Pájaro soñador - Capitulo 143 (Audio Español) - Erkenci Kuş
Category
🎥
Short filmTranscript
00:00♪
00:10♪
00:20♪
00:30♪
00:40♪
00:50♪
01:00♪
01:10♪
01:20♪
01:30♪
01:40♪
01:50♪
02:00♪
02:10♪
02:20♪
02:30♪
02:41I'm going to eat a strawberry.
02:42Ah.
02:43You did well picking them up.
02:44You look like Caperucita.
02:45I agree.
02:46They're delicious.
02:47They're sour.
02:48Mm-hmm.
02:49My tongue is burning.
02:50Let's go.
02:51It's not true.
02:52I just picked them up.
02:53Yes, of course.
02:54They are the only ones who have problems.
02:55The only ones who can complain.
02:57Everyone has the right to talk about their problems,
02:59but I can't even ask a little question.
03:01We can face our difficulties and virtues.
03:03You already know that, right?
03:05I didn't say anything.
03:06I don't want misunderstandings.
03:07I know, but sometimes...
03:09Don't turn around.
03:21Musa, why did you act like that?
03:24That girl picked up the strawberries because she likes you.
03:26Why do you treat her so badly?
03:28She doesn't deserve it.
03:29But what do you say?
03:30I have adequately rejected her offer.
03:32And what did you do?
03:33Tell me.
03:34You just scream and scold me in front of her.
03:37Why do you always have to yell at me, little brother?
03:40I didn't yell at you?
03:41Of course you did.
03:42You yelled at me and that hurt me.
03:44Didn't you realize how you broke my heart
03:46at that moment, you bastard?
03:48No, not at all.
03:49Denial.
03:50You always use the denial tactic,
03:52but you yelled at me, brother.
03:53You yelled at me very loudly.
03:55It's very easy to break a glass,
03:57but do you think it would be so easy
03:59to hit the pieces again, or what?
04:02Okay, I'm sorry.
04:03I apologize.
04:04It was my fault.
04:05Why does your evil grandmother forgive you?
04:07What glass did you break?
04:08It's broken.
04:09I even cut myself.
04:10Let's see.
04:11Try to fix all this if you can.
04:13Why did the glass break?
04:14It's plastic.
04:15Yes, I know.
04:16How?
04:17Maybe I cut my hand.
04:19I didn't do it on purpose.
04:20I also make mistakes.
04:21I already apologized.
04:24Do you forgive me?
04:25Always the same, the same.
04:28It's just that lately I feel very sensitive.
04:31I got it all out.
04:32Yes, yes.
04:33I don't know what it is.
04:34Look.
04:35My beautiful heart
04:37has become a moss-covered rock.
04:41So, from now on,
04:42I will avoid any kind of love,
04:44even if that makes me an unhappy man,
04:46because one day you wake up with the smell of strawberries,
04:50and the next day you are nothing more than a dreaming bird
04:53at the door of an ugly house.
04:57I guess I got excited.
05:01I miss Hen a lot.
05:02That's why I have such a rebellious attitude.
05:05I know you miss her a lot,
05:06but I've never yelled at you,
05:07or hurt you with a rose petal.
05:10I didn't do it on purpose.
05:11You're hurting me.
05:12Don't tell me anymore,
05:13or I'll go back to my mom.
05:15Hey, is something wrong?
05:17No, we're just talking.
05:18What's wrong?
05:19What do you want?
05:20Are you okay?
05:21Yes, of course.
05:24And why wouldn't we be okay, boy?
05:25We are very well.
05:27How crazy!
05:29We just had a great talk.
05:32Ha ha ha!
05:37Gentlemen,
05:38I'm glad to see you're having a great time.
05:40This looks like a coffee shop.
05:42Yay yay!
05:43You know me well,
05:44so I don't know why you're doing this to me.
05:46Why aren't you in the set?
05:48Why are you yelling?
05:50Why do you have to yell?
05:51Don't you have any other way of expressing yourself?
05:53Why are you forcing me?
05:56Dear friends,
05:57today we have to finish the job.
06:00If you don't understand the gravity of the situation,
06:03to perform my interpretation properly,
06:05you have to show me more attention and affection.
06:09Because Cleopatra
06:10is a very important and very feminine historical character.
06:14I have to be able to feel that character.
06:17I have to focus on who I am
06:20to feel like her,
06:21and I still can't feel it.
06:23It's the method.
06:27Are you still sitting?
06:28Where's the wardrobe?
06:29Calm down, okay?
06:30And you're wasting your time!
