The Black Camel 1931
Transcript
00:00:00 [Music]
00:00:13 [Music]
00:00:28 [Music]
00:00:51 [Music]
00:01:01 [Music]
00:01:28 [Speaking in Hawaiian]
00:01:31 Oh no, I couldn't possibly go out that far. I told you I...
00:01:36 Cut!
00:01:37 Oh, I'm sorry Val. I'm frightfully tired.
00:01:49 But Sheila, we've been in Honolulu a week and haven't done two days work.
00:01:52 I know.
00:01:55 I'll work as late as you wish tomorrow, but I can't go on now. Don't ask me, please.
00:02:00 All right. Eight o'clock in the morning and don't be late.
00:02:03 Oh, thanks Val.
00:02:05 You know what's really the matter with her, don't you?
00:02:09 She has an engagement with that Alan Jane she met on the boat.
00:02:12 Is she gonna marry that guy?
00:02:15 I don't know.
00:02:16 What time did Tonovero say to be there?
00:02:24 Four o'clock.
00:02:25 Oh, hurry up Anna, get me out of this.
00:02:27 Hi Julie.
00:02:36 Hello there.
00:02:38 Hello.
00:02:39 Where's Sheila? In the dressing room?
00:02:42 Yes.
00:02:43 Hey, what's the idea? I haven't seen you yet today.
00:02:46 No, you can't tell I've seen Sheila.
00:02:48 Oh, forget Sheila for a while. Take a moment to enjoy the palms of paradise.
00:02:52 Save that gag for the tourists.
00:02:54 I'm sick of the tourists. I want to sell Honolulu to you.
00:02:57 Hello Julie.
00:03:05 What are you doing out here?
00:03:06 I think I have a little surprise for you. Look.
00:03:09 That's no surprise to me dear. I sent for him.
00:03:18 Sheila, all the way from Hollywood?
00:03:20 Yes, all the way from Hollywood. I want his advice.
00:03:23 I need him now more than I ever needed him in all my life.
00:03:25 You mean about marrying Alan?
00:03:26 Yes.
00:03:27 Oh darling, can't you even get married without asking Tonovero?
00:03:30 You simply don't like him Julie.
00:03:32 It isn't that. I'm afraid of him.
00:03:34 Sometimes I think he has you completely under his influence.
00:03:37 Oh nonsense. He's never given me anything but the very best of advice.
00:03:40 Julie. Julie.
00:03:42 Is that that long, slim press agent of yours?
00:03:44 Oh, he isn't a press agent Sheila.
00:03:46 He's the publicity director of the whole island.
00:03:48 And the Rotary Club and the Chamber of Commerce and everything.
00:03:51 No, really.
00:03:52 But you're not in love with him are you?
00:03:54 Oh no. How could you say such a thing?
00:03:56 Julie.
00:03:57 Yes Mr. Bradshaw. I'm coming.
00:04:00 Darling, remember you're having friends for dinner.
00:04:04 So please don't let Tonovero upset you.
00:04:06 Promise me.
00:04:07 You're a sweet child Julie.
00:04:09 But there are some things you know absolutely nothing about.
00:04:12 And Tonovero is one of them.
00:04:13 Now let's not talk about it anymore.
00:04:15 You go home and worry about the dinner tonight.
00:04:17 Okay.
00:04:18 Can you see me now sweetheart?
00:04:20 Shh. Don't let Sheila hear you call me that.
00:04:23 She'd think you're pretty sudden for just one week.
00:04:25 Well she's only known Ellen Janes a week.
00:04:27 Besides, what do I care about her?
00:04:29 Well I care.
00:04:30 Things would have been pretty tough for me if it hadn't been for Sheila.
00:04:32 Yeah, listen. I just thought of another swell slogan.
00:04:34 Don't dream about a dream. Own one.
00:04:36 You and your slogan. What does that one mean?
00:04:38 That one means you and a sweet little bungalow nestling under two mortgages.
00:04:42 Jimmy.
00:04:44 [Waves crashing]
00:04:49 These are sad occasions aren't they Ellen? Last ride.
00:04:52 You know Sheila, this doesn't have to be our last ride.
00:04:55 But you're sailing at midnight.
00:04:57 I know. And I want you to sail with me.
00:04:59 What about my picture? I must finish that.
00:05:01 Oh never mind the picture.
00:05:03 Let's get married this afternoon.
00:05:05 And then we can talk about what we'll do.
00:05:07 Darling.
00:05:08 I don't even know that we can get married at all.
00:05:12 But if we can, I promise to tell you tonight before you sail.
00:05:15 But, but if you can tell me tonight, why can't you tell me now?
00:05:19 There's a perfectly good reason.
00:05:22 Look here.
00:05:24 This appointment at the hotel.
00:05:26 That hasn't anything to do with you not marrying me has it?
00:05:29 It has a lot to do with it.
00:05:33 [Music]
00:05:46 All for Mr. Tommy Barrow please.
00:05:48 [Music]
00:05:51 All for Mr. Tommy Barrow please.
00:05:53 [Music]
00:05:56 All for Mr. Tommy Barrow.
00:05:58 [Music]
00:06:01 All for Mr. Tommy Barrow.
00:06:03 [Music]
00:06:07 All for Mr. Tommy Barrow.
00:06:09 [Speaking in French]
00:06:11 Chinese merchant to see you at the desk sir.
00:06:14 Chinese merchant?
00:06:15 Yes sir.
00:06:16 Strange.
00:06:17 You will excuse me.
00:06:20 Well we'll see you later on.
00:06:22 Clu!
00:06:28 You? What case?
00:06:29 No case, just Clu.
00:06:30 Shh.
00:06:31 I'm pretending to be Chinese merchant.
00:06:33 Do not mention police.
00:06:34 Go away.
00:06:35 You want me to investigate?
00:06:36 Yes.
00:06:37 Take streetcar.
00:06:38 Go far away.
00:06:39 Investigate there long time.
00:06:41 And remember, wages of stupidity is hunt for new job.
00:06:45 Oh, I understand.
00:06:47 Thank you so much.
00:06:49 Have I pleasure of meeting Tanevaro the Great?
00:06:56 Lifter of veils, peeker into mystery of future?
00:07:00 You have.
00:07:01 Like shadow follows man, so fame has followed you from Hollywood.
00:07:06 Thanks.
00:07:07 And you are?
00:07:08 Alas, mouse cannot cast shadow like elephant.
00:07:12 Oh.
00:07:13 I am humbly insignificant Chinese merchant assailed by many doubts.
00:07:17 Chinese merchant?
00:07:19 You have flattered me by calling me a lifter of veils.
00:07:22 Allow me to lift yours.
00:07:24 Shall I say captain?
00:07:26 No.
00:07:28 No.
00:07:30 Inspector Tan.
00:07:31 Honolulu police.
00:07:33 Your business with me?
00:07:36 Rumor announce you have been sightseeing in...
00:07:40 Crystal Globe.
00:07:43 Yes, but not professional.
00:07:44 Most happy.
00:07:46 Because supernatural powers of fortune tellers make very bad smell in nostrils of Honolulu.
00:07:53 Perhaps after all, my psychic powers may not be any more supernatural than yours.
00:07:58 We are both detectives.
00:08:00 You look backward, I look forward.
00:08:02 Possible.
00:08:04 But it was not psychic powers told you I'm police officer.
00:08:08 But pinholes of badge recently removed.
00:08:12 Quite right.
00:08:13 Such skill as yours should be at service of public.
00:08:19 Are you flattered?
00:08:20 No, no.
00:08:21 Hollywood is famous furnisher of mysteries.
00:08:25 Cases amazingly interesting.
00:08:28 Any particular case?
00:08:30 Ah, yes.
00:08:31 Murder of handsome face actor, Denny Mayo.
