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Short filmTranscript
00:00:00 [ Music ]
00:00:14 [ Sound Effects ]
00:00:25 [ Music ]
00:00:46 [ Sound Effects ]
00:01:15 Soon my love.
00:01:18 [ Music ]
00:01:47 [ Screaming ]
00:01:57 This is the last one.
00:02:00 Now you can come back to me.
00:02:03 [ Screaming ]
00:02:16 William Corker.
00:02:18 Put that down.
00:02:22 [ Music ]
00:02:51 [ Screaming ]
00:02:57 [ Music ]
00:03:16 [ Music ]
00:03:24 The condemned are about to walk the gate.
00:03:27 [ Music ]
00:03:35 Philip.
00:03:37 [ Music ]
00:03:45 Are you afraid boy?
00:03:47 Keep your mouth shut.
00:03:51 [ Music ]
00:04:03 [ Screaming ]
00:04:05 [ Laughter ]
00:04:10 [ Foreign Language ]
00:04:15 The Lord is my shepherd, I shall not want.
00:04:18 Save your words priest.
00:04:20 I won't tell you again.
00:04:23 [ Sound Effects ]
00:04:28 You reek of fear man.
00:04:31 Show some bloody respect.
00:04:36 [ Music ]
00:04:42 Special day this one William.
00:04:45 Very special.
00:04:48 You should feel honoured.
00:04:51 You ain't getting a robe.
00:04:54 You're getting something new.
00:04:57 [ Music ]
00:05:05 Today, here at Bishop's Gate,
00:05:08 we are honoured to be the first British facility to pioneer
00:05:13 the latest in modern execution practices from across the Atlantic,
00:05:18 the electric chair.
00:05:21 I expected more of a crowd, a man as famous as me.
00:05:27 Well that's why this is a private send off.
00:05:31 Now William, you give my regards to the devil when you get where you're going.
00:05:36 [ Music ]
00:05:40 William Colcott, you have been found guilty of the murders of 28 women.
00:05:45 Fuck them.
00:05:47 Now fuck all of you.
00:05:50 You accept your fate in the same disgusting manner you subjected your victims to theirs.
00:05:55 This world should be well rid of you.
00:05:59 Electricity shall pass through your body until you are dead.
00:06:02 If you have any last words, we shall hear them now.
00:06:06 [ Music ]
00:06:17 May God have mercy on your soul.
00:06:20 God can't have my soul.
00:06:24 [ Music ]
00:06:44 [ Sound Effects ]
00:07:12 And so ends the life of William Colcott.
00:07:14 [ Music ]
00:07:23 [ Sound Effects ]
00:07:41 [ Music ]
00:07:44 Well, a successful first execution for the chair.
00:07:48 I'd hardly call that successful, Governor.
00:07:51 William Colcott is dead.
00:07:53 Is the machine designed to make him suffer like that?
00:07:57 Dropping from a rope does seem faster.
00:07:59 William Colcott is dead.
00:08:01 The machine did what the machine was supposed to do.
00:08:04 And that is all.
00:08:07 [ Sound Effects ]
00:08:37 [ Music ]
00:08:49 [ Sound Effects ]
00:08:57 Lovely, Mr. Layton.
00:08:59 If you could just hold still, we're nearly finished.
00:09:04 [ Music ]
00:09:07 Thank you.
00:09:09 [ Music ]
00:09:13 Lovely.
00:09:15 Mr. Layton, you will have the photograph by the end of the week.
00:09:19 And it goes without saying you have our deepest condolences.
00:09:23 Thank you.
00:09:25 [ Music ]
00:09:33 What's next?
00:09:34 Bishopgate Prison.
00:09:36 A prisoner?
00:09:38 Must have been a notorious one,
00:09:41 the matter to post-mortem photograph.
00:09:43 And after that, the most important evening of our lives.
00:09:47 Right, you pack up.
00:09:50 I'll deal with the undertakers.
00:09:52 [ Music ]
00:09:54 Gentlemen!
00:09:56 Gentlemen, you may come in.
00:09:58 Do keep up.
00:10:01 Can't keep the dead waiting, eh?
00:10:03 Remember, you never get a second chance.
00:10:08 It's a first impression.
00:10:10 No.
00:10:12 Today is going to be a marvelous day, I can say.
00:10:15 [ Music ]
00:10:19 Fuck.
00:10:22 [ Music ]
00:10:42 Use your skill in the game.
00:10:46 [ Music ]
00:10:53 Ladbroke photographers, we're expecting.
00:10:56 What was the name again?
00:10:59 Frederick Ladbroke, post-mortem photographer and my associate Emma Wicks.
00:11:05 Oh, you're the corpse people.
00:11:10 [ Music ]
00:11:24 Shut the door.
00:11:26 [ Door opens ]
00:11:28 [ Door creaks ]
00:11:32 This is no place for a young lady,
00:11:35 especially when dressed like that.
00:11:37 Miss Wicks here.
00:11:39 I'm a photographer and lead device technician,
00:11:41 and I am more than capable, sir.
00:11:43 [ Footsteps ]
00:11:48 Perfect timing for once, George.
00:11:51 Show the corpse people to the morgue, will you?
00:11:55 We're post-mortem photographers, not corpse people.
00:11:59 Oh, so sorry.
00:12:01 George, search the corpse photographers and show them to the morgue, will you?
00:12:07 Is it just dead people you take pictures of, or do you do living people as well?
00:12:12 Well, we are essentially post-mortem photographers.
00:12:14 We like to say that it is not smiles that we capture, but souls.
00:12:18 Bit of a grim job.
00:12:21 Look who's talking.
00:12:23 [ Music ]
00:12:36 [ Footsteps ]
00:12:44 Emma, do come along.
00:12:47 Are they all murderers in here?
00:12:50 Mostly.
00:12:52 All set for the chair for one thing or another.
00:12:54 That's why they're still here.
00:12:56 You mean the rope?
00:12:58 No, the electric chair.
00:13:00 We've been chosen to test a new electric chair from America
00:13:04 before they take it up the road to Pentonville.
00:13:06 Execution by electrocution, eh?
00:13:09 That's bold.
00:13:11 It's quick. Too quick, if you ask me.
00:13:13 Should make the bastards suffer.
00:13:15 Surprised they chose us to test it.
00:13:19 Governor was well chuffed about it, though.
00:13:22 It used to be a bigger jail, but it was rotting the walls.
00:13:25 Had to stop using most of the place, it got so bad.
00:13:28 They said it wasn't good to breathe it in.
00:13:32 Got one of the guards, got consumption.
00:13:34 Only 30 cells left, most of them empty.
00:13:37 Just a few prisoners for us to worry about.
00:13:40 What's this black mark?
00:13:42 The bastard has rotten us all.
00:13:45 Hmm.
00:13:47 Who was this fellow?
00:13:49 William Colcott.
00:13:52 Killed a lot of people.
00:13:54 Papers say he could have been nearly 28.
00:13:57 28?
00:14:00 He was carving up some poor lass when they caught him.
00:14:02 The worst part?
00:14:04 His wife's rotten corpse was laid out in the middle of it all.
00:14:07 She'd been dead some time.
00:14:09 God knows what he was up to with her.
00:14:11 Hmm. Charming fellow.
00:14:14 Set the camera up for me, would you?
00:14:16 Very good.
00:14:18 [Footsteps]
00:14:31 [Dramatic music]
00:14:35 The old man always take you along in these things?
00:14:38 Er, he's my uncle.
00:14:42 Can't say it's a place for a young lady.
00:14:46 You've gone quite pale, are you alright?
00:14:48 [Phone rings]
00:14:50 Yes, I just need to step outside for a moment.
00:14:54 The camera's ready.
00:14:56 Very good.
00:14:58 Very good.
00:15:00 Now, Mr. Colcott.
00:15:03 I want you to remain perfectly still.
00:15:06 [Dramatic music]
00:15:09 [Grunts]
00:15:11 I have packed us up.
00:15:15 You alright?
00:15:16 You're not yourself, are you?
00:15:18 Yes, Uncle.
00:15:20 I just need you to catch my breath.
00:15:22 Well, I don't blame you.
00:15:25 Awful place.
00:15:27 Now, from morgue to mansion.
00:15:29 Okay?
00:15:31 Yes.
00:15:33 Yes, lots of preparation to do.
00:15:35 Come on.
00:15:37 [Footsteps]
00:15:40 Is there a life after death?
00:15:44 Is there an invisible world that surrounds us?
00:15:52 These days, those questions are mainly being asked by intrepid explorers like yourselves.
00:16:00 The members of the paranormal society.
00:16:03 Science...
00:16:06 Science has given us some clues that you may be right.
00:16:10 I mean, you think of William Herschel, for instance, who discovered in the ordinary spectrum of light that there were invisible wavelengths.
