American Animals (2018)
American Animals is a 2018 docudrama heist film written and directed by Bart Layton. Starring Evan Peters, Barry Keoghan, Blake Jenner, Jared Abrahamson, and Ann Dowd, it is an account of the Transylvania University book heist which took place at Transylvania University in Lexington, Kentucky in 2004.[4] The film cuts between interview segments of the real-life people involved in the heist and actors playing out the same events.
Category
🎥
Short filmTranscript
00:00:00 [ Music ]
00:00:12 [ Silence ]
00:00:21 [ Birds Chirping ]
00:00:31 [ Birds Chirping ]
00:00:47 [ Birds Chirping ]
00:01:13 [ Typing Sounds ]
00:01:19 [ Door Closes ]
00:01:22 [ Exhales Deeply ]
00:01:26 [ Silence ]
00:01:44 [ Music ]
00:02:11 [ Music ]
00:02:40 [ Background Conversations ]
00:02:43 There was nothing in their backgrounds that would suggest, you know, something like that would happen.
00:02:54 I was at a loss.
00:02:59 [ Drilling Sounds ]
00:03:04 They were pretty darn good kids.
00:03:09 These boys weren't criminals, they didn't have records.
00:03:11 And, you know, for something like this to happen to the boys and to the school, of course it was a big loss at the time.
00:03:19 [ Music ]
00:03:28 We were in shock.
00:03:31 I mean, we did not expect that from our son, ever.
00:03:37 It's like we woke up in a nightmare.
00:03:41 [ Music ]
00:04:00 Everything in our family was geared towards our kids to be successful.
00:04:06 It was just a moment in which we lost them.
00:04:11 [ Music ]
00:04:22 Sorry.
00:04:25 [ Music ]
00:04:50 [ Silence ]
00:05:03 Spencer, thank you for waiting.
00:05:06 We've been very impressed with your portfolio and the exceptional commendations of your teachers.
00:05:13 But now we're hoping to find out a little bit more about you personally.
00:05:19 I'm like my family background stuff.
00:05:21 Whatever you think is most relevant.
00:05:24 Tell us a little bit about who you are.
00:05:27 Well, my name is Spencer Reinhardt.
00:05:31 I'm from Lexington, Kentucky, and I'm 30 years old for another, less than a month, I guess.
00:05:37 My father, he is an engineer.
00:05:42 My mom is a stay-at-home mom, I guess.
00:05:45 Let me stop you there.
00:05:48 What we'd really like to know is about you.
00:05:52 Like hobbies and stuff?
00:05:58 What do you hope to express with your work?
00:06:01 I mean, who are you as an artist?
00:06:06 [ Silence ]
00:06:12 [ Music ]
00:06:26 Mr. Reinhardt, the honorable man, if you will.
00:06:29 He strives for the generosity of the generous.
00:06:33 The humility of the humble.
00:06:37 The honorable man is--
00:06:41 [ Crowd Chanting ]
00:06:45 [ Crowd Chanting ]
00:06:55 [ Music ]
00:07:04 [ Door Closes ]
00:07:07 [ Music ]
00:07:13 [ Door Opens ]
00:07:15 [ Music ]
00:07:22 [ Door Closes ]
00:07:24 [ Music ]
00:07:36 [ Music ]
00:07:38 Growing up, I had a desire for some kind of life-altering experience.
00:07:45 [ Music ]
00:07:48 I started to read about other artists.
00:07:51 They were always affected by some kind of tragedy in their life and had to suffer a great deal.
00:07:57 Van Gogh ended up killing himself.
00:08:00 Monet went blind.
00:08:03 I felt like they understood something more about life that I wasn't getting to experience.
00:08:08 [ Music ]
00:08:11 Art has to be about more than just, "My life is great and I'm really good at drawing."
00:08:18 [ Music ]
00:08:21 [ Door Opens ]
00:08:23 [ Music ]
00:08:25 [ Beeping ]
00:08:32 [ Beeping ]
00:08:37 About fucking time.
00:08:39 What do you mean, "It's about time"?
00:08:41 I left you like a zillion messages.
00:08:43 You haven't left me a message in weeks, Warren.
00:08:45 Anyway, do you want to do something?
00:08:47 I think I'm going to go to bed.
00:08:49 Seriously, man? Fuck fraternities.
00:08:51 The reason to be a part of that is so one day you can walk in the door of an office you'd never want to go in,
00:08:56 to see a guy you'd never want to meet, all in the hopes that he might give you a job you'd never want to fucking do.
00:09:01 Something I've often thought about is how my life would have been different if I hadn't met Warren.
00:09:06 So this is the dinosaur T-Rex trying to turn off a ceiling fan.
00:09:16 Warren was definitely somebody that my mom did not want me to be friends with.
00:09:23 We were not thrilled with the relationship with Warren, but we accepted it because
00:09:29 he was his friend.
00:09:32 You need to have a little bit of spice in the broth.
00:09:40 And Warren probably was that spice.
00:09:45 People have said that I was the ringleader, but that's just not true.
00:09:51 There was no ringleader.
00:09:53 Yes!
00:09:56 Half of the work here, half of this shit got wasted. Literally thrown in the fucking trash.
00:10:00 Hand me the flashlight.
00:10:02 Warren, what are we doing here?
00:10:08 Did you know that 40% of restaurant food in America gets thrown in the trash?
00:10:11 Just thrown away. We are the fattest fucking nation on the planet, and we still throw nearly half of our food away.
00:10:17 My kids are starving in Africa, dude. It's fucking tragic.
00:10:21 What the fuck are we going to do with this?
00:10:25 We are going to bring it from landfill. Do you need avocado?
00:10:27 No, I'm fine.
00:10:29 Run! Run, run, run, run, run!
00:10:31 Don't drop the fucking meat! God damn it!
00:10:34 Next time you're going to get a fucking bullet, Warren!
00:10:37 Fuck him up in her ass!
00:10:40 Drive! Drive! Drive!
00:10:47 Drive! Drive!
00:10:49 Drive! Drive!
00:10:50 Look at these fucks.
00:11:13 We should just rev up and put them out of their misery.
00:11:17 I don't even know what we're doing back here.
00:11:19 You said you meet any new cool people over there?
00:11:25 No. A bunch of jocks. You?
00:11:29 No.
00:11:32 Uh-uh.
00:11:34 It's not what I thought it would be.
00:11:43 Ever wonder he ended up being born you, here, and not someone else?
00:11:50 Or you ever feel like you're waiting for something to happen,
00:11:58 but you don't know what it is?
00:12:03 Or is it...
00:12:06 that thing that could, uh...
00:12:12 make your life special?
00:12:14 Yeah. Like what?
00:12:20 Exactly. Like what?
00:12:39 If there is a book you cannot find either on the shelves or on the computer,
00:12:43 please make a point of asking a member of the library staff.
00:12:47 Through these doors lived this special collection,
00:12:51 and in future you will require an appointment to go through these doors,
00:12:55 and you will need to be accompanied by a member of the library staff at all times.
00:13:01 Someone take the door, thank you.
00:13:09 Many of the books in this library have been here since the 19th century,
00:13:13 and we are very pleased to be home to some of the rarest editions in the United States.
00:13:19 John James Audubon is responsible for this masterpiece here.
00:13:26 First edition, "Birds of America."
00:13:29 He lived here in Kentucky.
00:13:32 Had some misfortune in business.
00:13:36 Went to prison for debt.
00:13:38 When he left prison, he headed for the wilderness
00:13:41 with a gun, some paint, and a deep desire to paint every bird in America.
00:13:47 And when he came back into civilization,
00:13:51 he was acclaimed as one of the foremost figures in American art.
00:13:55 So how much is it worth?
00:13:57 Well, we don't discuss the worth of our books,
00:14:01 but I can assure you that Mr. Audubon would never have imagined
00:14:05 that his book would be the most valuable in existence.
00:14:08 Now most of you are familiar with this book,
00:14:12 arguably among the most important ever written,
00:14:15 "Darwin's On the Origin of Species."
00:14:17 Please look at line number 10 and tell me what you see.
00:14:21 Species is spelled wrong.
00:14:24 That's correct. Species is spelled wrong.
00:14:28 I'm sorry, that's all.
00:14:32 [dog whining]
00:14:34 [whispering]
00:14:37 Will you be joining us, sir?
00:14:59 I'm pretty sure he told me about it at Rich's party.
00:15:02 I remember it being cold.
00:15:04 A book? In what world can a book be worth $12 million?
00:15:10 It's not really a book. It's more like a collection of paintings.
00:15:15 I think I told him about it in the car.
00:15:17 Maybe November. It was cold.
00:15:20 I still don't understand how a book can be worth $12 million.
00:15:27 I think if Picasso had a bunch of his paintings in a book...
00:15:31 You say it's in the library. It's like what?
00:15:35 Sitting on a shelf?
00:15:37 No, it's in the special collections room.
00:15:41 Which is what? Like a vault?
00:15:43 More like a secure room with glass cases and stuff.
00:15:47 With guards and the doors and shit?
00:15:49 No, but obviously you can't just walk in there.
00:15:52 They pull in here.
00:15:54 Because there's security everywhere?
00:15:56 Not that I saw.
00:15:57 Whoa. What the...
00:16:01 Because you have to make an appointment.
00:16:07 So this is how you remember it?
00:16:25 Not exactly.