00:08:34 Dead now three years.
00:08:36 Whole world ask questions.
00:08:39 Police answer always same, nothing.
00:08:43 Perhaps fortune teller could do better.
00:08:47 Possibly.
00:08:49 Yes.
00:08:50 Always harder to keep murder secret than for egg to bounce on sidewalk.
00:08:55 You will pardon me.
00:08:56 I have an appointment.
00:08:57 Eh?
00:08:58 Not professional.
00:08:59 Thank you so much.
00:09:01 Goodbye, darling. I shan't be long.
00:09:12 Come quite early for dinner before the others, will you?
00:09:14 I'll be hours early.
00:09:16 Goodbye.
00:09:17 Goodbye.
00:09:19 [Train passing]
00:09:25 [Knock on door]
00:09:37 I'm in.
00:09:43 Oh, Conovero.
00:09:47 What a relief to find you here.
00:09:49 I knew I could depend on you.
00:09:50 Always.
00:09:51 Oh, I have so much to tell you.
00:09:53 On the boat I miss...
00:09:54 Great.
00:09:55 Don't tell me.
00:09:56 Let me tell you.
00:09:58 You've helped me so many times.
00:09:59 Do you think you can help me now?
00:10:01 I simply must...
00:10:02 I try.
00:10:03 Sit here.
00:10:05 [Silence]
00:10:12 [Silence]
00:10:19 [Silence]
00:10:45 Now, look deep.
00:10:48 Think.
00:10:53 Think of the matter that troubles you.
00:10:57 I have a very important decision to make.
00:11:04 Now, let's...
00:11:05 Wait.
00:11:06 I see a man, wealthy, attractive,
00:11:10 who stands with him at the rail of a ship.
00:11:14 He asks you a question.
00:11:16 Something stops your answer.
00:11:20 You love him.
00:11:22 Oh, I do.
00:11:23 I do love him, Conovero.
00:11:25 I want to say yes.
00:11:27 I want some happiness.
00:11:29 I think I've earned a little...
00:11:30 But you fear something.
00:11:32 Perhaps something in the past.
00:11:35 No. No!
00:11:36 Yes!
00:11:37 I see.
00:11:42 How long ago?
00:11:44 Oh, it was something that happened three years ago in June.
00:11:47 I see.
00:11:50 Newspaper headlines.
00:11:52 Grounded started word.
00:11:54 Police courts.
00:11:55 Investigations.
00:11:56 Innocent names dishonored.
00:11:58 Public officials disgraced.
00:12:00 You, Sion!
00:12:01 Oh, no! Stop! Stop!
00:12:02 I shouldn't have come.
00:12:03 Tell me!
00:12:04 No! I can't.
00:12:05 I'm afraid.
00:12:06 Will you tell me or ask me?
00:12:10 Will you tell me or must I tell you?
00:12:13 Oh, please! Please!
00:12:14 I see a dead man crumpled over a desk.
00:12:17 A life without hands at his side.
00:12:19 Die now!
00:12:20 Oh, wait!
00:12:22 I'll tell you.
00:12:33 Look!
00:12:38 Can anyone be out there?
00:12:40 No.
00:12:45 There is no one.
00:12:48 Why?
00:12:49 I had a feeling someone else was listening to us.
00:12:55 No.
00:12:57 We are...
00:12:59 absolutely alone.
00:13:01 Go on.
00:13:07 Well...
00:13:08 I was in Denny Mayo's last three pictures.
00:13:14 I fell madly in love with him.
00:13:18 I was in his house that night he was murdered.
00:13:24 That night he was murdered.
00:13:26 I'm sorry.
00:13:27 I'm sorry.
00:13:28 I'm sorry.
00:13:29 I'm sorry.
00:13:30 I'm sorry.
00:13:31 I'm sorry.
00:13:32 I'm sorry.
00:13:34 I'm sorry.
00:13:35 I'm sorry.
00:13:36 I'm sorry.
00:13:37 I'm sorry.
00:13:39 [door closes]
00:13:40 [door closes]
00:13:41 [rain falling]
00:13:43 [rain falling]
00:13:45 [thud]
00:14:03 [thud]
00:14:05 [thud]
00:14:07 [rain falling]
00:14:09 Hello, darling.
00:14:16 Hello.
00:14:17 Sheila.
00:14:18 You've been crying.
00:14:22 What's happened?
00:14:23 Oh, nothing.
00:14:24 Can't you tell me?
00:14:25 Is it something about Alan?
00:14:27 Yes.
00:14:29 I can't marry him and I've got to tell him.
00:14:31 Why can't you?
00:14:32 Sheila, did Tanavera advise you not to...
00:14:35 Oh, please, Julie.
00:14:36 Leave me alone.
00:14:37 Pull yourself together, please.
00:14:39 You know you want to look your best for the balloons tonight.
00:14:42 Yes, I know.
00:14:44 I'll be all right, dear.
00:14:45 Now, you run along.
00:14:47 I want to be alone.
00:14:48 All right, darling.
00:14:49 Jimmy and I are going for a swim.
00:14:51 [thud]
00:14:59 [thud]
00:15:01 [thud]
00:15:04 [coughing]
00:15:05 What do you want?
00:15:07 Well, these flowers just came.
00:15:09 Well, put them there.
00:15:11 What's the matter with you?
00:15:19 Nothing.
00:15:23 Nothing.
00:15:24 [thud]
00:15:26 [thud]
00:15:27 [thud]
00:15:40 [water flowing]
00:16:03 1313, please.
00:16:05 The Royal Theatre?
00:16:09 I'd like to speak to Mr. Robert Fyfe.
00:16:11 Yes, the actor.
00:16:13 What's the matter, Anna?
00:16:20 Nothing.
00:16:22 Well, something's happened.
00:16:23 You look as if you'd seen a ghost.
00:16:24 You're not happy here, Anna.
00:16:27 Let's leave.
00:16:29 Go somewhere else.
00:16:30 Oh, Jessup, please.
00:16:31 We've settled all that and you promised you wouldn't bring it up again.
00:16:34 I don't want to hurt you, but...
00:16:36 I don't love you.
00:16:38 But I love you.
00:16:39 And you're in trouble.
00:16:41 There isn't anything in the world I wouldn't do to help you.
00:16:44 [chatter]
00:16:49 I'd like a word with you.
00:16:51 Excuse me, please.
00:16:54 What's the trouble?
00:16:57 My name is James.
00:16:58 Alan James.
00:16:59 I want you to explain why you advised Sheila Fane not to marry me.
00:17:01 Sorry, I never discuss what goes on in my readings.
00:17:03 You'll discuss this all right, you cheap faker.
00:17:05 Please, you'll talk to me.
00:17:07 I don't care where we are.
00:17:08 Aren't you being a bit silly, Mr. James?
00:17:09 A thousand pardons.
00:17:13 Assault and battery not permitted
00:17:15 without license from boxing commission.
00:17:17 Just hold you...
00:17:19 Oh, I offended a young man quite unintentionally.
00:17:33 By the way, Inspector,
00:17:36 how do you plan to spend the evening?
00:17:37 I attend Rotary Club banquet here at hotel.
00:17:40 Good, then you'll be here for some time.
00:17:42 Terribly possible.
00:17:44 Very few after-dinner speeches equipped with self-stopper.
00:17:48 I may have a very important message for you tonight.
00:17:53 What message?
00:17:55 Would you be surprised if I should ask you to arrest a murderer?
00:17:57 No.
00:17:59 All foxes come at last to first dog.
00:18:01 What, murderer?
00:18:05 No, I mustn't say too much.
00:18:06 That is many a slip.
00:18:08 You quench fire on my curiosity with handful of straw.
00:18:14 No clue.
00:18:19 What?
00:18:21 Took long ride on streetcar, nothing.
