Todo por mi Familia Capitulo 321 Completo HD

  • 7 months ago
Todo por mi Familia Capitulo 321 Completo HD
Transcript
00:00 I know, I know. I know I'm asking for a lot, but I thought that since you work at a bank, you could help me get it easily.
00:07 No, impossible Susan. I'm afraid I can't help you. Please excuse me.
00:12 I understand. Yes, it's fine. Still, thank you very much for listening to me. Thank you. Take care.
00:19 Oh, damn it! How am I going to get the money?
00:24 No one has that much money, and even if they had it, they wouldn't lend it to me.
00:31 I have to know the truth about the accident.
00:48 Answer the phone, damn it! Answer!
00:54 Fine. If you don't want to answer, I'll go see you.
00:59 I'll do what I have to to find out who killed Ahmed on our wedding day.
01:05 I have to know the truth now!
01:08 Hey, but we're not going to see each other like this.
01:10 We won't be in the picture, you hear me?
01:12 Right, Gul? We're not going to go out either.
01:15 Lydia, can you come closer?
01:18 Enough!
01:20 No, don't do that, Lydia.
01:31 You're so grumpy.
01:33 Yeah.
01:35 I don't like being far away, but...
01:38 [music]
01:42 [camera shutter]
01:44 [phone notification]
01:57 [music]
02:07 [music]
02:10 What are you doing so close?
02:20 I hope she calls to give me the money.
02:25 If she wants more time, I won't give it to her.
02:28 You must keep your promise, understand?
02:31 I don't want you to talk to Susan.
02:33 In fact, I want you to delete her number from your phone.
02:36 You hear me?
02:38 Okay, give me the money and I'll do what you ask.
02:41 Where do I take him?
02:43 I'll send you the location. It'll be outside the city.
02:46 Yeah, okay.
02:48 What I want is for you to disappear.
02:51 [music]
02:54 You forgot me so fast!
02:59 Well, why are you crying?
03:02 Answer what I asked you first. Did you forget me?
03:05 Are you with Lydia now? Tell me the truth.
03:08 I realize how stupid you look.
03:10 You can't take your eyes off of me, Omer.
03:13 And if that's the case, I have the right to know. Tell me.
03:16 No, wait. I don't want to know.
03:18 I don't want to hurt myself more than I already am right now.
03:21 Calm down.
03:22 I don't know what ideas you have in your head,
03:24 but I have no intention of starting something with Lydia.
03:27 Are you serious?
03:30 Or are you just saying that because you don't want to hurt me?
03:33 Susan, if I wanted to hurt you, there are other ways.
03:36 It's three million.
03:39 Thank you very much.
03:41 [music]
03:44 And I should thank you.
03:54 It was Akif who convinced me to accept your money.
03:59 Look, better shut up. Don't make me angry.
04:01 Just take the money and leave. I don't want to see you again.
04:04 If I didn't have problems, I would make his life impossible.
04:08 Be grateful that it won't be like that.
04:10 With this, I will pay my debts.
04:12 Have a good day.
04:14 Where are you going, Sado? Are you thinking of running away?
04:18 And these men...
04:23 What kind of problems are you getting me into, Sado?
04:29 You'd better go. This is going to get ugly.
04:32 Get out! Now!
04:36 Listen, it's a misunderstanding. I'm not running away.
04:44 On the contrary, I will pay you.
04:46 You can see, here's everything.
04:48 Give me that.
04:49 Well, now that I've paid my debt, I'm leaving.
04:56 [music]
04:59 Sado is dead.
05:22 How is it possible? They killed him without hesitation.
05:25 I don't want to get into any more trouble.
05:27 [music]
05:30 [music]
05:59 What is that woman doing here?
06:01 [music]
06:04 [gasp]
06:20 What happened? Tell me something.
06:23 Who did it?
06:25 Don't die, please.
06:28 I...
06:29 I took the brakes off the truck.
06:32 What?
06:34 Why would you do something like that? Why?
06:38 For money.
06:40 Because he paid me well.
06:43 What are you saying?
06:44 That he paid you well? Tell me, who paid him?
06:46 No, wait, don't die. Hold on.
06:49 No, please, you have to tell me the truth.
06:51 Tell me who paid him to do it.
06:55 Talk.
06:57 It's too late, Susan.
06:58 You'll never know the truth.
07:02 Tell me something.
07:08 [music]
07:13 [music]
07:16 Good evening, what happened?