00:16:20 He found the infrared.
00:16:23 The following year, the Germans found the ultraviolet.
00:16:26 There are hints there.
00:16:28 But has science given you the tools for your continuing examinations?
00:16:35 The answer is no.
00:16:36 Until now.
00:16:39 [Dramatic music]
00:16:41 Gentlemen.
00:16:43 [Dramatic music]
00:16:45 I give you the Atmosizer.
00:16:48 [Dramatic music]
00:16:55 Using cutting edge science, we will demonstrate how our device will not only call upon spirits from the invisible ether, but attract them to the very machine itself.
00:17:05 You see, I hypothesize that spirits are a form of energy, much like light itself.
00:17:12 But they are confined to a very narrow wavelength.
00:17:17 Now, the science shows that energy is attracted to energy, so when we pass electrical energy through this machine and temporarily store it, we create a magnetic field, and that in turn electrifies the atmosphere, thinning the veils that separate the wavelengths, thus enabling the spirits to move.
00:17:43 [Dramatic music]
00:17:46 In other words, gentlemen, this machine can bring the spirits to you.
00:17:53 We've just seen a man with a planchette and a board with letters on it.
00:17:58 He claims it can be used to communicate with spirits as well.
00:18:01 I must say, it looks a lot... simpler.
00:18:06 What was it called?
00:18:08 A Ouija board, with the greatest respect, gentlemen.
00:18:13 That is a board game for children, sir.
00:18:16 This is cutting edge science.
00:18:21 This will make possible the greatest discoveries of modern science.
00:18:28 That's quite a claim.
00:18:31 If I wished to communicate with a spirit, how would I do it?
00:18:42 Oh, well, let us show you, sir.
00:18:44 First of all, we use the Atmosizer to electrify the atmosphere.
00:18:49 Then, we use this very special recording device.
00:19:00 It is our version of a wax cylinder recorder.
00:19:04 It can pick up very high frequencies.
00:19:07 In short, it hears things our ears can't.
00:19:11 You ask the spirit your questions, replies are recorded and played back almost immediately.
00:19:16 We call it Electrical Voice Phenomena, or EVP.
00:19:21 Understand, gentlemen, what we are offering you here.
00:19:25 You will be able to verify that there is a life after death.
00:19:30 We are giving you a means of attracting spirits and communicating to them.
00:19:38 Consistently, verifiably.
00:19:41 And it turns this society into, with due respect,
00:19:46 something more than the accumulation of whispers, stories,
00:19:53 into the very forefront of modern science.
00:19:58 What led you to the theory that spirits are attracted to electricity?
00:20:05 Ah, well, I noticed that static electricity is documented
00:20:13 in several investigations where there may have been a spirit present.
00:20:18 And were these your investigations?
00:20:21 Oh, no, no, no, no. Not mine at all. No.
00:20:24 Oh, good.
00:20:26 Wait, wait a minute, sir.
00:20:30 This machine is grounded in science.
00:20:34 We have a field test and all we need is the right opportunity.
00:20:39 Is this what you do for a living?
00:20:41 We own Ladbroke Photography.
00:20:44 It pays the bills and enables us to fulfill our true vocations as scientists and inventors.
00:20:51 Back to the drawing board, eh?
00:20:56 Good effort, all the same.
00:20:58 Next time, perhaps a little more testing before you call on us again.
00:21:03 The science bets team received a 100% discount on the recording of One X-Bit using the Bond symbol.
00:21:10 I tried to tell you.
00:21:13 Pack the damn thing up.
00:21:18 It just needs a few tweaks. We can try again.
00:21:21 Emma, you never get a second chance at a first impression.
00:21:32 I think I'm going to get a drink.
00:21:33 And maybe more than one.
00:21:36 What's in the bag, then?
00:21:48 Stop bothering the punters.
00:21:50 Broken dreams, sir. Just broken dreams.
00:21:55 Speak it out, then. It's not something strange, is it?
00:22:00 Sir, I'm a photographer, and in the bag there are parts for a camera that does not work.
00:22:04 Ah. Good.
00:22:06 I thought you might be one of the ghost men.
00:22:09 Ghost men?
00:22:12 Strange folk they are, but they spend good money.
00:22:15 Must know we have some of the best spirits in the city.
00:22:19 Good, good. Very good.
00:22:22 Best in there.
00:22:24 [indistinct chatter]
00:22:26 What was it you called that thing?
00:22:46 Oh. Your companion is inside.
00:22:53 A machine. What did you call it?
00:22:55 The Atmosizer.
00:22:57 Terrible name. I'll have to change it. If you ever get it working, that is.
00:23:01 It does work. It was just a little fault.
00:23:03 I'm still trying to decide what you are.
00:23:05 Sorry?
00:23:08 You're either a genius who just doesn't quite realize the full potential of your idea,
00:23:13 or you're a con man trying to peddle your sham inventions around for profit and fame.
00:23:20 My niece and I are not con men. We are scientists, sir,
00:23:24 trying to prove the greatest truth of all, that there is a life after death—
00:23:29 Hold on. You get that thing working, you get proof of it actually being useful,
00:23:33 you can come see us again.
00:23:35 Until then, you can quit your day job.
00:23:49 [door opens]
00:23:50 Uncle.
00:24:00 Leave the thing alone.
00:24:07 Before it burns the house down.
00:24:13 [footsteps]
00:24:14 Emma.
00:24:20 I can no longer let you waste your life the way I have wasted mine.
00:24:26 You haven't wasted anything. This is our life's work.
00:24:31 Yes. A waste of time, a waste of life, a waste of the little inheritance that we have.
00:24:40 Now, I know that when you were little, I promised you that if we worked hard together
00:24:46 and followed in the footsteps of the giants like Newton,
00:24:51 perhaps one day our names would be up there on the pantheon of greatness.
00:24:57 But the future has arrived, and I see Westinghouse, Edison, Tesla.
00:25:09 And I know in my heart of hearts, there will never be a Ladbroke.
00:25:14 And as long as I hold you back, there won't be a Wicks either.
00:25:19 There will be.
00:25:21 I've nearly removed all the burnt parts from the machine, if you want to take a look.
00:25:27 No, no, no.
00:25:29 No.
00:25:34 It's time to preside this foolish dream.
00:25:39 It's not foolish.
00:26:02 You're awake in there, Shorty.
00:26:04 What are you doing down there?
00:26:12 Please, just kill me now. Don't let him take me.
00:26:20 Patience, boy. This time tomorrow, you'll be dead.
00:26:29 That shiny new chair is all ready for you.
00:26:32 [DISTANT WHISPERING]
00:26:35 Don't let my name be sold to anyone.
00:26:45 [DISTANT WHISPERING]
00:26:48 [DISTANT SCREAM]
00:26:59 [DISTANT WHISPERING]
00:27:02 [GUNSHOT]
00:27:19 [DISTANT SCREAM]
00:27:22 [GUNSHOT]
00:27:42 [GUNSHOT]
00:27:44 [GROANING]
00:27:54 [GUNSHOT]
00:27:56 [GROANING]
00:27:58 [GUNSHOT]
00:28:00 [GROANING]
00:28:02 [GUNSHOT]
00:28:04 [GUNSHOT]
00:28:10 [GUNSHOT]
00:28:12 Maybe the main coil overheater...
00:28:22 Emma, just... just concentrate on what you're doing, please.
00:28:27 Right now, we need to focus on what we can do well.
00:28:31 And find some way of paying off some of these bills.
00:28:35 [SIGHS]
00:28:37 -Uncle? -Emma!
00:28:40 Uncle, look at this.
00:28:43 [SIGHS]
00:28:47 Oh, it's a double exposure. Just print it up again.
00:28:50 I can hear your anger.
00:29:02 [SIGHS]
00:29:03 Your mother used to look at me exactly that way when she was mad at me.
00:29:06 I do apologize. I was wrong, and I beg your pardon.
00:29:10 [SIGHS]
00:29:12 She was like you. She was tenacious.
00:29:15 Never gave up, even when the cause was hopeless.
00:29:19 -Am I much like her? -Oh, yes, in every way.
00:29:23 From the moment she was born...
00:29:28 ...we just knew there was something special about her.
00:29:32 And the moment you were born...
00:29:35 ...we saw exactly the same thing.
00:29:38 [SIGHS]
00:29:45 It's probably a fault of the camera, by the way.
00:29:47 Better clean it up and...
00:29:51 ...go to the, uh...
00:29:53 ...go to the governor and see if we can get at least a penny or two for the job we did yesterday.
00:29:58 No, Uncle, look at this.
00:30:00 It can't be the camera. I've checked it.
00:30:09 There's no dust or fungus on the lens.
00:30:11 Is there anything like this on any of the other pictures?
00:30:16 No.