00:16:26 But if this is how Spencer remembers it, then let's go with it.
00:16:31 It's $12 million.
00:16:37 Could we get it?
00:16:41 You know, like, what would it take?
00:16:44 It would take extraordinary effort to get it.
00:16:47 Not ordinary effort.
00:16:50 [car engine]
00:16:52 What?
00:17:04 I think you know what.
00:17:06 There's been so much who brought it up, who kind of started it.
00:17:14 I feel that he was first.
00:17:17 And that I took the bait.
00:17:19 It would be true to say that once Warren latches on to an idea,
00:17:23 that he's not easily going to let it go.
00:17:46 [keyboard clacking]
00:17:48 Look, all I'm saying is that nothing will happen unless you make something happen.
00:18:05 We're supposed to be hunter-gatherers, man.
00:18:08 And our whole lives are just unwrapping shit.
00:18:11 Packaging, packaging, packaging.
00:18:14 The illusion of choice.
00:18:16 It's bullshit, man.
00:18:18 Everyone in here thinks that they're going to win the lottery, but no one buys a ticket.
00:18:22 Well, yeah, a prison would be a nice change of scenery.
00:18:27 Well, what about ending up on a fucking boat in the Caribbean?
00:18:30 At the end of Shawshank Redemption.
00:18:32 Oh, my God.
00:18:34 What about that?
00:18:36 They've been in prison for 20 years.
00:18:38 And sorry to burst your bubble, but it doesn't work like that in real life, Warren.
00:18:43 Bad guys.
00:18:44 They don't get to ride off into the sunset with the money and the gold and...
00:18:47 Wait a second. How would we be the bad guys?
00:18:50 Uh, we'd be the robbers.
00:18:53 Aren't you even curious, in your little, little brain, to find out what would actually happen?
00:19:04 Aren't you curious?
00:19:08 Find out what?
00:19:11 Find out what would really happen in real life.
00:19:13 I've lost count.
00:19:23 Can you go, man, please? I work here.
00:19:25 I work here.
00:19:27 Listen to me.
00:19:29 I gotta do this.
00:19:31 We're going to need the blueprints.
00:19:34 We're going to need to know the exits and entry points.
00:19:36 We're going to need to know the staff entrances and the fastest way out of the building at any given point.
00:19:40 At any given point in time.
00:19:41 What do you say?
00:19:46 You don't need blueprints.
00:19:50 You can just draw it.
00:19:52 These guys are cruel.
00:19:58 They can't afford to weasel out on a deal. If they did, they'd be washed up.
00:20:01 Okay? Any other questions?
00:20:04 Well, let's take a look at this, then.
00:20:08 This is a rough drawing of the track, as I remember it.
00:20:12 There aren't exactly books that instruct you on how to steal... art.
00:20:18 I want you to go over this thing with me, inch by inch.
00:20:21 Add or subtract the slightest change, even if it's something as small as the placing of a hot dog stand.
00:20:25 5-10, tall, redhead, librarian, one. Leaves for the evening.
00:20:30 Thanks for the evening.
00:20:31 5-11, short, male, administrative assistant, returns.
00:20:42 Hold the door, please.
00:20:58 Many of the books in this library have been used since the 19th century.
00:21:02 Neither of us were really serious about the idea.
00:21:24 I took it very seriously from the start.
00:21:26 [knocking]
00:21:28 Warren, there's no secret knock.
00:21:35 Yeah, well, there should be.
00:21:37 Hi.
00:21:39 You lost your fake ID already, didn't you?
00:21:46 Actually, I came to talk to you about something.
00:21:49 Oh, yeah?
00:21:51 Yeah.
00:21:52 What's up?
00:21:54 [sighs]
00:21:55 What if I had something to get rid of?
00:22:00 What thing are you talking about?
00:22:03 Something rare.
00:22:06 So you're looking for a fence?
00:22:13 I'm looking for a guy who's gonna buy something rare.
00:22:17 Great.
00:22:18 I don't want to hear anything about this.
00:22:22 But I know a guy you might be able to talk to, but I only met him once.
00:22:26 And I don't know him to vouch for, so...
00:22:28 Do you understand?
00:22:30 Absolutely, I get it.
00:22:31 Okay.
00:22:34 [sighs]
00:22:42 He's out of New York.
00:22:47 Does not like phone calls.
00:22:49 I'll go get in touch with him.
00:22:51 Okay.
00:22:52 What is this?
00:22:56 That's a fence.
00:22:58 What's a fence?
00:22:59 It's a fence.
00:23:01 A fence is somebody who buys stolen shit.
00:23:04 Supposed to email that guy, ask him for a meeting, and sign off with the name Terry.
00:23:09 And he said to never email from the same account twice.
00:23:13 How fucking cool is that?
00:23:16 Good work.
00:23:18 Thank you.
00:23:19 Thank you.
00:23:20 Best. Terry.
00:23:26 Happy?
00:23:28 I would change.
00:23:29 Oops.
00:23:30 I just don't get, like, what a good faith payment is.
00:23:37 I mean, we give him 500 bucks for a meeting.
00:23:41 It's a show we're serious, and not time wasters.
00:23:43 I would have thought driving across the country for 12 hours was a good demonstration of that.
00:23:48 It's just how it's done, man.
00:23:49 Oh, you know this from all your previous heists?
00:23:52 Would you relax?
00:23:53 What would you do with the money?
00:24:00 Aren't artists supposed to starve?
00:24:03 You're listening to your favorite only station.
00:24:06 Back to back hits from the 50s, 60s, and 70s.
00:24:10 [music]
00:24:33 We're out of Kentucky. Nobody knows that we're gone.
00:24:36 There was a sense of possibility.
00:24:40 Real things were actually starting to happen, and they were...
00:24:42 It was changing, changing our lives right then.
00:24:46 [music]
00:25:10 [music stops]
00:25:11 [cars driving by]
00:25:31 I was fearful at the time that if the guy didn't show up,
00:25:35 that this fantasy would be over and we'd be going back to Kentucky,
00:25:38 and things would kind of resume their normal course.
00:25:43 [music]
00:26:08 And then suddenly Warren's talking to a guy with a ponytail and a blue scarf.
00:26:12 Or was it a purple scarf?
00:26:14 [music]
00:26:26 The guy was in his 50s, he had white hair, well-dressed.
00:26:32 [music]
00:26:40 He hands me the piece of paper, and that was that.
00:26:42 He didn't even count the money.
00:26:44 [music]
00:26:50 So, what'd he say? What'd he say?
00:26:53 It wasn't the buyer. He gave us a contact. The fence.
00:26:59 So, that guy was in the fence. I thought you said he was the fence.
00:27:04 I guess not.
00:27:06 We just... we spent $500 on an email address.
00:27:10 All you have to do is contact this guy.
00:27:12 He said he speaks English.
00:27:14 What?
00:27:16 He said...
00:27:18 Let's go get some food. Come on. I'm freezing.
00:27:20 Why wouldn't he speak English, Warren? Warren?
00:27:23 Sir, thank you for your email.
00:27:34 I'm afraid we only do business in person, but...
00:27:37 We'll welcome you and your items in the Netherlands.
00:27:40 At your earliest convenience.
00:27:42 We have to go.
00:27:52 To Holland?
00:27:53 To the Netherlands.
00:27:54 Can you stop?
00:27:55 No, I'm not stopping until it's burned.
00:27:56 Warren.
00:27:57 It's evidence.
00:27:58 Ah! Motherfuck.
00:27:59 Thank you. Sorry.
00:28:03 So, you want to go all the way over there to meet some actual criminals
00:28:08 you know nothing about, to talk about something we don't even have.
00:28:13 Yes.
00:28:14 What's your suggestion?
00:28:17 Maybe it's time to face reality.
00:28:20 Maybe it's something we're not able to do.
00:28:23 So, we're just going to sit here and do nothing?
00:28:30 That is so disappointing.
00:28:33 I can't even tell you.
00:28:36 How about you, Spencer? You keeping your game up?
00:28:41 Not so much. I mean, I'm trying to take the whole art thing seriously.
00:28:46 Yeah?
00:28:48 Yeah.
00:28:49 Well, I guess somebody has to, huh?
00:28:50 But, you know, you want to keep that blood pumping, son.
00:28:53 Speaking of which, I ran into Burt Morris last week,
00:28:57 and he said you missed a couple of practice games.
00:28:59 Yeah.
00:29:00 Now, Warren, you're there on a scholarship,
00:29:02 and that's what it means. You are there to play.
00:29:05 I had it the same way.
00:29:07 Jesus Christ.
00:29:09 You okay?
00:29:11 Remember, quitters never win, and winners never quit.
00:29:16 Spencer.
00:29:18 Hey, it's something to live by.
00:29:19 So, how is your mom, Spencer?
00:29:21 She's doing good.
00:29:23 Good. You tell her I said hi for me.
00:29:25 I will.
00:29:26 I need to speak with you, please.
00:29:28 What, now, Susan? Now?
00:29:30 Excuse me, guys.
00:29:33 What I want to do is just have dinner with the boys.
00:29:36 [indistinct chatter]
00:29:38 I'm divorcing your father.
00:30:01 I'm sorry.
00:30:06 And then I think I looked over at Spencer, and...
00:30:09 I mean, who knows if this is how it really went,
00:30:12 but he said... I remember him being like, "Well, I should go, man."
00:30:15 Is he fucking crying?