07:33 Officer, there is a man covered in blood inside that building.
07:37 I think he's dead and the woman who is with him is the person who killed him.
07:41 Hurry, they must catch her.
07:42 Okay, we'll take care of it.
07:44 [music]
07:47 Don't move!
08:01 Up, now!
08:10 I think he's dead.
08:11 Stand up.
08:13 Show me your hands.
08:16 I didn't do it.
08:22 I didn't do anything, I swear I'm innocent.
08:26 I didn't kill him, you have to believe me.
08:28 When I got there, the man was already dead.
08:35 [music]
08:38 Listen, officer.
08:43 He's making a big mistake.
08:46 The killer is free, it's not me.
08:49 I'm innocent.
08:50 Check.
08:51 I swear I'm not guilty.
09:04 The messages.
09:05 I have to erase the messages.
09:07 Sano's messages.
09:14 [siren]
09:23 [music]
09:31 [music]
09:34 It seems I can finally get rid of you, Susan.
09:38 We're just going to sleep, please.
09:53 Just one thing.
09:54 I think I didn't do anything to Lydia's father.
09:58 Ogle Jan, you talked so much that it was impossible not to notice you.
10:01 What are you talking about?
10:02 Yes, and everything you said was to flatter you.
10:05 I think you were a little disrespectful when you talked to Mr. Yaman,
10:09 as if he were your great friend, you barely know him.
10:12 Yes, that was bold of you.
10:13 Hey, it's called strategy to create links with people.
10:17 Did you see that while Lydia was talking, she didn't take her eyes off me?
10:21 She was hypnotized.
10:22 No, we didn't realize you were talking to us.
10:24 It's Homer who cares.
10:26 But I don't want to compete with you.
10:28 Oh, don't be ridiculous.
10:29 Besides, I don't want to know anything about women now, cousin.
10:32 Look, if at some point she comes to call your attention,
10:34 I want you to tell me, I don't want to have problems with the family.
10:37 Listen, if it were like that, I wouldn't have left Lydia's house to talk to Susan for a moment.
10:43 And how did he know we were there?
10:45 He posted the photo.
10:47 Ah.
10:49 And Susan was jealous.
10:50 That's why she went to the house.
10:52 I'm glad I did it.
10:53 I'm glad, you should thank me.
10:55 Otherwise it wouldn't be...
10:57 It shows that she is depressed.
11:06 It must be for Berg.
11:10 It will be better if I go talk to her.
11:12 Yes, you should.
11:13 I wish Tolga was here.
11:14 Come on, let's go inside.
11:16 She gives good advice.
11:18 Hey, Vick.
11:21 And how did you have fun?
11:25 What's making you sad?
11:27 I'm not sad, why?
11:29 Things are still bad with Berg.
11:32 I'm done.
11:36 What are you saying, Ayvike?
11:38 Why?
11:39 You know why.
11:42 Well, yes, but remember that I warned you, Ayvike.
11:46 That's why I told you to tell him the truth about Elif.
11:48 Is there anything else you can't tell him or why he decided to break up with you?
11:52 Why?
11:53 Because Mrs. Ayla did something bad.
11:57 And my mom knows it too.
12:01 And what was it?
12:03 I won't tell you, I'm sorry.
12:07 Okay, but are you involved?
12:10 If you don't give me information, I won't be able to help you.
12:14 Please tell me.
12:18 I'm sorry.
12:19 It bothers me to have to keep lying, not being able to tell the truth.
12:26 And seeing myself forced to run away from Berg.
12:29 I wish I could tell the truth.
12:32 That way I wouldn't look like an idiot in front of his eyes.
12:37 But I can't, really.
12:42 You don't know how much it hurts to lose a person I love.
12:46 [Crying]
12:49 It's hell.
12:51 Why can't I do anything to change that?
12:55 How could I not know anything?
12:57 There's no way to fix it.
13:01 Calm down, don't cry.
13:03 I wish I knew what to do.
13:06 [Crying]
13:15 [Speaking Spanish]
13:21 [Speaking Spanish]
13:27 [Speaking Spanish]
13:43 [Speaking Spanish]
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13:53 [Knocking]
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14:38 [Phone ringing]
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14:47 [Phone ringing]
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16:08 [Knocking]
16:10 [Speaking Spanish]
16:12 [Speaking Spanish]
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17:06 [Speaking Spanish]
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17:10 [Speaking Spanish]
17:12 [Speaking Spanish]
17:15 As you wish.
