Pájaro soñador - Capitulo 43 (Audio Español) - Erkenci Kuş
Category
🎥
Short filmTranscript
00:00 [Music]
00:09 [Whistling]
00:33 [Music]
00:49 [Music]
01:05 [Music]
01:29 [Music]
01:35 [Music]
01:38 [Humming]
01:50 [Music]
01:58 [Knocking]
02:00 [Music]
02:03 Mrs. Mevkivi, what's wrong?
02:05 You knocked on the door as if it were an emergency.
02:08 You look very stressed.
02:10 Aihan, I'll tell you exactly what I told Sanem.
02:13 You have three seconds to tell me the truth.
02:16 Where did Sanem get the money to pay Jalil?
02:19 Start the count. Three.
02:21 Three seconds are too few to tell the truth.
02:25 You know what? The truth can be quite complicated, dear lady.
02:28 I said three.
02:29 He said three? Well, it was three, nothing more.
02:32 Two.
02:33 Oh, don't pressure me, Mrs. Mevkivi. I'll tell you.
02:37 We sit here in the garden so that the air gives us,
02:40 serves to calm a little, okay?
02:44 Well, we sit here at the table quietly and talk about this topic.
02:48 Do you want me to bring you something to drink, water, a coffee?
02:51 No coffee. A glass of water.
02:53 Yes, just water.
02:54 Hurry up.
02:55 I'm going.
02:56 Quick.
02:57 Aihan!
03:08 Oh, I don't have water. I'm going to buy. I'll be right back.
03:12 Where are you going? Don't run!
03:17 We don't have enough budget for this project.
03:19 We'll do it with our own means.
03:21 We already started the preparation of the campaign.
03:23 We'll launch it next week.
03:25 You're welcome.
03:28 Of course.
03:29 Goodbye.
03:30 Let's see, can I know where you're going?
03:32 I brought you tea. I take my work very seriously, you know?
03:35 Now you're a screenwriter in agency practices, so I must congratulate you.
03:39 Yes, I'm very happy.
03:40 When Deren told me, I was so happy that I hugged her.
03:43 Can I hug you too?
03:44 Yes, if you hugged Deren, technically you can hug me too.
03:49 [♪♪♪]
03:52 Oh, no, I can't do it, Mr. Jan.
03:58 Okay.
03:59 Well, thank you very much.
04:03 I want to say thank you for the opportunity you have given me.
04:06 I appreciate it.
04:07 You earned it.
04:08 You showed your talent and you got it.
04:10 [♪♪♪]
04:13 -Brother. -Yes.
04:14 Now I'm a screenwriter in practice, but I'm still a waitress
04:18 and if you need tea, here I am.
04:20 You just have to let me know and I'll be here immediately.
04:23 -Good. -See you later.
04:25 See you later.
04:26 Can you come?
04:27 Yes, I'm coming right away.
04:29 Oh, sorry, ma'am.
04:37 Oh, damn.
04:38 Oh, he's coming.
04:40 Ayan, Ayan.
04:43 What's wrong? Why are you running?
04:45 It's morning exercise.
04:47 I have energy all day.
04:48 Nihat, Nihat, grab her.
04:50 -Don't let her escape. -Oh, no, there she comes.
04:52 Oh, let me go.
04:53 What happened, Mevkib?
04:55 Come in.
04:56 Come in right now.
04:57 -I don't have time. -You heard me.
04:59 And now what happens?
05:02 Tell me.
05:04 Where did Sanema get the money?
05:06 You have three seconds.
05:08 Your time starts now.
05:09 Three.
05:10 He asked for a advance.
05:11 He asked the agency.
05:12 Are you crazy?
05:14 He just started working.
05:15 How are you going to give him that much money?
05:18 Look me in the eye and tell me.
05:21 Please, I swear I'll tell you the truth.
05:25 Now I can't lie to you.
05:26 It's impossible.
05:27 Mevkib, it seems you're telling the truth.
05:30 It's better not to pressure her any more.
05:31 Leave her alone.
05:32 Who gave her the money?
05:33 I swear I don't know.
05:34 All I know is that they gave it to her at the office.
05:37 That's all Sanem told me.
05:38 Good.
05:39 We're done for now.
05:42 We'll ask Sanem about the rest.
05:44 Am I free?
05:45 You can go, but I'll be watching you.
05:48 And tell your friend Sanem, on my behalf,
05:51 that I'm not going to forget the subject.
05:53 If it weren't for these shoes, I wouldn't have made it, ma'am.
05:56 Out!
05:57 Oh.
05:59 You can't imagine how my knees hurt.
06:02 Are you okay?
06:03 I hope so, Nihat.
06:04 I swear that girl finished me off.
06:06 My legs, my legs, my knees.
06:08 It hurts me all.
06:09 It runs like a snake.
06:10 I had to chase her everywhere.
06:12 It's okay.
06:13 Stay seated.
06:14 I'll bring you a glass of cold water to cool you down.
06:16 Wait here.
06:17 So my mother is very angry.
06:24 It's okay, calm down.
06:26 I'll talk to her as soon as I get home.
06:28 Thank you very much, Ayhan.
06:29 Goodbye.
06:30 The second.
06:36 The second?
06:37 When was the first, huh?
06:38 Oh, I'm sorry, Miss Sanem.