00:30:28 Is he fucking crying?
00:30:29 Are you fucking crying?!
00:30:37 I'm gonna go, man.
00:30:39 Yeah, let's go.
00:30:45 [indistinct chatter]
00:30:47 [coughing]
00:31:12 [coughing]
00:31:13 You should chew your food, man. Seriously.
00:31:20 [groaning]
00:31:22 I've carried on with the plan.
00:31:26 What are you talking about?
00:31:28 Holland.
00:31:30 Amsterdam and Ding Dong.
00:31:32 Come on, Warren. You know I can't go.
00:31:35 Even if I wanted to.
00:31:38 [sighs]
00:31:39 Come on.
00:31:44 Fuck.
00:31:46 Look, maybe I can, uh, find some money and...
00:31:49 put it towards half the ticket.
00:31:52 Really?
00:31:57 Yeah.
00:31:58 But...
00:32:00 it'll be only you going.
00:32:03 [indistinct chatter]
00:32:05 Oh, boy.
00:32:13 -You're a kid. -Don't you touch me, man.
00:32:17 -All right, bro. -Thanks, brother.
00:32:21 Go get him.
00:32:22 -All right? -Yeah.
00:32:23 [car engine revving]
00:32:31 [indistinct chatter]
00:32:33 [music playing]
00:32:42 ♪ Thrown like a star in my vast sea ♪
00:32:49 ♪ I opened my eyes to take a peek ♪
00:32:52 ♪ To find that I was by the sea ♪
00:32:56 ♪ Gazing with tranquility ♪
00:32:59 ♪ 'Cause then when the hurdy-gurdy man ♪
00:33:02 ♪ Came singing songs of love ♪
00:33:05 ♪ Then when the hurdy-gurdy man ♪
00:33:08 ♪ Came singing songs of love ♪
00:33:12 ♪ Hurdy-gurdy, hurdy-gurdy ♪
00:33:17 ♪ Hurdy-gurdy, gurdy-gurdy ♪
00:33:19 ♪ This time ♪
00:33:20 ♪ Hurdy-gurdy, hurdy-gurdy ♪
00:33:23 ♪ Hurdy-gurdy, gurdy-gurdy ♪
00:33:25 ♪ This time ♪
00:33:27 [music playing]
00:33:29 Hi, I'm David.
00:33:33 I work with Mr. Beckman.
00:33:34 Hi.
00:33:40 Do you mind if I sit?
00:33:54 You guys are the guys that we--
00:33:56 You have some books, and you have some paintings.
00:33:59 That I do.
00:34:02 That I do.
00:34:04 Now, uh, we have a number of items pertaining to
00:34:09 the existence of which I am here.
00:34:11 Um...
00:34:13 [sniffles]
00:34:14 The books, the autobots, are very rare.
00:34:29 Yes.
00:34:31 That's why I'm here.
00:34:33 That's why you're here.
00:34:36 With your piece of paper.
00:34:39 Well, uh, I didn't know.
00:34:41 Hi.
00:34:44 Mr. Beckman is your father?
00:34:56 [coughs]
00:34:58 No, uh, Mr. Beckman is my employer.
00:35:05 [coughs]
00:35:06 Actually, we are kind of related.
00:35:18 He's, uh, he's actually my--
00:35:20 my mom's sister's husband,
00:35:22 which makes him sort of a... uncle.
00:35:25 [speaking in German]
00:35:28 You have authentication.
00:35:33 We have authentication.
00:35:35 Okay, when you say authentication--
00:35:39 We take items from various sources,
00:35:41 and we don't inquire where they came from,
00:35:44 as long as we have authentication
00:35:47 with the very famous auction house.
00:35:50 Yeah, um, so you're saying with the correct authentications
00:35:55 that these items would be of interest to you?
00:35:59 Yeah.
00:36:03 So...
00:36:04 Mr. Beckman's gonna be very pleased about this, by the way.
00:36:08 Um, so...
00:36:10 Can I ask roughly...
00:36:13 in terms of, um...
00:36:16 It's hard, I imagine, to--
00:36:18 How much?
00:36:19 Yes.
00:36:20 How much?
00:36:22 30 to 40% of the valuation price.
00:36:26 That's, um...
00:36:28 millions of dollars, right?
00:36:30 Yeah!
00:36:32 Look, I've been thinking, just, uh...
00:36:35 You know, we're gonna need a bigger boat.
00:36:38 We're gonna need a bigger boat?
00:36:42 I mean, we're gonna need somebody else.
00:36:44 Um...
00:36:50 Why do we need someone else?
00:36:54 We need somebody with skills that we don't have.
00:36:57 Somebody who's good with logistics and chess.
00:37:01 Accepted accounting...
00:37:03 principles...
00:37:06 statements...
00:37:10 on auditing.
00:37:13 So, in 1992, we get SAS '82.
00:37:19 Anyone dare to explain the significance of this one?
00:37:22 Mr. Borczyk!
00:37:25 I was majoring in accounting because I wanted a career at the FBI.
00:37:29 At the time, that was only one of the two majors they accepted straight out of college.
00:37:34 Eric was a gentleman.
00:37:37 A good student.
00:37:39 Gave me no pause or concern, uh, whatsoever.
00:37:46 I always felt like I was, um...
00:37:49 kind of a loner for some reason.
00:37:53 Um, yeah, um, SAS '82 states that auditors have the duty to actively look for fraud,
00:38:00 not just report it if they find it.
00:38:02 That's correct.
00:38:03 Except in reality, it doesn't always work like that, does it?
00:38:06 Arthur Anderson.
00:38:09 Remember them? Auditors to Enron?
00:38:12 Uh, thank you for that, Mr. Borczyk.
00:38:15 So, in 2002, that leads us to SAS '99.
00:38:22 Don't cancel me.
00:38:24 What the fuck are you doing here?
00:38:26 I need to talk to you.
00:38:28 You're not here.
00:38:29 Warren and I lost touch. We had a falling out.
00:38:41 It's been about three months since we last spoke and...
00:38:44 I thought that we weren't speaking.
00:38:46 What?
00:38:47 Wait. No. Uh, no, no, no, no.
00:38:50 Can... can we just agree to put all that stupid shit behind us, please?
00:38:54 I mean... no.
00:38:56 Hey.
00:38:57 So, what's up, man? What's with all the mystery?
00:38:59 I'm here to talk to you about something deadly serious.
00:39:01 I figured you must want something.
00:39:03 Actually, I came to offer you something.
00:39:05 Oh, really? Yeah.
00:39:06 Yeah.
00:39:07 There's no one else I could trust with this.
00:39:11 You're either in or you're out right now.
00:39:13 How can I tell you if I'm in or I'm out without you telling me the first thing about what I might be in or out of?
00:39:17 I would just need you to say in principle, okay?
00:39:20 Because this might be something not exactly legal.
00:39:23 And there's a chance that we would have to leave everything behind.
00:39:28 Okay. When you say not legal...
00:39:30 I'm gonna say this one time and one time only.
00:39:33 You're either in or you're out right now.
00:39:37 I'm gonna need more than this, Warren.
00:39:38 Not till you commit.
00:39:39 This would be something dangerous and very fucking exciting...
00:39:45 that I need you to be a part of.
00:39:48 This could change everything.
00:39:52 This is your red pill or blue pill moment, my friend.
00:39:58 How's college?
00:40:05 Would we have to go tonight?
00:40:10 I think I was just saying yes because I knew that I wanted to...
00:40:15 regain our friendship more than anything.
00:40:20 So, what's your plan?
00:40:26 It's partly where you come in.
00:40:29 Just take a look for me, please.
00:40:31 It can't be done at night.
00:40:37 What?
00:40:38 What's the one time of day when no one's supposed to be in the building?
00:40:41 It'd be impossible to get in without triggering the alarms.
00:40:45 It would have to be done during the day.
00:40:48 You see?
00:40:52 I knew you were the man for this.
00:40:54 Look at him. He's like a fish in water.
00:40:56 Sure.
00:40:57 Let's just walk in there in broad daylight and rob the place.
00:41:00 Oh, yeah. While you're at it, you're gonna dynamite the canteen, right?
00:41:06 How many cameras did you say were in the special collections room?
00:41:09 Because they're gonna be watching everything from the campus safety office.
00:41:12 The cameras, the alarms. They're gonna know who's coming in.
00:41:16 What are you doing?
00:41:18 I'm taking notes. This is good stuff.
00:41:21 Are you fucking retarded?
00:41:22 No.
00:41:24 Why don't you just email the FBI and ask them where they'd like us to leave our fingerprints?
00:41:28 You can make it easy for them.
00:41:29 Guys, we need to find out who's watching the special collections room you went.
00:41:35 I concur with that.
00:41:36 [knocking]
00:41:41 Come in.
00:41:42 Hey.
00:41:45 Take a seat, Warren.
00:41:47 Okay.
00:41:48 I assume you know why you're here.
00:41:53 Not really, sir.
00:41:57 Mr. Lipkin.
00:42:00 You can't be serious.
00:42:03 You came here on an athletic scholarship.
00:42:06 Perhaps it doesn't seem like a particularly big deal to you.
00:42:11 No, sir. It does.
00:42:13 Well, son, you have a funny way of showing it.
00:42:15 Because I warned you countless times what would happen if you continued to fail to show up.
00:42:22 Assistant coach suspects drugs or alcohol may be involved.