00:30:20 No.
00:30:21 My God.
00:30:28 My God, this is it!
00:30:33 Pack up! Pack everything! We need everything! Everything up! Everything!
00:30:37 For what?
00:30:38 A field test.
00:30:40 We're going to have an opportunity to show that we are right.
00:30:44 This... This is it. Um... Okay.
00:30:49 Um...
00:30:50 I removed most of the scorched bits, but I still don't know why it blew like that.
00:30:54 Well, I think I do.
00:30:56 The machine.
00:30:57 The machine needs something to store more energy with.
00:31:02 It is actually producing more power than it can handle at the moment.
00:31:06 I think if we use bigger coils, it may help.
00:31:09 Now, first of all, I'll go to the governor and I will explain to him.
00:31:12 Governor, we need to retake the photographs, which, in a way, is, of course, true.
00:31:16 Do you think they've seen anything?
00:31:18 No, I don't think they have.
00:31:20 This is probably what they call a passive manifestation.
00:31:23 Nobody would notice anything unless they were actually looking for it.
00:31:26 But you!
00:31:27 You realise what you've done?
00:31:29 You may have caught a glimpse into an unknown world.
00:31:34 And you discovered that world.
00:31:36 You discovered it!
00:31:39 Right! Shirts!
00:31:42 Clean shirts. Yes, I've got a clean shirt.
00:31:44 Where's my collar?
00:31:46 Dammit, where's the collar?
00:31:48 Shorty?
00:31:52 Shorty!
00:31:54 You better be dead in there or I'll bugger the...
00:31:57 We're all gonna die here!
00:32:03 Get back here, you bunk twins!
00:32:05 Another one's gender?
00:32:08 It's getting worse, sir.
00:32:10 They're just offing themselves in painful ways.
00:32:14 There's a real bad feeling about the place.
00:32:17 Like there's... something else.
00:32:19 Every man down there is sentenced to death.
00:32:21 Men on the edge sometimes take matters into their own hands.
00:32:24 Less work for us, less expense for the state.
00:32:28 So, that leaves us with just three prisoners.
00:32:33 Good. Have John contact the medical school to come and pick up the body.
00:32:37 And not in the state that body is in, sir.
00:32:40 It's already rotten.
00:32:43 I shall hear no more talk of this superstitious nonsense.
00:32:47 Dispose of the body in the furnace, then we'll be done with it.
00:32:50 Hey, Governor. Sir.
00:32:54 I don't wish to speak out of turn...
00:32:57 For the love of all that holy man, speak!
00:33:00 Philip and myself would feel a lot better if we could get Father Matthews here.
00:33:05 Just to bless the place or something.
00:33:10 Have John sent for him, then.
00:33:13 [footsteps]
00:33:15 [footsteps]
00:33:18 [footsteps]
00:33:20 [footsteps]
00:33:48 If you could just take a look.
00:33:50 I can, uh, do a blessing.
00:33:53 If it will calm the prisoners and my two guards here, please do, Father.
00:33:59 Save us, Father.
00:34:02 There's evil down here.
00:34:16 Though I walk in the midst of trouble, you preserve my life.
00:34:20 You stretch out your hand...
00:34:23 Against the wrath of my enemies.
00:34:35 And your right hand delivers me.
00:34:44 Quick! Get him upstairs!
00:34:46 You must let us take you to hospital, Father.
00:35:07 No.
00:35:12 I just need to rest a moment.
00:35:14 Father, what is it that's down there? What did you see?
00:35:20 Evil.
00:35:27 [knocking]
00:35:29 I beg your pardon, sir.
00:35:33 I've been speaking with George and Phil these last few days, and, well...
00:35:37 You see, the wife, she used to meet him a few months back.
00:35:41 Bit of an odd fella. Well-respected, mind.
00:35:44 What are you pointing, John?
00:35:46 Well, he's an expert in this sort of thing.
00:35:49 I hope you don't mind, but the wife spoke to him about it all, and, well...
00:35:53 He wants to take a look around. Today.
00:35:57 This is turning into a bloody circus.
00:36:00 At noon, sir.
00:36:04 [music]
00:36:10 [footsteps]
00:36:12 Excuse me. Mr. Abbotton, is it?
00:36:25 I am, indeed.
00:36:27 I'm John Chapman. My wife spoke with you.
00:36:29 Yes, of course.
00:36:31 John.
00:36:33 Mr. Abbotton.
00:36:35 Welcome to Bishop's Gate. I am Owen Forsyth, the governor here.
00:36:38 So, tell me about the problem.
00:36:40 I'm not sure about all this.
00:36:42 Let's talk about what it is exactly you can do for us.
00:36:45 Ah, governor! Governor! Just the man I wanted to see.
00:36:48 You're the photographers. John, remember, this is a jail, a secure one.
00:36:52 Who sent for you? Nobody, sir, but it is about the photographs.
00:36:56 Well, I'm dealing with more pressing matters.
00:36:58 I know you.
00:37:00 You're the inventors.
00:37:02 Inventors? No, Mr. Abbotton, they're just photographers, and rude ones at that.
00:37:07 I beg you, look at the photographs.
00:37:10 [sighs]
00:37:12 What am I looking at here?
00:37:14 Badly taken photographs of a dead prisoner.
00:37:16 At first we thought it was fungus on the lens, sir, but it is not.
00:37:19 It is something quite different.
00:37:22 Now, I beg you, sir, allow us to re-photograph the subject.
00:37:27 No, that just won't be possible.
00:37:29 Let me see those.
00:37:34 You took these when?
00:37:36 A couple of days ago.
00:37:38 Something happened. You've seen something.
00:37:42 I don't know what you're talking about, girl.
00:37:44 Governor, we would formally like to offer our services as paranormal investigators.
00:37:52 A second ago you were photographers, now you're paranormal investigators?
00:37:56 The world's gone mad.
00:37:58 Whatever your services are, they are not required.
00:38:00 Now, good day.
00:38:01 Nobody leaves.
00:38:02 What?
00:38:03 It is imperative that nobody leaves until I am done.
00:38:06 Now, you just wait one moment.
00:38:07 Does that matter?
00:38:08 Has anybody else come or gone since the disturbance started?
00:38:12 Well, we've been home to our wives and back.
00:38:14 Just you all and Father Matthews and you here.
00:38:17 Well, where is this Father Matthews?
00:38:19 He's...
00:38:21 He's in my office.
00:38:23 He was attacked by something.
00:38:26 He's resting.
00:38:27 I must speak with him.
00:38:32 Nobody leaves?
00:38:34 I suppose I better search you then.
00:38:36 Search us?
00:38:38 Can you not take the word of an English gentleman?
00:38:41 Father Matthews, this is...
00:38:43 I know who he is.
00:38:45 This was the work of one of Satan's demons.
00:38:56 None of your little parlor tricks will work.
00:38:59 Only the word of the Lord.
00:39:01 It doesn't appear to have worked out too well for you so far.
00:39:05 Have you been scratched anywhere?
00:39:08 Show me your arms.
00:39:11 I would think even someone like you would know how to properly address a man of the cloth.
00:39:16 Father, please.
00:39:18 Show me your arms so I can see if your God abandoned you
00:39:21 and allowed you to be attacked by a demonic spirit.
00:39:26 I see no signs of a demon, Father.
00:39:29 You will see.
00:39:31 Go down there and you will see.
00:39:34 Okay, Father.
00:39:35 Better get to it with my parlor tricks.
00:39:38 Governor, I want the jail locked down.
00:39:40 Locked down?
00:39:41 Yes. Nobody leaves, nobody enters.
00:39:43 Should be quite straightforward for a prison.
00:39:45 I'm not going to let you in.
00:39:47 I'm not going to let you in.
00:39:49 I'm not going to let you in.
00:39:51 I'm not going to let you in.
00:39:53 I'm not going to let you in.
00:39:55 I'm not going to let you in.
00:39:57 I'm not going to let you in.
00:39:59 I'm not going to let you in.
00:40:01 I'm not going to let you in.
00:40:03 I'm not going to let you in.
00:40:05 I'm not going to let you in.
00:40:07 I'm not going to let you in.
00:40:09 I'm not going to let you in.
00:40:11 I'm not going to let you in.
00:40:13 I'm not going to let you in.
00:40:15 I'm not going to let you in.
00:40:17 I'm not going to let you in.
00:40:19 I'm not going to let you in.
00:40:22 Is this the exact area?
00:40:24 Yes.
00:40:26 I want prints of any photographs you take.
00:40:31 The last man executed here, who was he?
00:40:35 The prisoner's name was William Colcott.
00:40:38 There was no 'may'.
00:40:40 Quiet, you!
00:40:42 You knew the prisoner?
00:40:50 No. Not really.
00:40:53 Was he God-fearing?
