La Promesa Capitulo 272 Vídeo Dailymotion
La Promesa Capitulo 272 Vídeo Dailymotion
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TVTranscript
00:00 [MUSIC PLAYING]
00:03 [MUSIC PLAYING]
00:06 [SPEAKING SPANISH]
00:10 [COUGHING]
00:12 [SPEAKING SPANISH]
00:17 [SPEAKING SPANISH]
00:20 [SPEAKING SPANISH]
00:23 [SPEAKING SPANISH]
00:26 - He was a violent man. I was running away from him.
00:29 - He told me, too. - I was very sorry.
00:32 That's why I brought her here to La Promesa to hide her for a couple of days.
00:34 - So what do we do? Do we go up and tell the gentlemen?
00:37 - Miss González is working well, right? - Well, her job is impeccable.
00:42 - Then what I think we have to do is wait a few days.
00:46 And then, with peace of mind, we will think of the next step to take.
00:51 - We will take out the boxes in parts instead of all at once.
00:54 - Have you gone crazy, Jerónimo?
00:56 - The more times Mr. Cabernet comes to La Promesa, the more risk he will face with the Marquis.
01:01 Besides, Mr. Cabernet is in urgent need of weapons. He will not want to dose the delivery.
01:06 - What delicate hands you have.
01:09 No one would say that you have worked as a maid.
01:12 - She wasn't. She was the maid of the housemaid.
01:17 Other people did the hard work.
01:20 - If I knew how to see that she does things right, and she puts effort into doing it, that should be enough.
01:25 - Well, it's not enough. - What?
01:27 - That we should also know where she comes from and who she is.
01:30 - I know how we are going to solve the problems we have in hand.
01:33 And how are you going to do it?
01:35 La Promesa is a place of people, day and night, Pelayo.
01:37 We will use a signal.
01:39 And it is very possible that she also needs you to go to Villalquino.
01:44 - What she is trying to do is get along with you and get closer.
01:49 You should make an effort.
01:52 - I'm very sorry, Mrs. Darrio, but right now I don't think I can.
01:56 - She was unconscious and very weak, but alive.
01:58 - And what did she tell you when she saw you and recognized you?
02:01 But didn't you hear that she was unconscious? How is she going to recognize you?
02:05 - She is weird, Alonso. It's like ...
02:09 As if she had her head elsewhere.
02:11 - And if something has happened to her that she doesn't dare to tell us.
02:14 - You have made an unforgivable mistake.
02:16 That can have fatal consequences.
02:21 - Corre, she's not going to tell anyone.
02:23 - You don't know that. - I know because she swore to me.
02:26 - Just like you swore to her.
02:30 - At least you can keep a conversation with her.
02:33 - Yes, of course.
02:35 She talks to me so normally, she even smiles at me, but her speech is ...
02:39 incongruous at all. - Poor girl.
02:42 - My God.
02:49 - They don't understand anything, Father. I'm neither sad nor apathetic.
02:53 And it has nothing to do with Martina or Curro.
02:56 - So what does it have to do with?
02:58 - With me.
03:00 Because I don't know how to tell them something that has happened to me and that is very important to me.
03:05 - What do you want to tell us? Speak.
03:14 - My time in the promise is over.
03:17 - What do you mean?
03:20 You are not comfortable in this house?
03:22 - Of course I am.
03:24 This palace will always be my reference point.
03:27 Where I grew up and spent my childhood.
03:29 And I will always carry it in my heart, wherever I go.
03:32 - I don't understand.
03:34 What have you lost out there if you are sure that this is your place in the world?
03:37 - And why do I have to limit myself simply to a place in the world?
03:40 I want the whole world, Father. Meet new people, learn ...
03:45 - If all this is to return to Paris, I already tell you bluntly that no.
03:48 France is not a safe place.
03:50 And I'm not going to put my daughter's life in danger.
03:53 - It's not that, Father.
03:54 I have had a very enriching experience in Paris.
03:57 But I have no intention of going back there.
03:59 - What I think our daughter wants to tell us
04:05 is that the promise has been too small for her, dear.
04:08 And I can understand it perfectly.
04:12 So, for me, you can continue your studies in Madrid.
04:16 - But that's not what I want, Mother.
04:18 - Madrid is a great capital that will offer you fun and a rich social life.
04:25 - Neither of them has understood anything.
04:27 I don't want to go back to France and get into the mouth of a war wolf.
04:31 But I don't want to leave for the capital either.
04:33 What could Madrid offer me that Paris has not offered me?
04:36 - Well, then let's stop making jokes.
04:40 What's on your mind?
04:41 - That's clear, please.
04:43 - Where do you want to go?
04:46 - United States.
04:48 (Music)
04:51 (Music)
04:53 (Music)
04:55 (Music)
04:57 (Music)
04:59 (Music)
05:05 (Music)
05:07 (Music)
05:09 (Music)
05:13 (Music)
05:23 (Music)
05:25 (Music)
05:35 (Music)
05:45 (Music)
05:47 (Music)
05:57 (Music)
06:07 (Music)
06:09 - To the United States?
06:34 That's at the other end of the world.
06:36 - Yes.
06:37 And besides, only journalists and half-naked people
06:40 who have nowhere to go die come to that country.
06:42 - Your mother is right.
06:44 Only fortune-seekers go to that place.
06:46 - And does that seem wrong to you, father?
06:48 That people want to work for a future?
06:50 - I understand that someone has that need.
06:54 But you are a Lujan.
06:55 - So?
06:56 Is it that a Lujan cannot have her own dreams?
06:59 - You have a last name, a position, some lands.
07:02 - All that is very good.
07:04 But I will have nothing left.
07:05 Manuel will inherit the title of Marquis
07:07 and Catalina will manage the farms.
07:09 What do I have left?
07:11 - They will make sure you have everything
07:13 until the day you get married.
07:15 - So that's the wonderful fate that awaits me.
07:18 And they haven't thought about me entering a convent?
07:20 That would be a very noble fate for a Lujan.
07:23 - Well, it wouldn't hurt you at all, would it?
07:25 You're lucky that times have changed so much.
07:28 - I totally agree with that, mother.
07:30 Times are changing.
