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00:01:50 >> Mom, dad, please don't say things like sex.
00:01:54 It makes me want to throw up.
00:01:56 >> Well, you need to stay off of social media because it's all over there these
00:01:59 days.
00:02:00 >> Exactly.
00:02:01 >> Yeah, but not from my parents.
00:02:04 >> Well, you should be glad we're talking about things like this.
00:02:07 >> Otherwise, you wouldn't be here.
00:02:09 >> Exactly.
00:02:10 >> Well, I'm 17 and I've been here, so I don't want to hear about it anymore.
00:02:16 >> You're about to get a baby brother in a minute.
00:02:19 >> I'm with Angie on that.
00:02:21 I don't want to hear that either.
00:02:23 >> Mom, stop.
00:02:25 >> Anyway, I still don't understand why you guys didn't let me stay with Heather
00:02:29 while you're gone.
00:02:31 >> No offense, Auntie Chris.
00:02:32 >> You better be glad you're not staying at your grandma's.
00:02:35 >> No offense taken, but I was actually wondering the same thing.
00:02:38 It's not like I didn't have any special plans with Martin.
00:02:42 >> And no, they do not include my baby niece.
00:02:45 >> Gosh, now you're getting nasty too, Auntie.
00:02:48 >> What is going on in the world today?
00:02:50 >> You would know with how much you're always on that phone.
00:02:53 Anyway, you guys, we're gonna let you go.
00:02:55 Enjoy your vacation.
00:02:57 And don't worry, you know baby girl stay for me.
00:03:01 We're actually gonna have a movie night.
00:03:02 >> Okay, well, you guys have fun.
00:03:04 I'm gonna go ahead and call your grandma so we can check on your baby sister.
00:03:08 >> Okay, mom and dad.
00:03:10 Love you guys.
00:03:10 >> Bye guys.
00:03:12 >> Bye.
00:03:13 >> Bye.
00:03:13 >> Bye.
00:03:14 >> Bye.
00:03:14 >> You know I was just playing, right?
00:03:18 I love spending time with you.
00:03:21 >> [LAUGH]
00:03:24 >> Martin is always gonna be there.
00:03:26 But you, you're gonna go off to college in a few months and
00:03:30 you're gonna forget all about me.
00:03:33 >> Gosh, stop being so dramatic.
00:03:35 I'm gonna visit every weekend.
00:03:37 >> That's what you say now until you get there.
00:03:38 >> [LAUGH]
00:03:39 [MUSIC]
00:03:42 Auntie Chris, can I talk to you about something?
00:03:44 >> You can talk to me about anything, baby girl.
00:03:46 >> It's about college.
00:03:49 I don't wanna go.
00:03:51 >> Angie, your parents have worked so hard for you to go.
00:03:58 >> Yeah, I know, and I appreciate them.
00:04:01 But it's not something I want.
00:04:03 >> You're 17 years old.
00:04:06 You really have no choice.
00:04:09 >> Yeah, I'm always being told that I'm too young to make any decisions for myself.
00:04:13 >> That's not what I mean, Angie.
00:04:15 What I mean is, you're gonna be 18 in a couple of months.
00:04:20 Don't make any drastic decisions right now.
00:04:22 Go with the flow of your parents.
00:04:25 They love you, and they only want what's best for you.
00:04:28 >> But they don't care about what I want.
00:04:33 >> Angie, what is it that you want?
00:04:34 >> I wanna model.
00:04:38 [MUSIC]
00:04:42 >> Angie, do you know how many opportunities there are in this world for
00:04:47 a beautiful woman like you who actually has a brain?
00:04:51 >> But modeling is what I want.
00:04:53 [MUSIC]
00:04:57 >> What is this?
00:04:58 >> It's an audition for models tomorrow.
00:05:00 If I win, I can get a $50,000 contract with PacSun.
00:05:06 >> And what is PacSun?
00:05:07 >> It's a popular clothing brand.
00:05:09 Look, I didn't tell my mom or dad yet, but
00:05:13 I was wondering if I could go tomorrow?
00:05:16 >> Angie, are you crazy?
00:05:20 Your parents will kill me if I let you go to something like that.
00:05:24 And while they're on vacation, you know I have to say no.
00:05:28 >> You just don't get it.
00:05:32 >> Come on, Angie, that's not fair.
00:05:34 You're gonna thank me later anyway.
00:05:37 [BLANK_AUDIO]
00:05:47 [FOOTSTEPS]
00:05:55 >> Morning.
00:05:56 >> Morning.
00:05:56 [FOOTSTEPS]
00:06:00 >> I'm sorry about last night.
00:06:02 I know I was a little extra.
00:06:03 [LAUGH] I remember what it was like when I was your age, and
00:06:09 I too thought I had it all figured out.
00:06:12 I was head cheerleader in my high school, and
00:06:14 I wanted to be a professional dancer.
00:06:17 >> So what happened?
00:06:19 >> Turns out, just as great as I am at dancing,
00:06:23 I'm even better at catching bad guys.
00:06:24 Look, the point is, sometimes the things we think we want, they change.
00:06:34 You're so young, baby girl, and you have so much time to decide.
00:06:40 >> Yeah, you're right.
00:06:45 Thanks, Auntie Chris.
00:06:46 >> No problem.
00:06:48 The verdict for the Gregory case came in this morning.
00:06:53 I guess we'll see if your auntie is as great as everybody thinks she is.
00:06:58 >> Come on, Auntie Chris, you're the best.
00:07:01 It's gonna be a guilty verdict.
00:07:03 No one's better than you.
00:07:03 >> We'll see.
00:07:05 How about I get you your favorite sushi from your favorite restaurant on my way home.
00:07:13 And we actually have that movie night that you owe me from last night.
00:07:17 >> Sounds like a deal.
00:07:18 >> Come here, I love you.
00:07:20 >> I love you too, Auntie.
00:07:22 >> Thanks so much, baby girl.
00:07:23 I'll see you later, and don't forget, we have date night, okay?
00:07:27 All right, see you later, bye.
00:07:30 [MUSIC]
00:07:35 The facts and the evidence, it's all there.
00:07:42 For almost a decade, Officer Swanson's seed scheduled one and
00:07:46 two narcotic substances, seemingly to get him off of the streets.
00:07:52 Only to entail, self said, the same narcotics back into the communities he
00:07:57 patrolled, all for his own personal gain.
00:08:00 [MUSIC]
00:08:08 Ladies and gentlemen, we deserve better, and we demand better.
00:08:13 But the only way we can do that is by showing those like Officer Swanson,
00:08:18 that their crimes will not go unpunished.
00:08:21 Plain and simple, we need to make an example.
00:08:25 [MUSIC]
00:08:31 >> Now look at me.
00:08:31 [MUSIC]
00:08:34 >> And you, you can do that here today.
00:08:38 By finding the defendant guilty.
00:08:40 [MUSIC]
00:08:43 And bringing back justice and respect to our system.
00:08:48 [MUSIC]
00:08:51 >> Thank you, your honor.
00:08:52 The prosecution rests.
00:08:54 >> Thank you, counselor.
00:08:55 Ladies and gentlemen of the jury, the facts and
00:08:58 evidence have now been presented.
00:09:00 The courtroom will now take a recess for the jury to deliberate.
00:09:03 [MUSIC]
00:09:10 >> There she is.
00:09:11 >> [APPLAUSE]
00:09:12 >> Kristen Jordan.
00:09:14 >> [APPLAUSE]
00:09:16 >> Congratulations, that was a hell of a win.
00:09:18 >> Thank you, Cooper.
00:09:20 It indeed was a team effort.
