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00:26:31 >> You're lighter than normal.
00:26:33 Actually been doing some work today, have you?
00:26:36 >> Yeah.
00:26:37 >> Have a look at this will you?
00:26:45 >> You taking the piss?
00:26:47 You know I can't read Sebastian.
00:26:49 >> Yeah, you can see that that's a letter though, Iris.
00:26:52 Yeah, the red ink.
00:26:54 >> You're trying that one again are you?
00:26:56 Fake Ripper letters.
00:26:58 It ain't going to work unless there's a murder to go with it.
00:27:01 >> There's been a bloody murder, Iris.
00:27:04 [ Music ]
00:27:11 >> Just like last time.
00:27:13 Saw the body, the throat had been, uh.
00:27:16 [ Music ]
00:27:19 >> And I've been in the police cell all day trying to convince them there ain't nothing to do with it.
00:27:24 And I didn't write that letter.
00:27:26 [ Music ]
00:27:33 >> You're saying Jack the Ripper's come back?
00:27:38 After all this time?
00:27:41 >> There ain't no such person as Jack the Ripper, Iris.
00:27:45 That's just a name that I came up with.
00:27:47 >> Yeah, but somebody killed all those girls.
00:27:51 >> Yeah.
00:27:52 [ Music ]
00:27:57 >> Look, come here, sweetheart.
00:27:59 I mean, what if tonight you didn't go out?
00:28:03 >> What about the next night?
00:28:06 Hmm?
00:28:07 And the next?
00:28:10 Before you know it, we'll both be starving in the streets.
00:28:15 Besides, I always carry some protection.
00:28:20 >> Protection?
00:28:22 >> Yeah.
00:28:23 [ Music ]
00:28:28 >> It ain't much.
00:28:31 It's a bit blunt.
00:28:34 But it does the job.
00:28:36 >> So where are you going to be working tonight, then?
00:28:39 >> Mulberry Street seems a nice bit.
00:28:40 It's nice and quiet.
00:28:41 >> Not anywhere but there.
00:28:42 That's where that woman got her throat cut.
00:28:45 >> All right, then.
00:28:46 Jubilee Street.
00:28:48 As long as Maggie Mercer ain't around.
00:28:52 >> Who?
00:28:53 >> A cow.
00:28:54 >> She owns everywhere from Jubilee Street to Mill Yard.
00:28:58 She's always telling me to get off her patch.
00:29:02 If any luck, Jack the Ripper will scare her off.
00:29:08 Or do her in.
00:29:12 >> You're so funny, Iris.
00:29:14 >> What are you so down about?
00:29:15 If there's more killings, that's a good thing, isn't it?
00:29:18 Just like last time.
00:29:22 Last time was different.
00:29:24 That letter, that's the real deal.
00:29:28 And whoever wrote it slashed that girl's throat last night on Mulberry Street.
00:29:33 Whoever it is, they're going to get their eyes on me.
00:29:38 [ Music ]
00:30:07 [ Music ]
00:30:24 >> Can I help you with something?
00:30:29 I've got a room.
00:30:35 >> I know it ain't much.
00:30:38 >> Warehouse owner lets me use it so long as I clean up after.
00:30:45 So what will it be, then?
00:30:47 [ Music ]
00:31:11 >> Iris.
00:31:17 Folks.
00:31:19 [ Music ]
00:31:37 >> Iris.
00:31:42 >> Where are you going?
00:31:43 >> Are you all right, mister?
00:31:49 >> Yeah.
00:31:50 This is Jubilee Street, right?
00:31:51 >> Yeah.
00:31:55 >> I was looking for a girl.
00:31:57 >> Well, it looks to me like you just found one.
00:32:00 >> No, I'm just looking.
00:32:03 What's your name?
00:32:04 >> Maggie.
00:32:05 >> Maggie.
00:32:07 >> Maggie Mercer.
00:32:08 >> And what's it to you?
00:32:09 >> Don't worry, I'll look somewhere else.
00:32:10 >> What's the matter?
00:32:11 Ain't I your type?
00:32:12 >> You don't understand.
00:32:13 >> You know I can get you whatever you want.
00:32:15 What do you like?
00:32:16 Little boys, is it?
00:32:17 >> No.
00:32:18 >> Some dirty pictures.
00:32:19 >> Just forget about it.
00:32:21 >> You don't know what you're missing.
00:32:25 >> Have you seen any strange men around here?
00:32:27 >> Only the one.
00:32:30 >> American.
00:32:31 >> Yeah.
