:13 Hurrah!
00:13:18 Hurrah!
00:13:19 How did that bloody happen? Eh?
00:13:22 Pick him up.
00:13:24 Pick him up. Pick him up. Pick him up.
00:13:27 Right. Back to work.
00:13:34 Why were you here?
00:13:41 Cowgirls!
00:13:46 Red.
00:13:47 Sides are wasted.
00:13:49 Don't you look at me like that, girl.
00:13:52 Oi! Stop choking!
00:14:07 Stop choking!
00:14:08 Green eyes, red hair.
00:14:18 So you did steal something.
00:14:24 This is blatant extortion. Criminal!
00:14:33 My pockets are empty.
00:14:35 You think mine are full?
00:14:37 You gave me your word you'd find whoever was doing this to us.
00:14:40 You sound almost threatening, Mr Lyon.
00:14:42 This is not what I expected when we began our arrangement.
00:14:46 And now theft on top of everything else.
00:14:49 You heard the man. Get this dealt with.
00:14:51 Come along, William.
00:14:53 Sir, do you have any suspicions as to who this perpetrator might be?
00:15:00 Would I be asking your idea?
00:15:02 Sir, perhaps if we were to consider whether this theft is connected.
00:15:07 I have ideas.
00:15:09 Did I ask for your advice?
00:15:11 Or did I simply tell you to get it done?
00:15:13 I'll make sure the right people know, sir.
00:15:16 Miss Troy!
00:15:23 Yes, sir.
00:15:24 As you can see, our ladies are working at the highest level of production and efficiency.
00:15:29 Are they not, William?
00:15:30 Yes, Father.
00:15:31 Please, if you will.
00:15:33 Doris, how are you? How's your sister? Is she still unwell?
00:15:39 Yes, Mr Lyon.
00:15:41 Typhus.
00:15:42 It really is the plague of our time.
00:15:45 Two years it's been killing these girls.
00:15:48 Breaks my heart.
00:15:50 Well, Lord MacIntyre, if I might suggest a little lunch.
00:15:55 I think we should all go for it.
00:15:57 I suggest a little lunch. I think we've earned it.
00:16:00 How did Sarah do it? Get into the office?
00:16:07 There was a fire at one of the stations. Foreman got distracted.
00:16:11 Whose station?
00:16:14 May's?
00:16:16 Yes.
00:16:17 You're a good detective, Enola Holmes.
00:16:22 (POLICE SIRENS)
00:16:24 Everyone thinks detecting is a profession knitted with rules.
00:16:33 But in truth, there's only one.
00:16:35 Pull on every loose thread you find.
00:16:39 She's a loose thread.
00:16:43 So I'm pulling at her.
00:16:51 (POLICE SIRENS)
00:16:53 Hello, sir.
00:16:55 What's causing the delay?
00:16:57 I'm afraid I'm married.
00:17:19 Hello, dearie. Forgot your ticket?
00:17:22 That's what happens for a sweet, cheating face like yours.
00:17:25 Where are you, May?
00:17:34 Excuse me, sir.
00:17:36 And here she is.
00:17:48 (CROWD GASPS)
00:17:50 # Where did you get that hat? Where did you get that tile?
00:18:08 # Isn't it a knobby one in just the proper style?
00:18:12 # I should like to have one just the same as that
00:18:16 # Wherever I go they shout hello Where did you get that hat?
00:18:20 # Wherever I go they shout hello Where did you get that hat?
00:18:24 # Where did you get that hat? Where did you get that tile?
00:18:28 # Isn't it a knobby one in just the proper style?
00:18:32 # I should like to have one just the same as that
00:18:36 # Wherever I go they shout hello Where did you get that hat? #
00:18:42 (APPLAUSE)
00:18:45 And now, all the way from Shanghai,
00:18:49 Mr Bean and his band, The Losers.
00:18:53 You the fool who took my pan stick?
00:19:05 Um, no, I'm looking for a girl called...
00:19:13 (MUFFLED SHOUTING)
00:19:15 She worked two jobs, you see.
00:19:24 Someplace called the Stag Antlers.
00:19:27 # Wherever I go they shout hello Where did you get that hat? #
00:19:33 (GASPS)
00:19:39 You've got five seconds to tell me why you're here.
00:19:42 Did Sarah work here?
00:19:44 She did, didn't she? And Bessie doesn't know.
00:19:47 There's plenty Bessie don't know.
00:19:49 And plenty you don't need to tell her about.
00:19:51 I know you helped her into that office.
00:19:53 She took those pages. Why?
00:19:55 What's happened to her?
00:19:57 Just leave us be, all right?
00:19:59 Posh girls like you don't belong in this fight.
00:20:02 Hot or not, one thing I am good at is fighting.
00:20:07 Now, tell me, where is she hiding and what does she know?
00:20:10 You got more to you than a foot.
00:20:12 (CLEARS THROAT) Whatever this is,
00:20:15 May is on stage in 30 tics and she's still dressed as a gen.
00:20:20 So let go of her. Now.
00:20:23 Get her out of here. Be my pleasure.
00:20:28 (CHUCKLES)
00:20:32 Come on.
00:20:33 Where did Sarah Chapman do her make-up?
00:20:38 Full of secrets, that one. And not a bad actress.
00:20:41 Now, I'd have given her the boot if she weren't so good,
00:20:44 but she did attract the men with the big pockets.
00:20:46 Always useful, that. Shift it.
00:20:48 Which man?
00:20:51 There was this one gent, society type,
00:20:57 and he came regular. Very keen on him, she was.
00:21:01 He'd send flowers, letters...
00:21:04 (SUSPENSEFUL MUSIC)
00:21:07 His name?
00:21:11 Never gave one.
00:21:16 You see, they all think there's hope that love is coming their way.
00:21:20 But it never is. Blokes like that, they want cheap.
00:21:25 But they marry dear.
00:21:27 (CROWD MURMURS)
00:21:31 (HORSE NEIGHS)
00:21:33 As we two ate of the fruit of love...
00:21:36 The fruit of love. Ugh!
00:21:38 A belded ring in the sky above.
00:21:41 So under that place with its blossoms white,
00:21:44 a chapel awaits us out of sight.
00:21:46 And a poppy... Is that his name?
00:21:51 Why did she leave?
00:21:59 Did she run away with this fellow?
00:22:01 Or is she running from him?
00:22:06 I hope it's the latter. His poetry is extremely bad.
00:22:11 (SUSPENSEFUL MUSIC)
00:22:14 (FOOTSTEPS)
00:22:17 (GASPS)
00:22:39 (PANTING)
00:22:42 (SUSPENSEFUL MUSIC)
00:22:45 (GRUNTS)
00:23:00 Be away with you, boy.
00:23:03 (GRUNTS)
00:23:05 Sherlock?
00:23:09 Enola.
00:23:11 What are you doing here? It's not safe.
00:23:14 There are scary people about.
00:23:16 Yes, let me know when you meet one.
00:23:19 Brother, are you quite yourself?
00:23:21 I'm fine. It was just a disagreement over a glass of wine
00:23:26 and whose wine it was.
00:23:28 And, er...
00:23:29 I find after wine it's very difficult to make your arms and your legs move.
00:23:34 Let's get you home.
00:23:37 I don't usually invite, but I'm on a case, you see.
00:23:40 This is proving rather tricky.
00:23:42 Cab! Hello. No.
00:23:44 Where are we going? 221 Baker Street.
00:23:47 (GRUNTS)
00:23:49 As it turns out, my brother is medievally heavy.
00:23:56 It's like carrying a dead horse on which sits another dead horse.
00:24:01 That's A, I'm in B.
00:24:06 (SIGHS)
00:24:08 I didn't know you had steps.
00:24:10 One should always have steps.
00:24:12 To avoid people stepping on you. That's a tip.
00:24:15 You should probably write that down.
00:24:17 Right. Lift your right leg.
00:24:20 Mm-hm.
00:24:21 Now your left.
00:24:24 That's a leg that lifts.
00:24:26 You should write that down.
00:24:28 (GRUNTS)
00:24:30 Here we go.
00:24:32 Ha!
00:24:34 Ha! Home.
00:24:36 Well done, Sherlock.
00:24:38 I can do it.
00:24:41 See?
00:24:46 Baker Street.
00:24:52 Oh, but it's such a mess.
00:25:00 It's perfect. Don't touch anything.
00:25:03 What are you investigating?
00:25:05 None of your business. I work at Letters Private.
00:25:08 Now, shh. I'm thinking.
00:25:10 I should never be interrupted when thinking.
00:25:13 Oh. You should write... Write that down.
00:25:16 Shh!
00:25:20 Don't go in there.
00:25:23 Oh.
00:25:26 (SIGHS)
00:25:28 Sherlock's latest case.
00:25:40 Fascinating.
00:25:52 And why, pray, have you moved everything?
00:25:56 Nothing looks different to me.
00:26:02 Nothing looks different?
00:26:04 Oh. Your head is sore. I can't think why.
00:26:07 This is why I don't have people in my rooms.
00:26:10 Look what you've done.
00:26:12 My papers are entirely out of order.
00:26:15 Your case. It's vexing you.
00:26:18 Seems to be an awful lot of question marks on that map of yours.
00:26:22 Dundee, cake, door. I will see you again.
00:26:25 Is that why you're drinking?
00:26:27 I'm more than certain it's not so odd.
00:26:29 Maybe I can help. You can help by leaving.
00:26:32 Huh. Yes.
00:26:34 The world will be a much safer place if we don't see the inside of Sherlock Holmes.
00:26:38 Only the out.
00:26:40 Crazy idea.