00:09:22 >> I'm still shocked that you even took the case going up against a cop.
00:09:25 You could have tarnished your 97% conviction record.
00:09:28 >> It's 98, sir.
00:09:30 [LAUGH]
00:09:31 And I knew losing wasn't a possibility.
00:09:33 >> I mean, after all, jurors five and
00:09:34 eight both have relatives that were political activists.
00:09:37 >> That's why we love you.
00:09:38 >> [LAUGH]
00:09:39 >> All right, drinks are on me tonight, okay?
00:09:41 >> I'm gonna hold you to that.
00:09:42 >> Everybody back to work.
00:09:43 >> That's amazing.
00:09:44 >> Listen, I wanted to talk to you about the Johnson case.
00:09:46 >> Of course, yes. >> What do you think if we use the forensics
00:09:48 that we have on him and bring him back in?
00:09:50 I think we could definitely convict him off of just that alone.
00:09:53 [MUSIC]
00:10:01 [SOUND]
00:10:07 >> Big win, congrats.
00:10:10 [LAUGH]
00:10:12 [SOUND]
00:10:18 >> Hey, auntie.
00:10:20 >> Another win, you were right.
00:10:22 >> I told you.
00:10:25 >> What are you up to?
00:10:27 >> Please don't be mad, but I came to the audition.
00:10:30 >> What?
00:10:32 After I specifically told you not to?
00:10:35 Are you insane?
00:10:36 Where are you? I'm coming to get you right now.
00:10:38 >> Please don't be so dramatic.
00:10:40 >> Angela.
00:10:41 >> What the hell are you doing?
00:10:44 >> What's going on?
00:10:46 Angie, what's going on?
00:10:48 >> Help!
00:10:49 >> Angie!
00:10:50 Help!
00:10:51 >> Angie.
00:10:53 >> Ray!
00:10:55 Ray!
00:10:56 [SCREAM]
00:10:58 [MUSIC]
00:11:08 >> My sister trusted me.
00:11:21 She trusted me with her baby.
00:11:25 And I let her die.
00:11:28 This is all my fault.
00:11:31 >> Kristen, I can't imagine how hard this is for you, but
00:11:34 this is definitely not your fault.
00:11:37 >> Did you at least find a body yet?
00:11:40 >> You don't have to do this now.
00:11:41 >> Stan.
00:11:44 I have to.
00:11:47 >> Okay.
00:11:50 We triangulated her calls to her little shady photography studio.
00:11:55 Your niece's call was in the parking lot, but that's it.
00:11:58 There was no sign of her.
00:11:59 >> Studio?
00:12:02 >> It was clean.
00:12:04 It's owned by an Asian man named Hung Wu.
00:12:07 He was out of town, and we don't have a way to utilize who had
00:12:10 this space at the time.
00:12:15 >> What about her phone, maybe?
00:12:16 >> Her last call was a signal to you.
00:12:19 We're doing everything we can, Kristen.
00:12:26 >> Chris.
00:12:28 I've known you since you were a rookie.
00:12:31 You're like a daughter to me.
00:12:34 I've never seen you like this.
00:12:37 Go home.
00:12:39 Take some time.
00:12:42 I'm sure the DA's office will understand.
00:12:45 >> What do I tell my sister?
00:12:47 >> She's gone, Stan.
00:12:50 >> How?
00:12:52 [ Crying ]
00:12:58 [ Music ]
00:13:05 >> Hey, Chris.
00:13:07 Where's Angela?
00:13:10 What's wrong?
00:13:13 Where's Angie?
00:13:15 >> Chris, what's wrong?
00:13:16 >> I'm sorry.
00:13:17 >> What are you talking about?
00:13:18 Where's Angela?
00:13:20 Where's Angie, Chris?
00:13:22 >> Liz, I'm so sorry.
00:13:24 >> What happened?
00:13:25 >> She's gone.
00:13:26 She's --
00:13:27 >> No, what?
00:13:28 >> Gio!
00:13:29 >> She's gone forever.
00:13:30 >> What?
00:13:31 >> I'm sorry.
00:13:32 >> What?
00:13:33 >> I'm sorry.
00:13:34 >> No!
00:13:35 >> What's wrong?
00:13:36 Mom!
00:13:37 >> No!
00:13:38 >> Where's Angie?
00:13:39 >> She's gone, Gio.
00:13:40 I'm sorry.
00:13:41 >> Where's Angie?
00:13:42 >> I'm sorry.
00:13:43 I'm so sorry.
00:13:44 [ Crying ]
00:13:46 [ Music ]
00:14:03 >> They found her body dumped in a trash bin in the woods in that Jansen park.
00:14:09 >> That's awful.
00:14:13 >> You're not going to get in trouble for this, right?
00:14:16 >> Stan, it's me.
00:14:18 I need this.
00:14:20 I need to catch this monster.
00:14:28 >> They found her tiny hair but enough for DNA.
00:14:31 >> Well, that's good news.
00:14:33 Anything else?
00:14:34 >> There was no blood at the scene.
00:14:39 >> So does that mean she was killed somewhere else and then dumped into the woods?
00:14:44 >> She wasn't just dumped.
00:14:45 She was placed.
00:14:46 Like, posed.
00:14:47 >> Hey, chief.
00:14:48 What the hell is this?
00:14:53 >> Pump your brakes, Espinosa.
00:14:54 >> No, cap.
00:14:55 The last thing I need is her snooping around and jeopardizing my investigation.
00:14:59 >> Look, I'm sorry for your loss.
00:15:01 But you know the rules, miss Jordan.
00:15:04 Or don't they apply to people like you?
00:15:06 >> I'm not jeopardizing a damn thing, Espinosa.
00:15:09 >> You're a hypocrite, you know that?
00:15:11 You should stay the hell away from this case.
00:15:13 Or I'll do everything in my power to make sure you're disbarred.
00:15:22 >> Sorry about that.
00:15:23 You know he was partnered with Swanson years back.
00:15:26 You would have put away the person he was partners with.
00:15:30 >> And this is who you assigned to my niece's case?
00:15:32 >> Don't worry.
00:15:33 He's a Boy Scout and one of the best detectives we got.
00:15:36 Not only is he going to do his job, he's going to do it by the book.
00:15:55 >> Okay.
00:16:02 >> Hey, Chris.
00:16:03 >> Hey.
00:16:06 Didn't want to wake her.
00:16:08 Is she still asleep?
00:16:10 >> Yeah, she's finally sleeping, but she still ain't eating, though.
00:16:19 Baby, give me one second, okay?
00:16:20 I'll be right back.
00:16:22 Chris, by the way, thank you for letting us stay here.
00:16:29 You've done a lot for Leslie.
00:16:33 We're going to get through this together.
00:16:38 >> Leslie?
00:16:47 Leslie?
00:16:57 Leslie?
00:17:07 Leslie?
00:17:09 No.
00:17:10 No.
00:17:11 Leslie, no.
00:17:12 No, wake up.
00:17:14 No!
00:17:15 Leslie, no.
00:17:16 No!
00:17:17 >> What happened?
00:17:18 >> Leslie, wake up.
00:17:19 >> Leslie, wake up.
00:17:20 >> Leslie, wake up.
00:17:43 >> Is she --
00:17:45 >> She's doing as best as she can.
00:17:47 >> Is she going to be okay, though?
00:17:50 I got to get this one home and get some sleep.
00:17:52 >> Okay, I'll be here.
00:17:54 >> Okay.
00:17:55 >> Bye, Chris.
00:17:56 >> Bye, baby.
00:17:57 >> Get some sleep, okay?
00:17:58 Both of you.
00:17:59 >> Okay.
00:18:00 >> Bye.