00:32:32 >> It ain't free, you know.
00:32:35 >> What ain't?
00:32:36 >> My time.
00:32:37 I've been wasting my time talking to you.
00:32:38 I could have been servicing some nice young gentleman.
00:32:41 >> You've got to be kidding me.
00:32:43 >> Oh, you're one of those, aren't you?
00:32:44 You just want to talk.
00:32:46 >> Keep it down.
00:32:47 >> You ain't got the nerve to get your cock out, let alone your wallet.
00:32:50 >> Shut up.
00:32:51 You have the commission to us.
00:32:52 How much do you want?
00:32:53 >> What are you doing?
00:32:54 Get off of that.
00:32:55 >> Get off, you bleeding cheapskate.
00:32:57 Get off.
00:32:58 [Horn honks]
00:32:59 >> You've crashed it.
00:33:00 [Horn honks]
00:33:02 >> You've crashed it.
00:33:14 >> Come on.
00:33:15 You're going to be late for work again.
00:33:25 >> I went out looking for you last night.
00:33:29 >> You did what?
00:33:30 >> Yeah.
00:33:31 I thought you said you was going to be on Jubilee Street.
00:33:35 >> Yeah, I changed my mind.
00:33:38 >> Job or not.
00:33:41 Bumped into an old pal of yours down there.
00:33:45 Maggie Mercer.
00:33:46 >> I told you, she ain't my friend.
00:33:48 She's a cab.
00:33:50 >> You ain't one.
00:33:53 >> Shouldn't come looking for me at night.
00:33:57 >> You might see something you don't want to see.
00:33:59 >> Don't worry, Iris.
00:34:00 I'm under no illusions.
00:34:01 I mean, I can't imagine.
00:34:04 >> Ain't the same as seeing it in the flesh, though, is it?
00:34:11 If you must know, I went down Limehouse.
00:34:18 Gobbed off half a dozen Chinamen.
00:34:24 All lined up for it, they were.
00:34:29 And it ain't true what they say, you know.
00:34:31 >> Leave it out of it, Iris.
00:34:33 >> I told you you wouldn't like it.
00:34:34 >> I'm going to work.
00:34:36 >> Ain't you going to have any breakfast?
00:34:38 I could do you a sausage.
00:34:39 >> I ain't hungry.
00:34:45 >> Is that you, Mr Stubb?
00:34:48 >> Good morning.
00:34:49 >> Don't you good morning me.
00:34:51 Where's the rent you owe me?
00:34:52 >> Look, I get paid by the end of the week, and I'll square up with you then.
00:34:58 All right?
00:34:59 Cross my heart.
00:35:01 >> Three shillings and sixpence.
00:35:06 >> Sixpence.
00:35:27 >> Thank you.
00:35:38 >> Look at this.
00:35:39 This morning's Daily Herald.
00:35:41 Exclusive story.
00:35:43 Murder on Mulberry Street.
00:35:45 A young girl with her throat torn out.
00:35:48 And look what we had to lead with.
00:35:52 >> Valuable hunting dog goes missing.
00:35:54 >> You're losing your touch, Stubb.
00:35:55 >> I did say the missing dog story was no good.
00:35:58 >> And now we're playing catch up with the Daily Herald.
00:36:01 >> Well, the Herald have got a copper on the payroll.
00:36:03 >> You know that for sure, do you?
00:36:05 >> They must have.
00:36:07 How else do you think they're getting all these exclusives?
00:36:09 >> You need to get your finger out, Stubb.
00:36:11 Or else Lenny there will be doing your job this time next week.
00:36:19 >> It's all right.
00:36:20 I don't think I want your job.
00:36:22 I'm not sure I've got the knack for it.
00:36:26 Where were you really yesterday?
00:36:29 >> I was out investigating that murder.
00:36:37 >> Oh, you saw the body?
00:36:39 >> Yeah.
00:36:41 And it was exactly like the letter said.
00:36:43 >> This? I can work with this.
00:36:45 This is good.
00:36:46 Why didn't you tell Stimpson?
00:36:48 He would have been over the moon.
00:36:49 >> Not even the Herald have a picture.
00:36:55 >> Because I'm not sure we should run with it.
00:36:58 >> What?
00:37:01 >> I mean, I was working on it all day yesterday.
00:37:04 I don't know, I call it a gut feeling.
00:37:06 I just don't think it's a good idea.
00:37:10 >> But you've been waiting for a story like this all year, haven't you?
00:37:16 >> Yeah.
00:37:18 But not this.
00:37:22 Why do you think he sent me that letter?