17:17 We're going to split up.
17:21 She pays, so she takes care of it.
17:23 Okay. I'm interested.
17:25 Okay, well, see you tomorrow.
17:27 I'm going, I won't bother you anymore.
17:29 Goodnight, guys.
17:31 You too.
17:33 Good thing the offer arrived just in time.
17:41 Congratulations, sister.
17:43 Thank you.
17:45 Enjoy your meal, sir.
17:58 Thank you.
18:00 Mr. Orhan and his wife.
18:03 Zengul!
18:06 What are you doing here?
18:11 What do you think I'm doing?
18:13 Why did you come? Is something wrong?
18:15 What's wrong?
18:17 Now you've changed the park for this coffee shop, Orhan?
18:20 What else can I do? Go to my house?
18:23 Oh, come on, please.
18:25 Don't be so dramatic, Orhan.
18:27 And besides, your mother is already asleep,
18:30 so you don't have to see her.
18:32 Really? If I'm going to be asleep?
18:34 I promise.
18:36 Oh, very well. Then I'm going home because I want to see my series.
18:39 Hey, Sel, give me the bill.
18:41 Where did he go?
18:42 What series are you watching?
18:44 It's about a woman who loses her children and looks for them everywhere.
18:48 It's pretty interesting.
18:49 Oh, Orhan, it's the series of your life.
18:52 Don't you realize?
18:53 Oh, is it a joke?
18:54 I don't know why you take every opportunity to bother me.
18:57 I'm sick of your behavior.
18:59 That woman left us and left.
19:00 It's very different.
19:01 In the series, they get lost.
19:03 Listen to me.
19:04 And if your father invented all that to make your mother hate him?
19:07 Remember that she is your mother.
19:09 Don't treat her like that.
19:10 Please don't start, Sengul.
19:12 I'm 40 years old.
19:13 I know what I'm doing perfectly.
19:14 Look, don't make me angry.
19:16 I don't want to make a scene in this place.
19:17 I would be ashamed.
19:19 Let's go home.
19:20 Where is Beyzel?
19:24 Beyzel!
19:25 I'll leave the money on the table.
19:27 Thank you.
19:28 Hey, can I watch the series with you?
19:33 What are you saying? Of course not, Sengul.
19:35 You'd be talking all the time and I wouldn't concentrate.
19:38 Oh, really?
19:39 What did you say?
19:40 Oh, I spoke to you in English.
19:42 Didn't I tell you that Oghul already taught me?
19:45 I'm not surprised.
19:46 Three minutes, sir.
19:51 Thank you.
19:52 Akif.
19:57 Akif.
19:58 Can I get out of here?
20:00 I can't know.
20:01 That's something wrong, Susan.
20:03 You want me to throw a coin and see your luck?
20:06 For some reason I said to stop you, but you didn't listen to me, Susan.
20:09 And here are the consequences.
20:11 I told you not to mess with that man.
20:13 I knew he just wanted to scam you.
20:15 That nothing good could come out of this, right?
20:17 I had forgotten how naive you are when you have an idea in mind.
20:20 But look at you now.
20:21 How are we going to get you out of here?
20:24 I had to do it.
20:25 I had no choice.
20:26 Ahmed deserves justice.
20:27 I told him that night.
20:29 Wouldn't you do the same for Nevat?
20:31 Sure, and without thinking twice, Susan.
20:34 The big difference is that by now I would already know the truth, but do you know something?
20:39 Calm down.
20:42 Okay, I didn't come to scold you, but to free you.
20:46 If the man hadn't died, I could talk to him.
20:49 I hope I can find another way to prove your innocence.
20:53 Oh no, he's still alive.
20:55 He's in surgery.
20:56 His name is Sadetin.
20:57 A policeman told him during my interrogation.
20:59 We just have to wait for him to recover.
21:01 And you'll be able to know the truth.
21:03 That's right.
21:04 If it's correct.
21:05 When he wakes up, I'll talk to him and he'll tell me who the person is who wanted Ahmed to die so much.
21:11 What great news.
21:12 What a blessing of life.
21:13 It's just that you haven't learned anything about what's going on.
21:16 You still have that idea in your head, Susan.
21:18 Understand that if you get involved with people like that, things won't end well.
21:22 It's so important to know the truth when your freedom is at stake.
21:25 What are you going to do if they lock you up all your life for finding out what you shouldn't?
21:28 We'd better focus our energy on getting you out of here.