00:18:20 >> I'm sorry, Chris.
00:18:22 I'm so sorry.
00:18:24 I screwed up.
00:18:27 I missed her so bad, you know?
00:18:31 I missed my baby.
00:18:34 >> I know, sis.
00:18:36 You don't have to explain yourself.
00:18:38 You just have to promise me you'll never do this again.
00:18:42 What about us, huh?
00:18:44 What about Diana?
00:18:46 She's already lost her sister.
00:18:49 She cannot lose her mother, too.
00:18:52 >> I know.
00:18:53 You're right.
00:18:57 I'm so sorry.
00:18:59 [ Phone ringing ]
00:19:06 >> I have to take this.
00:19:09 Hello?
00:19:15 Are you sure?
00:19:23 Okay.
00:19:26 Thank you.
00:19:31 Sis.
00:19:34 They got him.
00:19:36 That was the chief of police.
00:19:38 They made an arrest tonight.
00:19:40 >> What?
00:19:41 >> They got him.
00:19:43 There was a hit on the DNA linked to the crime scene.
00:19:46 They got him.
00:19:47 >> So what does this mean?
00:19:49 >> This means that they got him and he's going to pay, Liz.
00:19:52 He's going to pay, Liz.
00:19:54 I promise you, he's going to pay.
00:20:12 >> Stay right here, baby.
00:20:13 We'll be right back.
00:20:16 I love you.
00:20:21 >> I love you, baby.
00:20:22 >> I love you, too.
00:20:28 >> All rise.
00:20:29 Court is now in session.
00:20:31 The honorable judge Jacqueline Rice presiding.
00:20:35 >> Please be seated.
00:20:40 >> Your Honor, defense requests that the charges against my client immediately be dismissed.
00:20:46 >> Your Honor, this is absurd.
00:20:47 Counsel is attempting to turn this into a circus.
00:20:49 >> My office has obtained critical information concerning the evidence in this case.
00:20:55 May we approach the bench?
00:20:56 >> You may.
00:20:59 >> What's going on, Chris?
00:21:01 >> I don't know.
00:21:03 >> I think they're trying to say there's something wrong with the DNA.
00:21:22 >> Well, apparently the DNA obtained in this case has been contaminated.
00:21:27 And it is no longer a viable source of evidence.
00:21:30 >> What?
00:21:31 >> Are you serious?
00:21:32 >> What is the order in the court?
00:21:38 >> Is there any new evidence the state is prepared to present at this time to meet its burden of proof?
00:21:43 >> No, Your Honor.
00:21:45 >> Well, then, I'm afraid the court has no other option but to grant the defense's motion to throw out this case.
00:21:53 Mr. Wilkins, you're free to go.
00:21:55 Case dismissed.
00:21:57 >> Is that it?
00:21:58 >> Are you serious?
00:21:59 >> Chris, is that it?
00:22:00 He's free to go?
00:22:01 >> Hell no.
00:22:02 What is this?
00:22:03 >> Oh, my baby.
00:22:04 >> No, no.
00:22:05 No, no.
00:22:08 You said we had him.
00:22:10 And now he's free to go?
00:22:12 Why?
00:22:15 Why?
00:22:16 >> Thank you.
00:22:18 >> No, no.
00:22:20 No.
00:22:24 >> Hey, auntie.
00:22:25 >> No, you didn't.
00:22:26 >> Help me, auntie.
00:22:27 >> I know you didn't.
00:22:28 And I swear you won't get away with it.
00:22:30 I swear you won't get away with this.
00:22:35 Get off of me.
00:22:37 Baby.
00:22:38 >> It's okay.
00:22:39 It's okay.
00:22:40 >> Baby.
00:22:41 [ Crying ]
00:22:42 [ Music ]
00:23:11 [ Music ]
00:23:40 >> Is this everything?
00:23:41 >> Yep.
00:23:42 Just like you asked.
00:23:43 >> Thanks, Bree.
00:23:48 >> Oh, excuse me for a second.
00:23:51 Kristen.
00:23:52 I heard you were in the building.
00:23:54 Why don't you come into my office so we can talk for a couple of minutes?
00:23:57 >> There's nothing to talk about, Coop.
00:23:59 I've already told you.
00:24:01 I'm not ready to come back, and honestly, I don't know when or even if I ever will be.
00:24:08 >> The Wilkins files?
00:24:11 Whether you decide to stay with us or not, I told you to keep away from this.
00:24:16 >> I did.
00:24:17 And look how well that turned out.
00:24:20 >> Counselor, just remember there's a thin line between justice and vengeance.
00:24:34 >> Ryan.
00:24:39 >> You have some friends in pretty high places, Ms. Jordan, to get these files open.
00:24:42 >> Thanks.
00:24:44 One more thing.
00:24:45 I need an address on Vernon.
00:24:48 >> You know I can't do that.
00:24:49 I could lose my license.
00:24:50 >> Mrs. Green, I'm the assistant district attorney.
00:24:54 I can assure you no one will ever know I was even here.
00:25:11 >> Detective Espinoza, what are you doing here?
00:25:14 >> I want to know what happened to the Morales case.
00:25:16 >> What?
00:25:17 >> You heard me.
00:25:19 >> I, um, I thought that maybe you could just --
00:25:22 >> You thought what?
00:25:24 >> It was an accident.
00:25:26 The DNA sampling --
00:25:27 >> Don't give me that crap.
00:25:29 I know how serious you take your work.
00:25:31 Now what happened?
00:25:43 >> Got your message.
00:25:44 You want to see me?
00:25:48 >> I want to know why your name was on the sign-in roster at the forensics lab.
00:25:51 >> Dude, chill.
00:25:52 >> Don't tell me to chill.
00:25:54 I want to know what you did.
00:25:56 >> Come on, bro.
00:25:57 We had to get back at her for taking down Swanson.
00:26:00 >> So you let a killer go free just to settle a score?
00:26:05 What kind of cop are you?
00:26:07 >> Whose side are you on?
00:26:09 >> Hey, leave the kid alone, Espinoza.
00:26:12 He was only doing what he thought was right.
00:26:14 >> Mind your freaking business, Logan.
00:26:18 >> I'm not going to say it again, Espinoza.
00:26:21 Back off or I'll make you back off.
00:26:30 >> Oh.
00:26:31 So all of you are in on this.
00:26:35 We let a murderer go free just to get back at ADA?
00:26:40 >> Hey, I ain't losing a sleep over it.
00:26:43 Besides, I mean, how do we know he's guilty anyway, huh?
00:26:51 >> You all deserve to be locked up.
00:26:55 >> What are you going to do, Boy Scout, huh?
00:26:58 Snitch on all of us?
00:27:03 >> Let's do it, guys.
00:27:14 [car engine]
00:27:21 [car alarm]
00:27:24 [car engine]
00:27:27 [car door opens]
00:27:33 [car door closes]
00:27:39 [car alarm]
00:27:46 >> Hey.
00:27:51 How you holding up?
00:27:53 >> You know me, hanging in there.
00:27:57 Not a day goes by that I don't miss her.
00:28:01 I feel better knowing that Vernon was behind bars.
00:28:05 >> I know, sis. Be patient.
00:28:10 I've been following him. He is such a creep.
00:28:14 >> What do you mean, following him?
00:28:16 Chris, isn't that dangerous?
00:28:18 This man is a murderer. What if you get caught?
00:28:21 >> I'm not going to. Trust me.
00:28:25 I know what I'm doing.
00:28:32 I promise you. I'm not going to stop
00:28:36 until he's behind bars.
00:28:39 I promise.
00:28:42 [suspenseful music]
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00:31:32 >> Heard the owner's about to open this back up.