00:18:23 Kashimo, do me favor.
00:18:25 Yes.
00:18:27 Spend more time hunting for nothing to do.
00:18:29 I just thought of a slogan for a dentist.
00:18:30 How is it?
00:18:32 The truth, the whole truth and nothing but the truth.
00:18:34 Oh, Jimmy, that's terrible.
00:18:36 We're gonna be late.
00:18:42 Hurry up.
00:18:44 Don't do it, Ava.
00:18:48 Listen.
00:18:50 Oh, Jimmy, isn't it sweet of them to let us go?
00:18:51 I'm sorry.
00:18:53 I'm sorry.
00:18:55 I'm sorry.
00:18:57 I'm sorry.
00:18:59 I'm sorry.
00:19:01 I'm sorry.
00:19:03 I'm sorry.
00:19:05 I'm sorry.
00:19:07 I'm sorry.
00:19:09 I'm sorry.
00:19:11 I'm sorry.
00:19:13 I'm sorry.
00:19:15 I'm sorry.
00:19:18 Oh, Jimmy, isn't it sweet of those youngsters?
00:19:19 Who are they?
00:19:21 Some high school children who've come to serenade Sheila.
00:19:23 Hurry up.
00:19:25 Come on, we're gonna be off in a minute.
00:19:27 Now, Jimmy, I'm afraid.
00:19:30 Hello, Wilkie.
00:19:32 How are you, Ben?
00:19:34 Sorry we're late, Rita.
00:19:36 You must have had a hard time finding the water.
00:19:38 That isn't very bad.
00:19:40 A toast to our absent hostess, eh?
00:19:42 Where's Sheila?
00:19:44 Isn't she down here?
00:19:47 I think she's in the pavilion.
00:19:48 Come on, Jimmy, let's get her.
00:19:50 You bet.
00:19:52 The last time we waited for Sheila's entrance
00:19:54 was at Denny Mayo's, wasn't it?
00:19:56 Now, see here, Ben, if you're going to...
00:19:58 Don't even breathe Denny's name.
00:20:00 If you do, Wilkie will start throwing things.
00:20:02 Well, Jane, why don't you join us?
00:20:04 Thank you, I will.
00:20:06 Do it, it's a naver.
00:20:08 Come on, Sheila.
00:20:10 The stage is all set.
00:20:12 I'll go in and escort her.
00:20:15 Don't.
00:20:16 Don't go in there.
00:20:18 Why not? What's the matter?
00:20:20 Let's go back.
00:20:22 Let me go.
00:20:24 Don't.
00:20:25 Julie!
00:20:26 Sheila.
00:20:28 Sheila!
00:20:30 Sheila.
00:20:34 Speak to me.
00:20:36 Jimmy!
00:20:39 Come away from here.
00:20:43 There's nothing we can do, Julie.
00:20:44 Wait.
00:20:46 Take that M-ordering off her finger.
00:20:48 But we mustn't do that.
00:20:50 What for?
00:20:52 Don't ask any questions.
00:20:53 Take it quick before someone sees it.
00:20:54 Oh, but Julie, if you...
00:20:56 Hurry, hurry, give it to me.
00:20:57 Sheila.
00:21:05 So the Pompous Hotel clerk says to me
00:21:09 you can't go upstairs.
00:21:11 You can't go upstairs without being announced.
00:21:12 Is Mrs. Smith expecting you?
00:21:14 And I said, listen,
00:21:16 Mrs. Smith was expecting me before I was born.
00:21:18 Mrs. Smith is my mother.
00:21:20 Look at Julie.
00:21:26 What's happened?
00:21:28 Sheila's dead.
00:21:40 What did you say?
00:21:41 She's been murdered.
00:21:42 What?
00:21:43 That's impossible.
00:21:44 Where is she?
00:21:45 She shot in the pavilion.
00:21:46 Don't go out there.
00:21:47 Don't anybody go out there.
00:21:48 I'm going to notify the police.
00:21:49 If any messages come for me,
00:21:55 I shall be back about 11.
00:21:56 Very well.
00:21:57 See you tomorrow.
00:21:58 Hello there, Inspector.
00:22:00 Have you finished your dinner?
00:22:02 No.
00:22:03 I am rudely wrenched away by important business.
00:22:05 Oh, that's interesting.
00:22:07 Yes, very interesting.
00:22:09 Miss Sheila Payne was just now murdered in her home.
00:22:10 Sheila?
00:22:14 That's impossible.
00:22:16 You were just now on your way to her house?
00:22:18 Yes, of course.
00:22:20 You will honor me by riding with me?
00:22:22 Certainly.
00:22:24 She always came to me with her troubles.
00:22:29 This afternoon she confessed to me
00:22:32 she had been mad in love with Danny Mayo.
00:22:34 She was in his house the night he died.
00:22:38 She saw him killed
00:22:39 and never dared to tell
00:22:41 because it would have wrecked her career.
00:22:42 Why did she suddenly change mind about keeping secrets?
00:22:45 Because she had fallen in love with James
00:22:48 and hesitated to marry him
00:22:50 and perhaps drag him through unpleasant publicity later.
00:22:52 Did she name the murderer?
00:22:54 No, but she did tell me
00:22:56 he was at this moment in Honolulu.
00:22:58 I am certain she would have revealed his name tonight.
00:23:01 He was murdered because she knew
00:23:07 who killed Danny Mayo.
00:23:08 A possible motive.
00:23:11 May I ask your continued assistance?
00:23:13 Sometimes it's very difficult
00:23:18 to pick up a pumpkin with one finger.
00:23:20 Have you been driving long?
00:23:24 No, at first I was a pretty bad driver
00:23:26 but now me and the road turn corners at the same time.
00:23:30 Stabbed to heart.
00:23:31 Orchids torn from dress
00:23:44 crushed angrily
00:23:49 and then
00:23:52 stabbed to heart.
00:23:54 Orchids torn from dress
00:23:55 crushed angrily
00:23:59 on the feet.
00:24:01 Pin is missing.
00:24:12 Evidence of a struggle.
00:24:14 Possibly.
00:24:19 The wristwatch is smashed.
00:24:20 That establishes the time of the murder.
00:24:24 Maybe.
00:24:29 Maybe.
00:24:31 Maybe.
00:24:32 Maybe.
00:24:33 Maybe.
00:24:34 Maybe.
00:24:35 Maybe.
00:24:36 Maybe.
00:24:37 Maybe.
00:24:38 Maybe.
00:24:39 Maybe.
00:24:40 Maybe.
00:24:41 Maybe.
00:24:42 Maybe.
00:24:43 Maybe.
00:24:44 Maybe.
00:24:45 Maybe.
00:25:14 Fresh footprints.
00:25:15 The most unfashionable hole in one shoe.
00:25:21 Fortune could not have smiled on honor.
00:25:26 But it's important.
00:25:28 That's the motive after all was robbery.
00:25:30 Have you changed mind about motive?
00:25:32 Not at all.
00:25:34 I merely suggest we should keep our minds open.
00:25:36 Yes.
00:25:38 Excellent idea.
00:25:39 This is a confounded outrage.
00:25:43 This chap has locked all the doors on us.
00:25:44 Look here.
00:25:46 You can't hold us prisoners.
00:25:48 Yes, Ken.
00:25:50 Orders.
00:25:51 I'll have this Chinese detective thrown off the force for this.
00:25:53 This is exceptional occasion, Mr. Ballou.
00:25:55 There is old saying.
00:25:58 Death is a black camel
00:26:01 that kneels unbidden at every gate.
00:26:03 Tonight, black camel has knelt here.
00:26:07 Please forgive overzealous escapist.
00:26:11 Please forgive overzealous assistant.
00:26:12 This saint asked me to give you this as soon as you came.
00:26:14 Oh, thank you.