00:40:55 He struck a man of God. Is that a clue?
00:40:58 You assume too much, Frederick.
00:41:00 You, guard, take me to the execution room.
00:41:04 Nothing will give me greater pleasure.
00:41:08 Uncle?
00:41:09 I need... I need some opinion.
00:41:13 Uncle?
00:41:14 I need... I need some opinion.
00:41:18 Are you all right, Aunt?
00:41:33 I'm fine.
00:41:35 I'm fine.
00:41:40 Are you all right, Aunt?
00:41:43 Yes. I'm sorry, Uncle. I just had to get out.
00:41:47 The air, it's... it's heavy down here.
00:41:52 It is. It's a miserable place.
00:41:54 Well, get your breath back.
00:41:58 We won't be here long.
00:42:00 And we will never find a better place to test the old Atmosizer.
00:42:06 So, this Colcott, how did he face his execution?
00:42:11 Was he afraid?
00:42:14 No. I've never seen anything like it.
00:42:17 If I didn't know better, I'd have thought he wanted to die.
00:42:21 He didn't die quickly.
00:42:26 He screamed.
00:42:28 He burned.
00:42:30 Yeah. How did you...
00:42:32 How long was he kept in jail before he was executed?
00:42:36 Only a week.
00:42:38 Judge wanted it done quick. Well, quicker than usual.
00:42:42 He got bumped up the list as a priority.
00:42:44 Why?
00:42:45 Papers, probably.
00:42:47 Ever since the Ripper, the press are desperate for another maniac.
00:42:51 Killed a man, killed the press.
00:42:53 Was he buried on consecrated ground?
00:42:55 Well, usually we sell the prisoners' corpses to the medical school up the road,
00:43:00 straight after they drop.
00:43:02 William was a bit cooked, so we chucked him in the jail furnace.
00:43:06 May as well finish cooking him, the governor said.
00:43:10 Have the governor meet me outside cell 13.
00:43:13 And I shall need a table.
00:43:16 I require your assistance.
00:43:21 What do you want us to do?
00:43:28 Just to wait.
00:43:29 One table.
00:43:31 Had to borrow it from the governor's office.
00:43:33 He wasn't happy.
00:43:34 No, he was not.
00:43:36 Okay. I need all of you to create a circle.
00:43:41 What is this? An exorcism?
00:43:43 No. No. An exorcism is a religious practice.
00:43:48 That's not what I do.
00:43:50 I merely require everyone's presence to communicate.
00:43:53 You're here to get rid of this thing, not converse with it.
00:43:55 Spirits are once people.
00:43:57 People with personalities, insecurities, fears.
00:44:00 I must get to know them before I can do anything else.
00:44:03 You.
00:44:08 You're no exception.
00:44:10 [♪♪♪]
00:44:13 [♪♪♪]
00:44:16 [♪♪♪]
00:44:44 If there are any spirits who wish to make contact,
00:44:50 please use me as a vessel.
00:44:54 What holds you here, spirit?
00:44:59 Knock twice, like this.
00:45:10 If your name is William Colcott...
00:45:14 [CLEARS THROAT]
00:45:24 William Colcott, murderer of innocent people.
00:45:29 If it is you who lingers here,
00:45:31 stop cowering in the shadows and show yourself.
00:45:35 [CHUCKLES]
00:45:39 I need all of your energy. Do not break the circle.
00:45:43 This may work well for the superstitious, but not here.
00:45:47 Whatever it is you do, Abbotton, just do it.
00:45:50 -Philip? -Yes, sir.
00:45:52 Uh, Mr. Abbotton,
00:45:59 there is another way of generating a psychically receptive atmosphere.
00:46:07 Ah.
00:46:09 Your machine.
00:46:11 -And does it work now? -Does it work, sir?
00:46:14 It will give you everything that you require and more.
00:46:18 I may be able to work with it.
00:46:21 Set up your device in the morgue. Away from me there.
00:46:26 Come on, come on.
00:46:32 Now, which way is the morgue? That way? Yes, right.
00:46:35 Now, double-check those coils.
00:46:37 And make sure we've got some really heavy-gauge wire, number six.
00:46:42 Is this it, Uncle?
00:46:59 Yes. Shh, shh, shh.
00:47:01 Don't want this Abbotton fellow to think we're just a pair of amateurs.
00:47:05 But we are.
00:47:07 I will now switch the machine on.
00:47:16 We will now...
00:47:21 allow the atmosizer...
00:47:24 to charge the air for a while.
00:47:29 Assuming it works,
00:47:32 if I tell you to switch that thing off, you do it.
00:47:36 No questions.
00:47:38 Is that understood?
00:47:40 You're the expert.
00:47:42 Sometimes the...
00:47:44 traditional ways...
00:47:47 are still the best ways.
00:47:51 What is that?
00:47:53 Threads from a sacred cloth.
00:47:57 A way we can see the spirit as it enters to join us.
00:48:02 Voodoo.
00:48:04 Voodoo?
00:48:07 I don't know.
00:48:09 I've never seen a spirit.
00:48:12 I've never seen a spirit.
00:48:14 I've never seen a spirit.
00:48:16 Voodoo.
00:48:18 Voodoo.
00:48:20 Voodoo.
00:48:22 I come to the table...
00:48:24 with state-of-the-art, cutting-edge science.
00:48:28 And you bring...
00:48:30 wah-wah, mumbo-jumbo, and a dangling bit of string.
00:48:36 Call it what you will, but at least my methods have a proven track record.
00:48:40 Unlike your machine.
00:48:42 My machine is...
00:48:43 Gentlemen!
00:48:46 Are we here to make contact, or are we here to argue?
00:48:50 The machine is working.
00:48:55 It's recording.
00:48:57 Please...
00:48:59 be my guest.
00:49:01 I shall observe.
00:49:04 [Sighs]
00:49:06 If there is anyone there...
00:49:19 who would like to make contact...
00:49:23 please make yourself known.
00:49:32 What do you want?
00:49:35 What is your name?
00:49:41 Are you William Colcott?
00:49:48 Switch off that thing. Now.
00:49:52 Can you play that back?
00:49:55 Yes.
00:49:57 It's recording.
00:50:01 Please...
00:50:03 be my guest.
00:50:05 I shall observe.
00:50:07 If there is anyone there...
00:50:14 who would like to make contact...
00:50:18 please make yourself known.
00:50:28 What do you want?
00:50:31 What is your name?
00:50:37 Are you William Colcott?
00:50:44 [Growls]
00:50:46 Switch that thing off. Now.
00:50:48 It works.
00:50:50 It works!
00:50:52 It works!
00:50:55 Oh! Oh!
00:50:58 Thank you.
00:51:02 It's over?
00:51:08 Not at all.
00:51:09 I need all you have on this William Colcott.
00:51:13 So it is him, then.
00:51:18 We should be out there.
00:51:23 This is my lifetime's work...
00:51:25 and that sanctimonious witch doctor...
00:51:28 is probably taking credit for it.
00:51:31 The machine worked.
00:51:36 It actually worked.
00:51:38 Right? You will have your due credit.
00:51:41 Don't worry.
00:51:43 I'm not worrying. I'm going up there.
00:51:45 Guard the fort. I shan't be long.
00:51:52 [Sighs]
00:51:54 What is it exactly that you need?
00:52:12 Any of his personal belongings.
00:52:14 A piece of jewelry. A book of matches.
00:52:17 Anything he may have.
00:52:19 John, get in here!
00:52:22 Sir, bring me William Colcott's personals.
00:52:27 Yes, sir.
00:52:29 Right. Focus.
00:52:32 [Sighs]
00:52:34 [Breathes deeply]
00:52:37 [Whispers]
00:52:45 [Footsteps]
00:52:48 [Gunshot]
00:52:57 [Gun cocks]
00:53:00 [Gunshot]
00:53:24 [Gunshot]
00:53:26 [Gunshot]
00:53:28 Looks like a wedding ring.
00:53:30 That's exactly what it is.
00:53:32 [Breathes deeply]
00:53:35 You did not mention my machine.
00:53:48 Does it matter?
00:53:50 Well, of course it matters.
00:53:52 As far as they're concerned, we're...
00:53:54 We're contributing nothing to this investigation.
00:53:56 This is not an investigation, Frederick.
00:53:59 If you are here for fame and grandeur,
00:54:03 then please stay upstairs.
00:54:05 Sir, it is not about fame and grandeur.
00:54:07 Then what is it about?
00:54:08 It is about credit where credit is due, sir.
00:54:10 I shall give you credit when I believe it is due.
00:54:14 [Distant gunshots]
00:54:20 [Footsteps]
00:54:23 I don't want to leave at the point,
00:54:36 but I hope it is now properly made.
00:54:39 Something is very wrong here.