00:31:39 >> Yeah. Back to business as usual.
00:31:43 What are you doing here?
00:31:44 >> I could ask you the same thing.
00:31:46 >> You know why I'm here.
00:31:48 >> Well, then I guess like you,
00:31:50 I'm a little stuck on this one, too.
00:31:52 >> I'm not stuck. I'm right where I need to be.
00:31:55 >> If you're-- >> Look, Detective.
00:31:57 >> Pablo. The name's Pablo.
00:32:00 >> Pablo. If you're here to tell me
00:32:03 that I need to leave, just know it's just not--
00:32:05 >> No. I was going to say,
00:32:07 if you're wondering where it happened,
00:32:09 we're thinking about two feet to the left over there.
00:32:12 Luminol test says that there's a high concentration
00:32:15 of bleach and cleaner solution used to scrub the floor.
00:32:19 Right in that specific area.
00:32:21 ♪ ♪
00:32:28 ♪ ♪
00:32:33 >> Did you have anything to do with the evidence?
00:32:36 >> No, I didn't.
00:32:38 But there were a few other cops that did.
00:32:41 They were trying to-- >> Retaliation.
00:32:43 >> Yeah.
00:32:45 ♪ ♪
00:32:47 >> So if I had to guess, this was my fault.
00:32:51 He got away. Had I not--
00:32:53 >> No, Miss Jordan.
00:32:55 >> Kristen.
00:32:57 >> Kristen.
00:33:00 What I was going to say is,
00:33:02 they...
00:33:05 we...
00:33:07 we failed you and your family.
00:33:10 And for that, I'm sorry.
00:33:15 I guess I feel a little like it's actually my fault.
00:33:18 ♪ ♪
00:33:23 >> And I suppose the department isn't going to do
00:33:25 a damn thing about it, huh?
00:33:27 >> There was too many cops involved.
00:33:29 Why am I not surprised?
00:33:32 ♪ ♪
00:33:34 >> Would you like to get some coffee and talk about it more?
00:33:37 >> No, thank you.
00:33:40 ♪ ♪
00:33:47 ♪ ♪
00:33:54 >> Now look to the left.
00:33:56 ♪ ♪
00:33:58 Now look to the right.
00:34:01 Now give me more lips.
00:34:05 Don't look at me.
00:34:07 >> What was that?
00:34:09 >> Gotcha.
00:34:12 Okay, everyone, that was magnificent.
00:34:15 It is a wrap.
00:34:17 Thank you so much. >> Thank you.
00:34:19 >> Ah.
00:34:21 Ah.
00:34:24 Lynette, I...
00:34:28 May I have a word with you?
00:34:30 >> [laughs]
00:34:31 ♪ ♪
00:34:35 I'm so glad you invited me here tonight.
00:34:38 >> Thank you for accepting my invitation.
00:34:41 >> Are you kidding?
00:34:43 When the Vernon Wilkins ask you out, you don't say no.
00:34:46 So how many pics do you have here tonight?
00:34:51 >> Photographs.
00:34:53 I have six photographs, four portraits,
00:34:56 two still life, and one abstract.
00:35:00 >> How much are they going for?
00:35:02 >> Starting bid starts at $50,000 each.
00:35:06 >> Oh, my God.
00:35:07 What it's like to be Vernon Wilkins for a day, huh?
00:35:10 >> [laughs]
00:35:13 >> Hmm.
00:35:19 >> But this one...
00:35:21 This one is my favorite.
00:35:26 Mm.
00:35:29 >> It's beautiful.
00:35:30 >> It was a task to get.
00:35:36 >> Can I ask you a question?
00:35:41 >> Of course.
00:35:43 >> Why me?
00:35:45 Out of all the girls you could have brought here tonight,
00:35:49 why did you choose me?
00:35:54 >> It was in your eyes.
00:35:59 They spoke to me.
00:36:05 Come along.
00:36:07 I'd like to show you some pieces drawing the Renaissance era.
00:36:12 Well, some might call it contemporary,
00:36:14 but honestly, I call it avant-garde.
00:36:18 It's a distinct measure between, hmm, art and trash.
00:36:23 [laughs]
00:36:24 I'd like to say.
00:36:25 >> [laughs]
00:36:27 [music]
00:36:56 [music]
00:37:16 [music]
00:37:36 [music]
00:37:49 >> Gotcha.
00:37:51 [music]
00:38:11 >> Lynette James?
00:38:12 >> What the hell?
00:38:13 >> I'm so sorry.
00:38:14 I did not mean to frighten you.
00:38:16 My name is Kristen Jordan.
00:38:18 I'm an attorney for the Los Angeles DA's office.
00:38:21 >> Okay.
00:38:22 This is Orange County.
00:38:23 What do you want?
00:38:25 >> I...
00:38:27 We have reason to believe you might be in danger.
00:38:32 >> What kind of danger?
00:38:35 >> Well, you were with Vernon Wilkins tonight,
00:38:38 and we actually have been having him under surveillance
00:38:42 for quite some time now.
00:38:44 >> Is this about what happened with Angie?
00:38:47 >> Angie Morales, yes.
00:38:49 You knew her?
00:38:50 >> I knew Angie from high school.
00:38:52 She always talked about modeling.
00:38:53 We weren't really friends because she was a great underbeat,
00:38:55 but she was cool.
00:38:58 But I don't believe that Vernon had anything to do with her murder.
00:39:02 What's it to you, anyway?
00:39:03 >> That was my niece.
00:39:07 >> Oh.
00:39:09 Well, I'm sorry for your loss.
00:39:13 But that doesn't really change the way I feel.
00:39:16 Vernon doesn't have to kill or rape anyone.
00:39:18 There are hundreds of women dying to be with him.
00:39:21 Do you know what one whisper from him can do for a model's career?
00:39:25 >> Are you one of them?
00:39:26 >> What?
00:39:27 >> One of the ones that would do anything to get at him.
00:39:32 >> Listen, this is a pay-to-play game,
00:39:34 and I'm here to do whatever the hell I gotta do to win.
00:39:37 And I know Angie felt the same way.
00:39:39 >> Angie was 17 years old.
00:39:42 A baby.
00:39:44 Do you know what she felt?
00:39:46 Pain, despair, betrayal.
00:39:50 And a cold, steel blade between her ribs.
00:39:55 Now, if you don't watch yourself with Vernon Wilkins,
00:40:01 I'm sorry to say,
00:40:03 you're gonna be feeling that, too, unfortunately.
00:40:17 Lynette James is her name, and I believe she is his next victim.
00:40:22 We have to lock up Vernon Wilkins now.
00:40:25 We have to stop him before he kills her.
00:40:29 >> Wilkins isn't even in town.
00:40:31 I don't think he's gonna kill anyone, so I need you to calm down.
00:40:34 I know what happened to your niece was tough, but you're obsessing with this guy.
00:40:37 I need you to stop it.
00:40:39 >> And how do you know he's not in town?
00:40:41 >> Because I assigned a few of our people on him. That's how.
00:40:44 We know that Vernon Wilkins boarded a flight to Paris, first class, at 6.30 a.m. this morning.
00:40:52 You really think I was just gonna let this guy walk?
00:40:55 >> I--
00:40:56 >> We've been watching him for some time now.
00:40:59 >> Wow.
00:41:01 Then you know he was just with her last night at an art show.
00:41:06 The bastard had the audacity to have a photo of Angela's hand on display.
00:41:12 It's up for auction, Coop.
00:41:14 >> I know, Kristen, and I'm sorry,
00:41:17 but we can't just have this guy arrested 'cause he's a smug, cowardly jerk.