00:42:29 Now, it pains me to see you lose this scholarship.
00:42:35 But it's going to pain and probably embarrass your father a whole lot more.
00:42:42 So you might want to reflect on what that kind of disappointment will mean for him.
00:42:47 Yeah.
00:42:51 That will be a disappointment.
00:42:58 Thing is, I worked to get on that team since I was about five.
00:43:04 And I have absolutely no idea why.
00:43:09 To be honest, sir, I think this whole place is a disappointment.
00:43:17 I think you are a disappointment.
00:43:26 I think this whole goddamn town is a disappointment.
00:43:31 Get out.
00:43:39 That it?
00:43:55 The cameras aren't cameras. They're motion detectors.
00:43:58 We're going to email the library asking to have the autobahn and the illuminated manuscript on display when we arrive.
00:44:06 They will be here and here.
00:44:09 Can you please...
00:44:10 I'll touch it. I'm a little... Thanks.
00:44:12 As I was saying, back here is target priority number one, the autobahn.
00:44:20 Now, directly behind the display case is a doorway which leads to a staff elevator that goes straight to the basement.
00:44:25 Now, once in the basement, we can access the fire exit at the side of the building.
00:44:31 Now, where's the librarian?
00:44:37 Thank you. She's fine.
00:44:39 The librarian is the single biggest risk to this entire operation.
00:44:47 She needs to become a non-factor as soon as possible.
00:44:50 Now, once inside the room, you two will bag up the smaller books,
00:45:01 and I'll unlock the cases containing the autobahn and the Darwin.
00:45:05 She'll be in and out in less than three or four minutes.
00:45:08 Good afternoon. Come in.
00:45:09 How are you?
00:45:10 I'm Betty Jean Gooch, and I will need your names for the log, please.
00:45:13 I am Spencer Green.
00:45:15 Oh!
00:45:16 [music]
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00:46:15 Stop.
00:46:17 What?
00:46:19 Doesn't work.
00:46:21 We need two guys, at least, in the room.
00:46:24 Then you need a third guy downstairs in the library, keeping lookout.
00:46:27 And we're gonna have to have a getaway driver.
00:46:30 Who's your driver?
00:46:31 Three of us isn't enough.
00:46:34 He's right.
00:46:35 I just don't see how any of this is gonna work.
00:46:37 I mean, it doesn't seem realistic or...
00:46:40 Well, you got a better idea, Spence?
00:46:44 No.
00:46:46 Fuck!
00:46:47 I was torn between the desire to keep...
00:46:54 the adventure going and waiting for the insurmountable obstacle that would...
00:46:58 stop everything in its tracks and return things to normal.
00:47:03 We need someone else that we can trust.
00:47:05 Wait, wait, wait. Someone else?
00:47:07 You wanna bring in someone else?
00:47:10 You got a better idea?
00:47:12 Who else can we trust with this?
00:47:17 Someone with a fast car.
00:47:19 Or the money to get one.
00:47:21 Or...
00:47:22 I'd only met him a couple of times in high school.
00:47:50 I never really got along too well with Chaz.
00:47:53 The decision to bring on the fourth person came from Eric.
00:47:56 Yeah, I'm pretty sure it was Warren's idea.
00:47:58 I definitely wouldn't have ever suggested we bring Chaz on.
00:48:01 My name is Charles Thomas Allen II, but people call me Chaz.
00:48:07 My dad built me for success.
00:48:10 I started my first company at 12 years old.
00:48:13 At 16, I bought my first rental property.
00:48:16 He's been a little entrepreneur as long as I can remember.
00:48:19 You know, mowing grass.
00:48:21 You know, he followed his dad around. He was a little Tommy.
00:48:24 Just followed him around all the time, wanting to be, you know, business and, you know, do everything his dad did.
00:48:31 Chaz, interestingly enough, I knew his dad.
00:48:34 He worked out at the same gym that I did for a while.
00:48:39 Just a wonderful person.
00:48:42 You know, I mean, a prince of an individual.
00:48:46 I think the qualities that we thought Chaz could bring was money.
00:48:52 Jesus fucking Christ, Warren, stop doing that shit!
00:49:02 Sorry, man.
00:49:04 Can we talk to you about something?
00:49:07 Yeah, what's up?
00:49:08 Once I realized they were serious about the plan, I thought they were smoking too much.
00:49:15 I think you guys are smoking too much.
00:49:17 And I thought they were likely to get themselves in a lot of trouble and get caught.
00:49:22 And likely to get yourselves in a lot of trouble and get caught.
00:49:26 Chaz, you really need to see how easy this is gonna be.
00:49:31 Wait, what the fuck are you guys even talking about here?
00:49:37 We're talking about 12 million dollars in rare books.
00:49:42 And only one old lady guarding it.
00:49:45 Name first.
00:49:53 Eric, Mr. Black.
00:49:55 Spencer, Mr. Green.
00:49:57 Mr. Yellow, that's me.
00:49:59 Chaz, Mr. Pink.
00:50:02 You fucking really, dude?
00:50:05 What?
00:50:06 You're making me Mr. Pink?
00:50:08 What?
00:50:09 What's wrong, Mr. Pink?
00:50:11 You know exactly what's wrong with Mr. Pink, okay?
00:50:14 I'm sorry, can I just say how dumb this entire thing is, okay?
00:50:17 Because in the motion picture, the whole point of the names was so that nobody knew what the others were called.
00:50:21 So they couldn't give each other up.
00:50:23 Relax, okay?
00:50:24 It's just protocol so we don't address each other by our names during the robbery.
00:50:29 Okay?
00:50:30 No names.
00:50:32 Mr. Pink.
00:50:33 It's fucking ridiculous, man.
00:50:34 They all die in the end of that movie.
00:50:36 Spencer was Mr. Green because he smoked lots of green.
00:50:40 Eric was Mr. Black because he said his soul was black.
00:50:44 I was Mr. Yellow because I was my mom's sunshine.
00:50:48 And I named Chaz Mr. Pink just to fuck with him.
00:50:52 I'm not gonna be Mr. Pink.
00:50:53 I'm gonna be any color but pink.
00:50:57 That's probably my least favorite Tarantino film.
00:50:59 Okay.
00:51:01 Housekeeping first.
00:51:02 Mr. Green, you will see to the disguises.
00:51:04 Makeup, prosthetics, outfits, wigs, etc.
00:51:08 Costume party?
00:51:10 Making a movie.
00:51:11 Mr. Black, your first task is to find a reliable getaway vehicle.
00:51:15 Afford or similar, nothing flashy.
00:51:17 Which you will purchase using cash and a fake ID.
00:51:21 Mr. Pink, your first job is to identify the quickest route from the library to the drop-off point here.
00:51:28 And then practice it over and over again until it becomes second nature.
00:51:33 14 minutes, 18 seconds, mostly green lights.
00:51:47 Mr. Yellow, that's me of course.
00:51:50 I will make the authentication appointment in New York for the weekend immediately following the robbery.
00:51:55 Meaning that even if the books are reported missing, they won't yet show up on the National Index of Stolen Art.
00:52:01 Once we have the authentication, we will arrange a rendezvous with the buyers in the Netherlands.
00:52:09 Dear sir, my name is Walter Beckman.
00:52:14 I am a collector of rare manuscripts based in Texas.
00:52:17 I would like to arrange an appraisal of some of the items in my collection.
00:52:21 Now, I have emailed the library to make an appointment to view the books on the penultimate day of term.
00:52:28 That's eight days from now.
00:52:31 The library will be almost empty as everyone will be in finals.
00:52:35 I have an exam that day.
00:52:36 Me too.
00:52:37 Yeah, me too. I have art history.
00:52:39 Exactly.
00:52:41 What do you mean exactly?
00:52:43 I mean, who's going to suspect a group of robbers who all happen to be in exams that day?
00:52:49 Mr. Green, would you like to walk us through the disguises?
00:52:52 Sir, the idea is we go in disguised as old men.
00:52:56 I'm sorry, why the fuck would we go disguised as old men?
00:52:59 Because being old is the closest thing to being invisible.
00:53:03 I have a question.
00:53:05 I'm still unclear on what's going to happen with the librarian.
00:53:08 Who's going to be dealing with that?
00:53:09 We should probably decide that by drawing lots or a vote or something.
00:53:13 Well, I vote to have nothing to do with it whatsoever.
00:53:15 Yeah, me too. I don't want to do that. I'm not going to.
00:53:18 Hey, whoa. What the fuck?
00:53:20 Obviously nobody wants to do it.
00:53:22 That's why we need to decide it by drawing lots or a vote or something.
00:53:25 Isn't there maybe a way to make her not be there on the day?
00:53:31 No. Of course there isn't a fucking way.
00:53:33 That's how you get to be in the room. Someone has to be in there with you.
00:53:36 That's how you get to be in the fucking room!
00:53:38 What if she starts screaming or something?
00:53:39 Yeah, or has a fucking heart attack.
00:53:41 Guys, when this is all over, we're going to send her an anonymous package
00:53:45 filled with thousands of fucking dollars.
00:53:47 She's going to be happy.
00:53:48 Look, I'm not doing it. Okay?
00:53:51 I'm not comfortable with it.
00:53:53 Wow.
00:54:16 Fuck it.
00:54:17 I'll do it.
00:54:22 I'll fucking do it.
00:54:26 There was no obstacle.