00:54:49 [Distant gunshots]
00:54:52 [Gunshot]
00:55:05 No.
00:55:16 [Gun cocks]
00:55:19 [Gunshot]
00:55:24 Emma, what the hell are you doing?
00:55:27 Do not move.
00:55:34 You cannot take her.
00:55:45 I see you now.
00:55:48 I know what you are.
00:55:51 Emma.
00:56:10 [Footsteps]
00:56:13 [Thunder]
00:56:22 [Gasps]
00:56:29 [Speaking in Arabic]
00:56:36 [Speaking in Arabic]
00:56:39 [Thunder]
00:56:51 [Gun cocks]
00:56:54 [Gunshot]
00:57:17 It was the wrong brief.
00:57:19 Why not?
00:57:21 You seem to be everywhere else.
00:57:24 I should be on patrol anyway.
00:57:27 How do you feel?
00:57:30 I feel hollow.
00:57:33 Get in the bed.
00:57:38 I will stay here the night,
00:57:44 as I used to when you were a little one.
00:57:45 Do you remember?
00:57:47 I think I'm just going to rest for a while.
00:57:51 Yes.
00:57:54 I used to talk to you about your mama, didn't I?
00:57:58 You know,
00:58:03 I'm sure that she is looking down on you now and thinking,
00:58:07 "What a marvelous woman my Emma is."
00:58:14 I certainly think that.
00:58:17 I think you're wonderful.
00:58:20 Did I ever actually tell--
00:58:25 tell you
00:58:29 that I can't do anything without you?
00:58:34 [Footsteps]
00:58:37 [♪♪♪]
00:58:41 [♪♪♪]
00:58:44 [♪♪♪]
00:58:58 [♪♪♪]
00:59:01 You need to rest, Frederick.
00:59:14 I do not believe that I shall ever again
00:59:20 rest easily after what happened in there.
00:59:24 What was that?
00:59:27 We were introduced to William James Colcote.
00:59:32 Colcote possessed Emma?
00:59:36 No.
00:59:38 He's nowhere near strong enough to do that.
00:59:40 Certainly not to someone like your niece.
00:59:44 What do you mean, someone like my niece?
00:59:47 She's special.
00:59:49 Yes, she is.
00:59:52 And her safety is my first concern.
00:59:56 Well...
00:59:58 Look, there has to be a rational explanation for what happened.
01:00:03 Frederick, science cannot explain everything.
01:00:06 Perhaps you need to open your mind
01:00:09 beyond your limited encounters with the afterlife.
01:00:13 Do you know, sir, that
01:00:16 your condescension generally annoys me,
01:00:21 but in this particular case, I rejoice at it.
01:00:24 Why?
01:00:26 Because anyone who can condescend like that must have a plan.
01:00:32 No plan?
01:00:36 I thought not.
01:00:38 Not yet.
01:00:40 But, Frederick, you must leave your machine switched off.
01:00:43 For now, at least.
01:00:46 You can't risk drawing him out until we're organized.
01:00:51 Very well.
01:00:54 [footsteps]
01:00:58 [eerie music]
01:01:01 ♪ ♪
01:01:08 [footsteps]
01:01:11 ♪ ♪
01:01:18 [footsteps]
01:01:21 [eerie music]
01:01:24 ♪ ♪
01:01:31 [eerie music]
01:01:34 ♪ ♪
01:01:41 [eerie music]
01:01:44 ♪ ♪
01:01:51 [eerie music]
01:01:54 ♪ ♪
01:02:01 [eerie music]
01:02:04 ♪ ♪
01:02:11 [eerie music]
01:02:14 ♪ ♪
01:02:21 [eerie music]
01:02:24 ♪ ♪
01:02:31 [doorbell rings]
01:02:34 [doorbell rings]
01:02:37 [doorbell rings]
01:02:40 Mrs. Shepherd?
01:02:42 My husband didn't come home last night. Where is he?
01:02:45 Sleeping off hangover in there again?
01:02:47 Hold on.
01:02:50 Who in the name of God is ringing that bell?
01:02:53 It's George's wife, sir.
01:02:54 Well, get rid of her!
01:02:56 Begging your pardon, sir, what am I supposed to say to her?
01:02:58 She's quite angry.
01:02:59 I don't care! Just get rid of her!
01:03:01 [doorbell rings]
01:03:03 John Chapman, open this door. I know he's in there.
01:03:06 I can't let you in, Marie. We've, uh...
01:03:08 We've had a fire.
01:03:10 A fire? You expect me to believe that?
01:03:13 Where's the smoke?
01:03:15 Now, either you open this door, or when I leave here,
01:03:18 I shall go straight to your wife
01:03:20 and tell her all about young Beatrice down the Crown and Scepter.
01:03:23 Oh, I'm sure she'll be very interested.
01:03:26 All right, all right. Just hold on.
01:03:29 [door opens]
01:03:31 [eerie music]
01:03:33 ♪ ♪
01:03:40 [door opens]
01:03:42 All right, listen.
01:03:44 There's something strange going on in here.
01:03:46 Right now, George is down in the cells with the Governor
01:03:48 and some other people.
01:03:49 Now, I'll get him to you when I can.
01:03:51 All right? But until then,
01:03:53 I need you to hide in the storeroom.
01:03:56 Look, if the Governor sees you, it's my job, Marie.
01:04:00 ♪ ♪
01:04:07 Go on.
01:04:15 Right, now, please, just wait here
01:04:17 till I come and get you, all right?
01:04:19 ♪ ♪
01:04:26 [eerie music]
01:04:29 ♪ ♪
01:04:36 [sighs]
01:04:39 Uncle?
01:04:41 [chuckles]
01:04:43 [sighs]
01:04:47 [yelps]
01:04:50 How did you sleep?
01:04:52 Not good.
01:04:53 Oh, I wonder why.
01:04:56 ♪ ♪
01:05:03 You all right there?
01:05:09 ♪ ♪
01:05:11 I didn't mean to scare you.
01:05:13 ♪ ♪
01:05:17 You see much of what goes on outside your door?
01:05:20 ♪ ♪
01:05:23 I pay no mind.
01:05:25 Not my business.
01:05:27 I'm not a guard.
01:05:29 You don't have to fear me.
01:05:31 My name is Lucian Abbottson.
01:05:33 And you are?
01:05:35 Patrick O'Callaghan.
01:05:38 Cigarette?
01:05:40 Thanks.
01:05:44 You see a man named William Colcott pass through here.
01:05:48 ♪ ♪
01:05:55 Dirt man he was.
01:06:00 He'll be best off closing the doors
01:06:03 and leaving this place.
01:06:05 I think that's exactly what he wants us to do.
01:06:09 Well, did you get rid of him last night?
01:06:16 Last night?
01:06:18 Yes, sir.
01:06:20 The flashing light,
01:06:22 the sound crackling all night.
01:06:25 Is it all done now?
01:06:28 Step away from that prisoner.
01:06:33 ♪ ♪
01:06:36 Mr. Abbottson, you have had all night.
01:06:39 So is this thing gone?
01:06:40 No.
01:06:41 You're a fraud, Abbottson.
01:06:43 George, have Philip open the doors
01:06:46 and take Father Matthews to hospital.
01:06:48 I won't spend a minute longer locked in my own jail.
01:06:50 With pleasure, sir.
01:06:52 Let's see if I can put this in terms you might understand.
01:06:56 These things, especially the nasty ones,
01:07:00 they can attach themselves to you,
01:07:02 to your very person.
01:07:05 As a spirit, it is bound to this place,
01:07:08 but it can use you as a way out.
01:07:11 Bollocks.
01:07:13 He's trying to scare us.
01:07:15 He's after more money, that's all.
01:07:17 I couldn't possibly scare you any more than you already are.
01:07:20 How dare you?
01:07:21 Gentlemen, gentlemen, gentlemen.
01:07:23 Whether or not we believe Mr. Abbottson,
01:07:26 we cannot allow whatever this is to escape these walls.
01:07:31 You cannot want to take it home to your wife and to your family.
01:07:35 I ask you to just stay the course.
01:07:38 Here?
01:07:41 At least with me, it is confined to these corridors.
01:07:44 So you'll have us rot here with these bastards?
01:07:47 We stay here until I get rid of it.
01:07:50 And I shall.
01:07:53 You have until the end of the day.
01:07:56 [footsteps]
01:07:59 You're going to die down here.
01:08:19 Like all of us.
01:08:25 What's your name?
01:08:28 Rufus.
01:08:30 I know that given your current situation,
01:08:33 you may not care about anyone or anything.
01:08:39 But I do.
01:08:41 I don't even know you,
01:08:43 and I'm down here keeping your soul safe
01:08:45 from an eternal entanglement with evil.
01:08:48 Oh, thank God, eh?
01:08:51 You should.