21:31 It's more important to think about helping the living than investigating the dead.
21:35 Hello, Mrs. Susan.
21:37 Hello.
21:38 One of our teams found suspects near the place where Sadetin was attacked.
21:44 So, does that mean you think I'm not guilty?
21:47 That's right.
21:48 Oh, what a relief.
21:50 Open the cell.
21:52 What good news, Susan.
21:54 [music]
22:01 Hey, sorry, detective.
22:03 Can I go talk to that man now?
22:05 Not yet.
22:06 But as soon as possible, we'll let you know.
22:08 Take care.
22:09 Good night.
22:10 Thank you.
22:11 Oh, Akif.
22:13 You heard me.
22:14 I think I'll know the truth.
22:16 I'll finally be able to find out who killed Ahmed.
22:18 [laughs]
22:20 That makes me so happy, Susan.
22:21 You have no idea how much I want to jump, even though everyone's looking at me.
22:25 Answer me.
22:26 Did anyone else know you were in this lovely place?
22:29 Like, for example, your son?
22:31 No, no, I didn't tell anyone.
22:33 I have no commitment.
22:34 Why would I want to tell anyone what happened to me?
22:36 Oh, but what an unconscious woman you are.
22:38 You called me to worry me.
22:40 I think it's very unpleasant that I was the only person you took the peace from.
22:45 [music]
22:48 Susan, listen.
22:51 You know it's a joke.
22:53 Come on, let's go.
22:54 [music]
23:05 What are you hiding from me?
23:07 Ayvike, why can't you answer that question?
23:11 I already said no, Berg.
23:12 No, no.
23:13 Nothing's happening.
23:15 Can you stop asking?
23:16 No!
23:17 Ayvike, tell me the truth!
23:19 Why don't you want to tell me?
23:22 What's going on?
23:23 Tell me now.
23:24 When did you stop trusting me?
23:28 Hey, I'm serious, you understand?
23:33 Tell me or we're done.
23:34 [music]
23:42 Hey, how can you sleep in that room with those noises?
23:46 Is she asleep?
23:47 Well, she's snoring.
23:50 Anyway, I need to rest.
23:55 Besides, I have a date with my girlfriend in my dreams.
23:58 I'm going to dream about Lydia.
24:00 Oh, you should have seen her.
24:01 She was looking at me all night.
24:04 Seeing that was the most beautiful thing of the night.
24:07 I'll dream about her.
24:09 Oh, I can't wait to see her.
24:11 Ayvike, are you listening to me?
24:15 Ayvike...
24:18 What's wrong, sister?
24:20 Hey, that's the part where you tell me I'm not naïve.
24:24 [music]
24:33 Look, if you care so much about your boyfriend, talk to him.
24:37 Tell me what's stopping you.
24:39 Just look at her.
24:41 No, wait.
24:42 Did he hurt you, Ayvike?
24:44 Was he rude?
24:45 No.
24:48 I'm the one who's to blame.
24:51 I hurt him.
24:54 So calm down. I don't want you to interfere, okay?
24:56 Okay, I won't do anything, but at least tell me what happened.
24:59 No, Gulcan, please don't pressure me.
25:01 I'm sad and I don't want to talk about it.
25:05 Yes, I'm realizing.
25:07 You know I feel bad when I see you depressed?
25:10 Why?
25:11 Because I love you too much, Ayvike. Seriously.
25:15 Cheer up, okay?
25:17 I love you too.
25:22 Well, now we have to go to sleep.
25:24 What? Are you in a hurry?
25:26 Well, yes, I'm going to dream about Lydia.
25:31 Oh, how naïve you are.
25:36 What did Homer tell me?
25:38 He said the same thing many times.
25:44 Lydia.
25:47 Lydia?
25:49 Tolga?
25:51 Tolga, what are you doing? Get out of my mind.
25:54 Naughty.
26:00 I didn't expect to see Susan either.
26:03 Sado had just taken the money and then that group of men came to the building all of a sudden.
26:07 They stabbed him in front of my eyes. I couldn't do anything.
26:10 Soon after, Susan arrived.
26:12 I hid immediately and then I went to talk to the police.
26:15 I told them she had killed him and then I left.
26:18 Oh, what a good person you are.
26:20 That was really a wonderful idea, Sebal.
26:23 You're a genius. Congratulations.
26:25 Thanks to that, you sent Susan to prison.
26:27 And you could compete for the award to the cruelest woman in the city.
26:31 What was I doing here?