00:26:43 Have you ever considered a flatmate?
00:26:45 For what purpose? To stop you descending into this.
00:26:48 Strange.
00:26:54 Are those seeking advice so often like to dispense it?
00:26:58 Did I ask for advice? I found you on the street, drunk like a bewildered beast.
00:27:01 Now, what may I observe about you?
00:27:03 We're not playing this game. Choose a state.
00:27:05 You and Mycroft are so similar. You need to wash your clothes every now and again.
00:27:09 You are pale, undernourished, and you've lost your... Stop!
00:27:12 And then there's your fingernails.
00:27:15 Why on earth are you working in a match factory?
00:27:17 What?
00:27:18 Last night they were dirty with green traces. This morning they are black.
00:27:21 The phosphorus from the matchmaking is mixed with the oxygen in the atmosphere.
00:27:24 I wasn't in such a state as to not see that.
00:27:27 How did you know? And your neck is red.
00:27:30 Someone has gripped it or held a knife against it.
00:27:32 Are you involved in something dangerous?
00:27:40 Because you are still my ward. If you need my help, my offer remains on the table.
00:27:45 Don't be so desperate to prove yourself, Enola.
00:27:48 I am not desperate. And I don't need your or anyone's help.
00:27:54 But this I will have.
00:28:08 How dare he? How dare he lecture me?
00:28:11 When he can't even solve his own case, and he lives in a bed of flammoxing papers and bewildering mould,
00:28:16 how dare he claim I'm desperate? It is not true. And it is not fair!
00:28:21 Enola?
00:28:22 It is you.
00:28:27 And it is you.
00:28:30 How are you? Are you well? You look...
00:28:36 I'm Monocles. Undercover. Oh, don't forget I told you that piece of information.
00:28:41 You know, it's the strangest thing. I could have sworn I've seen you here before.
00:28:45 Is that right?
00:28:47 Well, this is my route through to the Lords.
00:28:50 Is it? How lovely. I breakfast here on occasion.
00:28:56 I mean, yes, it's a lovely place. I know the gardener here.
00:29:04 We've been discussing what to sow for next year's crop.
00:29:07 Some fine sunflowers, a sweet William, lovely vivid reds.
00:29:12 I've seen all you're doing.
00:29:13 Oh, that's it. It's nothing.
00:29:17 On the society pages.
00:29:18 You are quite the eligible bachelor.
00:29:24 Don't believe all you read.
00:29:33 I wrote you.
00:29:34 You didn't reply.
00:29:37 I was busy starting my own business. A perpetual challenge.
00:29:44 Perhaps not something you'd understand.
00:29:46 Well, Enola, if you need help...
00:29:49 I do not.
00:29:50 However, should my problem become horticultural, I shall seek you out.
00:29:54 Right. Well, you know where to find me.
00:30:02 Should a plant go missing, I hope you enjoy your breakfast.
00:30:05 Here.
00:30:11 Is he looking back?
00:30:16 Oh, good. He isn't.
00:30:22 I don't come here every day. Just on days when I feel a need.
00:30:30 Sometimes he doesn't take this path. Sometimes he takes the parallel one.
00:30:33 You know where to find me.
00:30:38 You know where to find me.
00:30:47 Out of sight, the chapel awaits us.
00:30:51 With its blossoms white. White chapel.
00:30:56 As we two ate of the fruit of love. As we two ate. Two ate. Two ate.
00:31:02 Twenty-eight.
00:31:03 The bell did ring in the sky above. Bell.
00:31:07 So under that place, bell plays.
00:31:11 Wait, that's out of sight.
00:31:12 Twenty-eight. Bell plays.
00:31:16 White chapel!
00:31:17 Shh!
00:31:18 Sorry.
00:31:23 The game has found its feet again.
00:31:25 I will not lie. There is a sudden satisfaction that you feel as a detective
00:31:33 when your case comes closer to resolution.
00:31:36 Like sewing a new skirt.
00:31:37 Which I don't do.
00:31:41 Or teaching a dog to sit.
00:31:43 You begin to glow with the acknowledgement of a job well done.
00:31:47 There's a new home in town!
00:31:49 That's right! Sherlock Holmes' maze match!
00:31:52 My name will be known, and Bessie will have a sister once again.
00:31:56 And that is a job well...
00:31:58 done.
00:32:02 [music]
00:32:26 Sarah?
00:32:27 [music]
00:32:43 What happened here?
00:32:45 [music]
00:32:55 Mr. Poppy.
00:32:57 [music]
00:33:08 May?
00:33:09 What happened?
00:33:12 Who did this to you?
00:33:14 Was it him?
00:33:15 Sarah's man?
00:33:16 May?
00:33:17 No, no! It's all right!
00:33:20 I'll fetch a doctor. I'll fetch a doctor for you.
00:33:24 No! No, no, no!
00:33:26 No!
00:33:27 No, come back!
00:33:29 [music]
00:33:58 [music]
00:34:05 Miss Holmes?
00:34:06 Inspector Lestrade.
00:34:08 We know La Holmes.
00:34:11 Lestrade.
00:34:12 She's...
00:34:13 Dead.
00:34:14 Now that happened.
00:34:16 Oh, no, no, no! I'm investigating a case.
00:34:23 A disappearance of a girl.
00:34:24 What? That girl?
00:34:25 No, no, no, no, no, no. Her name is May.
00:34:27 She worked at the Paragon Theatre, the Matchstick Factory.
00:34:31 She was a dancer. She's friends with...
00:34:33 Superintendent Grail.
00:34:51 [clears throat]
00:34:52 Good morning.
00:34:57 Good morning, sir.
00:34:58 I was sent to investigate a possible disturbance.
00:35:01 Someone heard some screams and then I discovered this young lady.
00:35:04 Her name?
00:35:05 Enola Holmes.
00:35:06 Her sister.
00:35:09 Detective Two.
00:35:11 Good God, another one.
00:35:14 Shouldn't you be in finishing school?
00:35:16 Investigating the disappearance of a...
00:35:19 Sarah Chapman.
00:35:20 Yeah.
00:35:21 Sarah Chapman.
00:35:22 Well, well, how intriguing. So am I.
00:35:24 She's wanted for theft and blackmail.
00:35:26 Blackmail?
00:35:27 Yes, detective.
00:35:29 Still warm. No rigor mortis.
00:35:34 When were the screams heard, inspector?
00:35:36 Ten past the hour, sir.
00:35:37 When did you arrive, detective?
00:35:40 Around the same time.
00:35:42 Even more intriguing.
00:35:47 No, I was trying to suppress the blood.
00:35:50 I was trying to save her.
00:35:51 Or trying to get information out of her.
00:35:54 Give her a search, inspector.
00:35:57 Oh, look.
00:35:58 Can't pay her down, sir.
00:36:00 Come along, Lestrade. Let's not be coy about this.
00:36:04 She's a detective. She knows the rules.
00:36:06 Yes.
00:36:07 Oh, right.
00:36:10 Give me that bag.
00:36:12 Give me that bag.
00:36:13 What's this?
00:36:23 My evidence.
00:36:25 And that?
00:36:27 No, it's nothing.
00:36:31 Then why are you hiding it?
00:36:33 Found at a murder scene with a freshly dead corpse.
00:36:37 Harboring evidence isn't going to look good.
00:36:40 Superintendent Gryll, you can't believe...
00:36:42 What can't I believe, missy?
00:36:45 That young ladies don't have the hands for killing.
00:36:48 Now give them here.
00:36:49 Down!
00:37:07 All of you!
00:37:09 Why ever would she do that?
00:37:11 Out of the way! Move!
00:37:14 Stop!
00:37:15 You've seen this before?
00:37:20 Lestrade of Scotland Yard, you remember me, I hope.
00:37:28 We're looking for your sister.
00:37:34 She's caused a bit of trouble.
00:37:37 [dramatic music]
00:37:39 May I?
00:37:47 Is it?
00:37:57 Is it?
00:37:59 Take it.
00:38:01 I have others.
00:38:02 Take it? I can't.
00:38:04 I can. I can't.
00:38:06 Perhaps I can.
00:38:09 And this, the famous fiddle.
00:38:18 That I do not have two of.
00:38:21 Perhaps you can explain what you believe Enola has done.
00:38:25 I wish I was at liberty to say so.
00:38:27 Do you mind?
00:38:30 [dramatic music]
00:38:32 Oh, your latest case.
00:38:43 What's it concerning?
00:38:45 Is it another Brixton strangler?
00:38:48 Or a periwinkle?
00:38:50 Don't tell me it's a Clark and Will.
00:38:53 What evidence do they have against my sister?
00:38:55 Perhaps you tell me yours, and I'll tell you mine.
00:38:58 [dramatic music]
00:39:00 Government case, a missing money.
00:39:03 Now you.
00:39:05 Super wants to talk to her, that's all.
00:39:08 Why?
00:39:09 Just following orders, Mr. Holmes.
00:39:11 Or may I call you Sherlock?
00:39:13 Graydon.
00:39:15 Graydon Lestrade.
00:39:17 My father thought it distinguished.
00:39:19 And it is, rather.
00:39:21 [dramatic music]
00:39:23 Well, anyway.
00:39:26 Should you ever wish to call me that.
00:39:28 Oh.
00:39:31 [dramatic music]
00:39:33 As you were.
00:39:34 [dramatic music]
00:39:38 [metal clanging]
00:39:45 Oh, dear.
00:39:46 [screaming]
00:39:49 My mistake.
00:39:52 I should have warned you I was opening it.
00:39:55 [dramatic music]
00:39:57 No.