00:37:26 >> I don't know.
00:37:28 >> I'll tell you.
00:37:30 Because he wants to be in the newspaper, just like before.
00:37:35 And it was me that made his name, wasn't it?
00:37:39 Jack the Ripper.
00:37:41 >> If you wrote about him before, why not do it again?
00:37:46 >> Because this time it's different.
00:37:49 It's personal.
00:37:51 I mean, if I give him what he wants, he's just going to keep doing it, isn't he?
00:37:55 A bit like chicken and the egg, you know?
00:37:58 He kills people, I write about it, I write about it, and he keeps killing people.
00:38:03 Kind of makes me a bit responsible, doesn't it?
00:38:05 >> You don't know that. This could have been a one-off.
00:38:13 >> What's that?
00:38:15 >> Another letter from him.
00:38:17 I had it in my bag this morning.
00:38:20 >> What does it say?
00:38:24 >> "Dear Boss,
00:38:27 "So I see you saw my handiwork on Mulberry Street.
00:38:32 "Tonight's was a little different.
00:38:35 "I took myself a souvenir.
00:38:38 "You might want to wend your way down to a warehouse in Adelina Grove,
00:38:43 "for there's a girl down there
00:38:46 "who had something I wanted to get off her chest."
00:38:55 Come on.
00:38:57 >> Where are you going? Adelina Grove?
00:39:00 >> Yeah. You're coming with.
00:39:03 [♪♪♪]
00:39:27 >> Lenny.
00:39:29 >> Yeah.
00:39:34 >> Oh! Oh! Oh, God.
00:39:38 You getting it? Taking it all in?
00:39:41 >> Why have you drank me a bit?
00:39:43 >> So you can understand.
00:39:45 That there could have been my iris.
00:39:49 The bloke that did this, he wanted me to find that body.
00:39:53 So I had to do a big story and put a picture of it on the front page of the newspaper.
00:40:00 So do me a favour and get your oil in, yeah?
00:40:05 I was just thinking.
00:40:08 You said the bloke who did this,
00:40:12 he had a lot of power.
00:40:16 >> Well, why assume it's a man?
00:40:20 Last time they questioned, dozens of men.
00:40:26 And never a single woman.
00:40:30 Perhaps that's why they never found their culprit.
00:40:34 >> There's no way in hell that a woman could do something like that.
00:40:38 >> No?
00:40:40 Well, it seems to me anyone with a knife could do that.
00:40:45 And you know what they say.
00:40:48 Hell hath no fury like a woman scorned.
00:40:55 Do you know any scorned women, Sebastian?
00:41:08 >> You still got acting, right then?
00:41:12 >> You know I am.
00:41:15 >> Don't worry. Got my knife on me.
00:41:18 >> Yeah, you said it was a bit blunt.
00:41:21 >> Yeah, but it does the job.
00:41:24 >> I'm sure it does.
00:41:27 >> Look, if you don't want me to work,
00:41:33 you better start bringing some more money in.
00:41:36 Aren't you making anything off the back of those Ripper murders?
00:41:39 >> I heard they found another body.
00:41:43 >> Yeah.
00:41:46 Adelina Grove.
00:41:49 Geeser cut off one of her, um...
00:41:53 >> Well, this is what you've been waiting for, isn't it?
00:41:57 Jack the Ripper is back.
00:42:01 It's time to stop writing those headlines, Seb.
00:42:04 >> Yeah.
00:42:06 >> What the bleeding hell is wrong with you?
00:42:09 >> What's that supposed to mean?
00:42:11 >> I'm working myself to death,
00:42:13 screwing anything that looks in my direction, and...
00:42:17 >> Well, you.
00:42:19 >> You can't even be bothered to get off your arse when something like this falls into your lap.
00:42:25 These Ripper letters, they're a gift from God, Sebastian.
00:42:31 >> Gift from God, Iris, yeah?
00:42:33 Gift from a murderer, I think you'll find.
00:42:37 >> A murderer who seems to know who I am and seems to be following me around, yeah?
00:42:41 How do you think that makes me feel?
00:42:43 >> I don't care how you feel.
00:42:46 I'm going out.
00:42:48 >> Hang on.
00:42:53 You said Ripper letters.
00:42:58 >> What of it?
00:43:00 >> Letters, Iris.
00:43:02 I showed you one letter. How do you know I've got another one?
00:43:05 There was another murder, wasn't there?
00:43:09 >> Yeah.
00:43:11 >> So you got another letter, didn't you?
00:43:15 >> Yeah.
