No matter how a terrible place the world is, there is always someone who proves that the good always wins. Maybe that’s the first and only chance given by a fate that has never been fair to you. The name of that chance that will change the fate of eighteen-year-old high school student Eylul (Oyku Karayel) is Ali Asaf Denizoglu (Gokhan Alkan). The story begins in a high school of a town in the Aegean region. After the two part ways, they cross paths again on the roof of Istanbul’s best hospital! The young brain surgeon Eylul tells her story while she gives a good beating to a group of bullies who raids the hospital’s emergency room. She was a rebellious girl who had changed schools many times and whom teachers didn’t want to deal with. Even when her father picked her up from the last school she got expelled from and beat her very bad, she did not shed a single teardrop. However, that day her whole life changes; the prayer of her grandmother, who ran a small hostel in Marmaris and opened her house to Eylul brings a miracle. "I wish you had a good teacher to guide you..." And he comes! It’s not known that why Ali Asaf Denizoglu comes to the countryside to be a teacher while he was a successful doctor in Istanbul. However, he is an extraordinary person who can touch people's lives once and change everything. This talent will save Eylul and make her a successful surgeon. However, he realizes the special feeling between him and Eylul too late, and lets her go. The two lovers - yes, Eylul loves Ali Asaf too, no matter how much she denies it - were separated, and years later they would meet again as two doctors.
This is the story of a girl who defeated by life, who has nothing but anger, but challenges life as a surgeon. It’s also the story of a man who will give her this courage, a guide who holds her hand and says ‘’You can do it’’. The person we all wish with all our hearts to have in our lives will always keep Eylul’s and also our hopes for life high. With love, of course...
CAST: Gokhan Alkan, Oyku Karayel, Ali Burak Ceylan, Hakan Gercek, Fatih Donmez, Merve Cagiran,
Burcu Turunz, Basar Dogusoy, Selahattin Pasali
PRODUCTION: MF Production
DIRECTOR: Aytac Cicek, Yusuf Pirhasan
SCREENWRITER: Ebru Hacioglu and Verda Pars
This is the story of a girl who defeated by life, who has nothing but anger, but challenges life as a surgeon. It’s also the story of a man who will give her this courage, a guide who holds her hand and says ‘’You can do it’’. The person we all wish with all our hearts to have in our lives will always keep Eylul’s and also our hopes for life high. With love, of course...
CAST: Gokhan Alkan, Oyku Karayel, Ali Burak Ceylan, Hakan Gercek, Fatih Donmez, Merve Cagiran,
Burcu Turunz, Basar Dogusoy, Selahattin Pasali
PRODUCTION: MF Production
DIRECTOR: Aytac Cicek, Yusuf Pirhasan
SCREENWRITER: Ebru Hacioglu and Verda Pars
Category
📺
TVTranscript
00:00 Evren, look at me. Evren.
00:02 Wake up. Wake up. Open your eyes.
00:06 It's bad.
00:07 I don't feel anything.
00:10 I feel pain everywhere.
00:13 It's bad, right?
00:14 Don't worry.
00:16 It's not a bad thing, okay?
00:18 Don't worry. Nothing will happen.
00:20 I want to die.
00:22 As if...
00:24 ...I'm dying.
00:26 I have no strength left.
00:28 No, nothing will happen.
00:30 I'm a doctor. Nothing will happen. Trust me.
00:32 Now the ambulance will come and we'll take you to the hospital.
00:34 Okay? Nothing will happen.
00:36 Okay?
00:39 Don't be afraid, okay?
00:42 It's not like you can press it with your hand.
00:45 We need something like a tampon.
00:47 They're here.
00:54 They're here.
00:57 Okay?
00:58 Honey, I'm here.
01:10 I'm sorry I'm a little late.
01:13 I couldn't find what you were looking for in the market.
01:16 That's why...
01:19 ...I went downstairs.
01:21 But...
01:23 ...I found something better.
01:26 Yes.
01:27 Eylul?
