La promesa - Temporada 3 - Episodio 327
Category
🎥
Short filmTranscript
00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:05 [SPEAKING SPANISH]
00:06 [SPEAKING SPANISH]
00:27 [SPEAKING SPANISH]
00:30 [SPEAKING SPANISH]
00:34 Not just any initiative. Catalina's nonsense.
00:38 I've made a decision. That's all.
00:39 -That's impossible. -What's impossible?
00:42 Who would look for a narco who only imitates old people?
00:47 -And who doesn't use stuff. -I don't know, Mario.
00:49 But what are you hiding here to worry so much?
00:52 I'll tell you when I find it.
00:55 I thought you came to the business to collaborate.
00:58 That's what I'm doing.
01:00 You're acting on your own, and I don't like that.
01:03 She'll like it when she sees her profits increase.
01:05 Can we keep this a secret?
01:07 I don't want my colleagues to worry about something
01:10 that hasn't really been anything.
01:12 I guess that's what you mean by your mother.
01:15 Especially her.
01:16 Or Mrs. Candela.
01:18 They'd get upset for no reason.
01:20 I can't let what happened not happen.
01:23 -And start from scratch. -Why not?
01:25 Why not, Ximena?
01:27 I think it's best if we assume reality at once.
01:31 What reality?
01:33 That our marriage is over.
01:37 You can set up a wedding rehearsal or something similar
01:40 to get a bit of a kick out of it.
01:42 Does Maria like that?
01:44 She doesn't like it, because it's a surprise.
01:46 She doesn't know anything. So don't say anything.
01:49 Don't look at me.
01:51 I'm not going to tell anyone about such a joke.
01:55 It's not a joke. It's something nice.
01:57 Yes, it's a trick.
01:58 You can't play with the sacrament of marriage
02:00 like it's a joke.
02:02 Why don't we go to Villalquino?
02:05 Together?
02:06 Let's see if you want to go to the cinema with me.
02:09 Yes, I do.
02:10 I hope that from now on,
02:12 lies, lies and mistrusts will be over.
02:16 It would be possible for us to start from scratch.
02:18 Catalina,
02:21 you don't know how happy I am to hear you say that.
02:24 Is that a yes?
02:26 Margarita, apart from all that you've said,
02:30 you're also a smart, intelligent,
02:34 wise, crazy woman.
02:36 And those are qualities I value a lot in a woman.
02:39 And I enjoy it.
02:41 Well, Ignacio, go have fun.
02:44 I've warned you.
02:46 So don't regret it later.
02:47 The cleaning products reacted strangely
02:50 and the toxic gases prevented her from breathing.
02:54 So my diagnosis is that she opens the windows
02:59 when I clean and then she comes to the room.
03:03 What I don't understand is that fixation
03:05 she has for that woman.
03:07 Make me 25% of the promise.
03:10 What?
03:12 Cruz will pay for everything she's done to our son.
03:16 I promise.
03:17 But first, Margarita has to eat from my hand.
03:21 If you're not a little clearer, I can't help you, Maria.
03:24 Whether you want it or not, you'll talk.
03:26 Where's the money?
03:28 (Music)
03:31 Look, Vera, that money was well hidden.
03:35 I don't have the money.
03:36 So it's gone because of the art of the burly burlock?
03:39 What do you mean? It's not my problem that you lost it.
03:42 I didn't lose it, you stole it.
03:44 I don't agree with that.
03:46 Give it back.
03:47 I'm not a thief.
03:49 So who took it? The friend of the stranger?
03:53 That's your problem.
03:55 You were the only one who knew about the existence of that money.
03:58 Apparently, she didn't.
03:59 Someone else took it.
04:01 Are you denying that you entered my room to humiliate me?
04:04 No, I'm not denying that, because it's the truth.
04:07 But I didn't take anything, I didn't even find it.
04:09 Yes, but you kept looking like a dog
04:12 until you found the burlock.
04:14 No, I don't have the money.
04:15 So go with your research elsewhere and leave me alone.
04:19 Look, Vera,
04:21 I understand that it's very sweet to find a fortune like that
04:24 and that none of us are free from temptation,
04:27 but you give it back to me and I forget it.
04:29 And then what's the point?
04:31 I have nothing.
04:32 I'm not a thief.
04:35 Is it clear now?
04:38 I can tell you more clearly, but not more clearly.
04:41 Is everything okay?
04:48 Perfectly.
04:50 We were on the same page.
04:52 I see.
04:53 I can see that.
04:55 We start a debate and we raise the tone without realizing it.
04:59 A good conversation must have different opinions.
05:02 Well, leave the burlock for another time, there's a lot of work.
05:05 I need hands for the dinner service of the gentlemen.
05:08 Sure, we're coming with you.
05:10 # I don't know if I can tell you
05:20 # the things that have happened since I saw you,
05:23 # the lights that have danced through our garden,
05:27 # the new colors
05:29 # between the heart and the walls.
05:32 # In the promise
05:36 # there will be particles of love in motion,
05:40 # there will be secrets that will never come out.
05:44 # It will be as beautiful as the flight of a plane.
05:48 # In the promise
05:50 # the farewells are turns on the ground,
05:54 # even the flowers will dance in their own way,
05:59 # balancers between fear and passion.
06:03 # We are like a jump to the D3,
06:08 # we are love when life is lived to death.
06:13 # A long road to travel,
06:16 # a long road to travel.
06:19 # In the promise you will be a matter of luck.