07:32 Now a woman can travel to another country in pursuit of her dream.
07:35 - What is that dream you talk so much about?
07:38 - In Paris I met Mr. Monroe Schnacht.
07:42 A North American millionaire who made me a proposition
07:45 that I cannot reject.
07:47 - He asked you to marry him?
07:50 - I'm very sorry to disappoint you, mother.
07:53 - Stop the sarcasm, Leonor.
07:57 And tell us then,
07:59 what kind of proposition has he made you?
08:02 - He offered me a job in his fashion magazine.
08:05 - A job?
08:08 - Mr. Schnacht believes that the next war
08:11 will prevent the models from France from going to the United States.
08:14 It's a great opportunity.
08:16 - It's a great trick.
08:18 - I also find it outrageous
08:20 to go to the United States for a job
08:22 when you have no need.
08:24 - The truth is that I was hoping to be supported.
08:27 But I could foresee his reaction.
08:29 - So you were just telling us this to provoke us.
08:32 - No. I'm telling you to inform you, mother.
08:35 I plan to go to the United States, whatever they do.
08:38 - But we'll have to tell them, right?
08:41 We are your parents.
08:42 - I've already spoken to Aunt Mildred
08:44 to let me stay at her house in New York.
08:46 - Leonor, I've tried to be reasonable.
08:48 But I'm not going to allow you to go so far, alone.
08:51 - I've already told her that this is just my decision.
08:54 And it's already been taken, father.
08:57 - I'm not going to give you permission to travel.
08:59 And I'm not going to make your passport easier.
09:01 - Are you really going to do that to me?
09:04 Are you going to keep me here by force?
09:06 - Without my consent, you can't go anywhere.
09:09 That's how things work.
09:11 - Yes.
09:12 And that's why I have to change it, urgently.
09:14 - I'm going.
09:15 - What we were missing.
09:29 - The best thing is to turn the page and forget about this terrible fire as soon as possible.
09:35 - A little hard to forget, right?
09:37 Anyway.
09:41 The only important thing is that Ximena is far from the promise.
09:44 - Can I leave now?
09:47 - Thank you, Hanna. - No!
09:49 I mean, stay in case we need anything else.
09:59 - It would be better if I called another maid and I have other tasks to do.
10:04 - Sure.
10:07 - But don't worry, Teresa will come up right away.
10:11 - Gentlemen.
10:12 Well, what's going to happen to her, Manuel?
10:20 - What's going on? With whom?
10:25 - Well, who is she going to be with? Ximena?
10:27 Is she going to spend a lot of time at her parents' house?
10:30 - I don't know.
10:32 But anyway, first ...
10:36 She will have to ...
10:38 ... heal completely before making a decision about her future.
10:41 I have a very clear idea of what I would do.
10:45 - Sure. You intend to send her to a sanatorium, as she did with her mother.
10:49 - In a sanatorium is where these sick people are better.
10:51 There they do no harm to anyone.
10:53 - There they isolate them and disconnect them from life.
10:56 - Better than being in their world if they can't live in the other's, right?
11:00 - Look, Manuel. I think that Ximena is better off at her parents' house.
11:05 Because there they will give her attention and affection.
11:07 - I think as I work.
11:09 Patience and love are key to the recovery of the soul.
11:13 Don't you think, Manuel?
11:16 - Yes, yes. Of course.
11:20 I apologize.
11:25 I admit that this matter has exhausted me.
11:28 - I already told you.
11:30 It would be best to put her in a sanatorium.
11:33 All the root problems are over.
11:36 - Sure.
11:41 - What?
12:03 - What are you doing?
12:05 What are you doing?
12:07 Stop! Stop! Stop!
12:09 Stop it! I will never hurt you again!
12:12 - Can I come in?
12:27 - Of course. Come in.
12:31 - We brought you some mangares.
12:34 Not even a sultan's.
12:36 - Ceylon tocenillos for dessert. With the special touch of López.
12:39 - Well, the only special touch is affection.
12:42 - We put that on all three of them.
12:44 - You have me in trouble, Donny.
12:46 - Don't exaggerate either. The sheets scratch yours, which already have their good stuff.
12:51 - Get changed. You have to eat everything.
12:54 - Thank you very much for the care.
12:57 But they are giving me a lot.
13:00 And I'm a menu, and I have a small stomach.
13:03 - Well, we don't want you to roll out of bed either, but you have to make an effort.
13:09 - As the saying goes, "what doesn't get fat kills you."
13:13 - I missed your sayings, María.
13:17 - I still have to touch you to believe that it is not a dream, that you are here healthy and safe.
13:24 - But Mrs. Candela, you cannot pinch yourself.
13:27 Like we all do. Can't you see she's eating?
13:29 - You're right, López.
13:31 Well, jokes aside, I'm very happy to see you here, alive and kicking.
13:37 - The same happens to me, Candela.
13:39 - And we have had a bad time, María Fernández.
13:42 - We were terrified, not knowing very well where the evil Valentine had hidden you.
13:47 - Good thing you found me.
13:51 - Sergeant Funes and his men searched the area without rest.
13:55 - They have been involved in body and soul until the last detail of the promise.
13:58 - But what Hanna and the good doctor did, that's a different story.
14:02 - Why, Simona?
14:04 - I think that if it weren't for them, we wouldn't have found you, María.
14:07 - Why, Simona? Tell me.
14:10 - Well, first of all, Hanna already confronted the Marquess, who didn't want to be part of the Civil Guard.
14:16 - You know how grumpy the Marquess is, always thinking about the rest.
14:20 - But Hanna, R.Q.R. insisting.
14:22 - Until Sergeant Funes took notes on the matter and sent all his men to look for you.
14:27 - And to ask the people of the town in case anyone knew anything.
14:30 - How lucky I am to have such a stubborn friend.
14:33 - Well, yes. This time the rich voice saved your life.
14:37 - The important thing is that you are fine. That is the most important thing.
14:41 - And now it's time to forget this horrible event.
14:43 - And we are going to help you get it out of your head.
14:47 - When I see you, Moina, I'll hit you.
14:51 - The cart that falls.
14:53 - That sounds like a threat, Mrs. Candela.