01:08:53 I don't care about you,
01:08:55 I care about you,
01:08:57 and I don't care about anyone like him
01:08:59 and just about anything else that I'm successful.
01:09:03 You'll die.
01:09:06 Like us.
01:09:08 Not like you.
01:09:11 If you're in a place like this,
01:09:14 you're going somewhere bad
01:09:17 when your number is called.
01:09:22 Better hope I don't drop it.
01:09:25 Big man, eh?
01:09:27 Big man with big words, ain't ya?
01:09:31 With a locked door between us.
01:09:35 Oh, yeah, big man, eh?
01:09:40 [sighs]
01:09:47 [silence]
01:09:50 You know, it might help if we knew what we were looking for.
01:09:58 Abbotton, this dark mystery nonsense
01:10:03 may go down well with wealthy housewives,
01:10:06 but if we are to work together, you must...
01:10:08 Is that what we're doing?
01:10:10 Working together?
01:10:12 Well, aren't we?
01:10:14 You're here because you have to be.
01:10:16 We're not lackeys you can just use when you need to.
01:10:19 We're investigators like you.
01:10:22 You are not like me.
01:10:24 Paranormal investigators search for what they believe to be out there.
01:10:30 I know what is out there,
01:10:33 and you shouldn't be searching for it.
01:10:37 This was used to communicate.
01:10:42 Communicate? With what?
01:10:45 That is the question.
01:10:49 I would dismiss that man as a complete fraud.
01:10:55 Except for one thing.
01:10:59 He saw something in our photograph.
01:11:03 [knocking]
01:11:04 Oi!
01:11:06 What you think you're doing?
01:11:08 I need to ask this man some questions.
01:11:11 Good luck.
01:11:13 Crim's here doesn't know what day of the week it is.
01:11:16 What's this all about, then?
01:11:18 I ain't done nothing.
01:11:20 Mr. Crim's, isn't it?
01:11:23 The man who occupied the cell opposite.
01:11:26 You ever speak to him?
01:11:29 Once or twice.
01:11:33 It's him, isn't it?
01:11:37 He's back.
01:11:39 Why do you say that?
01:11:42 If I tell you anything,
01:11:46 you'll come for me.
01:11:49 What is it you know, Crim's?
01:11:53 Whilst you're still alive,
01:11:56 there's always time to redeem your soul.
01:11:59 You weren't always the...
01:12:01 the man they locked away in here.
01:12:06 I had a wife once.
01:12:10 Violet her name was.
01:12:17 Violet.
01:12:19 Lovely name.
01:12:21 Yeah.
01:12:23 You can be with her again, Crim's.
01:12:33 Noises came from his cell that night.
01:12:38 Vicious, horrible noises.
01:12:42 He whispered things on them.
01:12:46 Words I never heard before.
01:12:49 Words I never want to hear again.
01:12:52 I know no more.
01:12:54 I swear, I know no more.
01:12:56 I swear.
01:12:58 Thank you, Mr. Crim's.
01:13:01 Mr. Crim's.
01:13:03 Smart arse.
01:13:05 You know more than you're letting on.
01:13:08 I can see it in your eyes.
01:13:11 Unfortunately, I don't know enough.
01:13:15 Not yet.
01:13:18 And how many revolutions were there?
01:13:22 Um...
01:13:25 Eight? Ten?
01:13:29 Well, maybe twelve.
01:13:31 Okay, so we need to attach a rev counter.
01:13:35 Yes, and...
01:13:37 something for measuring the Gauss field as well.
01:13:40 As well as atmospheric pressure, temperature, humidity.
01:13:43 Now, we know the machine is powerful enough.
01:13:48 We need to establish a maximum and a minimum on the machine.
01:13:53 Well, we can tweak, restart and try again
01:13:57 with Mr. Abboton's permission.
01:14:00 Ah, Abboton, yes.
01:14:02 I expect he's trembling in his boots that we're going to take his business away.
01:14:06 However, I suppose you're right.
01:14:09 We should proceed with proper scientific caution.
01:14:13 Oh, damn that. Let's have a go anyway.
01:14:15 Uncle?
01:14:16 Just kidding.
01:14:18 Just, just...
01:14:20 [dramatic music]
01:14:23 ♪ ♪
01:14:30 [whispering]
01:14:33 ♪ ♪
01:14:40 [whispering]
01:14:43 ♪ ♪
01:14:46 No, no.
01:14:48 No. No.
01:14:51 No.
01:14:53 [whispering]
01:14:57 No, no, no, no, no, no.
01:15:00 I told them nothing. I told them nothing.
01:15:03 I told them nothing.
01:15:05 [screaming]
01:15:08 [thud]
01:15:10 [screaming]
01:15:13 [screaming]
01:15:16 [screaming]
01:15:19 [screaming]
01:15:22 [screaming]
01:15:25 [screaming]
01:15:28 [screaming]
01:15:30 [grunting]
01:15:33 [dramatic music]
01:15:36 ♪ ♪
01:15:41 [thud]
01:15:43 ♪ ♪
01:15:47 [thud]
01:15:49 ♪ ♪
01:15:56 [breathing heavily]
01:15:59 ♪ ♪
01:16:02 Step away from the door.
01:16:04 ♪ ♪
01:16:07 Whatever you may see in any of these cells,
01:16:12 you are not to enter them.
01:16:15 Understand.
01:16:18 Tell the others the same.
01:16:20 ♪ ♪
01:16:27 Cup of tea, sir?
01:16:41 Make it bloody strong.
01:16:43 ♪ ♪
01:16:50 [eerie music]
01:16:53 ♪ ♪
01:17:00 ♪ ♪
01:17:07 [thud]
01:17:09 ♪ ♪
01:17:16 [footsteps approaching]
01:17:19 [door creaking]
01:17:22 ♪ ♪
01:17:25 [thud]
01:17:27 ♪ ♪
01:17:31 Jones.
01:17:33 ♪ ♪
01:17:40 [breathing heavily]
01:17:43 ♪ ♪
01:17:50 [breathing heavily]
01:17:53 ♪ ♪
01:18:00 [breathing heavily]
01:18:03 ♪ ♪
01:18:08 I'm speaking directly to you,
01:18:11 William Colcon.
01:18:13 ♪ ♪
01:18:16 Guide my hand, William.
01:18:19 ♪ ♪
01:18:26 [screaming]
01:18:30 [thud]
01:18:32 ♪ ♪
01:18:36 Show yourself, William.
01:18:39 ♪ ♪
01:18:46 ♪ ♪
01:18:48 Show yourself.
01:18:51 ♪ ♪
01:18:58 ♪ ♪
01:19:02 I see you.
01:19:05 Come forward.
01:19:08 ♪ ♪
01:19:10 Use my hand, William.
01:19:13 Tell me.
01:19:16 Tell me what it is you want.
01:19:19 ♪ ♪
01:19:26 ♪ ♪
01:19:30 [screaming]
01:19:33 William.
01:19:35 Tell me, William.
01:19:38 Tell me what it is you want.
01:19:42 [grunting]
01:19:46 [grunting]
01:19:49 ♪ ♪
01:19:56 [grunting]
01:19:59 Get off.
01:20:00 Jones.
01:20:02 Jones.
01:20:03 Get off.
01:20:04 Get off me!
01:20:06 [grunting]
01:20:09 ♪ ♪
01:20:16 [grunting]
01:20:19 ♪ ♪
01:20:26 [grunting]
01:20:29 ♪ ♪
01:20:36 [grunting]
01:20:39 ♪ ♪
01:20:46 [grunting]
01:20:49 ♪ ♪
01:20:56 [footsteps approaching]
01:20:59 ♪ ♪
01:21:06 ♪ ♪
01:21:13 [gasping]
01:21:16 ♪ ♪
01:21:21 Miss Abagail.
01:21:23 Miss Abagail, can you hear me?
01:21:25 There's a flash in my case.
01:21:28 ♪ ♪
01:21:29 Abigail.
01:21:30 My dear chap.
01:21:33 He's strong.
01:21:35 What?
01:21:36 He's...
01:21:39 strong.
01:21:41 ♪ ♪
01:21:52 Marie.
01:21:56 George.
01:21:58 What the bloody hell are you doing here?
01:22:01 The governor will go spare if he sees you.
01:22:05 I don't know why I'm here.
01:22:07 Who let you in?
01:22:09 Marie?
01:22:10 [screaming]
01:22:12 Come on, the devil sends his regards, George.
01:22:14 ♪ ♪
01:22:21 ♪ ♪
01:22:28 [thud]
01:22:30 ♪ ♪
01:22:32 [screaming]
01:22:35 ♪ ♪
01:22:40 [grunting]
01:22:42 ♪ ♪
01:22:49 [grunting]
01:22:52 ♪ ♪
01:22:59 [grunting]
01:23:02 ♪ ♪
01:23:09 ♪ ♪
01:23:16 ♪ ♪
01:23:23 ♪ ♪
01:23:30 ♪ ♪
01:23:37 Marie?