00:39:58 [dramatic music]
00:40:01 Dare I ask?
00:40:05 [crashing]
00:40:09 Good afternoon.
00:40:13 May I ask a favor?
00:40:15 [dramatic music]
00:40:17 Never mind.
00:40:21 Tell me everything.
00:40:24 A government case?
00:40:25 No.
00:40:26 Is it another Brixton strangler?
00:40:29 Or a periwinkle?
00:40:32 Perhaps you tell me yours and I'll tell you mine.
00:40:35 He's a ninny.
00:40:37 I needed to know what he had on you.
00:40:39 Money.
00:40:44 Unaccounted transfers going in and out of government offices.
00:40:46 My theory is either bribery, extortion or blackmail.
00:40:49 And what have you found?
00:40:53 Separate filings from five different accounts
00:40:55 going via the treasury into one private bank.
00:40:58 So someone is getting rich from this?
00:41:00 Yes.
00:41:01 Who?
00:41:03 No name.
00:41:04 Just a number.
00:41:05 I visited the bank and inquired.
00:41:07 The money disappeared, arriving at another bank.
00:41:10 And then another, and another, and another, and another, and another.
00:41:13 Every one of them hidden using different account numbers.
00:41:17 27 in total.
00:41:18 And what can you deduce from that?
00:41:21 Three things.
00:41:22 Firstly, the man's a game player.
00:41:24 Perhaps a genius in mathematics.
00:41:26 Capable of covering his traces at every turn.
00:41:28 Secondly, the sources are varied.
00:41:30 Five banks, south of the river, but no clear link between them.
00:41:34 All anonymous.
00:41:35 All going into one pocket.
00:41:39 And the thud?
00:41:41 He knows I'm onto him.
00:41:46 What? How?
00:41:48 Every time I pull a thread, it loosens and banishes and reappears somewhere else.
00:41:53 He's leading me a merry dance.
00:41:55 It's infuriating.
00:41:59 So no leads whatsoever?
00:42:02 One.
00:42:03 A week before the first transfer, there was a break-in at the treasury office
00:42:06 by a man in a taper-crown hat.
00:42:08 A taper-crown hat?
00:42:09 What was taken?
00:42:10 A document. They won't talk about it.
00:42:12 Sensitive information, presumably.
00:42:14 But how it connects to all of this has so far eluded me.
00:42:18 Your turn. I hope the blood's not yours.
00:42:21 I'm looking for a girl. Sarah Chapman.
00:42:24 Her sister employed me.
00:42:26 Bessie.
00:42:27 She worked at Lion's Match factory by day and the music hall at night.
00:42:32 She has a lover.
00:42:34 Whose flat I visited.
00:42:36 He'd given her this.
00:42:42 28 Bell Place?
00:42:44 Whitechapel, yes.
00:42:47 And there I found her friend.
00:42:49 Murdered.
00:42:51 And who killed her? This poppy fellow?
00:42:58 I suspect so.
00:43:03 Perhaps he kidnapped Sarah and her friend discovered it.
00:43:06 Love.
00:43:08 What it does to people.
00:43:12 How was she killed?
00:43:13 A kitchen knife.
00:43:14 And did you touch this weapon?
00:43:15 No.
00:43:16 Then why did you run?
00:43:19 I found more evidence on her.
00:43:21 This policeman wanted it.
00:43:22 He has this walk.
00:43:23 Grail.
00:43:24 We have a history.
00:43:27 This was in her pocket.
00:43:31 [Footsteps]
00:43:33 [Violin music]
00:43:44 It's as bad as the poem.
00:43:53 Leave it with me.
00:43:55 No. It's mine.
00:43:57 And it's important.
00:44:00 Grail said that she had stolen something and that she was blackmailing them.
00:44:03 Though Sarah wouldn't do that.
00:44:05 How can you tell you don't know this person?
00:44:07 I feel I do.
00:44:09 You came here running from the police.
00:44:12 Someone is already dead.
00:44:14 And you are now a suspect in a murder case.
00:44:16 You let your emotions get the better of you.
00:44:18 Stay here. Don't leave.
00:44:20 I will look into this.
00:44:21 But Sarah Chapman is my responsibility.
00:44:24 No one else cares for these girls.
00:44:26 I promised her sister.
00:44:27 The first mistake a detective makes is to make it about themselves and not the case.
00:44:33 Enola, I know you're not a fan of unnecessary advice, but please...
00:44:45 Don't turn into me.
00:44:49 I should probably write that down.
00:44:56 Matches! Matches! Come buy your matches!
00:44:59 Only a penny a box!
00:45:01 Matches! Matches! Only a penny a box!
00:45:05 Buy your matches!
00:45:06 Posh girls like you don't belong in this fight.
00:45:08 We don't need help from people like you.
00:45:10 You see, they all think there's hope.
00:45:14 That love is coming their way.
00:45:17 But it never is.
00:45:18 Gents like that, they want sheep, but they marry deer.
00:45:23 They marry deer!
00:45:24 So, Poppy, you're a gent, are you?
00:45:30 And a well-heeled one to afford a love nest like that.
00:45:33 Sarah would be ridiculous.
00:45:37 (indistinct chatter)
00:45:39 (indistinct chatter)
00:45:41 (suspenseful music)
00:45:44 (door creaks)
00:45:45 (footsteps)
00:45:48 (suspenseful music)
00:46:08 (footsteps)
00:46:09 A week before the first transfer, there was a break-in at the Treasury office
00:46:26 by a man in a tapered crown hat.
00:46:28 Five banks, south of the river, but no clear link between them.
00:46:37 (suspenseful music)
00:46:39 Matchmaker's Ball.
00:46:44 Hosted by Henry and Hilda Lyon, 12 Marchmont Square.
00:46:49 Does that date mean anything to you?
00:46:52 It's not a date at all.
00:46:56 Their eldest son, William Lyon, will be leading the first.
00:47:01 Sweet Williams, for the wonderfully vivid reds.
00:47:05 As you can see, our ladies are working at the highest level of production and efficiency,
00:47:08 are they not, William?
00:47:09 Yes, Father.
00:47:10 And all along, I thought you were a poppy.
00:47:14 Let's see how sweet you are, sweet William.
00:47:20 I'm going to a ball.
00:47:24 (laughs)
00:47:25 (groans)
00:47:28 (suspenseful music)
00:47:31 (swooshing)
00:47:32 (fart)
00:47:40 (bells jingling)
00:47:43 'Tis I.
00:47:50 'Tis not I.
00:47:53 Which, when you're wanted by the police, is most useful.
00:47:58 And the reds, for his lordship, Viscount MacIntyre.
00:48:01 I'm sorry to break apart this glorious occasion,
00:48:04 but I'm a politician.
00:48:06 Any chance to stand on a stage, I'll always take it.
00:48:09 And I must speak to thank our host and applaud his achievements.
00:48:15 (applause)
00:48:16 No masks, no matter.
00:48:19 For Henry Lyon turns all before him into gold.
00:48:23 Nonsense.
00:48:24 Pewter at best.
00:48:26 And he is done with matches. He's legendary.
00:48:28 In two years, he's turned red into black, or should I say...
00:48:33 red into white.
00:48:36 And to have this humble man turn his attention to typhoid and the working poor,
00:48:41 raising funds, diagnosing cases in the community,
00:48:44 I'm overwhelmed. I'm simply overwhelmed.
00:48:47 Ladies and gentlemen, I give you Henry Lyon.
00:48:51 And to his fine son, his heir, William.
00:48:56 To the future.
00:49:00 To the future.
00:49:02 May ever be bright.
00:49:04 Right, Henry, light us up.
00:49:08 Gladly.
00:49:10 Now go and enjoy yourselves.
00:49:18 (applause)
00:49:19 I believe I've seen that dress somewhere before.
00:49:26 Oh yes, last year.
00:49:28 I think it's charming. Elegant.
00:49:33 I think you're kind.
00:49:36 (music)
00:49:38 Gentlemen.
00:49:50 Mom.
00:49:52 Good evening.
00:49:54 This is a wonderful occasion, is it not?
00:50:02 I mean, the guests are just delightful.
00:50:07 And the orchestra is most tuneful.
00:50:12 I was wondering if I might be able to speak to you, Mr Lyon.
00:50:22 Have I said something wrong?
00:50:26 Where is your chaperone?
00:50:28 Chaperone?
00:50:30 My dear, you can hardly expect my son to talk to you unaccompanied.
00:50:34 I cannot talk to you without a chaperone.
00:50:47 No, of course not.
00:50:49 Honestly?
00:50:50 Honestly?
00:50:53 Well, they are talking.
00:50:57 They are dancing.
00:50:59 Good evening, my dear.
00:51:01 Yes, how foolish of me.
00:51:05 Good evening.
00:51:07 It could be claimed, with some justification, that I might have prepared more thoroughly.
00:51:28 But dancing is not one of my core strengths.
00:51:30 Well, except...
00:51:32 These are my bedroom!
00:51:34 Under the table, you must go!
00:51:36 (screams)
00:51:38 You see my situation.
00:51:41 Who are you?
00:51:56 The man's a game player.
00:51:58 Separate filings from five different accounts.
00:52:00 One private bank.
00:52:02 No names.
00:52:04 Just a number.
00:52:06 Perhaps a genius in mathematics.
00:52:15 He's leading me in merry dancing.
00:52:18 It's a cipher.
00:52:20 (music)
00:52:22 The poker.
00:52:27 The promenade.
00:52:29 The two-step.
00:52:31 They're all dances.
00:52:33 Dance.
00:52:36 27 Eternal.
