Tale of the Mummy (1998)
Tale of the Mummy (also known as Russell Mulcahy's Tale of the Mummy and Talos – the Mummy) is a 1998 adventure horror thriller film directed by Russell Mulcahy. The film stars Jason Scott Lee, Jack Davenport, Louise Lombard and Christopher Lee.
Category
🎥
Short filmTranscript
00:00:00 [no dialogue]
00:00:03 ♪ ♪
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00:00:15 [whooshing]
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00:00:24 [orchestral music]
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00:01:03 [orchestral music]
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00:01:09 [orchestral music]
00:01:12 ♪ ♪
00:01:15 [men speaking in Arabic]
00:01:18 [men speaking in Arabic]
00:01:21 [men speaking in Arabic]
00:01:24 [men speaking in Arabic]
00:01:27 [woman vocalizing]
00:01:30 [door slams]
00:01:32 [woman vocalizing]
00:01:35 [door slams]
00:01:37 [woman vocalizing]
00:01:40 [man speaking in Arabic]
00:01:43 [man speaking in Arabic]
00:01:46 [men speaking in Arabic]
00:01:49 [men speaking in Arabic]
00:01:52 [men speaking in Arabic]
00:01:55 [men speaking in Arabic]
00:01:58 [men speaking in Arabic]
00:02:01 [men speaking in Arabic]
00:02:04 [men speaking in Arabic]
00:02:07 [man speaking in Arabic]
00:02:10 [man speaking in Arabic]
00:02:13 [men speaking in Arabic]
00:02:16 [men speaking in Arabic]
00:02:19 [men speaking in Arabic]
00:02:22 [men speaking in Arabic]
00:02:25 [men speaking in Arabic]
00:02:28 [men speaking in Arabic]
00:02:31 [men speaking in Arabic]
00:02:34 [men speaking in Arabic]
00:02:37 [men speaking in Arabic]
00:02:40 [men speaking in Arabic]
00:02:43 <i>they might be disappointed.</i>
00:02:44 <i>According to Nabil,</i>
00:02:46 <i>the inscriptions make no mention of an occupant's name.</i>
00:02:49 What's in a name?
00:02:51 It's what he possessed in life that counts on the open market.
00:02:53 <i>On the contrary, Mr. Young,</i>
00:02:55 <i>to the ancients, a man's true essence was contained in his name.</i>
00:03:01 <i>Removing that from the entrance to the tomb</i>
00:03:04 <i>was considered a banishment from the hereafter.</i>
00:03:07 Surely the best people we know are going to hell anyway.
00:03:10 No, Herr, only non-existence.
00:03:13 <i>Richard Turkle, August 15th, 1948,</i>
00:03:27 <i>day 262.</i>
00:03:30 <i>Nine months of digging,</i>
00:03:36 <i>and finally an entrance has been discovered.</i>
00:03:41 <i>My hunch proved correct</i>
00:03:43 <i>that along this secluded stretch lie a series of tombs.</i>
00:03:48 <i>But who would be buried here?</i>
00:03:51 <i>A pharaoh, I presume,</i>
00:03:53 <i>hidden safely from ancient thieves.</i>
00:03:56 <i>Today, we uncover the truth.</i>
00:04:00 I... I can't move. I'm stuck.
00:04:03 Don't panic, parsons. Breathe through your nose.
00:04:07 Blow it out of your arse.
00:04:09 Drop dead, Mr. Young.
00:04:11 - What's the matter? - I can't breathe.
00:04:21 - What's the matter? - I can't breathe.
00:04:23 - What's the matter? - I can't breathe.
00:04:26 - What's the matter? - I can't breathe.
00:04:28 I can't breathe.
00:04:30 The burial chamber must lie beyond.
00:04:43 Astonishing.
00:04:47 A virgin seal.
00:04:49 Unbroken.
00:04:51 - You mean no looters? - Would appear not.
00:04:53 - Lucky for us. - Not luck.
00:04:56 - Fear. - It's a curse, isn't it?
00:04:59 Of course it's a curse.
00:05:01 Well?
00:05:03 What's it say?
00:05:05 "Listen, all who now have being.
00:05:09 "Avoid this place,
00:05:12 "abandoned by all that is holy.
00:05:17 "I, who have slaughtered the innocent.
00:05:23 "I, who have...
00:05:26 "confused terror with pleasure."
00:05:31 Obviously lacking in self-esteem.
00:05:37 Oh, well. As long as he was rich, we won't hold it against him.
00:05:41 We have a name.
00:05:48 Talos.
00:05:52 (GROANING)
00:05:54 Shall we begin? History beckons.
00:06:01 No, no. That's sacrilege.
00:06:03 We are archaeologists. We are not grave robbers.
00:06:06 Now be careful.
00:06:08 Whatever you say, Sir Richard.
00:06:17 I expect we will remember more fondly than the bloke on the other side.
00:06:22 Wait. What the devil do you suppose that was?
00:06:30 I suppose it was the wind.
00:06:32 (GROANING)
00:06:34 Impossible.
00:06:52 (ALL SCREAMING)
00:06:54 Get out of here!
00:06:56 Save yourselves!
00:06:58 No! No! No, Richard!
00:07:00 No, Richard!
00:07:03 (GASPS)
00:07:05 What is that?
00:07:09 What is happening?
00:07:12 Oh, God.
00:07:15 Help! The bill!
00:07:18 Hey, you! Pull me up!
00:07:21 Pull me up, you bastards!
00:07:24 Pull me up!
00:07:29 (GASPS)
00:07:31 No!
00:07:45 God forgive us.
00:07:57 (GUNFIRE)
00:07:59 (SHOUTING)
00:08:01 Day 262.
00:08:15 Nine months of digging, and finally an entrance has been discovered.
00:08:21 But who will be buried here?
00:08:23 A pharaoh, I presume, hidden safely from ancient thieves.
00:08:28 Today we uncover the truth.
00:08:31 I asked for accuracy, not destiny.
00:08:41 (MAN SPEAKING IN GERMAN)
00:08:43 Digits. I see digits. A series of numbers.
00:08:51 Four. Four being January...
00:08:53 Four being April. April the, uh...
00:08:56 April the 20th.
00:08:58 That's my grandad's birthday.
00:09:00 How do you do that?
00:09:01 I don't know. It's kind of spooky, really.
00:09:03 I just see...
00:09:05 all, everything.
00:09:07 He obviously deduces it from the inane series of questions he's been asking.
00:09:10 It's a trick. It's a very old one.
00:09:13 Yeah, well, I'll, uh, give you a hand with that.
00:09:17 Uh, come in, wish I could give you a buckle.
00:09:19 Ow.
00:09:21 Okay, folks.
00:09:23 The old coot's finally worked out all the glitches.
00:09:27 We go in one hour.
00:09:29 This is Operation Control. Can you hear me?
00:09:39 Professor Marcus, is that you? I don't believe it.
00:09:41 Good afternoon, Mr Cortes.
00:09:43 Oh, day, little minx.
00:09:45 Will you get my number again?
00:09:47 Look it up, Cortes. It's not a goddamn field trip.