14:55 - Well, what happened in the promise, in my absence?
15:00 - That people always come and go here. Is there a new tenant?
15:04 - Nobody important.
15:12 - Come, eat, it's getting cold.
15:17 - This is eaten without feeling.
15:20 - Yes.
15:21 - I don't know what you think of this rearrangement. - Yes.
15:25 - I think we would almost get everything.
15:27 - This would change here and this here.
15:30 - I think it's good. - It's the best.
15:32 - Come in.
15:34 - Could I take a minute, Mr. Baeza?
15:38 And since you are here, I would also like you to listen to what I have to say, Mrs. Adarre.
15:44 I won't waste your time. I just wanted to address a couple of issues.
15:50 I would like to break a spear in favor of López.
15:53 The last thing I would like is for him to be hurt for bringing me to this palace.
15:57 - He should never have behaved that way. It was completely unprecedented.
16:01 - Of course. But in his soul he was only helping me.
16:05 I was the one who asked the desperate for help and he offered me shelter.
16:09 It was a totally humanitarian act and it shows his good heart.
16:13 - López's good heart is known to all.
16:16 - He hid me in the attic and asked me not to go out under any contact.
16:19 - And you didn't listen to him.
16:21 - I'm curious by nature.
16:24 I just wanted to take a walk around such a magnificent palace.
16:28 Then I saw a maid's uniform and I thought of putting it on to go unnoticed.
16:32 - You are accumulating imprudence, Miss González.
16:36 Not only do you leave your hiding place, but you also pretend to be someone you are not.
16:40 - You are absolutely right, Mr. Baeza.
16:43 But I didn't think anyone would find out about me.
16:46 - It is clear that they did find you out.
16:49 - The ladies took me for a new maid.
16:52 But if I had listened to López, none of this would have happened.
16:55 - But it happened.
16:57 Mr. Ruiz should never have brought you to this palace without permission.
17:01 This is a house of category, not a foundry.
17:05 - He just wanted to help me with his best intentions.
17:08 - And good intentions are in hell.
17:12 In any case, he defends you with such vehemence, as many of you say, Miss González.
17:18 And I have to tell you that we are not going to take retaliation against him.
17:21 - Thank you very much.
17:23 What else? You wanted to comment on a couple of things and you started with the first one. What else?
17:28 - Well, this second one is a little more daring for me.
17:33 But knowing that you two are two people so understanding,
17:37 I would like to ask you not to report me to the Marquis.
17:40 - Oh, and if you can know why we shouldn't do it, what reasons are there?
17:46 - I don't like to tell my family's miseries, but ...
17:52 My father is a truly horrible person.
17:55 A tyrant.
17:57 He mistreats you.
17:59 Did you mean that when you said he got violent?
18:04 - I would rather not go into details. But imagine the worst.
18:09 I just need a job to survive away from him.
18:13 I just want to earn my living honestly, without hurting anyone.
18:17 Look, I know I got this job with bad intentions,
18:22 but I promise you that it was not a premeditated action.
18:26 Fate has given me the opportunity that I have been claiming for so long.
18:30 - Well, this opportunity is not given to fate.
18:34 In any case, it would be given to the Marquis.
18:37 - I promise you that I will not let you down.
18:40 Do not report me.
18:42 - We have to talk about this and make a joint decision.
18:46 - You can go to rest.
18:51 - Thank you. Thank you very much, gentlemen.
18:54 The mere fact that you have listened to me so carefully is already something that I value with gratitude.
19:00 - Thank you.
19:02 - And ma'am, doesn't it seem strange to you that the new one has come here to La Promesa like ...
19:15 like it came out of nowhere?
19:18 - Why? I myself asked Mrs. Darreq to look for a new maid.
19:23 I thought the other one would never return.
19:26 What do you find so strange?
19:28 - The brief selection process that has been carried out in the strictest of secrets.
19:33 At no time did I see any candidate being interviewed.
19:38 - Well, that doesn't speak very well of you, Petra.
19:40 Your function is to find out everything that happens down there.
19:44 - I know, ma'am.
19:45 But Mrs. Darreq herself told me that she did not plan to look for anyone
19:49 until it was known that it had been María Fernández.
19:51 - What do you mean? So where did that maid come from out of nowhere?
19:55 - Well, that's what you don't explain to me, ma'am.
19:58 - Well ...
20:00 Stop gossiping, it's not going anywhere.
20:03 What is clear is that that Vera is the perfect maid.
20:06 She knows how to be in her place and ... and that is not easy to find.
20:11 - It is true that she seems quite resolute and polite.
20:14 But she has just arrived, ma'am.
20:16 She doesn't trust her either, she doesn't know her very well.
20:19 - Are you jealous, Petra? Is that it?
20:24 - Absolutely, ma'am.
20:26 - I know I don't usually have such good words for the maids, but don't worry.
20:32 Your position is not in any danger.
20:34 - I guess my experience and my years of loyalty are not easy to replace, ma'am.
20:40 - Well, that and that ...
20:42 At this point, it would be a hassle to have to instruct a new maid.
20:49 - I feel obliged to inform you that the new one has been well received in the service area, ma'am.
20:55 - Well, that doesn't surprise me at all.
20:57 Because she has a name.
20:59 Her name is Envidia.
21:01 It is clear that this girl has an exquisite background.
21:04 Many of the women from down there would like her to be at her level.
21:08 - Well, I hope the lady is not getting me into that group.
21:11 - You will be, if you give up.
21:18 - Marquise, do you mind if I keep you company?
21:21 - Absolutely. My maid was putting her head on my shoulders like a balloon.
21:26 Do me a favor and bring Mr. Conde some tea.
21:29 - Have you eaten anything?
21:46 - I'm trying, Hanna.
21:48 - Yeah, but look at this piece of heaven you got in sight.
21:53 - I've eaten it by sight.
21:55 Because what's in my stomach, I have it closed with a key and a lock.
22:00 - Well, maybe you have to make a power.
22:02 - And I do, Hanna.
22:04 But it's just that, for so long without getting into a fight, it seems that I forget how it works.
22:11 And I get full when I travel and have dinner like a bird.
22:16 And when I was locked up in that filthy cave, I couldn't stop thinking about food.