06:23 # We are like a jump to the D3,
06:27 # we are love when life is lived to death.
06:31 # A long road to travel,
06:36 # in the promise you will be a matter of luck. #
06:40 (Music)
06:43 (Helicopter)
06:47 I'm sorry to see my aunt Alonso so sad and down.
07:00 I also noticed that she had the courage to go to the ground.
07:04 It's just that all this issue of our mother has moved her guts.
07:08 (Music)
07:11 Urgara in the past has reopened wounds
07:13 that he thought he had scarred.
07:15 Wounds that still bleed. Indeed.
07:18 And that shows how deep his feelings for his mother were.
07:22 He has never overcome his death.
07:24 (Sighs)
07:25 I don't know, Hanna, I feel guilty
07:27 for having made him relive so much pain.
07:30 I also put my finger in the wound.
07:33 Yeah. I don't know, I feel like it's more than a memory exercise.
07:37 It's like we've stabbed him in the soul.
07:40 Don't blame yourself so much.
07:42 You have to think that this is also ours.
07:44 This story belongs to us, Curro.
07:46 And you and I also have a bloody wound that we want to heal.
07:50 Yeah, but not at the expense of the pain of others.
07:53 It hurts me to see my uncle so sunk.
07:56 The end does not justify the means, Hanna.
07:58 Of course not, but I never wanted to make anyone suffer.
08:01 Yeah, but we've done it.
08:03 We've left it to Nicos to Urgarra in the past.
08:07 Everything that breaks can almost always be fixed again.
08:10 Sure. Do you want us to hit my uncle's heart
08:13 like a broken porcelain vase?
08:15 If it's Menester, yes, Curro.
08:17 And if it's in a well, we'll get it out.
08:20 And how? How?
08:22 Will we raise the morale between the two?
08:26 But you have to keep in mind that I'm just a maid.
08:30 And here all the weight falls on you.
08:33 So maybe what you can do is look for different plans with him,
08:37 talk about fun topics,
08:39 and even, I don't know, propose a project in common.
08:44 Okay, okay.
08:50 I assume the responsibility.
08:52 I'll be the one to make him smile.
08:54 Just as you're making me smile now.
08:56 Yeah.
08:57 The only thing is that I don't think it's such a simple task with my uncle Alonso.
09:01 You didn't like simple tasks.
09:03 Curro, I'm convinced that in less than two days,
09:07 your uncle is already laughing.
09:09 Well, I don't know, tickling him.
09:12 Anyway.
09:15 Trust yourself, Curro.
09:19 I'm already doing it.
09:21 [dramatic music]
09:24 ♪
09:29 [sighs]
09:30 ♪
09:33 How dare you ask Yala to take care of Margarita?
09:36 They were alone.
09:38 Going to that event together was a great opportunity for both of them.
09:41 For Christ's sake, Alonso,
09:42 when are you going to get over it, dear?
09:45 Don't you realize that all my sister-in-law wants is to annoy me?
09:49 And you've been serving her the pleasure of a silver platter,
09:52 making her meet Ignacio.
09:53 You're the one who's not a spoon, Cruz.
09:55 Not everything revolves around you. You're not the world's navel.
09:58 And I haven't made anyone meet anyone.
10:00 I'm not a liar.
10:02 She's my late brother's wife, for God's sake.
10:04 So what did you want?
10:06 Well, for them to go to that event together.
10:09 For them to have company.
10:11 Do you like going alone to those kinds of receptions?
10:13 We're not talking about me.
10:15 You're making a scene over a simple comment I made to Yala.
10:18 I don't think it's that big of a deal.
10:20 You should have consulted me before making such a suggestion.
10:23 What?
10:24 I think it's the least you can do.
10:26 Well, I think it's the most you should ask for permission
10:29 to make whatever comment you want.
10:31 I'm your wife.
10:32 That's exactly why, Cruz. You're not my mother.
10:34 I'm a man of my word,
10:37 not a child you can scold.
10:39 I'm leaving before I say something I might regret.
10:46 I don't know, you've already done it.
10:48 [dramatic music]
10:50 I haven't said a third word about what's going through my head.
10:55 Go ahead, tell me.
10:57 A starry night
11:12 and a glass of wine with my best friend.
11:14 [chuckles]
11:16 You can have more luck than I do.
11:18 To your health, my friend.
11:22 To yours and Maria's.
11:24 Who would have thought that when I was in the front,
11:34 I'd end up marrying the girl of my dreams?
11:36 [chuckles]
11:37 When I was there,
11:41 I thought it all meant the end.
11:45 And yet, it was the best ending.
11:47 And what's left for you?
11:51 You have your whole life ahead of you.
11:53 [chuckles]
11:54 I really want to marry her, Lope.
11:56 But I'm aware that we still have to wait a bit.
12:01 But that wedding rehearsal will be a consolation.
12:05 I know it's not the same,
12:07 but it'll leave me with a good taste in my mouth before the big day.
12:10 But Salvador, the wedding rehearsal...
12:13 What do you want to do? It'll be the second big day.
12:16 No, well, an aperitif.
12:18 I see.
12:21 What's wrong? Isn't the idea funny?
12:26 Well, I get on your nerves and I understand your anxieties.
12:30 And even more so after what happened at the Rif war.
12:35 But...
12:36 After all that,
12:37 there's a but like a cathedral.
12:39 Lope, you'll be my friend.
12:43 We'll be hot.
12:44 Okay, I'll be clear.
12:48 I don't like the wedding rehearsal.