26:32 I saw an opportunity and I took it.
26:34 Please tell me you didn't do the same thing. I'm sure you did.
26:37 I'd applaud you if your plan had been successful, but it didn't.
26:40 Unfortunately, you failed this time, Sebal.
26:43 Susan will be released.
26:45 What are you saying?
26:47 The police have already caught the men who stabbed Sado.
26:51 And what did they say? Didn't they mention my name at some point?
26:57 It smells bad.
26:59 Can you feel it?
27:00 Oh, yes, it's your feet.
27:02 They're burning, Sebal.
27:04 This is serious. We can't leave you like this.
27:06 We have to do something. Someone come help us.
27:08 Don't worry, Sebal. We'll save you.
27:10 The help is on its way.
27:12 Think about it.
27:13 Do you think if they had spoken, you would be sitting here, talking to me quietly?
27:17 No, you'd be in a cell like Susan.
27:19 Do you understand?
27:21 The bad thing is that we already have another problem.
27:24 And what could be worse than this?
27:27 Sado.
27:29 Sado is dead.
27:31 How sweet.
27:33 You don't know anything, but don't worry.
27:35 You'll know everything.
27:36 Calm down.
27:38 Sado is still alive.
27:40 He's in the hospital, getting better.
27:43 If he gets better and decides to tell the truth, do you know what will happen next?
27:48 They'll catch you and you'll go to prison.
27:51 I'm sorry to disappoint you, but your plan was successful.
27:54 Sado can't open his mouth, Kif. Never.
27:57 Of course. That would be a problem.
28:00 He's obsessed with knowing the whole truth.
28:04 Damn it. Why don't you forget it?
28:07 He'll never do it.
28:08 Better think about it, Sebal. It's easier.
28:11 Do you know why this is happening to you? Why don't you know how to finish what you're starting?
28:14 I don't know how I could accept to get involved with you in this.
28:17 I didn't think you'd be so inept.
28:19 But don't worry.
28:21 I'll see how to get rid of him.
28:23 Wait for my call.
28:25 As if I had an alternative.
28:28 What a grumpy.
28:30 No.
28:32 You really don't have it.
28:35 Sebal is a very stupid woman.
28:38 If she weren't here right now, she wouldn't know what to do.
28:41 She would be completely worried.
28:43 She doesn't know how to do this.
28:45 It requires wits and experience, and I have both.
28:49 Thank you very much. I appreciate it.
28:56 I don't have the words to thank you.
28:59 In fact, I do, but you don't know.
29:01 Okay, sure.
29:03 Okay, you'll let me know later.
29:05 Take care.
29:07 Sado left surgery.
29:09 Did anyone talk to him? Did you send someone?
29:12 That's right.
29:13 No, of course I didn't send anyone.
29:15 In case you haven't noticed, I'm the one doing everything.
29:18 You, Sebal, are thinking about home.
29:20 You're useless.
29:22 You're bribing a nurse.
29:24 He's going to call me when Sado wakes up.
29:27 And did you talk to Susan? Did she say anything?
29:30 She's going to the hospital.
29:32 I can't believe how obsessed she is.
29:35 I should be at school.
29:38 Are you going to take an exam?
29:39 Will they need you?
29:40 What are you talking about? Don't be ridiculous.
29:42 Sebal, what do you have to do there?
29:44 The school is yours.
29:46 What could be more important than what we have to solve now?
29:49 Ugh.
29:52 Oh, shut up. It's Susan.
29:55 I hope she's not at the hospital.
29:58 Hello?
30:00 Tell me, Susan. Where are you?
30:03 Did you go to the hospital?
30:06 Did you leave surgery?
30:08 And are you conscious?
30:10 But, Susan, please tell me what you're doing there.
30:15 What did we talk about yesterday?
30:16 Don't get involved.
30:18 Okay. I'm close to the hospital. I'm on my way.
30:22 I'll see you there.
30:24 Okay.
30:25 Did he go to the hospital?
30:27 Yes, there he is.
30:29 I hope Sado doesn't wake up soon.
30:33 Look, Sebal, when we get to the hospital,
30:36 I'm going to distract Susan so that Sado wakes up so you can take care of him.
30:41 Okay, I will.
30:43 I hope we can solve this once and for all.
30:46 You're going to disappear?
30:48 What are you going to do when this is over?
30:50 I don't want any more problems.
30:52 The best thing that could happen to me is for you to leave.
30:55 No.
30:56 (dramatic music)