00:09:50 Take your doctor more on. He'll lighten clear, as usual.
00:09:52 Heading in. Sensors on.
00:10:13 We've got a cell for reading of 0.24%.
00:10:16 Professor, did you get that?
00:10:18 Mr Cortes, would you please adjust your image stabilizer?
00:10:22 Thank you.
00:10:24 We're in position at 2430.
00:10:27 GPS reading three meters down,
00:10:31 four meters.
00:10:33 Temperature's six degrees centigrade and dropping.
00:10:38 We have reached point zero.
00:10:40 I think it's appropriate a turkle does the honors.
00:11:06 [distant growling]
00:11:09 [grunting]
00:11:21 We're through the seal.
00:11:33 [distant growling]
00:11:36 The inner chamber.
00:11:48 It's at least 100 meters wide.
00:11:50 Oh, shit.
00:11:54 What is it? What have you found?
00:11:56 Tarot.
00:12:00 Inner sarcophagus.
00:12:02 Suspended from the ceiling.
00:12:04 And bodies. Everywhere.
00:12:07 There's nothing like what Hesteres taught us to expect.
00:12:10 Well, the history books have just been rewritten.
00:12:13 Whatever.
00:12:15 They obviously never wanted this guy to get out.
00:12:18 The dead were interred with the objects they valued most in life.
00:12:24 It was only proposition in Tintalos,
00:12:27 within his own chamber of horrors.
00:12:31 [eerie music]
00:12:34 ♪ ♪
00:12:39 Professor, can you see this?
00:12:40 Yes, Samantha, yes, I see it.
00:12:42 It's magnificent, though.
00:12:44 Worship of the stars was standard practice.
00:12:47 The sun in particular.
00:12:49 Yeah, but these are planets.
00:12:51 Mercury, Venus, Earth, Mars.
00:12:55 Perfect alignment.
00:12:57 [eerie music]
00:13:00 ♪ ♪
00:13:05 Miss Cortez, are you all right?
00:13:07 [screaming]
00:13:09 Stop him!
00:13:11 Brad? Brad, what's wrong?
00:13:13 Brad, what's wrong?
00:13:15 Stop him!
00:13:17 Stop him!
00:13:19 Stop him! Stop him! Stop him!
00:13:22 [screaming]
00:13:24 [screaming]
00:13:26 It's a war operation. I'm calling the leader.
00:13:28 Brad, what are you doing? Have you lost your mind?
00:13:30 Breathe! Breathe!
00:13:32 Bob, what the hell are you doing?
00:13:34 Breathe! Breathe!
00:13:37 Bob, come back!
00:13:39 [eerie music]
00:13:42 ♪ ♪
00:13:45 Remember that token of our engagement?
00:13:47 I never got you.
00:13:48 I'm about to outdo Cartier.
00:13:50 Fine, Bob, you make a point.
00:13:52 Let's just come down slowly.
00:13:54 The wadjet eye.
00:13:57 [eerie music]
00:13:59 Exquisite.
00:14:00 Bob, it's not worth it.
00:14:02 It's not worth it.
00:14:04 Bob, don't move!
00:14:06 [eerie music]
00:14:09 ♪ ♪
00:14:11 Bob!
00:14:13 ♪ ♪
00:14:18 Keep going.
00:14:20 ♪ ♪
00:14:22 Bob, look, I've got it now.
00:14:25 Just--just come back slowly.
00:14:27 Bob!
00:14:29 Bob!
00:14:31 [eerie music]
00:14:34 ♪ ♪
00:14:36 [eerie music]
00:14:39 ♪ ♪
00:14:41 [breathing heavily]
00:14:43 ♪ ♪
00:14:46 [eerie music]
00:14:49 ♪ ♪
00:14:51 ♪ ♪
00:14:53 ♪ ♪
00:14:55 [eerie music]
00:14:57 ♪ ♪
00:14:59 - Bye, Sam. - Bye, Trouble.
00:15:01 ♪ ♪
00:15:03 ♪ ♪
00:15:05 ♪ ♪
00:15:07 ♪ ♪
00:15:09 [door opens]
00:15:12 Hello, baby.
00:15:14 You hungry? Hm?
00:15:16 [footsteps]
00:15:18 Today in Rome, religious leaders from over a dozen nations
00:15:21 have been celebrating the coming of Jesus Christ.
00:15:24 The impending planetary alignment
00:15:26 directly correlates with the biblical cleansing
00:15:28 known as Judgment Day.
00:15:30 Conversely, scientists in Geneva stress
00:15:32 that such an event has, in fact, occurred many times in the past
00:15:35 and, with the exception of high tides and possible tremors,
00:15:38 should in no way be construed as a prelude to Armageddon.
00:15:42 [church bells ringing]
00:15:45 The British Museum summons you to the past.
00:15:48 The materials presented here
00:15:50 are the remains of the mummy, Talos Iompe.
00:15:53 The wrappings are all that remain of the mummy, Talos Iompe.
00:15:57 Ladies and gentlemen, the museum is now closed.
00:16:01 Please make your way to the nearest exit.
00:16:04 Thank you for your cooperation.
00:16:06 Excuse me, sir.
00:16:08 I'm afraid we are closed for this evening.
00:16:10 Professor, I'm sorry. I didn't realize that--
00:16:12 No need to apologize for doing your job, Carl.
00:16:15 [sighs]
00:16:18 I'm afraid time stands still for no one, huh?
00:16:21 Wouldn't you agree, Prince?
00:16:23 Uh, this way, Professor.
00:16:25 Please let me show you to the south wing.
00:16:27 [church bells ringing]
00:16:29 [church bells ringing]
00:16:31 [church bells ringing]
00:16:33 [church bells ringing]
00:16:35 [church bells ringing]
00:16:37 [church bells ringing]
00:16:39 [church bells ringing]
00:16:41 [church bells ringing]
00:16:43 [church bells ringing]
00:16:46 [church bells ringing]
00:16:48 [indistinct chatter]
00:16:50 [screaming]
00:16:52 [glass shattering]
00:16:54 [glass shattering]
00:16:56 [screaming]
00:16:58 [screaming]
00:17:00 Carl?
00:17:02 [dramatic music]
00:17:04 My God.
00:17:06 [groaning]
00:17:08 We've had a break-in. Room 32, one man down.
00:17:12 Request medical assistance.
00:17:14 I'll open the gate.
00:17:16 [bell ringing]
00:17:18 [bell ringing]
00:17:20 [bell ringing]
00:17:22 [bell ringing]
00:17:24 [bell ringing]
00:17:26 [indistinct chatter]
00:17:28 Hold on. Don't move him just yet.
00:17:30 The American's sending down one of their lot to take a look.
00:17:33 Very well. We wouldn't want to create an international incident.
00:17:37 Yeah, absolutely.
00:17:39 He was Terence Moore, United States Senate,
00:17:43 here on holiday.
00:17:45 And you had to be pretty hot to get you out of bed.
00:17:47 Uh-huh.
00:17:49 Jesus Christ.
00:17:52 Very clean.
00:17:54 Both eyes extracted with the optic nerve fully intact.
00:17:58 What for?