01:30 What does Eylul have to do with this?
01:32 I don't know. She's your sister after all.
01:34 You know what she does.
01:37 I don't.
01:39 Don't you know?
01:40 What's this?
01:54 She's 35 years old.
01:55 There are many deep wounds to the chest.
01:58 EKC 12.
01:59 Tension 90.
02:00 How did this happen?
02:01 It happened while trying to remove the part of the carotid artery from the patient.
02:04 Did you give her anything to take?
02:06 I gave her 5 mg morphine.
02:08 And I gave her 1000 cc isotonic when I was on my way, but...
02:11 ...she lost a lot of blood. It won't work.
02:13 That's enough for now.
02:14 Take the CD.
02:16 Honey, are you up there?
02:21 Where did she go?
02:22 Where did she go?
02:26 Please don't see Nazli.
02:31 Please don't go, Eylul.
02:49 Sorry, the doctor's phone is ringing.
02:51 She's in the ambulance.
02:53 Okay, I'll take care of it.
02:55 Hello, doctor.
02:57 I'm Özgül.
02:59 Özgül?
03:01 Özgül, why did you pick up the phone?
03:05 Is Eylul in the hospital?
03:06 Yes, doctor. She's in the hospital now.
03:08 How did she get there?
03:10 She came with the patient in the ambulance, doctor.
03:12 I see.
03:14 Okay.
03:15 Good luck.
03:16 Thank you.
03:17 Doctor, I brought your bag.
03:27 Okay. Can I get a clean towel?
03:29 Right away.
03:30 Hold it.
03:38 We need to take the chest x-ray. Now.
03:45 It's not optimal for a chest x-ray.
03:46 But we have to do it here.
03:47 İpek, bring the bag.
03:48 You're right.
03:56 Can you tell me your name?
03:58 Evren.
04:00 Evren is trying to help you. I'm sorry.
04:02 He's just trying to be a little strong.
04:04 See you later.
04:05 Saturation 90. Calculation 24.
04:07 Evren, can you move your hands?
04:09 Good.
04:12 Come on, come on, come on.
04:13 Come on, guys.
04:15 Pull the tip of that bed a little bit.
04:17 İpek, you come like this.
04:19 Yasemin.
04:24 İpek.
04:25 We don't have much time to shoot.
04:34 Keep me in the lead.
04:35 Okay.
04:36 Watch the vision.
04:39 Ready?
04:41 I'm sleeping, honey. I'm burning.
04:43 I'm trying to stay as still as possible.
04:45 Ready?
04:46 Okay.
04:47 Move away a little.
04:48 I'm shaking.
04:50 You should bring your chest a little closer.
04:54 Towards the abyss.
04:55 It's getting ready again.
04:56 We're almost there, Evren.
04:58 Okay.
04:59 Are you okay?
05:00 I'm shaking.
05:02 Okay.
05:10 It's a very large, different hemopneumothorax.
05:13 Yes, look here.
05:14 There's hematoma and blood in the lung.
05:16 We need an eye drop.
05:18 Okay, I'm here.
05:19 Evren, you need to move fast.
05:20 Filiz, take this from me.
05:22 Mr. Süleyman, did I hear correctly?
05:30 Do you want to put your son, I mean, Mr. Sinan, in a private clinic?
05:34 You heard it right.
05:37 I called you to get you started right away.
05:40 I never thought you'd make such a decision.
05:42 How can you do such a thing?
05:45 When I told you I was going to recommend you to the presidency,
05:47 I didn't question how it would be.
05:50 I didn't think you had such a terrible plan, to be honest.
05:53 This is not a plan.
05:54 It's the general flow of life.
05:56 But sir, I met Mr. Sinan the other day.
06:01 He seemed pretty normal to me.
06:03 He's not sleeping at the right time.
06:06 He's changed a lot since my daughter's death.
06:08 My son is experiencing a stress disorder after the trauma.
06:13 It's both a hospital and a damage to himself.
06:17 It's good to be treated for a while.