12:51 And I'm not the only one. The rest of the guys think the same.
12:54 And we're all aware that you're doing it with your best intentions.
12:59 But how many people know about it?
13:01 Almost everyone.
13:05 Almost everyone, except Maria.
13:07 You've kept your secret well.
13:10 And keeping a secret down here is well deserved.
13:13 Well, Maria is important here.
13:15 And I'm sure she'll be very excited.
13:18 Well, I don't think the same.
13:20 And I'm not the only one, Salvador.
13:22 Well, almost no one has told me anything.
13:24 Because they see you excited and don't want to upset you.
13:27 And you don't.
13:30 Salvador, I'm your friend, as you said before.
13:35 And I feel like I have to get you out of the cloud.
13:39 Then don't.
13:41 If I do it, it's because I appreciate you.
13:43 And because I think Maria won't like that idea.
13:46 And everyone thinks the same.
13:51 With no exception.
13:54 Yes.
13:55 Do you really think it's such a crazy idea?
14:05 Salvador, I'm sorry.
14:11 Salvador, there are moments in life
14:13 that don't allow for a general trial.
14:15 In life, you're born once, you die once.
14:19 And you marry the woman of your life only once.
14:24 And that day will be the most wonderful and fantastic day of your life.
14:28 (Music)
14:31 Did you send for me, ma'am?
14:47 Yes.
14:48 Prepare me a warm and well-loaded canvas.
14:52 I need something to calm my nerves.
14:56 Do you want to tell me what your anger is about?
14:59 Maybe that will help you relax a bit.
15:02 Sometimes I think I'm not respected in this house.
15:06 My husband doesn't give a damn what I think.
15:09 And how things can affect me.
15:12 Well, ma'am, you know that men lack tact.
15:15 One thing is tact and another is common sense.
15:19 Who would dare to encourage Yala to accompany Margarita?
15:22 Doesn't she know how she's been treating me?
15:25 Is her greatest pleasure to get on my bad side?
15:28 The truth is, ma'am, that woman looks like the Count's shadow.
15:32 What do you mean?
15:36 I've seen them together several times.
15:39 And she doesn't get rid of him.
15:41 That woman is a disgrace.
15:44 Yes.
15:45 And I'm afraid this goes beyond that, ma'am.
15:48 I don't think it's a simple flirt.
15:51 That woman doesn't give a damn about him.
15:55 And Count Yala...
15:57 should keep an eye on her.
16:00 You're right.
16:02 Something's up with that woman.
16:07 (Music)
16:10 Okay, but tell me, why do you all think
16:31 it's a bad idea to have the wedding with Maria?
16:34 I don't know.
16:35 I don't know.
16:37 I don't know.
16:38 I don't know.
16:39 I don't know.
16:40 I don't know.
16:41 I don't know.
16:42 I don't know.
16:43 I don't know.
16:44 I don't know.
16:45 I don't know.
16:46 I don't know.
16:47 I don't know.
16:48 I don't know.
16:49 I don't know.
16:51 I don't know.
16:52 I don't know.
16:53 I don't know.
16:54 I don't know.
16:55 I don't know.
16:56 I don't know.
16:57 I don't know.
16:58 I don't know.
16:59 I don't know.
17:00 I don't know.
17:01 I don't know.
17:02 I don't know.
17:04 I don't know.
17:05 I don't know.
17:06 I don't know.
17:07 I don't know.
17:08 I don't know.
17:09 I don't know.
17:10 I don't know.
17:11 I don't know.
17:12 I don't know.
17:13 I don't know.
17:14 I don't know.
17:15 I don't know.
17:16 I don't know.
17:18 I don't know.
17:19 I don't know.
17:20 I don't know.
17:21 I don't know.
17:22 I don't know.
17:23 I don't know.
17:24 I don't know.
17:25 I don't know.
17:26 I don't know.
17:27 I don't know.
17:28 I don't know.
17:29 I don't know.
17:31 I don't know.
17:32 I don't know.
17:33 I don't know.
17:34 I don't know.
17:35 I don't know.
17:36 I don't know.
17:37 I don't know.
17:38 I don't know.
17:39 I don't know.
17:40 I don't know.
17:41 I don't know.
17:42 I don't know.
17:43 I don't know.
17:45 I don't know.
17:46 I don't know.
17:47 I don't know.
17:48 I don't know.
17:49 I don't know.
17:50 I don't know.
17:51 I don't know.
17:52 I don't know.
17:53 I don't know.
17:54 I don't know.
17:55 I don't know.
17:56 I don't know.
17:58 I don't know.
17:59 I don't know.
18:00 I don't know.
18:01 I don't know.
18:03 I thought you had a good idea,
18:05 a nice idea,
18:06 and it's the worst in the world.
18:08 No, it's not the worst either, Salvador.
18:10 But Mario has to agree.
18:12 Do you understand?
18:13 I understand.
18:17 Why did he call us, Ximena?
18:25 What will he tell us?
18:28 I don't know,
18:29 but whatever it is, we have to be together, Alonso.
18:32 So put our differences aside, please.
18:35 But you haven't forgotten.
18:38 Hi, Ximena. How are you?
18:44 I hope you've rested tonight.
18:47 I've slept soundly.
18:50 The mattresses from La Promesa are the most comfortable.
18:53 Thank you for meeting my request.
18:58 Of course.
19:00 You can talk to us in private whenever you need to.
19:03 What do you want to talk about?
19:06 About Manuel.