00:41:22 >> But you can have him detained on suspicion.
00:41:26 >> I don't want to sound suspicious. It's you, Kristen.
00:41:29 What the hell were you thinking, telling the guy?
00:41:32 What if he would have made you?
00:41:34 >> I was thinking that I wanted to see him pay for his crimes.
00:41:38 >> That's enough.
00:41:41 You're out of line, and you know it.
00:41:43 >> Wow. That's so rich coming from you.
00:41:48 Your people are the reason why he got away in the first place.
00:41:53 You haven't seen any of them been locked up, huh?
00:41:56 Tell me that.
00:41:57 >> Kristen, please, would you listen to me?
00:41:59 Please.
00:42:01 While Wilkins is gone, will you just stop and do some thinking
00:42:05 and think about what you're doing right now?
00:42:08 Honestly, you were so focused on this man, I think it's driving you a little crazy.
00:42:12 >> I don't need time, Coop!
00:42:14 >> Look, what I'm saying is maybe there's another possibility that you're blinding yourself to.
00:42:20 >> No, there's not.
00:42:23 He killed Angela.
00:42:27 And he's gonna kill Annette if you two don't do something to stop it!
00:42:32 >> Kristen, you must keep away from Vernon Wilkins.
00:42:38 >> That's an order you better heed
00:42:41 if you ever think you want to work with the DA's office again.
00:42:45 [♪♪♪]
00:43:08 >> Okay, Katie, I've got your special Jelly Belly cupcake.
00:43:13 >> Thanks, Max. >> You're welcome.
00:43:20 >> Thank you.
00:43:22 >> Hey. >> How's it going?
00:43:25 >> It's good. Kind of slow, but I'm sure things will pick up.
00:43:29 It's Thursday. It's always slow on Thursdays.
00:43:32 >> You got my sugar donut? >> You know I do.
00:43:37 >> Yes, my favorite.
00:43:40 >> You know, family business is the only thing that's keeping me going right now.
00:43:45 I just want to say I thank you for that.
00:43:48 >> There's nothing I wouldn't do for you, sis.
00:43:51 I love you. >> I love you more.
00:43:54 >> You know, you almost love these donuts as much as I love you.
00:43:58 >> Almost.
00:44:01 [♪♪♪]
00:44:07 [♪♪♪]
00:44:20 >> Hey, babe. What are you doing here?
00:44:23 >> I was at the coffee shop waiting for you.
00:44:26 >> Oh, I totally forgot. I'm so sorry.
00:44:31 [♪♪♪]
00:44:40 >> Chris, what is this? What are you doing?
00:44:44 >> You know what it is.
00:44:50 >> You took these pictures? You've been following this guy?
00:44:54 >> I'm conducting my own investigation.
00:44:56 >> Since when does taking pictures of this guy mean you're conducting an investigation?
00:45:00 >> Evidence of his movement. I have to be able to catch him in the act.
00:45:05 >> In the act of what? >> I don't know, okay?
00:45:10 >> Look, Chris, this isn't your job.
00:45:13 If you want this guy tailed, then you get your boss or the cops.
00:45:15 >> I already did that. What if I find something that they didn't?
00:45:19 >> Come on, Chris. You are not Superwoman.
00:45:23 Look, this can only end one of two ways.
00:45:26 You are stalking an innocent man, and we both know how that can end, if you get caught.
00:45:30 Or you are tailing a murderer. Both ways are bad.
00:45:35 >> I wouldn't expect you to understand.
00:45:42 >> This is why you've been blowing me off, huh? Huh?
00:45:47 Because you've been over here obsessing over this guy?
00:45:49 >> Yes, I'm obsessing.
00:45:52 He killed my baby niece, and she was in my care. This is my fault.
00:45:57 >> Of course.
00:46:00 >> My sister trusted me with her baby's life, and now she's gone.
00:46:08 It's my fault.
00:46:11 So I'm going to do everything in my power to make sure that monster is brought to justice.
00:46:19 >> Does Leslie know what you're doing? Does she know that you're over here doing this?
00:46:25 >> Yes, but she doesn't know everything.
00:46:29 She's dealing with enough right now, and honestly...
00:46:37 I am too.
00:46:42 >> Look, baby.
00:46:46 This isn't your fault. Nobody's blaming you.
00:46:49 >> I blame me? I... I blame me.
00:46:56 >> She wouldn't want this for you, Chris.
00:46:59 >> No, but what she wants is her baby back, and we can't do that.
00:47:07 So I'm going to do whatever it takes to make sure he pays for everything he did.
00:47:11 >> Yes, baby. This is consuming you. You got to talk to someone.
00:47:18 >> Martin, you either get behind me and support me, or you can just...
00:47:26 >> Or I can just what, Chris?
00:47:33 >> Or you could just leave me alone and get out of my life, because honestly, I can't deal with this right now.
00:47:42 >> Wow.
00:47:45 So it's like that, huh?
00:47:52 It's like that.
00:48:15 >> Good luck, Chris.
00:48:30 [siren]
00:48:44 [music]
00:49:04 [opera singing]
00:49:26 >> I know you're doing this for me, and I thank you for that. I really do.
00:49:31 But... >> We're going to get him, Leslie.
00:49:34 We just need real concrete evidence to put Vernon away. I can get that.
00:49:40 >> We did the best we could, and they let that bastard walk, scot-free.
00:49:46 I don't trust the justice system.
00:49:50 I think it's time we take matters into our own hands.
00:49:53 >> What do you mean?
00:49:55 >> I mean taking the justice system into our own hands.
00:49:58 >> Leslie, you know I can't do that. I will lose my job, or even worse, go to jail.
00:50:03 >> He took my baby from me, and now he's walking free.
00:50:06 >> I understand that, Leslie, but there's rules.
00:50:08 >> Don't give me that rules crap.
00:50:11 Either you're going to help me, or I'm going to help myself.
00:50:15 >> Come on, Leslie.
00:50:42 [♪♪♪]
00:50:52 [♪♪♪]
00:51:02 [♪♪♪]
00:51:26 >> I always knew you were the one.
00:51:46 >> Miss Jordan?
00:51:48 >> Yes?
00:51:49 >> I'll be your maitre d' for the evening. Please, right this way.
00:52:03 The gentleman will be with you shortly.
00:52:05 Would you like a glass of wine? Champagne?
00:52:07 >> Moscato would be perfect, thank you.
00:52:09 >> Right away.
00:52:31 >> So basic. I would have taken you for a red wine woman.
00:52:35 >> You son of a...
00:52:37 >> Come now. No need to make a scene. No need to get the authorities involved.
00:52:45 >> Call them. Go ahead.
00:52:50 >> And ruin the night after you so generously accepted my offer.
00:53:01 >> You?
00:53:06 >> I wouldn't leave if I were you, especially if one were truly guilty of what you accuse me of.
00:53:15 If I were you, I would be worried about my cohort's well-being.
00:53:21 >> Where is Martin?
00:53:25 >> Excellent question. Such a perfect topic of conversation over dinner, wouldn't you say?
00:53:36 Let's make a deal. You sit, have dinner with me, and after dinner I will give you Martin's phone and tell you where he is.
00:53:47 >> Is everything all right?
00:53:48 >> Splendid. I'll have a glass of champagne, the blue caviar, and the flamingo, extremely rare seafood plate.
00:54:03 >> Absolutely, sir. Right away.
00:54:07 >> What is this?
00:54:09 >> It's my attempt to let the past be the past, let bygones be bygones.
00:54:16 Let's start a new beginning.
00:54:22 >> Let me get this straight. You kidnapped my boyfriend. You steal his phone.