22:22 About grill, about chicken, about the stove ...
22:28 And now nothing, Hanna.
22:31 - Well, don't worry.
22:33 Little by little you will regain your appetite, you will see.
22:36 And the energy and everything else.
22:38 But the most important thing is that you continue drinking water and all the juices that Abel has told you.
22:44 - Yes. I drank water.
22:46 - That's it.
22:47 - To keep me hydrated.
22:50 I feel better.
22:53 Except when I remember those memories from that cave.
22:58 And I start sweating as if a wolf was chasing me.
23:01 - That will also happen.
23:04 But the important thing is that you have not damaged any organ.
23:08 And that you are fine with that light.
23:10 So everything else will pass with time and with good food.
23:14 - And with love.
23:16 - That too, Boa. Come.
23:19 - I'm glad you got rid of it, Maria.
23:27 - Well, yes.
23:31 I'm taking a walk around the other neighborhood.
23:34 And I came back thanks to you.
23:38 - Everyone tried to get you back.
23:41 But you especially, who have told me.
23:44 - And what did you want me to do?
23:46 Ask you to be my best friend, that's all.
23:49 I only did what you would do for me.
23:52 - Well, yes.
23:53 I would have moved heaven and earth to find you.
23:56 - Well, I did the same.
23:58 - What I don't know is if I would have spoken to the Marquise.
24:02 - I'm sure you would.
24:04 - For the same, yes. Because I'm a little bit of a person.
24:08 [Music]
24:13 - Thank you from the bottom of my heart, my friend.
24:15 - You're welcome, friend.
24:18 - I don't know what I would do without you.
24:22 - Well, nothing.
24:25 Like me without you.
24:27 - Come on.
24:29 I'm going to move you and you're going to make a hole in me.
24:31 - You're going to have to help me.
24:35 [Music]
25:00 - It's nice to enjoy these sunny days at La Promesa.
25:05 - I highly doubt that you have come to have tea with me to talk about time.
25:09 - No.
25:11 The truth is that it was a preamble so as not to be abrupt.
25:13 - Well, don't worry.
25:15 Stop rambling and get to the point.
25:17 - At the risk of being heavy,
25:20 I wanted to ask you again to intercede before your husband
25:23 so that Mr. Cavendish could return to La Promesa one last time.
25:26 - Well, if you are heavy, yes.
25:28 You already know my husband's position.
25:30 - Yes, I know it and I respect it.
25:32 But you will understand that I do not want to be wrong with the client
25:35 who is making us earn so much money.
25:37 Also,
25:40 I know that the captain of the "Mata" and his sister-in-law Margarita
25:45 have been maligning and conspiring against me.
25:48 - Why do you say that?
25:51 - Because I'm sure they were the ones who warned the Marquis
25:55 that I made the tomato sauce sauce behind his back.
25:58 - You are wrong, Corporal.
26:01 They were the first to receive a good reprimand from my husband.
26:05 It was my subordinate Curro who told him.
26:08 - Well, in any case, they do not miss the opportunity
26:11 to conspire against my interests.
26:13 - And what is the objective?
26:15 - Well, the truth is that I don't finish guessing.
26:18 But ... they have me in line.
26:21 - Look, Mr. Count,
26:24 if you don't understand why someone is jealous of you,
26:28 I warn you that there are always two reasons.
26:31 Money and envy.
26:34 Still, I'm sorry to tell you that this time
26:38 I will not be able to help you.
26:40 I will not argue with my husband again.
26:42 I was able to get married with almost everything,
26:44 but it's not about forcing things, right?
26:47 - I don't understand. I don't understand.
26:49 But this time I have not come to ask for help
26:52 without any interest.
26:54 Look, I have a proposal that I think you will not be able to reject.
26:58 - You won't pretend to make me change my mind by offering me money, will you?
27:03 - No, no, no. For God's sake.
27:05 It would never be as vulgar as offering you money.
27:08 It is something that interests you much more.
27:12 - Congratulations. You have managed to get my attention.
27:19 Go ahead. I'm all ears.
27:24 [Music]
27:50 - Feliciano.
27:52 I think you didn't like my words about the new girl.
27:56 - Well, the truth is yes.
27:59 - Well, if you let me, I would like to explain myself.
28:04 I want you to know that I have nothing against that girl
28:12 because she was the last to arrive.
28:14 If you think that, you are mistaken.
28:17 - I only think what your words meant.
28:20 - Well, you're misinterpreting me.
28:23 I only think that the arrival of that girl to the palace was,
28:26 at least, irregular.
28:29 - Mrs. Darre does not say the same.
28:32 - Yeah.
28:33 - And if you're thinking I should question her words, I'm not going to.
28:36 Because I trust her 100%.
28:39 - Well, you shouldn't be so naive, Feliciano.
28:42 Because everyone here keeps their secrets.
28:47 [Music]
28:49 - I have a lot of work to do.
28:51 I don't want to waste Chachar's time.
28:54 - And I want you to lose it.
28:58 The first is the first.
29:00 - Well, we agree then.
29:03 [Music]
29:06 [Music]
29:09 - I was ...
29:23 hanging the clothes.
29:26 - Everything has gone up.
29:35 - Mrs. Petra is suffering a lot.
29:38 - And am I not, Teresa? - Yes, of course you are.
29:42 But after all, she is your mother, Feliciano.
29:46 - Are you trying to reconcile me with her?
29:48 Why are you all so involved in that?
29:52 Have you spoken to Mrs. Pia?
29:55 Was she the one who asked you to intervene?
29:58 Answer me, Teresa.
30:01 - Yes.
30:02 It was her.
30:04 - I don't understand this kind of conspiracy that is happening around me.
30:06 And it's starting to be quite annoying.
30:08 - We just want the best for you. I also thought that Mrs. Petra was not doing you any good.
30:11 - The only thing you are getting with this, Teresa, is that I feel more guilty.
30:14 And I honestly don't think I am. Because it was her who abandoned me.
30:17 It was she who left me in the hands of a mistreater and who has been cheating on me all my life.
30:20 - I know, Feliciano. - So the only victim here is me.
30:24 I don't know how you intend to accept that woman overnight as if nothing had happened.