00:52:37 Yes, the language of the dance.
00:52:44 27 dances.
00:52:46 I've got you.
00:52:48 Dance 1, 940. Dance 2, 922. Dance 3, 924.
00:52:51 Dance 4, 925. Dance 5, 926.
00:52:53 Terrible, aren't they?
00:52:57 These things.
00:52:59 All pompidou and popping, Jay.
00:53:02 Have we met somewhere before?
00:53:04 I feel I recognise you from somewhere.
00:53:08 I simply have one of those faces.
00:53:12 Mira Troy.
00:53:16 The secretary to Lord MacIntyre.
00:53:18 The treasury minister.
00:53:20 Tabitha.
00:53:22 Tabitha Timothy.
00:53:25 You mustn't let them concern you.
00:53:30 It's just a performance.
00:53:32 Everyone here is playing a part.
00:53:35 Testing each other.
00:53:37 Winning.
00:53:40 Losing.
00:53:43 And it's fun.
00:53:45 Once you know the rules.
00:53:47 What are they doing with those fans?
00:53:55 Sending messages.
00:53:59 Saying everything that is forbidden.
00:54:03 Or...
00:54:06 Too embarrassing to say aloud.
00:54:13 Thank you for the lesson.
00:54:15 It's a lesson hard learned.
00:54:18 Without power, we women must rely on our wits for our fortune.
00:54:24 Because our chances are short.
00:54:26 Here.
00:54:27 Take my fan.
00:54:29 I have no use for it.
00:54:31 And if you wish to speak to William...
00:54:36 You could always try with that.
00:54:39 [MUSIC]
00:54:50 No!
00:54:52 No, no, no, no, you...
00:54:58 It would be my delight.
00:55:06 [MUSIC]
00:55:09 Really. There's no need to be rude.
00:55:12 I didn't mean to.
00:55:14 [MUSIC]
00:55:29 Tewksbury! Your timing's impeccable!
00:55:33 Nola!
00:55:34 Don't speak to me here, otherwise you'll be thrown onto the street!
00:55:37 I need you to teach me to dance.
00:55:43 Teach you to dance? When?
00:55:44 Teach me to dance now.
00:55:46 You understand I've been learning since I was five.
00:55:49 Good! I'd feared you'd be a terrible teacher.
00:55:52 Nola, what are you doing here?
00:55:53 I'm looking for a murderer.
00:55:55 Though I shouldn't have told you that. Forget I told you that.
00:55:58 I'm trying to save a girl's life.
00:56:00 Through dance?
00:56:02 Please, Tewksbury.
00:56:04 All right.
00:56:08 Hold your back straight.
00:56:10 Now place my hand here.
00:56:13 And here.
00:56:15 Oh, yes.
00:56:16 Hold your arm out.
00:56:18 Good.
00:56:20 Now, I will lead and you will follow.
00:56:23 That seems like a mistake.
00:56:24 Face over my shoulder.
00:56:26 And now...
00:56:29 One, two, three. One, two, three.
00:56:32 One, two, three. Four, two, three.
00:56:35 One, two, three. One, two, three.
00:56:38 Good.
00:56:40 You seem different since last we spoke.
00:56:49 May you tell me why you've been coming to the park?
00:56:51 Why watch me walk to the laws?
00:56:54 Simply keeping an eye on you.
00:56:56 In case you get yourself into any more scrapes,
00:56:58 getting thrown out of trains, things like that.
00:57:00 No, no.
00:57:01 You cannot be trusted to take care of yourself.
00:57:03 I'm a man now.
00:57:04 You're a man when I tell you you're a man.
00:57:06 And the scrapes I find myself in are far less visceral.
00:57:10 Now, come on.
00:57:14 Three, two, three.
00:57:19 Look into my eyes.
00:57:20 The rhythm is always there.
00:57:23 Dancing is a trust. It's a union.
00:57:25 That's why I've always loved it.
00:57:27 Even when I was being tutored by my uncle.
00:57:29 And that man likes a pork mustard pie.
00:57:32 His breath.
00:57:34 Turn to me.
00:57:36 Turn. Feel it?
00:57:38 I can feel it.
00:57:40 Good.
00:57:49 You dance well.
00:57:51 Perhaps I am a fine teacher.
00:57:53 Though his breath has less mustard on it than I'd hoped.
00:57:57 You have an urgent situation.
00:58:21 I should go.
00:58:23 You'll need a dance card.
00:58:25 But I don't know enough.
00:58:28 What does that mean?
00:58:31 You'll learn.
00:58:33 I've been waiting too long now.
00:58:35 Don't touch the ginger cake.
00:58:38 Please, hopscotch with your bowels.
00:58:41 [music]
00:58:43 Oh.
00:58:53 Hello.
00:58:55 Mr. Lyon?
00:59:01 Yes.
00:59:02 I was wondering if we might have a dance this evening.
00:59:05 My dance card is full.
00:59:07 May I see it?
00:59:10 [music]
00:59:12 Your last waltz is still free.
00:59:18 How fitting.
00:59:20 Would you mind?
00:59:24 Until then.
00:59:37 [music]
00:59:39 'Tis he.
01:00:04 You admire Lord Tewkesbury?
01:00:06 No.
01:00:08 No.
01:00:10 We are old friends.
01:00:12 I hear he's a good man.
01:00:14 And a great reformer.
01:00:16 Well, if you wish to dance with him, you may have to wait.
01:00:21 There's quite a queue.
01:00:23 Yes, I mustn't lose my chance.
01:00:27 Good evening, Miss...
01:00:31 Tabitha.
01:00:33 Cicely.
01:00:35 Good evening, Lord Tewkesbury.
01:00:42 Forgive me for interrupting.
01:00:43 My name is Cicely.
01:00:44 I'm a girlfriend to Tabitha.
01:00:46 I suggest that you let us dance to the head of the scene.
01:00:48 Good evening.
01:00:50 Ladies and gentlemen,
01:00:58 please take your partners for the last waltz.
01:01:01 [music]
01:01:03 You know, I swear I know your face.
01:01:30 What must it be?
01:01:32 We have never met before.
01:01:34 But I've seen you looking.
01:01:36 Why?
01:01:38 Of course.
01:01:41 The Paragon Music Hall.
01:01:43 I saw you talking with a young woman there.
01:01:46 Sarah Chapman.
01:01:48 Dislocate from me and I will scream.
01:01:52 The police are onto you, Mr. Lyon.
01:01:54 As it happens, they are onto us both.
01:01:58 You are not invited here.
01:01:59 What do you want?
01:02:00 I'm a private detective,
01:02:02 hired by Sarah's sister to find her.
01:02:04 Bessie hired you?
01:02:06 You know Bessie?
01:02:08 Leave me be, please,
01:02:11 or you will ruin everything.
01:02:13 How?
01:02:14 What will I ruin?
01:02:16 They're watching.
01:02:17 If you must persist with this,
01:02:19 meet me in the library at midnight.
01:02:22 Say nothing more now.
01:02:24 Midnight it is.
01:02:28 [♪♪♪]
01:02:56 Moriarty.
01:02:58 Who are you?
01:03:01 [thunder rumbling]
01:03:03 [clock ticking]
01:03:07 My word, you do this in awkward places.
01:03:13 Why are you holding a poker?
01:03:15 You must leave. I'm waiting for another.
01:03:17 Another you're scared of such that you need a weapon.
01:03:19 You are always here when I don't want you to be.
01:03:22 And sometimes here when you do.
01:03:24 What's the matter with you?
01:03:26 Nothing that need concern you.
01:03:28 I like the look of the one you were dancing with.
01:03:31 What's her name? Cicely?
01:03:33 She would make you an excellent wife.
01:03:35 Enola, I'm concerned only for you.
01:03:37 Tewkesbury, if you're still here, you may scare him away.
01:03:40 Scare him? All of this is over a man.
01:03:42 Oh.
01:03:44 Just leave.
01:03:46 [doorbell rings]
01:03:48 [doorbell rings]
01:03:50 [doorbell rings]
01:03:52 [doorbell rings]
01:03:54 [doorbell rings]
01:03:56 Lord Tewkesbury.
01:03:58 [door slams]
01:04:00 Enola Holmes, you're under arrest.
01:04:02 Try to escape and we will make this ever more difficult.
01:04:05 Just make it quiet and spare the fine people.
01:04:07 Any embarrassment?
01:04:09 Sir, whatever this is about, I'm sure--
01:04:11 Murder, sir.
01:04:13 It's about murder.
01:04:15 Tewkesbury, it's all right.
01:04:20 Constable, go on.
01:04:22 Keep them safe.
01:04:25 Please.
01:04:27 Come along.
01:04:29 Ow.
01:04:33 Oh, I see.
01:04:37 I knew she didn't belong here.
01:04:39 [indistinct chatter]
01:04:41 [laughter]
01:04:43 You're despicable.
01:04:47 Disgraceful.
01:04:50 [gunshot]
01:04:52 [gunshot]
01:04:57 Quite a party.
01:04:59 You danced with a young Master Lion, I hear.
01:05:04 May I ask,
01:05:06 impertinently, I'm sure,
01:05:08 did you want to kiss him?
01:05:10 Or find out more about your case,
01:05:13 Miss Sarah Chapman?
01:05:16 [silence]
01:05:18 Look,
01:05:22 if you're trying to protect her,
01:05:25 know this.
01:05:27 I will protect her better.
01:05:30 There's someone wants to talk to her,
01:05:33 and they're not as kind as me.
01:05:35 Someone?
01:05:37 Who?
01:05:43 Why were you following me that night?
01:05:46 You were following me, too, weren't you?