06:40 I had forgotten your great ascent of the backrest,
06:43 back-to-back, a 3-millimeter jump,
06:45 and I had completely forgotten it.
06:47 I apologize.
06:48 Oh.
06:49 What do you want, Eren?
06:50 I'm boring you.
06:51 I thought you were done.
06:53 It doesn't matter.
06:54 The client thinks the text of the ad is too long,
06:56 and he's right.
06:57 You have to review it and cut it more.
06:59 I'll review it.
07:00 By the way, when you do the reduction,
07:02 don't forget to take into account the time of the set.
07:05 Time, no problem.
07:07 [sighs]
07:09 You didn't understand me?
07:11 Oh.
07:12 I see you didn't, okay.
07:14 I'll try to explain it to you better.
07:16 A word said by the narrator is equivalent to a second of the ad.
07:20 Every second means money we save,
07:22 so when you cut, don't shake your hand.
07:25 Very well, I'll take the final version.
07:27 Remember, it's urgent, because we have to send it to the client
07:30 before the shoot starts.
07:31 Very well.
07:32 [sighs]
07:34 I can't do it.
07:35 They use words I don't understand.
07:38 I sent you the financial report of the last three months.
07:49 Did you see it?
07:50 How can I do it?
07:51 I don't have time between one shoot and another.
07:54 Besides, I don't understand finance.
07:56 You solve it.
07:57 This is not as easy as other times.
07:59 We have complications.
08:00 Expenses have increased,
08:02 and our margin of gain is decreasing.
08:04 We have a lot of new projects that are important.
08:07 It's normal for expenses to increase.
08:09 But everything's going well.
08:10 The clients are satisfied.
08:11 You're wrong.
08:12 It's not going so well.
08:13 The expenses for the photos doubled more than last year.
08:15 There's always something unexpected going on in the set,
08:17 and that means additional expenses.
08:19 We spend more than we make.
08:21 And what should we do?
08:22 Close?
08:23 I never said that.
08:24 But if there are additional costs, let me know.
08:26 You can't always do whatever you want.
08:31 Whatever I want?
08:33 Whatever I want?
08:39 You think that's what I do?
08:41 That's what you're trying to tell me, Emre?
08:43 That I have no perspective?
08:45 That I don't know what I'm doing,
08:47 and that I'm out there wasting the company's money?
08:49 Is that what you think?
08:51 You understood perfectly what I meant.
08:53 Of course I understood, of course.
08:55 But you should know who's in charge of this company.
08:57 I'm responsible for everything we do.
08:59 Don't worry, brother. I understand.
09:01 But when you get bored and leave,
09:03 Dad and I will have to take care of everything.
09:05 We both know you won't be staying long.
09:07 I'll have to take full responsibility.
09:09 You understand what I'm saying, right?
09:11 I have a meeting.
09:13 Yes, we'll talk later.
09:15 Should I cut this too?
09:21 If I cut it from the beginning, the end seems longer.
09:24 What is this? Impossible.
09:26 I can't take this part off.
09:28 It would make no sense.
09:30 Maybe I can take this paragraph off here.
09:32 I can also summarize it.
09:34 This is so hard.
09:36 This is awful.
09:38 I'm going over the script to cut it.
09:43 Oh, yeah?
09:45 [sighs]
09:47 Yeah, that's it.
09:49 It looks like it's good.
09:51 Good luck with that.
09:55 [music]
09:57 If I take this part off...
09:59 Zanem.
10:01 Yes, Miss Aileen?
10:03 Can you come to my office? We need to talk.
10:05 Can I go later? I'm cutting the script now.
10:08 It'll only be five minutes.
10:10 Okay, if it's five minutes.
10:12 Listen, when Jan assigned me to this office,
10:23 he said you could help me with some things.
10:26 Uh, Mr. Jan?
10:28 If he said so, then so be it.
10:30 I'm a full-time employee. I can help you with anything.
10:33 Perfect, because, as you know,
10:35 there aren't many people in this company
10:37 who want to work with me.
10:39 But you're very professional. I appreciate it.
10:41 Wow, thank you very much.
10:43 Uh, is there anything I can help you with?
10:45 Because I have a lot of work.
10:47 I have to cut the ad text.
10:49 It's the Ovido ad?
10:51 I'm a consultant for that project. Why?
10:53 Well, they want you to cut the script.
10:55 They need you to simplify it a lot.
10:57 Because they say we're going to exceed
10:59 the time limit set.
11:01 In fact, there's only one version in English.
11:03 We'd just have to translate it.
11:05 I think that'll be enough, because I remember
11:07 it only lasts five seconds.
11:09 Let me look it up. That way it'll be easier for you to cut it.
11:12 That would be great.
11:14 Yeah, it's only five seconds.
11:18 Let's watch it together.
11:20 [speaking Spanish]
11:22 [speaking Spanish]
11:24 [speaking Spanish]
11:27 [speaking Spanish]
11:30 [speaking Spanish]
11:33 [speaking Spanish]
11:35 We could summarize it together, then we'll see what to do with the adaptation.
11:39 I must confess that I do not know the language used here and I do not understand it well.
11:43 You'll learn it, it happens to everyone, do not worry.
11:46 Of course I'll learn it.
11:48 Yes, you'll see. Let me see.
11:50 Here it is.