06:33Move, yay yay.
06:35Come on, I don't even know where the set is.
06:38They're slower than a turtle.
06:40How can they be so lazy?
06:43I understand why they killed Julius Caesar.
06:45Behave yourself.
06:47When you bother me,
06:48I wrinkle my skin on my face.
06:50And that's not good,
06:51because it produces wrinkles.
06:56I forbid you to get angry again.
06:59I'm sorry.
07:00I'm sorry.
07:01I'm sorry.
07:02I'm sorry.
07:03I'm sorry.
07:04I'm sorry.
07:05I'm sorry.
07:06I'm sorry.
07:07I'm sorry.
07:08I'm sorry.
07:09I'm sorry.
07:10I'm sorry.
07:11I'm sorry.
07:12I'm sorry.
07:13I'm sorry.
07:14I'm sorry.
07:15I'm sorry.
07:16I'm sorry.
07:17I'm sorry.
07:18I'm sorry.
07:19I'm sorry.
07:20I'm sorry.
07:21I'm sorry.
07:22I'm sorry.
07:23I'm sorry.
07:24I'm sorry.
07:25I'm sorry.
07:26I'm sorry.
07:27I'm sorry.
07:29I make myself sting!
07:32I told you.
07:33I can't wear fabricSinten.
07:36I get all skin and stinging body.
07:38What are we gonna do,
07:40tell me,
07:41cuz then I don't see it.
07:42I'm not a conflict advertiser.
07:43Why do I have to be here?
07:44You're Cleopatra.
07:45You're Marco Antonio.
07:46You are the couple of century.
07:47The beauty of Cleopatra
07:49has captivated marco Antonio.
07:50Things are turning out
07:52in our一直
07:53don't forget this.
07:55I'm still stingy.
07:56You'll end up getting used to it.
07:59Oh, Musa, I really like this job.
08:01I really love it.
08:03And you know why?
08:04Because it allows me to feel like a slave of that time.
08:07Although I'm actually the boss of the agency.
08:11Jan, look.
08:12I have experience in the world of interpretation.
08:15Once I acted in a cheese ad for a local chain.
08:17They were two-milk, cow and sheep cheeses.
08:19And I have a lot of experience.
08:21Yay, yay, yay.
08:22We can record and then you replace him for me.
08:25You don't understand what I'm saying.
08:26I'll keep that in mind, Musa.
08:27But now I'm busy preparing the camera.
08:28Of course.
08:29Call me if you need me.
08:30Goodbye.
08:31Do you think my makeup is too much?
08:32Tell me.
08:33You're very tanned.
08:34Of course.
08:35I'm a slave.
08:36And they're always under the sun.
08:37That's why I put on so much makeup.
08:39Very well thought out.
08:40Well, listen.
08:41Let's rehearse.
08:42Come a little closer.
08:43Deren, you stay where you are.
08:45Try to get more straight.
08:46Not so lying down.
08:47Bulut, you behind her.
08:48Of course.
08:49I'm going.
08:50That's right.
08:51Behind Deren.
08:52Now, with eyes of love.
08:57Sanem, you sit there.
09:00You'll do a crown with the flowers.
09:02Hmm, okay.
09:03Denise, take the instrument.
09:05You'll be playing music.
09:07But I don't know how to play.
09:09It's okay.
09:10Just pretend you do.
09:12And you guys fan to Cleopatra,
09:14from right to left.
09:16Okay.
09:18Well, Deren, I'll explain the scene.
09:21You take out the cream and you put it on your face.
09:24At that moment, Bulut comes up behind you.
09:27And he wants to kiss you.
09:29But no.
09:30You see that he starts to smell you,
09:32and he looks at you like nobody.
09:35Hey, his eyes open.
09:37There's too much tension in his face.
09:39That's not good.
09:40That doesn't help.
09:42You guys calm down.
09:43Everything will be fine.
09:44Try to relax.
09:46Ready?
09:47Let's start.
09:48And me?
09:49You're fantastic.
09:50The character suits you very well.
09:52I can feel it.
09:53Excuse me a minute.
09:54I want to say something before we start shooting.
09:57In this project, I'm the protagonist.
10:00I'm Cleopatra.
10:01So you have to praise me and tell me nice things.
10:04That's what I always do when I deal with actors.
10:07Cleopatra wants to be mimed and pampered.
10:10Yay, yay.
10:11I heard you.
10:12Don't worry.
10:13Everything will be perfect.
10:14We're going to record.
10:15Hey, Denise, play something animated.
10:17What do you want?