00:54:27 You tricked me into coming here, coerced me into having dinner with you after you just single-handedly killed my niece.
00:54:35 You are one sick psycho.
00:54:38 >> No need to be so crass, Kristen. Pygmalion, pygmalion, pygmalion. I was merely just trying to have a moment with you. One would call this romantic.
00:54:53 >> If you think for one second that I feel anything for you other than sheer hatred and contempt, you are subtly mistaken.
00:55:05 >> I could understand, you know, after all of the fiasco with the authorities and then the tragic death of Angela. You know, one could see your point of view.
00:55:15 >> What you did, what you did to An-- what you did to Angela, you animal.
00:55:22 I swear, if you speak her name one more time, I don't care if Martin is safe or not, I will personally kill you right where you sit.
00:55:35 >> I see you're not going to make this easy.
00:55:41 >> Coquito ergo sum veritas. You know, what's tragic? What happened to An-- shh, shh, shh, shh.
00:55:52 Your niece's tragic death. That was awful. But the real question is, would you have traded places with her?
00:56:05 >> What kind of sick question is that?
00:56:09 >> Just a conversation. So?
00:56:15 >> In a heartbeat.
00:56:20 >> Interesting.
00:56:24 >> Madame, sir, fresh caviar.
00:56:28 >> Mercy.
00:56:30 >> And your champagne.
00:56:33 >> You should really try the caviar. It is simply fantastic. Simply to die for on the West Coast.
00:56:44 >> I've lost my appetite.
00:56:49 >> So, did I get the perfume right?
00:56:57 >> Vendetta by Valentino. Correct?
00:57:03 >> Ah, so apropos for prosecuting attorney. Such a unique scent. And it has been discontinued for a few years now, so it wasn't easy to get.
00:57:15 >> How do you even know what perfume I wear?
00:57:19 >> That day in the courtroom. Then again at the gallery.
00:57:27 >> What?
00:57:28 >> My mother used to wear it. You don't really believe that I didn't know that you were following me around, counselor.
00:57:35 >> But I must say, I was so thrilled to have you so close. But I was hoping that you would go even further, that you would follow me to Paris so you could see the Champs-Élysées and the Eiffel Tower.
00:57:54 >> So I could show you all of the sights.
00:57:57 >> This is a game to you, isn't this?
00:57:59 >> On the contrary, Kristen, this is kismet. Our worlds were meant to be intertwined. Fate brought you into my life.
00:58:13 >> It wasn't fate. It was your crime. You are a murderer and you were caught. The only reason why you sit here free is because you got lucky.
00:58:27 >> What you call serendipitous, I call divinity.
00:58:30 >> Call it what you want. But I promise you, you will never do it again because I'm personally going to make sure I take you down myself.
00:58:38 >> Why wallow in such sorrow?
00:58:44 >> My attorneys have informed me that they have arrested a man that they believe is responsible for the crime.
00:58:52 >> See? Justice has been served. So, let's please, let's start anew.
00:59:00 >> Get this through your thick, psychotic skull. I wasn't surveilling you out of some twisted attraction.
00:59:09 >> You are nothing more to me than a deprived lunatic that deserves to spend the rest of his life in a six by eight concrete home on death row.
00:59:18 >> Do you understand me? Vernon, do you catch my drift?
00:59:25 >> This is the part where we kiss. But since you're going to be such a Debbie Downer, let's just call it a night.
00:59:34 >> Where is Martin Vernon?
00:59:38 >> Here is Martin's phone. He's in the L.A. Marriott room 4266.
00:59:48 >> You should run along. No telling how long he will be conscious.
00:59:56 >> Alouette, alo, alouette, alouette.
01:00:25 >> Pablo.
01:00:28 >> Kristen, what the hell is going on?
01:00:29 >> I don't know. It's Vernon. I think he did something to Martin.
01:00:32 >> Okay, all right. Did he say a room number? What's the room number?
01:00:35 >> 4266. 4266.
01:00:40 >> I need a key to 4266 right away.
01:00:44 >> Mr. Sanders, if you're in there, open up. It's the police.
01:00:49 >> Can I, can I help you?
01:00:51 >> Martin?
01:00:53 >> Oh, you must be the ex-girlfriend.
01:00:56 >> Martin. Martin. Martin, wake up.
01:01:03 >> Kristen.
01:01:04 >> Son of a bitch.
01:01:05 >> What are you doing here?
01:01:07 >> You lost something?
01:01:10 >> What's going on?
01:01:11 >> Kristen, maybe we should go.
01:01:12 >> Did Vernon put you up to this?
01:01:14 >> Hey, I'm not in this. This is between you guys.
01:01:19 >> Yeah, Kristen, it's between us. You, you, you.
01:01:22 >> I told you last, you, you kicked me out, remember?
01:01:24 >> You son of a bitch.
01:01:25 >> Come on. Come on.
01:01:26 >> It's definitely time to go. Let's go.
01:01:28 >> Don't call me. It's over, Martin.
01:01:31 >> Come on.
01:01:42 >> You want to tell me what that was all about?
01:01:44 >> Vernon. He texted me. He invited me to dinner.
01:01:50 >> You had dinner with Vernon Wilkins?
01:01:52 >> Yes. No. I went there thinking it was Martin.
01:01:56 He got a hold of his phone.
01:01:58 I'm guessing that slut upstairs must have handed it over in between screw sessions.
01:02:03 It's when I got there that he insinuated something happened to Martin.
01:02:08 >> Why go through all the trouble?
01:02:10 >> He knows I'm tailing him, and his sick mind is some type of flirtation.
01:02:14 He referred to me attacking him in court as Kesmet Fate.
01:02:20 >> You got to be kidding me. You sure know how to pick 'em.
01:02:24 >> Come on, Pablo. It's not funny. I could be next on this man's hit list.
01:02:30 >> Okay. All right. It's okay.
01:02:35 You got some place to stay? Your sister's, maybe?
01:02:38 >> I would never bring this murderer to her doorstep. It's been enough.
01:02:42 >> You're right. All right. Go home. Pack a bag. Get some clothes.
01:02:48 I got some place you can stay. I usually put my C.I.s there during a trial to keep tabs on them.
01:02:54 >> Thank you.
01:02:56 >> You got protection?
01:02:57 >> I got pepper spray and a taser in the car.
01:03:00 >> Here. Take this.
01:03:04 Know how to use it?
01:03:06 >> Do I?
01:03:08 >> Hey. I'll send somebody to tell you. Make sure you get there safe.
01:03:15 >> Thanks so much, Pablo.
01:03:17 >> Yeah. Anytime.
01:03:20 [♪♪♪]
01:03:30 [♪♪♪]
01:03:40 [♪♪♪]
01:03:50 [♪♪♪]
01:04:00 [♪♪♪]
01:04:10 [♪♪♪]
01:04:20 [♪♪♪]
01:04:28 >> Detective Espinoza. Please. Come in.
01:04:39 What brings you here so late at night?
01:04:44 >> I don't know what kind of game you're trying to play. But it ends now. You hear me?
01:04:51 >> I'm so sorry. You caught me. I'm at a loss. I have no idea what you're talking about.
01:05:02 >> You know exactly what I'm talking about. Kristen. You think it was funny trying to set her up like that?
01:05:10 >> Miss Jordan. I believe you and she misunderstood my intentions.
01:05:18 I was merely trying to inform her of her significant other's wayward behavior.
01:05:25 Being a good Samaritan and giving her his phone.
01:05:31 >> I know what you're trying to do. You're trying to intimidate her. Let her know you can get at her.
01:05:44 >> Oh, please. Please. >> How's it feel now?
01:05:46 >> No, no, no. Please, please. Don't hurt me. Please.