00:26:16 Please.
00:26:18 This may give information we seek.
00:26:19 What happened?
00:26:31 Lights.
00:26:32 Lights.
00:26:34 I got the lights.
00:26:36 I got the lights.
00:26:37 Overwhelmed with regrets.
00:26:51 Important part of letter seems to be absent.
00:26:56 Search everyone.
00:26:59 Why?
00:27:01 Man clever enough to do that trick.
00:27:03 Too clever to get it.
00:27:05 Too clever to keep letter on person.
00:27:06 I am not in mood tonight
00:27:22 for turning of the cheek
00:27:25 but will return a salt
00:27:28 with compound battery.
00:27:31 You are Butler?
00:27:32 When did you last see Miss Fane?
00:27:36 About a quarter of eight
00:27:38 when she came downstairs to meet Mr. James.
00:27:40 Did you notice anything peculiar in her behavior?
00:27:43 Not this evening.
00:27:47 But some other time?
00:27:49 This morning I found her crying in her room
00:27:51 over the phone.
00:27:53 I was afraid she was in a bad mood.
00:27:55 I was afraid she was in a bad mood.
00:27:57 I was afraid she was in a bad mood.
00:27:59 I saw her crying in her room over a man's photograph.
00:28:00 Ah! Kashimo!
00:28:02 Clue?
00:28:04 Yes.
00:28:06 Go to Miss Fane's room.
00:28:08 Look for man's photograph.
00:28:10 You will show him, please?
00:28:13 Just a moment, Jesse.
00:28:15 Inspector, if you don't mind, I'd like to...
00:28:17 You are...
00:28:19 I lived with Miss Fane.
00:28:21 She took care of me.
00:28:23 I was with Miss O'Neil, Inspector.
00:28:25 We were in swimming when it happened.
00:28:28 What did she wear tonight?
00:28:29 Just a wristwatch and some bracelets.
00:28:31 Oh, and a diamond pin that I fastened her orchids with.
00:28:33 The missing pin!
00:28:35 Orchids?
00:28:38 From who?
00:28:40 They were from her ex-husband.
00:28:42 Ah! An ex-husband!
00:28:44 Yes.
00:28:46 I should like to see him.
00:28:48 He's playing at the Royal Theater. I'll phone.
00:28:50 I'll phone.
00:28:52 Thank you so much.
00:28:54 Miss Fane wore other jewelry tonight?
00:28:57 Nothing else.
00:28:58 I think you're mistaken, Miss Julie.
00:29:00 She also wore her large emerald ring.
00:29:02 Are you positive?
00:29:07 Yes, sir.
00:29:09 That points again to the robbery motive.
00:29:12 Do you have to do all this?
00:29:13 What else?
00:29:15 That'll be all, Miss Dixon.
00:29:21 Thank you so much.
00:29:23 Thank you.
00:29:25 I'm going to go.
00:29:27 I'll see you later.
00:29:29 Good-bye.
00:29:31 Good-bye.
00:29:33 Good-bye.
00:29:35 Good-bye.
00:29:37 Good-bye.
00:29:40 Thank you so much.
00:29:41 This is very interesting.
00:29:43 Mr. Ballou, you, your wife, Mr. Van Horn, and Miss Dixon
00:29:50 were all in Hollywood then when Denny Mayo was murdered.
00:29:53 You all knew him well.
00:29:55 Now, just a minute, Mr. Too-Soon-Or-Whatever-Your-Name-Is.
00:29:58 I want to remind you that we're concerned here with the Sheila Fane murder
00:30:01 and not the Denny Mayo scandal.
00:30:03 And if you want to keep us here, I suggest
00:30:05 you confine your investigations to what we are here for.
00:30:09 Nevertheless, I believe the two cases are connected.
00:30:11 You are here in this picture with Miss Fane,
00:30:13 and you were a friend of Denny Mayo.
00:30:15 I deny that. I was never his friend.
00:30:17 You were a guest in his home many times,
00:30:19 eating his food and drinking his liquors.
00:30:21 Yet you say you were not his friend.
00:30:23 How do you account for that?
00:30:25 Well, that's an old Hollywood custom.
00:30:27 And what is it your business if he was?
00:30:29 I'm with you, Van Horn.
00:30:31 Let's stand pat and answer no more questions.
00:30:33 That's a go. No more answers.
00:30:35 You are all suspects.
00:30:38 Close!
00:30:39 Thank you, Cashimo.
00:30:42 Look for footprints on the window of the pavilion.
00:30:46 They may need man.
00:30:48 I'll tell you something you ought to know, teacher,
00:30:54 if you let us go home.
00:30:56 Do please.
00:30:58 I saw a man in a heavy overcoat.
00:31:00 He was running from the pavilion,
00:31:02 and he had a red streak across his shirt front
00:31:04 that was probably blood.
00:31:06 Oh, so, man here tonight, we have not seen.
00:31:08 Oh, an overcoat on a hot night like this.
00:31:11 A big one.
00:31:13 That's right, my dear. You stick to your story.
00:31:15 Only why not make it a good one?
00:31:17 Inspector.
00:31:22 Yes?
00:31:24 You need a lie detector.
00:31:26 Lie detector?
00:31:28 Yes, it's an invention that detects instantly
00:31:30 when anyone is telling a lie.
00:31:32 Oh, I see. You mean a wife. I have one.
00:31:35 Do you know whose photograph this is?
00:31:36 No, I don't.
00:31:40 But maybe I could tell if you put them all together.
00:31:42 Look here, Inspector.
00:31:47 I haven't time to sit around with Chinese picture puzzles.
00:31:49 My ship sails at midnight.
00:31:51 You are a rejected suitor.
00:31:53 But I've given you an airtight alibi.
00:31:55 Sorry, but alibi have habit of disappearing
00:31:57 like hole in water.
00:31:59 Oh, I see.
00:32:02 Hole in water.
00:32:03 Clue!
00:32:10 You are zebra.
00:32:12 Zebra? What do you mean?
00:32:14 Sport model jackass.
00:32:16 Yes, but clue, clue, man on beach.
00:32:18 Get.
00:32:20 You mean get out?
00:32:22 No, get man.
00:32:25 Thank you.
00:32:26 Part of photograph seem absent.
00:32:40 Must be very important.
00:32:44 I'm sorry.
00:32:48 I'm sorry.
00:32:50 I'm sorry.
00:32:54 I'm sorry.
00:32:55 I'm sorry.
00:32:57 I'm sorry.
00:32:59 I'm sorry.
00:33:01 I'm sorry.
00:33:03 I'm sorry.
00:33:05 I'm sorry.
00:33:07 I'm sorry.
00:33:09 I'm sorry.
00:33:11 I'm sorry.
00:33:13 I'm sorry.
00:33:15 I'm sorry.
00:33:17 I'm sorry.
00:33:19 I'm sorry.
00:33:22 I'm sorry.
00:33:23 So sorry, cook announce a strike.
00:33:25 No dinner, too late.
00:33:27 But those who wish coffee can have in dining room.
00:33:30 Will suggest everybody partake.
00:33:32 It will make answering questions easier.
00:33:34 Even bagpipe will not speak when stomach is empty.
00:33:37 Come on, dear.
00:33:41 Oh, I don't think I care for any baby.
00:33:43 Oh, come on, dear.
00:33:45 Fuck you up.
00:33:47 Oh, I guess I will.
00:33:50 Oh, there's the man I saw.
00:33:51 Please, pardon my attire.
00:34:04 I was being a French ambassador and I came
00:34:06 just as I left the stage, the moment I got your message.
00:34:09 You are former husband of C. Lafayne?
00:34:13 Yes, I am.
00:34:15 I'm a French ambassador.
00:34:18 And you are Robert Fife.
00:34:19 Yes, I am Robert Fife.