10:18Animated?
10:19Director, I've lost my concentration.
10:22I don't know what to do.
10:24And my revenge has arrived.
10:27Six doubles.
10:28What?
10:29Six doubles again?
10:30Always getting the same thing.
10:32This is suspicious.
10:33Could it be that this neighborhood brings me very good luck?
10:36Oh, well, then buy the house next to mine and we'll be neighbors.
10:40Oh, no.
10:42Oh, it can't be.
10:44What's wrong?
10:45I'm in great danger.
10:48I know that look and I'm very scared.
10:53I know.
10:54Medkivet also looks at me like that.
10:56I'd tell you to hide in the store, but I think it's too late for that.
10:59Well, yes, it's late.
11:01Hello, nice to meet you.
11:02How are you?
11:03Hello, welcome.
11:04What a pleasant surprise.
11:05Very kind.
11:10Good morning.
11:11Good morning.
11:13When did you come back?
11:15I came to look for you.
11:18How long would you have had me waiting at home if I hadn't come?
11:22It's just that I stopped here.
11:24Yes, I just remembered that I have to look for something in the warehouse,
11:28but you guys keep talking.
11:30I'll go inside.
11:31Okay.
11:37It's time for you to go back to where you belong.
11:40If you think so too.
11:42Come with me.
11:43Are you sure?
11:46I don't want to bother you.
11:48I'm sure, Aziz.
11:51Wait here.
11:53Uh, friend, we'll keep playing later.
11:57Whenever you want.
11:58You know where we are.
11:59Thank you.
12:00See you later.
12:01We'll see you later.
12:03See you later.
12:04Goodbye.
12:05Come back soon.
12:06Of course.
12:09I realized something.
12:10What?
12:11I think the other day gave me an insulation.
12:15Wait, wait, wait.
12:17I'm exhausted.
12:18Don't make me talk.
12:19I'm sweating.
12:20Don't move.
12:21I'm running all over the machine.
12:22I told you not to move.
12:24You're a clown.
12:25It's hot, but it's fantastic.
12:28Wake me up when the slavery is over.
12:30It's hot and I don't want to look like a dead man.
12:32I must stay in character.
12:34Wait.
12:35But Cleopatra wants to get out.
12:36Cleopatra wants to get out of Deren's interior.
12:38Did you hear?
12:39And where do you want her to get out?
12:40Where do you want to get out?
12:41I don't know.
12:42I can't control her.
12:43I'm warning you.
12:45What are you doing?
12:46Guys, don't eat the grapes, please.
12:48Don't tell me.
12:49The United People will win.
12:50Where's my caravan?
12:51J.J.
12:52Deren asks for his caravan.
12:53Where is it?
12:54There was no caravan at that time.
12:55What?
12:56Don't ask me.
12:57How was there going to be a caravan?
12:59Besides, at that time, levers were used.
13:01Hey, try to calm down.
13:02I'll be right back.
13:03Here we wait for you.
13:06J.J.
13:07Water.
13:08Water for Sanem.
13:09I asked you, didn't I?
13:11Sanem wants a shake.
13:12A smoothie?
13:13A shake.
13:14A smoothie.
13:15Make one.
13:16I feel like it.
13:17What would you do if you were a real actress?
13:18You don't stop asking for things.
13:19It's unbearable.
13:20I knew it.
13:21I'm the protagonist.
13:22Cleopatra is the protagonist.
13:24It's to go crazy.
13:25Why are we doing this?
13:26Tell me.
13:27How is it possible that they haven't rented me a caravan?
13:36I don't know.
13:37I don't know.
13:38I don't know.
13:39I don't know.
13:40I don't know.
13:41I don't know.
13:42I don't know.
13:43I don't know.
13:44I don't know.
13:45I don't know.
13:46I don't know.
13:47I don't know.
13:48I don't know.
13:49I don't know.
13:50I don't know.
13:51I don't know.
13:52I don't know.
13:53I don't know.
13:54I don't know.
13:55I don't know.
13:56I don't know.
13:57I don't know.
13:58I don't know.
13:59I don't know.
14:00I don't know.
14:01I don't know.
14:02I don't know.
14:03I don't know.
14:04I don't know.
14:05I don't know.
14:07I don't know.
14:09I don't know.
14:10I don't know.
14:13Here I am.
14:14Hello.
14:14Hello.
14:15The set is ready.
14:15The set is ready.
14:16It's a bit chaotic out there but I think the beauty comes from the chaos.
14:19Exactly.
14:22Are you sure you haven't lost anything?