11:51 The story is nice.
11:55 Yes, it's true, it's beautiful.
11:58 JJ.
12:04 What are you doing?
12:05 Taking note.
12:06 That woman first captured your soul.
12:09 Are not you aware of the threat that is?
12:11 My soul? Come on, it can not be.
12:13 What nonsense, how was I going to capture my soul?
12:15 I tell you he did it!
12:16 She captured your soul and now she has you under control.
12:19 Nothing happens, comrades, everything is fine.
12:21 I'm possessed.
12:23 What an exaggeration you are, Aileen is not as bad as you imagine, I assure you.
12:27 It's not as bad as we think?
12:29 You say it because you got into the advertising department.
12:31 Yes, maybe.
12:32 Yes, maybe.
12:34 I'm afraid, Gullis.
12:36 Why?
12:37 I do not trust myself, I think I could also change sides,
12:41 because when he looks at me, maybe he'll get me to put me on his side.
12:44 What should I do? What should I do? Please tell me.
12:46 Please tell me, tell me, tell me.
12:48 JJ, do not you see that woman has not even called you once?
12:52 But he will, I feel it, the danger is throwing me.
12:57 I'm done, it's the end, I'm going to have a herbal tea, I need to calm down.
13:02 Hey, calm down.
13:03 A herbal tea will relax me, I have to hide so he can not see me, you should do it too.
13:08 JJ, do not say nonsense.
13:09 I'll have a herbal tea!
13:11 What, do not you speak Spanish?
13:12 Why are you yelling at me?
13:14 How good to see you.
13:24 Likewise.
13:26 You know what? Five minutes and I miss you.
13:29 Really?
13:30 Uh-huh.
13:31 I do not know what to do, you want me to leave my job and go back to work in the store?
13:36 I'm just looking for my little dose of Sanem.
13:39 Sanem dose? Dose?
13:41 Very good, see you later.
13:43 Yes, I'm leaving.
13:44 Goodbye.
13:45 JJ?
14:11 Sanem.
14:14 How long have you been there?
14:16 Enough.
14:19 Did you see Mr. Jan?
14:21 Sure, now you call him sir?
14:24 What was not Jan?
14:25 He took his dose of Sanem?
14:28 Well ...
14:31 Oh yeah, and why were you there?
14:34 It's the archive room, Sanem.
14:36 There are three dustbins, forgotten documents, a place far from everyone.
14:41 If these walls could speak.
14:44 I do not understand.
14:48 I do not know, is that you are acting very strange.
14:51 You should have jumped over as usual and scream some madness, but you seem too calm.
14:57 Yes, I'm calm.
14:59 That's all, do not worry about me.
15:03 I've relaxed again and that's good.
15:05 You know what?
15:06 I recommend you do it.
15:08 Baby, you get grass, that will help you calm down.
15:11 By the way, they make a nice couple.
15:14 Couple?
15:15 Sanem!
15:18 Do not deny it, it's true.
15:22 I'm going, but I'll be back.
15:24 See you later, baby.
15:29 Dustbins.
15:32 Forgotten documents.
15:34 And also a dose of Sanem.
15:40 Oh, what a shame.
15:45 I understand, that the Lord already sign it and send it today.
15:47 Yes, miss.
15:48 Oh, Yay Yay, where is it?
15:54 Oh, I do not want to see that woman.
15:56 I do not know where to look to avoid seeing her.
16:00 Yay Yay, where were you?
16:01 What do you mean by that question, dear Deren?
16:04 I would like to redefine my position.
16:06 I want to do internships.
16:08 I see, Yay Yay, you're right.
16:10 You also need to motivate yourself.
16:12 Okay, let's do one thing.
16:14 From now on, you will be the assistant in Deren's practices.
16:18 How about it?
16:19 Do you like that position?
16:20 Yes, I like it a lot, it's pretty nice.
16:22 Do you need help with something?
16:24 Yes, Yay Yay.
16:25 I want you to go to the Sanem neighborhood and check the places where we will record.
16:29 Make sure to prepare them for the shoot.
16:31 I'll call you later before leaving the office.
16:33 Yes, dear Deren.
16:34 Dear Deren?
16:36 Do you think it's too personal?
16:38 Deren, I'll call you when there are people.
16:40 And when we're alone, dear Deren.
16:42 Of course not, you're going too far.
16:45 Don't you dare call me dear Deren.
16:47 Seriously, you don't like Deren?
16:49 Wow, I thought you knew how to treat people in this office, but I think I'm wrong.
16:54 So, whatever you want.
16:56 Maybe there are other people who need an assistant like Miss Ellen.
17:01 Maybe you should start working with her.
17:03 She's a good fit, I'm sure she would accept me.
17:05 It seems that she is desiring it with all her soul.
17:09 Yay Yay, don't even think about it.
17:11 It's a matter of time.
17:13 And you know it.
17:15 Are you threatening me, Yay Yay?
17:19 Yay Yay, stop saying nonsense.
17:22 Who will be teaching you to speak like that?
17:25 Be that woman?
17:27 It's not usually like that.
17:29 Miss Eileen, here are the documents you asked for.
17:32 Thank you, Sanem.
17:33 I was able to finish the script thanks to you.
17:35 I appreciate it.
17:36 Of course, it's a pleasure.
17:38 When you need help, you can ask me.