06:20 Are you sure?
06:21 It's a very serious situation.
06:25 I'm telling you to hurry up for him.
06:27 I'm not going to be a part of this game.
06:30 Besides, it's a big injustice for Mr. Sinan to be punished like this after the trauma.
06:35 I'm out.
06:36 All right, then I'll see what we can do.
06:46 But you know, he needs a psychiatric report for this.
06:49 He'll want evidence in court.
06:51 Don't worry about that.
06:53 I'll take care of them myself.
06:56 How is he?
07:03 His left heart is stiff and glassy.
07:05 He was very tense when he came, but he responded with blood and liquids.
07:08 He has a nerve-racking pneumothorax in his left lung.
07:11 Who brought this patient here?
07:13 I did.
07:18 Congratulations on keeping this patient alive and bringing him here.
07:28 [TENSE MUSIC]
07:30 We need to get this out of here to understand what we're dealing with.
07:36 Did you take the X-ray?
07:37 Yes, it was a little difficult, but we got the bedside X-rays.
07:40 Then we have to get this piece out of here without even moving it a little bit.
07:45 Then we'll cut this, this and this.
07:47 Özgür, bring me a sample.
07:49 [TENSE MUSIC]
07:51 Let me get a glove.
08:07 Samo will take care of it, honey.
08:16 He will.
08:18 He will.
08:19 He will, right?
08:22 What if he can't?
08:25 What do you mean? Are we not going to be able to get back together with Esma?
08:27 Esma?
08:34 What are you doing here, honey?
08:38 Alp.
08:43 I've been thinking a lot.
08:47 What is it, honey?
08:48 Unfortunately, my father knows the doctor.
08:50 If he knew, he would have gotten confused.
08:52 He wouldn't let me get married. So I...
08:54 No way.
08:55 You're not going to tell me Esma ran away, are you?
08:57 I ran away.
09:01 Esma, what did you do?
09:07 [TENSE MUSIC]
09:09 [TENSE MUSIC]
09:11 [PHONE RINGING]
09:16 Can you bring the light closer?
09:19 [PHONE RINGING]
09:21 Good luck, guys.
09:30 I want tomography for the chest.
09:37 Let's find out exactly where it was bleeding.
09:39 We need to cut this, this and this to get surgery.
09:45 Okay, doctor.
09:46 The vein that leads to the arm.
10:01 It needs to be operated.
10:03 We need to remove the glass.
10:04 Removing the glass means the patient dies without bleeding.
10:07 We're trying to find a different point of view, so you don't have to operate on the blind spot.
10:11 You're right.
10:20 Interesting.
10:32 Interesting.
10:33 Mr. Sinan.
10:36 You called me.
10:38 Come, come. I wanted to talk to you.
10:41 Can you look at this movie?
10:43 There are a lot of flashbacks with the main piece.
10:53 It's impossible to see the details.
10:55 I don't think so.
11:00 We can try NIP.
11:01 3D navigation MRI imaging.
11:04 I used it in brain surgeries when I was in America.
11:08 With this method, we can visualize the surgical points from all angles.
11:12 So we can see what's going on inside.
11:15 I've never tried it before for this area, but I can do it.
11:19 It's useful.
11:26 I'm interested in how it's organized.
11:29 Good luck, guys.
11:30 Was it Mr. Sinan?
11:37 Wow!
11:38 It's like.
11:42 But someone played with the settings.
11:44 Someone's the queen.
11:46 It's obvious.
11:47 Süleyman Pasha has a good taste for this.
11:49 I guess he said he'd spend it with his friends.
11:53 I definitely want to examine your brain.
11:55 Anyway, I'm going to the surgery.
11:58 I'm going to the surgery.
11:59 Anyway, I'm coming to you.
12:02 So, what do you think about Sinan?
12:10 So.
12:11 It's obvious that Sinan is not what we know.
12:14 But I don't know if this is a good thing or not.
12:26 Mom, okay, there's something strange about Sinan.