00:54:30 Nothing was going to prevent us from doing it.
00:54:33 We had started it, and it could be done.
00:54:36 There were so many opportunities looking back
00:54:44 where I could have completely...
00:54:47 that I could have gotten out or changed what we were doing,
00:54:52 and I didn't.
00:54:54 Duct tape.
00:55:04 Check.
00:55:05 Change of clothes.
00:55:07 Check.
00:55:08 Sheet.
00:55:09 Check.
00:55:10 Ski mask.
00:55:11 Ski masks.
00:55:12 Cell phones.
00:55:13 Zip ties.
00:55:14 Taser.
00:55:16 Shit.
00:55:17 No taser.
00:55:18 Shit!
00:55:20 Whose job was it to order the taser?
00:55:22 I believe it was your job.
00:55:24 Fuck it, I can't think of everything.
00:55:28 Open your books.
00:55:29 You have two hours to complete two of the three essay questions.
00:55:33 When I give the signal, you may turn over your papers.
00:55:36 Any problems, raise your hand.
00:55:38 And begin.
00:55:40 Open your books.
00:55:41 You have two hours to complete two of the three essay questions.
00:55:45 When I give the signal, you may turn over your papers.
00:55:48 Any problems, raise your hand.
00:55:50 And begin.
00:55:51 This could be just what your mom's looking for.
00:56:06 Black Cobra stun pen.
00:56:07 How long would that disable someone for?
00:56:09 Don't you have exams today?
00:56:19 Yeah.
00:56:20 Hey, listen, I gotta borrow the van.
00:56:22 Pencils down.
00:56:27 Close your tests and exit the room.
00:56:30 Your scores will be published on the next day.
00:56:33 Close your tests and exit the room.
00:56:36 Your scores will be posted by the end of next week.
00:56:40 You're seven minutes late.
00:56:51 Let's go.
00:56:53 [music]
00:56:55 Time's up.
00:57:13 Pens down.
00:57:15 Close your books.
00:57:16 Please pass them to your left and leave in an orderly fashion.
00:57:22 Eleven minutes.
00:57:24 Eleven minutes.
00:57:25 [music]
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00:58:06 [music]
00:58:07 Fucking really?
00:58:10 There he is.
00:58:23 Let the clock work.
00:58:27 [music]
00:58:28 [music]
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00:59:04 [music]
00:59:06 Just focus, man. Please.
00:59:09 I'm gonna get sick, guys.
00:59:12 Don't even fucking think about throwing up in this car, Spencer.
00:59:24 [music]
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01:00:00 [music]
01:00:02 [music]
01:00:04 Remember, you're old.
01:00:07 [music]
01:00:09 [music]
01:00:11 [music]
01:00:13 [music]
01:00:15 [music]
01:00:17 [music]
01:00:19 There's people everywhere.
01:00:21 Just stick to the plan.
01:00:23 Let's do this.
01:00:24 [music]
01:00:26 [music]
01:00:28 [music]
01:00:30 [music]
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01:00:48 [music]
01:00:51 [door opens]
01:00:53 [door creaks]
01:01:18 [door creaks]
01:01:21 [door creaks]
01:01:24 [door creaks]
01:01:45 [door creaks]
01:01:48 [distant music]
01:01:51 ♪ ♪
01:01:58 [eerie music]
01:02:06 ♪ ♪
01:02:12 ♪ ♪
01:02:19 - What? - A boat.
01:02:30 A boat. - What?
01:02:33 ♪ ♪
01:02:40 [eerie music]
01:02:43 - There's four fucking librarians up there.
01:02:45 I'm gonna have some kind of meeting or something.
01:02:46 I don't know. I can't--
01:02:47 - Okay, who's up there, all right?
01:02:48 There's a man, there's a woman.
01:02:49 - It doesn't matter who's up there.
01:02:50 There's four of 'em.
01:02:51 - We're not gonna die of four fucking librarians.
01:02:53 - What is going on?
01:02:54 - There's a fucking meeting up there or something, okay?
01:02:56 There's four librarians. We can't die of all these people.
01:02:58 I'm not staying, okay?
01:02:59 They're all looking at me.
01:03:01 - I'm losing the sideburn.
01:03:03 - Okay, listen, everyone just chill out, all right?
01:03:05 We haven't done anything. We can wait, all right?
01:03:07 They're not gonna be up there forever.
01:03:09 - Okay.
01:03:11 Who wants to wait?
01:03:13 - I--
01:03:14 ♪ ♪
01:03:20 - Oh, fuck this. I'm going.
01:03:22 [grunts]
01:03:24 ♪ ♪
01:03:29 [door slams]
01:03:30 [birds chirping]
01:03:33 [door slams]
01:03:35 [sighs]
01:03:36 [birds chirping]
01:03:39 [soft music]
01:03:41 ♪ ♪
01:03:48 [laughing]
01:03:57 ♪ ♪
01:04:05 - To get out of that situation
01:04:07 without having done anything wrong
01:04:09 was an incredible feeling.
01:04:12 ♪ ♪
01:04:13 The plan was off.
01:04:14 There was--there was gonna be no heist,
01:04:17 and it was glorious.
01:04:18 The sun was shining, and it was like a new--
01:04:21 a new beginning.
01:04:23 ♪ ♪
01:04:26 - I don't get to control
01:04:27 who gets to be in the goddamn fucking room!
01:04:29 - That's it.
01:04:30 - Son of a bitch.
01:04:31 - After all that, that's it.
01:04:33 That's the end of it. It's over.
01:04:34 - You are fucking pathetic.
01:04:35 - Did you not think for a moment?
01:04:36 - Did you fucking think?
01:04:37 - For fucking seconds, a chance--
01:04:38 - Because of me fucking pathetic?
01:04:39 - Stop buying all this shit.
01:04:41 - Fuck.
01:04:42 [sighs]
01:04:44 - Maybe we dodged a bullet.
01:04:46 - We didn't dodge anything
01:04:47 'cause we didn't fucking do anything.
01:04:50 We just fucked it up!
01:04:52 Fuck!
01:04:53 Pull in here. I need something to drink.
01:04:55 [car approaching]
01:04:58 [car door opens]
01:05:00 [car door closes]
01:05:02 [car door opens]
01:05:04 [footsteps]
01:05:07 [car door closes]
01:05:09 [radio playing]
01:05:12 [indistinct radio chatter]
01:05:15 [indistinct radio chatter]
01:05:18 [indistinct radio chatter]
01:05:21 [indistinct radio chatter]
01:05:23 - Hey, you got a pay phone?
01:05:25 [indistinct radio chatter]
01:05:28 [indistinct radio chatter]
01:05:31 [indistinct radio chatter]
01:05:34 - I just called the library.
01:05:36 We're back on tomorrow morning, 11 a.m.
01:05:39 She says there are no other appointments scheduled.
01:05:42 - Whoo!
01:05:45 [engine starts]
01:05:48 [engine stops]
01:05:50 [engine rumbles]
01:05:53 [engine rumbles]
01:05:56 [engine rumbles]
01:05:58 [engine turns off]
01:06:00 [inaudible]
01:06:08 Realizing how bad it was.
01:06:10 I guess you never know how you are going to react to a situation like that.
01:06:18 Well she let her husband actually die because she didn't want to interrupt the concert.
01:06:21 [music]
01:06:29 You okay, sweetie? Not hungry?
01:06:31 Just tired.
01:06:33 Exams and stuff.
01:06:35 Honey, you gotta take better care of yourself.
01:06:37 Are you sure you're okay?
01:06:41 I just remembered I have an exam tomorrow.
01:06:48 I need to study for it, so...
01:06:51 [door slams]
01:06:53 You okay, champ?
01:06:55 Spencer!
01:06:57 [distant voice]
01:06:59 Warren!
01:07:03 Warren!
01:07:09 What the fuck, man?
01:07:11 I'm done. I'm done.
01:07:15 I can't see it ending well.
01:07:17 I just can't go back there.
01:07:20 Okay, well, just...
01:07:22 Look, today was bad luck.
01:07:26 But we got a trial run, okay?
01:07:28 Now we can make adjustments.
01:07:30 Nothing bad is going to happen.
01:07:32 Nobody's going to get hurt.
01:07:34 I'm saying that, Warren!
01:07:36 No one's going to get hurt.
01:07:38 How do you know no one's going to get hurt?
01:07:40 What are you talking about?
01:07:42 I'm talking about my family, okay?
01:07:44 They're good people and they don't deserve it.
01:07:46 I even thought about...
01:07:48 I mean...
01:07:50 What could happen if it goes wrong in our futures?
01:07:53 Which fucking future are you worried about?
01:07:56 The one that's fucking indistinguishable from everyone else's?
01:07:59 Where you fucking beaver away to get the shit you're told you need to have
01:08:02 by some fucking asshole who's going to tell you
01:08:04 what a great big success you are once you get it all?
01:08:07 Spencer, you are the one who wanted to fucking change.
01:08:10 You started this whole thing, remember?
01:08:13 Huh?
01:08:16 Yeah, I do.
01:08:18 But I think we should just quit while we're ahead.
01:08:21 Dude, this isn't fucking ahead.
01:08:24 This is just more of the same shit.
01:08:26 Nothing has changed. What has changed?
01:08:29 Tell me!
01:08:31 I'm just not cut out for it, Warren.
01:08:40 Okay? I'm not cut out for it, so I'm not...