17:40 Very well, thank you again.
17:42 Sanem, have you seen Emre?
17:45 I think he just left.
17:48 Oh, good.
17:50 He had promised me that we would go to the meeting together.
17:53 But as I told you before, there are few people in the agency who want to work with me.
17:57 It doesn't matter, he'll miss it.
17:59 I thought you and Mr. Emre didn't have any problems.
18:04 I'm a professional, Sanem.
18:06 I never mix my feelings with work.
18:09 If not, I would be crying right now.
18:12 I'm sorry, I don't understand.
18:15 You would understand me if you were in my place.
18:17 I was fired from this company unfairly.
18:20 And besides, my fiancé left me as soon as Mr. Azi asked him to.
18:24 I thought I had everything I deserved.
18:27 But suddenly I was completely abandoned.
18:31 With nothing in my life.
18:33 Love makes everything change unexpectedly.
18:38 It's true.
18:39 Is there anything I can do for you?
18:42 No, nothing.
18:46 I usually suppress my emotions and I stay with them.
18:51 And I'm used to this being between us.
18:54 Of course.
18:55 You can stay calm.
18:57 Do you want me to bring you tea or coffee or anything?
19:00 No, thank you.
19:01 Don't bother.
19:02 Something hot will do.
19:04 A cup of tea, please.
19:06 Okay, I'll bring it to you now.
19:09 [Music]
19:20 [Music]
19:46 I found you!
19:47 I saw you following me a while ago.
19:50 Did you think I wouldn't notice?
19:52 No, no, no, but how do you do it?
19:53 You always surprise me and I wanted to do the same with you.
19:56 I have eyes on my neck.
19:57 Let's see.
19:59 It looks good on you.
20:01 Thank you very much.
20:02 What's up with us?
20:05 Do you have any idea why I don't?
20:07 We meet in secret as teenagers.
20:11 We meet in the parks so they can't see us.
20:13 What's between us?
20:15 When I saw your message to see us in the park,
20:18 I almost got a heart attack.
20:20 Don't tell me.
20:21 Yes.
20:22 I'll take care of your heart, don't worry.
20:24 I have a gift for you.
20:27 Oh yeah?
20:28 Yes.
20:29 Do you think you're the only one who can surprise me?
20:31 Don't tell me you did it.
20:34 Huh?
20:35 Do you do origami?
20:36 It's my hobby.
20:37 Really?
20:38 Yes.
20:39 Why a butterfly?
20:40 Because when I see you, I feel butterflies in my stomach.
20:43 Are you serious?
20:44 Yes.
20:45 Deren's phone.
20:50 What?
20:51 Deren, it's calling.
20:52 Jan.
20:53 What?
20:54 Jan, wait.
20:55 Hi, Deren.
20:56 I'm here.
20:57 Yes, there.
20:58 Well, I'm here and there.
21:00 Yes, it's fine.
21:01 Of course I'm going there.
21:02 Sure, I won't be long.
21:03 Bye.
21:04 I'm sorry.
21:06 Deren wants me to go to the office and make some corrections to the text.
21:09 You can't be two minutes without me.
21:12 It's the same thing with me.
21:13 I can't be two minutes without you.
21:14 We have the same problem.
21:15 Yes.
21:16 Can we go back?
21:17 Let's go.
21:18 By hand?
21:19 By hand.
21:20 Let's go this way.
21:28 Oh, I'm so tired.
21:29 Oh, I'm tired too, but I can't do anything.
21:31 Good morning, gentlemen.
21:33 Good morning.
21:34 Hello, could I take a look at your store, please?
21:36 Uh, they're going to record an ad here.
21:38 This store is useless.
21:39 It's a horrible place.
21:42 Is this your store?
21:43 I can't hear you.
21:44 Gentlemen, we want to record in your store, please.
21:46 I can't hear you.
21:47 Don't push him too hard.
21:48 I can't hear him.
21:49 I can't hear him well.
21:51 Here are scarves and shirts.
21:53 Look at all this.
21:54 Out!
21:55 Who is this?
21:57 This looks like a horror movie.
21:58 Why does she look so disheveled, ma'am?
22:00 Don't yell at him.
22:01 Out!
22:02 I would never tell a woman as pretty as you.
22:05 Your store is very beautiful.
22:07 Can we see it for a moment?
22:08 It's for an ad and we don't have a budget.
22:10 Oh!
22:11 Miss Pretty.
22:12 So, can we go see it?
22:15 Please.
22:16 You always say it's the last store we're going to see, but it's not true.
22:19 But...
22:20 I lost count of the stores we've seen.
22:21 I'm tired.
22:22 It's a set of filming.
22:23 I have to look at all the possibilities.
22:25 If they come and they don't like the place, they'll ask if we have another one.
22:28 They'll say the light is not good, that the car should not be on the right, but on the left.
22:32 And if it doesn't work, who will be responsible?
22:34 Well, I'll be fired.
22:35 That's why I need to see all the options.
22:37 That's a lie.
22:38 I think all of that is an excuse.
22:40 What happens is that you don't want to be alone with me.
22:42 Admit it.
22:43 Well, now we're alone.
22:44 I don't mean that.
22:46 I mean to say to be alone, the two of us together, really.
22:48 But you can be alone for real and for a lie.
22:51 What's the difference?
