Bold & Bougie Episode 4 - Damage Control
Category
😹
FunTranscript
00:00 - Previously on "Bald and Bougie."
00:03 - You hard to deal with.
00:04 I see why your ass single.
00:06 You gonna be married to your house.
00:08 - Definitely no woman.
00:09 - Are you okay with me telling you
00:11 my meeting with Cochet?
00:12 - I don't care. I don't care.
00:15 - You say things for shock value,
00:18 and you come off a little aggressive.
00:20 - I'm very aggressive.
00:21 - I'm glad you said it.
00:22 - I was thinking, you know,
00:24 this Crystal girl a little loose.
00:25 - What you mean loose?
00:26 What the [bleep] you mean loose?
00:28 [upbeat music]
00:31 [upbeat music]
00:34 ♪ ♪
00:36 - You gonna learn about this.
00:37 I'm gonna dismiss myself.
00:38 - What's up?
00:39 - Don't dismiss yourself.
00:40 Don't dismiss yourself.
00:41 - I am. I am.
00:42 - What?
00:43 - I'm gonna act a fool on your ass.
00:44 - What? What?
00:45 - 'Cause you got the right one.
00:46 - What?
00:47 - 'Cause you got the right one.
00:48 - Get out!
00:49 - You got the right one.
00:50 - Get out!
00:51 - Take my [bleep] mic off.
00:52 - Take my [bleep] mic off!
00:53 - You're in a fight, though.
00:54 - I'm out.
00:55 - You're not in a fight. Stop.
00:56 Do that.
00:57 - I got the kid.
00:58 I got the kid.
00:59 I got the kid.
01:00 - Girl.
01:01 - Where it went left for me
01:03 is where she thought she was gonna be able
01:05 to disrespect me.
01:06 - Crystal!
01:07 You're not gonna--Crystal.
01:08 - Like, you're lucky that I am who I am today
01:11 because the old Crystal would've taken this glass
01:13 and smashed it in your face like I wanted to.
01:16 [dramatic music]
01:17 - He been trying to all [bleep] tonight,
01:19 and I been trying--
01:20 - All right, come on, come on, come on, come on.
01:21 I'm gonna go get Carla real quick.
01:22 - What is this?
01:23 - Girl, [bleep]
01:24 is when your friend got into it, bitch.
01:27 - [screams]
01:28 What the [bleep]
01:29 - Bitch, your friend tried to all night.
01:30 Go. Stop playing, bitch.
01:31 - [screams]
01:32 - Oh, my [bleep]
01:33 - What is this?
01:34 - Girl, you know how your friend is, bitch.
01:35 - Girl, your friend is disrespectful.
01:36 I'm tired of that [bleep]
01:37 I don't disrespect no [bleep] body,
01:39 and all that [bleep]
01:40 with bitches stepping to me like I'm a [bleep] hoe.
01:42 Bitch, can't niggas around here say they [bleep] me like that.
01:45 Nobody.
01:46 So I'm sick of that [bleep]
01:47 so I'm gonna excuse myself
01:48 before I smack a bitch.
01:50 I love you.
01:51 I'll call you tomorrow.
01:52 I gotta go.
01:53 I'm out.
01:54 - [bleep]
01:55 - Where is your biceps?
01:56 - Oh, my God.
01:57 What in the [bleep]
01:58 I turned my back for two seconds.
01:59 Like, what happened that quick?
02:01 - Friend, what the [bleep]
02:03 Bitch, I thought we was all good.
02:05 - Bitch, clearly we're not.
02:07 - You were good with them when I left you.
02:09 - They started telling me how weird I am
02:11 and I'm aggressive.
02:12 Bitch, I know I'm aggressive, but I'm not weird.
02:15 - So, wait.
02:16 What happened?
02:18 - She started saying I was rude and aggressive
02:21 and disrespectful.
02:22 - She just came out of her mouth.
02:24 - Well, I did kind of tell her, like,
02:26 she came off like she was loose.
02:28 - Bitch, tell the [bleep] truth.
02:30 What happened?
02:31 - Nothing.
02:32 - That doesn't even make sense.
02:33 What, the loose end out,
02:34 you weird and aggressive?
02:35 What came first?
02:36 - I mean, should the weird and aggressive
02:38 come first or the loose?
02:39 - They told me I was weird and aggressive
02:41 and I'm so loud.
02:42 - They come first.
02:43 - Bitch, I felt like this was loose.
02:44 - Did you retaliate first?
02:45 - No, I retaliated after.
02:48 - 'Cause you one shady girl, okay?
02:51 - And why you think I'm shady?
02:52 - You say things for shock value
02:55 and you come off a little aggressive.
02:57 - I'm very aggressive.
02:58 - Girl, there was some [bleep]
02:59 I wanted to say to you when I first met you.
03:01 - Did you? - I didn't say that.
03:02 - I was thinking, you know,
03:03 this Crystal girl a little loose.
03:06 - What do you mean loose?
03:07 - What you mean loose?
03:08 What the [bleep] you mean loose?
03:09 - Oh, [bleep]
03:10 That [bleep] went left.
03:13 - I believe her,
03:14 because when Crystal walked in,
03:16 she definitely walked in hot,
03:18 and I was a little offended at first.
03:19 Like, wait, what's going on?
03:20 Wait, huh, huh?
03:21 - Can we get some shots? 'Cause I need one.
03:23 - No waitress has been over here.
03:25 - Oh, she didn't.
03:26 - Well, they were probably waiting
03:27 on the guests of honor.
03:29 - I'm getting ready to have to do so much damage control.
03:32 I just hope that I can make it work.
03:35 - Are you okay?
03:36 - I'm good. I'm Gucci.
03:38 - It's all that matters.
03:39 - Oh, that's why I don't come outside.
03:41 Came outside, come at y'all outside.
03:44 You bitches really in the house.
03:47 - ♪ Sometimes you gotta give it up, give it up ♪
03:51 ♪ Give it, give it, give it up, give it up ♪
03:54 ♪ It can't always be about you, about you ♪
03:57 - Hey, looks good.
03:59 Like, I mean, it's slightly different,
04:01 but I think once the art goes over it,
04:04 you won't notice it.
04:05 [doorbell rings]
04:06 Come in.
04:08 Kimani.
04:12 - Hi.
04:13 - Is that what you do when you're out showing house?
04:15 Can you take your shoes off? Hello.
04:16 - Hi.
04:17 - How are you? Let me see, let me see.
04:19 - Look at my--you walk past. Look.
04:22 Look.
04:23 - It's beautiful.
04:25 - Kim Ann is my dog.
04:27 I have known Kim Ann for, I don't know, probably like 28 years.
04:31 We have mutual friends.