00:34:21 When was last time you saw former wife?
00:34:23 Seven years ago.
00:34:26 In New York.
00:34:28 Is that true?
00:34:30 Very last time?
00:34:32 Of course.
00:34:34 Strange.
00:34:36 Tonight honorable lady saw you running from pavilion.
00:34:38 Even mistaking red ribbon on shirt for blood.
00:34:40 Can you explain?
00:34:43 Yes, I can explain.
00:34:46 May I speak to you privately, inspector?
00:34:47 Please.
00:34:51 I'll look at the chair.
00:34:54 Are you sure?
00:34:56 And now, Mr. Fife.
00:35:02 Did you know Miss Faine, inspector?
00:35:05 I had not pleasure.
00:35:07 She was a remarkable girl, a flame with life.
00:35:09 No other woman ever meant anything after C. Lafayne.
00:35:12 I'm sorry.
00:35:15 I had not pleasure.
00:35:16 I understand.
00:35:18 When I heard she was in Honolulu, I sent her flowers with a message.
00:35:20 The moment she got them, she called me on the telephone.
00:35:22 I was at the theater.
00:35:25 Apparently dressed and ready for your role?
00:35:27 Quite right. I came as quickly as possible.
00:35:30 And you reached here when?
00:35:33 Five minutes before eight.
00:35:35 She met me on the lawn and went to the pavilion.
00:35:37 I was nervous about the time.
00:35:39 That's why I know exactly.
00:35:41 And then?
00:35:44 Then she asked me if I still cared for her.
00:35:45 I told her I adored her.
00:35:49 I took her in my arms.
00:35:51 We kissed.
00:35:54 Then I told her I would return after the show was over
00:35:58 and hurried away.
00:36:00 It was then four minutes past eight.
00:36:02 I checked it carefully because I was late.
00:36:04 And to what time did you arrive back in theater?
00:36:06 Five minutes late.
00:36:09 The stage manager spoke to me about it.
00:36:11 I see.
00:36:13 Those few minutes with Sheila
00:36:14 may seem embarrassing to me.
00:36:16 But I saw her again before she died.
00:36:19 I am not sorry.
00:36:22 It's late, Inspector.
00:36:25 And it occurred to me you might need some stimulant yourself.
00:36:27 Thank you so much.
00:36:29 Remain, please.
00:36:31 Mr. Five?
00:36:33 No, thank you.
00:36:35 What do you want me for?
00:36:39 You can't arrest a man for nothing.
00:36:42 Yes, I can.
00:36:43 Clue!
00:36:45 Clue!
00:36:53 Clue?
00:36:55 Same shoes?
00:36:57 Who are you?
00:36:59 The name might be Smith.
00:37:01 Might also be Jones.
00:37:03 I prefer Smith.
00:37:05 Look, Clue in pocket.
00:37:07 Temple bronze medal.
00:37:11 Third prize.
00:37:12 Landscape in oil.
00:37:14 Pennsylvania Academy of Arts.
00:37:16 I see I shall have to confess.
00:37:20 Yes, I'm a painter.
00:37:22 Good evening, ladies and gentlemen.
00:37:27 How do you do?
00:37:29 May I inconvenience you, Mr. Smith?
00:37:31 Oh, thanks.
00:37:33 Oh, please.
00:37:36 Were you on beach tonight?
00:37:40 You found my footprints.
00:37:41 I dare say I was.
00:37:43 A shocking bad pair of shoes, aren't they?
00:37:45 What time were you on beach?
00:37:47 My friend, you embarrass me.
00:37:49 If you will take a stroll down a certain street in this city,
00:37:54 you will see my watch hanging in a pawn shop window.
00:37:57 I often look at it myself.
00:37:59 No matter.
00:38:01 You were on beach.
00:38:03 I was.
00:38:05 It's my temporary hotel.
00:38:07 But tonight when I got here, there was a light in the pavilion.
00:38:09 And I heard voices inside.
00:38:10 Voices?
00:38:12 Whose voices?
00:38:14 A man's and a woman's.
00:38:16 I peeked in and got a good look at the man.
00:38:18 There he is.
00:38:20 That's the fellow.
00:38:22 I haven't seen a ribbon like that since our ambassador
00:38:24 invited me to dinner in Paris.
00:38:26 You know, it was the most interesting...
00:38:28 You heard the conversation?
00:38:30 Yes, they were talking fast.
00:38:32 What about?
00:38:34 Well, I heard her tell him...
00:38:36 Drop it!
00:38:38 Drop it!
00:38:39 I can put an end to this investigation.
00:38:46 I killed Sheila Fane.
00:38:49 Please!
00:38:51 You killed Sheila Fane?
00:38:54 I did.
00:38:56 For what reason?
00:38:58 I wanted her to come back to me.
00:39:00 I begged and pleaded with her.
00:39:02 She wouldn't listen.
00:39:04 She laughed at me.
00:39:07 She made me kill her.
00:39:08 There you are! That clears me.
00:39:10 I want to get that boat. I want to get away from here.
00:39:12 Impossible!
00:39:14 But I've got to go. Can't you understand?
00:39:16 Do you realize what it means to remain here,
00:39:18 listening to this talk about the girl I'd hope to marry?
00:39:20 Very sorry, Mr. James, but you cannot leave at present.
00:39:23 You say you left here four minutes past eight?
00:39:33 Yes, I did.
00:39:36 You already killed Sheila Fane and were back at the theater
00:39:38 20 minutes past eight?
00:39:40 Yes, I told you all that.
00:39:42 You have witnessed?
00:39:44 Yes.
00:39:46 Yet, at 8.12, Sheila Fane was seen alive and well.
00:39:49 If you arrived back at the theater at 8.20,
00:39:53 it could not be possible for you to be here at 8.12.
00:39:57 Journey takes 15 minutes.
00:40:00 How do you know Miss Fane was alive at that time?
00:40:03 Chinese cook, Wong.
00:40:05 He talked to the deceased at 8.12 about the late dinner.
00:40:10 Of all the people in this room,
00:40:14 you are the only one who could not have committed murder.
00:40:18 You mean to say you're going to hold us all?
00:40:21 No, no, no. You may go.
00:40:24 But you cannot leave Ireland without the permission of the police.
00:40:29 You are all under unhappy suspicion.
00:40:33 What? We can't all be guilty.
00:40:35 Your theory is full of holes. It will not hold water.
00:40:37 Sponge is full of holes.
00:40:39 Sponge holds water.
00:40:41 Come on, Richard.
00:40:43 Thank you for the pleasant evening.
00:40:45 If I were a dose of poison, I would give myself to you.
00:40:48 Thank you very much.
00:40:50 Gentlemen,
00:40:54 you are the two biggest liars in Honolulu.
00:40:58 You may also go.
00:41:02 I will know where to find you when I want to.
00:41:04 Of course. My address is Sandy Spot, Enid Beach, Honolulu.
00:41:08 Why did you let Smith and Fife go?
00:41:19 Between them, they hold a secret.
00:41:21 The way to find Rabbit's residence
00:41:24 is to turn Rabbit loose and watch.
00:41:29 And watch.
00:41:30 The murderer's name?
00:41:55 Luke.
00:41:57 Luke.
00:41:58 It always happens
00:42:10 when conscience tries to speak,
00:42:13 the telephone is out of order.
00:42:25 I didn't know you were a murderer, Sheila.
00:42:27 But you're making a mistake.
00:42:29 You're hiding something from Inspector Chan.
00:42:32 What makes you say that?
00:42:34 I know you are.
00:42:36 I'm not. You don't know anything.
00:42:39 How dare you say that?
00:42:41 - What about the ring? - The ring?
00:42:46 What about it?
00:42:48 You had it on your finger.
00:42:50 When Inspector Chan asked Anna about it,
00:42:53 - where is it now? - I don't have it.