22:52 JJ, hey, you don't have to try so hard.
22:56 It's obvious that you're in love with me.
22:58 And it makes no sense to deny it.
22:59 I know you're a little shy about it, but you can't deny the evidence because you told me so.
23:05 Yeah, but I changed my mind.
23:06 You changed your mind?
23:08 Yeah, I did.
23:09 What does that mean?
23:10 How could you change your mind?
23:12 Let's see, don't you realize the sparks that fly between the two of us?
23:16 It's the electricity that flows.
23:18 You told me that that happened to you when you hugged your dog.
23:21 It could happen to anyone.
23:22 Like with that old man.
23:23 You'll see how sparks fly when I get close to him, sir.
23:26 I didn't want sparks to fly.
23:28 Not even a battery.
23:29 I know, he's a human being, but I want him to...
23:31 Come here.
23:32 Get out.
23:33 What are you doing?
23:34 I'm going to get some sparks.
23:36 It's a wonderful day, isn't it?
23:38 What are you doing here?
23:40 We're checking the stores.
23:41 We can't talk to you.
23:43 If you're looking for a store, don't look any more.
23:45 I'll take care of you, understand?
23:47 [laughter]
23:49 Uh, we have to go.
23:51 We're very busy.
23:52 Oh, very good.
23:53 Good luck, sweetheart.
23:54 I know you'll be back to me soon.
23:56 Oh, Han, you have my phone number.
23:59 You can call me whenever you want.
24:01 We can talk for a while, huh?
24:04 [laughter]
24:06 Jan?
24:16 Hey, I have good and bad news.
24:18 Tell me, which one do you want to hear first?
24:21 Well, start with the good ones.
24:22 My name is JJ.
24:23 I talk to everyone in the neighborhood,
24:25 and there's no problem to shoot there.
24:27 Perfect, then let's start setting up the set, don't you think?
24:30 And that's where the bad news is.
24:32 We have a big problem.
24:34 Go ahead, go on.
24:35 What is it?
24:36 We don't have any actresses.
24:38 The girls we chose aren't coming.
24:40 It's the agency.
24:41 They don't want to send them.
24:43 Why?
24:44 Because we haven't renewed the contract with them.
24:47 And since we have Metin to take care of the legal stuff,
24:50 we're pretty lost with that.
24:52 I'll take care of it.
24:53 Go set up the set.
24:54 How will you do it?
24:55 Don't worry.
24:56 I have my methods.
24:57 I'll get them to come.
24:59 You take care of the set.
25:01 Okay, if you say so.
25:07 What about the recording?
25:11 I don't understand.
25:12 Why are they calling us?
25:13 What is this about?
25:15 I'm sorry, but I've explained it to them so many times,
25:18 I don't know how to tell them.
25:20 Are they going to let them use the neighborhood and the whole neighborhood
25:23 without paying them anything?
25:25 I don't understand.
25:26 Listen to me carefully.
25:27 One of the most prestigious car brands that exists
25:30 comes to the neighborhood to record a millionaire ad.
25:33 Don't you realize the opportunity this represents?
25:36 They make money and you just watch.
25:38 But what are we going to tell those people?
25:40 That they pay us to drive on our streets?
25:43 Yes, you're right.
25:44 It's not good for us or the neighborhood.
25:46 If the ad is recorded in the neighborhood,
25:48 they'll be advertising it.
25:49 How are we going to charge them for that?
25:51 No, we can't do that.
25:53 It wouldn't look good.
25:54 We're not doing it.
25:55 Really?
25:56 Wow, wow, wow.
25:57 What a shame.
25:58 You're serious, right?
25:59 Well, you're much worse than I thought.
26:01 Listen to me carefully.
26:02 We're not going to extort anyone.
26:04 We're not a mafia.
26:05 Besides, you don't have to talk to anyone.
26:08 I'll represent you, understand?
26:10 You just trust me.
26:12 And I'll do everything in my power to ensure your rights are respected.
26:16 If you want to use the neighborhood,
26:17 you'll have to pay a small fee for it.
26:19 It's normal.
26:20 I'll charge them and then I'll bring them to you.
26:22 Do you understand me, Jose Gin?
26:24 I'll take care of the money and then we'll split it.
26:26 We'll split it if they give me a commission for the job.
26:28 Don't tell me to give them the money because I know them
26:30 and there are no millionaires here.
26:32 The truth is that I have debts.
26:34 So that money would suit me.
26:37 I agree.
26:38 We all have debts here, and that's why...
26:42 We have to stay together and fight together, understand?
26:45 Do you agree with me, comrades?
26:47 Yes, of course.
26:48 Of course, I'm right or not?
26:49 Do I have it or not?
26:50 Yes, I think it's good.
26:51 Are you with me?
26:52 Yes, it's a good idea.
26:53 You all made the right decision.
26:55 Now I will be your representative.
26:56 Trust me.
26:57 Leave it in expert hands, like mine.
26:59 Yes, that's how it's spoken.
27:00 I agree.
27:01 Don't worry, Secho.
27:03 You will be able to pay your debts without any problem,
27:05 I assure you.
27:06 Trust me.
27:07 I'll take care of it.
27:08 Yes, of course.
27:09 I'll take care of it.
27:11 [Music]
27:15 [Music]
27:18 Fincriarica, Automotriz Ovido, Recording team.