01:05:49 >> How's it feel to be threatened right in your face?
01:05:52 >> Don't hurt me.
01:05:54 [Crying]
01:06:01 >> Ah. Seems the LAPD is looking for another discrimination lawsuit.
01:06:10 Now, unless you're prepared to see how far this will go.
01:06:18 But I would think twice about your next move.
01:06:26 Ah, good man.
01:06:30 >> This isn't over, Wilkins.
01:06:33 >> You are amusing.
01:06:38 Ah, such bravado.
01:06:42 Playing the white knight.
01:06:44 Showing up to be the hero.
01:06:49 Does she know?
01:06:51 >> What are you talking about?
01:06:53 >> That you have feelings for her.
01:06:59 Ah, another rooster in the hen house.
01:07:05 Ah.
01:07:08 Like I said, it is of no consequence to me.
01:07:12 But you are amusing.
01:07:18 Have a good night, detective.
01:07:24 [Laughing]
01:07:33 >> Question the girl. Name's Beauty.
01:07:36 She says some guy paid her to steal Martin's phone and drug him.
01:07:40 10K.
01:07:42 You know, whoever it is, got a lot of money to be able to drop 10,000 or something like that.
01:07:47 >> You think it was Vernon?
01:07:49 >> Could be. She didn't give us his name.
01:07:53 >> I found something interesting in Vernon's file.
01:07:55 Apparently Vernon has a history of violence dating back to his childhood.
01:07:59 He watched his father kill his mother right in front of him.
01:08:02 Who was an aspiring model.
01:08:04 And you know what else is interesting?
01:08:06 It was a single stab wound on the left side between the ribs.
01:08:10 >> I'll do you one better.
01:08:12 I called in the favor at the FBI, and they did some digging on your boy.
01:08:16 It turns out that every single address that Vernon's had in and out of the country over the past 20 years
01:08:22 has had a woman's mutilated corpse found within a 30-mile radius.
01:08:27 >> Are you serious?
01:08:28 >> As a heart attack.
01:08:30 >> But they've done anything before now.
01:08:33 >> We need to get him.
01:08:34 >> He wasn't on their radar. They haven't been able to connect the dots.
01:08:38 Think about it. That's 10 countries, 3 continents.
01:08:42 All the victims have been homeless, transient, known prostitutes.
01:08:47 That's over 20 victims.
01:08:49 And every time they would get closer, he'd just pick up and leave.
01:08:53 Before they could even blink their eyes.
01:08:55 >> So why did he stay after Angela?
01:08:58 >> That's a good question.
01:09:06 >> Sorry, we're closed.
01:09:21 >> I'm sure you have time for one more customer.
01:09:31 >> He came to the bakery?
01:09:32 >> What the hell, Chris? What am I supposed to do? I'm gonna kill him.
01:09:36 I mean, he come to the shop.
01:09:37 >> Calm down. Let me figure this out.
01:09:40 >> Just calm down.
01:09:41 >> I know. Let me talk to her.
01:09:46 >> I came as fast as I could. What happened?
01:09:52 >> He came to the shop. He threatened to kill me. He threatened the family.
01:10:00 >> I'm so sorry. I swear, we're gonna get this bastard.
01:10:05 >> Really? Who? The police department?
01:10:11 >> Excuse me if I've lost all faith. Because of them, he's out free.
01:10:18 Free to do whatever the hell he wants. Including what he did today.
01:10:25 >> Look, I'll talk to Pablo. I'll see what we can do about this.
01:10:29 >> I'm tired of you playing by the book.
01:10:32 I get you not trying to lose your job. But if you don't do something about this, you're gonna end up losing your family.
01:10:41 He's insane.
01:10:44 [sobbing]
01:10:46 >> Okay.
01:11:08 You know I've been watching him, so I know everything there is to know about him. Where he lives, where he hangs out.
01:11:17 And like you said, the law isn't doing enough for us.
01:11:22 So I'm gonna take matters into my own hands.
01:11:26 >> Are you sure you wanna go through with this?
01:11:34 >> I'm gonna do whatever it takes to make sure I bring down this monster.
01:11:39 >> Whatever it takes?
01:11:44 >> Whatever it takes.
01:11:47 [dramatic music]
01:11:50 [gunshots]
01:11:52 [gunshots]
01:11:55 [gunshots]
01:11:57 [gunshots]
01:12:09 [gunshots]
01:12:20 [gunshots]
01:12:22 >> Mr. Wilkins, right this way.
01:12:46 >> Ah.
01:12:49 You are beautiful.
01:12:52 >> Thank you.
01:12:54 >> Mind if I take a seat?
01:12:57 >> Miss Jordan. Such a pleasant surprise.
01:13:05 >> You know I'm not gonna take too much of your time.
01:13:09 I just wanted to personally let you know...
01:13:13 I'm coming for you, Vernon.
01:13:16 And what I'm gonna do to you...
01:13:19 is far more worse than what you actually deserve.
01:13:25 >> Is that a threat?
01:13:28 >> Oh, yeah.
01:13:30 >> Not if I get to you first.
01:13:41 [dramatic music]
01:13:43 >> Enjoy.
01:13:48 >> Well, I will.
01:13:50 [dramatic music]
01:13:54 [beeping]
01:13:56 [dramatic music]
01:13:59 [car door slams]
01:14:09 [dramatic music]
01:14:11 [phone ringing]
01:14:16 [phone ringing]
01:14:18 [dramatic music]
01:14:30 >> You shouldn't be stalking.
01:14:31 >> I'm so sorry, Vernon.
01:14:33 [dramatic music]
01:14:35 [screaming]
01:14:41 [dramatic music]
01:14:43 [grunting]
01:14:45 [dramatic music]
01:14:47 >> This is for Angela.
01:15:08 [dramatic music]
01:15:11 [dramatic music]
01:15:13 [birds chirping]
01:15:23 >> Come on, Mommy. I don't want to be late.
01:15:29 >> [laughs]
01:15:31 Ooh, look at you.
01:15:33 Daddy did good with your outfit, baby girl.
01:15:36 You ready for picture day, huh?
01:15:38 >> Yep.
01:15:39 >> Come on, Mommy. Grab our keys.
01:15:41 [birds chirping]
01:15:45 [knocking]
01:15:54 [phone ringing]
01:15:59 >> Hey, Pablo. What's going on?
01:16:03 >> I'm here.
01:16:05 >> Really?
01:16:08 [knocking]
01:16:10 >> I'll be right down.
01:16:12 >> And what brings you here?
01:16:26 >> Well, I figured today was a special day.
01:16:29 It's your first day back at work.
01:16:31 I wanted to do the honors of taking you.
01:16:33 >> Aren't you a gentleman?
01:16:35 [chuckles]
01:16:37 >> So does that mean you get coffee, too?
01:16:42 >> We can arrange that.
01:16:44 [engine starting]
01:16:46 [car door slams]
01:16:54 [footsteps]
01:16:56 [chuckles]
01:17:07 [gun cocks]
01:17:13 [dramatic music]
01:17:15 >> What a beautiful dress.
01:17:21 >> Oh, thank you.
01:17:24 >> What's your name?
01:17:26 >> Diana.
01:17:28 >> Wow. Such a beautiful name.
01:17:31 Big smile, Diana.
01:17:34 Big smile.
01:17:38 [gunshots]
01:17:40 [tires screech]
01:17:52 >> Kristen.
01:17:54 It's great to have you back.
01:17:56 >> It feels good to be back, Coop.
01:17:58 Thank you.
01:18:00 [chuckles]
01:18:02 [door opens]
01:18:04 [bell rings]
01:18:06 >> Diana! Diana!