00:18:00 What do you mean, "What for?"
00:18:03 There's no reasonable explanation for an act of this kind.
00:18:05 In the mind of our killer, there was.
00:18:07 And you are?
00:18:09 That's Detective Riley, U.S. Embassy.
00:18:12 [indistinct chatter]
00:18:14 Like you said, not done with an ice cream scooper.
00:18:19 Now, it's precision hand I work here.
00:18:21 Do know if the eyes were removed before or after the neck got crushed?
00:18:24 My God, I should hope after.
00:18:26 Oh, we can all hope.
00:18:28 But maybe our killer prefers to see his victims suffer a little before they go.
00:18:31 Victims?
00:18:33 Excuse me, aren't we jumping just a bit ahead of ourselves?
00:18:35 What'd they find on him?
00:18:37 Uh, credit cards, Rolex, pretty much everything.
00:18:40 There was a motive for his money.
00:18:42 This wasn't a thorough kill.
00:18:44 Look, I'll need all the details.
00:18:47 You'll have to wait for the post-mortem.
00:18:49 Okay.
00:18:51 Why are you still here?
00:18:53 Let's go.
00:18:55 He's probably watching us right now,
00:19:04 hoping he will appreciate the effort.
00:19:06 [indistinct chatter]
00:19:08 Welcome.
00:19:16 [phone rings]
00:19:18 [phone rings]
00:19:20 [phone rings]
00:19:22 [phone rings]
00:19:24 [phone rings]
00:19:28 [phone rings]
00:19:30 [phone rings]
00:19:32 [phone rings]
00:19:34 [phone rings]
00:19:36 [phone rings]
00:19:38 [phone rings]
00:19:40 [phone rings]
00:19:42 [phone rings]
00:19:44 [phone rings]
00:19:46 [phone rings]
00:19:48 [phone rings]
00:19:50 [phone rings]
00:19:52 [phone rings]
00:19:55 [phone rings]
00:19:57 [phone rings]
00:19:59 [phone rings]
00:20:01 [phone rings]
00:20:03 [phone rings]
00:20:05 [phone rings]
00:20:07 [phone rings]
00:20:09 [phone rings]
00:20:11 [phone rings]
00:20:13 [phone rings]
00:20:15 [phone rings]
00:20:17 [phone rings]
00:20:20 [phone rings]
00:20:22 [phone rings]
00:20:24 [phone rings]
00:20:26 [phone rings]
00:20:28 [phone rings]
00:20:30 [phone rings]
00:20:32 Thank you.
00:20:34 [rain falling]
00:20:36 [rain falling]
00:20:38 [rain falling]
00:20:40 [rain falling]
00:20:42 [rain falling]
00:20:44 [door opens]
00:20:46 [door closes]
00:20:49 [footsteps]
00:20:51 [footsteps]
00:20:53 [door opens]
00:20:55 [footsteps]
00:20:57 [door opens]
00:20:59 [door closes]
00:21:01 [door opens]
00:21:03 [footsteps]
00:21:05 [footsteps]
00:21:07 [sighs]
00:21:09 [speaks in foreign language]
00:21:11 [door opens]
00:21:14 [door closes]
00:21:16 [door opens]
00:21:18 [door closes]
00:21:20 [door opens]
00:21:22 [door closes]
00:21:24 [door closes]
00:21:26 [door opens]
00:21:28 [door closes]
00:21:30 [door opens]
00:21:32 [door closes]
00:21:34 [door opens]
00:21:36 [door closes]
00:21:38 [door opens]
00:21:41 [door closes]
00:21:43 [door opens]
00:21:45 [footsteps]
00:21:47 [footsteps]
00:21:49 [footsteps]
00:21:51 [footsteps]
00:21:53 [footsteps]
00:21:55 [footsteps]
00:21:57 [groans]
00:21:59 [footsteps]
00:22:01 [footsteps]
00:22:03 [footsteps]
00:22:06 [fire crackling]
00:22:08 [fire crackling]
00:22:10 [fire crackling]
00:22:12 [explosion]
00:22:14 [explosion]
00:22:16 [gasps]
00:22:18 [screams]
00:22:20 [explosion]
00:22:22 [explosion]
00:22:24 [screams]
00:22:26 [explosion]
00:22:28 [screams]
00:22:31 [explosion]
00:22:33 [screams]
00:22:35 [explosion]
00:22:37 [screams]
00:22:39 [explosion]
00:22:41 [screams]
00:22:43 [screams]
00:22:45 [screams]
00:22:47 [screams]
00:22:49 [explosion]
00:22:51 [sirens]
00:22:53 [indistinct chatter]
00:22:55 [indistinct chatter]
00:22:58 [indistinct chatter]
00:23:00 [indistinct chatter]
00:23:02 [indistinct chatter]
00:23:04 [clears throat]
00:23:06 [sighs]
00:23:08 So we got two victims. First one's eyes go missing.
00:23:11 Second one loses her lungs.
00:23:13 What else do they have in common?
00:23:15 -They're both foreigners. -Right. So what does that tell you?
00:23:19 -They weren't chosen at random. -Good.
00:23:22 So, uh, find out if Grozny had any ties,
00:23:25 occupation or whatever, to the American, and, um,
00:23:27 call the consulate, see if there's any relatives who can talk to you.
00:23:31 And...
00:23:34 -Ah. -What's that?
00:23:40 Looks like gauze.
00:23:43 You know that smell.
00:23:47 That's a spice. Cinnamon.
00:23:50 Don't worry. I'm a little wizard in the kitchen.
00:23:54 -This pussy whips what you are. -Yeah, you should get out more.
00:23:58 Pass me water.
00:24:03 Thanks.
00:24:07 [gasps]
00:24:20 Why, hello, Bradley.
00:24:22 Looking uncommonly insane these days.
00:24:25 Oh, thank you very much, Inda. You were looking pretty...
00:24:27 chic yourself.
00:24:29 And of course it's nice to know that bug that's crawled right up your arse
00:24:32 is still alive and kicking, Claire.
00:24:34 -Ah! -Now...
00:24:36 -why won't you take my calls? -Let go of my arm.
00:24:38 -Why won't you take my calls? -Don't call the guard.
00:24:42 Now, Claire, you know it started, don't you?
00:24:48 We found it. We're responsible. And we've got three days to find it again.
00:24:52 Take some advice, Bradley, okay?
00:24:54 Take the same three days and find yourself a really good shrink.
00:24:58 Please, look, if we don't find this thing, if we don't find...
00:25:01 What thing? I mean, Bradley. There never was a thing.
00:25:05 Talus is dust. If he ever even existed...
00:25:07 What about the museum? What about the museum?
00:25:09 What about the three deaths in one week, Claire?
00:25:12 See? I can see.
00:25:16 See, I see.
00:25:19 -I see everything. -Christ.
00:25:21 Please, please, listen to me. Let me be your guide.
00:25:24 You know, if it's all the same to you, I'll take the unguided tour.
00:25:28 Claire.
00:25:30 Thursday, 10.55.
00:25:32 If it's not stopped,
00:25:35 it's gonna be the beginning of the end of the world for all of time.