00:42:54 I don't know anything about it.
00:42:56 - I want you to go home. - Why?
00:42:58 Because I'm tired. Very tired.
00:43:00 Okay, I'll go.
00:43:02 But I'll be back tomorrow.
00:43:04 This is the time when you need advice
00:43:06 from a sensible person.
00:43:08 I know, Jimmy.
00:43:10 Okay, I'll give it to you.
00:43:13 "The end of the world"
00:43:15 "The end of the world"
00:43:26 Darling!
00:43:28 I knew you'd come back. Where have you been?
00:43:31 No time for that, my lady.
00:43:33 I'm selling a picture.
00:43:35 Wonderful!
00:43:37 You can buy new dresses, beads, bracelets and everything.
00:43:41 Well, a few.
00:43:42 And what picture?
00:43:44 Yours, the one I gave you.
00:43:46 No, no, you can't take that away from me.
00:43:48 I'll paint you another one. I'll paint you another one tomorrow.
00:43:51 But how do you know he'll like it?
00:43:53 You buy it whether he likes it or not,
00:43:55 to keep me from talking.
00:43:57 What do you mean, coming to my hotel?
00:44:05 I knew you'd want to see me.
00:44:07 I didn't want to see you in a public place,
00:44:10 but you should have a better sense.
00:44:11 I'm sorry, but you know, it's pretty important.
00:44:13 - Come over here. - All right.
00:44:15 I wish you wouldn't talk like that.
00:44:22 I assure you, it isn't blackmail.
00:44:24 It's merely that I thought you might welcome
00:44:26 the opportunity of becoming a patron of the arts.
00:44:28 If I refuse the honor...
00:44:30 Then I shall feel it my duty to tell the police.
00:44:34 When I was outside that pavilion window,
00:44:36 I heard Sheila Faden...
00:44:39 She's a fine young woman.
00:44:40 What's the price?
00:44:42 I'm sorry, I hate to have to do this.
00:44:44 It is my only chance of getting back to the mainland.
00:44:47 Shall we say $500?
00:44:51 $500?
00:44:53 Look here, you are not dealing with a millionaire.
00:44:55 I am an actor on salary.
00:44:57 I'll give you $100 now and $200 next week.
00:45:03 That's my limit.
00:45:05 Thank you.
00:45:07 Thank you.
00:45:09 Thank you.
00:45:10 Thank you.
00:45:12 (Whistling)
00:45:13 (Gunshot)
00:45:24 Oh, dear.
00:45:40 Get inside.
00:45:41 It's all right.
00:45:43 I'll manage.
00:45:45 Oh.
00:45:46 Oh.
00:46:00 (Chuckles)
00:46:01 Oh.
00:46:03 Oh, Pop.
00:46:12 You have found a report card from school at last.
00:46:15 Eh?
00:46:16 Hmm.
00:46:19 Teachers say you are always at bottom of class.
00:46:22 Can't you find better place?
00:46:24 No, Pop.
00:46:26 All the other places are taken.
00:46:27 That is no excuse.
00:46:29 Oh, baloney.
00:46:31 Hmm?
00:46:33 Baloney?
00:46:34 Oh, Pop, who killed Sheila Faden?
00:46:36 Yes, Pop, tell us.
00:46:38 (Cheering)
00:46:41 I have told you all many time now, I do not know.
00:46:43 Oh, we don't believe you.
00:46:47 Oh, that's a lot of applesauce.
00:46:49 Come on, Pop, spill the beans.
00:46:51 Yeah.
00:46:53 The baloney applesauce beans.
00:46:55 One would think you all took lessons in grocery store
00:46:58 instead of at school.
00:47:00 (Laughter)
00:47:03 Goodbye, Mother.
00:47:05 Goodbye, Pop.
00:47:07 Goodbye, Alex.
00:47:09 Goodbye, Alex.
00:47:10 I am gratefully retreating from bosom of honorable family
00:47:22 to peace and quiet of murder case.
00:47:24 You murder this morning?
00:47:26 No, same one.
00:47:29 (Engine starts)
00:47:30 Where we go first?
00:47:41 To public library.
00:47:43 Clue?
00:47:45 No.
00:47:46 But it might be well to know names of all persons
00:47:49 mentioned in Denimio murder.
00:47:52 Case finished?
00:47:54 Finished.
00:47:56 Secret of this case harder to determine
00:47:58 than alley cat's grandfather.
00:48:00 Think we make mistake?
00:48:02 Who can say?
00:48:03 Even wisest man sometimes mistakes bumblebee for blackberry.
00:48:07 Oh.
00:48:09 I got idea.
00:48:11 What you gonna do in library?
00:48:13 Read newspapers.
00:48:14 Huh.
00:48:16 Think you gonna catch him that way?
00:48:17 Kashimo, I despair trying to make you smart man.
00:48:23 Modern water never can change perfume of billy goat.
00:48:26 Yes.
00:48:28 Who ask for this file?
00:48:47 You remember?
00:48:49 A young woman.
00:48:52 Never see her before?
00:48:53 No, she was a stranger.
00:48:54 Can you describe?
00:48:56 Well, she was young and very pretty.
00:48:59 In fact, she was quite striking.
00:49:01 I think I know.
00:49:03 Possibly you could come with me for identification?
00:49:07 Well, yes, I think so.
00:49:10 Thank you so much.
00:49:12 Yes, inspector.
00:49:19 This is the girl.
00:49:21 You are sure?
00:49:22 Absolutely.
00:49:23 Thank you so much.
00:49:24 You will kindly wait for me in ancient remnants of automobile?
00:49:28 Why did you cut out pictures of Denny Mayo from library files?
00:49:35 I didn't.
00:49:37 You were in library this morning
00:49:39 asking for old files of Los Angeles Times.
00:49:42 No, I wasn't.
00:49:45 You very nice young lady making serious mistake.
00:49:50 Please tell the truth.
00:49:51 Yes, I was in the library this morning.
00:49:53 Why did you cut out pictures?
00:49:54 I didn't. I didn't do that.
00:49:57 Please believe me.
00:49:58 Then why did you ask for Los Angeles Times?
00:50:01 This morning someone sent me this.
00:50:03 And then?
00:50:04 Then I went to the library.
00:50:06 But there was no word about Chile in any of the articles.
00:50:08 Please tell the truth.
00:50:13 I didn't.
00:50:15 I didn't do that.
00:50:17 Then why did you ask for Los Angeles Times?
00:50:19 I didn't do that.
00:50:21 Then why did you ask for Los Angeles Times?
00:50:23 I didn't do that.
00:50:25 Then why did you ask for Los Angeles Times?
00:50:27 I didn't do that.
00:50:29 Then why did you ask for Los Angeles Times?
00:50:32 Please tell me.
00:50:33 Did you leave files on the table?
00:50:36 Yes.
00:50:38 Were all pictures of Denny Mayo in the papers when you left?
00:50:41 Yes, all of them.
00:50:42 A bright spark appears in the darkness.
00:50:46 Only a very clever man can bite pie without breaking crust.
00:50:51 Julie, why don't you tell the inspector everything?
00:50:55 Oh, Jimmy.
00:50:56 There is more?
00:50:58 Tell him. He'll find out anyway.
00:51:00 Sheila's emerald ring is missing.
00:51:02 I took it off her finger.
00:51:03 Why?
00:51:05 Because Denny Mayo's name was inside the band.
00:51:07 And I took the pieces of the photograph too.
00:51:10 It was his picture.
00:51:12 And why all this?
00:51:13 Because all her life,
00:51:15 Sheila kept her relations with Denny Mayo secret.
00:51:17 And now that she's dead, I didn't want them found out.
00:51:20 Very kind thought, but have lost valuable time.
00:51:23 I will keep this letter from friend.