04:32 She's just a good time and great energy.
04:35 - I love it. It's beautiful.
04:36 It looks good in here.
04:37 - You ready to be a podcaster?
04:39 - Are you ready?
04:40 - I'm ready for the podcast.
04:41 I've been ready for that.
04:42 You know I got too much to say.
04:44 But are you ready for the holidays?
04:47 Yeah, we are gonna have a little Friendsgiving.
04:51 I have invited Crystal, of course, Princess.
04:55 I invited Princess Gauche.
04:57 She's coming by in Malaysia.
05:00 So I've decided to host a live podcast
05:03 during my Friendsgiving.
05:04 I started a podcast a couple of months ago
05:07 called "Here I Stand,"
05:09 and basically it's for women that are over 40 years old
05:12 that are basically just talking about life after 40,
05:15 life after divorce, life after loss.
05:17 It's about things that you stand for
05:19 and things you won't stand for.
05:21 Hey, let me light the stage.
05:23 ♪ Stage these people up ♪
05:25 ♪ Before they come into my home ♪
05:28 However, for real, I am gonna say a prayer.
05:30 - I know you are.
05:31 You're going to have to
05:32 'cause I know how you feel about it.
05:33 I'm stressed about it.
05:34 - I heard that there were some comments made
05:36 at Crystal's club hosting,
05:37 so I sent out a group text to the ladies
05:40 to tell them that I didn't like how they were moving.
05:43 - There's been several text messages.
05:45 [clears throat]
05:46 Damn, I got my glasses on.
05:48 Damn, quick thought.
05:49 Aren't we too grown for all this drama?
05:52 We need to get on the same page.
05:54 No confrontations for me.
05:56 Just something to ponder
05:57 'cause she be pondering, child.
05:59 I don't think anybody said anything.
06:00 I might have heard it, child.
06:01 I'm not really sure.
06:02 - I was on the text.
06:03 She picked up the phone and called me
06:06 with the bullsh--.
06:08 - Ooh!
06:09 - I might have to just--
06:10 - Take a Xanax.
06:11 - Take a Xanax?
06:12 I need a Xanny.
06:13 - You gonna have to.
06:14 - ♪ If you wanna fight, know I've been ready to roll ♪
06:16 ♪ They know I got ten, they know I got ten ♪
06:18 ♪ I am the top pick, causing the gossip ♪
06:20 ♪ Everyone talking, they know I got ten ♪
06:22 ♪ Everyone talking, they know, they know ♪
06:25 ♪ I am the top pick, causing the gossip ♪
06:29 ♪ They know I got ten ♪
06:31 - Let's see this one.
06:32 - How you doing?
06:33 - Hi, welcome to "According to Fashion."
06:35 - Hi, I'm Crystal.
06:36 - Oh, thank you for having me today.
06:38 - Nice to meet you.
06:39 - Oh, this I love, "Don't Day Down."
06:41 - "Don't Day Down."
06:42 - That's right in my world right now.
06:43 - Yes, mine as well.
06:44 - Grab her right now.
06:45 I am newly single, and I'm wearing
06:48 a lot more sexy clothes these days.
06:50 So I'm outside.
06:51 I'm meeting up with Malaysia.
06:52 I'm to look at possible outfits.
06:54 I think everything that she wears is super cute.
06:56 She does her big one when she gets dressed,
06:58 and so I would like her honest opinion about things.
07:01 - ♪ She go, "I'm not safe for what?" ♪
07:03 ♪ All this body energy so hot ♪
07:06 ♪ First things first, try not to get hot ♪
07:09 ♪ 'Cause I'm not safe for what? ♪
07:11 - Hey. - Hey.
07:12 - Hey, how are you? - You hot, Mama.
07:14 - Girl, you look good. - You too.
07:15 - Look, you fit the theme of the shop, honey.
07:18 You look like you ready for the--
07:19 - Ready to go, right? - Yes, honey.
07:21 How are you? - I'm good.
07:23 - I was just trying to, like, see what my style look was.
07:26 You know, I always tell you how cute you look,
07:27 and I was just like, maybe I'll get some ideas
07:29 from her and stuff, and we can chit-chat
07:31 and all those things. - Yeah, that'd be fun.
07:32 I am super honored that Crystal, you know,
07:36 likes the way that I dress,
07:37 and I'm happy that she reached out,
07:39 even though the other night her and my friend Dr. Princess
07:42 got into a little tiff, but I feel like
07:45 we're all grown adults, and she knows full-on well
07:48 that I had nothing to do with it.
07:49 - So let me just try these little pieces on,
07:51 and we'll see. - Okay.
07:52 Let's see what's going on, child.
07:54 Ooh! You look good. I like it.
08:01 Okay, okay.
08:02 This giving, I am sexy, I am a mom.
08:07 - And I'm still her. - Yeah, and I'm still her.
08:09 - Okay, all right. I like that.
08:12 I can't help that God made me a bad bitch.
08:15 - So how do you feel about the stuff?
08:17 - I think it's cute.
08:18 I think I'm still just debating on
08:20 what direction I want to go.
08:21 - What I always do is, if I dream about it,
08:23 then I know I want it. - Yeah, exactly.
08:25 Did you get Tamika's text message?
08:28 Are you gonna go to the Friendsgiving
08:30 that she invited us to?
08:31 - Yes, and... - Good.
08:34 - I struggle-- - I was texting that you would go.
08:36 - Yeah, I struggle with it. - I know you did.
08:38 Do you still feel a way because of the book signing
08:40 whole situation, or--
08:41 - I feel like she was a bit rude at the book signing.
08:44 - But you are dismissed.
08:45 - I'm not a confrontational person,
08:47 but I'm definitely gonna tell you how I feel.
08:50 - Speaking of confrontations, I have a question.
08:52 Your friend-- - Princess.
08:54 - Was completely disrespectful the entire night,
08:57 and I don't want to feel like you really feel a way,
09:01 and you brought her there to say those things
09:03 because you need to step in and tell her, like,
09:05 she's being disrespectful.
09:06 Like, if it was my friend, I would never, ever, ever
09:08 allow them to sit there and talk to you like that.
09:11 And, like, she came there with an energy.
09:13 - I feel like you came in hot.
09:15 - I came in hot. - I feel like--yeah.
09:16 I feel like you came in, like, with this energy towards her,
09:19 and I was confused.
09:20 That's why I was like, "What the [bleep]?"
09:21 - It was an underlying disrespectful talk.
09:23 - I'm sorry that you felt disrespected by my friend,
09:25 but I don't think that she was meaning to be disrespectful.
09:28 - Okay, well-- - Let's get it.
09:29 - I can't wait for the playback
09:30 because that's not what happened.