00:25:38 (SCREAMS)
00:25:40 (SCREAMS)
00:25:42 (SCREAMS)
00:25:45 (SCREAMS)
00:25:47 (SCREAMS)
00:25:49 (SCREAMS)
00:25:51 (SCREAMS)
00:25:53 (SCREAMS)
00:25:55 (SCREAMS)
00:26:23 -Hey! -You want to make a move?
00:26:25 I need to take a leak first.
00:26:29 (INDISTINCT CHATTER)
00:26:57 Damn it.
00:26:59 (SCREAMS)
00:27:15 (SCREAMS)
00:27:17 (SCREAMS)
00:27:21 (SCREAMS)
00:27:28 (SCREAMS)
00:27:34 (SCREAMS)
00:27:36 Miss Turkle's office? Thank you.
00:27:50 Yes?
00:28:01 I'm looking for Miss Turkle.
00:28:04 That's me. How can I help?
00:28:06 If you could spare a few minutes away from your work.
00:28:08 Yeah, sure. Um, just carry on.
00:28:12 It just so happens that that worthless pile of rags is priceless.
00:28:19 Only to people like yourself.
00:28:21 Right. Does that make me a suspect, then?
00:28:23 Merely an expert. This is Bradley Cortese.
00:28:27 You hear from him lately?
00:28:29 He was just fired from another job last week.
00:28:31 He's been in the M.I.A. ever since.
00:28:34 I can see from your reaction that he's more than just a colleague.
00:28:38 What's that supposed to imply?
00:28:40 I'll have a word with you, Miss Turkle.
00:28:42 Our suspect profile points to an unstable individual
00:28:44 with serious ties to the Stallisks.
00:28:46 You're looking in the wrong place.
00:28:48 Yeah, Brad has his problems, yeah.
00:28:50 But violence isn't one of them.
00:28:52 Were you and Cortese lovers?
00:28:56 I don't think that's any of your business, one way or the other.
00:29:02 I'm only concerned for your safety, Miss Turkle.
00:29:04 Bottom line, if our man's linked to that exhibit, then...
00:29:08 He's linked to me. I'll be extra cautious, Detective.
00:29:12 My pager.
00:29:18 If there's anything you need, day or night.
00:29:21 Um...
00:29:25 In fact, there is something.
00:29:27 My grandfather's logbook was one of the item seized from the museum.
00:29:32 When can I expect it back?
00:29:34 It's just that, um...
00:29:36 It means the world to me.
00:29:38 You have my word.
00:29:41 You get it back the second you're done with it.
00:29:43 Well, let's hope you're a man of his word.
00:29:46 Victims two and three arrived at Heathrow on September the 7th.
00:29:55 They were on different airlines.
00:29:57 Security reported nothing unusual.
00:29:59 Most likely targeted when they landed.
00:30:01 (GUN COCKS)
00:30:03 Oh, for God's sake.
00:30:05 (KNOCKING)
00:30:08 Postal service, Mr. Cortese.
00:30:10 Got a package that needs your signature.
00:30:12 Mr. Cortese?
00:30:16 (FOOTSTEPS)
00:30:18 (DOOR OPENS)
00:30:26 (FOOTSTEPS)
00:30:29 (HAUNTING MUSIC)
00:30:34 (HAUNTING MUSIC CONTINUES)
00:30:36 Shit!
00:30:53 (HAUNTING MUSIC CONTINUES)
00:30:57 (FOOTSTEPS)
00:30:59 (HAUNTING MUSIC CONTINUES)
00:31:06 (HAUNTING MUSIC CONTINUES)
00:31:08 Riley, come and look at this.
00:31:34 Looks like you and Cortese are nice with the same princess.
00:31:37 I'll get a car over to her place.
00:31:41 (HAUNTING MUSIC CONTINUES)
00:31:45 (GRUNTS)
00:31:48 (SCREAMS)
00:31:52 Help!
00:31:54 Son of a bitch!
00:31:56 Are you okay?
00:31:58 (GRUNTS)
00:32:03 (GRUNTS)
00:32:04 Pardon!
00:32:06 Perfect.
00:32:08 Shit!
00:32:10 (HAUNTING MUSIC CONTINUES)
00:32:12 (GRUNTS)
00:32:29 Detective.
00:32:31 Miss Tickle.
00:32:32 This couldn't be a coincidence.
00:32:33 It could, but it isn't.
00:32:35 I found this in Cortese's flat.
00:32:39 I could sure use some of your expert advice.
00:32:42 What?
00:32:44 Let's go to my office.
00:32:46 Good news for a change.
00:32:51 Business as usual, eh, Doc?
00:32:54 Goodnight.
00:32:59 Goodnight.
00:33:00 (FOOTSTEPS)
00:33:02 (DISTANT WHISPERING)
00:33:05 (GLASS SHATTERS)
00:33:25 (SIGHS)
00:33:27 (GUNSHOTS)
00:33:44 (TIRES SCREECH)
00:33:46 (TIRES SCREECH)
00:33:48 (GASPS)
00:33:50 (GUNSHOT)
00:33:52 (TIRES SCREECH)
00:33:54 (GASPS)
00:33:56 (SCREAMS)
00:34:00 (GUNSHOTS)
00:34:10 (SCREAMS)
00:34:24 (SCREAMS)
00:34:26 Okay, this is the core of the myth.
00:34:30 According to the inscriptions,
00:34:32 Talos had the organs intentionally removed from his body
00:34:35 by his own followers.
00:34:37 The cult believed that one day their prince would come back and reclaim them.
00:34:40 These organs, were they taken in any particular order?
00:34:42 The eyes.
00:34:46 The lungs.
00:34:49 The pituitary gland.
00:34:51 The liver.
00:34:53 The jaw.
00:34:55 And last but not least...
00:34:57 The heart.
00:35:00 What's it mean?
00:35:02 Resurrection?
00:35:05 Well, more accurately, transmutation.
00:35:08 (SCOFFS) Another scrap of word.
00:35:10 It's a term the alchemists used.
00:35:12 It means to, um...
00:35:14 restore man to his primordial condition of grace, strength...
00:35:19 perfection, and, uh...
00:35:23 physical immortality.
00:35:25 Um...
00:35:32 So, uh, what happens now?
00:35:37 He gets picked up.
00:35:40 Hopefully before he comes to his next atrocity.
00:35:42 Yeah, that is if he committed any to begin with.
00:35:44 For your friend's sake, why don't you tell me what you think is going on?
00:35:46 Because, Riley, you'd never believe me.
00:35:49 -Not in... -Three thousand years?
00:35:51 (PHONE VIBRATES)
00:35:53 Hey, listen.
00:35:58 I've been on the go all day myself.
00:36:00 And I just happen to know a fine Irish pub.
00:36:03 (CHUCKLES)
00:36:05 A cop named Riley knows a fine Irish pub?
00:36:08 You surprise me.
00:36:09 Am I still wasting my time, Miss Turkle?
00:36:11 Why don't you call me Sam?
00:36:14 (THUNDER RUMBLING)
00:36:16 Riley, you gotta turn yourself in, okay?