27:43 Is everything ready?
27:44 Yes, everything is ready.
27:45 Yay, yay.
27:46 I gave you a task.
27:47 What are you doing here?
27:48 The street is not yet blocked.
27:49 Did you ask for permission?
27:51 Um, I'll take care of that right away.
27:53 Sanem, what did I tell you?
27:54 Remember that you have to control all aspects of the shoot.
27:57 For example, check the lighting.
27:59 Make sure everything is fine.
28:01 We can't do anything without your good eye.
28:03 The lighting is not good.
28:05 Well, put it in.
28:07 What is this lamp doing here?
28:10 Jan, and the actresses?
28:11 They'll be here in an hour.
28:13 Oh, great.
28:14 Let's go.
28:19 Yes.
28:20 What are we going to do with this now?
28:22 Hey, the lamp is misplaced.
28:24 Someone come fix it.
28:26 Is this our place?
28:27 Yes.
28:28 It's misplaced, guys.
28:33 You shouldn't have put it here, you hear me?
28:36 Hi, Jan.
28:37 Nihat, how are you?
28:40 Welcome to the neighborhood, Jan.
28:42 Thanks for the food.
28:43 You're a great cook.
28:45 You're welcome.
28:46 Sanem.
28:48 Sanem, come here.
28:49 I want to talk to you.
28:50 Just a minute.
28:51 We have a matter with the food.
28:53 Uh, I'm trying to fix this.
28:57 It's important that I do it, Mom.
28:59 Otherwise, we're going to have problems.
29:01 Sanem.
29:03 What are you doing?
29:05 Mr. Jan.
29:06 Yes.
29:07 I'm putting this right.
29:09 Hey, it's okay.
29:10 I'll take care of it.
29:11 Go talk to your mother.
29:12 Go.
29:13 But Mr. Jan.
29:14 Sanem.
29:15 Come.
29:16 Mr. Jan.
29:17 Come on, Sanem.
29:18 Go over there.
29:19 Go talk to your parents.
29:20 Come on, do it.
29:22 Hurry up.
29:23 If it falls, it's his fault.
29:24 No, it won't fall.
29:25 Come here.
29:27 Don't give me any more excuses and tell me where you got that money from.
29:32 Mom, Dad.
29:37 I can explain, son.
29:39 I got a raise.
29:41 Really?
29:42 You're kidding us?
29:43 That's a lie.
29:44 How are you going to give so much money to a new employee?
29:47 Daughter, you can tell us whatever you want.
29:49 You know that, right?
29:50 Uh, I don't know why they agreed to give me the money.
29:53 Maybe it's because my sister has been working there for years.
29:56 Sanem.
29:57 You're driving me crazy, daughter.
29:59 Tell me the truth, right now.
30:01 Your mother is right.
30:02 I'm sorry, but I agree with her.
30:04 Mom, why are you pressuring me so much?
30:06 I don't know.
30:07 Dad has worked in that store for many years.
30:10 I thought I was going to lose it.
30:12 I was scared, so I tried my luck and it worked out.
30:14 That's all.
30:15 You did well, but you should have told us.
30:17 At least you would have consulted with your mother and asked her for her opinion.
30:20 I couldn't do it.
30:21 Sanem.
30:22 Sanem.
30:23 Can you come and fix this, please?
30:25 That's part of your job.
30:26 They're going to scold me for their fault.
30:29 Please, Mom, don't worry.
30:31 Fine.
30:32 If you say so, but it's going to be a long time.
30:35 You know that.
30:36 Sanem.
30:37 Wow, wow.
30:39 What kind of boss do you have?
30:41 How can you talk to yourself like that?
30:43 You can't imagine what life is like in that office.
30:45 All bosses are the same.
30:47 Well, he seems like a nice guy, but...
30:51 I love it.
31:00 We'll use this street.
31:01 We can put them on the second floor.
31:03 Yes, miss.
31:04 We have to put the flowers up there so they can be seen.
31:06 Yes, we do.
31:07 Sure.
31:08 Thank you.
31:09 Let me talk to her.
31:10 Hello, welcome to our neighborhood.
31:12 It's a pleasure to have you here.
31:14 You've brought a good team.
31:15 But besides that, don't come empty-handed.
31:17 We're a little busy.
31:19 We're going to record here.
31:20 Do you need anything?
31:21 That's exactly why we're here.
31:23 Excuse me, could you tell me who you are?
31:26 I am the representative of this neighborhood,
31:28 and these gentlemen are residents of this neighborhood.
31:30 And these gentlemen are residents of this neighborhood.
31:33 He's resident one, resident two.
31:35 The people in the neighborhood have been talking about the recording
31:38 and they haven't reached an agreement,
31:39 so they asked me to advise them, and that's exactly why I'm here.
31:42 Very well, then tell me what they've been talking about.
31:45 I'll explain it to you quickly, sister.
31:47 Sister?
31:48 Oh, what I was missing.
31:51 How dare you?
31:52 Damn bastard, have you ever seen a woman like that?
31:56 Huh?
31:57 I'm sure you've never seen a woman like me in your entire life.
32:00 So the best thing you can do is watch your manners and talk with education,
32:04 or else you better not open your mouth.
32:06 Hey, what's wrong with her?
32:07 Is she crazy?