01:08:45 I'm done.
01:08:46 - Look, you're just... - I'm done.
01:08:48 You really want to come all this way
01:08:51 and not find out what happens next?
01:08:54 I mean...
01:09:00 Tell me this hasn't been the time of your fucking life.
01:09:04 Man, I don't want you waking up
01:09:10 ten years from now
01:09:12 wondering what could have happened
01:09:15 and who you could have been.
01:09:19 All right.
01:09:25 I'll see you around, man.
01:09:29 One day you'll be dead!
01:09:38 ( door opens )
01:09:40 ( gasps )
01:10:02 ( whispers )
01:10:05 ( sniffles )
01:10:08 ( gasps )
01:10:11 ( sniffles )
01:10:14 ( sniffles )
01:10:16 ( footsteps )
01:10:44 You can go through life with this expectation
01:10:47 that something fantastic is gonna happen,
01:10:50 something life-altering that's gonna make your life different and unique.
01:10:54 I realized that I had to
01:11:07 actually make something happen on my own.
01:11:12 So, plan B.
01:11:15 We've agreed that Chas will be the driver.
01:11:19 He stays in the van with the engine running and the doors open.
01:11:22 Myself and Eric will be the only ones to go inside the library.
01:11:26 No disguises. It just creates unwanted attention.
01:11:28 What about him?
01:11:30 Spencer will be outside on lookout.
01:11:34 - What? Why? - Well, he can't go inside.
01:11:36 People will recognize him. We can't risk that.
01:11:39 So, then who's gonna be on lookout inside the library?
01:11:42 You. You're gonna be downstairs until I call you to come bag up the books.
01:11:46 You know that I can't be involved in dealing with the librarian, right? You get that?
01:11:49 Like I said, I will take care of that,
01:11:52 and then I will call you once she's been...
01:11:55 she's neutralized.
01:11:58 This time, it's gonna work.
01:12:04 Okay, so when I go up,
01:12:07 she'll be dealt with. It'll be done.
01:12:10 This? Word?
01:12:13 It's what I just said.
01:12:15 - Isn't it? - Yeah.
01:12:17 [♪♪♪]
01:12:21 [♪♪♪]
01:12:25 [♪♪♪]
01:12:28 [♪♪♪]
01:12:31 [♪♪♪]
01:12:42 [indistinct chatter]
01:12:58 [indistinct chatter]
01:13:01 [footsteps]
01:13:20 [♪♪♪]
01:13:23 [♪♪♪]
01:13:45 [♪♪♪]
01:13:48 [knocking]
01:14:12 [doorbell rings]
01:14:15 - Mr. Beckman. - Yes. Hi. Walter Beckman.
01:14:18 Yes. Betty Jean Gooch. Nice to see you.
01:14:20 - Nice to see you, too. - Come in, please.
01:14:22 I have to say, I expected someone much older.
01:14:26 Yeah. You never know, do you?
01:14:29 No. You never know.
01:14:31 Now I'm gonna ask you to sign in for the log...
01:14:38 - ...your printed name right there. Thank you. - Thank you.
01:14:41 And then if you would date it, please.
01:14:44 And how is your date going thus far?
01:14:47 It's going fine, thank you.
01:14:49 Um, I'm very sorry about the other evening.
01:14:52 Uh, the other day. Sorry.
01:14:54 We, uh-- I had a family emergency I had to take care of.
01:14:57 - Oh, I'm sorry to hear that. - Yeah.
01:14:59 - I trust everything is okay? - It's okay now, thank you.
01:15:02 Good. Well, what you have requested to see
01:15:05 are among our most treasured items.
01:15:09 I have laid out the illuminated manuscript
01:15:12 and the Ordis Sanitatus on my left.
01:15:16 Please remember to use the gloves at all times
01:15:18 while touching any of the pages.
01:15:21 Sure.
01:15:23 Uh, is this a personal interest of yours,
01:15:27 or are you working on some kind of a project?
01:15:30 Uh, I just, um, heard a great deal about them.
01:15:33 Ah.
01:15:35 Well, as you can see, one of the volumes of the Audubon
01:15:38 is displayed here.
01:15:40 This case will remain locked at all times.
01:15:42 However, if you do wish to see some of the other plates,
01:15:45 I can help you to turn some of the pages,
01:15:48 if time permits.
01:15:50 (phone buzzing)
01:15:53 (phone buzzing)
01:16:19 You can come up now.
01:16:21 (sniffling)
01:16:40 (sniffling)
01:16:43 (sniffling)
01:16:46 (coughing)
01:17:13 Miss Gooch, uh, my friend, he's right there.
01:17:16 Oh.
01:17:18 Thank you so much.
01:17:20 Sure.
01:17:22 Hello. Come in, please.
01:17:35 I will need your name for the logbook.
01:17:41 You need to sign in.
01:17:43 John.
01:17:45 John.
01:17:47 John...
01:17:49 Rutherford.
01:17:53 Rutherford.
01:17:55 Please sign by the...
01:17:59 (screaming)
01:18:01 (screaming)
01:18:03 No! No! No!
01:18:05 That's hurting me!
01:18:07 I'm sorry, just relax, all right?
01:18:09 Miss Gooch, we're not here to hurt you.
01:18:11 Just relax. We'll be over in a second, all right?
01:18:13 No, no, I can't.
01:18:15 Shut the fuck up!
01:18:17 Shut up! We're not gonna hurt you.
01:18:19 You keep struggling, it's gonna fucking hurt more.
01:18:22 Shut up! Zip tie her legs.
01:18:24 Oh, God, help me.
01:18:26 (groaning)
01:18:28 Zip tie her fucking legs right now!
01:18:31 Please don't tie my legs.
01:18:33 Please, I can't. I can't.
01:18:35 Goddamn it.
01:18:37 (groaning)
01:18:39 I... I... I...
01:18:41 Fuck the fucking gloves! What are you doing?
01:18:43 The gloves! Let's go!
01:18:45 Oh, I can't breathe.
01:18:47 You're hurting me.
01:18:49 Come on, fuck you.
01:18:51 (groaning)
01:18:53 Why? Why are you doing this?
01:18:55 Why are you...
01:18:57 It's the books. We want the books.
01:18:59 Not you.
01:19:01 You good? You good?
01:19:03 (groaning)
01:19:05 Fuck.
01:19:13 (groaning)
01:19:15 Find the keys!
01:19:19 Find the fucking keys!
01:19:21 Wake the fuck up!
01:19:31 There's no keys. What?
01:19:33 There's no keys. There's no fucking keys.
01:19:35 I can't find any fucking keys. Find the fucking keys!
01:19:37 Goddamn it! There's no fucking keys!
01:19:39 Get the fucking door. Get it out of the case.
01:19:41 (groaning)
01:19:59 (groaning)
01:20:01 (groaning)
01:20:19 What is that?
01:20:25 (dramatic music)
01:20:27 I'm sorry. I'm sorry.
01:20:43 Get those fucking books right now!
01:20:53 What the fuck?
01:20:55 Hey, hey, hey, hey.
01:20:57 She's moving towards the door.
01:20:59 I'm not fucking touching her.
01:21:01 I'm done touching her. That's it.
01:21:03 I'm trying to get the thing out.
01:21:05 I'm not touching her anymore.
01:21:07 I don't give a fuck. I'm not fucking touching her anymore.
01:21:09 (groaning)
01:21:13 All right.
01:21:15 (groaning)
01:21:21 Shut the fuck up.
01:21:23 (groaning)
01:21:25 Shut the fuck up!
01:21:27 I'm sorry, okay?
01:21:33 In and out.
01:21:35 I got it. I got it. I got it.
01:21:39 Okay. Okay.
01:21:45 Okay.
01:21:47 (dramatic music)
01:21:49 Let's go.
01:21:57 Oh, shit.
01:21:59 Fuck, I'm out of that shit.
01:22:15 What? Another one.
01:22:17 What the fuck are you talking about? This shit could be the fucking thing.
01:22:19 Leave it. Fucking leave it.
01:22:21 What the fuck? It's fucking good enough.
01:22:23 This is good enough. The Darwin.
01:22:25 No, fucking Darwin, man. Get the Darwin.
01:22:27 Fucking leave the Darwin.
01:22:29 Let's fucking go, man. Let's get the fuck out of here.
01:22:31 (glass shattering)
01:22:35 (glass shattering)
01:22:37 (glass shattering)
01:22:39 (dramatic music)
01:22:41 (footsteps approaching)
01:22:43 (door opening)
01:23:01 (door closing)
01:23:03 (dramatic music)
01:23:05 (footsteps approaching)
01:23:07 Can't be. Can't be.
01:23:09 (door opening)
01:23:11 What the fuck?
01:23:13 You hit one.
01:23:15 Oh, fuck. You hit one.
01:23:17 Oh, fuck. Come on, I'll be back.
01:23:19 (door opening)
01:23:21 (dramatic music)
01:23:23 (dramatic music)
01:23:29 Fuck. Fuck.
01:23:31 This is bad, man.
01:23:33 (dramatic music)
01:23:35 (breathing heavily)
01:23:37 (breathing heavily)
01:23:39 It's okay.
01:23:41 Wait here, bitch. Hold the door.
01:23:43 (footsteps approaching)
01:23:45 Goddamn it, Warren. It's not supposed to be like this.
01:23:47 Oh, shit.
01:23:49 Where's the exit?