30:28 - Nobody is asking you that. - Because I don't forget or forgive.
30:34 And now, if you excuse me, I go back to my chores.
30:37 - This lamp is cleaned by spraying with water and ammonia.
30:55 And you have to move it very carefully, so as not to break the Murano crystals, okay?
30:59 It has been with the Lujan family for centuries and so it must remain intact as the first day.
31:03 So clean it gently and very, very gently, okay?
31:07 - Mrs. Darre. Can I talk to you?
31:12 - Yes. Please go get the ammonia and water.
31:15 - What do I have to do to be forgiven?
31:20 I know I did it wrong. And ... I am very sorry.
31:27 But I assure you that I am willing to do anything to earn your forgiveness.
31:30 - Hanna, I assure you that your words are sincere but they are not very useful.
31:34 They are really useless.
31:36 - Vera ...
31:37 I understand.
31:41 But I ... I appreciate you very much.
31:46 And ... I feel that you are having such a hard time because of me.
31:50 I need you to forgive me.
31:52 - What you have done is not an indiscretion, Hanna.
31:56 You have put me in danger.
31:58 And you have put my son's life in danger.
32:01 How long do you think it will take Mr. Curro to tell everyone?
32:05 And do you think the lady will have a grudge against me? And with Dieguito?
32:09 - Curro is not going to say anything, I told him.
32:11 - You don't assure me anything that you can't keep.
32:13 Look, this is not a simple film of dust that is cleaned with water and ammonia.
32:18 It is much more serious.
32:20 So don't expect me to forgive you.
32:23 And when your colleagues leave, you help them with the lamp.
32:27 - Everything is red hot.
32:44 The war in Europe is about to break out.
32:46 - Again that happy war.
32:48 - Cruz, many human lives will be lost.
32:51 - Well, let them kill each other and they don't agree, Alonso.
32:54 The only thing that worries me is Leonor.
32:58 And that idea that she has of leaving.
33:00 - She still has that.
33:03 - Of course she still has that.
33:05 The more we oppose each other, the more she wants to leave.
33:08 - That girl has always had too many birds in her head.
33:13 - She has birds and Manuel has planes.
33:16 Come on, they are both in the clouds.
33:18 I don't know what I've done to not have children who have their feet on the ground.
33:21 - She is very stubborn.
33:24 - I wonder who she will have turned out to be.
33:27 - And very capricious.
33:30 I wonder who she will have turned out to be.
33:32 The point is that we have to make her change her mind.
33:36 - Well, yes.
33:39 Anyway, I'll think of something.
33:42 There is another topic I want to talk to you about.
33:44 It's about Pelayo and the jam.
33:46 He has another delivery to make.
33:48 - Cruz, you're not going to convince me to make that Englishman come back to the promise.
33:51 My position on this is very clear.
33:53 I'm tired of repeating it.
33:55 - Alonso, be reasonable, please.
33:57 He is your most important client.
33:59 And that transaction will bring him very good benefits.
34:02 And not only him, but also us.
34:04 - I said no.
34:05 No more talking.
34:06 - Ah, very well.
34:08 That's your argument.
34:09 No and period.
34:10 - King Alfonso XIII is married to Victoria Eugenia de Battenberg.
34:14 Of English origin.
34:15 And his mother is Maria Cristina de Asburgo Lorena.
34:18 Of Austrian origin.
34:19 That puts the monarch in a very delicate situation in this conflict.
34:23 And that is why he has asked all the nobility
34:25 that I do not take sides on any side.
34:27 That is why we cannot give in,
34:29 or seem to have done it.
34:31 Do you understand now?
34:32 - I thank you very much for your pedagogical work, dear.
34:37 But I still think it is not so serious that Mr. Cavendish spends a few hours here.
34:42 He does not have to find out about anyone.
34:44 - And I am the Turk.
34:45 - You are not going to give your arm to the third?
34:49 - No. And a thousand times no.
34:51 - And then you are surprised that your daughter has come out like this.
34:55 - You are all right with this issue.
34:57 All.
34:58 (Music)
35:01 - Hey, this lamp is getting dirty.
35:27 - What's up?
35:28 - Well, Mrs. Pia has withdrawn her word and ...
35:32 She is not willing to forgive me.
35:35 I can't get mad at her either, because what I did was ...
35:39 It was unforgivable.
35:41 - Hanna, you know perfectly well that her secret is safe with me.
35:47 Come on, I'm not going to tell anyone.
35:49 - Curro, I never had to tell you who the father of her son was,
35:53 much less how he was born.
35:56 - I insist that you have to trust me, Hanna.
35:58 I swear by the most sacred thing that I am not going to tell anyone.
36:01 - I appreciate it, Curro, but ...
36:04 Trust is something that is gained in many years and can be lost in a single second.
36:09 And Mrs. Pia no longer trusts me.
36:12 It is normal because I have behaved badly with one of the best people I have met in my life.
36:17 - Hanna.
36:20 Let time pass.
36:23 Agree?
36:24 Everything will be clear.
36:53 - What's wrong with you, sister-in-law?
36:55 - Nothing.
36:56 A discussion with Alonso.
36:59 - So, just routine.
37:01 And can I know the reason?
37:05 - Well, look, I don't know if I can trust you, Lorenzo.
37:08 - Of course not.
37:10 Neither can you trust me nor can I trust you.
37:12 We both know that we are poisonous,
37:15 but we join our forces for convenience.
37:18 It is a case of mutual distrust.
37:21 But that means we don't betray each other.
37:23 - And how do I know that you don't have ...
37:26 new alliances?
37:28 - But you do know that for me you have always been my favorite when it comes to conspiring.
37:33 - I mean my sister-in-law Margarita.
37:35 - Ah!
37:36 Are you jealous?
37:38 - I know you are conspiring against Pelayo.
37:43 - Well, I wouldn't say so.
37:46 - You won't deny me the good tendency you have with her lately.
37:49 - Interested approach, which is not the same.
37:51 - Explain yourself, please.
37:53 - Margarita thinks there is something strange about the jam.
37:58 The truth is that something smells rotten in the Añil count.
38:03 And I want to be close in case I find out something interesting.