19:08 Look, I'm aware of everything that's happened between us,
19:14 but I don't think I ask for much.
19:17 Just treat me with a little respect and a little courtesy.
19:20 What happened, dear?
19:23 I understand that Manuel doesn't want us to share the bed.
19:30 I understand that it's hard for him to keep long conversations with me,
19:34 but he treats me worse than any other maid.
19:37 Like a dog.
19:39 Don't exaggerate, Ximena.
19:40 I don't.
19:41 When he crosses paths with me, he doesn't even look at me.
19:45 I don't deserve a smile.
19:48 I guess you have to give time to time.
19:53 Exactly.
19:55 Fixing problems in the heart requires a safe and prudent step.
20:00 You have to understand Manuel, Ximena.
20:03 You've admitted that a lot has happened.
20:07 And I'm not proud.
20:09 Well, we support you in everything.
20:13 But you'll understand that it's logical
20:16 that Manuel has some prevention with you.
20:20 That fire could have cost us all our lives.
20:24 But I insist that you can count on our help.
20:27 Of course. We're your family.
20:29 Never forget that, Ximena.
20:31 And family is hard and mature.
20:34 But to move on from one to the next,
20:37 a process is necessary.
20:38 You can't expect Manuel or us
20:43 to forget what happened.
20:46 I just want things to be like they were.
20:49 And they will be.
20:50 But it won't be so soon.
20:52 Be patient.
20:54 Of course.
20:55 You'll see how things will normalize.
20:58 For now, you'll have to wait
21:02 and behave in a good way.
21:05 And you'll see how perseverance will bear fruit.
21:09 Step by step.
21:10 But even if it's a short step,
21:15 it must be a big step forward.
21:17 The problem is that Manuel doesn't even come close to me.
21:20 How can I prove I've changed and that I'm better?
21:24 I understand.
21:25 I...
21:27 I'll do everything I can to soften the situation.
21:31 Really?
21:32 Why should I believe you?
21:35 How can I ask Manuel to give me a vote of confidence
21:40 if you don't even give it to me?
21:42 Don't be unfair to us.
21:44 I have a maid behind me.
21:46 If it's not Teresa, it's Hanna or María Fernández
21:49 or any other maid.
21:50 The point is that they don't leave my back,
21:53 not even a shadow.
21:54 What's going on?
21:57 Do you think I'll go crazy again?
22:02 Darling, our only desire is that...
22:06 you're treated as best as possible.
22:09 I wasn't born yesterday, Mrs. Marquesa.
22:12 Well, Jimena,
22:13 let's get to the point.
22:15 You came to ask for help
22:16 to get closer to Manuel.
22:19 I promise I'll try to talk to him to mediate.
22:22 Do it, but do it properly.
22:25 Things can't go on like this.
22:28 Jimena, I...
22:29 I don't have the capacity to force him to do anything.
22:32 But I promise I'll do everything I can
22:36 to make him more affectionate and closer to you.
22:40 For now, I'm content to be treated a little more normally,
22:46 and not with him as he is.
22:48 What are you doing?
22:49 Leave him in my hands.
22:51 In our hands.
22:53 The French have focused all their arms production on rifles.
23:14 Big mistake, in my opinion.
23:16 It makes sense, but it has made them neglect
23:19 the production of short guns.
23:21 Which is exactly what you need.
23:23 Exactly.
23:24 I can't get them anywhere,
23:27 and I've moved heaven and earth.
23:29 Don't worry, Mr. Cavendish.
23:30 You're with the right man.
23:32 You know,
23:33 in Spain, there are no problems to obtain that type of armament.
23:36 Here,
23:38 we have a law that prays that,
23:40 for a patent to have effect in the country,
23:43 that armament model must have been made in Spain
23:45 for at least three years.
23:47 Interesting.
23:48 Interesting measure.
23:50 It's a protectionist law.
23:52 It protects its country, and in passing, our business.
23:56 You know, politicians have never been saints of my devotion.
23:59 Although sometimes they hit the right key,
24:01 even if it's by chance.
24:03 The fact is that at the moment,
24:05 I have an infinite number of revolvers at my disposal.
24:08 Model 1892.
24:10 If you're willing to pay the price, of course.
24:13 A fair price, but...
24:15 Of course.
24:16 I'm a businessman, Mr. Cavendish.
24:19 I have to make a profit.
24:20 Pelayo!
24:22 What's the rush?
24:24 I saw you from a distance, and I thought it was you.
24:27 And it was.
24:28 It's us.
24:29 I don't remember us having a business meeting today.
24:33 We didn't.
24:35 The truth is, I had an appointment with the captain
24:40 to discuss other matters of no importance.
24:43 I'm even worse off if they've fixed this appointment
24:46 because I suppose those matters concern me too.
24:49 Don't get jealous, Pelayo.
24:50 I assure you we weren't discussing business.
24:53 We were just chatting about technicalities
24:56 related to the weapons models
24:58 and some logistical details of the delivery.
25:00 I don't care if it's boring. I'm in.
25:02 You don't have to.
25:03 Besides, I've heard that Mr. Fermin,
25:07 the parish priest of Luján, has just arrived at the promenade.
25:09 Catalina told me at breakfast
25:11 that they'd met to talk about the wedding.
25:14 (Suspenseful music)
25:16 Yes, that's right.
25:17 Don't make my niece wait.
25:19 And much less a representative of the Holy Mother Church.
25:23 Even if it's hard, I have to go.
25:28 Don't worry about us.