32:08 Or is she nervous?
32:09 Maybe we should leave her for later.
32:12 Listen to me, this is not school break.
32:15 We're working, so it's best if you all leave here once and for all.
32:19 Now, out.
32:20 Out!
32:21 I agree with you on something.
32:24 This is not a school break.
32:26 You want to invade the space of these good people and leave without paying?
32:29 But that's impossible.
32:30 Everything has a price in this life, and you know that better than we do.
32:33 All the residents of the neighborhood agree on that point.
32:36 I want you to know that we don't want a lot.
32:39 We don't want to be paid in dollars or euros.
32:42 We want Turkish Liras, 1,000 Liras for each house and 2,000 Liras per store.
32:45 If you pay it, you can keep working here.
32:47 What?
32:48 1,000 Liras?
32:49 2,000 Liras?
32:50 We're recording a budget-free ad.
32:53 Have you ever seen so much money together?
32:55 Who do you think you are?
32:57 Besides, JJ came here this morning and told me that the neighborhood was okay.
33:01 And nobody has asked for a penny.
33:03 Oh, you mean the guy who was here before?
33:06 Hey!
33:07 Listen to me.
33:08 Well, that was in the morning.
33:09 Now the prices have changed.
33:11 If you want to shoot the ad, I'm sorry, but you're going to have to pay us.
33:15 Well, I see you have a lot of work.
33:20 We won't bother you anymore.
33:21 You can keep your money.
33:22 We'll see you later.
33:23 Bye.
33:24 Well, good luck.
33:25 Chaos never ends here, but I'm used to it.
33:28 You've been fooled.
33:30 I scared you.
33:32 Jan, the neighbors are asking for money to let us record here.
33:40 This is a new crisis.
33:42 What do we do?
33:43 Okay.
33:44 I understand.
33:45 We're using their space, so it's normal for them to ask for money in exchange.
33:48 And of course we'll pay them.
33:50 How are we going to pay them?
33:51 Please explain to me how we're going to pay them!
33:54 Sanem.
33:55 Yes?
34:00 I'm very bored.
34:01 The actresses are coming in an hour.
34:04 This is your neighborhood, so tell me where I can go.
34:07 Is there anything interesting around here?
34:10 Around here?
34:11 It's a very simple neighborhood.
34:15 There's not much to see around.
34:17 I see.
34:18 What there is, is what we see.
34:20 In fact, I'd like to disconnect a little bit from the life in the city center,
34:24 and see how people live here in the district.
34:26 Get to know people's lives?
34:27 Very well.
34:28 We can go there so you can meet Melat.
34:30 Okay.
34:31 She knows everything that happens around here.
34:33 If you want to know anything about a neighbor here, Melat is the one.
34:36 Hi, Melat!
34:37 I'll introduce you to someone, Miss Eileen.
34:39 And this is Melat.
34:40 Hello!
34:41 Nice to meet you.
34:42 Welcome, welcome.
34:43 I'll leave you alone.
34:44 Take care of her.
34:45 Yes, of course.
34:46 Thank you.
34:47 Oh, of course.
34:48 Sanem, see you later.
34:49 Your turn.
34:50 How can I help you?
34:51 I'd like to fix my nails.
34:52 Good.
34:53 My hands don't look very good.
34:55 Oh, I can do it.
34:56 Let me take a look.
34:57 I'm going to do a great job and you'll look beautiful.
35:00 Please, come in, come in.
35:02 Thank you.
35:03 Take off your jacket.
35:04 It's hot inside.
35:05 How elegant.
35:09 Bring hot water.
35:12 Sit down, please.
35:13 Make yourself comfortable.
35:14 Take a seat.
35:15 This is your home.
35:16 That's it.
35:17 Make yourself comfortable and relax.
35:18 Now tell me, do you want a coffee or a tea?
35:21 I can make you a coffee and then I'll read you the fortune.
35:23 No, thank you.
35:24 I drank a lot of coffee and tea in the office.
35:26 I'd like you to look at my hands.
35:28 They're horrible.
35:29 You're right.
35:30 Thank you very much.
35:31 You must be very busy with your work on the set.
35:33 I understand you don't have time for anything else.
35:35 Don't worry.
35:36 I'll do your manicure right now.
35:38 Give me the water, please.
35:39 Thank you.
35:40 Well, here we go.
35:41 I heard you'll be combing our actresses for the shoot.
35:44 That's right.
35:45 I hope you like it.
35:46 This is a small studio, but I'm a very experienced stylist.
35:49 There are even some ladies who come from the neighboring neighborhoods
35:52 to get their hair and makeup done.
35:55 I'm sure with your help, the ad will look great.
35:58 I appreciate it.
36:00 You're very nice.
36:01 I like the nice things you say.
36:03 Thank you very much.
36:04 You'll see.
36:05 I'll leave you my hands, as soft as a baby's.
36:08 Yes, but I don't have much time.
36:10 I skipped a moment because I was busy.
36:13 I skipped a moment because Sanem spoke very well of you.
36:16 That's my dear Sanem.
36:18 She's a great girl.
36:20 She really is.
36:21 And what about Osman?
36:22 He's a very handsome guy.
36:24 Yes, he is.
36:26 Sanem and he broke up, right?
36:28 [laughs]
36:31 Wow, you heard that too, didn't you?