00:43:16 >> I ain't got time for this.
00:43:19 [door opens]
00:43:21 [water pouring]
00:43:27 [breathing]
00:43:30 [footsteps]
00:43:33 [breathing]
00:43:36 [footsteps]
00:43:39 [breathing]
00:43:42 [footsteps]
00:43:45 [breathing]
00:43:50 [music]
00:43:55 [music]
00:44:00 [footsteps]
00:44:05 [footsteps]
00:44:08 [door opens]
00:44:10 [music]
00:44:15 [music]
00:44:20 [music]
00:44:25 [music]
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00:44:40 [music]
00:44:43 >> What's going on, Iris?
00:44:50 >> Sebastian.
00:44:51 >> I was watching the...
00:44:53 >> What do you mean?
00:44:55 I just found this letter in your bag, so...
00:44:57 >> I saw you coming in.
00:45:01 And I saw you trying to plant that letter in my bag.
00:45:08 >> Now don't lie to me, Iris!
00:45:10 What the bloody hell was going on?
00:45:14 >> I did it for you, you prick!
00:45:17 >> No, you tell me, ain't you writing those letters?
00:45:19 >> How could I write the letter, you stupid sod?
00:45:23 You know I can't read and write.
00:45:26 [music]
00:45:35 >> I didn't know what it was about.
00:45:44 Not at first.
00:45:49 He said it would...
00:45:52 He said it would be good for you.
00:45:54 [music]
00:46:00 I don't know who he is.
00:46:05 I never saw him at night and he's got a scarf over his face.
00:46:13 He said that...
00:46:16 All I had to do was pass you these letters without you knowing about where they came from.
00:46:24 And then there'd just be a couple of quid in it for me.
00:46:27 >> What about after I told you what was in those letters, Iris?
00:46:31 >> There's no reason to stop taking them.
00:46:34 >> All right.
00:46:40 >> You know, I get killed all the time in this town.
00:46:51 >> I must have said he ain't going to come after you next, huh?
00:46:58 >> He needs me, doesn't he?
00:47:02 [music]
00:47:13 >> You're here early.
00:47:15 >> I've got a story to write, haven't I?
00:47:19 >> The, uh, Ripper murders?
00:47:23 >> Got it in one.
00:47:30 >> Is this a new one?
00:47:32 >> Yeah.
00:47:34 >> So he's killed again.
00:47:37 >> Did you see what happened?
00:47:39 >> Did I see him, you mean?
00:47:43 >> The Ripper?
00:47:47 >> No.
00:47:52 >> Pity. You could have described him. I could have drawn him.
00:47:56 >> You can still do the body.
00:47:57 >> I thought you didn't want to do it. The Ripper stories.
00:48:03 >> Did I ever tell you how I got into this business, then?
00:48:07 >> Uh, no. I don't think you did.
00:48:21 >> Saucy, isn't it?
00:48:24 >> The girl in that photographic print was the daughter of someone very important.
00:48:31 >> I've got to make details now.
00:48:34 >> She thought she was doing it for the art.
00:48:37 >> And the images ended up getting shared around all the, uh, gentlemen clubs in Whitechapel and Bethnal Green.
00:48:43 >> And she's married to a man who's got a hold of her.
00:48:45 >> And trust me, Lenny, nothing sells newspapers better than a sex scandal.
00:48:53 >> You, you shouldn't have this.
00:48:56 >> Keep it if you like. That's how you get your job.
00:49:00 >> What exactly does this have to do with the Ripper murders?
00:49:04 >> Printing newspapers gives us a lot of power.
00:49:09 >> I mean, we could take someone down just like that with an incriminating story.
00:49:17 >> Heroes into villains.
00:49:20 >> Exactly.
00:49:22 >> Now you take this Jack the Ripper.
00:49:27 >> He wants to be front page news, right?
00:49:30 >> His name on the tip of everyone's tongue.
00:49:33 >> People too scared to leave their houses at night, just like before.
00:49:39 >> But he ain't gonna get that.
00:49:41 >> Not if we can come up with the right angle.
00:49:47 >> Stop.
00:49:49 >> What have you been up to?
00:49:51 >> What now?
00:49:52 >> There's someone downstairs demanding to see you.
00:49:54 >> Tell him I'm busy. Who is it?
00:49:58 >> Chief Inspector Wingate.
00:50:08 >> This is bollocks. I ain't done nothing and you know that.
00:50:12 >> On the contrary, stub.
00:50:14 >> I'm preparing to press formal charges.