01:18:08 >> I'm here, guys.
01:18:10 >> Diana!
01:18:12 >> Hey, Leslie. >> Hey, Roger. Have you seen Diana?
01:18:15 >> She's not here. She left with her uncle.
01:18:18 >> Uncle? What?
01:18:20 What have you done? No!
01:18:22 No, call the police! >> Is everything okay?
01:18:24 >> No! Call the police!
01:18:26 Oh, my God.
01:18:28 [dramatic music]
01:18:30 What is going on?
01:18:34 He got my baby, Chris.
01:18:36 He got my baby.
01:18:38 >> Do we know for sure that it was Vernon Wilkins?
01:18:42 >> We've obtained school security footage of the man
01:18:44 thought to be the assailant posing as a school photographer.
01:18:48 We don't know how he got her, but the footage is of him
01:18:50 putting her in the trunk of his car.
01:18:52 >> My baby, my baby.
01:18:54 >> Let's go.
01:18:56 >> Please, Lord, don't let him have taken both of my babies.
01:18:59 [sobs]
01:19:01 >> Leslie, are you okay?
01:19:06 >> Baby, baby, baby. >> Relax.
01:19:08 >> Baby, breathe. It's okay now.
01:19:10 Let us out. Breathe.
01:19:12 [sobs]
01:19:16 >> I'm going to get some space.
01:19:18 It's on my vehicle, Tom. >> I'll be right back.
01:19:20 [sobs]
01:19:22 [sobs]
01:19:45 >> Hey, what's that cold towel?
01:19:47 >> Kristen.
01:19:50 >> Chris! >> Kristen!
01:19:52 >> Kristen! >> Chris!
01:19:55 >> She's not in there.
01:20:01 I need eyes on Miss Jordan now.
01:20:03 Kristen!
01:20:07 [eerie music]
01:20:10 [eerie music]
01:20:37 [eerie music]
01:20:39 [eerie music]
01:20:41 [eerie music]
01:20:48 [eerie music]
01:21:01 [eerie music]
01:21:03 >> Come on, Vernon.
01:21:13 I'm here.
01:21:16 Where is Diana?
01:21:20 >> I'm here!
01:21:22 >> I'm here, baby!
01:21:24 >> I'm here! I'm here!
01:21:26 [sobs]
01:21:28 [eerie music]
01:21:30 >> Don't touch it.
01:21:34 >> Come on, Vernon!
01:21:37 I'm the one you want, right?
01:21:41 Isn't that why you took her?
01:21:44 To get to me?
01:21:47 Well, I'm here now.
01:21:50 Just me, no cops.
01:21:53 >> Yes, that is correct.
01:21:58 You are the one I want.
01:22:00 Actually, you're the only one I need.
01:22:03 >> Why?
01:22:10 What makes me so special?
01:22:14 >> Don't you know that you are my reason?
01:22:19 Everything that I've done has led me to you.
01:22:25 Everything that I've done has led me to you.
01:22:27 >> Is that why you killed Angela and Annette?
01:22:35 >> You're so sweet, Kristen.
01:22:40 You remind me of her.
01:22:44 >> Her?
01:22:48 Who?
01:22:50 >> The only woman I ever loved.
01:22:54 My mother.
01:22:56 You should have killed me when you had a chance.
01:22:58 But you didn't. You didn't because you need me just as much as I need you.
01:23:04 >> Come on now, Vernon.
01:23:07 Enough!
01:23:09 You want to kill me? Kill me!
01:23:13 Just please let Diana go!
01:23:18 >> It's in the eyes, you know.
01:23:24 It's how I choose them.
01:23:26 That's how I knew you were the one the moment I saw you.
01:23:31 I didn't have to find you.
01:23:34 No, you found me.
01:23:37 Ah, so tragic what happened to Angela, but...
01:23:41 Never could I imagine that she would leave me to you.
01:23:48 >> Come on, Vernon.
01:23:51 I know all about you, Vernon.
01:23:55 How your mother was killed in front of you.
01:24:01 So tragic!
01:24:04 For anyone!
01:24:07 But yet...
01:24:09 Not you, Vernon.
01:24:12 You're a survivor.
01:24:16 You're not a monster like the man who killed your mother right in front of you!
01:24:22 Even took photos.
01:24:29 With the only thing...
01:24:32 Your father left you with.
01:24:35 His camera.
01:24:39 Is that what this is all about, Vernon?
01:24:43 Your mother?
01:24:46 You don't know anything about me!
01:24:49 Why don't you just leave it alone?
01:24:52 No! You have to keep digging and you have to keep digging!
01:24:56 You are obsessed with me!
01:24:59 You're up for me.
01:25:03 You even took the time to get to know me.
01:25:09 That's how I know that we belong.
01:25:14 That's why I spared your life.
01:25:17 I'm sorry, Vernon.
01:25:21 No child should have to endure that type of pain.
01:25:27 But it still doesn't give you the right...
01:25:32 To inflict that pain onto others!
01:25:36 You think this is the Oedipus Complex?
01:25:40 Don't you psychoanalyze me.
01:25:44 You know what?
01:25:46 You're right.
01:25:49 You took my baby Neith away from me!
01:25:54 You are pitiful!
01:26:02 You're nothing special!
01:26:08 You're nothing but a small man!
01:26:12 That has little to do with...
01:26:15 I'm going to get you!
01:26:17 Diana!
01:26:43 I'm so sorry, man.
01:26:45 Are you okay?
01:26:47 Oh, baby. I'm so sorry.
01:26:49 Get out of here.
01:26:51 Watch out!
01:26:56 You don't know me!
01:27:04 You are nothing!
01:27:07 My mother was a queen!
01:27:11 And she was taken from me!
01:27:14 Vernon, no.
01:27:17 No, Vernon.
01:27:19 I'm sorry.
01:27:21 You were right, Vernon. Please.
01:27:25 You were right.
01:27:27 I did.
01:27:29 I took the time to get to know you.
01:27:32 I did. I'm sorry.
01:27:35 You were right.
01:27:37 We belong together.
01:27:40 I need you here, Vernon.
01:27:43 Please.
01:27:45 Please.
01:27:49 You can't help me.
01:27:54 No!
01:27:57 No!
01:28:00 No!
01:28:02 No!
01:28:04 No!
01:28:06 No!
01:28:35 No!
01:28:37 No, baby!
01:28:41 We got him, baby.
01:28:55 We got him.
01:28:57 Let's go. Let's go.
01:28:59 Let's go. Let's go.
01:29:01 Go! Go!
01:29:03 Go!
01:29:05 Oh, my God.
01:29:19 Oh, my God!
01:29:21 Look who's here.
01:29:23 Baby!
01:29:24 Mommy!
01:29:25 Oh, my God, baby.
01:29:27 I'm so happy you're okay, baby.
01:29:32 Look who's got the bad guy, Mommy.
01:29:34 He can't hurt us anymore.
01:29:36 I know, baby. You were so brave.
01:29:37 Mommy's so proud of you.
01:29:39 Y'all need to open up and let me in.
01:29:43 It's some emotional mess.
01:29:45 I'm happy we got him.
01:29:59 Me, too.
01:30:02 So I was wondering...
01:30:04 if I was to ask you out,
01:30:06 what would you say?
01:30:08 I'd say, "What took you so long?"
01:30:14 I know a good restaurant.
01:30:18 It's a date.
01:30:22 I love you, sis.
01:30:30 I love you, too.
01:30:32 I love you, too.
01:30:34 I love you, too.
01:30:37 I love you, too.
01:30:40 [♪♪♪]
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01:32:46 [BLANK_AUDIO]