01:23:51 It's fucking bad.
01:23:53 This is really fucking bad, Warren.
01:23:55 Oh, shit!
01:23:57 Fuck!
01:23:59 Fuck!
01:24:01 Where the fucking exit?
01:24:03 I don't know!
01:24:05 (dramatic music)
01:24:07 What the fuck? What are we gonna do?
01:24:09 We have to make a run for it.
01:24:11 What? What do you mean, make a run for it?
01:24:13 What do you mean, make a fucking run for it?
01:24:15 I'm just gonna fucking see this out.
01:24:17 Fuck, man. This is bad.
01:24:19 (breathing heavily)
01:24:21 This is fucking bad.
01:24:23 Go, go, go, go, go, go, go.
01:24:25 (footsteps approaching)
01:24:27 (dramatic music)
01:24:29 (breathing heavily)
01:24:31 (footsteps approaching)
01:24:33 (dramatic music)
01:24:35 (footsteps approaching)
01:24:37 (dramatic music)
01:24:39 (man grunts)
01:24:41 No! No!
01:24:43 -Fucking go! -No!
01:24:45 -Fucking leave! -Go!
01:24:47 (man grunts)
01:24:49 Oh, shit!
01:24:51 (tires screeching)
01:24:53 Warren, what the fuck are you doing?
01:24:55 Shit.
01:24:57 (tires screeching)
01:24:59 Hey, stop! Fucking idiot, stop!
01:25:01 (tires screeching)
01:25:03 (thud)
01:25:05 Go, go, go, go.
01:25:07 Hey, Eric, where are the books? Huh?
01:25:09 (breathing heavily)
01:25:11 Where the fuck is Warren?
01:25:13 (tires screeching)
01:25:15 (thud)
01:25:17 Holy fuck.
01:25:19 (breathing heavily)
01:25:21 (footsteps approaching)
01:25:23 (thud)
01:25:25 (footsteps approaching)
01:25:27 Drive. Drive, drive, drive!
01:25:29 (engine rumbles)
01:25:31 (tires screeching)
01:25:33 (tires screeching)
01:25:35 Jesus Christ!
01:25:37 (coughing)
01:25:39 Just fucking drive!
01:25:41 Slow down, you're gonna fucking kill us.
01:25:43 Hey, don't tell me what the fuck you're doing.
01:25:45 (coughing)
01:25:47 Where are the books, Warren?
01:25:49 Warren, where are the fucking books?
01:25:51 I dropped the fucking books!
01:25:53 Okay, Josh, no fucking books!
01:25:55 We thought we got nothing.
01:25:57 We fucking dropped them. They fell out of our hands.
01:25:59 We got fucking nothing.
01:26:01 Nothing? There's nothing. Shut the fuck up.
01:26:03 Hey, fuck you, man. Please.
01:26:05 Hey, you got nothing? Why did you take so long up there?
01:26:07 What the fuck happened up there, man?
01:26:09 Now, fuck the bulls, you guys. Fuck this up again.
01:26:11 I knew it. I knew you were gonna fucking do this again.
01:26:13 You didn't-- you weren't in-- you didn't fucking go in there.
01:26:15 I'm the Darwin.
01:26:17 I'm the Darwin. What do you got?
01:26:19 Oh, Jesus.
01:26:21 What do you fucking got?
01:26:23 Please, give me a fucking second, please.
01:26:25 Your fucking backpack, man! Check it!
01:26:27 What's he got? He got something?
01:26:45 Yeah.
01:26:47 [siren wailing]
01:26:49 What are you doing?
01:27:11 Get out. What?
01:27:13 What are you fucking talking about? I'm not getting out of the fucking car right now.
01:27:15 Dude, they're gonna be looking for a gray van with three guys in it, okay?
01:27:17 Get out. Who the fuck is this, man?
01:27:19 Get the fuck out, man. Hey, I'm not moving this car with the three of us in it.
01:27:21 Get out. I'm not getting out of here.
01:27:23 Get out! I'll come back for you.
01:27:25 I will come back for you in my car. Just get the fuck out.
01:27:27 You fucking promised. You're not gonna leave me, seriously.
01:27:29 I swear to fucking God I will come back.
01:27:31 Get the fuck out of the car.
01:27:33 Eric, get the fuck out of here.
01:27:35 Don't give a fuck. Get the fuck out.
01:27:37 [siren wailing]
01:27:39 Get the fuck out of here.
01:27:41 Take your fucking bag.
01:27:43 Close the fucking doors. Hurry the fuck up.
01:27:45 [engine starts]
01:27:47 [engine stops]
01:27:49 [indistinct chatter]
01:27:51 [indistinct chatter]
01:27:53 [indistinct chatter]
01:27:55 [engine stops]
01:27:57 [engine starts]
01:28:23 Okay.
01:28:25 You gotta watch this, okay, buddy?
01:28:27 You fucking got this. Give me your clothes.
01:28:29 Give me your fucking clothes.
01:28:31 You can't stay here, okay?
01:28:47 Get your shit and let's fucking go.
01:28:49 Get it together. Let's go.
01:28:51 [indistinct chatter]
01:28:53 There is a special collection room
01:29:01 inside of this library.
01:29:03 Now, we're told that some of the books inside that room
01:29:05 date back to the 1700s.
01:29:07 They're very rare and expensive.
01:29:09 This morning, two men took advantage of that.
01:29:11 This is Dave Lachinsky reporting
01:29:13 from Transylvania University,
01:29:15 where the audacious robbery was carried out
01:29:17 in broad daylight today.
01:29:19 [indistinct chatter]
01:29:21 How would they know it's a-- Quiet!
01:29:35 They got nothing on us.
01:29:43 How would they know there were four of us?
01:29:45 They don't know shit.
01:29:47 This is from a different car.
01:29:49 They violently restrained a female librarian,
01:29:51 leaving her bound...
01:29:53 [eerie music]
01:29:55 [sirens wailing]
01:30:19 [indistinct chatter]
01:30:21 Absolutely stunning, aren't they?
01:30:43 And did Mr...
01:30:47 Beckman.
01:30:49 Did Mr. Beckman give you any information
01:30:51 regarding the provenance of the books?
01:30:53 Only that he inherited them many years ago,
01:30:56 uh, and wishes to realize their value
01:30:59 through a private sale.
01:31:01 Right.
01:31:03 They're extremely rare.
01:31:08 Yeah, his-- his, uh-- his eyes are failing.
01:31:13 He says the books no longer receive the attention
01:31:16 they fully deserve.
01:31:18 And does he possess any documentation
01:31:21 pertaining to his ancestors' acquisition of the books?
01:31:24 Um, I mean,
01:31:28 they've been in his family for generations,
01:31:31 so there's really no documentation to speak of.
01:31:34 Well, they're exquisite,
01:31:39 and, uh, undoubtedly genuine.
01:31:42 So...
01:31:44 let me talk this over with Mr. Leckie,
01:31:46 and then we'll be in touch regarding an estimate
01:31:48 in steps toward a private sale.
01:31:50 Not today?
01:31:52 Not today?
01:31:54 I'm afraid Mr. Leckie is out of the office all day.
01:31:57 Well, you see, uh...
01:32:00 I'm sorry, I've forgotten your name.
01:32:02 Melanie Halloran.
01:32:04 Miss Halloran, we were really hoping
01:32:06 to supply Mr. Beckman with a, um...
01:32:10 estimate today.
01:32:12 Mm-hmm.
01:32:14 That's-- that's why we came up here.
01:32:17 I wouldn't be able to give you that
01:32:19 without Mr. Leckie's sign-off.
01:32:21 There's no one else who could maybe take a look today.
01:32:23 As I say, this is really Thomas' department,
01:32:25 and he'll be back here tomorrow.
01:32:27 Is there a number we can reach you on
01:32:29 while you're in town?
01:32:31 Ah, fuck.
01:32:33 So?
01:32:35 Went well.
01:32:36 And?
01:32:37 The mean guy wasn't there,
01:32:39 and I had to talk to the junior executive.
01:32:42 Uh, deputy.
01:32:44 Deputy, and, uh...
01:32:46 she said what we got is very valuable,
01:32:49 and, uh, just gotta wait for the mean guy to get back.
01:32:53 So we're gonna wait for the call,
01:32:55 and then can get in touch with the--
01:32:57 with the meeting.
01:32:58 When you say wait for the call,
01:33:00 you mean at the hotel, right?
01:33:02 Oh.
01:33:07 They're gonna call my cell.
01:33:09 Hey, turn the engine off.
01:33:14 Ring--ring your cell phone number.
01:33:17 Ring it now.
01:33:19 Fucking ring it!
01:33:21 Spencer, okay, you know what?
01:33:23 I'll ring it for you, dipshit.
01:33:25 [phone ringing]
01:33:29 Let's see.
01:33:32 What's up? This is Spence.
01:33:35 You know what to do.
01:33:37 Does that sound like a fucking art dealer to you, huh?
01:33:39 Look, Chas, we can change the message.
01:33:41 Hey, hey, hey, shut up, Eric!
01:33:42 All right, shut the fuck up!
01:33:44 You need to go back in there,
01:33:47 get whatever piece of paper that has your phone number on it back.
01:33:50 How?
01:33:51 Right fucking now, because I shit you not,
01:33:53 that number's gonna put us all in jail,
01:33:54 you fucking little asshole.
01:33:55 You just need to calm down.