38:06 - Well, I would also like to be aware.
38:09 - Cruz ...
38:11 I am close to Margarita.
38:14 And you are close to me.
38:16 I assure you that you are my favorite ally.
38:19 - And I assure you that, as you have said, I am poisonous.
38:24 So be careful.
38:27 - Believe me, I'm very clear.
38:30 You don't sting me, and I don't sting you.
38:45 - Come in.
38:47 Do you like it?
38:56 Look, breaking the egg yolk with the bread is a superior pleasure.
38:59 - Eat it, you miss it so much.
39:02 - So you slept like a baby and regained your appetite.
39:06 - I'm glad you regained your appetite.
39:08 We'll come back when you're less busy.
39:10 - No, no, no.
39:12 Stay here, I'll finish later.
39:15 - The truth is that it shows with better appearance.
39:18 - Yes, the eggs with chorizo.
39:22 That's the best medicine.
39:24 Well, that's the care of the good doctor.
39:27 He has me in the queen's body.
39:28 - The good thing is that he said that the ankle wound is not infected, Maria.
39:31 - Yes, it hurts less now.
39:34 That's where I had the worst, the worst Valentine's Day.
39:40 - Don't even think about that, for God's sake.
39:42 - How does Doña Pia do it?
39:44 I have some memories of the anguished sea in my mind.
39:48 Well, when can I go back to work?
39:53 I think it's late.
39:54 - No, you are much better, but no, you don't have to force it.
39:58 - Forcing would be staying here all day.
40:01 I'm falling off the walls.
40:03 - Believe me, no one understands better than me
40:06 that I miss contact and daily labor.
40:10 - The hours are eternal, Don Rómulo.
40:12 - Yes, but it's still very soon, Maria Fernández.
40:15 There is no need to rush.
40:16 I tell you from experience.
40:18 - You will have to rest until the doctor indicates it, Maria.
40:21 - I see.
40:23 - We promise to be pleasant jailers.
40:25 - Yes, Mrs. Darre, maybe he is not the best example.
40:28 - You are not jailers.
40:34 On the contrary, you have freed me.
40:37 I wouldn't be here if it weren't for the great family I have in La Promesa.
40:41 I know it was you who gave permission for people to go out in search of me.
40:46 I am very lucky with you.
40:50 - Maria, that you are able to see fortune after the horrible days you have spent
40:54 says a lot about your good disposition.
40:57 - Being grateful is being well born.
41:00 And the truth is that I don't know how to reciprocate so much affection.
41:06 - Well, you recover soon and eat a lot of eggs with chorizo, okay?
41:10 - Do you really not want to?
41:13 - What is the best move of chess?
41:33 - That does not exist.
41:35 It depends above all on how you interpret the movements of your opponent.
41:39 Chess is a strategy game between two players.
41:44 You have to surprise your opponent.
41:47 Displace him, deceive him, get him to fall into your nets.
41:51 - That sounds a bit maquiavelic.
41:53 - Well, it's a test for life.
41:55 And it has a lot to do with business.
41:57 - And how could you surprise my rival?
42:00 - In many ways.
42:01 Making an unusual opening at the start of the game.
42:05 With an aggressive and unexpected movement.
42:08 Or even making a tactical sacrifice of one of your pieces.
42:13 Are you listening to me or are you going to end up giving me the reason like crazy?
42:19 - Forgive me for a moment, I've lost my mind.
42:22 - That's what you should never do in a chess game.
42:26 Lose concentration.
42:28 Check.
42:34 [Laughs]
42:36 - What's bothering you?
42:42 - I keep turning your father's opposition around and telling Mr. Cavendish to come to the promise.
42:48 Why doesn't he trust me?
42:50 - It's not a matter of trust, but of prudence.
42:53 My father is afraid of the imminent war.
42:55 He doesn't want to be dignified.
42:57 What we have to do is that our commercial relations with Mr. Cavendish
43:01 are not tarnished by him.
43:03 And that way, they won't tell us that we're doing anything strange.
43:06 Don't worry. I'll find a solution.
43:10 - But I don't want this to cause you problems with your father.
43:13 - You leave it to me.
43:14 I'm an expert at this game.
43:17 I'll find the best strategy.
43:20 [Music]
43:23 - It's like making a béchamel.
43:41 But instead of adding milk, we add broth.
43:43 - Ah, I see.
43:44 What's it called?
43:45 - Velouté.
43:46 - What?
43:47 - Velouté.
43:48 - I'm going to call it béchamel with broth, that's it.
43:50 - I think it's fine.
43:51 The trick is not to stop stirring so that lumps are not formed.
43:54 - Or like béchamel.
43:56 In the end, no one dared to put the cat's tail on it, huh?
44:00 - What?
44:02 - No one has had the guts to tell María Fernández that there is a new maid.
44:06 - Yeah.
44:07 Well, I think the best thing is for her to find out herself when she is more recovered.
44:13 You, Mrs. Simona, how is the onion going?
44:17 - Mrs. Candela, don't stop stirring.
44:20 - And those tears?
44:23 Are they for the onion or is something wrong with you?
44:26 Mrs. Simona, don't tell me you still feel guilty for having taken on Valentín's evil.
44:33 Listen to me.
44:36 María Fernández is much better, that is the most important thing.
44:39 And today she has eaten almost all the dish you prepared for her.
44:42 And you'll see how, in less than a rooster sings, we have her working again.
44:47 - Ah, have a glass of béchamel with broth.
44:50 - Mrs. Candela, the lumps!
44:52 - Oh, what's wrong with you, Simona de mi alma?
44:56 - In the end I have to move again.
44:58 - Tell me, what is it that worries you?
45:00 Do you still have the fear in your body with María Fernández?
45:03 - No.
45:05 It's not just that.
45:07 - Close the tap, for God's sake, it's going to infect me.
45:10 - I had the illusion of regaining contact with my little Antonio.
45:15 And that is now impossible.
45:18 Everything that that bastard told us about my son is a lie.
45:24 Today, I don't know where I will find my son.
45:29 That is the only truth.
45:32 [Music]
45:53 - Manuel.
45:54 - Abel.
45:55 - Careful!
45:56 These pieces stain just by looking at them.