00:51:27 That means something.
00:51:29 Now I'm sure you're on the right track, Inspector.
00:51:31 Learn from Hen.
00:51:33 Never boast about Egg until after Egg's birthday.
00:51:37 There.
00:51:44 Isn't it better to have that out of your mind?
00:51:46 Yes, Jimmy. You were right.
00:51:47 I suppose you listened to me for a while.
00:51:49 Now that Sheila's gone, what are you going to do?
00:51:52 I don't care.
00:51:54 Someone has to care.
00:51:55 So I've appointed myself for the job.
00:51:58 Why don't you stay in Honolulu?
00:51:59 Oh, not for the scenery.
00:52:01 For a job.
00:52:02 The jurist borough will furnish me with a secretary.
00:52:05 I'm entitled to one, and you're it.
00:52:07 Oh, Jimmy, you're sweet.
00:52:09 But I couldn't stay in Honolulu.
00:52:10 That's identical.
00:52:11 Both written on the same machine.
00:52:38 Both written on the same machine.
00:52:40 Thank you so much.
00:52:42 Not at all.
00:52:43 What?
00:52:46 Suspicion.
00:52:47 What are you talking about?
00:52:48 And in public library this morning.
00:52:50 Tall man, dark man, same man.
00:52:51 Stop smoking cigarette.
00:52:54 Tanavera will know someone been in his room.
00:52:57 Can't smell now.
00:53:04 Hashimo can cut off monkey's tail,
00:53:07 but he's still monkey.
00:53:08 Yes.
00:53:09 Thank you so much.
00:53:13 That's quite all right, Mr. Chan.
00:53:14 Well, inspector.
00:53:19 Did you have any happy inspirations during the night?
00:53:22 No, nothing.
00:53:23 Were you in public library this morning?
00:53:27 No, no I wasn't.
00:53:29 Somebody, he cut out pictures.
00:53:32 Danny Mayo from papers.
00:53:36 Really?
00:53:37 I can't imagine the motive for that.
00:53:39 I can.
00:53:41 Somebody afraid to let me see picture of Danny Mayo.
00:53:44 Why?
00:53:47 Pardon, please.
00:53:59 You were so kind this morning.
00:54:00 May I ask few more questions?
00:54:02 Certainly, me.
00:54:04 Will you sit down and have a cup of tea with us?
00:54:06 No time, thank you so much.
00:54:07 This morning you established absolutely perfect alibi for Tanavero.
00:54:13 He was with you from before 8 o'clock until half past last night?
00:54:18 My oath upon that, sir.
00:54:20 I believe implicitly you have proved utterly impossible for him to have committed murder.
00:54:27 Then what more do you want to know?
00:54:29 Father, don't get excited.
00:54:31 I'm not excited.
00:54:33 You've got to be when you're dealing with policemen.
00:54:34 Please, no offense.
00:54:36 But this morning you told me that Mr. Tanavero lived with you when he was young man in Australia.
00:54:42 He did and a nice boy he was.
00:54:44 Tanavero, very odd name.
00:54:46 Was that what he called himself then?
00:54:49 No, it was not.
00:54:51 What name did he offer at time?
00:54:53 Well, Mr. Shan, he asked us not to tell his real name.
00:54:57 Why?
00:54:59 He said he was done with it.
00:55:01 He asked that we think of him as Mr. Tanavero.
00:55:03 This is very serious matter.
00:55:06 You are honorable, law-abiding citizens.
00:55:09 Law needs your help.
00:55:11 We must know real name.
00:55:14 Well, you know, this is an awfully difficult situation.
00:55:18 I think Mr. Shan's right, father.
00:55:20 We did enough when we swore to his alibi and if you don't tell, I will.
00:55:24 Why should I have to be ashamed of his real name?
00:55:27 Thank you, madam.
00:55:30 Would you mind to mention name, please?
00:55:32 In Australia, his name was Arthur Meal.
00:55:35 Meal?
00:55:37 He told you this morning he was alone when he came to us.
00:55:40 I can't think why he said that.
00:55:42 It's not true.
00:55:44 He and his brother came to us together.
00:55:46 His brother?
00:55:48 Yes, of course. His brother, Danny Meal.
00:55:50 Please, does he look like brother?
00:55:53 Oh, yes, very much.
00:55:56 Ah, pictures in newspapers.
00:56:00 I'm sorry.
00:56:01 I'm sorry.
00:56:03 I'm sorry.
00:56:05 I'm sorry.
00:56:07 I'm sorry.
00:56:09 I'm sorry.
00:56:11 I'm sorry.
00:56:13 I'm sorry.
00:56:15 I'm sorry.
00:56:17 I'm sorry.
00:56:19 I'm sorry.
00:56:21 I'm sorry.
00:56:23 I'm sorry.
00:56:25 I'm sorry.
00:56:28 - What are you talking about? - Police! Police! Murderer! Murderer!
00:56:31 - You killed my man! Murderer! Murderer! - I don't want to hurt you.
00:56:34 One moment, please. What's the matter here?
00:56:37 - Last night he tried to kill Smith. - Oh, she's mad, Inspector. You know that, isn't so?
00:56:42 Smith? Shot? Where is he now?
00:56:45 He's in my house. He's dying. He told me this is the man that shot him.
00:56:48 We must go to him at once.
00:56:50 - You will come, too, Mr. Fyfe. - I have nothing to do with it.
00:56:52 Then you compel me to make arrest?
00:56:56 You're right.
00:56:58 Well, you got me, didn't you?
00:57:05 Perhaps you were right.
00:57:07 But was the painting really as bad as that?
00:57:12 What makes you think I would do such a thing?
00:57:15 I don't blame you.
00:57:17 Perhaps I'd have done the same thing in your place.
00:57:20 But what does it matter?
00:57:23 I'm...
00:57:25 I'm shoving off, Inspector.
00:57:33 And you might hang an innocent person, so...
00:57:39 so I'm going to tell you the truth.
00:57:41 You can't help anyone. Don't.
00:57:45 I was at the window when this man was talking to Sheila Fyfe.
00:57:50 I heard her tell him...
00:57:53 that she'd just confessed a crime...
00:57:58 to a man named Tanavero.
00:58:01 What crime?
00:58:05 She told him...
00:58:11 that she was the person...
00:58:15 who killed Denny Mayo.
00:58:19 Is this true?
00:58:22 Yes.
00:58:24 He told her for the first time...
00:58:27 that he already had a wife.
00:58:29 He married a young girl in England...
00:58:31 a girl who was desperately in love with him.
00:58:34 He had sent money to her to come to him.
00:58:38 The bitter quarrel that followed, Sheila shot him.
00:58:43 So...
00:58:45 it was Sheila Fane who killed Denny Mayo.
00:58:50 Why did you tell me last night that you killed her?
00:58:55 I thought for a moment I could save her memory from... from this.
00:59:01 Then who did kill Sheila Fane?
00:59:04 I don't know.
00:59:07 Do you know?
00:59:11 Do you know?
00:59:13 I don't know.
00:59:17 I went away.
00:59:20 I came back later.
00:59:22 She was on the floor.
00:59:27 There was a diamond pin lying near her.
00:59:33 I was broke, desperate.
00:59:36 I took it.
00:59:39 Give it to him, Luana.
00:59:42 Part of pin missing.
00:59:54 And here's something for you, Mr. Fife.
00:59:59 Something the native doctor extracted.
01:00:06 A bullet.
01:00:08 A bit of...
01:00:11 penetrating criticism...
01:00:14 from a connoisseur of art.
01:00:18 Mr. Fife...
01:00:35 you are under arrest.
01:00:38 But, Charlie, the newspapers are running me ragged.
01:00:50 Now, you're working on the Sheila Fane case...
01:00:52 and you arrest a man named Fife for the murder of Smith.