36:34 No, no, that was just rumors.
36:37 They're childhood friends.
36:40 That's all.
36:41 I thought they were just friends and not engaged.
36:44 What no one understood, you know,
36:46 was why Sanem was wearing that ring on her finger.
36:49 She had a huge diamond.
36:51 Where did she get it from?
36:53 I don't know yet, but I'll find out at some point.
36:57 So, the whole neighborhood knows that engagement was fake?
37:01 [laughs]
37:02 Well, yes, and all thanks to me.
37:04 But I don't like gossip.
37:07 That's our Sanem.
37:09 A little crazy.
37:10 Her sister is calmer.
37:11 They're very different.
37:13 A little crazy.
37:14 Well, she's actually completely crazy,
37:16 since her father loves her.
37:18 You can't imagine.
37:19 I've known them for many years, and I can...
37:22 [music]
37:26 Let's see, this street...
37:29 [music]
37:43 You finally found me.
37:45 Oh, no, not here.
37:46 Let's go in here, there's no one.
37:48 Okay.
37:49 It wasn't hard to find you thanks to the map.
37:52 [music]
38:05 I was looking at you from afar.
38:06 There was your father, your mother, and everyone else.
38:09 And I couldn't take it anymore.
38:10 That's why I called you.
38:12 It's hard for me too.
38:14 [sniff]
38:16 You smell great.
38:17 I love that smell.
38:19 I wish I could have one of those perfume bottles you make.
38:23 That way I could smell it when I miss you.
38:25 What do you think?
38:26 You smell great too.
38:28 I tried to make a perfume that smelled like you, but I couldn't.
38:31 No one smells as good as you.
38:33 Is it the bottle with the initial?
38:35 Exactly.
38:36 You're very talented.
38:38 I'm sure if you smell good, you could create a fragrance for me.
38:43 Come closer.
38:44 I'm very hot.
38:45 [sniff]
38:46 Can we go out?
38:47 What do you think?
38:48 We're going out, but not together.
38:51 I'll go first, and then you go, okay?
38:54 Okay.
38:55 I'll go after you.
38:56 [sniff]
38:57 Okay, but let me tell you that I'm tired of hiding.
39:01 I do it just because I love you, okay?
39:03 I promise I'll make it up to you.
39:05 How?
39:06 That's what I'm really interested in.
39:08 I said it without thinking.
39:09 Seriously, Bihin, let's go.
39:11 I'll go first, and you'll come after me.
39:13 Okay.
39:14 Okay.
39:15 [sigh]
39:18 [music]
39:25 [music]
39:34 [speaking in foreign language]
39:35 Oh!
39:36 Oh!
39:37 How many people is this meal for?
39:39 Yes, I cooked a lot, but it's the girls' job,
39:41 and I want them to feel proud.
39:43 God bless you.
39:44 I'm very proud of you.
39:46 While I was cooking, I was thinking a lot, Nihat.
39:49 Oh.
39:51 Is that why you put the handkerchief on your head?
39:53 Does your head hurt?
39:55 Yes, my head hurts, for a value of 40,000 liras.
39:58 But I found out who gave Sanem the money.
40:01 What a shame.
40:02 What a shame.
40:03 Who gave it to him, Mevkibe?
40:05 It was Jan, I'm sure.
40:07 Emre is not the kind of person who lends that much.
40:09 But Jan is a good man.
40:11 Our daughter made him feel bad for us.
40:13 She's in love with him.
40:16 It can't be.
40:18 Mevkibe, we have to give her the money back.
40:21 I don't want to put my daughter in that situation, for God's sake.
40:24 Money is not a problem, you can get it,
40:27 but what about her love?
40:28 It's obvious that man doesn't love her, he treats her badly.
40:31 But what are you saying?
40:32 It's impossible.
40:33 My daughter is the smartest and most beautiful girl in the world.
40:35 It's true.
40:36 Where else would you find another girl like her?
40:38 Honestly, Jan is a good man, but he's interested in beautiful girls from high society.
40:43 He likes to eat raw meat.
40:44 I've heard it's in fashion among people like him.
40:47 Raw meat?
40:49 Are they cannibals?
40:51 We have to help her forget, Nihat.
40:54 Otherwise, she will suffer a lot.
40:56 Okay, we'll do it, but how? It's not that easy.
40:59 We'll plan something, we have to think about it.
41:01 We can fool her, but we have to get her to forget.
41:04 Well, yes, I agree. I'm willing to do anything for my daughter's happiness.
41:08 Then let's get to work, I like it that way.
41:10 Yes, okay, let's go, Mevkive.
41:12 Goodbye Aylin, until next time.
41:15 See you later.
41:16 Okay.
41:18 [♪♪♪]
41:22 [♪♪♪]
41:26 [♪♪♪]
41:29 [♪♪♪]
41:33 [♪♪♪]
41:36 [♪♪♪]
42:03 [♪♪♪]
42:06 [♪♪♪]
42:30 [♪♪♪]
42:34 [♪♪♪]
42:37 [♪♪♪]
42:40 [♪♪♪]
42:51 [♪♪♪]
43:02 [♪♪♪]
43:05 [♪♪♪]
43:18 [♪♪♪]
43:21 [♪♪♪]
43:25 [♪♪♪]
43:28 (chimes)