09:31 - I don't come to fight or talk [bleep] to anybody.
09:34 I don't come to this talk.
09:35 - And I haven't done that with any of you ladies,
09:36 so I didn't appreciate that person sitting there
09:40 coming at me the way that she did, and that's it.
09:42 So I would hope that if anything--
09:43 - I really hate that it-- - If anything,
09:44 that I invite you to next time,
09:46 I'm just asking that you don't bring her.
09:47 - Well, you don't have to invite me anywhere else.
09:49 - Oh, that's fine, too. - That's fine.
09:50 - Well, that's fine. - We don't--yeah.
09:52 - If that's the attitude--
09:53 - I mean, you don't have to invite me anywhere else
09:55 because I'm-- - That's cool.
09:56 - What else do you want me to say?
09:57 - I don't want you to say anything.
09:58 What I'm saying at this point is, like, I like you.
10:00 If we could continue building something, that's fine, but--
10:02 - But you can't check me and tell me
10:03 who and who not to bring.
10:05 - Okay, well, then you won't be on the invite list,
10:07 then that's fine. - That's fine.
10:08 - That's okay. - And I'm totally fine with that.
10:10 - Okay, well, then we can-- - I am totally fine with that.
10:12 - We can go ahead and just get a phone out of here.
10:14 - We definitely can.
10:15 - You just say that you just want to build a friendship
10:17 with me and then turn around and not even
10:20 take into account what I have to say.
10:22 You can stay 50 feet the [bleep] away from me, bitch.
10:26 Appreciate it.
10:27 That's that fake energy [bleep] that I be talking about.
10:30 I'm so tired of being nice to people.
10:32 - You okay? - Oh, I'm great, honey.
10:34 Coming the [bleep] up.
10:35 - I can only raise them well with what I knew at the time.
10:38 They had a better life than me.
10:40 - Mm, mm-mm-mm.
10:42 - Let's tell her to bring it here.
10:45 - Two people heard you, bull [bleep]
10:47 - Okay, well, two. - Bull [bleep]
10:48 - And a female. - That's a lot.
10:51 - ♪ Don't you know I get it every day ♪
10:56 ♪ Every day ♪
10:58 ♪ Don't you know I get it every day ♪
11:03 ♪ Every day ♪
11:06 - Good afternoon. - How are you?
11:07 - Good, how are you? - Go, Shane.
11:09 I've had some rocky times with my kids,
11:13 and I feel it's extremely important to get counseling.
11:18 And I was referred to Dr. K
11:21 by my good friend, Dr. Heavenly.
11:24 Dr. K is a well-known therapist
11:26 who has dealt with a lot of celebrities that I know.
11:30 - Good afternoon. - Hello.
11:31 - How are you? - Super.
11:33 - Go, Shane. Nice to meet you. - Go, Shane.
11:35 - I definitely had reservations
11:36 because it's extremely difficult for me
11:39 to open up to anyone about my past.
11:42 - Where today would you really want to start?
11:44 - Basically, like, how you forgive someone,
11:48 but it's still there.
11:49 - Who comes up in terms of forgiveness right now?
11:52 - My son would be one.
11:54 We haven't spoken in about three years.
11:58 So much has happened. - Hmm.
12:00 - It's a different experience than with my daughter.
12:02 - So what do you imagine if you impact him the most,
12:06 where now there's this issue, this thing between y'all?
12:10 - He always felt like I wasn't there,
12:14 but, I mean, I had to work.
12:17 - How was he, as a young boy, trying to process that?
12:20 And not that you did anything wrong,
12:22 but how does he understand that as a child?
12:26 - My time in prison affected my children a lot
12:30 because my children were taken away from me.
12:33 Once I got out of prison,
12:34 I had to then prove myself that I was capable
12:37 of being a parent and showing stability.
12:40 Being a single parent, it wasn't easy,
12:42 you know, trying to take care of all the bills.
12:46 It was impossible for me to show up
12:48 and be the mom that they wanted me to be.
12:51 I can only raise them well, what I knew at the time.
12:55 They had a better life than me.
12:57 Way better.
12:58 They didn't want anything, didn't need anything.
13:02 - Mm, mm-mm-mm.
13:03 They didn't need anything.
13:05 But it sounded like your son needed something.
13:07 - I mean, clearly, now.
13:08 I mean, now I know that, but at the time,
13:10 like, if I wasn't raised that way,
13:12 how would I even know how to give them
13:16 that what they were looking for?
13:18 I didn't know anything about it.
13:19 Nobody told me when I was growing up,
13:21 "I love you," and, like, what I see now today,
13:24 that's not, that's not how I grew up.
13:27 So...
13:29 - Right.
13:30 - How was I supposed to know?
13:31 - Have you forgiven your parents for that?
13:34 - I haven't even thought about that.
13:36 - There's times folks do things,
13:39 and from the outside, we think,
13:41 "Why would you--you know better."
13:43 And whether she knew better or not,
13:44 at the end, see, it doesn't matter.
13:46 It's the damage, right, that's been done.
13:50 And so your son and your daughter, right,
13:54 may not really understand what Mom went through.
13:58 [upbeat music]
14:00 - I've had a very traumatic childhood,
14:04 and those are things that I don't like to discuss,
14:09 because when I think about being molested as a child,
14:14 right, nobody believes me.
14:18 - It's not easy being transparent, is it?
14:20 - No, not at all.
14:21 - I don't want to know.
14:22 - Being vulnerable.
14:23 - Yeah, that's that word, vulnerability.
14:26 - Yeah.
14:27 - You have a vision board at home?
14:28 - I do.
14:29 - What do you have on your vision board now
14:30 for your children in that relationship?
14:33 - I have family on there.
14:35 - Think about your daughter, right.
14:37 Where would you want to be with her
14:38 somewhere into next year?
14:40 - I would want her to move back here to Atlanta.
14:43 - Okay.
14:45 - Just so that we can work on our relationship,
14:47 and then I'll also be able to see the grandkids
14:50 a little bit more, yeah.
14:52 - What about your son?
14:53 - I feel like he's been very surface
14:56 in how he deals with me,
14:58 so I don't know how to fix it, so.
15:01 - I see vision sometimes, things hit me.
15:03 I'm seeing the old airlines,
15:06 and they say when the masks come down,
15:09 if a child's sitting next to you,
15:11 what are you supposed to do?
15:12 - Do yourself first.
15:13 - Yeah.
15:14 There's a reason why we do ourselves first.
15:16 So when we look at your son and daughter,
15:18 who do we need to make sure is straight first?
15:21 - Me.
15:22 - Yeah.
15:24 The great news is you're in the right place.