25:31 We'll manage on our own, right?
25:32 (Suspenseful music)
25:35 (Suspenseful music)
25:37 Mother, you called me.
25:55 I wanted to talk to you.
25:57 That's right, son.
25:59 It'll only be a moment.
26:01 It depends on the topic you want to discuss,
26:04 but I think the talk will be brief.
26:06 It's about Ximena.
26:08 I knew it.
26:10 Don't get too excited, Manuel.
26:12 There won't be any kind of imposition.
26:13 I just want to clear your mind.
26:15 Mother, I don't have the strength to talk about this.
26:18 I just want you to listen to me, Manuel.
26:20 Mother, I'm tired of listening to nonsense.
26:25 Nonsense about how to live my life again,
26:27 what are my obligations as a husband.
26:29 I understand how you feel, Manuel,
26:31 but I'm just asking you to make an effort
26:34 and listen to me for a moment.
26:35 It's not that hard.
26:36 Fine.
26:41 But be brief, please.
26:43 Listen, son.
26:44 I understand your reluctance towards Ximena.
26:48 You're justified.
26:50 Justified?
26:51 She tried to burn this palace to the ground.
26:54 She almost took my sister's life.
26:56 I remember it vividly. It was horrible.
26:58 But now...
27:00 We have to focus on the present.
27:02 The present?
27:04 Mother, I can't pretend this never happened.
27:06 I can't forget everything.
27:08 I'm not asking you to.
27:09 But I will tell you
27:11 that getting stuck in the past is not the solution.
27:14 I see.
27:15 Son, life is made forward. It's fundamental.
27:18 And I do it, Mother.
27:19 Or at least I try. And you know what I see?
27:22 I don't see myself next to Ximena.
27:24 Son, maybe you're still too young to understand it.
27:28 But tomorrow, when you're Marquis of Lujan,
27:31 you'll realize you have to learn to forgive.
27:33 And you have to put the past behind you.
27:37 Manuel, son, I'm your mother.
27:42 I know you're full of good feelings
27:44 and you're not a resentful person.
27:46 Don't try to fool me, please.
27:48 But be benevolent, please.
27:50 And good Christian,
27:53 Ximena has come back to make up for her mistakes
27:55 and apologize for what she did.
27:57 You have such a hard heart that you can't forgive.
28:01 Besides, you like it, don't you, Ximena?
28:03 She's still your wife.
28:05 Marriage is an indissoluble sacrament and you know it.
28:08 Yes, I know.
28:10 And I'm very aware of it, Mother, but not exactly for good.
28:14 Son, I put myself in your shoes and I understand how you feel.
28:18 But you'll have to find a solution, right?
28:21 You can't keep this situation forever.
28:23 It's unsustainable.
28:24 We both fully agree on that.
28:27 And what are you going to do?
28:31 I wish I knew.
28:32 Let's see.
28:34 There's an inescapable question.
28:36 Sooner or later, you'll have to sit down with Ximena and talk.
28:39 You both have a problem.
28:42 And you'll have to find a solution between you two.
28:45 Mother, it's not that simple.
28:50 I didn't say it was, Manuel.
28:52 You have to face the problems,
28:54 not hide your head and pretend they don't exist.
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35:40 - Catalina, don't be mean. - I haven't said anything mean.
35:43 The important thing is that he's going to marry us and he hasn't done anything wrong.
35:46 I admit that I've taken a weight off my shoulders. I didn't have all of them with me.
35:50 - And that?
35:52 - Mixing the family with the common people hasn't been funny at all.
35:56 But thanks to our fluent verb we've convinced him.
35:59 So now, let's take care of the flowers.
36:02 Is something wrong?
36:06 - No, no.
36:08 - You're absent.
36:10 Did you think something was wrong about what we talked about with the parish priest?
36:13 - No, no. It's fine. Everything is fine.
36:16 - Aren't you going to tell me the truth?
36:23 - Don't be shy.
36:25 - We're going to be a couple.
36:27 I don't want to start this story with silences and lack of communication.
36:30 - The truth is that I keep thinking about the next shipment of jam.
36:37 - And that?
36:39 - I saw Mr. Cavendish and Captain De La Mata together a while ago
36:42 and the truth is that I would have liked to be there.
36:44 - A meeting about the business? - That's right.
36:47 - Like the one you had two days ago, right?
36:51 - I've done it again.
36:56 I don't deserve your forgiveness anymore.
36:58 And I was complaining that Captain De La Mata left me aside
37:01 and I was doing that to you.
37:04 - Well, I accept your apologies.
37:07 Although it's a bit strange to ask you.
37:10 At least the captain will have told you what the meeting was about.
37:13 - Yes, for the sake of logistics, the next shipment of jam is not important.
37:18 - Well, if it's not important, don't give it to him in your thoughts.
37:24 - Yeah. But it's just that your uncle Lorenzo was begging me in a certain way, I guess.
37:29 - Nobody is essential. Not even you, dear.
37:33 - Hey, I hope you don't replace me for someone else.
37:37 - For now I am satisfied but I don't trust you.
37:41 The truth is that I am surprised how quickly the captain has integrated.
37:46 I had no idea he was so interested in the hostel.
37:49 - Yes, yes, yes. His business has been love at first sight.
37:53 - Well, you know what I'm telling you? That's better.
37:56 So we have time for the truly important thing.
38:00 - What do you mean?
38:02 - A wedding that is going to be held soon.
38:05 The captain has Mr. Cavendish and we take care of the flowers.