00:50:16 >> For what? Writing letters?
00:50:18 >> No, for murder.
00:50:22 >> You what?
00:50:24 >> Some new evidence has come to light. Rather compelling evidence. I've had no choice but to act on it.
00:50:34 >> What are you talking about evidence?
00:50:36 >> I have a statement here from the gentleman standing behind you.
00:50:41 >> He just happens to be the constable who patrols the Jubilee Street area.
00:50:46 >> Two nights ago he reports that he witnessed you attacking a local prostitute by the name of Maggie Mercer.
00:50:53 >> Attacking?
00:50:54 >> He's even done a little sketch. Here. See, this is you grabbing her by the arm. That's what happened, isn't it, constable?
00:51:07 >> That's what I saw, sir. I weren't attacking her.
00:51:09 >> Oh, so you admit you were there.
00:51:12 >> Yeah.
00:51:13 >> And you admit that this happened.
00:51:15 >> Yeah, but...
00:51:16 >> Because the very next night, do you know what else he saw? Do tell us, constable.
00:51:22 >> Maggie Mercer.
00:51:25 >> Only this time she was dead in an alley, with her throat slit from ear to ear.
00:51:32 >> Would you like this? This is circumstantial bollocks.
00:51:35 >> It's a clear-cut case, stub, and you know it. And it's not just Maggie Mercer. It's all the others as well.
00:51:41 >> What?
00:51:42 >> You have a habit of mysteriously turning up at all the murder scenes. You knew about Mulberry Street before we did.
00:51:49 >> Because it was in the letter.
00:51:50 >> That's another thing. The so-called Ripper letters that you've already admitted to writing yourself.
00:51:55 >> That was the old ones.
00:51:57 >> You were under suspicion a year ago, but Inspector Reeves was too damned incompetent to finish the job. Now we've got you. Let's take him to the cells.
00:52:09 [♪♪♪]
00:52:22 >> Frankly, stub, I've rarely seen such a mountain of evidence.
00:52:28 >> My advice to you is to confess now. Show enough remorse and maybe, just maybe, you'll end up with life in an asylum rather than the noose.
00:52:41 >> Although, if it was me, I think I'd much prefer the latter.
00:52:46 >> Why are you so keen to pin this all on me, Wingate? Have I ever done to you?
00:52:51 >> Then deny it all your like, stub. You'll get what you deserve. I'll see to that.
00:53:02 >> Smarter than you think, you know that?
00:53:04 >> What do you mean?
00:53:08 >> I know you don't believe me, but I didn't write those letters.
00:53:11 >> Whether or not you wrote those letters is the least of my concerns. It's the murders I'm interested in.
00:53:18 >> Look, first off, I thought the killer was sending me those letters for the publicity. Yeah? I was wrong. He's sending me those letters to set me up.
00:53:30 >> And why would he do that?
00:53:36 >> I don't know. Look, talk to my girl, Iris. She'll tell you.
00:53:44 >> Tell me what?
00:53:46 >> I didn't do these murders. And I didn't write the letters. She's the only one who can prove that.
00:53:53 >> I mean, I didn't want to involve her at first, but, well, I don't have a choice now, do I?
00:54:00 >> And where can I find this Iris?
00:54:05 [thunder]
00:54:08 [music]
00:54:34 [screaming]
00:54:42 >> What's going on, Wingard?
00:54:43 >> This is the only person who can prove you're innocent, Stubb. The down-market, white-chap of all.
00:54:52 >> I doubt anyone will believe a single word this slut has to say, but then again...
00:54:59 >> I'm not going down for these murders, Stubb. I'll make sure of it. Even if I have to slit the throat of another whore right here in front of you.
00:55:09 >> I'll understand anyways.
00:55:10 >> You think you're the only clever bastard who can ruin someone's life with a story?
00:55:16 >> Remember the one about the innocent girl with a good upbringing, who made one mistake?
00:55:22 >> A mistake that you caused her to regret for the rest of her life, which wasn't very long.
00:55:28 >> She killed herself, Stubb. My only daughter. My Jessica.
00:55:41 >> After you printed that story about her little indiscretion...
00:55:46 >> The girl in the photograph.
00:55:47 >> Ah. It's coming back, is it? Well, I didn't forget, Stubb. Having my family name dragged through the mud.
00:55:58 >> I wanted to come after you with the full weight of my position, but apparently no crime had been committed.
00:56:06 >> That's why you did it, hm? Killed all those girls.
00:56:10 >> And why not? Girls die on this street all the time.