01:00:55 What are you trying to do to me?
01:00:57 I want an arrest on the Fane case...
01:00:59 and Tanavero's the man I want.
01:01:01 Tanavero, not man you want.
01:01:03 He's a man you want.
01:01:05 He did not commit murder.
01:01:06 Oh, he didn't, eh?
01:01:08 He discovered the Fane woman murdered his brother...
01:01:10 and four hours later, she's found dead.
01:01:12 What about alibi of McMaster's?
01:01:14 Ouch.
01:01:16 There is one more clue left.
01:01:20 Heel that crushed orchids and broke this pin...
01:01:24 may furnish evidence.
01:01:27 I am going to Sheila Fane's house.
01:01:29 Well, Charlie, I'll give you one more chance.
01:01:31 But I am going with you.
01:01:34 Okay.
01:01:36 [footsteps]
01:01:39 [water running]
01:01:42 [water continues]
01:01:46 [water continues]
01:01:49 [water continues]
01:01:52 [water continues]
01:01:55 [water continues]
01:01:58 [water continues]
01:02:01 [door slams]
01:02:03 [water continues]
01:02:06 [water continues]
01:02:09 [water continues]
01:02:12 [water continues]
01:02:15 A person who threw this evidently thinks...
01:02:18 a long life is only extra time for more troubles.
01:02:21 Yes, but where did it come from?
01:02:23 [alarm buzzing]
01:02:26 Did you ring, sir?
01:02:30 No.
01:02:32 [alarm continues]
01:02:35 Pardon.
01:02:38 Mistake.
01:02:40 Thank you so much.
01:02:43 [water continues]
01:02:45 Please wait.
01:02:50 Wait nothing. You want to get us all killed?
01:02:52 I'm going to nail that bird now.
01:02:54 No. We nail all right.
01:02:57 The person who tried to extinguish me...
01:03:00 does not want scratches to be found.
01:03:03 Pin scratches.
01:03:11 Broken piece of this pin...
01:03:14 is still in rubber heel.
01:03:17 Man who sat in this chair last night...
01:03:26 was murderer.
01:03:28 Charlie, I think you're right.
01:03:31 Shall I call the men?
01:03:33 All here?
01:03:35 Yes. I have everyone who was here last night.
01:03:38 One moment. Fixed chair.
01:03:41 Don't you see, dear? There's nothing else to do.
01:03:50 Stay in Honolulu and marry me.
01:03:55 Oh, I don't know, Jimmy. You see...
01:03:57 Oh, come on. Just this once.
01:04:00 [water continues]
01:04:03 In conclusion, must ask you all to imaginary feast.
01:04:14 - Enter, please. - Look here.
01:04:16 You can count me out of this hocus-pocus right now.
01:04:18 Listen, Mr. Belot.
01:04:20 I ask you all to come here this afternoon...
01:04:22 as a personal favor to me.
01:04:24 All right, if that's the way you feel about it.
01:04:26 Will you be seated, please...
01:04:28 in the chairs where you sat last night at coffee?
01:04:31 I can't remember where I did sit.
01:04:34 I do. I sat right over here.
01:04:36 - Well, I sat next to you, Jimmy. - I know I sat next to you.
01:04:39 I suppose I sat next to you.
01:04:41 Just like that. You did.
01:04:43 I sat here, I believe.
01:04:45 No. No, I sat here. I remember.
01:04:52 [coughing]
01:04:55 What did I tell you?
01:05:02 No.
01:05:04 There is some mistake.
01:05:06 - Wait. - Wait? Nothing.
01:05:08 - Make the arrest now. - [all speaking at once]
01:05:11 Please, just one moment.
01:05:13 Has to be mistake.
01:05:15 Yes, sir?
01:05:17 [crickets chirping]
01:05:20 Think clearly.
01:05:25 Last night, after guests left...
01:05:28 other people sat at this table?
01:05:31 Yes, sir.
01:05:35 We'd had no dinner, so we just sat down for a bit of coffee.
01:05:39 We needed it badly.
01:05:41 We? Who?
01:05:43 Miss Anna and I, sir.
01:05:46 Where is she now? Will you get her, please?
01:05:49 Just a moment.
01:05:53 Anna.
01:05:57 - Keep seated, Mr. Tonevero. - Sorry. I prefer to stand.
01:06:00 Last night, you had coffee here at this table with Jessop?
01:06:13 Yes, sir.
01:06:15 - Where did you sit? - Why, I sat right here.
01:06:19 Please excuse. Must make odd request.
01:06:23 Will you be good enough, please, to remove right shoe?
01:06:30 Why should you?
01:06:32 Well, certainly.
01:06:35 [crickets chirping]
01:06:38 You are all witnesses.
01:07:04 Last night, when you stabbed Orchids on the feet...
01:07:08 you committed important blunder.
01:07:12 You killed Sheila Fane.
01:07:17 No. No, no.
01:07:20 Yes. I did.
01:07:28 Anna, don't be a fool. Find it out.
01:07:30 I warn you that whatever you say will be used against you as evidence.
01:07:35 Why did you kill her?
01:07:38 Because I am Mrs. Denny Mayo.
01:07:43 - Anna, don't. - Oh, what does it matter now?
01:07:46 What difference does it make?
01:07:49 What difference can anything make?
01:07:52 What else do you want to know?
01:07:57 Then it was not by coincidence...
01:08:00 that you were working for Sheila Fane as maid?
01:08:04 No.
01:08:06 Inspector, I am Arthur Mayo, Denny's brother.
01:08:12 From the first I suspected Miss Fane.
01:08:15 I placed Anna here to watch her.
01:08:19 Oh.
01:08:21 When did Mr. Canavero tell you that...
01:08:25 Sheila Fane murdered Denny Mayo?
01:08:29 Yesterday evening.
01:08:32 We were going to wait until her dinner party was over...
01:08:35 and then have her arrested.
01:08:37 I was sure I could control myself that long.
01:08:40 Then some flowers came.
01:08:44 The orchids.
01:08:46 And when I took them into her, right in front of me...
01:08:49 she seized Denny's picture and tore it.
01:08:52 Tore it viciously into bits.
01:08:55 That may seem like a little thing to you...
01:09:02 but to me it was like killing Denny all over again.
01:09:07 Later, when she went into the pavilion...
01:09:13 you followed her.
01:09:16 Oh, don't ask me to tell you the rest.
01:09:20 Inspector, I left my profession in London...
01:09:24 and went to Hollywood to find out who murdered my brother.
01:09:28 But Anna and I had never intended to do more...
01:09:32 than hand him over to the law.
01:09:35 I didn't mean to kill him.
01:09:38 I'm sorry.
01:09:41 My mistake was in telling this poor child.
01:09:46 Now that she has confessed, I want to share with her equally...
01:09:50 whatever fate lies ahead.
01:09:53 Very sorry, Mrs. Mayo, but you are under arrest.
01:10:01 - No, you don't. - Stop or I'll slam back.
01:10:03 You're never going to take her. She's coming with me.
01:10:06 - Come on. - Oh, no, no. Please, someone.
01:10:09 - I got them. - Here you are.
01:10:11 - Take the gun. - Here we come. Please, sir.
01:10:13 - No, I got them. - Here we come. Please.
01:10:16 And you.
01:10:19 This is Gunn that shot Smith.
01:10:24 Yes, I killed him because he knew too much.
01:10:26 And you know too much. Nobody would have known anything about it...
01:10:29 if it hadn't been for you. I'm sorry I didn't get you with that knife.
01:10:33 - Pooh! - Pooh? Too late. Save for next case.
01:10:39 I'm sorry.
01:10:42 I'm sorry.
01:10:44 © BF-WATCH TV 2021
01:10:49 (upbeat music)
01:10:51 [BLANK_AUDIO]