15:26 - I've never had therapy for the moments
15:31 of molestation that I experienced,
15:33 or the abuse,
15:34 but after speaking to Dr. K,
15:36 I feel like once I get all this out on the table,
15:41 I can start to, you know, heal.
15:45 - But we are in this together.
15:48 - Yeah.
15:50 - Okay.
15:51 - Okay.
15:52 - ♪ Who is it? Give me the answer, too ♪
15:53 ♪ They can't touch like MC Hammer moves ♪
15:54 ♪ I can tell you ain't never been a boss by your talk ♪
15:56 ♪ I been calling my shots like a playing pool ♪
15:58 ♪ And they looking for the formula and the meal ♪
16:00 ♪ Poor baby, you gon' show me Mr. Meal ♪
16:01 ♪ While I'm at it, all set ♪
16:02 ♪ Put the money in the envelope ♪
16:03 ♪ You know who to hand it to ♪
16:05 [doorbell rings]
16:08 - Miss Dana.
16:09 - Miss Klaika.
16:10 - Hi.
16:11 Nice to meet you.
16:12 - Nice to meet you.
16:13 - You can have a seat.
16:14 - Okay, perfect.
16:15 - Great.
16:16 So let me put this out of the way.
16:18 So my brother told me that you wanted to come in
16:21 and kind of get a bearing on what Georgia laws are
16:23 relating to your issue concerning your child support matter.
16:26 So tell me where you are and what's going on,
16:28 and I can kind of fill it in from there.
16:30 - Okay, so I haven't received child support
16:34 in about nine years now.
16:36 - Stop.
16:38 I understand you're trying to break out of the stereotype
16:41 about us and not wanting to put your child's father
16:44 on some kind of child support or enforcing it
16:47 or whatever, but it seems like nine years is a bit long.
16:50 - Literally, I didn't know that you can make him
16:53 actually do it.
16:55 - Oh, you can.
16:56 - Because I decided to divorce my kid's father,
16:59 like, "Oh, she just trying to take his money.
17:02 Oh, she da-da-da-da.
17:04 Oh, she's living with his money."
17:06 And I let people think that for years and years and years
17:09 that I was getting support and aid from him.
17:12 It's not true.
17:13 I have little to no support.
17:16 - Sounds like you've been protecting him,
17:18 so kind of tell me why.
17:19 - At the end of the day, like, I was completely in love
17:22 with him, like, that was--that's my husband,
17:24 my first love, and that's why I'm kind of tearing up,
17:28 um, 'cause I just don't want him to mess up,
17:31 like, his dreams.
17:32 - You aren't messing up his dreams.
17:35 If they're his dreams, then he'll do what he needs to do
17:38 to make sure he achieves them or keeps them in place.
17:41 Filing anything against him does not make you the bad person.
17:44 He's been using what is rightfully yours
17:47 to get business opportunities, whatever it is,
17:50 he used something that technically,
17:52 after that divorce was signed, belonged to you.
17:54 Okay? We gonna get this money.
17:56 - Yeah, no, I want to give it to my kids.
17:58 I mean, as much as I don't want to hurt my ex,
18:00 I need to make sure that my kids are financially secure.
18:03 They need to go to college, to get cars,
18:08 to just have it, whatever it is.
18:11 - And it's owed to your kids, and they're gonna get it.
18:13 So don't you worry about how we gonna make him pay.
18:16 Okay, well, um...
18:18 - Thank you so much. - Thank you.
18:20 - Oh, God, thank you so much. I need it.
18:23 - Okay, so I'll talk to you,
18:25 and we'll work everything out, okay?
18:26 - Alrighty. - All right, see you later.
18:28 - Next conversation is he/her. - Yeah.
18:30 That's the next conversation. - Bye.
18:32 - All right, bye-bye.
18:34 - Coming up on "Bold and Boujee"...
18:36 - Malaysia!
18:39 - I'm too old to be changing. - What's too old?
18:41 That's not true. Everybody can change.
18:43 - I just really don't feel like this is going anywhere.
18:46 [upbeat music]
18:49 ♪ ♪
18:56 - People are gonna start coming, and let me say this.
19:02 There's way too much spread out on the counter.
19:05 This is awful.
19:07 Y'all got stuff spread too wide.
19:09 I don't want people to come, and I'm like...
19:12 I have so much going on.
19:14 I'm about to film a podcast.
19:16 I had friends and family coming over,
19:18 so I'm kind of last minute trying to get the house ready
19:20 for Friendsgiving.
19:21 We need to take this off and bake them,
19:23 because we don't want them cold,
19:24 because if you put them in the fridge,
19:26 they're gonna stay hard.
19:27 We like things to stay hard, but not the potatoes.
19:30 [laughter]
19:32 - This is my first time seeing Tamika
19:34 since the book signing.
19:35 - You've never seen a person that didn't care
19:38 as much as I don't care.
19:40 I don't care.
19:41 - I don't care.
19:43 I don't care.
19:45 - How are you?
19:47 - So I'm glad I called her
19:49 to just simply talk about how I felt.
19:52 Thank you so much for inviting me to your--
19:56 to your book signing.
19:58 I had a great time.
19:59 I'm here for all the food and the friends.
20:03 Not so much the drama.
20:05 - Hi!
20:06 - I think things between me and Tamika are fine.
20:10 I love it.
20:11 - It is absolutely beautiful in here.
20:13 - Hi! - Hi!
20:14 - Hey! - How are you?
20:15 - Oh, yeah. - Oh, I need to--
20:17 - I love your home.
20:18 - Thank you. I'm happy you guys came.
20:20 - Thank you for inviting me. - Yeah.
20:23 I just, you know, want to get my girls together.
20:26 Malaysia!
20:29 - Yes, please.
20:30 - Hey, what is this today?
20:33 What are we giving?
20:34 - It's giving switch gears.
20:36 - Malaysia completely ignores me,
20:38 but I just came to enjoy myself,
20:40 so it doesn't bother me.
20:42 It doesn't ruffle my feathers, you know?
20:44 So, I mean, I don't have no feathers,
20:46 so I guess it wouldn't ruffle anything.
20:48 - I'm not mad at her.
20:49 I just don't want to have a heavy conversation
20:52 in Tamika's house,
20:53 so I just want to keep it cute.
20:54 Have you guys spoken to Gautier?
20:56 - I suppose she's on the way here.
20:57 I believe she should be here, like, in a few minutes.
20:59 - She coming? - Yeah, she's coming.
21:01 - Yay! Good.
21:02 I think out of all the ladies,
21:04 the one I'm most concerned about is Gauchet.
21:06 She usually has a little something slick to say.
21:08 - I ain't hard to deal with.
21:10 I see why your ass single.