12:28 I'm looking for what's going to come out of this new weird family.
12:31 Wait a minute.
12:33 I'll tell you something.
12:35 What happened?
12:36 You're going into surgery now.
12:38 I'll wait until you get out, okay?
12:40 Why?
12:42 Go to your resting place. Why are you waiting?
12:44 That's why we're going to the bar together.
12:47 You know we have half our meal.
12:49 We'll continue, then we'll rest together.
12:51 No, let's not do it tonight.
12:54 I'm already very tired.
12:55 I'm going to be in surgery.
12:56 It's going to be late.
12:57 I definitely don't accept objections.
13:00 Okay?
13:01 Actually, I do.
13:05 You're right.
13:07 You go to your home and rest.
13:09 We'll do it another time.
13:10 I'll call Alp.
13:11 Let me do my fatherhood duties.
13:13 Good plan.
13:15 Tell me about your fatherhood.
13:18 I still haven't talked to Esma.
13:20 She doesn't know anything.
13:21 I'll tell you.
13:22 See you tomorrow.
13:23 See you.
13:24 Good luck.
13:28 Dad?
13:44 What are you doing, dad?
13:47 What are you looking for at my table?
13:49 You're the one who's going to answer.
13:51 What happened to you, son?
13:53 What happened to you that you went crazy?
13:55 You're out of balance.
13:56 I don't remember going crazy.
13:58 Tell me what you're going to say.
14:00 I'm talking about these.
14:03 What are all these drugs looking for here?
14:06 Not mine.
14:09 None of these are mine.
14:11 These are all heavy antidepressants.
14:15 What are you trying to do to yourself, son?
14:18 I'm telling you it's not mine.
14:20 I'm just using a simple sedative.
14:22 There's no point in denying it, Sinan.
14:25 We can solve any problem together.
14:28 What problem?
14:29 Should I repeat?
14:30 How many times do I have to tell you to understand?
14:32 These are not mine.
14:34 Don't lie to me.
14:35 All of these drugs are in the past.
14:38 You have them written in psychiatry.
14:40 I've never been to psychiatry in my life.
14:42 No way.
14:46 You can't have done this, dad.
14:49 Are you going to go that far?
14:51 You can do business behind my back.
14:53 This is our father-son relationship.
14:55 But this much?
14:57 Fuck off!
14:59 I don't understand what you're saying.
15:01 You're confused.
15:04 I just want what's best for you.
15:07 I know what you want, dad.
15:10 But it won't happen.
15:12 I'll tell you now.
15:14 Don't take it long, Sinan.
15:15 Go and don't come back until you're rested.
15:18 I will.
15:19 But I'm not going to rest.
15:21 I have an important surgery.
15:23 I have to get ready for it.
15:28 If you'll excuse me.
15:29 [Music]
15:56 Esma, for God's sake.
15:57 Do you understand what you're saying?
15:59 You're saying, "What's the point of running away in 2012?"
16:02 I'm not in the same place as I was in the past.
16:07 Esma, running away or kidnapping is not romantic.
16:09 Can you explain it to me?
16:10 I can't.
16:11 Because I don't think it's romantic.
16:13 But when we put our helplessness in the context of romanticism, it sounds better.
16:17 It's like we're not helpless, but we're romantic.
16:23 Oh, my dear.
16:25 I'll make you live in the most romantic kingdom.
16:29 It's not about running away.
16:31 We can't put him in any cage.
16:33 And where can I take you?
16:36 Look around.
16:37 This is the only place I can put my head in right now.
16:41 It's not even clear what I'm going to be when I'm a soldier.
16:43 It's not enough that I can't explain my family situation to your father.
16:47 And I'm not going to explain our homelessness.
16:51 It's not a difficult thing to find a house.
16:53 And after we're together,
16:56 wouldn't even this little place be our home?
16:59 Of course.
17:01 I mean, it's possible.
17:03 How are we going to explain this family mess to Necati Baba?
17:07 How are we going to convince him?
17:09 [Music]
17:14 Oh.