14:24Do you want to ask me something?
14:25No.
14:34I'm going to make a smoothie.
14:36Uh, our famous star has a craving for one,
14:39and I have to go make it for her.
14:41See you later, partner.
14:48My love.
14:50Honey, are you okay?
14:51Hi, honey.
14:52Yes, I'm fine.
14:53Mm-hmm.
14:54My love, I came as soon as I could,
14:57but I'm afraid I'm going to miss you.
14:59I know.
15:00I know.
15:01My love, I came as soon as I could,
15:03but I have to go back right away.
15:05Are you sure everything is okay?
15:07You don't have to go back.
15:08What?
15:09What did you say?
15:10Quit the job.
15:11What?
15:12I already got the money for the sale of the car.
15:15That's great news, honey.
15:16We'll buy another one later.
15:18Look, don't be scared, but I already quit.
15:21Uh, why?
15:23I couldn't stand my boss.
15:24He had me in a bad way.
15:26You made a good decision.
15:28Now you quit.
15:30But what are we going to do without a job?
15:32Come.
15:34I thought we could create our own business.
15:38Oh, okay, let's do it.
15:40But what do we do?
15:42I can't think of any idea.
15:44Sit here.
15:46Think about it for a moment.
15:49What would you like to do?
15:51No limits, no obligations.
15:53Just us.
15:55What?
15:57I would love to dedicate myself to music.
16:01Well, I love to sing and I would like to be a singer.
16:05Although that sounds impossible,
16:07maybe a related business to be in contact with music.
16:11Emre, you know I really like my job.
16:14But lately I feel like I'm tired of working in an office.
16:19Okay.
16:20We will enter the music industry.
16:22Decided.
16:24You're crazy.
16:26Yes, you have to go crazy.
16:28Now leave your job.
16:29I already did.
16:30It's your turn.
16:32Do you really think I should do it?
16:35Huh?
16:37Well, yes.
16:39I can do it.
16:40Why not?
16:41That's it.
16:42I'll do it.
16:43Okay, this torture is over.
16:45It's decided.
16:46I'll quit.
16:55If you're done, we still have to record.
16:57I'll be right there.
17:09Can I drink something?
17:11Take it.
17:25Of course.
17:27There you go.
17:29Are there strawberries?
17:31Yes.
17:55I must prepare the smoothie.
17:57I wanted to ask you if you would put strawberries on it.
18:06Sanem.
18:25Now tell me why you did it.
18:31What? Are you jealous?
18:37Do you remember?
18:38Yes, that's right.
18:40There are difficult things to forget.
18:43Things that we value and are important.
18:49And if we lose them, we end up...
18:51And if we lose them, we end up in madness.
18:58Are we talking about strawberries?
19:03I'll wait for you outside.
19:22Guards!
19:23Take these slaves and cut their heads off.
19:26What guards?
19:27There are no guards here.
19:28Are you crazy?
19:29I mean security guards.
19:31Ah, bodyguards.
19:32Yes, of course.
19:33I remembered.
19:34Yes, of course.
19:35I'm not an advertiser.
19:36Tell me why I have to be here.
19:38You can't go anywhere, Marco Antonio.
19:40You're also a partner in this company.
19:42I order you to stay still.
19:44Guys, can you leave us alone for a second?
19:47Of course, Marco Antonio.
19:48Come here.
19:49Where do we get another Marco Antonio?
19:51Let's get out of here.
19:52Yes, let's go.
19:53You first, Musa.
19:54Please, Marco Antonio.
19:55Talk to her.
19:56What Marco Antonio are you exactly?
19:58Well, come on, Musa.
19:59Let's review the image.
20:00Good.
20:01I'll stay here and you...
20:03I don't see anything here yet.
20:05The camera is off.
20:06Wait a second, please.
20:07Ah.
20:13The power corrupts you.
20:15Don't let that happen to you.
20:17I used to be like you.
20:19Ambitious.
20:21Passionate.
20:22Crazy.
20:23A greedy businessman.
20:25Don't do this to yourself and everyone else.
20:29Do you think I'm exaggerating?
20:31Look, we're characters.
20:34Cleopatra and Marco Antonio.
20:36Consider it a game.
20:38It's a drama.
20:39Play with me, will you?
20:41Very well.
20:42I will.
20:47There it is.
20:48Take it easy.
21:07I'm goin' to make a panning.
21:08A side shot.
21:09Ready.
21:10We're going to resume your positions.
21:11We already filmed the prelude.
21:14I'm here! With your smoothie!