01:05:51 That's why you found the flat.
01:05:54 Nice shirt.
01:05:59 Silk.
01:06:01 On a policeman's salary.
01:06:03 Who's paying you, Superintendent Grail?
01:06:08 Who's paying you to kill Mattrick?
01:06:10 Where's Sarah Chapman?
01:06:12 I don't know!
01:06:13 She's a thief and a troublemaker.
01:06:15 You don't want to risk your skin for her.
01:06:18 Well, if I can't find it out from you,
01:06:22 I'll find it out from someone else,
01:06:24 like her sister, Little Bessie.
01:06:27 She's just a little girl.
01:06:29 Oh, but that's how it starts in Hollerownes,
01:06:32 with little girls like her,
01:06:34 and you, and Sarah Chapman,
01:06:36 asking questions, doubting those in charge,
01:06:39 not seeing their protection for what it is,
01:06:41 trying to tear it down!
01:06:43 Well, it only takes one little flame to start a fire,
01:06:47 and my job is to keep crushing those bloody flames out!
01:06:51 Now, I'll be kind and give you one last chance.
01:06:58 Where is she?
01:07:02 I don't know.
01:07:05 (BREATHING HEAVILY)
01:07:07 Then you're for the nose,
01:07:13 as I'm detective you were.
01:07:15 You'd have stabbed me, you know.
01:07:18 (BELL RINGING)
01:07:20 Sir.
01:07:33 Sir!
01:07:34 Don't be ridiculous.
01:07:36 Superintendent Grail.
01:07:40 Mr. Holmes.
01:07:43 I'm here for my sister.
01:07:46 If you can arrange her release,
01:07:49 I'd much appreciate it.
01:07:51 She is my ward underminer.
01:07:54 And a murderer.
01:07:56 Any evidence you think you have against her, I can assure...
01:07:58 I have plenty.
01:08:01 She was seen arguing with the victim,
01:08:04 following the victim, fighting with the victim,
01:08:06 and lastly, standing over the victim's dead body.
01:08:08 And when we find her there,
01:08:10 with blood on her hands, she bloody runs.
01:08:13 I saw your murder site.
01:08:17 Marks on and around the door show that it was forced open.
01:08:25 And recently, there were signs of a scuffle
01:08:28 between marks from three separate intruders.
01:08:31 One of them, heavy set.
01:08:33 Judging by the height and extent of the subsequent damage,
01:08:37 traces of fabric and spots of blood
01:08:40 suggest that there was another occupant,
01:08:42 likely female, who seems to have fought back,
01:08:45 using a sharp and improvised weapon.
01:08:49 Before escaping through the window,
01:08:53 I'd say this was a targeted search and interrogation
01:08:56 in which two women were discovered.
01:08:58 And then, my sister arrived.
01:09:01 And you were curiously fast to arrive after her.
01:09:04 Now, are you going to release her, or shall I?
01:09:07 Sergeant Beeston, if you please.
01:09:12 Sir.
01:09:14 Fingerprint matching.
01:09:16 New invention, Swiss.
01:09:18 You have heard of it?
01:09:20 I have.
01:09:21 Would you care to look?
01:09:25 It makes our work so much more efficient.
01:09:28 Especially in a murder case.
01:09:31 My sister never touched that weapon.
01:09:39 Then why are there prints on it?
01:09:42 It's a great age we live in, isn't it, Mr Holmes?
01:09:51 [♪♪♪]
01:09:54 [THUD]
01:09:59 [MEOWS]
01:10:01 Have you any sense what time it is?
01:10:16 Hello, Edith.
01:10:17 You're lucky. I almost broke your legs.
01:10:20 Then I recognised the shoulders.
01:10:22 You have very recognisable shoulders.
01:10:24 Enola's been arrested.
01:10:27 For what?
01:10:29 Murder.
01:10:30 [SCREAMS]
01:10:32 What she's got tangled with,
01:10:35 it may go wider than I thought.
01:10:38 And there's something about this case that...
01:10:43 Deduction alone will not solve.
01:10:47 I may need your...
01:10:50 I need your help.
01:10:55 We need your help.
01:10:58 Exercise, 15 minutes.
01:11:01 Well, like my mother always said,
01:11:03 those who can turn to others when they're in need
01:11:06 are the truly brave amongst us.
01:11:09 Your mother sounds very different to mine.
01:11:14 [GROWLING]
01:11:17 I did try to stop her,
01:11:24 but she's full of this fight.
01:11:28 Here we go, finally.
01:11:32 You can't control Enola Holmes.
01:11:35 She's a force of nature,
01:11:38 a law unto herself.
01:11:39 Go easy on her, girl.
01:11:43 Yes, she is.
01:11:45 And I fear she will hang.
01:11:48 [♪♪♪]
01:11:51 [GASPS]
01:12:06 [GASPS]
01:12:07 [♪♪♪]
01:12:10 [GASPS]
01:12:11 [♪♪♪]
01:12:14 Come on, girl!
01:12:21 [INDISTINCT SHOUTING]
01:12:23 Enough.
01:12:24 Dissolve.
01:12:27 [GRUNTS]
01:12:30 Oh, it is good to see you.
01:12:34 [SCREAMS]
01:12:36 Hang on.
01:12:37 [♪♪♪]
01:12:40 [GRUNTS]
01:12:41 They're onto us!
01:12:45 [GRUNTS]
01:12:47 Be ready now!
01:12:49 So, this case of yours, how's it going?
01:12:52 I don't know.
01:12:53 I was just trying to help a girl find her sister,
01:12:55 and I think I've made things worse.
01:12:57 Nonsense. You stirred up a hornet's nest.
01:12:59 You are onto something.
01:13:01 Stand by!
01:13:03 Why else would they try and silence you?
01:13:05 Don't worry.
01:13:07 Don't worry. It's completely harmless.
01:13:09 [GRUNTS]
01:13:12 On your left!
01:13:13 My left or yours?
01:13:14 Yours!
01:13:15 [LAUGHING]
01:13:22 [LAUGHING]
01:13:33 This match, Frashery, what do you know about it?
01:13:35 It's a roaring success.
01:13:37 In two years, it's doubled its profits,
01:13:39 and now there's typhus.
01:13:40 Typhus?
01:13:41 Yes, the girls are going down with it.
01:13:43 They're dying.
01:13:44 That's a loose thread.
01:13:46 What?
01:13:47 Get back!
01:13:48 Here they come!
01:13:51 Break yourselves!
01:13:53 [SCREAMS]
01:13:57 We know about these factories.
01:14:02 Come on! Come on!
01:14:04 Girls like Sarah Chapman, they're expendable.
01:14:06 They go missing, too often they die.
01:14:08 No one cares.
01:14:09 But this girl, they care about, and greatly.
01:14:12 So, what does she know?
01:14:14 Get up here now!
01:14:16 She stole something. Some papers.
01:14:18 Uh-huh. So?
01:14:19 What's she gonna do with them?
01:14:20 What's her plan?
01:14:21 She's not a thief. She's not a blackmailer.
01:14:23 She is a troublemaker.
01:14:25 She knows something,
01:14:27 and that is infinitely more dangerous.
01:14:30 Come on, then!
01:14:32 [SCREAMS]
01:14:33 Stand by to the right!
01:14:39 Do you mind?
01:14:40 Wait for it!
01:14:41 Where?
01:14:42 Wait for it!
01:14:43 Straight!
01:14:44 Now!
01:14:45 Get it out! Get it out of here!
01:14:49 [SCREAMS]
01:14:51 [LAUGHS]
01:14:58 [SCREAMS]
01:15:00 [SCREAMS]
01:15:01 Now, whatever Sarah's hiding, Enola,
01:15:07 it's a secret.
01:15:09 You need to look for what she knows, Enola.
01:15:14 Find that out, and then everything else will follow.
01:15:19 She's probably right under your nose.
01:15:23 Get down!
01:15:28 Well, that's just brute.
01:15:29 Grail.
01:15:33 You're right, you're there! Get them out!
01:15:41 [GRUNTS]
01:15:42 [LAUGHS]
01:15:43 [GRUNTS]
01:15:47 Get out of here!
01:15:48 Oh, for goodness sake!
01:16:01 [SCREAMS]
01:16:11 [EXPLOSIONS]
01:16:12 [SCREAMS]
01:16:13 That's not good.
01:16:20 Get into the van!
01:16:21 You're all right.
01:16:23 You're all right.
01:16:24 All right, I'm all right.
01:16:27 Yeah.
01:16:28 Oh, no.
01:16:29 Shut.
01:16:30 Glory be!
01:16:36 It's the Holy Trinity.
01:16:40 [TRIUMPHANT MUSIC]
01:16:42 I'll make commissioner for this.
01:16:44 Take him.
01:16:46 Must we?
01:16:49 I fear so.
01:16:50 [CHOIR SINGING]
01:17:00 [GRUNTING]
01:17:02 [GRUNTING]
01:17:03 [CHOIR SINGING]
01:17:06 [GRUNTS]
01:17:15 [SCREAMS]
01:17:18 [GRUNTING]
01:17:23 [GRUNTING]
01:17:24 [GRUNTING]
01:17:28 [GRUNTING]
01:17:29 [GRUNTING]
01:17:32 Inedda!
01:17:33 [GRUNTING]
01:17:35 Inedda!
01:17:38 This is not Thomas.
01:17:41 [SCREAMS]
01:17:42 [EXPLOSION]
01:17:53 [TRIUMPHANT MUSIC]
01:17:55 [SCREAMS]
01:17:59 Oh, good thing I never valued my pelvis.