17:16 Are we ready?
17:31 We're ready. We're waiting for you.
17:33 Then let's save the poor man from the pieces of this life.
17:36 [Music]
17:41 Let's do it.
17:42 [Music]
17:50 Whatever you do, don't break the glass.
17:52 It's so sad that the doctor's skills are limited to giving mind from the observation room.
17:58 Clem.
18:03 [Music]
18:12 We're starting.
18:13 [Music]
18:16 Mr. Suleyman.
18:17 Why did you want me to watch this operation?
18:20 For Sinan.
18:22 If you watch carefully, you'll see that I'm right.
18:27 [Music]
18:36 Alp.
18:38 Son, tell me about this fatherhood.
18:41 [Music]
18:51 You can tell me later.
18:53 [Music]
19:11 Mr. Ali Asaf.
19:19 What?
19:22 Can we talk?
19:23 We can talk.
19:24 What's the matter?
19:26 September.
19:27 September.
19:28 If the subject is September, it can't be so fast.
19:30 Let's go downstairs.
19:31 No, there's no need. I'll talk here too.
19:33 What are you trying to do to my sister?
19:37 I'm trying to love her very much.
19:42 According to you.
19:45 I'm watching you.
19:46 I mean, that woman and you two.
19:48 That woman?
19:51 Nazlı.
19:52 I mean, Nazlı is a trouble.
19:54 I'm aware of the strange connection between you and I'm very uncomfortable.
19:57 Come here, Ipek.
20:01 Come here.
20:02 Look, Ipek, I don't know what you've been watching, what you've seen, but...
20:06 There's no connection between us.
20:08 I mean, there was.
20:09 It broke 16 years ago.
20:11 Okay?
20:12 Well, I'm telling you what I see.
20:14 I don't know.
20:15 I mean, I don't have a problem with you.
20:16 But I never liked that woman.
20:19 I'm sorry, but she's your ex-wife.
20:21 I'm always in the team of Eylül, by the way.
20:24 If my sister gets bored, I can't think of anything bad about you.
20:29 What did you see that made you so high?
20:33 Corridor.
20:35 You saw us in the corridor, didn't you?
20:36 And she went to your house to cook.
20:40 What does that have to do with me?
20:41 You're stopping.
20:45 Don't stop.
20:47 You have to have an answer to give right now.
20:51 I know you're in love with my sister.
20:54 She's in love with you, too.
20:55 You found each other so beautiful.
20:57 But my sister...
20:59 She doesn't even look like me.
21:03 I know Eylül doesn't look like anyone.
21:07 But when you stop like this, you know, like before.
21:11 When you stop.
21:13 Are you aware that you can pull it without looking behind you?
21:16 You're right.
21:17 Let it go, sir.
21:21 Eylül didn't give up because she didn't love the people she gave up on.
21:25 Didn't he love me?
21:27 Didn't he love my father?
21:29 He loved him very much.
21:30 But when he pulls it, this love doesn't matter.
21:33 Look, puppy.
21:37 Thank you for your warnings.
21:39 But I'm not going to let anything or anyone...
21:42 ...that will cause him to leave me and go.
21:46 Okay?
21:47 Don't worry, puppy.
21:50 I hope so.
22:11 Mr. Sinan.
22:12 We're doing well. Let's keep going.
22:16 Yes.
22:17 Then let's take a deep breath and get the piece of the world out of here.
22:23 God damn it!
22:36 The artery is cut.
22:37 Vacuum, quick!
22:39 Vacuum, quick!
22:40 Doctor.
22:47 Let me go.
22:52 Mr. Sinan.
22:53 Mr. Sinan.
22:55 Mr. Sinan, if you don't take care of him in 20 seconds, he'll die of cancer.
23:01 Mr. Sinan, focus here, please.
23:05 Please.
23:06 Hello, dad.
23:23 At five?
23:25 What?
23:28 Are you coming?
23:29 Okay, okay, I'll be there.
23:31 Okay.