21:12 You gonna be married to your house.
21:14 - Definitely no woman.
21:16 - You should try it.
21:18 - Hey! - Hey!
21:19 - Hey, boo-boops!
21:20 - Ooh, it's a blazer for me.
21:21 - I know, I have this blazer, and I love it.
21:23 - It's a blazer for me.
21:25 - Gauchette, girl.
21:28 Here's how I hope things go tonight.
21:30 I hope all the ladies have a good time.
21:31 I hope they leave with full bellies.
21:33 But if not, the door locks from the inside.
21:36 They're welcome to go in any time.
21:38 - That's just the [bleep] truth.
21:39 - Let's move over to the table, you guys.
21:41 - Okay. - Thanks.
21:42 - Talk for a second.
21:43 - Yeah. - Yeah.
21:44 - I wanted to talk to you guys before everybody gets here.
21:49 I feel like we have a little bickery thing going on sometimes.
21:54 But I think that we need to make sure
21:56 that we are carrying ourselves with enough of, you know,
22:00 a certain regalia.
22:02 We can't be out somewhere arguing and--
22:05 - Tamika is laying down the law.
22:08 Like, don't do this, don't do that, don't do this.
22:13 I did not know that I was here to be chastised by my auntie.
22:17 - I'm an auntie.
22:18 I have nieces and nephews that I love so much.
22:21 - The slang version of auntie.
22:22 - If someone calls you auntie,
22:23 they're usually calling you, like, the old head.
22:26 Or you're an old woman.
22:27 Whatever, I'm an auntie for sure.
22:30 Don't let the smooth taste fool you.
22:34 - I'm just trying to get to know you guys as a heart.
22:36 I don't really care about who you've been with,
22:39 who you're not with no more,
22:41 what you're doing, what books you're signing.
22:43 I just want to know you as an individual.
22:45 - I'm sorry. - Tamika.
22:48 - Yeah, I'm sorry, we need closer.
22:50 - Yeah, so this is the thing.
22:53 When someone is speaking, that can be viewed as disrespectful.
23:00 Dismissive and disrespectful.
23:02 - I have to work on that.
23:03 - You do. - Yeah.
23:04 - I do. - Let me say this.
23:06 Let me work on that.
23:07 But guess what, guys?
23:08 I'm highly perceptive.
23:10 So when you--I can tell the gist of what you're saying early on.
23:13 So if it takes a long time to say it,
23:15 my mind's thinking, is something burning?
23:17 Oh, we should get closer.
23:19 Okay, give me some Adderall, y'all.
23:20 Maybe I should-- - But that's not respectful.
23:22 - Okay, well, I just apologize in advance.
23:25 I just really don't feel like this is going anywhere.
23:28 - I don't know anything--listen, here's the thing.
23:30 - It's fine. - I'm too old to be, you know--
23:32 - Well, you keep saying that, but you're not--
23:33 - I'm too old to be changing. - That's too old.
23:35 - That's not true. Everybody can change.
23:37 There's room for improvement for everyone.
23:39 This is typical Tamika's behavior,
23:42 to be dismissive about personal issues
23:45 that are very important to us.
23:47 And I feel some kind of way.
23:50 - I was gonna say, so we could just deaden this part right here.
23:52 So at the park, right, you walked off,
23:54 and I said, "That's why you're single,
23:57 and you're gonna be married to your house."
23:59 - Oh, that was so weird. - And you said--
24:00 - It was okay. I've been married twice.
24:02 It's all good. - And you said,
24:03 "At least it's not to a woman."
24:05 - Ah! - So I just wanna
24:07 clear that part up. - Wait a minute.
24:08 - Do you have something-- - Wait a minute.
24:10 - No. - Wow.
24:11 - Let's get it out of there. - Yeah.
24:13 - 'Cause that was true. That's all.
24:16 [dramatic music]
24:17 - Coming up on "Bold and Bougie"...
24:20 - What we're doing today is different.
24:22 We are filming a podcast,
24:24 and you guys are kind of like our studio audience.
24:27 - What?
24:29 - ♪ Sound ignorant, but a...out here tryna get it ♪
24:31 ♪ And I ain't trippin' off these women ♪
24:33 ♪ I don't care about who snitchin' ♪
24:34 ♪ Only care about my business, uh, yeah ♪
24:37 ♪ All I care about is countin' money ♪
24:39 ♪ All I care about is countin' money ♪
24:40 - At the park, right, you walked off,
24:42 and I said, "That's why you're single,
24:45 and you're gonna be married to your house."
24:47 - Oh, that was so weird. - And you're single.
24:48 - It was okay. I've been married twice.
24:50 It's okay. I actually am down with it, actually.
24:52 - At least it's not to a woman. - Huh?
24:54 - So I just want to clear that part up.
24:56 - Wait a minute. - Do you have something--
24:57 - Wait a minute. - And now you feeling--
24:59 - Wow. - Let's get it out of there.
25:01 - Yeah. - 'Cause that was true.
25:02 - Shh. - That's all.
25:03 All it was saying is that I am single,
25:06 and I will be single until Armageddon comes
25:09 before I marry a woman.
25:10 - But you might find true love in a woman.
25:13 You never know.
25:14 - You know, I can't say never about much,
25:16 but I know I can say never, nebuary 39th.
25:20 - Honestly, I don't care if Tamika likes women or not.
25:24 At the time that she said it,
25:26 it was almost like it was an insult.
25:29 I'm married to a female,
25:31 so it just doesn't sit right with me.
25:34 - I have guests downstairs waiting.
25:36 My assistant has them on hold.
25:38 Can we let them come up?
25:39 - Yes, this is your home. - Hi.
25:41 - This is your friend. - Hi.
25:42 - They're coming in. - Hi.
25:43 - Gautier and Tamika are not really getting along.
25:46 I mean, like, why are you at this Ladies' Friends giving
25:50 when y'all not giving friend?
25:52 It's giving enemy.
25:53 - Hi. - Hey.
25:55 - She said, "What, I walk with friends?"
25:57 - How much you expect? - She's tough.
25:59 - Come in. - Sylvia, you guys.
26:02 - Girl, I gotta tell you what happened
26:04 to Tamika's book signing.
26:05 At the book signing, Tamika said to me,
26:08 "Spit it out, spit it out, spit it out," right?
26:11 You got some bottled up feelings, don't you?
26:13 - Yes. - Are you okay with me telling you?
26:16 - Spit it out. - Spit it out.
26:19 - If I can say, I don't think you thought
26:22 that that was a nice thing to say.
26:24 So she said, "Princess, you gotta stick up for yourself."
26:27 - You're around a lot of alcohol.
26:29 - Right. - And, like, we are very headstrong.