01:18:06 How about you, Edith?
01:18:07 How are the kidneys?
01:18:09 Fine.
01:18:10 I quite enjoyed it.
01:18:11 Hm.
01:18:12 You enjoy everything.
01:18:13 It's almost irritating.
01:18:14 Come on, this way.
01:18:16 Better get a move on.
01:18:17 All right.
01:18:18 So, um...
01:18:22 how's that useless boy of yours?
01:18:24 I hear he's doing good work.
01:18:27 He is.
01:18:30 Mm-hmm.
01:18:31 Well, then, perhaps not so useless after all.
01:18:35 I wouldn't say he's my boy.
01:18:39 You know, I sometimes think I brought you up to be too independent.
01:18:47 Mother, I did.
01:18:48 I did it with all of you.
01:18:49 Your purpose must be to find who you are.
01:18:53 You, Sherlock, Mycroft.
01:18:56 Strong, formidable, individual children, but...
01:19:00 well, perhaps a little lonely.
01:19:03 You will do very well on your own, Enola.
01:19:08 But with others, you could be magnificent.
01:19:15 Who do you think organized all of this, after all?
01:19:19 Hm?
01:19:20 Me?
01:19:21 No, you find your allies, work with them, and you will become more of who you are.
01:19:30 You speak with one voice, and you will make more noise than you could ever have imagined.
01:19:36 Come on.
01:19:39 She should go.
01:19:40 We'll put them off her scent.
01:19:43 So, you dust yourself down.
01:19:47 Keep facing forward.
01:19:51 And if you ever get condemned for murder again, you give me a shout.
01:19:56 I will.
01:19:58 Thank you, Edith.
01:20:04 Be careful.
01:20:10 [music]
01:20:25 And get a haircut.
01:20:27 It's a mess.
01:20:29 I think my hair is fine.
01:20:32 [music]
01:20:45 Come on.
01:20:46 I need you to pack your things.
01:20:53 I need you to be in a safer place.
01:20:55 Is... is my sister gone?
01:20:58 Like May?
01:20:59 No.
01:21:00 Is she...
01:21:01 I'm sure she's alright.
01:21:03 I'm closer to finding her.
01:21:05 Doris.
01:21:08 She'll take me in.
01:21:10 She's got a spare bed now.
01:21:13 Her sister?
01:21:16 Dead.
01:21:17 Typhus.
01:21:19 Dead?
01:21:25 [music]
01:21:36 There's traces of something in the soil.
01:21:39 One has red and one has white in it.
01:21:44 The matches you make, when did they change from red to white?
01:21:50 I don't know. Around two years ago.
01:21:53 In two years, these turn red into black, or should I say red into white.
01:21:59 Typhus, the plague of our times.
01:22:01 Two years it's been killing these girls.
01:22:04 [music]
01:22:23 Alice.
01:22:25 What are you looking at?
01:22:27 [music]
01:22:56 [knocking]
01:22:58 I need your help.
01:23:03 Well, don't make me repeat it. May I come in?
01:23:07 Firstly, I would like to apologise for so much.
01:23:11 I have failed to see allies in plain sight, and I have...
01:23:15 No, no.
01:23:16 There's something I wish to say to you too.
01:23:18 Oh, alright.
01:23:19 Do just...
01:23:25 All day, every day, all I do is compromise.
01:23:30 If I vote for this Lord's Bill that will allow him to pump bilge water into a clean lake,
01:23:33 then he will vote for my forestry reform.
01:23:36 I want to stand up and say this isn't right, but I have no allies.
01:23:40 So to do so would be to risk all that is good.
01:23:42 So I lie awake, trying to work out which path to follow.
01:23:46 Alone.
01:23:49 There is no search for a wife, because politics consumes me constantly.
01:23:55 That is a speech I stored up for you.
01:24:00 You are a good man.
01:24:05 I'm a man now.
01:24:07 On occasion.
01:24:08 But I understand your struggle.
01:24:10 Because I struggle too.
01:24:12 And I am sorry that we cannot talk more of it, because I have...
01:24:15 A case to solve?
01:24:18 The girl I'm looking for, Sarah Chapman.
01:24:21 She has proof that girls are dying from the phosphorus they work with every day.
01:24:25 And the factory are trying to cover it up as typhus.
01:24:29 She knows it.
01:24:31 And someone is going to kill her for it.
01:24:34 Then what can we do?
01:24:36 We?
01:24:38 [knocking]
01:24:46 Don't open it. It could be the police.
01:24:48 You're still wanted by the police.
01:24:50 Of course I am. I escaped jail.
01:24:51 You escaped jail?
01:24:52 Forget I told you that.
01:24:53 [knocking]
01:24:54 The lights are on. If I don't answer, they'll suspect more.
01:24:57 Hide.
01:24:58 [knocking]
01:24:59 Coming.
01:25:00 Miss Cicely.
01:25:03 I'm sorry I'm so late.
01:25:04 No, no, not at all. I told you to come. I want to help, but...
01:25:08 Is anyone else here?
01:25:09 No.
01:25:10 Good.
01:25:11 Good.
01:25:12 Better we are alone, for it is imperative that I speak with you.
01:25:15 Sir, I feel that you're a man of great character and that I can trust you.
01:25:19 Which is why I fear I may have to unburden myself to you, and it may prove shocking.
01:25:23 Miss Cicely, perhaps we could do this...
01:25:25 It's just, I've been wanting to speak with you about...
01:25:27 a relationship.
01:25:29 Oh, that, yes.
01:25:30 Perhaps we could discuss this another time?
01:25:32 Please, sir.
01:25:33 I'm terribly sorry, but let me assure you, I do share your interests.
01:25:37 And we will talk again.
01:25:38 Thank you.
01:25:40 Thank you.
01:25:41 She's gone. She was... flustered.
01:25:47 Do not think of doubting me. Cicely was here for my help.
01:25:52 She told me at the ball that she's working on a bill to change factory law.
01:25:56 She's unearthed something, some corruption, or other.
01:26:00 She's doing what?
01:26:06 If you have any concerns, I tell you categorically, I have no eyes for anyone but...
01:26:11 Well, no, that's quite how I want to say that.
01:26:15 But to say, in terms of romantic interests, yes, my interest is.
01:26:21 The reason I don't have to search, I'm busy with politics, like I say...
01:26:24 You admire Lord Tewksbury?
01:26:26 I hear he's a good man, and a great reformer.
01:26:29 The woman I would be most interested in.
01:26:31 Then I mustn't lose my chance.
01:26:33 You're not listening?
01:26:35 Good evening, Lord Tewksbury.
01:26:37 You shouldn't have a chaperone.
01:26:39 You've got five seconds to tell me why you're here.
01:26:43 I've been blind.
01:26:45 The phosphorus from the matchmaking has mixed with the oxygen in the atmosphere.
01:26:48 I have missed everything.
01:26:50 It's probably right under your nose.
01:26:52 Cicely.
01:26:56 Mm-hmm.
01:26:57 Sarah is Cicely.
01:27:07 Cicely is Sarah!
01:27:11 Enola! Enola, what on earth?
01:27:15 Enola, did you understand what I said?
01:27:19 Or rather, what I didn't say. Did you understand...
01:27:22 what I didn't say?
01:27:24 Yes! You were saying that you...
01:27:26 You'll learn.
01:27:36 That message...
01:27:38 you sent me with the fan at the ball, what did it mean?
01:27:42 It means I love you.
01:27:48 I love you.
01:27:49 Ladies and gentlemen, to the future!
01:27:59 Of course.
01:28:04 They were working together, in love.
01:28:09 They had a plan...
01:28:11 to expose the corruption in that factory
01:28:15 and stop what his father was doing.
01:28:17 They wanted your help.
01:28:19 William Lyon invited you to that ball.
01:28:21 He's a radical, just like you.
01:28:23 They needed my help.
01:28:24 You're right.
01:28:26 But Enola, we must return inside.
01:28:28 The police are pursuing you and we have much to talk of.
01:28:30 No! I know we have much to talk of, my dear, dear lord.
01:28:33 You love me.
01:28:34 And as it turns out, I love you too.
01:28:36 You love me too.
01:28:39 You really are a Lincoln poop.
01:28:44 Now hail a cab.
01:28:45 Shh! You're walking loudly.
01:28:59 It's gravel.
01:29:00 You've got large feet.
01:29:02 I know.
01:29:03 Wait here, keep guard.
01:29:10 If anyone comes, just tell them you're a lord or something.
01:29:13 I am a lord.
01:29:14 Well, then they'll likely believe you.
01:29:17 All right.
01:29:18 [sighs]
01:29:20 [eerie music]
01:29:22 [footsteps]
01:29:24 [water dripping]
01:29:31 [door slams]
01:29:44 [door opens]
01:29:50 [footsteps]
01:29:52 [thud]
01:30:01 [grunting]
01:30:02 [screams]
01:30:04 [screams]
01:30:05 [thud]
01:30:06 [breathing heavily]
01:30:08 You.
01:30:10 [glass shatters]
01:30:13 How ridiculous you are!
01:30:15 I'm ridiculous? I told you to stay safe and stay away.
01:30:18 Now you're breaking out of prison and you have the whole police force after you.
01:30:21 Oh, are you hurt?
01:30:23 I am sorry.
01:30:24 Are you not hurt?
01:30:25 It seems not.
01:30:28 [chuckles]
01:30:30 I wonder who taught you to fight like that.
01:30:32 Another thing our mother has to answer for.
01:30:35 She should have fed me as well as you is what I think.
01:30:37 Hang on, why are you here?
01:30:40 Is it my case or your own?