38:09 - If you want, I'll take care of it. I'm going to Lujan after lunch.
38:13 - Well, I'll go with you and you choose them. - No, no, no. There is no need.
38:17 - Do you want it to be a surprise?
38:20 - Yes, you have discovered me.
38:23 - Okay, I'll trust your good taste.
38:26 - I'll be back before dinner.
38:28 - Damn, are you going to take time for the election?
38:31 - No, I just want to take advantage of the trip to see Jerónimo and talk to him for a while.
38:35 We will need him for the commission.
38:38 - Okay. But I'll be waiting for you like a nail at dinner time, huh? Don't leave me stranded.
38:42 - I wouldn't even think about it, considering the bill you bring me.
39:00 - Quick, clean and freshly ironed.
39:03 - How are you, daughter? - Me? Good.
39:09 - Really? - Really good.
39:13 Well, if I'm honest, I'm in a bad mood.
39:17 I've been like this for a day, if I tell you everything I've done today, I won't finish.
39:21 I started washing the bedding and ironing it in the morning.
39:24 And I didn't dare iron it because it's a look-at-me fabric and don't touch me.
39:28 And I don't want to annoy you.
39:31 - I'm not asking you about work, daughter.
39:34 I'm asking you about you. How are you doing?
39:37 - Well, perfectly, mother. To keep up with this rhythm, you have to be in good shape.
39:42 - And then why did the good doctor have to see you?
39:46 - Ah. You mean that.
39:50 - I know that Mrs. Pia went to look for you so that she could see you.
39:55 - Yeah. - So don't try to mislead me and tell me what happened to you.
39:59 - It's true that I had a little indisposition, but minimal. Nothing serious.
40:05 - But what exactly happened to you?
40:08 - Well, I was left for a few moments without sleep, as if I was short of breath.
40:15 But really, I don't see why I should worry, mother.
40:18 - And what is that sudden drowning due to?
40:21 - It seems to be that it was because of the vapors from one of the cleaning products to wash the clothes.
40:26 They are very toxic. But now I use it with the windows open and it seems to be better.
40:32 - That's all, mother. Ask Dona Bel yourself if she doesn't stay calm.
40:40 - Yeah, but those cleaning products are also used by the rest of the maids and only you were drowned.
40:46 - Well, it seems that I didn't tolerate it well.
40:50 - Well, according to the doctor, he says it is more common than it might seem.
40:55 - Well, it's the first time in my life that I hear something like that.
40:59 - Don't worry, mother. I'm not a little girl anymore. You don't have to protect me so much.
41:05 - Really, I'm healthier than an apple.
41:09 - Oh, don't talk to me about apples. What a day!
41:12 - I didn't know you didn't like apples.
41:14 - Yes, I do like them. But today I'm fed up.
41:18 [Laughs]
41:20 - Mrs. Jiménez, I bring you an infusion because I have been told that you have a very strong headache.
41:35 - That's right. Although it is not the reason, because a while ago I was perfectly fine.
41:40 - The important thing is not the cause but the remedy. And I'm sure this will do you good. I leave it to you.
41:44 - Thank you, Hanna.
41:46 - Do you want me to give you a neck massage?
41:48 - A massage?
41:49 - Yes, many headaches are caused by contractures that occur in the cervical musculature.
41:55 - Ah, well now that you say it, I do feel a little burdened.
42:00 - Okay then. Relax.
42:03 - I'm going to try to be very delicate, but if I hurt you, tell me.
42:10 - I'm in your hands. And never better said.
42:13 - Okay.
42:15 - What a relief.
42:19 You have this area very tense.
42:23 - Yes, I feel something cramped.
42:28 - Well, I'm going to start on the shoulders but I will continue to go up to the neck.
42:36 Does it hurt?
42:41 - It's okay.
42:43 - What's there?
42:49 - Nothing. Mrs. Jiménez knows she can trust me.
42:53 Her secret will come out of these four walls and she doesn't want it.
42:57 It's just a scar from an accident I suffered at my parents' house.
43:01 - How can you do something like that?
43:02 - That doesn't matter.
43:04 I feel like I've impressed you. I know it's a pretty unpleasant procedure.
43:09 - Not at all. I'm used to seeing scars.
43:13 In fact, I would like to be able to see it to examine it, if you think it's okay.
43:18 - Oh ...
43:20 - You don't have to be ashamed of me.
43:24 [Dramatic music]
43:40 - It is clear that it is a scar that will stay with her for life.
43:44 But hey, now the important thing is that she learns to accept it.
43:49 And above all, that she doesn't feel ashamed.
43:51 I will continue here.
43:53 [Dramatic music]
44:07 - Pelayo. - Pelayo.
44:09 - What's going on, Captain? Why is there so much mystery?
44:13 - I hope you didn't take it the wrong way that this morning you were meeting Mr. Cavendish.
44:18 To see my good disposition, I came to inform you about what I spoke to the Englishman.
44:23 - My God, this has seemed like an assault.
44:25 - I assure you that I am not armed. For the moment.
44:28 Although I think I can get the weapons.
44:32 It is the basis of the business that we have in hand.
44:35 - You are very sharp, Captain.
44:37 - And you? How was your meeting with the parish?
44:41 I hope your union with Catalina will be blessed.
44:43 - No, the meeting that concerns us is the one you had with the Englishman.
44:46 So tell me.
44:48 - He will also give us the "if you want".
44:52 He has accepted the price increase because he considers that being a military man,
44:55 I will have access to more supply of weapons in the future.