26:31 - Right. - And the [bleep] that we say
26:35 is gonna be a little brutal.
26:36 And so, like, it becomes, like, second nature
26:38 if we know that you're the weakest link.
26:40 And it's just like a dog.
26:42 - I respect Malaysia looking out for me.
26:45 However, anybody telling a boss like me
26:49 who has accomplished so many things
26:51 that they may appear as a weak link in any group
26:55 is ridiculous.
26:56 - Demand your respect, because you are who you are.
27:00 - I think it's a lot of different personalities
27:02 that are meshing together.
27:03 - Versus somebody just handling you any kind of way
27:06 and you not saying-- - No, at her book signing,
27:09 it was not appropriate. - No, if you talk to me crazy
27:11 at your book signing, then you're gonna get talked to crazy
27:14 at your book signing.
27:17 - I'm gonna fight somebody, though,
27:18 if anybody says I'm weak anymore.
27:19 - Wait, no, you're not gonna fight nobody.
27:21 - No, not really. - You don't need to fight nobody.
27:23 Also, don't be a pushover. - Right.
27:25 - You know what I'm saying? And that's it.
27:28 Just let me know when I can serve myself.
27:30 Hold on. Oh.
27:33 - I've learned this move again.
27:36 - We podcasting. Let's do it.
27:37 - Wait, you're doing a podcast right now?
27:39 - Hi, announcement.
27:41 So what we're doing today is different.
27:44 We are filming a podcast.
27:46 And you guys are kind of like our studio audience.
27:49 It's kind of gonna be different.
27:51 - Podcast?
27:53 This is some weird-ass [bleep]
27:55 - Come on, little shade.
27:57 - No, ma'am, that is not what I signed up for.
28:00 - You can eat. You can eat.
28:01 - You did not say that at an invitation.
28:03 - Everyone can eat. That's not--
28:04 I'm not stopping everyone from eating,
28:06 but we are filming a podcast. We are.
28:08 - No, we didn't agree to come to a Friendsgiving
28:11 to be on a podcast.
28:12 We are not your backup dancers.
28:14 - All right, I'm gonna change my place.
28:16 - What is all that talking?
28:18 - Just being around so many people
28:23 definitely gives me anxiety.
28:25 I love a good podcast, but, you know,
28:28 it's just too much mixed emotions,
28:30 so I got my church fingers up.
28:33 I wanna go home. [laughs]
28:35 - Miss Mama.
28:37 - Oh, no, not you.
28:39 - I'm glad I got to see you tonight.
28:42 - Anybody but you.
28:43 - [bleep]
28:44 - Thank you.
28:45 - I actually been wanting to talk to you
28:47 about what happened at the boutique.
28:49 I got in the car and I processed it,
28:51 and I thought about what happened between you
28:53 and Princess from your perspective.
28:55 - Yeah, so do you understand, like, where--
28:57 how I feel, especially with the things
28:59 that I'm currently going through?
29:01 - But I don't know that.
29:02 When she said "loose," like, to me,
29:04 if a woman said, "You're loose,"
29:05 I'm gonna be like, "Girl, what you tripping off of?"
29:08 I just wanted to get drunk.
29:09 - Her problem wasn't with me.
29:11 I don't even think the problem was with Dr. Princess.
29:14 I think the problem was with whomever
29:17 is talking about her vagina.
29:19 - I appreciate that. I appreciate that.
29:21 I don't wanna have beef with you.
29:22 - I'm working on my anger issues.
29:24 - As am I. As am I.
29:25 - And I'm working on not arguing and all that stuff,
29:28 so, like, being disrespectful.
29:30 - [groans]
29:31 - So, sorry, Mama. - Aw.
29:33 - Have a good evening.
29:34 - All right, we'll get some more table.
29:36 Bye.
29:37 - Hopefully she can see that, like,
29:40 I'm coming from a good place.
29:41 I don't wanna argue with you.
29:42 Like, I may not like your bitch-ass friend,
29:45 but I like you,
29:46 and I'm hoping that things could be fixed
29:48 between the two of us.
29:49 - Shh.
29:50 We're about to start filming.
29:52 Just give us a second.
29:54 We're ready. Let's go.
29:56 - Welcome back, guys.
29:58 - Hi, ladies.
29:59 - To another episode of "Here I Stand."
30:02 - "Here I Stand," the podcast.
30:05 - I don't feel right about this.
30:07 - Bitch, we didn't come here to be quiet.
30:09 We came here to turn up.
30:10 - I'm not sitting here for this podcast.
30:13 So Princess, Crystal, and myself,
30:16 we decide we're about to blow this joint.
30:18 - Who the [bleep] invites somebody
30:20 to a [bleep] Friendsgiving and have a podcast?
30:23 - I can't stay because I didn't know
30:25 that that was happening, and I have to go.
30:27 - Why did you say that?
30:28 - 'Cause I wasn't sure I was gonna pop back upstairs
30:30 and make sure she knew I was leaving just to say bye.
30:33 - So why did you say that earlier?
30:35 - Oh, no. No, no, no.
30:36 - See? Another situation where you're not
30:38 speaking up for yourself.
30:40 - I'm just saying.
30:41 - Hey, shoes. Unmic me.
30:43 - Why are you leaving?
30:44 - Unmic me.
30:46 - Jesus.
30:47 - Unmic me, yeah.
30:48 - Jesus.
30:50 - Coming up on "Bold and Boujee"...
30:52 - So if you wanna talk, and you wanna talk respectable,
30:54 let's do that.
30:55 - Well, that's not what you did when you left my--
30:56 - You don't know what I did.
30:57 - You don't know what I did.
30:59 - Why are you leaving?
31:01 - Unmic me.
31:03 - We're not doing that. Like, what?
31:05 - Hey, shoes.
31:06 - You just said you had a prior engagement.
31:08 - Unmic me. Unmic me. Unmic me.
31:10 - No.
31:11 - Unmic me.
31:13 - Princess, get up. Take this [bleep] off.
31:15 I'm leaving.
31:16 She all sensitive, got her panties in a bunch of [bleep]
31:18 like, come on, now.
31:20 What the [bleep] happened? Like, what?
31:22 Why are you leaving?
31:24 - Listen, I said do not make things up.
31:28 Make things like that a thing.
31:31 It's triggering if somebody makes a comment
31:34 that I'm not standing up for myself
31:36 or because I didn't say I was leaving
31:39 and I make a comment about not saying I'm leaving.
31:42 I'm the one who looks weak
31:44 or who isn't standing up for herself.
31:46 But you didn't say it upstairs either.
31:48 - 'Cause I don't want anybody to misrepresent
31:50 who I really am
31:52 and all the pieces that make Princess Princess.