45:59 - Ah, well, this is my best shirt, so I keep it at a distance.
46:03 I have already found out that Ximena progresses little by little thanks to medication.
46:07 - Yes, let's see, you said it. Very little by little.
46:11 - Well, if you want, I can stop by the palace of the dukes to examine her.
46:15 - I appreciate it, but I don't think it's necessary.
46:18 Besides, the dukes have her well attended and ...
46:23 Actually, I doubt they will let you come close.
46:25 They don't want anything from the Lujan.
46:28 - Well, I'm very sorry for the distrust.
46:31 - Me too, but it's completely reasonable.
46:34 - Anyway, let's stop talking about that.
46:37 - By the way, congratulations!
46:42 I have learned that your participation was decisive in the rescue of María Fernández.
46:46 You have become a little less than a hero for all the staff.
46:49 - Well, it wasn't that much. There has been luck.
46:51 And without your father it would have been impossible.
46:53 But hey, I'm very glad to have contributed my little grain of sand.
46:57 Also, I don't know if you know, but your father has hired me to work permanently here at La Promesa.
47:03 - Really?
47:05 I didn't know.
47:08 Congratulations. It's always good to have a doctor close.
47:11 - Thank you very much. I am glad to have the opportunity to earn my salary,
47:15 being useful both at the top and at the bottom.
47:18 Besides, the best thing about this terrible event is that ...
47:22 Well, it has brought me much closer to Hanna.
47:27 - Thank you.
47:29 - Are you okay? - Better than ever, Manuel.
47:33 Hanna has had a very bad time.
47:35 And she needed me to be by her side, and I ...
47:38 Of course, I've been there, supporting her.
47:41 - Wow.
47:43 - I warned you.
47:46 - But will the grease stain be removed?
47:48 - Abel, I advise you to go and clean that shirt as soon as possible.
47:52 - Okay.
47:54 [Music]
48:15 - Let's see, all this seems to be ready.
48:22 So you can pick up the tray.
48:26 And here ...
48:29 You can also remove the cover.
48:33 - Mr. Baeza. Thank you for taking care of this.
48:36 It's just that after visiting Diego I had to clean my suit because it has thrown all the puree.
48:41 It looks like he doesn't like Jewish women very much, right?
48:43 - No. What a mother doesn't do for her child.
48:45 - Mrs. Darri, Mr. Baeza.
48:47 - Uh ... Since you two are together, I would like to tell you something.
48:52 - Well, what do you want to tell us?
48:54 - That, well ...
48:56 I know I was wrong to get Vera here on the promise without permission.
48:59 - Yes, the truth is that her idea is already spoken, it was an irresponsibility.
49:02 - I know. But despite that, I would like her not to be judged negatively.
49:06 - But if she hasn't done anything but give you trouble, Lope, please.
49:08 - I know, I know, Mrs. Pia, I know.
49:10 But I think, for how little I know her, that she is a good girl.
49:13 And it is clear that she has entered the promise with good feet.
49:16 - Mrs. Marqués Adora.
49:18 - So what exactly does she want?
49:20 - To be given a chance.
49:23 - We are valuing it, but of course.
49:26 That is not a decision that can be taken lightly.
49:29 - Sure, sure, sure. Well, I wouldn't want to pressure you.
49:32 - Well, don't pressure us, Lope. Let us think calmly. Please.
49:36 - Okay. I'm going back to the kitchen.
49:39 [Music]
49:41 - Does the stain come off?
49:51 - Not for now. I'm going to have to rub harder.
49:54 - Well, wait.
49:56 - Are you going to take it off?
50:00 - Better like this, right?
50:02 - Sure, yes.
50:04 - Here.
50:07 - Look.
50:09 - I've been in the hangar talking to Manuel and he has supported me where I shouldn't.
50:16 - It's just that in the hangar you can't lean anywhere.
50:19 - I know. I know for the next one.
50:21 I'll be left standing like a stooge without touching anything.
50:24 - Well, let's see if I can do it.
50:27 Luckily you were in the fist. And if it doesn't come off, you can change it.
50:32 - Well, I wish everything was so easy in life, right?
50:34 - Something doesn't work, it's replaced and that's it.
50:38 - And ... what have you talked about with Manuel?
50:47 - Well, he has told me about Ximena's condition.
50:50 - And?
50:52 - She has been found very unwell and almost involuntarily due to the medication she is taking.
50:56 And her parents have practically kidnapped her.
50:59 In fact, I would not be surprised at all if Manuel went there again.
51:04 - How?
51:05 - Let's see, is it normal, Hanna?
51:08 That Manuel is there with his wife, giving her support.
51:12 A man has to be with his wife when she needs him.
51:16 - Sure.
51:19 I need you to hold me.
51:24 Hold me, help me live this moment.
51:29 That for nothing in the world you let me go, that you don't leave me.
51:32 That's all I ask you, don't leave me, please.
51:35 - Hanna.
51:42 I give you my word.
51:46 I'm not going anywhere.
51:50 I stay here and I'm not going to let you go.
51:55 [Music]
51:58 - Well, this is not a matter of rubbing. I'm sorry Abel, but it doesn't work.
52:14 - Don't worry, Hanna. I don't want to give you more work.
52:18 The only remedy is to change the fist, right? Well, that's it. The fist is changed.
52:22 Sometimes it is better not to try to fix what has no solution.
52:27 So nothing, new fist, new shirt. Well, or as new.
52:33 - Mr. Baeza, in a way Lope is right, because Vera is a good girl.
52:42 - Well, if I agree with you, it is undoubted that the gentlemen have been good to her.
52:47 - And especially the lady, and look how complicated it is.
52:50 And if what we have had is a stroke of luck,
52:53 maybe what we have to do is congratulate ourselves and celebrate our good luck.
52:57 - After what happened when we hid Lope in the kitchens,
53:00 we promised that we would never lie to the gentlemen again.
53:03 Remember that we almost all ended up on the street.
53:06 - Yeah, but I have the feeling that evil is already done.
53:10 It's too late to tell the truth, like a trove, the promise.
53:13 We would all be very upset, Mr. Baeza.
53:15 - Of course, you are right there, Mrs. Torres.