23:33 God damn it!
23:34 The artery is cut.
23:35 Vacuum, quick!
23:36 Vacuum, quick!
23:37 Come on!
23:38 One more.
23:40 Open, open, open!
23:41 Come on, come on!
23:42 Come on, come on!
23:44 Take the piece, girl!
23:45 My daughter is bleeding a lot.
23:48 Enough, quick!
23:49 God damn it!
23:50 God damn it!
23:51 One more.
23:53 Vacuum, quick!
23:58 Vacuum, quick!
23:59 Vacuum, quick!
24:00 Vacuum, quick!
24:01 Vacuum, quick!
24:02 Vacuum, quick!
24:03 Come on, come on!
24:07 Push, push, push!
24:08 Come on, come on!
24:10 Come on, come on!
24:11 Move back, Mr. Sinan.
24:16 Move back.
24:17 Go straight ahead.
24:18 Take the 7-pulse pressure.
24:19 There.
24:30 There.
24:31 90.
24:40 You need to inject another unit here.
24:41 Let me know immediately.
24:42 I want 4-0.
24:45 Continue the aspiration.
25:00 I want 4-0.
25:01 The bleeding has stopped.
25:08 I want 4-0.
25:10 I want 4-0.
25:38 I want 4-0.
25:39 I want 4-0.
25:40 I want 4-0.
25:41 I will make you pay for this, dad.
26:10 You will never give up on me.
26:11 I will try everything to get to the bottom of this.
26:14 I will even ally with my enemies.
26:16 I will have everything.
26:19 I will have everything.
26:21 You will never give up on me.
26:23 Hello, Mr. Sinan.
26:24 You will never give up on me.
26:25 He didn't look well.
26:29 He's talking to himself.
26:30 He's fighting with himself.
26:32 What a shame.
26:34 He couldn't recover after Bahar's death.
26:35 It's too hard.
26:39 He watched his daughter's death.
26:40 It's really hard.
26:42 What a shame.
26:45 I came here with an ambulance.
27:06 What's up, grandma?
27:07 I can't believe you.
27:09 What are these?
27:13 Flowers.
27:23 What is this? It's funny.
27:35 It's beautiful.
27:36 Please take it off.
27:37 I was going to give you these flowers at home.
27:40 I was going to surprise you.
27:42 But I wasn't home.
27:44 Since you can't come to the flowers,
27:46 I brought the flowers to you.
27:48 But I confess, flowers are my idea.
27:50 The ambulance is your friend.
27:52 Loving like a coincidence is like that.
27:58 Loving like a coincidence?
28:00 Is there such a thing?
28:02 Yes.
28:04 No one in the world can love me like you do.
28:06 I don't know.
28:10 Should I leave you at home?
28:12 Are you serious?
28:17 I'm serious.
28:18 Are you going with this?
28:19 Yes.
28:20 I mean,
28:22 can't it be different?
28:23 Why not? It can.
28:25 Why not? It can.
28:26 They are beautiful.
28:53 I mean,
28:54 they are beautiful, but
28:56 no one can be as beautiful as you.
28:59 No one can look as beautiful as you.
29:11 I love you.
29:17 I love you too.
29:18 I love you too.
29:25 Shall we go now?
29:38 I'm sitting.
29:39 My friend, okay, we can go.
29:44 Okay.
29:45 [Music]
29:47 [Music]
29:49 [Music]
29:50 I started and it can't be explained
29:54 I give up and it doesn't let me go
30:01 It's impossible, the pain doesn't seem real
30:06 You thought it would end, you thought it would pass
30:14 The end is doom, it can't be avoided
30:20 You tell me, you act like you love those who ask
30:27 Get rid of this love, maybe you'll find a way
30:33 Don't let my words take you away from your path
30:39 You're the perfect person at home, you're still young
30:47 (Instrumental)
31:11 You tell me, you act like you love those who ask
31:17 Get rid of this love, maybe you'll find a way
31:24 Don't let my words take you away from your path
31:30 You're the perfect person at home, you're still young
31:36 You tell me, you act like you love those who ask
31:42 You're either starving or running away without looking back
31:49 Don't let my words confuse you
31:55 You're the perfect person at home, you're still young
32:02 (Instrumental)
32:11 Esma wake up, Esma wake up, Esma!