31:54 You know what I mean?
31:55 So if you're like, "Oh, yeah,
31:57 why didn't you say that upstairs?"
31:58 - So now I can't joke with you?
31:59 - No, you can. Now that I know--
32:01 - I don't even know what the [bleep] to say anymore.
32:03 - Now it's a-- [laughs]
32:04 - I'm just like, "Fuge."
32:05 - Now that I-- - Now that I know, we good.
32:08 Y'all don't stress me out. Like, I'm gonna just--
32:11 - Okay, wait, I really do have to go, though.
32:12 Kisses, kisses. I love you bitches.
32:14 - I love you too. - Kisses, kisses.
32:15 I love you bitches. See?
32:17 - Ah. - Mm.
32:19 - [laughs]
32:20 - Psych. - Love you.
32:22 - Well, come on, bitch, let's go get a real drink.
32:23 You wanna go? - Yeah, let's go.
32:24 - Come on.
32:25 - Well, cheers. Outfit got me.
32:27 - Another one of those wack-ass parties.
32:28 I don't know what the [bleep] y'all keep doing.
32:31 Wasting all my [bleep] outfits.
32:32 I could've wore this [bleep] somewhere else, bruh.
32:35 [dramatic music]
32:37 - Middle of the night, we get a text that says,
32:39 "You guys are talking about my Friendsgiving.
32:42 How dare you?"
32:44 - Love you, your mama.
32:46 - I love my phone. It got automatic.
32:48 - She said, "Goshay, you're messy and venomous."
32:52 I heard that the exit was super low vibrational.
32:55 I was like, "What exactly are you talking about?"
32:59 She said, "Ghetto party. Picture that."
33:02 My assistant was in the closet.
33:04 Heard it all. - Hm.
33:06 - I had said that I was taking a plate of food,
33:09 and I asked, "Is this ghetto?"
33:11 - Just miscommunication. Period.
33:14 - Oh.
33:16 I don't think she sent it to me.
33:18 - ♪ Do it to 'em, do it to 'em, do it to 'em ♪
33:21 - ♪ Do it to 'em, do it to 'em, he gon' love it when I do it to 'em ♪
33:25 ♪ Do it to 'em, do it to 'em, do it to 'em ♪
33:28 ♪ I'm such a thresh, so he gon' lose it when I do it to 'em ♪
33:31 ♪ Do it to 'em, do it to 'em ♪
33:33 - Hi. - Hi.
33:35 - Malaysia for three. - Welcome, Malaysia.
33:38 - Thank you.
33:40 - ♪ Ice cream, you can cut that royalty flag ♪
33:42 ♪ When I whip my head 'round, they ain't ready for it ♪
33:45 - Aw. - ♪ And my grown-ness offend you ♪
33:47 ♪ Well... ♪
33:50 - Hi. - Hi, beautiful.
33:52 - Oh. Oh, it feels good out here.
33:54 - I know. Isn't it super cute overlooking the city?
33:57 - Oh, that's beautiful. Thank you.
33:59 Feel like I'm back in L.A.
34:01 - Ha-ha. You know I'm always gonna find an L.A. vibe.
34:04 - I see. I love it. It looks nice.
34:07 - Koshay and Tamika act like an old married couple.
34:10 Um, they bicker, they fight, they be back cool again.
34:14 This is the very reason why I left "Basketball Wives."
34:17 I closed that chapter in my life,
34:20 and I made a promise to myself
34:22 to never allow that kind of negativity
34:25 to ever enter my life again.
34:27 So I figured if I get them together
34:30 and allow them to see each other,
34:33 then maybe they will stop.
34:35 - Oh, my God, you ran up out of there
34:37 after the Friendsgiving? What happened?
34:39 I'm looking for you, and you're gone.
34:41 - I came and said bye. Like, I was like--
34:43 - Oh, I must have missed it. - No, you were talking to somebody,
34:45 and I was like, "I hugged you, bro. I hugged you."
34:48 I was like, "Bye. See you later."
34:50 So what was this text message you sent me?
34:52 - Oh, girl. I'm gonna get into that later.
34:55 I sent all the messages to Malaysia
34:57 because Malaysia was excluded from this text thread.
35:02 [upbeat music]
35:05 ♪ ♪
35:08 - Hi. - Hey, how are you?
35:11 - What's up? - Hanging up and hugged.
35:13 How are you, boo? - I'm awesome.
35:15 - How are you? - I'm good.
35:17 - Good. - All right.
35:19 Well, Tamika, Gautier, Gautier, Tamika.
35:21 - Hi, how are you? - All right.
35:23 Well...
35:26 I don't want us to be fighting and arguing
35:29 and bickering over stupid [bleep].
35:31 I'm gonna start by, do you like Tamika?
35:34 - Absolutely. - Tamika, do you like Gautier?
35:36 - I'm not certain. - Okay, that's fair.
35:39 - Yeah. - That's fair.
35:41 - Every time I connect with you, it feels petty.
35:44 It feels like we're majoring in the minors.
35:46 I don't like it so much.
35:48 I don't need a lot of intense energy.
35:50 My life is intense enough.
35:52 So, yeah, I just--I think it's just a little, um--
35:54 a bit much. - Okay.
35:57 - Tamika is definitely a big hypocrite.
35:59 She, like, is always something with me every time.
36:02 It's always something wrong with Tamika every time.
36:06 - What is your thoughts when it comes to Tamika?
36:10 - It's been very difficult to try to establish
36:13 a genuine friendship.
36:15 It's almost like trying to pull a teeth
36:18 to get her jokes, you know, so that's really, you know.
36:20 - So what I'm trying to get to is the baseline of--
36:24 it can't be, like, the petty stuff,
36:26 because you guys are bosses.
36:28 You're grown women. I don't antagonize her.
36:31 I came to her event.
36:33 Did I have my qualms about her event? Yes.
36:35 Your grits and your shrimp were cold.
36:37 - I'm trying not to go there with you.
36:39 I'm really trying not to. - Take it there.
36:41 - So if you want to talk, and you want to talk respectfully,
36:43 let's do that. - Well, that's not what you did
36:45 when you left my-- - You don't know what I did.
36:47 Tell me what I did. - You were yelling.
36:49 You wanted to leave the event because it was ghetto.
36:51 - Actually, when we were downstairs talking,
36:53 Princess was talking about something in reference to
36:57 is it ghetto to do the food to go?
36:59 - You don't want to be rude leaving a party
37:01 without saying goodbye. - Me neither.
37:03 And I have a plate of food looking ghetto and hood.
37:06 - Girl, that ain't ghetto. You just hungry.
37:08 - Nobody said anything about ghetto.