00:36:32 I'm not Sam!
00:36:33 All they'll do is lock me up. That's all they're gonna do, lock me up!
00:36:43 I'm the world's only saviour.
00:36:45 Well, then it's your obligation to tell the authorities what you saw.
00:36:49 (SOBBING)
00:36:52 -Riley. -I've got him.
00:36:55 I've got him. I've got him.
00:36:57 You've got me. You're not gonna lose me.
00:37:00 Riley, I'm going with you.
00:37:04 Give me...
00:37:06 Hey, you!
00:37:08 Don't!
00:37:10 Put the phone...
00:37:12 Put the bloody phone down, Edith, now!
00:37:15 You need help, Riley.
00:37:17 I don't know bloody shit, Sherlock.
00:37:20 And you, Edith, are it.
00:37:22 You are not gonna deny me, Edith. You're not gonna deny me.
00:37:26 I want you, Edith, to take me to the eyes of this next victim.
00:37:40 I'm ashamed to admit I gave very little thought to Burke's death.
00:37:43 Your defences were up.
00:37:47 No.
00:37:49 My mind was on that sarcophagus.
00:37:53 And the wrappings.
00:37:56 They had presents.
00:38:00 For weeks, no one would go near them.
00:38:04 Not even the flies.
00:38:06 They just lay there, half buried in the sand.
00:38:10 Madness took over the camp.
00:38:12 None of us seemed to have any control over it.
00:38:15 It affected everyone.
00:38:17 Each in a totally different way.
00:38:19 It was a darkness you could...
00:38:21 Where you could feel.
00:38:25 You're cut off.
00:38:38 No.
00:38:40 I wasn't the only one who felt it, Riley.
00:38:45 You have power.
00:38:47 It was tangible.
00:38:49 My heart's racing.
00:39:07 That's because it's not yours.
00:39:09 It belongs to the other.
00:39:11 Gotta bust out my chest.
00:39:13 The train now approaching...
00:39:15 Remember, this isn't your vision.
00:39:19 Okay, I'm ready.
00:39:26 Release! Open your eyes!
00:39:28 Open your eyes!
00:39:30 Where are you, Bradley?
00:39:45 I'm still in London.
00:39:47 I'm going down some stairs.
00:39:52 It's cold.
00:39:55 I'm walking on my hands.
00:39:57 I'm walking on my feet.
00:39:59 I'm walking on my knees.
00:40:01 I'm walking on my feet.
00:40:03 I'm walking on my knees.
00:40:05 I'm walking on my feet.
00:40:07 I'm walking on my knees.
00:40:10 I'm walking on my feet.
00:40:12 I'm walking on my knees.
00:40:14 I'm walking on my feet.
00:40:16 I'm walking on my knees.
00:40:18 I'm walking on my feet.
00:40:20 I'm walking on my knees.
00:40:22 I'm walking on my feet.
00:40:24 I'm walking on my knees.
00:40:26 I'm walking on my feet.
00:40:28 I'm walking on my knees.
00:40:30 I'm walking on my feet.
00:40:32 I'm walking on my knees.
00:40:34 I'm walking on my feet.
00:40:37 I'm walking on my knees.
00:40:39 I'm walking on my feet.
00:40:41 I'm walking on my knees.
00:40:43 I'm walking on my feet.
00:40:45 I'm walking on my knees.
00:40:47 I'm walking on my feet.
00:40:49 I'm walking on my knees.
00:40:51 I'm walking on my feet.
00:40:53 I'm walking on my knees.
00:40:55 I'm walking on my feet.
00:40:57 - Where are you going? - Get out of the way.
00:40:59 Get out of the way.
00:41:02 Get out of the way.
00:41:04 Come here!
00:41:06 Come here!
00:41:08 Come here!
00:41:10 Come here!
00:41:12 Come here!
00:41:14 Where are the others?
00:41:16 Where are the others?
00:41:18 Where are the others?
00:41:20 - Kill her! - No!
00:41:22 - Stupid bastard. - Where's my dog?
00:41:24 Stop!
00:41:26 - Where's my dog? - Get off me!
00:41:29 - You okay to go up alone? - Yeah, I'll be fine.
00:41:36 Now, Brad knows better than to show up here.
00:41:39 It's not Brad you're afraid of.
00:41:42 Go on, say the name. Thalos.
00:41:44 No!
00:41:46 I think Brad heard voices.
00:41:58 I can tell you firsthand that he was dangerously obsessed with this whole past lives thing.
00:42:03 Maybe.
00:42:11 But what if just this once the voices that somebody was hearing were real?
00:42:16 Good night, Riley.
00:42:23 Good night.
00:42:25 Good night.
00:42:27 Good night.
00:42:29 Good night.
00:42:31 Good night.
00:42:33 Good night.
00:42:35, you filthy bastards.
00:42:45 Good night.
00:42:47 Good night.
00:42:49 You filthy bastards.
00:43:03 You filthy bastards.
00:43:05 You filthy bastards.
00:43:07 Shit.
00:43:09 Shit.
00:43:11 Shit.
00:43:27 Shit.
00:43:29 Shit.
00:43:31 Shit.
00:43:33 Shit.
00:43:35 Shit.
00:43:37 Shit.
00:43:39 Shit.
00:43:41 Shit.
00:43:43 Shit.
00:43:45 Shit.
00:44:12 Dispatch to Riley, over.
00:44:14 What's up?
00:44:16 Bradley Cortese has been spotted in the vicinity of Notting Hill Gate.
00:44:19 Shit.
00:44:21 Shit.
00:44:24 Shit.
00:44:27 Shit.
00:44:53 No, I don't hear you.
00:44:55 Hello?
00:45:04 Got you.
00:45:06 Brad, I can't talk right now.
00:45:08 Don't hang up. I'm going crazy if you hang up.
00:45:10 Brad, I'm on my way out. I've got a date.
00:45:13 What, with the cop? You just had a date with the cop. Don't lie to me.
00:45:16 Where are you?
00:45:19 You sound scared, Sam.
00:45:22 I don't blame you.
00:45:24 Should be.
00:45:30 God, Brad!
00:45:32 What are you doing here?
00:45:35 What happened? Whose blood is it?
00:45:38 It's not mine.
00:45:40 Whose is it?
00:45:42 It's the one he got before you.
00:45:45 What are you talking about?
00:45:47 He wants what you've got, Sam.
00:45:49 You can't let him take it.
00:45:51 Help me. Help me. God, help me. You understand? Please.
00:45:55 Of course I understand.
00:45:57 I was there, remember? Yeah?
00:46:00 Kneel down, Sam.
00:46:06 What? What are you... Kneel down.
00:46:08 But...
00:46:10 What are you doing?
00:46:12 Shut up.
00:46:14 I don't want you to worry because I'm going to see you. I'm going to see you on the flip side.
00:46:18 I don't know what you're talking about. Stop this, Brad.
00:46:20 No, don't worry.
00:46:22 Because I... I'm going to be right behind you.
00:46:26 Please.
00:46:28 Brad, stop it.
00:46:30 What are you doing?
00:46:32 Stop it. Brad, stop.