01:23:40 Marie?
01:23:42 ♪ ♪
01:23:48 Father, please.
01:23:50 You need to rest.
01:23:52 I cannot leave God's work to those heathens any longer.
01:23:56 ♪ ♪
01:23:59 John, you're in charge up here.
01:24:01 Yes, sir.
01:24:03 ♪ ♪
01:24:13 How are you feeling?
01:24:16 Better, thank you.
01:24:19 Where's Frederick?
01:24:21 He's gone to make you some tea
01:24:23 to settle your nerves.
01:24:25 I'm guessing he has a tea-making machine.
01:24:28 He was working on one once,
01:24:30 but the tea was horrid.
01:24:32 [chuckles]
01:24:33 Now he carries a flask.
01:24:35 Still horrid, though.
01:24:37 [chuckles]
01:24:39 All this,
01:24:41 the machines, the inventions,
01:24:44 what are you looking for?
01:24:47 When we found you in the execution room,
01:24:55 there was something by your side,
01:24:58 protecting you.
01:25:01 I couldn't see it, but I felt it.
01:25:07 A strong, positive presence.
01:25:12 That presence, I believe, is the reason you're still alive.
01:25:17 And I also believe you know what it was.
01:25:22 To see,
01:25:26 you just need to look in the right places, Emma.
01:25:31 You don't need machines.
01:25:34 Sometimes you need the darkness to show you the light.
01:25:47 Something my mother used to say, apparently.
01:25:52 Wise lady.
01:25:56 Emma, please, go and check on your uncle.
01:26:01 [door creaks]
01:26:13 [door creaks]
01:26:15 [sighs]
01:26:22 [footsteps]
01:26:25 [footsteps]
01:26:28 [eerie music]
01:26:31 ♪ ♪
01:26:50 [eerie music]
01:26:53 ♪ ♪
01:27:00 [eerie music]
01:27:03 ♪ ♪
01:27:10 [eerie music]
01:27:13 ♪ ♪
01:27:18 - Father.
01:27:21 Father.
01:27:23 Father.
01:27:24 [crying]
01:27:27 Father, don't move.
01:27:30 [eerie music]
01:27:39 ♪ ♪
01:27:46 [eerie music]
01:27:49 ♪ ♪
01:27:56 Your heathen ways have only made things worse.
01:28:05 - Do work with me, Father.
01:28:09 - Never.
01:28:11 [eerie music]
01:28:14 ♪ ♪
01:28:21 - Uncle, are you all right?
01:28:30 - That thing is not human.
01:28:32 - Mrs. Shepard.
01:28:35 - Do you know her?
01:28:36 - She's the wife of one of my guards.
01:28:37 - How the blazes did she get in here?
01:28:41 [screaming]
01:28:44 [eerie music]
01:28:46 ♪ ♪
01:28:53 - Do not speak that foul tongue in my presence, William.
01:28:59 Release her, William.
01:29:02 Release her!
01:29:03 [screaming]
01:29:06 [screaming]
01:29:09 [eerie music]
01:29:12 ♪ ♪
01:29:19 [eerie music]
01:29:22 ♪ ♪
01:29:30 [panting]
01:29:33 [eerie music]
01:29:36 ♪ ♪
01:29:43 [snap]
01:29:44 [snarling]
01:29:47 [eerie music]
01:29:50 ♪ ♪
01:29:58 [panting]
01:30:01 ♪ ♪
01:30:08 - By God, trust in the Hell Satan and all evil spirits.
01:30:17 [screaming]
01:30:19 [eerie music]
01:30:22 ♪ ♪
01:30:27 [sniffling]
01:30:30 ♪ ♪
01:30:37 - I smell fear on you.
01:30:43 ♪ ♪
01:30:46 - Man of God.
01:30:49 [snarling]
01:30:52 [sniffling]
01:30:55 [snarling]
01:30:58 [screaming]
01:31:01 ♪ ♪
01:31:05 [screaming]
01:31:07 ♪ ♪
01:31:14 - Stop the weight!
01:31:16 ♪ ♪
01:31:23 [snarling]
01:31:26 ♪ ♪
01:31:33 [snarling]
01:31:36 ♪ ♪
01:31:43 [snarling]
01:31:46 ♪ ♪
01:31:49 [screaming]
01:31:51 ♪ ♪
01:31:58 ♪ ♪
01:32:04 - William, you can't.
01:32:07 You need me instead.
01:32:09 You can't bring your beloved back without a body of your own.
01:32:14 You cannot have her!
01:32:19 Release her!
01:32:21 ♪ ♪
01:32:23 [gun cocks]
01:32:25 [thud]
01:32:27 ♪ ♪
01:32:29 - Are you all right?
01:32:31 - Yes. Yes.
01:32:33 - I thought I'd lost you.
01:32:35 - I'm okay.
01:32:38 ♪ ♪
01:32:45 - Lucy, don't tell.
01:33:04 - It won't do, you know, to isolate yourself at this time.
01:33:10 - Where's everyone?
01:33:12 - Huh?
01:33:15 They're drinking my horrible tea.
01:33:18 - So...
01:33:20 So many dead.
01:33:22 - I should have destroyed the machine.
01:33:24 I should have--I should have smashed it.
01:33:27 I should have torn the notes out.
01:33:29 I--
01:33:32 - [chuckles]
01:33:34 - Lucian, I--I--
01:33:36 I had no idea that the invisible world...
01:33:42 could be possessed of such evil.
01:33:44 - You all need to leave this place.
01:33:47 - We cannot leave this place.
01:33:49 You told us that.
01:33:50 - People are dead because of what I told them to do.
01:33:53 - No, you cannot blame yourself, sir.
01:33:56 It was my machine.
01:33:59 - [sighs]
01:34:01 All the blame lies at my door, Frederick.
01:34:06 I...
01:34:10 have never faced a--
01:34:12 a pure, unrelenting evil like--
01:34:17 like this.
01:34:20 This, William,
01:34:23 is knelt at the altar of an ancient darkness.
01:34:27 - [sighs]
01:34:29 - He made a deal whilst he was still alive.
01:34:33 And he intends to honor it.
01:34:36 - William Cogut is dead.
01:34:38 They executed him.
01:34:39 What good is any deal now?
01:34:41 - Alive or dead...
01:34:44 makes no difference to these...
01:34:47 things.
01:34:49 - [sharp inhale]
01:34:50 My dear fellow.
01:34:52 What has he done to you?
01:34:53 Emma, get him up.
01:34:54 We've got to get him out of here.
01:34:55 - No!
01:34:57 I shall remain here and draw him out.
01:35:00 When I do, he will all leave.
01:35:03 - And leave you here to die?
01:35:05 - Please, Frederick.
01:35:06 I don't have the strength to fight you on this.
01:35:09 - Either we leave together or we stay together.
01:35:11 - There has to be another way.
01:35:13 - There isn't.
01:35:14 Be ready to leave.
01:35:16 I won't be able to hold him for too long.
01:35:19 You must, Frederick.
01:35:22 Please.
01:35:23 - Wait a minute, wait a minute.
01:35:25 Our machine gave the creature power.
01:35:29 Now, what if it was possible to reverse the process?
01:35:32 - Drain the atmosphere...
01:35:35 instead of charging it?
01:35:37 - It would make it weaker.
01:35:38 - Yes.
01:35:39 - We could do this.
01:35:40 We can do this!
01:35:42 Now, Ruxian, listen to me.
01:35:44 There is another way.
01:35:46 The three of us, the old and the new,
01:35:49 working together.
01:35:51 And I think that you still have enough power in you
01:35:54 to finish the job.
01:35:57 - Let's destroy the bastard.
01:36:07 - Now we have to draw him in.
01:36:13 - But how?
01:36:14 - The usual approach is to draw the spirits out somehow.
01:36:19 Lure it into a sense of strength and security.
01:36:23 Then attach or bind it to an item.
01:36:27 Something symbolic from their life.
01:36:30 - We could use the ring to draw him in.
01:36:32 - No, Emma.
01:36:34 I have tried.
01:36:36 The ring holds too much energy from William's life.
01:36:40 It's a source of power for him.
01:36:43 I need something deeply negative.
01:36:47 - Would you say the key that locked him away
01:36:49 was negative enough?
01:36:50 - The key?
01:36:51 That's it.
01:36:53 And all we do is find a way of bringing him close.
01:36:59 The atmosizer electrified the air,
01:37:04 thus inadvertently feeding him.
01:37:07 To weaken him, we reverse the process,
01:37:10 but then we run into a problem.