00:56:15 >> You'll never get away with that. It's a police station.
00:56:17 >> This is my police station, Stubb. And the doors are locked, and I have the keys.
00:56:33 >> Like I said, Stubb, you're not the only one who can come up with a good story. Try this one.
00:56:43 >> A penniless gutter reporter who longs for the good old days. Resurrects his greatest villain, Jack the Ripper.
00:56:53 >> That's bollocks.
00:56:54 >> Only you can't report on a string of murders unless there's a string of murders to report on. So he goes out at night.
00:57:01 >> That's bollocks.
00:57:02 >> He goes out at night as witnessed by a police constable, attacks prostitutes, and makes up fancy letters.
00:57:15 >> I have no doubt that you're going to hang for this, Stubb. And when you do, I'm going to be watching from the public gallery with a big smile on my face.
00:57:29 >> There's just one fly in the ointment, isn't there? One witness who can attest to where the letters really came from.
00:57:37 >> Let her go. She ain't done nothing to her, has she? It's me you want.
00:57:42 >> So?
00:57:46 >> I'll confess.
00:57:50 >> You'll what?
00:57:54 >> I'll confess to the murders, Wingo. All the girls. It'll be, um, by trial. No need for witnesses, huh?
00:58:09 >> I'll go straight to that nurse.
00:58:15 >> Just let her go.
00:58:22 >> You'd do that? Just to save this little whore?
00:58:29 >> I was some sort of surgeon. I didn't want to involve you.
00:58:46 >> I was off your...
00:58:57 >> I'm sorry. I can't accept your proposal.
00:59:04 >> I have total confidence that you'll hang whether you confess or not.
00:59:13 >> One more audacious murder right here in the cells of the Metropolitan Police will only make the case stronger.
00:59:28 >> So, here she is. The final victim of Jack the Ripper. Otherwise known as...
00:59:42 >> Sebastian Stam.
00:59:45 >> Move!
00:59:59 >> I had to do it. He was... He was going to kill her.
01:00:06 >> Then... How'd you get in here?
01:00:13 >> I took a set of keys from my father's study.
01:00:17 >> Your father? Who's that?
01:00:24 [♪♪♪]
01:00:34 [♪♪♪]
01:00:44 [♪♪♪]
01:00:54 >> I'm sorry about your woman, Iris.
01:00:59 >> Don't apologise, I mean, you saved her life. If you hadn't have done what you did...
01:01:06 >> I had no choice. I couldn't watch as he murdered another woman.
01:01:12 >> See, I'm still trying to get my head around all this.
01:01:17 >> I mean, how come Swingite's your father?
01:01:20 >> He's my stepfather. That's why we don't share the same family name.
01:01:28 >> This is his place. This is his study.
01:01:38 >> He was never the same after Jessica's suicide.
01:01:47 >> Something inside of him just broke.
01:01:55 >> He put a brave face on it. But he was entirely consumed by it.
01:02:04 >> He had to take his pistol out of fear. He'd do something stupid.
01:02:16 >> That's why I agreed to help him.
01:02:20 >> With what?
01:02:24 >> To get revenge on you. This whole Ripper episode gave him the perfect opportunity.
01:02:36 >> My father got me the job at the Morning Times so I could find out more about you.
01:02:43 >> To help set you up.
01:02:47 >> I swear, I knew he was going to write more Ripper letters, but I didn't know he'd go through with it. The murders.
01:03:00 >> So why didn't you say something earlier? Do something to stop him?
01:03:04 >> I had no idea what he was doing. I thought he was just going to take existing cases and pin them on you.
01:03:12 >> Oh, nice. So you were happy for me to go down for something I never did.
01:03:15 >> He raised me since I was a boy. Wouldn't you do what your father told you to, even if you thought it might be wrong?
01:03:27 >> I don't know. I never knew my old man.
01:03:34 >> God knows what'll happen in the morning.
01:03:39 >> They'll find his body and I'll have to explain everything to them. You'll have a field day, won't you?
01:03:48 >> What's that?
01:03:50 >> Well, it's the story of the year. A man in my father's position doing what he did.
01:04:01 >> You'll have the front page for a month.
01:04:04 >> You never know.
01:04:11 >> The thing is, I'm not sure I could stand that.
01:04:19 >> The family barely recovered from the last scandal.
01:04:24 >> And this would be a hundred times worse.
01:04:31 >> I think I'd do just about anything to stop that from happening.
01:04:39 >> Hold it right there, Lenny. The story's got to come out somehow, hasn't it?
01:04:47 >> I'm saying that there's always an angle.