37:10 Only thing that was said ghetto was about the food and the to-go.
37:13 So whoever told you that, let's tell her to bring it here.
37:16 - Two people heard you. - Bull [bleep]
37:18 - Okay, what's your-- - Bull was [bleep]
37:20 - And a female. - That's a lie.
37:22 - Really? - That's a lie.
37:24 - Nah, I was like, don't bring me to these kind of ghetto events.
37:26 What did you say about wasting your outfit?
37:28 - I didn't say [bleep] about ghetto. I did say it was a waste of outfit.
37:30 I never said [bleep] about ghetto. - Okay.
37:32 - So, baby, this conversation is going left too fast.
37:36 - Why can't I just walk in and see?
37:38 - I mean, but then when you go see--
37:40 - Please, that's gonna happen. - Right there in itself.
37:42 - Let's leave the petty.
37:44 - Tamika specifically wants to try to have an issue with me.
37:50 And I don't know why. I did not sleep with her man.
37:53 I'm not the bridesmaid.
37:55 - That [bleep] is petty, bruh.
37:57 [dramatic music]
38:00 ♪ ♪
38:04 - So we see how petty we're doing?
38:06 'Cause we're just, like, tearing each other down.
38:08 - Baby, I don't do all this arguing and [bleep]
38:10 Like, this is beneath me, bruh.
38:12 Like, I own four [bleep] businesses, bruh.
38:14 - Let's not-- - And then some.
38:16 - What I'm trying to achieve is for you guys to get it out
38:19 so that we can-- - It ain't [bleep] to get out for me.
38:22 Like, she doesn't want to have a conversation.
38:24 She doesn't want to be an adult and have regular conversations.
38:27 She want to listen to all this bull[bleep]
38:29 somebody running and telling her.
38:31 Like, I'm beyond that. Like, I'm--I'm, like--
38:33 - That [bleep] is beneath me, bruh. - Okay.
38:35 [dramatic music]
38:37 - They bicker, they fight, they be back cool again,
38:40 then they're fighting again, and, like,
38:42 the things that they're arguing about is so stupid.
38:45 I feel like it's gonna evolve into something bigger.
38:48 So now you have your POV out.
38:50 Can we allow it to die here and start on a new level?
38:55 If we can do each other a favor
38:57 and please not insult each other.
38:59 ♪ ♪
39:01 - I think that my energy is based off your energy.
39:04 It's how you behave when we're having the conversations
39:08 that make me feel a certain kind of way.
39:11 - Am I not light? Am I not light, though?
39:13 Am I heavy, or am I--am I giving heavy?
39:15 - It's, like, dismissive for the most part, you know?
39:20 And the fact that every time we're together,
39:24 you don't talk much,
39:26 but when we leave,
39:28 you send text messages about this, that, and the third.
39:31 These are all the things that you have the opportunity
39:34 to say when we're together.
39:35 - No, no, no, no, no.
39:36 - When she sent text messages, it was over with me.
39:38 It was already dead.
39:40 ♪ ♪
39:41 - What advice would you really want to give Do'Shae
39:44 so that she doesn't just wake up on mad all the time?
39:48 - Get some [bleep]
39:50 - Here's the thing, my inner child is not about to play
39:53 with your inner child.
39:54 We're too old and too grown.
39:56 We got too much going on.
39:57 - Can we agree to disagree and say,
40:01 "Hey, I'm Tamika.
40:03 If I roll the tape back and I see it later,
40:05 then I'll cuss you out later."
40:07 But right now, in this sense...
40:08 - Right.
40:09 - I apologize for coming at you
40:11 because that's not what you said,
40:13 and it didn't even come out of her mouth.
40:15 - But I think--
40:16 - It didn't come out of her mouth.
40:17 You don't have to apologize for the outfit.
40:19 'Cause she did say--
40:20 - I did say that.
40:21 - She did say that.
40:22 - I think--well, listen, low vibrational--
40:24 - Your outfit was cute.
40:25 - No, but-- - She came in the door
40:27 low vibrational.
40:28 She huffed and puffed about her shoes.
40:29 She said-- - I sure did.
40:30 - She was like, "Ugh."
40:31 - I sure did.
40:32 - And then she said, "Hey."
40:33 - And even for that lady to come and tell you that,
40:35 she's messy as [bleep]
40:36 - And she stood at the door like...
40:38 - Like, that's some messy-ass [bleep]
40:40 - I'm staying.
40:41 - You're taking your shoes off?
40:42 - I can't be walking in a lighting house
40:44 without no socks or no shoes on.
40:46 Like, this is bull[bleep]
40:47 - What's she over here talking about?
40:48 - These people got shoes on,
40:49 so I'm gonna put my shoes on.
40:51 - I think you should go ahead.
40:52 If you don't feel comfortable--
40:53 - I didn't know everybody has broke--
40:55 I don't like shoes in the house, guys.
40:57 Kim, you are sharp.
40:59 You're sharp as a tack,
41:00 but you got your shoes on.
41:01 - When I got my shoes.
41:03 - I mean, you basically should apologize
41:05 for your text message and your delivery
41:07 on how you delivered this message
41:10 and don't even know the facts.
41:12 - Whatever. - Yeah, a quick text message.
41:14 - Hindsight is 20/20.
41:16 [dramatic music]
41:18 And we also have to learn to agree to disagree.
41:21 Um, and like I said,
41:24 I can say my piece--
41:25 even when I sent that message off,
41:28 I was done with it.
41:29 That doesn't--being in a beautiful state
41:31 doesn't mean I won't speak my mind.
41:33 - But you have a point of speaking your mind
41:36 and then deadening it
41:37 before someone else can speak their mind,
41:39 and that's not fair.
41:40 'Cause now it's one-sided.
41:42 'Cause you're good.
41:43 You got your [bleep] up.
41:44 - No, I let them--I don't block them.
41:45 - No, I mean, but you got your [bleep] up.
41:47 Ah, and then, like,
41:48 now you're ready to get out of the room.
41:50 Like, no.
41:51 Like, you gotta be one-sided.
41:52 Let her get her [bleep] up
41:53 so you get your [bleep] up,
41:54 and then y'all did it,
41:55 and then you go away.
41:56 - Okay. All right, cool.
41:57 - I want tension with Gauche behind me,
42:00 'cause life is too short.
42:03 [dramatic music]
42:05 Yeah, see?
42:06 Look, you got your [bleep] up.
42:07 You ready to go.
42:08 - At the end of the day,
42:09 whatever energy she's giving me
42:11 is what I give her.
42:13 [chuckles]
42:14 So clearly,
42:15 she needs to check herself.
42:17 [dramatic music]
42:20 (upbeat music)