21:19Sanem dear, you took a lot of trouble, thank you very much, I'll take it later.
21:24But I want you to know that I thank you very much and that I adore all this team.
21:29No, no, uh, I did it for you, please take it.
21:32No, hey, I won't make you wait any longer, under the sun, I'll take it later, okay?
21:37Fine, whatever you want, I'll write it down in your account.
21:40What, are you going to charge me?
21:42It's time to start. Ready, 3, 2, 1, action!
21:48How are you? Good morning, Mr. Nihat.
22:14Ah, are they pearls?
22:26Ah, Mevki, see, how long is this going to last?
22:30What's wrong? Don't you like me? Am I not pretty?
22:32Yes, of course, it's not that, you're always pretty, but...
22:37What?
22:39I can't get used to it. If you want to dress like this, of course you can, but I liked you more before, that's right.
22:48Yes, dear, it's true, I'm Mevki Bey, this is not my style, it's Uma's style.
22:54Oh, that's great!
22:55That's right, come here.
23:00Well, then, I'm going to go change.
23:05Okay.
23:06See you later.
23:07This woman will end up with us, she's going to ruin our lives.
23:11Keep it safe, it's very expensive.
23:13May God take care of you. I love you very much.
23:16See you later.
23:17See you later, dear.
23:20What are you looking at? Mind your own business.
23:31Redhead, I'll stand by your side.
23:52Are we still recording?
24:03JJ, don't look at the camera.
24:05Ready, let's continue to your positions.
24:07Yes, sir.
24:08Sanem, you...
24:09Didn't you have a crown of flowers?
24:11That's right, I still have them.
24:14I preferred to put them on my ankle, do you have a problem?
24:18No, not at all, there's no problem.
24:20You look very good there, in fact.
24:22You look good, good, good there.
24:24I like it a lot.
24:25Whose idea was it?
24:26It was mine.
24:27Of course, it's obvious, it shows.
24:35Jan says she doesn't look at the camera,
24:37but we can't keep recording because she doesn't take her eyes off of Sanem.
24:41She's my friend and I love her a lot, but we're working, that's not professional.
24:45She's not even looking at the camera.
24:47I just went to the bathroom and no one noticed and I left the scene.
24:49Oh, because I wasn't recording you, Musa.
24:51I didn't realize you were gone, I noticed.
24:53You know, we're recording.
24:55At least someone noticed.
24:56It was inevitable not to notice.
24:57By the way, I broke the continuity of the scene twice, on purpose,
25:00to see if she noticed and she didn't say a single word, she didn't notice anything.
25:04Sanem, why are we recording on purpose?
25:06You won't check your tracks.
25:08If we get together again, the storyboard is not included, the storyboard is not on the scene yet.
25:12But how is that possible?
25:13Of course.
25:14Very well, I want you to listen to me now.
25:16Yes, yes.
25:17Please, everyone, leave the talk for later.
25:19And pay attention.
25:213, 2, 1, action.
25:24Now I'm going to improvise.
25:25Oh, don't do it.
25:26When he starts improvising, he makes me laugh, and now he's just thinking about it.
25:30I'm sorry.
25:31I can't help it.
25:35Denise, give a cream to Deren.
25:37And the other to Sanem.
25:39And then take one for you.
25:45Sanem, we're going to change your salt of that scene.
25:47Okay.
25:48No, you stay.
25:49Why do I have to go out?
25:50Am I doing it wrong?
25:51It's my fault, not yours.
25:52I can't make it look good.
25:54Three people in the shot saturates too much.
25:56Sanem, you bring those creams and then you go out.
25:58It has nothing to do with you.
26:00Sanem, it's not your fault, honey.
26:02Yes, it's my fault.
26:03It's my fault.
26:04It's my fault.
26:05It's my fault.
26:06It's my fault.
26:07It's my fault.
26:08It's my fault.
26:09It's my fault.
26:10It's my fault.
26:11It's my fault.
26:12It's my fault.
26:13It's my fault, honey.
26:14Yes, it's not your fault.
26:16It's not your fault.
26:27Let's do another one.
26:28Why?
26:29Did I do something wrong?
26:30It's a technical problem.
26:31Didn't I wipe the cream well?
26:39Again.
26:40What?
26:41What do you mean, again?
26:42I wouldn't say it wasn't that good either.
26:44Another shot? Just tell me where I have to stay.
26:46It's not my fault.
26:47I have to stay here, right?
26:48Were you interpreting?
26:49No, maybe that's why she cut the scene.
26:51Let's go.