01:33:56 Hey, don't fucking tell me to calm down, Warren.
01:33:58 You--you guys are sending us to jail,
01:34:00 you fucking idiots!
01:34:02 Do you not understand what I'm saying?
01:34:04 Do you not understand that?
01:34:05 You're too fucking stupid.
01:34:06 You're so smart, Chas.
01:34:07 Why didn't you go in there?
01:34:09 I can do this.
01:34:14 What do you got, Mr. Pink?
01:34:18 Oh, fuck!
01:34:19 Okay, okay, what?
01:34:20 What are you doing?
01:34:21 What the fuck, you just called me?
01:34:22 What the fuck, man?
01:34:23 Oh, you called me a fucking bitch?
01:34:24 Where's the talk now, bitch? Huh?
01:34:26 This is my life you are fucking with, man, okay?
01:34:32 This isn't some fucking game!
01:34:34 You gotta go back in there and get that number back.
01:34:38 You gotta go back in there and get that fucking number back
01:34:40 right now, Spencer, go!
01:34:42 Chas, man, you know we can't go back in there.
01:34:44 We can't.
01:34:45 I don't give a fuck what you think you know.
01:34:48 You've killed us.
01:34:53 You shot us all in the fucking head.
01:34:58 [♪♪♪]
01:35:01 [SIGHS]
01:35:06 [♪♪♪]
01:35:15 [♪♪♪]
01:35:19 [♪♪♪]
01:35:22 [♪♪♪]
01:35:41 [♪♪♪]
01:35:44 See you guys around, I guess.
01:35:56 See you, man.
01:36:05 Call you later.
01:36:06 Yeah.
01:36:07 [♪♪♪]
01:36:10 To have this need to know what is on the other side of that line
01:36:20 and realizing the only way to actually do that is to cross it,
01:36:26 there's never a point in your life after that
01:36:28 where you haven't already crossed that line.
01:36:34 You know, it was definitely a terrifying thing.
01:36:39 CDOs are kind of the rock and roll of structured finance right now.
01:36:46 But they are also very complex.
01:36:49 I distinctly remember hearing that scream in my head over and over again,
01:36:53 just the scream of the librarian.
01:36:55 What have I just done?
01:36:59 I felt so confident this was gonna be what I needed.
01:37:03 Is this really? Did I just do something horrible?
01:37:06 Did I just hurt someone forever?
01:37:09 Did I just take part in something awful?
01:37:14 You know, I'm sorry I haven't been to your games lately.
01:37:22 It's okay.
01:37:25 How's your form?
01:37:27 Ever better.
01:37:32 How's the new place?
01:37:35 Oh, it's great, you know.
01:37:38 It's actually very convenient, near the shops and close to work and everything.
01:37:47 We tried to say things like, "We're not gonna hurt anybody.
01:37:54 We're just gonna try to scare and get in and get out.
01:37:59 We're gonna call the cops afterwards.
01:38:02 We're gonna talk to her and tell her we're not gonna hurt her."
01:38:06 But we did.
01:38:21 We did.
01:38:23 And we just tried to get past it, but there's no...
01:38:38 There's no real getting past it.
01:38:50 No.
01:38:52 It's the middle of the fucking night.
01:39:03 Warren and Zaya, so worse than you thought.
01:39:06 What are you talking about?
01:39:07 We used the same email address to make the library appointment that we used to email Christie's, man.
01:39:16 They'll find the email. They're gonna find Halloran. Find me. Us.
01:39:20 My phone number.
01:39:22 Chas was right, man. Chas was right, Warren.
01:39:25 Dude, you're overthinking this.
01:39:27 You just gotta chill out and go back to bed, alright?
01:39:35 Paranoia will destroy you.
01:39:41 [TV playing]
01:39:43 [Singing]
01:39:52 I didn't know.
01:39:54 [Singing]
01:39:58 [Singing]
01:40:02 Finish with a flurry. Come on.
01:40:04 [Singing]
01:40:09 [Applause]
01:40:11 Alright, good job. Good job. Good job.
01:40:15 Happy birthday, Dad.
01:40:17 Thank you.
01:40:18 [Bell ringing]
01:40:20 Cheers.
01:40:21 Cheers to me.
01:40:23 [TV playing]
01:40:26 [TV playing]
01:40:29 Aww.
01:40:30 Wow, you so look like you.
01:40:32 [TV playing]
01:40:34 [Indistinct chatter]
01:40:46 [Indistinct chatter]
01:40:48 Love you.
01:41:04 Oh, sorry.
01:41:07 Okay.
01:41:10 [Chuckles]
01:41:11 Thanks for coming.
01:41:13 Sorry.
01:41:14 Love you.
01:41:15 Same.
01:41:17 [Footsteps]
01:41:19 [Engine starting]
01:41:27 [Engine revving]
01:41:29 [Engine turning off]
01:41:32 [Door opening]
01:41:44 [Door closing]
01:41:46 [Footsteps]
01:41:48 [Indistinct chatter]
01:42:05 [Indistinct chatter]
01:42:07 [Shouting]
01:42:19 [Tires screeching]
01:42:24 Excuse me, sir. Stop. Stop right there!
01:42:27 Stop there!
01:42:29 [Screaming]
01:42:31 Are you fucking kidding me?!
01:42:33 Fucking asshole!
01:42:34 Is that all you fucking got?!
01:42:36 Come on!
01:42:38 [Tires screeching]
01:42:45 [♪♪♪]
01:42:56 [♪♪♪]
01:42:58 [Gunshot]
01:43:24 [♪♪♪]
01:43:26 ♪ And who by a fire? ♪
01:43:42 ♪ Who by a water? ♪
01:43:45 ♪ Who in the sunshine? ♪
01:43:48 ♪ Who in the nighttime? ♪
01:43:51 ♪ Who by high ordeal? ♪
01:43:54 ♪ Who by common trial? ♪
01:43:57 ♪ Who in your merry, merry month of May? ♪
01:44:00 ♪ Who by very slow decay? ♪
01:44:03 ♪ And who, shall I say, is calling? ♪
01:44:11 ♪ And who in her loneliest slip? ♪
01:44:19 ♪ Who by barbiturate? ♪
01:44:22 ♪ Who in these realms of love? ♪
01:44:25 ♪ Who by something planned? ♪
01:44:28 ♪ Who by avalanche? ♪
01:44:31 ♪ Who by powder? ♪
01:44:34 ♪ Who for his grief? ♪
01:44:37 ♪ Who for his hunger? ♪
01:44:40 ♪ And who, shall I say, is calling? ♪
01:44:48 [♪♪♪]
01:44:50 ♪ Who by brave assent? ♪
01:44:57 ♪ Who by accident? ♪
01:45:00 ♪ Who in solitude? ♪
01:45:03 ♪ Who in this mirror? ♪
01:45:06 ♪ Who by his latest command? ♪
01:45:09 ♪ Who by his own hand? ♪
01:45:12 ♪ Who in mortal chains? ♪
01:45:15 ♪ Who in power? ♪
01:45:18 ♪ And who, shall I say, is calling? ♪
01:45:42 After pleading guilty to robbery, conspiracy, and theft of major artworks,
01:45:47 Spencer Reinhard, Eric Borsuk, Charles Allen, and Warren Lipka now know their fate.
01:45:54 A federal judge sentenced them each to seven years in a federal prison
01:46:00 after the four plotted for months to steal millions of dollars' worth of manuscripts and sketches
01:46:05 from Transylvania University's special collections.
01:46:08 [♪♪♪]
01:46:11 You're taught your entire life that what you do matters and that you're special.
01:46:17 And that there are things you can point towards that would show that you're special,
01:46:26 that shows that you're different, when in all reality, those things don't matter,
01:46:34 and you're not special.
01:46:37 And so the idea that we were doing this extraordinary thing
01:46:43 absolutely appealed to us.
01:46:46 Appealed to me.
01:46:48 Looking back on it, I've often wondered which events I remember from Warren's point of view
01:46:58 or I remember from my own, and if it was easier to choose one over the other
01:47:06 because of what it provided for us.
01:47:08 I don't remember if the guy I saw in Central Park was someone that I saw
01:47:25 or somebody that Warren told me I saw.
01:47:27 All right, bro. Go get him.
01:47:36 All I remember from his Amsterdam trip was dropping him off at the airport and picking him up.
01:47:42 I definitely don't have evidence or actual proof that Warren went to Amsterdam.
01:48:00 Over the years, I've definitely come to think that Warren's whole story
01:48:12 about meeting with an Amsterdam buyer, that most likely he just made the whole thing up.
01:48:18 I guess you just have to take my word for it.
01:48:30 There was a version of the story that I wanted to believe and that I chose to believe,
01:48:38 and oftentimes it was Warren's.
01:48:41 But the pain that I caused both to my family and to BJ
01:48:51 were never worth the adventure that we felt at the time or the change in our life that we were craving.
01:49:02 I think they wanted things to come easy for them.
01:49:12 They did not want to work for a transformative experience.
01:49:16 They didn't want to help other people to achieve a transformative experience.
01:49:21 I find them all very selfish.
01:49:24 And I still have trouble figuring out how a person crosses a line in their own mind
01:49:33 to be willing to hurt another person to get what they want.
01:49:39 And I think that once you've crossed that line, I think it's a dangerous line to cross.
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01:49:48 It makes me wonder if they really know why they did it.
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