00:46:34 Brad!
00:46:36 No!
00:46:38 Forgive us.
00:46:49 (BREATHES HEAVILY)
00:46:51 For the purposes of this interview,
00:47:04 Mr Cortese has agreed to waive his right to have a lawyer present.
00:47:07 It's not a lawyer I need, it's an undertaker.
00:47:10 Is he talking to a dead man?
00:47:12 Dead man talking.
00:47:17 Why do you want to harm Miss Sturgill?
00:47:19 I don't want to harm her!
00:47:21 She's not my family. She's not my bloody sister.
00:47:24 What about them?
00:47:27 Were they like your brothers and sisters?
00:47:29 No.
00:47:34 Take a good look.
00:47:36 Did he piss you off?
00:47:38 No, not him. It's just...
00:47:41 It's what's inside him.
00:47:45 His...
00:47:47 His liver.
00:47:49 Yeah, that's right, Officer Dibble. His liver pissed me off.
00:47:52 If you cut out the parts that piss you off,
00:47:56 you cut out the anger. Is that it?
00:47:59 Mm. Whatever blows your hair back, baby.
00:48:02 You smug bastard!
00:48:06 Go get some air.
00:48:14 See you.
00:48:16 Your mate, is, er...
00:48:22 Is Dad pissed off, I can tell?
00:48:24 Naturally.
00:48:26 He's convinced we have our man.
00:48:28 Oh, no, not me. Officer Dibble, it was someone else.
00:48:31 Then prove him wrong.
00:48:33 Who?
00:48:35 I'll tell you for a fag.
00:48:42 (SUSPENSEFUL MUSIC)
00:48:44 You see, your mystery, Officer, started about 3,000 years ago.
00:48:54 And your suspect was a Greek heretic exiled from his homeland
00:48:59 for performing acts of sorcery.
00:49:01 His name was, and still is...
00:49:07 Talos.
00:49:11 (SUSPENSEFUL MUSIC)
00:49:13 Five years later, a man called Talos Iompe arrived in ancient Egypt.
00:49:18 He was cultured, he was charming, he was a master of language,
00:49:21 mathematics and a dark science.
00:49:24 He so impressed King Amanatot,
00:49:27 but Talos quickly became part of the royal family's inner circle.
00:49:31 Not long after, he wed the king's stunning daughter, Nefriama.
00:49:39 Oh, Nefriama worshipped her dark prince.
00:49:42 But those who opposed his particular brand of theology
00:49:46 were struck down with disease, or worse, tortured into believing.
00:49:51 Neighbouring factions pleaded with King Amanatot
00:49:57 to put an end to this mad foreigner's reign of terror.
00:50:00 So, you see, an assassination was plotted.
00:50:03 But again, the bull-rope king miscalculated.
00:50:08 He informed Nefriama of his intended deed,
00:50:11 and she, in turn, told her dark prince.
00:50:14 (SPEAKING IN ARABIC)
00:50:16 Talos decided if he was going to die,
00:50:20 it would be on his own terms.
00:50:23 The king's battalion stormed the chamber.
00:50:27 The prince had come up with the perfect plan
00:50:31 to preserve his soul for his eventual return.
00:50:34 Mummification.
00:50:38 But for the king, the worst horror was yet to come.
00:50:41 For deep inside the chamber,
00:50:44 the embalmers discovered,
00:50:46 cannibalising Prince Talos's organs,
00:50:50 his own daughter chewing on the heart.
00:50:53 Well, the king promptly put the followers to death,
00:50:57 he himself impaling Nefriama upon the spikes.
00:51:01 And Talos?
00:51:05 Talos.
00:51:07 Well, you see, his body was never found.
00:51:10 Only the wrappings.
00:51:14 And inscribed inside the chamber,
00:51:17 it says that his soul, Ka,
00:51:20 awaits in purgatory until the day of his rebirth.
00:51:24 Which happens to be this Thursday.
00:51:29 At 10.55, when the planets align.
00:51:34 (CLOCK TICKING)
00:51:36 So these four victims are all reincarnations of his followers?
00:51:42 No, Officer Raleigh, there's five, you see, forgetting a dog.
00:51:47 Who says you have to come back wearing the same skin?
00:51:50 You still don't get it, do you?
00:51:54 Don't you see he's taking back his organs so he can live again?
00:51:58 (MUMBLING)
00:52:02 I saw Nefriama's face in that chamber.
00:52:05 I saw Sam's face.
00:52:07 She's the final carrier.
00:52:11 Her grandfather was the final link in the chain.
00:52:15 He fed the men with tattoos and coveted.
00:52:19 She's not responsible for the crimes of her forefathers,
00:52:22 but she is accountable for their sins.
00:52:24 Kill her.
00:52:31 Oh, my God, someone has to destroy the heart.
00:52:35 Take a look. Take a look, see, Mush.
00:52:41 See, that's believing.
00:52:43 (SPEAKING IN FOREIGN LANGUAGE)
00:52:46 (SCREAMS)
00:52:48 Leave.
00:52:59 Leave.
00:53:01 Inspector, what's the word on Cortese?
00:53:07 We're holding him till morning.
00:53:09 Would you want me to stick him?
00:53:11 I can make a suggestion.
00:53:13 Stick him in number five.
00:53:15 Right.
00:53:25 We'll move in till tomorrow.
00:53:28 We'll do this a nice and easy way or the bullshit way.
00:53:31 Well, a nice and easy way every time.
00:53:33 Change.
00:53:35 Shit, it started.
00:53:39 Didn't we just say no bullets?
00:53:41 Get out of there.
00:53:43 Oh, no.
00:53:56 I'm sorry.
00:53:58 Jesus.
00:54:11 (KNOCKING)
00:54:13 (TV PLAYING)
00:54:15 (TV CONTINUES PLAYING)
00:54:43 How's he doing?
00:54:45 He got himself a padded cell.
00:54:47 Three squares a day.
00:54:49 It's better than his victims.
00:54:51 Yeah.
00:54:55 Hand deliver it as promised.
00:54:58 Look, for whatever reason,
00:55:02 that tomb has brought grief to a good number of people.
00:55:05 If it means anything,
00:55:08 I think maybe your grandfather had the right idea all along.
00:55:12 Thanks.
00:55:14 Coming from you, it does.
00:55:18 (TV PLAYING)
00:55:24 Stay indoors until you hear from me.
00:55:39 You have round-the-clock protection until he's kneeled.
00:55:41 Forget it. I'm coming with you.
00:55:43 Sam, please, I don't have time to argue.
00:55:45 Okay, Riley, on one condition.
00:55:47 You give me your word that this doesn't come off until I take it off.
00:55:50 Is this a joke? You see what's happening out there?
00:55:52 Yeah, it's a joke. You and me.
00:55:55 (SIGHS)
00:55:58 (SIGHS)
00:56:01 (FOOTSTEPS APPROACHING)
00:56:29 Instant cadaveric spasm.
00:56:31 That's obvious from the discolouration.
00:56:34 A severe trauma to the neck, crushed the vertebrae.
00:56:37 Happened just like that.
00:56:39 I don't imagine he suffered much.