26:52I was really into my character.
26:54I wasn't, but I was trying to focus.
26:56We have to hurry or the light will go out.
27:01Sanem, two steps forward.
27:04There's still one left.
27:05Another one.
27:06But I just entered, I didn't even give her the cream.
27:08What are we doing wrong?
27:10We're waiting for the cut.
27:12I don't know what to do.
27:13Three, two, one, action.
27:31All right, listen up.
27:32It's over.
27:33That's enough.
27:34Thank you all for your effort.
27:40Thank you.
28:10Thank you.
28:25There are difficult things to forget.
28:29Things that we value and are important.
28:34And if we lose them, we end up in madness.
28:40I'm sorry.
29:10I'm sorry.
29:40I'm sorry.
30:10I'm sorry.
30:34I have something that belongs to you.
30:37I always take it with me.
30:39Just one thing.
30:55I have something that belongs to you.
30:58I always take it with me.
31:02Just one thing.
31:03Just one.
31:09Just one.
31:10Just one.
31:11Just one.
31:12Just one.
31:13Just one.
31:14Just one.
31:15Just one.
31:16Just one.
31:17Just one.
31:18Just one.
31:19Just one.
31:20Just one.
31:21Just one.
31:22Just one.
31:23Just one.
31:24Just one.
31:25Just one.
31:26Just one.
31:27Just one.
31:28Just one.
31:29Just one.
31:30Just one.
31:31Just one.
31:32Just one.
31:33Just one.
31:34Just one.
31:35Just one.
31:36Just one.
31:37Just one.
31:38Just one.
31:39I'm sorry.
31:44This is not something that anybody does.
31:50Yes, you are right, this is not proper.
31:54Yes, being so close to you thats annoying, I want you to know that I didn't do it on purpose.
31:58It was spontaneous, I was not going to do it.
32:01I swear to you.
32:03Something spontaneous, okay.
32:06Then?
32:07We're partners.
32:08Partners?
32:10That's the most important thing.
32:12I mean, we still value each other a lot.
32:14That's what it's about, right?
32:15We have to trust each other.
32:19Sanem, I promised I wouldn't do anything that could hurt you.
32:23I know.
32:27I appreciate it.
32:30I really appreciate it.
32:33I'll see you tomorrow.
32:35Good night.
32:39Good night.
32:58Dad, how can you eat all that food?
33:01I can't believe it.
33:05Besides, if you had told me you were hungry,
33:07I would have made you some homemade food.
33:09This is the least healthy thing you could find, Dad.
33:11So what do you want?
33:13There's no food that can be compared to your mother's.
33:17I know I don't cook as well as she does,
33:19but she'll be away for a while,
33:21and we have to find a solution to the problem.
33:23You can't keep ordering junk food.
33:25Not a word.
33:26Until your mother comes back, I won't eat anything made at home.
33:29At least you haven't lost your appetite since you left home.
33:34I'm home.
33:35We'll have dinner in the yard. Come on.
33:37We'll be outside. Come on.
33:39I know this is what you wanted.
33:41Thank you, honey, but we have a problem.
33:43My father doesn't stop eating junk food.
33:45Come on, help me convince him.
33:47Really?
33:48Come on, talk to him. Come here.
33:50Hi, Father-in-law.
33:51How are you? What are you eating?
33:53It looks good.
33:55We don't eat unhealthy food, do we?
33:58Yes, it's true.
33:59What are you doing, Nia?
34:00Have you eaten all this by yourself?
34:04I'm very sad because my wife is not here.
34:07How am I going to live without her?
34:09And where is she?
34:10Well, did you argue again?
34:12Not at all.
34:13She went to Mugla.
34:14And that?
34:15My grandfather broke his leg.
34:16Don't tell me.
34:17Yes, he can't move.
34:18My mother left because she has to take care of him.
34:21She left this afternoon and told me she felt she couldn't say goodbye.
34:25I'll call her.
34:26But is your father-in-law very ill?
34:28No.
34:29The doctors diagnosed him, but you already know your mother-in-law.
34:31She was worried and decided to go with him to give him a hand.
34:35And how did you not go with her?
34:37Uh...
34:38I think you should have gone with your wife.
34:41Well, that's what I think.
34:43Forget the subject, love.
34:44And that?
34:45Do you think I wouldn't go?
34:46But I can't.
34:48Well, it turns out that my grandfather has been angry with my parents
34:51since they got married and came to live in Istanbul.
34:54So my grandfather hates my father and that's why he didn't come to our wedding,
34:57so he wouldn't see him.