01:04:54 >> Heroes and two villains.
01:05:17 >> Well, it'll work for once I stop. A little run-in with the police seems to have done you some good.
01:05:24 >> Is this ready to go? If we hurry, we can make the afternoon edition.
01:05:28 >> I'll bring it down to you in a bit. I want Lenny to proofread it first.
01:05:33 >> Chief Inspector Wingate. Heroic to the end.
01:05:39 >> That'll be your headline.
01:05:41 >> Hold on a minute. I thought this was going to be a ripper story.
01:05:44 >> Oh, it is.
01:05:45 >> Right. Well, all right, then. Let's bring it down when it's ready.
01:05:51 >> I'll handle the front page for as long as I can.
01:05:56 >> A highly decorated Chief Inspector of the Metropolitan Police was shot and killed last night
01:06:04 >> in the process of confronting a prime suspect in a notorious Jack the Ripper case.
01:06:14 >> You make it sound like he was shot by the suspect.
01:06:18 >> But does it say that?
01:06:20 >> No, not exactly, but...
01:06:22 >> Keep breathing.
01:06:27 >> The tragic loss of this respected man's life did, however, successfully prevent another murder.
01:06:38 >> I can't believe it.
01:06:41 >> You've turned him into a...
01:06:44 >> A hero.
01:06:49 >> Now give it back to me quick.
01:06:53 >> If we're lucky, it still might start on its edition.
01:06:56 >> Wait.
01:07:01 >> I just wanted to apologize for how I pressured you into doing this.
01:07:12 >> This whole thing just had my head spinning. I wasn't thinking straight.
01:07:20 >> But...
01:07:24 >> I just wanted you to know how much this means to me.
01:07:49 >> Mr Stubb.
01:07:51 >> Good evening, Mrs.
01:07:52 >> Never mind your good evenings. There is still the matter of your outstanding rent.
01:07:57 >> Three shillings and sixpence, I do believe.
01:08:16 >> You weren't going out tonight, were you?
01:08:18 >> Who said I was?
01:08:22 >> This?
01:08:25 >> It's for you.
01:08:27 >> These? Are they for you?
01:08:29 >> Better put them in water.
01:08:36 >> Did you remember the matter at all?
01:08:39 >> Jesus, Lord God. It's a miracle.
01:08:44 >> What's all this in aid of, then?
01:08:45 >> I got paid today, didn't I?
01:08:47 >> Is that today's paper?
01:08:48 >> Yep. Afternoon edition. Front page.
01:08:57 >> Chief Inspector Wingate. Heroic to the end. Such a nice thing you're doing for Lenny.
01:09:06 >> I sometimes forget you're capable of doing nice things.
01:09:12 >> But then...
01:09:18 >> Every now and then...
01:09:24 >> You surprise me.
01:09:34 >> Still can't believe what you said in that cell.
01:09:40 >> I'm not entirely selfless, Iris.
01:09:45 >> There is this small matter of this rather generous front page bonus.
01:09:52 >> I'll take that.
01:09:55 >> And how come you get to keep that?
01:09:58 >> Because I'm going to earn it. Right now.
01:10:17 >> What's that?
01:10:20 >> You read out the headline.
01:10:25 >> What?
01:10:27 >> Just then. You said Wingate. Heroic to the end.
01:10:33 >> No. No, no, no. I was just guessing.
01:10:36 >> You said you couldn't read.
01:10:37 >> I can't.
01:10:38 >> Why would you lie about that?
01:10:39 >> Seb, you're hurting me.
01:10:44 >> You knew, didn't you? What was in those letters, right from the start?
01:10:50 >> You knew Wingate was setting me up. You just, what, went along with it?
01:10:57 >> You think you've figured something out?
01:11:02 >> You think you're so clever, don't you?
01:11:09 >> You don't know fuck all!
01:11:19 >> You got it then?
01:11:21 >> Every penny.
01:11:24 >> You took your time.
01:11:25 >> Well, I had to go to the Herald. Let them know I no longer have access to the police records.
01:11:31 >> You seem to be saying this quite a lot recently, but what the fuck is going on?
01:11:37 >> Seb, I really must thank you again for the story you wrote.
01:11:42 >> It's all right, Lenny. I know it meant a lot to you.
01:11:45 >> Indeed it did. One thousand pounds, to be exact.
01:11:49 >> Don't get it.
01:11:50 >> You never will. This sort of business is out of your league, Sebastian.
01:11:55 >> Well, it's quite simple, really.