01:37:12 - We need somewhere to send the charge,
01:37:14 to store it, something big.
01:37:16 - So, we're gonna bypass the electric chair
01:37:19 and connect the cable directly to the atmosizer
01:37:23 and then run it back straight into the capacitor
01:37:28 of the generator.
01:37:30 Problem solved.
01:37:32 [eerie music]
01:37:35 - Prepare your machine.
01:37:38 I think we have a plan.
01:37:41 [eerie music]
01:37:44 ♪ ♪
01:37:47 - We may have found a way to entrap Corcott,
01:37:50 but, Governor, we need your help.
01:37:54 - What is it exactly that you need?
01:37:57 ♪ ♪
01:38:09 - Be with me, Mother.
01:38:12 All clear.
01:38:14 ♪ ♪
01:38:21 - We're ready.
01:38:23 - William Corcott,
01:38:27 a pathetic and worthless man.
01:38:30 You failed in life,
01:38:32 and now you fail in death.
01:38:35 You're weak, Corcott.
01:38:38 Too weak to face me, Governor of Mississippi J.
01:38:42 The man who watched you die,
01:38:44 preying on the innocent.
01:38:47 Nothing but a filthy coward.
01:38:50 - You have failed.
01:38:52 That's it. I'm not reading anymore.
01:38:54 Just go back downstairs and finish this thing.
01:38:56 [eerie music]
01:38:59 ♪ ♪
01:39:07 [eerie music]
01:39:10 - Now, Frederick!
01:39:12 [eerie music]
01:39:15 ♪ ♪
01:39:19 I bind you, William Corcott.
01:39:22 [eerie music]
01:39:24 ♪ ♪
01:39:26 I bind you to this key in death
01:39:30 as it bound you in life.
01:39:33 [eerie music]
01:39:36 ♪ ♪
01:39:37 I can feel your weakness.
01:39:40 Your fear.
01:39:43 You fail, William.
01:39:46 [screaming]
01:39:48 ♪ ♪
01:39:50 [screaming]
01:39:52 ♪ ♪
01:39:54 - William!
01:39:56 ♪ ♪
01:39:57 William!
01:39:59 ♪ ♪
01:40:02 - Your soul belongs to me!
01:40:05 [screaming]
01:40:08 ♪ ♪
01:40:15 [screaming]
01:40:18 ♪ ♪
01:40:25 ♪ ♪
01:40:30 [grunting]
01:40:33 ♪ ♪
01:40:40 - Hey, no!
01:40:43 ♪ ♪
01:40:44 No!
01:40:47 ♪ ♪
01:40:48 [screaming]
01:40:51 ♪ ♪
01:40:55 - Stop the machine!
01:40:58 [grunting]
01:41:00 - Lucien!
01:41:02 [grunting]
01:41:05 [coughing]
01:41:08 [breathing heavily]
01:41:11 Lucien, did it work?
01:41:13 [breathing heavily]
01:41:16 [breathing heavily]
01:41:19 Of course it worked.
01:41:21 [coughing]
01:41:24 - We did it.
01:41:26 [breathing heavily]
01:41:28 We bloody did it.
01:41:30 - Mm.
01:41:32 [breathing heavily]
01:41:35 Well done.
01:41:37 ♪ ♪
01:41:44 [door opens]
01:41:46 [door closes]
01:41:49 Governor...
01:41:52 may I ask you please to open the door?
01:41:55 So that we can all go home.
01:41:58 ♪ ♪
01:42:05 [door opens]
01:42:08 ♪ ♪
01:42:15 - Oh.
01:42:17 ♪ ♪
01:42:24 ♪ ♪
01:42:31 ♪ ♪
01:42:38 ♪ ♪
01:42:45 ♪ ♪
01:42:52 - No, no, no, yes, that won't do at all.
01:42:55 ♪ ♪
01:42:59 - What if we took photographs for the police?
01:43:02 - Photographs?
01:43:04 For the police?
01:43:05 - Photograph the scene of a crime.
01:43:07 Oh, it would certainly be more accurate than a sketch.
01:43:10 - However, that is preposterous.
01:43:13 That would never catch on.
01:43:16 No, no, I--I still think what we have to do first of all
01:43:20 is write a true account of what happened at the prison.
01:43:24 ♪ ♪
01:43:26 - We need to reach out to Lucien.
01:43:28 [knocking on door]
01:43:30 - I am not in.
01:43:32 ♪ ♪
01:43:37 - Um, Uncle?
01:43:39 ♪ ♪
01:43:40 - Oh.
01:43:42 Oh.
01:43:44 Mr. Abbotton.
01:43:46 Welcome.
01:43:47 But say his name and he appears.
01:43:50 - I hope you don't mind my coming over uninvited.
01:43:54 I thought it only right that I paid you half
01:43:58 of my fee from Bishop's Gate.
01:44:01 ♪ ♪
01:44:05 - My dear fellow, you--
01:44:09 you don't need to do this.
01:44:10 This is far too generous.
01:44:12 - I do not know what to say, sir,
01:44:14 other than thank you.
01:44:17 - There are rumors of what happened
01:44:20 spreading around town like wildfire.
01:44:23 They're calling you to the Great Ghost Hunters of London.
01:44:27 - [laughs]
01:44:28 - The local paper said it was a prison riot.
01:44:31 They even interviewed the governor.
01:44:33 - Of course.
01:44:34 No right-thinking man in the prison system
01:44:36 would have wanted the truth printed in the papers.
01:44:40 Least of all the man about to retire
01:44:43 from a distinguished career.
01:44:46 Cover-ups are unfortunately common in this profession.
01:44:51 So, what next for the Great Ghost Hunters of London?
01:44:57 - Well, I think for the time being,
01:44:59 we're going to resume our career
01:45:01 as post-mortem photographers.
01:45:04 We have acquired a new affection
01:45:06 for the dead who stay dead.
01:45:09 - Ah!
01:45:10 - Hmm.
01:45:11 - [laughs]
01:45:12 - Well, I wouldn't get too comfortable.
01:45:15 My associate is very interested in speaking with you.
01:45:21 Again.
01:45:22 You've both caused quite a stir in the right circles.
01:45:29 Oh, I almost forgot.
01:45:33 This is for you, Emma.
01:45:36 I thought it might be of some use to you.
01:45:40 "Communicating Beyond the Thin Veil of Death"
01:45:43 by Lucian Abbotton.
01:45:45 - Oh, good Lord, I must dash if I'm to take my train.
01:45:50 I just wanted to deliver the money personally
01:45:53 and--and say thank you.
01:45:58 - Thank you, Abbotton.
01:46:01 - Both of you.
01:46:04 - Thank you.
01:46:07 - Uh, Mr. Abbotton, before you go,
01:46:10 what happened to the key?
01:46:12 - [sighs]
01:46:15 It's exactly where it needs to be.
01:46:20 Locked away...
01:46:23 in the darkness...
01:46:26 ♪ ♪
01:46:30 Where no man should ever go looking.
01:46:34 ♪ ♪
01:46:41 [horses galloping]
01:46:44 ♪ ♪
01:47:03 Soon, my love.
01:47:07 [explosion]
01:47:10 ♪ ♪
01:47:17 ♪ ♪
01:47:24 ♪ ♪
01:47:31 ♪ ♪
01:47:38 ♪ ♪
01:47:45 ♪ ♪
01:47:52 ♪ ♪
01:47:59 ♪ ♪
01:48:06 ♪ ♪
01:48:13 ♪ ♪
01:48:20 ♪ ♪
01:48:27 ♪ ♪
01:48:34 ♪ ♪
01:48:41 ♪ ♪
01:48:48 ♪ ♪
01:48:55 ♪ ♪
01:49:02 ♪ ♪
01:49:09 [dramatic music]
01:49:12 ♪ ♪
01:49:19 ♪ ♪
01:49:26 ♪ ♪
01:49:33 ♪ ♪
01:49:40 ♪ ♪
01:49:47 ♪ ♪
01:49:54 ♪ ♪
01:50:01 ♪ ♪
01:50:08 [soft music]
01:50:11 ♪ ♪
01:50:18 ♪ ♪
01:50:26 ♪ ♪
01:50:34 ♪ ♪
01:50:42 ♪ ♪
01:50:49 ♪ ♪
01:50:56 [dramatic music]
01:50:59 ♪ ♪
01:51:06 ♪ ♪
01:51:13 [dramatic music]
01:51:16 ♪ ♪
01:51:23 ♪ ♪
01:51:30 ♪ ♪
01:51:37 ♪ ♪
01:51:44 ♪ ♪
01:51:51 ♪ ♪
01:51:58 ♪ ♪
01:52:05 ♪ ♪
01:52:12 ♪ ♪
01:52:19 ♪ ♪
01:52:26 [music fades]
01:52:29 [no audio]