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00:00:00 [birds chirping]
00:00:07 Peter Quint! Peter Quint! Peter Quint!
00:00:11 Quint, where are you?
00:00:14 [whistling]
00:00:20 Peter Quint!
00:00:22 Peter Quint! Quint, where are you?
00:00:27 [whistling]
00:00:30 [music]
00:00:47 [music]
00:01:05 [laughing]
00:01:14 [music]
00:01:24 [music]
00:01:34 [music]
00:01:44 [music]
00:01:54 [music]
00:02:04 [music]
00:02:14 [music]
00:02:24 [music]
00:02:34 [music]
00:02:44 [music]
00:02:54 [music]
00:03:04 [music]
00:03:14 Come.
00:03:17 I was called.
00:03:20 Mrs. Grose.
00:03:21 Master.
00:03:23 Before I leave, there are matters we must discuss.
00:03:26 Now, um, you may sit down.
00:03:29 Where's Quint gone?
00:03:37 I never saw him.
00:03:38 You see, he hides.
00:03:40 Yes.
00:03:41 [birds chirping]
00:03:47 [chickens clucking]
00:03:52 Gotcha.
00:03:53 Peter Quint!
00:03:58 As soon as he hides from us, I don't laugh anymore.
00:04:05 Because it's better with him.
00:04:07 Yes.
00:04:08 And that is why I am going away.
00:04:11 But...
00:04:12 The children are not my responsibility.
00:04:14 It was not my wish that my cousins should die in such circumstances they did.
00:04:19 Nor was it my wish that I should become the children's guardian in the event of their parents' death.
00:04:26 Pardon me.
00:04:28 But you are the closest kin to Flora and Miles.
00:04:30 And that is why I will leave them here.
00:04:32 They belong to the children's father, but, uh, I cannot stay.
00:04:37 And Master?
00:04:39 Myself?
00:04:40 You are the housekeeper.
00:04:42 You must keep about your duties as same.
00:04:45 And the late gentleman's valet?
00:04:47 Mr, uh, Quint.
00:04:49 He has been here a long time.
00:04:51 But, uh, there is no valeting.
00:04:54 Perhaps for the boy later on, but, uh, if he so pleases to stay on, can he not do for the gardens?
00:05:02 I am sure.
00:05:03 And then there is the nanny.
00:05:05 Miss Jessel.
00:05:07 Do not think I have seen her since yesterday.
00:05:10 Where is Miss Jessel?
00:05:12 [dog barking]
00:05:20 Come on, Flora.
00:05:25 We've seen you.
00:05:27 We've seen you.
00:05:29 Come on, we've seen you.
00:05:31 Ah, glad I thought you'd never come.
00:05:33 Where have you been?
00:05:35 You were breathing too heavily to be asleep.
00:05:37 Oh, you know, I don't feel so good.
00:05:40 We saw you running over there.
00:05:42 [coughing]
00:05:43 You're quite asleep.
00:05:44 Look what I carved up.
00:05:46 Where did you get that?
00:05:49 I carved it up.
00:05:53 From London, I will make the necessary financial arrangements for the upkeep of the place, all the salaries.
00:05:59 But, uh, for myself, I shall stay away.
00:06:02 I know it is unlikely, but if there is a nurses' seat, or one of the children become low...
00:06:07 Miss Jessel is the nanny. She will write to me immediately.
00:06:11 She must be told.
00:06:13 I will do that.
00:06:20 Just be patient, you'll see.
00:06:22 [music]
00:06:50 Miss Jessel.
00:06:51 Yes, sir?
00:06:52 Where have you been?
00:06:53 Just walking.
00:06:56 Come on now.
00:06:58 You're a good boy.
00:07:00 Open up.
00:07:02 [music]
00:07:10 See?
00:07:11 [laughing]
00:07:13 Well, I'm having to leave now.
00:07:15 Little monkeys.
00:07:21 You see, he likes it.
00:07:23 God, not white.
00:07:26 Must be the hot air.
00:07:28 How do you know all these things?
00:07:30 Quint, what will happen to it?
00:07:33 Wait and see.
00:07:38 It's blowing up.
00:07:39 It's getting fatter.
00:07:40 You see, the more he smokes, the bigger he gets.
00:07:43 Because he can't stop liking it, he keeps on doing it.