00:56:41 Tea?
00:56:47 In point of fact, it's N.
00:56:49 Rope, loop, five letters.
00:56:51 Loose.
00:56:54 No, I meant a spot of tea. You know, like Lipton's.
00:56:57 Oh, sounds lovely.
00:56:59 Honey, a lemon.
00:57:01 Lemon? Thank you.
00:57:03 (MEOWS)
00:57:11 (DOOR OPENS)
00:57:15 (MEOWS)
00:57:17 (DOOR CLOSES)
00:57:20 (SIGHS)
00:57:23 (OMINOUS MUSIC PLAYING)
00:57:26 (OMINOUS MUSIC PLAYING)
00:57:29 (OMINOUS MUSIC PLAYING)
00:57:31 (GASPS)
00:57:57 Help!
00:57:59 (WOMAN SCREAMING)
00:58:01 (WOMAN SCREAMING)
00:58:04 Help me!
00:58:07 (WOMAN SCREAMING)
00:58:10 There's somebody out there.
00:58:12 No, no, no, no.
00:58:14 There's something chasing me. There's something out there.
00:58:16 It's 7.28. She's out there.
00:58:18 She's out there.
00:58:20 (WOMAN SCREAMING)
00:58:22 (THUDDING)
00:58:26 (CLANGING)
00:58:28 (GUNSHOT)
00:58:37 (GROWLING)
00:58:42 (GROANS)
00:58:45 (GRUNTS)
00:58:48 (PANTING)
00:58:54 (GROWLING)
00:58:56 (PANTING)
00:59:02 (GROANING)
00:59:15 (GROANING)
00:59:17 (SCREAMING)
00:59:27 Help! Stop!
00:59:41 Please, help me!
00:59:43 (GASPS)
00:59:45 (GASPS)
00:59:47 (TIRES SCREECH)
00:59:49 (PANTING)
01:00:11 (SIGHS)
01:00:13 (SCREAMING)
01:00:25 (SCREAMING)
01:00:38 (INDISTINCT CHATTER)
01:00:40 Eyewitnesses?
01:00:43 A whole bunch. All dead.
01:00:45 If cats could talk, eh?
01:00:49 (INDISTINCT CHATTER)
01:00:51 (MUFFLED CONVERSATION)
01:00:58 (MUFFLED CHATTER)
01:01:00 (INDISTINCT CHATTER)
01:01:09 Evening standard!
01:01:23 Where were we then?
01:01:25 I read all about it.
01:01:27 All planets unite. Evening standard.
01:01:30 Edith Buttrell, sure pleased to make my acquaintance.
01:01:39 This is Detective Wright.
01:01:41 I came across your card in Brad Cote's apartment.
01:01:44 What sort of trouble is he in now?
01:01:46 I'm afraid he's way past all that.
01:01:49 Brad's dead?
01:01:51 He was saying some unusual things before he went.
01:01:55 Too unusual to believe.
01:01:58 You believe him?
01:02:00 (SIGHS)
01:02:02 Yeah, just about.
01:02:04 All right.
01:02:06 I'll do what I can for you.
01:02:09 Thank you.
01:02:12 Goodbye.
01:02:14 Professor Marcus.
01:02:17 I'm Detective Riley.
01:02:19 Yes, yes, yes, yes.
01:02:21 I came as soon as I received your message.
01:02:24 Any further news about Sam?
01:02:26 Not yet. I've spoken with Dr. Marooney.
01:02:28 She's agreed to a rendezvous.
01:02:30 Ah. Begrudgingly, I'm sure.
01:02:32 So you believe that this thing has gone after Sam to, uh, reclaim its heart?
01:02:38 According to Bradley, the final piece of the puzzle resides within her bosom.
01:02:43 Bradley Cortese is psychotic.
01:02:45 Listen to yourselves. This is insane.
01:02:47 Or it's prophecy.
01:02:49 We have less than five hours to find her.
01:02:51 Does anyone have any reasonable suggestions?
01:02:54 Well, I have a somewhat unorthodox one.
01:02:57 Why am I not surprised?
01:02:59 This involves the spirit world, no doubt.
01:03:02 We need a vessel to contact her.
01:03:05 Something with spiritual resonance.
01:03:07 You know, for Sam, I was willing to listen to anything bordering on the rational, but this...
01:03:12 Claire, please.
01:03:14 Doctor, wait. Wait, wait, wait, wait, wait.
01:03:17 Look, I don't expect you to put your faith into something I only have to believe myself.
01:03:21 But if there's a chance, one shot in a million, that what that woman claims she can do will help find Sam,
01:03:26 I'm willing to give it a try.
01:03:29 Look, I'm... I'm scared, okay?
01:03:34 I mean, you can understand that, can't you?
01:03:37 Yes. Absolutely.
01:03:42 All right, you win.
01:03:45 What do you need?
01:03:47 What do you need?
01:03:49 [♪♪♪]
01:03:52 [♪♪♪]
01:04:20 You're with Samantha now.
01:04:22 What is she showing you?
01:04:25 Look, I'm sorry, but am I the only one?
01:04:29 Doctor, please, please.
01:04:31 I'm sorry, but I mean, she's talking to a dead body.
01:04:34 Death doesn't exist. It's only a transference of energies.
01:04:37 And if we could just tap into his before it moves on...
01:04:40 [GASPS]
01:04:42 [SCREAMS]
01:04:44 [♪♪♪]
01:04:48 [♪♪♪]
01:04:51 Sam!
01:04:53 Sam!
01:04:55 Espera guide you!
01:05:01 No!
01:05:06 Have her show you where she is.
01:05:08 All right, let's concentrate.
01:05:13 Look at your heart.
01:05:15 Look at your eyes.
01:05:17 Help!
01:05:28 [♪♪♪]
01:05:31 [GASPS]
01:05:42 [♪♪♪]
01:05:45 This can't be happening.
01:05:55 Where is she, Brad?
01:05:57 Tell us what she sees.
01:06:00 Bradley!
01:06:10 Look at your eyes.
01:06:12 Have her tell us what she sees.
01:06:15 [SCREAMS]
01:06:18 [GASPS]
01:06:28 [♪♪♪]
01:06:39 [SCREAMS]
01:06:42 What do you see?
01:06:48 Bradley!
01:06:50 Where is she, Bradley?
01:07:07 [SCREAMS]
01:07:09 I saw that.
01:07:14 I saw that.
01:07:16 Bradley.
01:07:22 [GASPS]
01:07:25 [GASPS]
01:07:27 Symbols?
01:07:39 What do they mean?
01:07:41 Literal translation.
01:07:43 Under the pyramid, on the water.
01:07:47 Does it trigger anything?
01:07:49 No, I'm afraid not.
01:07:53 I know there's a construction site on the Thames.
01:07:56 The skeleton of one of those old super hotels.
01:07:59 Ah, yes, I remember.
01:08:01 During the initial phase, a level collapsed.
01:08:03 A completion was suspended.
01:08:05 Sounds like his kind of hotel.
01:08:07 Yeah, but if it were, I mean, how do you stop something that hasn't died in 3,000 years?