34:58I'm here!
35:00Oh, thank goodness I have a key, because they didn't hear the bell.
35:03Are you sure you're okay?
35:04Look what I brought you.
35:06Who wants to eat?
35:07No, no, no, no, no.
35:08No need.
35:09Father-in-law, let me see, please.
35:10But what's all this?
35:11Nyad.
35:12Why don't you make your dad eat?
35:13No, not that.
35:14You're already an adult enough to cook for him.
35:15Look what you eat!
35:16Don't worry.
35:17From now on, I'll take care of you.
35:19My friend asked me to watch them.
35:22Hey, have you thought about it?
35:23Have you thought about how we're going to tell him?
35:27I'm going to tell him with a lot of tact.
35:28You leave me and I'll tell him little by little, carefully.
35:31Well, then I trust you.
35:32Yes, you trust.
35:33I loved this dessert.
35:34It's delicious, Melat.
35:36Dad.
35:37What?
35:38Cute dad.
35:40I'm going to give you some news.
35:42Oh, what is it, daughter?
35:43Tell us.
35:46We quit our jobs.
35:48Oh, what a surprise!
35:51Ah.
35:52What?
35:53Yes, that's it.
35:55Father-in-law, we have sold the car and with that money,
35:59we are going to set up our own business.
36:02Excellent news!
36:05Dad.
36:06Father-in-law.
36:07Come on, take off your glasses.
36:08Dad, are you okay?
36:09I'll leave it here.
36:10But daughter, why have you both left your jobs at the same time?
36:13What happened?
36:14Tell me.
36:15I need to know more details.
36:16I want more details.
36:17Oh, Melat.
36:18Please, how can you go out with that now?
36:20Don't leave your job.
36:21Please, father-in-law.
36:22Tell me.
36:23I'm going to call an ambulance.
36:24No need for an ambulance.
36:25Father-in-law.
36:26Wake up.
36:27Wake up.
36:28What we needed.
36:49What are you doing?
37:12I was thinking of the word association.
37:14Yes.
37:15It can have many meanings.
37:19For example?
37:21For example.
37:25Common dreams.
37:29A common home.
37:34A common life.
37:41Yes, but where is that common home?
37:47Does it have a good view?
37:53Where is it located?
37:55Tell me.
37:57If we are going to have a common home.
38:03What home are you talking about?
38:08Denise?
38:10Was it you?
38:11Yes, of course.
38:12Who else could it be?
38:14A question.
38:15What did you mean by a common home?
38:22I was remembering unforgettable moments.
38:27Reviving them.
38:28And when I think about the details of those moments,
38:31there are many questions.
38:36You don't understand.
38:38You don't understand.
38:39You should do some therapy.
38:41It would help you a lot.
38:43Try it.
38:44I'm leaving.
38:45See you.
38:46You don't understand.
38:47No, I don't understand.
38:49I never do it.
39:03You don't know what a big scare you've given us all.
39:06But from now on, you'll have to take care of yourself.
39:09And now you're going to do what the doctor told you,
39:12to the letter.
39:13Do you understand?
39:14Yes, yes, I'm fine.
39:15Look, look, you can't go on like this.
39:17My friend asked me to take care of you.
39:19You can't go on like this.
39:21From now on, I'm going to take care of you.
39:23And I'll make sure you do everything the doctor said.
39:26You can't do whatever you want.
39:28Let's lay him down here carefully.
39:30No, no, over here.
39:32Sit down.
39:33No, no, no.
39:34Better lay down.
39:35I'm going to put this pillow here.
39:37Leila, daughter, bring more pillows.
39:39Put them here.
39:40Here.
39:41Put them.
39:42That's enough.
39:43I'm fine.
39:44It's not going to kill me for diabetes.
39:46I'm going to die of so much agitation for walking from top to bottom.
39:49I'm fine.
39:50Don't worry.
39:51Nothing happens to me.
39:52But hey, don't tell your mother or your sister anything, okay?
39:55Your mother will worry and want to run home again.
39:58Okay, don't worry, Dad.
40:00I'm not going to tell them anything.
40:02We won't do it, but...
40:04I'll tell her.
40:05I knew it.
40:06You're going to excuse me, but I have to tell her.
40:08I'm not hiding anything from my friend.
40:10Nothing.
40:11I'll call her.
40:12But it has to be tomorrow.
40:13Better tomorrow.
40:14Listen to me.
40:16I'm telling you very seriously.
40:18What are you saying?
40:19Yes, I know.