32:24 Come on honey, wake up, it's too late
32:26 Nothing will happen
32:28 Nothing will happen, Esma
32:30 How do I know your dad will wake up at what time?
32:33 Dad, dad, it's too early
32:39 Dad, dad!
32:41 Esma, are you okay?
32:44 What time is it?
32:46 Esma, you ran to me yesterday, calm down
32:48 I ran to you?
32:49 That was yesterday
32:51 Where are we going to run to?
32:52 To another hospital?
32:53 Where are we going to run to?
32:54 My dad will beat me up, he'll beat me up
32:56 Calm down, okay? We'll handle it
32:58 We'll handle it?
33:00 Yes
33:01 How?
33:02 Relax, look, Samo has a perfect plan
33:05 Yes
33:07 Are you sure?
33:09 I'm sure, I'm very sure, I'm very sure
33:13 Don't worry
33:15 Hello, I'm Mahmut Sungur, retired literature teacher
33:21 I'm not an engineer, engineers are better, more cool
33:24 I'll be a pilot, my uncle used to say pilot, I'll be a pilot
33:28 Where am I becoming a pilot?
33:30 If the man opens the map, he'll show us, if he says China, we'll jump there
33:33 Why would the man open the map without asking for a girl?
33:36 My baby, stop, my baby, stop, my baby
33:39 Why are you running, why are you running around here? Don't you have school?
33:43 We're going to school
33:44 Well done, well done, well done
33:46 Stop, don't go, tell me, wake up with a corpse
33:48 We haven't learned that yet
33:50 Yes, look, you couldn't tell me, right? Come on to school, come on, run, come on, boy
33:53 He believed in the teenagers
33:57 I'm a very retired literature teacher
34:00 Very good, I'm really in
34:03 Sir, I'm Mahmut Sungur, a retired literature teacher
34:06 I'm famous for my broken grades, I've given grades above 45, you haven't seen it
34:10 Yes, yes, yes, Mr. Necati, you are very handsome, God bless you
34:13 It's going very well, I wish I was a teacher in the future
34:16 I can't be a teacher in the future, I'm a doctor now
34:19 It would be ridiculous, yes
34:21 Wow, yes, of course, of course
34:24 I would also like the program you shot to be broadcast on your channel
34:28 Okay, I'll talk to Ms. Eylul
34:31 I'll try to convince her for the interview, but I can't promise
34:35 Okay, thank you, see you
34:40 It was nice
34:43 Come in
34:46 Good morning
34:49 Can I come in?
34:51 Of course, of course, Ms. Nazem, please sit
34:54 I saw your message on the phone at night, I said I should come early in the morning because we need to talk urgently
35:01 Yes, we need to talk
35:04 Is there a problem?
35:06 I mean, we can't say a problem, but a kind
35:10 What does that mean?
35:12 I have to get the administration from the board for the offer I made to you, I wanted to inform you
35:18 From the board?
35:20 Yes
35:21 Make your preparations accordingly, don't be too hasty for now
35:26 It may take some time, it's a persuasion process
35:30 Why did you change your mind?
35:34 Because you never mentioned these problems to me in the previous conversation
35:38 Let's say the structural changes that have occurred recently
35:41 After all, we are all under a institutional brand
35:45 I said, I'm not a decision-maker alone
35:49 Every step I take, the board needs it
35:52 But I don't think Ali Asaf will say no to this, I don't think there will be a problem
36:00 I wish it was that easy
36:02 What do you mean?
36:04 Unfortunately, Ali Asaf is not our hospital's biggest partner
36:07 He's in the wrong
36:09 It may not be as easy as you think
36:27 Okay, good luck Mr. Sinan
36:32 [Music]