44:58 - And that's true?
45:00 - At the risk of putting my position in the army at stake. And that has a cost, of course.
45:04 - So Mr. Cavendish is satisfied?
45:07 - He has literally said, "The more weapons, the better."
45:13 Of course, he wants to deal with me instead of Jerónimo.
45:16 - I see.
45:17 - It seems that the unforgivable mistake of your servant has not been very funny to you, and I understand.
45:22 Losing your supplier the day before delivery, Pelaya.
45:25 - I think it's good that you act as your interlocutor,
45:27 as long as you keep me informed of any news.
45:31 - As I am doing now, right?
45:33 - Now I have to go to Lujan. I have to do an errand.
45:37 - Marriage matters? My niece doesn't leave you a minute.
45:40 And you are still a single man.
45:43 - We'll talk another time, Captain.
45:46 [Dramatic music]
46:01 - Ximena.
46:12 - Xana.
46:16 - Can we talk for a moment? - Sure.
46:19 We can and we must.
46:21 It will be better if you leave them alone so that they can talk more intimately.
46:26 Thanks for the massage.
46:29 - Ximena, we have to find a way to fix this.
46:41 - I agree with you.
46:43 We can't live with so much tension.
46:46 - And I'm sorry if I've made you go through a bad time these days.
46:49 - Very bitter. - Well, it wasn't my intention.
46:52 But Manuel, I assure you that I will do my part to find a solution.
46:57 In fact, I wanted to propose something to you.
47:03 - What kind of proposal?
47:10 - I would like to accept the proposal you made me a few months ago.
47:14 Live together here in La Promesa, but not share the bed.
47:20 - I see.
47:23 And that's why you moved all your things to my bedroom?
47:27 - No. That was an impulse that I regret.
47:32 What I want to tell you is something serious and meditative.
47:35 - Ximena, really, save your saliva. I don't think ...
47:38 - Let me finish, please.
47:40 So each one could continue with their life.
47:45 And if little by little we meet again as a couple, well ...
47:50 better than better.
47:52 - And what if that doesn't happen?
47:55 - And if that doesn't happen,
47:59 we will live like this for the rest of our lives.
48:02 And so, not to cause a scandal that affects our families.
48:07 - I'm sorry.
48:09 - You see, Ximena, I think ... - I ask you not to answer now.
48:18 Think about it, please.
48:22 - Okay.
48:27 Okay.
48:32 [Music]
48:35 [Music]
48:38 - Wait, wait.
49:01 - Okay. - I'll serve the soda myself, Miss Martina.
49:05 - How strange that you serve me.
49:24 I thought you were at the exclusive service of the Marquess.
49:29 - And so it is.
49:31 - But the lady no longer needs me,
49:33 and for me it is a pleasure to serve you, Miss.
49:36 - The truth is, I don't know what those echo magazines have
49:43 of the society that interest the youth of today so much.
49:46 - Well, more than interest, it's that ...
49:49 they distract and ...
49:51 and have fun. They help you not to think about anything.
49:55 - Yeah, but ...
49:57 but they comment on the gossip and the love affairs of the members of the nobility.
50:01 - Well, that's the entertaining part.
50:03 Knowing who shows interest for whom, what couples emerge ...
50:06 - But for that, no echo magazine is needed in society.
50:12 That happens every day, and right here in this palace.
50:15 In fact, I suspect that a friendship is being forged between ...
50:20 between his mother, Doña Margarita, and Count Ayala.
50:26 - Look ...
50:27 Don't spread rumors about my mother if you're not sure they're true.
50:31 - I understand that ...
50:34 that you have your reservations about that matter.
50:38 Especially because a lady like God commands.
50:41 You must be very attentive to who your mother is around.
50:45 And more so at this time when ...
50:49 when her father, Don Fernando, is no longer among us.
50:52 May God have him in his glory.
50:54 Comparisons are odious, Miss, but ...
50:57 your father was ...
50:59 such a good man.
51:01 And he was with his permission.
51:05 [Music]
51:08 - Have you seen the black thread ball?
51:26 - No.
51:27 - Where did you put it? I swear I had taken it before.
51:32 - You've been going too far lately, haven't you?
51:34 [Music]
51:37 - What do you mean?
51:39 - To pick up things and not know where you leave them.
51:45 Could it be that someone has stolen the thread from you?
51:48 - The thief thinks you are of his confession.
51:52 - Of his condition.
51:54 And here the only friend of the stranger is not the one I know.
51:58 - What do you mean?
52:00 - Well, you'll know.
52:02 - All right.
52:03 - Perfectly.
52:05 - To the thousand wonders.
52:09 - I'm leaving.
52:12 I have to leave the shirts on the floor of the gentlemen.
52:15 - Are you going to tell me once that there are others among us?
52:29 - Among us? - Yes.
52:31 - Well, I'm leaving. I also have to go.
52:34 - What kind of surprise is this?
52:46 - Be patient. Curiosity killed the cat.
52:49 - Martina, we didn't know you were here.
52:53 - No, but ...
52:58 - Now, Caja, what ...
53:00 What are you looking forward to discovering the surprise you were talking about?
53:04 - Well ...
53:06 - Excuse me. - Excuse me.
53:17 - Goodbye.
53:27 - It's beautiful, thank you very much.
53:30 - Yes. You have an exquisite taste, Conde.
53:34 Women fall for it when we are given a beautiful dress, right?
53:40 - I invited Conde to the theater and he, as a deference, has decided to give me back in detail.