40:20That you thought of saying a single word of this to my mom.
40:23What?
40:24Just remember that meat pie that works so well for you.
40:27What?
40:28I'll curse you so you don't get well again.
40:30So you don't get well again in your entire life.
40:32Enough!
40:33No jokes, Leila.
40:34I swear that if you say anything to my mom,
40:36the dessert you brought tonight...
40:38Yes?
40:39You're not going to make it well again in your entire life.
40:41Leila, don't do it.
40:42Please, don't do it.
40:43I'm going to curse you and put the universe as a witness.
40:45They say I'm good at that kind of thing, so you know.
40:47If you can't make that dessert again, it'll be...
40:50Okay, fine.
40:51I won't say anything.
40:53Let's see how I can shut up.
40:55Dad, for a moment I thought I had given you...
40:57An attack when I told you we had given up.
40:59What a scare you gave me.
41:01Oh, my God.
41:02My daughter, don't think I don't want you to start your own business, okay?
41:07It makes me very happy and you know that I will always support you in everything, daughter.
41:11That's fatherly love.
41:13But...
41:14What are you going to put?
41:16Father-in-law, we want to enter the music industry.
41:19I think with Leila's talent and my contacts, we could go far.
41:23Oh, yeah?
41:24So you're going to be a singer?
41:25That's great news.
41:27The doctor said you have to be 21 days without sugar.
41:3021 days?
41:31It's only three weeks.
41:32After that time, you'll be a new man.
41:34You'll see how good.
41:36I think I'm feeling bad again.
41:38What's wrong, dad?
41:39No.
41:40It's what you said about sugar.
41:42And I'm craving a honey cake.
41:45Oh, how cute he is.
41:47I have cakes at home.
41:48But Melat, what are you doing?
41:50You didn't understand anything.
41:51I just remembered that I don't have any more.
41:53I've eaten them all.
41:55But if you want, I make rice pudding.
41:57That also has sugar.
41:59Without sugar.
42:00Without sugar.
42:01If it's without sugar, I want it.
42:03Well, this warehouse is huge.
42:05I only rent a part, not the whole building.
42:08How are you?
42:09Good night, sir.
42:10See you tomorrow.
42:11I'm not the owner of this place.
42:13I understand.
42:14Ah, here it is.
42:16Hello, Arda.
42:17How are you?
42:18Very well, sir. And you?
42:19You already know him.
42:20How are you, sir?
42:21How are you?
42:22Thank you.
42:23We'll tell you the details.
42:25How have you been?
42:26Fine, thanks. And you?
42:27How are you?
42:28Very well.
42:29I think my friend already explained it to you, right?
42:31You're going to court to file a complaint against Sanem's cream.
42:34Because it caused an allergic reaction.
42:36When you get there, you have to say,
42:37they recommended this cream to me, and then?
42:39When I applied it, my skin started to turn red.
42:41And look at me, Mr. Judge, it started to itch all over my body.
42:44So I went to the doctor and he told me it was an allergic reaction.
42:47And I checked the label of the cream,
42:49but there was no warning about allergies.
42:51What do you think?
42:52Okay, I hope I can do it.
42:53You're going to be able to, man.
42:54Take this paper and memorize it.
42:56Everything is written.
42:57And this is what we agreed on.
43:04Thank you very much.
43:05One last thing.
43:07If you talk about us, you'll have problems.
43:11Come on, you can go now.
43:13Easy, everything will be very simple.
43:14Yes, thank you very much.
43:22He's a good person.
43:24I'm just not sure if he can do it.
43:26The important thing now is to entertain those on the farm.
43:29Tomorrow they will receive a notification.
43:32And while they fight in court, they will not be able to continue making creams.
43:35So we will gain time.
43:37The plan can not fail.
43:40How's the laboratory going, by the way?
43:42We already know the ingredients.
43:44We have started to produce.
43:46While they fight, we...
43:48We will be selling the creams on the market.
43:50Exactly.
43:51I tell you that the plan is perfect.
43:53It benefits me to produce and sell those creams.
43:56It is normal that I do it.
43:58Yes?
43:59But why do you do it?
44:02I already told you before.
44:04The people on that farm have hurt me a lot.
44:07Sanem in particular.
44:09I have great esteem for her.
44:11We worked together in another department a long time ago.
44:14Before the happy cream changed everything.
44:16And that's why I want her to come back on the right track.
44:18I understand.
44:20Let's say I want to help her.
44:22I do it for her own good.
44:44I do it for her own good.
45:14I do it for her own good.
45:36Dreamer Bird