01:30:42 Both.
01:30:43 I know how Grail got your fingerprints.
01:30:45 Oxidized phosphorus dust.
01:30:47 Lifted from the table and applied to the knife.
01:30:50 You're innocent.
01:30:52 You doubted it!
01:30:54 Nothing certain until it's proved.
01:30:57 And your case?
01:31:00 My adversary.
01:31:01 His trail.
01:31:02 It leads here.
01:31:04 It seems our cases are connected.
01:31:08 Shall we?
01:31:11 [footsteps]
01:31:16 [suspenseful music]
01:31:44 William Lyon.
01:31:45 Sarah's love.
01:31:48 And my thief in a tapered crown hat.
01:31:50 Stay unemotional.
01:31:58 There's nothing more we can do for him now.
01:32:01 We need to keep our minds fresh and our eyes sharp.
01:32:04 He was seized.
01:32:06 Yes, and searched.
01:32:08 For the document he took.
01:32:10 A knife?
01:32:13 No, bigger.
01:32:14 The cutlass.
01:32:16 Heavy boot scuffs.
01:32:20 And scratch marks from a cane which has a metal ferrule.
01:32:24 Grail.
01:32:27 But at whose behest?
01:32:30 There was another in this room.
01:32:32 This cigar had a holder.
01:32:34 And traces of wool.
01:32:42 Master of Khan, the finest.
01:32:44 Well, Lord MacIntyre, if I might suggest a little lunch.
01:32:49 Leave me be.
01:32:51 Please, they're watching.
01:32:53 [laughter]
01:32:55 Why did William steal from?
01:32:57 The Treasury Office?
01:32:59 Yes.
01:33:01 The office of Lord MacIntyre, Treasury Minister.
01:33:03 How did you come to that?
01:33:05 I think what William stole was proof
01:33:08 that Lyon and MacIntyre were conspiring together.
01:33:12 Corruption?
01:33:13 Yes, fuelled by greed.
01:33:16 MacIntyre has been secretly profiting from the factory.
01:33:19 They changed the match formula to a cheaper phosphorus.
01:33:22 And it's deadly.
01:33:25 Enola?
01:33:27 Enola, I was concerned for you.
01:33:29 You left me standing out there in the dark.
01:33:31 I nearly tore my...
01:33:33 Sherlock Holmes?
01:33:36 Not the time.
01:33:38 Oh my...
01:33:40 Is he...?
01:33:41 Stay unemotional.
01:33:42 But who did this?
01:33:44 Lord MacIntyre.
01:33:46 No.
01:33:48 But it all fits.
01:33:49 No one has sat in this chair.
01:33:51 There are no marks on the carpet, no indentation.
01:33:53 The cigar has been smoked, but cold.
01:33:55 And look.
01:33:57 No ash.
01:33:59 No lips have touched that glass.
01:34:02 Exactly.
01:34:04 These clues have been planted for us to find.
01:34:06 To mislead us from the true villain.
01:34:09 This has all been staged.
01:34:10 By who?
01:34:13 Not MacIntyre.
01:34:15 But by someone who had a lot to lose without that document.
01:34:17 Someone who knew what they were up to and was blackmailing them.
01:34:20 My opponents.
01:34:23 Someone who likes a game.
01:34:27 Did they get what they wanted?
01:34:30 No.
01:34:32 I don't think so.
01:34:34 Poor William.
01:34:38 [Bell tolling]
01:34:39 They did get something.
01:34:57 May's terrible music.
01:34:59 The truth of the gods.
01:35:01 Could be biblical, mythical.
01:35:03 Theatrical.
01:35:06 The gods is the top row of the theatre.
01:35:08 The balcony.
01:35:10 Doesn't everyone know that?
01:35:12 This isn't music.
01:35:15 It's a map.
01:35:26 It's a map.
01:35:27 Just to be clear as to what we might be about to face.
01:35:39 There may be some violence.
01:35:42 You've faced it before.
01:35:44 Yes.
01:35:46 I did have part of a suit of armour on.
01:35:48 But yes, fighting will be...
01:35:51 Yes.
01:35:54 You've fought before, haven't you?
01:35:55 Yes, plenty of fights. Fenced from my school.
01:35:57 Hmm.
01:35:59 Fine. Can you teach me to fight?
01:36:04 What? Right now? In a carriage?
01:36:07 Did I not teach you to dance in five minutes in a bathroom?
01:36:11 Alright. Fine.
01:36:14 There are two secrets to fighting.
01:36:19 Avoid the punch, make the counter punch.
01:36:23 I don't see how two secrets...
01:36:24 Ow!
01:36:26 Your first lesson.
01:36:28 Ow!
01:36:30 Your second. You didn't avoid the punch, you let me make the counter punch.
01:36:33 You can hardly expect me to hit a girl.
01:36:35 Oh dear.
01:36:37 Ow! Ow! Will you stop that?
01:36:39 I can't stop.
01:36:41 We're approaching.
01:36:46 Lord.
01:36:48 [Music]
01:37:11 I made it more of those lessons.
01:37:14 [Music]
01:37:38 X marks the spot.
01:37:41 [Music]
01:37:59 Sarah.
01:38:01 It's all there.
01:38:04 All the proof we need.
01:38:07 The contract.
01:38:10 Between Lyon and McIntyre.
01:38:12 To change the phosphorous.
01:38:14 What William stole for you.
01:38:18 And the pages.
01:38:25 From the factory register.
01:38:27 That's what you stole from the office.
01:38:29 These are the names of the girls they killed.
01:38:32 I couldn't let them be forgotten.
01:38:37 And it's proof that Madge girls are dying from working in that factory.
01:38:40 And they knew it all along.
01:38:42 You're a bloody good detective Enola Rhoames.
01:38:46 You are too Sarah Chapman.
01:38:50 I will share this with the world.
01:38:56 I promise you.
01:38:58 Thank you.
01:39:00 Now we really must find William.
01:39:03 He was supposed to meet me six hours ago.
01:39:06 I'm afraid William won't be coming.
01:39:08 What?
01:39:15 I'm sorry.
01:39:20 I'm so sorry.
01:39:22 I told him we had everything we needed.
01:39:30 That we should just go public.
01:39:34 He said nobody would care unless we had someone in power who would listen.
01:39:38 He was just trying to keep me safe.
01:39:43 And now I've lost him.
01:39:47 We must move quickly or we'll lose you too.
01:39:50 Losing this.
01:39:53 Losing that.
01:39:57 Seems you've got a lot of work to do.
01:40:03 Seems you've lost everything.
01:40:04 Bessie.
01:40:06 You've all been very careless.
01:40:08 I'll take those.
01:40:15 Let go of her.
01:40:17 Give me the papers and I will.
01:40:20 Give me the papers and I will.
01:40:21 Run Bessie!
01:40:37 Don't just stand there!
01:40:44 Don't just stand there!
01:40:45 Get off her!
01:40:56 Come here.
01:40:57 Avoid the punch. Make the counter punch.
01:41:22 Avoid the punch.
01:41:23 Too pretty.
01:41:46 Too pretty.
01:41:48 Too pretty.
01:41:49 Too pretty.
01:41:50 Too pretty.
01:41:51 Too pretty.
01:41:53 Too pretty.
01:41:54 [Gunshot]
01:41:56 [Footsteps]
01:41:57 [Fighting]
01:42:08 [Fighting]
01:42:09 [Gunshot]
01:42:28 [Gunshot]
01:42:32 [Fighting]
01:42:36 [Fighting]
01:42:37 No!
01:42:56 [Gunshot]
01:42:58 [Gunshot]
01:42:59 Bessie!
01:43:07 Run!
01:43:10 I said run!
01:43:12 [Grunts]
01:43:13 [Fighting]
01:43:26 [Gunshot]
01:43:27 [Grunts]
01:43:55 [Grunts]
01:43:56 Enola!
01:43:58 You got more to you than a foot.
01:44:08 [Grunts]
01:44:09 [Fighting]
01:44:11 [Fighting]
01:44:12 [Grunts]
01:44:27 [Grunts]
01:44:34 [Grunts]
01:44:35 [Fighting]
01:44:57 [Grunts]
01:45:00 [Grunts]
01:45:01 [Grunts]
01:45:08 What places we find ourselves in.
01:45:20 What places indeed.
01:45:28 [Footsteps]
01:45:29 I've always loved the theatre.
01:45:32 Got it?
01:45:37 I used to dream I'd end up on the stage.
01:45:40 You're not rid of me yet, by count two through my quest of Basil, ever.
01:45:47 [Grunts]
01:45:51 [Grunts]
01:45:54 [Grunts]
01:45:55 Enola!
01:45:58 [Screams]
01:46:04 [Screams]
01:46:07 [Grunts]
01:46:10 [Gunshot]
01:46:11 You alright?
01:46:19 Are you alright?
01:46:20 You are made to fight.
01:46:28 [Clapping]
01:46:38 Congratulations.
01:46:40 Lord MacIntyre, what are you doing here?
01:46:45 I was summoned.
01:46:48 Your brother knew that I would want to see the right people shown justice.
01:46:51 And I don't know how to thank you for retrieving this government property and bringing this killer to life.
01:46:59 A rot amongst our ranks.
01:47:03 The world shall know the name Enola Holmes. I'll make sure of it.
01:47:10 Lestrade, arrest that girl.
01:47:16 She's done nothing wrong.
01:47:18 The more charge, the theft.
01:47:21 All she stole from you was the truth.
01:47:23 She took personal information, which she used for extortion and blackmail.
01:47:30 Which is why she'll serve her time.
01:47:33 Ah.