01:11:58 >> My father was an important man, and the title of chief inspector comes with a generous life insurance policy.
01:12:06 >> But these policies, well, they're complicated. It was only valid if he was killed in the line of duty.
01:12:17 >> Which, according to your newspaper report, he was.
01:12:24 >> You were in on this, were you, Iris?
01:12:26 >> Where do you think I go each night? Hmm? Walking the streets?
01:12:32 >> Yeah, sometimes.
01:12:35 >> Sometimes I go to Lenny's place.
01:12:40 >> He's the one that taught me to read. And how to pose.
01:12:45 >> How to pose?
01:12:47 >> For the camera.
01:12:58 >> I never knew you were into photography, Lenny.
01:13:00 >> It's a sideline. I'm into anything that makes me money.
01:13:04 >> And I had the equipment lying around since art college.
01:13:10 >> Did you take the, um...
01:13:11 >> I took the photographs of Jessica, yes. Are you only just figuring this out?
01:13:21 >> Your own sister, you dirty bastard.
01:13:23 >> She was my step-sister. We weren't related.
01:13:29 >> But we were close. Very close.
01:13:33 >> Which is why I'll never forgive you for what you did.
01:13:38 >> So this was your idea, then? Not Wingate's?
01:13:41 >> I told you, the man was broken. I could have talked him into doing anything I wanted.
01:13:48 >> So I did.
01:13:51 >> Well, it seems like you've both got everything you want, so I'm just gonna...
01:13:54 >> Not quite everything.
01:13:59 >> My sister is still dead, and you're walking around enjoying life.
01:14:05 >> I wouldn't exactly say that.
01:14:08 >> I would have loved to see you hanged for those Ripper crimes.
01:14:14 >> I suppose any death is as good as another.
01:14:17 >> Come on.
01:14:18 >> Now, I have got to say, after everything you've done for me, I am struggling to pull the trigger.
01:14:27 >> Let me do it.
01:14:31 >> I'll kill the fucker. Anytime you like.
01:14:35 >> Iris.
01:14:36 >> How long did you think I was gonna hang around waiting for you to make an honest woman out of me?
01:14:46 >> Did you really think that I wouldn't find someone better?
01:14:51 >> Someone that could give me more than a limp three inches every once in a blue moon?
01:14:59 >> You're pathetic, Sebastian. In every fucking way.
01:15:11 >> Especially what you said in that cell. Begging for my life.
01:15:21 >> No one wants to see their man beg, Sebastian. It's such a turn off.
01:15:30 >> Wait!
01:15:32 >> It's all right. I know what I'm doing.
01:15:36 >> You want a quick slice?
01:15:39 >> Cross the freight? The coppers? I think it's another Ripper murder.
01:15:45 >> No, they won't. The Ripper only targeted women. A murder of a man like Stubb, that might attract a full investigation.
01:15:59 >> But it's suicide, right?
01:16:07 >> Fuck me, that was loud.
01:16:08 >> Yes. I don't recommend we hang around long.
01:16:15 >> Listen, why don't me and you take that briefcase of money uptown and I can show you a good time?
01:16:28 >> Iris.
01:16:29 >> Yeah?
01:16:32 >> I think our little partnership has run its course.
01:16:39 >> What?
01:16:40 >> It's over. Finished. I'm not planning on staying in London and I no longer require your assistance.
01:16:50 >> After you got that thousand pounds you mean?
01:16:54 >> I thought I was going with you.
01:17:01 >> What about my share of the money?
01:17:03 >> I never promised you a share.
01:17:05 >> I thought that...
01:17:06 >> You've been well paid for your services. Now, I must go.
01:17:11 >> My services?
01:17:22 >> Consider it a bonus.
01:17:26 >> Don't you do this to me, Lenny.
01:17:31 >> Iris.
01:17:32 >> Don't you fucking dare do this to me.
01:17:34 >> I am a wealthy man. I cannot be seen consorting with prostitutes. Surely you understand that.
01:17:45 >> Give me that case.
01:17:46 >> Iris, don't do this.
01:17:48 >> I'll cut you up, Lenny. Don't think that I won't.
01:17:52 >> You don't understand.
01:18:02 >> Now you just stay put. And I'm...
01:18:09 >> A thousand pounds.
01:18:13 >> Why don't it weigh anything?
01:18:31 >> What the fuck's this?
01:18:33 >> A banker's cheque. Payable to me.
01:18:38 >> How do I spend it?
01:18:42 >> You can't.
01:18:57 >> Huh.
01:19:01 >> I'm sorry.
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