01:08:13 [♪♪♪]
01:08:39 The wadjet eye symbolizes the left eye of Horace,
01:08:42 ripped out during his battle with Seth.
01:08:45 It possesses extraordinary powers of protection.
01:08:48 You must keep it with us at all times.
01:08:50 What, you mean this is it?
01:08:52 This is our only weapon against this force you've been describing?
01:08:56 [♪♪♪]
01:09:07 [grunts]
01:09:09 Waterloo Bridge is our best hiding place. Step on it!
01:09:19 We'll never make it through the gridlock. Do you know an alternate route?
01:09:22 How about this one?
01:09:25 [♪♪♪]
01:09:29 [♪♪♪]
01:09:57 [♪♪♪]
01:10:00 [gasps]
01:10:12 [rumbling]
01:10:17 [gasps]
01:10:26 [rumbling]
01:10:29 [rumbling]
01:10:53 [rumbling]
01:10:56 [screams]
01:11:01 This is it.
01:11:08 Stand clear.
01:11:12 [grunts]
01:11:17 Come on!
01:11:22 Watch your step! Hurry up!
01:11:24 Only 18 minutes left.
01:11:33 -I'll try to go hold it up. -I'll be fine.
01:11:35 Let's go!
01:11:37 [♪♪♪]
01:11:40 [♪♪♪]
01:11:43 [snoring]
01:12:08 [snoring]
01:12:11 [roars]
01:12:25 I have defeated the will of Amon Ra,
01:12:36 never before have human eyes feasted upon such splendor.
01:12:43 Rise and kneel at the feet of Thanas.
01:12:47 Nefri armor does not kneel at the order of infidels.
01:12:55 [grunts]
01:12:57 [roars]
01:13:03 [roars]
01:13:05 Gosh, it could be anywhere.
01:13:20 Why don't we split up?
01:13:22 That way we can come and walk around.
01:13:24 Yes, yes, good idea. Come, we'll go this way.
01:13:27 [♪♪♪]
01:13:30 This way, yes.
01:13:37 Damn.
01:13:53 It's okay, it's okay. I've got a light.
01:13:56 [snoring]
01:13:58 [roars]
01:14:00 [screaming]
01:14:02 Thanos.
01:14:13 Good evening, Professor Marcus.
01:14:16 You know my name?
01:14:18 As I know your mind.
01:14:20 Countless hours spent at the museum,
01:14:23 you stand there at my funerary containment,
01:14:26 wondering what it would be like to speak to a deity.
01:14:30 Yes, yes.
01:14:32 No.
01:14:34 Fight him, Professor.
01:14:36 He's trying to control your mind. Fight him.
01:14:38 [roars]
01:14:40 [screams]
01:14:42 Be gone, lest you fill his knives of light.
01:14:47 The mighty Amon Ra commands you.
01:14:49 Be gone. Be gone.
01:14:51 [roars]
01:14:53 Be gone.
01:14:55 [roars]
01:14:57 Be gone. Be gone.
01:14:59 Be gone. Be gone.
01:15:01 We did it, Professor.
01:15:05 We did it.
01:15:07 [sobs]
01:15:09 Be quiet, Woodrux.
01:15:13 [gasps]
01:15:15 Be quiet.
01:15:17 On your knees in worship.
01:15:19 [gasps]
01:15:21 [gasps]
01:15:23 Oh, my God.
01:15:25 What have I done?
01:15:27 What have I done?
01:15:29 The light.
01:15:34 We have six minutes.
01:15:36 Okay.
01:15:38 [screams]
01:15:40 Look, I can't wait. We're out of time.
01:15:46 I know.
01:15:48 Hey, give me that.
01:15:50 Now go on.
01:15:52 Come on. Who's to talk to?
01:15:54 Sam!
01:16:16 Sam!
01:16:19 [gasps]
01:16:22 [panting]
01:16:24 [grunts]
01:16:27 [panting]
01:16:30 [grunts]
01:16:33 [grunts]
01:16:36 [panting]
01:16:39 [gasps]
01:16:41 [roars]
01:16:43 [roars]
01:17:11 Professor, there's no time for that.
01:17:14 Doctor, where is Mr. Riley?
01:17:16 Oh, don't worry about him.
01:17:18 What are you doing with our palm reader?
01:17:21 No, no, not me. That thing.
01:17:23 [panting]
01:17:25 It came to me. I couldn't find it back.
01:17:27 What thing, Mark?
01:17:29 There's nothing here.
01:17:34 Well, you were right.
01:17:37 Extraordinary powers of protection.
01:17:40 Talos.
01:17:42 It came to you, didn't it?
01:17:44 What did it promise you?
01:17:46 [grunts]
01:17:48 Pompous ass.
01:17:50 Who are you to speak his name?
01:17:52 He who created the history you teach.
01:17:55 What are you saying?
01:17:57 Where is Mr. Riley?
01:17:59 At exactly where you're supposed to be.
01:18:02 At exactly the right moment.
01:18:05 [grunts]
01:18:08 [gasps]
01:18:10 Ah, my prince.
01:18:14 Riley?
01:18:34 Sam.
01:18:37 Sam!
01:18:39 Sam!
01:18:46 Riley!
01:18:49 Sam.
01:18:55 It's all real.
01:18:59 I know.
01:19:01 I know.
01:19:03 Get away from her!
01:19:09 Ah, your time has come, princess.
01:19:21 Don't let him win, Riley.
01:19:24 Don't let him win.
01:19:28 Do it!
01:19:31 Do it now!
01:19:33 I'm so sorry.
01:19:35 You never had your princess.
01:19:37 [gunshot]
01:19:39 I already have my princess.
01:19:49 The female served our noble purpose.
01:19:53 Her bloodline led you back to me.
01:19:57 So fickle, your highness, falling in and out of love the way you do.
01:20:03 For three millennia, I waited, watching, guiding you through all your incarnations.
01:20:13 Nephilim is alive within you.
01:20:16 Remember.
01:20:18 Remember, your highness.
01:20:22 [grunts]
01:20:24 No!
01:20:26 No!
01:20:28 [speaking in a foreign language]
01:20:31 [screams]
01:20:33 [speaking in a foreign language]
01:20:40 [speaking in a foreign language]
01:20:43 [speaking in a foreign language]
01:20:45 [speaking in a foreign language]
01:20:47 [speaking in a foreign language]
01:20:53 This is a joyous moment, your highness.
01:20:56 I envy thee.
01:20:58 [breathing heavily]
01:21:00 [screams]
01:21:05 [screams]
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01:21:40 I shall sacrifice my life for thee.
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01:22:00 [indistinct chatter]
01:22:09 Cooksey's bringing down a retractor.
01:22:21 A what?
01:22:22 A retractor.
01:22:24 They use it during post-mortems to separate the ribs.
01:22:27 A speciality.
01:22:29 And the body parts?
01:22:33 Medical cadavers.
01:22:35 She had the access.
01:22:37 All you have to do now is to figure out the how and the why.
01:22:41 In a case like this, there is no why.
01:22:45 In the mind of our killer, there was.
01:22:48 [laughter]
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01:28:11 [ Silence ]