01:47:35 But you are mistaken.
01:47:38 She was not your blackmailer.
01:47:42 I summoned you here to draw that very person out.
01:47:46 The accounting was masterful.
01:47:48 A tangle of roots, but all pointed to one pocket.
01:47:52 One person receiving the fruits of their schemes with no one noticing.
01:47:58 Hearing everything.
01:48:01 Seeing everything.
01:48:03 Ignored for years.
01:48:06 Playing them all.
01:48:08 It's all a game.
01:48:10 And it's fun.
01:48:14 Once you know the rules.
01:48:16 Miss Mira Troy.
01:48:22 Absurd.
01:48:24 I don't believe it.
01:48:27 It's remarkable what can be done when people underestimate you.
01:48:35 And then came the problem.
01:48:38 William stole the contract.
01:48:41 And he threatened to cut off your money train.
01:48:43 And you couldn't have that.
01:48:44 You hired Grail to retrieve the document.
01:48:47 But things got out of hand.
01:48:50 So you tried to point us to Lord MacIntyre.
01:48:53 A rare misstep in your game.
01:48:56 Moriarty.
01:48:59 Such a shame our divertissement has to end, Mr. Holmes.
01:49:12 I was so enjoying it.
01:49:16 And you, Enola.
01:49:20 Miss Troy.
01:49:22 You've been behind this.
01:49:24 Of course, you never can find the proper staff.
01:49:29 I only wanted the agreements back.
01:49:32 And though I couldn't be seen to question William myself, you were so obliging.
01:49:39 If you wish to speak with William, you could always try with that.
01:49:43 Just a pity he was smarter and braver in the end than I'd expected.
01:49:50 They both were.
01:49:52 Their deaths were so unnecessary.
01:49:55 But, Superintendent Grail was somewhat of a blunt instrument.
01:50:02 You!
01:50:04 How dare you take advantage of your position!
01:50:09 I take advantage?
01:50:13 What were my advantages?
01:50:17 Treated like a common servant when I have twice the mind of yours.
01:50:22 Any of yours.
01:50:26 Why shouldn't I have a share of your ill-begotten riches and punish you at the same time?
01:50:36 Why shouldn't I be rewarded for what I can do?
01:50:39 Where is my place in this society?
01:50:46 I am a woman.
01:50:48 I cannot join clubs.
01:50:50 I cannot own shares.
01:50:52 I cannot advance myself as they can.
01:50:55 So...
01:50:57 I found my own way.
01:51:04 And it was fun!
01:51:08 Strasz.
01:51:14 Take her away.
01:51:18 Muchaucha.
01:51:22 Extortion.
01:51:24 Blackmail. Murder.
01:51:26 Such a shame our little dance has brought you to this.
01:51:32 Our little dance has to end.
01:51:34 For now, at least.
01:51:36 Perhaps we shall take to the floor again.
01:51:39 No!
01:51:48 No!
01:51:50 Well, there.
01:51:53 That's that then.
01:51:55 I accidentally burnt my own property.
01:51:58 What of it?
01:52:01 You are corrupt, sir.
01:52:03 I'm complicit in the deaths of hundreds of match girls.
01:52:06 Where is your proof?
01:52:09 Good.
01:52:11 So, back to business.
01:52:15 Sir, you cannot...
01:52:17 Jigsbray.
01:52:19 Patience.
01:52:22 Glory be.
01:52:31 Glory be.
01:52:32 All those names.
01:52:43 Those lives.
01:52:45 I failed them, Enola.
01:52:47 Don't say that.
01:52:49 May gone.
01:52:51 William gone.
01:52:55 And they're gonna get away with it.
01:52:58 You heard the man. Where's your proof?
01:53:01 What do we have now?
01:53:04 We have each other.
01:53:10 And we have the truth.
01:53:26 You're late, best chapman.
01:53:28 Docking you a penny.
01:53:30 Oi.
01:53:33 You're not welcome here no more.
01:53:36 What are you doing?
01:53:38 Wait.
01:53:40 Get down.
01:53:42 Get down!
01:53:44 Let her speak.
01:53:46 A few weeks ago,
01:53:52 mate Isley, William Lyon and I set out to prove something.
01:53:57 To prove that this factory was killing people.
01:54:01 And they knew it.
01:54:03 But they decided that profit mattered more than we did.
01:54:07 You're coming with me.
01:54:09 Shh. It ain't typhus that's killing us.
01:54:12 It's the phosphorus.
01:54:14 What we work with every day.
01:54:16 You lying little tow rag.
01:54:19 That's a penny off your wages.
01:54:21 [Gunshot]
01:54:22 These were our friends.
01:54:25 Our sisters.
01:54:28 And our children.
01:54:34 Well, it stops now.
01:54:39 It's time for us to use the only thing we have.
01:54:43 Ourselves.
01:54:45 It's time for us to refuse to work.
01:54:50 I want to tell him no.
01:54:51 Right. Get back to work.
01:54:54 You leave here, there is no coming back.
01:54:58 You will not get employed here again.
01:55:02 Well, will you join me?
01:55:06 Think of your families.
01:55:11 Don't do it girls.
01:55:13 It is not worth the risk.
01:55:16 Well,
01:55:19 will you?
01:55:20 This is how the world works.
01:55:23 Please girls.
01:55:25 I know you're scared.
01:55:27 I am too, but it's the only power we have.
01:55:31 Right.
01:55:39 Get her machine back on and get back to work.
01:55:44 [Sighs]
01:55:45 Right.
01:55:51 No.
01:55:55 This can't be their future.
01:55:58 I'm sorry Enola.
01:56:00 Stop that.
01:56:10 Stop that.
01:56:11 Stop that.
01:56:21 I'll be one voice.
01:56:27 That's enough!
01:56:33 [Gunshots]
01:56:35 Stop that!
01:56:47 Don't anyone control it!
01:56:58 Bloody women!
01:57:00 [Gunshots]
01:57:02 Come on girls!
01:57:08 [Children playing]
01:57:10 [Children playing]
01:57:13 [Children playing]
01:57:15 [Children playing]
01:57:17 [Children playing]
01:57:19 Where are you going?
01:57:46 Westminster!
01:57:47 There they go.
01:57:51 Well that's a whole lot of noise.
01:57:53 She likes causing trouble, doesn't she?
01:57:57 It's as if she was moulded that way.
01:58:00 She still needs that haircut.
01:58:15 It seems your boy has learned how to fight.
01:58:17 Lord MacIntyre.
01:58:21 Indeed.
01:58:26 He's not my boy.
01:58:28 Pay what you can.
01:58:36 And what will people pay you in?
01:58:38 Potatoes and gratitude.
01:58:40 If that's all they have.
01:58:41 You can deal with the hoits and toits.
01:58:43 This is where I should be.
01:58:44 Besides, Edith says she'll be kind with the rent.
01:58:47 You know, you are aware, should you wish some finer surrounds, I could...
01:58:54 I was thinking.
01:58:57 Homes and homes?
01:59:01 A partnership?
01:59:05 That is the kindest offer.
01:59:12 But if I did that, I would always be in your shadow.
01:59:15 Hm. Yes.
01:59:17 Though I do like this new version of you.
01:59:24 No one should be alone all the time.
01:59:26 A friend would do you well.
01:59:29 Perhaps I should write that down.
01:59:33 I shall drop by to check on you.
01:59:39 I would like that.
01:59:41 Perhaps you could come to Baker Street from time to time.
01:59:45 To check on me.
01:59:48 Perhaps we can fix on Thursday.
01:59:54 4pm.
01:59:56 Thursday at 4 it is.
01:59:58 It seems I should not be the last to interrupt you today.
02:00:03 And here's flowers.
02:00:06 Sherlock.
02:00:10 Jukesbury.
02:00:11 See you on Thursday.
02:00:13 Bye, Sherlock.
02:00:14 Sherlock. Your paper.
02:00:25 Thank you.
02:00:27 And...
02:00:29 Thank you.
02:00:31 For everything.
02:00:33 (Footsteps)
02:00:35 Jukesbury, when did I give you the impression that I like flowers?
02:00:54 They're called spreading bellflowers. Wild, of course.
02:00:57 Attracted to ancient woodland. Wiry, deceptive.
02:01:01 Refuse to behave according to any rules.
02:01:03 But their petals are so delicate.
02:01:06 And their flowers...
02:01:08 Two things. Your metaphor is tortured and I don't have delicate petals.
02:01:11 Oh, and, and, and...
02:01:13 I've got an invitation to a ball being given by Lady Anne.
02:01:18 Jukesbury, I'm not going to a ball with you.
02:01:20 I got arrested at the last one.
02:01:22 Well, all the more reason to dance again, wouldn't you say?
02:01:26 You're an income poop.
02:01:28 And you are a coward.
02:01:30 How dare you speak to a lady like that? You are a disgrace, sir.
02:01:32 And yet you still hold my arm.
02:01:34 And yet I still hold your arm.
02:01:37 And yet I still hold your arm.
02:01:39 [Music]
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02:02:09 [Doorbell]
02:02:11 [Knock on door]
02:02:13 Sherlock Holmes?
02:02:19 Yes.
02:02:21 I'm here for my appointment.
02:02:23 You're seeking a flatmate?
02:02:26 You must have the wrong address.
02:02:29 Really?
02:02:30 The young lady was very clear as to the place and the time.
02:02:36 Thursday at four, she said...
02:02:38 You are Sherlock Holmes?
02:02:39 Yes.
02:02:43 Please, do come in, Mr...
02:02:46 Doctor.
02:02:47 Watson.
02:02:49 John Watson.
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