53:17 - So what do we do?
53:19 - Well, we'll have to make a decision.
53:22 - I admit that the music room is very comfortable, although it is true that a tailpipe is missing,
53:35 as in the big houses.
53:37 - What do you imply? That this is not a big house?
53:40 How many tailpipes do you have in yours, dear?
53:42 - It was just an observation.
53:44 - Ah, you don't even have a handlebar organ, do you?
53:47 - Why do you always have to be defensive?
53:49 - Why do you always have to attack?
53:51 - You don't like to take things out of question.
53:53 - No, sorry. You are the one who is determined to get me out of my box.
53:56 - Well, I remind you that I'm only here for my daughter, right?
53:58 - And me? And me for mine?
54:00 If not, why would I do something like that?
54:02 - Have they brought me to see how they argue?
54:05 - The ones you have to solve your differences are Leonor and you.
54:11 - What is this? A trap?
54:13 - No. We just want you to talk.
54:15 - Talk? Well, to clear things up.
54:18 - I have nothing to clear up. - Me neither.
54:21 - This negative makes it very clear.
54:23 It will be better if you solve it yourselves.
54:25 - And see if you have a little predisposition.
54:28 Do you remember how many you have loved since childhood?
54:30 - Please.
54:32 - Make sure you don't let them out until they have reconciled.
54:42 - You can't treat us like we're kids.
54:44 - Then behave like adults.
54:47 - To think that I made Candela and Simona this same toy so they could make peace.
55:02 It's that fate is going to test you with your own medicine.
55:05 What I don't understand is why it has to bother me too.
55:08 [Music]
55:11 - The barbecue is already in the oven.
55:17 Go get some Brussels sprouts for the garnish.
55:20 - Don't even dream about it. That bitter taste is going to ruin the dish.
55:24 Sparrow, wheat.
55:26 - Brussels sprouts.
55:28 - Sparrow, wheat.
55:30 - Brussels sprouts.
55:32 - Girl, you're up so late.
55:35 - You've recovered completely.
55:37 - We won't get into that because he's a nuisance like a stone wall.
55:40 - I'm not going to take the opposite. He's got me in the head.
55:43 - I fell into the room above.
55:45 I need a little activity.
55:47 - Enormous, girl. But it's almost dinner time.
55:51 - Why haven't you stayed in bed? At least until tomorrow.
55:54 - What? What? You didn't really do it, Mrs. Simona? It's useless.
55:57 - She's as boring as she is alone.
55:59 - Well, give me some work, even if it's simple. Peel some vegetables.
56:03 - Sparrow, wheat.
56:05 - Brussels sprouts.
56:07 - I can see that everything is the same around here.
56:10 - I'm going to ask him.
56:12 - By the way, where is he?
56:14 - With the new girl. In Mr. Rómulo's office.
56:18 - What new girl?
56:21 - Everything will be fine. Don't worry.
56:30 Both Mr. Rómulo and Mrs. Pia are responsible and very understanding.
56:34 - Whatever happens, I wanted to thank you, López.
56:38 For everything you've done for me.
56:40 You got in a mess because of me without eating or drinking.
56:44 - Well, if you did it, it's because I wanted to.
56:46 - I hope they don't take retaliation against you.
56:50 I've done everything I can to keep you out of trouble.
56:53 - Have you interceded for me?
56:56 - It's the least I could do.
56:59 - I've done the same for you.
57:01 But well, whatever happens,
57:06 luck is on our side.
57:09 - We have summoned you to inform you that we have made a decision.
57:26 - We have summoned you to inform you that we have made a decision.
57:28 Mrs. Adarre and I have decided that you can remain in La Promesa, Miss González.
57:37 - Have you been with Mrs. Pia and Mr. Rómulo?
57:51 - Yes, I've just spoken to them.
57:53 - Well, I'm sorry. I'm sorry for you.
57:56 I'm sorry for you. I'm sorry for you.
57:57 But I'm sure you'll get a job soon.
57:59 - No, no. If I don't run out of work, I'll stay here.
58:02 - Precisely in the United States.
58:04 Thousands of kilometers away.
58:05 And all for a rag.
58:07 - Come on, man.
58:08 - Honestly, sister-in-law, I don't think she's going so far because of an anger with my daughter.
58:11 - Oh no? So why?
58:13 - You haven't noticed?
58:15 - We don't know what you mean.
58:17 - It had happened to you. It had happened to you.
58:19 - What's wrong? What's wrong? What are those voices?
58:21 - We were talking a little loud.
58:23 - A little? I can hear you from the patio.
58:25 Especially you, María. What's wrong?
58:26 - You exaggerate, Abado.
58:28 - Yes, I exaggerate.
58:29 - I'm not surprised that he doesn't like the new one.
58:34 - Because he did something that wasn't right?
58:37 - For now. He will arrive here suddenly with some strange references.
58:42 - You don't know how I feel not being able to be here those days, María.
58:46 To help you in your search.
58:48 - Don't worry about that, sir.
58:50 I know where he had to be. With his wife, Mrs. Jimena.
58:54 Right?
58:56 - María told me that he wanted to talk to me.
58:58 - Yeah. And what are you going to do?
59:00 - I can't refuse to see him.
59:03 - No. But I imagine you know what he's going to ask you, right?
59:06 - Well no, the truth is no.
59:07 - Well, to take back what you had before he left.
59:10 - Well, I don't know. We'll see.
59:12 - It doesn't seem to make you very excited.
59:14 - I'm very sorry to have brought Mr. Cavendish to make the sauce bowl without his consent.
59:19 But I do want to warn you.
59:21 - I already knew. Now the trouble is coming.
59:23 - Not exactly.
59:25 Although I do want to go with the truth first.
59:27 We are going to continue doing business with Mr. Cavendish.
59:29 - So what do we do?
59:31 We have a delivery of weapons pending.
59:34 - I know.
59:35 That's why we have no choice but to launch the plan B.
59:39 - As bad as it goes, we will appear on all the covers of Spanish newspapers.
59:45 - It won't go wrong.
59:46 We have to get it at all costs, is that clear?
59:48 - Let's get on with it.
59:50 [Music]
59:53 (electronic music)