53:47 - That he feels the obligation to give me explanations makes everything even more regrettable.
53:53 - Well, yes. Definitely, that dress is much more appropriate to go to the theater than to go to the cemetery ...
53:58 ... to pray a father in front of us at his late husband's grave.
54:02 - I'm very sorry I had to witness this scene.
54:12 - Don't worry.
54:16 - Youth is impetuous.
54:19 And sometimes it is raging without realizing the damage it causes.
54:24 - Hanna, do you need help picking up? - Yes, please.
54:41 - Maria and Vera have run away and left everything on me.
54:45 - And why are they in such a hurry? - Well, I don't know. It seems they don't even want to see each other.
54:50 Of course, they are like water and oil, they repel each other.
54:54 - But what's wrong with them?
54:56 - What do you want me to tell you?
54:58 When the tension came in here, it could be cut with a knife.
55:03 - Now that you say it, I also saw them confronted yesterday.
55:07 But why don't they get along? If they are both a charm.
55:10 - Separately, but then they get together and God's sister is Christ.
55:14 - I don't know, maybe it's a matter of skin. We can't like everyone.
55:19 - I really think something has happened to them.
55:22 I don't know, I asked Maria Fernández directly, but I got the news.
55:27 - And Hanna, changing the subject, did you go to see Mrs. Jimena? She had a terrible headache.
55:33 - Yes, I took her a herbal tea and also gave her a massage. I think she is more relieved.
55:38 - You have silky hands. I hope you give me a massage soon.
55:42 - Someday I promise you. - I assure you I don't forget.
55:46 - Anyway, I wanted to tell you something.
55:48 Just when I was giving Mrs. Jimena a massage on her neck, I pulled her hair away and ...
55:53 I saw something that has worried me a lot.
55:55 - What?
55:57 - She had a scar on her head.
56:00 - So that was it.
56:03 - What do you mean?
56:05 - Well, the lady told me that at her parents' house she was already combing her hair alone and that she preferred to continue doing it.
56:11 She didn't even let me get close.
56:13 And how did that wound happen?
56:15 - I don't know. I asked her, but she told me it was an accident, things that happen.
56:20 Anyway, if I tell you this, it's because I want you to be aware of what's going on.
56:25 I have also asked Mrs. Jimena.
56:27 - Of course. I think it is important that her personal maid know.
56:31 - Yes. Don't give her more importance. I think these things must be treated with delicacy and with affection.
56:36 - Of course. Thanks for telling me, Hanna.
56:39 - Thank you for helping me.
56:42 - Let's go.
56:44 - I'm starving.
57:01 - Do you have news about Pelayo, Captain?
57:04 He said he would come before dinner.
57:06 - No.
57:08 It's getting dark and I'm starting to worry.
57:12 - He must have entertained himself. The last time I saw him he said he was going to Lujan to deliver a message.
57:17 - Yes, I know that. He went to order the flowers for the wedding and he had also met with Geronimo.
57:22 - Did he have a meeting with him?
57:25 - Yes, according to him, for the next order of preserves.
57:28 - Well, they must have started talking and the saint must have gone to heaven. Don't get the worst of it.
57:33 - But he said he would come for dinner. And he is a man of his word.
57:37 - I don't know.
57:39 - And that face? What happened?
57:48 - They found Geronimo dead.
57:53 [Music]
58:08 - He never came to the kitchen before and since his return he has come twice.
58:13 - I'm about to hit him when he shows his head around here so that his dress doesn't get stained.
58:17 - And I'm about to put on the potato skin or some other job to make the trip more profitable.
58:20 - I don't like this at all.
58:23 - Do you think he's not in his right mind?
58:25 - Well, I don't know, Simona, but something happens, it's like that.
58:28 - What are you saying? - That you are punished.
58:31 And you will only leave your room to eat and to have dinner.
58:33 - No, I'm a girl so I can punish myself. - You are not a girl?
58:36 - No. - Well, then behave like a woman, like God commanded.
58:39 - And that's what I'm doing, that's why I can't punish myself. - Enough, enough, please.
58:41 On the other hand, Maria, when ... when she meets someone, there is no one to argue with her.
58:46 - What are you saying? That it's my girlfriend's fault?
58:48 - I'm saying that Maria has a lot of character.
58:50 - But no one has ever complained about her. The only one who has complained has been Vera.
58:53 - Vera has not complained about anyone. And it's not because she has no reason.
58:56 - Oh yeah? And what reasons could the young lady have if she could know?
58:58 - You don't rest well?
59:00 - No. There are nights when I barely sleep.
59:03 So at the first hour of the morning I'm already tired.
59:07 - And that's been happening to you for a long time?
59:09 - A while, yes.
59:12 And now my mother has insisted that I sleep in her room.
59:15 I come from Lujan and I've been talking to him.
59:17 - Does the civil guard know anything else?
59:19 - It seems that they broke into his room.
59:21 - But to steal what? For me to know where he was, he was a hungry man.
59:24 - It seems not.
59:25 - Ximena, I can't force her to tell the truth.
59:28 But if she doesn't, I'll end up doing it.
59:31 - And don't you see that I have to get married first, if that's possible?
59:34 - Ximena, the sooner you do it, the better.
59:36 We will rest, even if we have to pay for everything we have done.
59:39 - Do you think I haven't paid enough already?
59:42 - Do you want to see something? Look!
59:45 - What is that?
59:47 [♪♪♪]
59:50 (upbeat music)