00:07:48 I think he's happy about it.
00:07:52 And you'll have no difficulty with Flora and Miles?
00:07:57 They're Germans.
00:07:58 And they're schooling?
00:08:00 I will minister.
00:08:01 Until they go to a proper school.
00:08:04 That is to be your decision, sir.
00:08:06 What do you say, Miss Jessel?
00:08:09 Should we tell them that their parents are deceased?
00:08:15 [music]
00:08:21 [scream]
00:08:26 I ought to see Quint before I go.
00:08:28 And the children?
00:08:29 No, no, no, no.
00:08:30 I will not disturb them.
00:08:31 They hardly know me.
00:08:32 Well, I will send Quint to the lodge, you're in such a hurry.
00:08:34 Yes, yes.
00:08:43 Don't be a fear.
00:08:44 I'm not.
00:08:45 You're crying.
00:08:46 Poor Toad.
00:08:47 It likes it.
00:08:48 Quint says so.
00:08:49 He's always right.
00:08:51 Yes.
00:08:54 Quint?
00:08:56 Quint?
00:08:57 Mrs. Grose said to see the master at the lodge.
00:08:59 Oh, did she now?
00:09:01 Yes.
00:09:02 Immediately.
00:09:06 Oh, well, when is that?
00:09:08 This minute.
00:09:09 He leaves now.
00:09:13 Do you mean I'm going to get the push?
00:09:17 Possibly.
00:09:18 Meaning?
00:09:20 That I can't be the groom no more?
00:09:23 Not if you don't run.
00:09:25 And I can't be the gardener neither?
00:09:28 You'll have nowhere to go.
00:09:30 No money.
00:09:31 You'll starve by the roadway.
00:09:34 And you won't ever be able to see me again, will you, my dear?
00:09:38 Do not call me so.
00:09:41 Ah, I forgot.
00:09:44 Only after dark.
00:09:45 Quint, go, else you will miss him.
00:09:50 And yourself, do you stay?
00:09:52 I'm with the children.
00:09:55 Will come along with me?
00:09:56 No.
00:09:57 I'd rather not be seen with you.
00:09:59 Oh, well, so it is then.
00:10:08 You see, the toad likes it.
00:10:10 But it's dead.
00:10:11 Quint says that, Flora.
00:10:13 It loves the smoke so much that it has to have it all.
00:10:15 Horrible.
00:10:16 Not really.
00:10:17 It loves the smoke so much that it kills itself for that.
00:10:21 I don't understand.
00:10:23 But that's the truth.
00:10:25 Goodbye, Mrs. Clowman.
00:10:26 Goodbye, sir.
00:10:37 Quint!
00:10:38 Good day, sir.
00:10:40 Excuse me, sir.
00:10:41 Am I to be set off?
00:10:43 You stay, Quint.
00:10:44 Oh, thank you, sir.
00:10:46 There's nothing for you to do.
00:10:48 So you must do as you can.
00:10:50 Work the gardens, if you like.
00:10:51 Yes.
00:10:53 Yes, sir.
00:10:55 Oh, yes, sir.
00:10:56 Thank you, sir.
00:10:58 Just leave it to me, sir.
00:11:01 Now, there must be much to do.
00:11:05 Watch over the children and the housekeeper and the nanny.
00:11:10 That is employment enough, is it not?
00:11:12 Ah, yes, indeed, sir.
00:11:13 See to it, then.
00:11:15 Well, thank you, sir.
00:11:16 I'm attached to you, sir.
00:11:20 Drive on.
00:11:23 Goodbye, sir.
00:11:24 Be straight up your ass, sir.
00:11:26 [MUSIC PLAYING]
00:11:29 [MUSIC PLAYING]
00:11:32 [MUSIC PLAYING]
00:11:35 [MUSIC PLAYING]
00:11:38 [MUSIC PLAYING]
00:11:41 [MUSIC PLAYING]
00:11:45 [MUSIC PLAYING]
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00:11:52 [MUSIC PLAYING]
00:11:55 [MUSIC PLAYING]
00:11:58 [MUSIC PLAYING]
00:12:01 [MUSIC PLAYING]
00:12:05 [MUSIC PLAYING]
00:12:08 (upbeat music)
00:12:10 (upbeat music)
00:12:13 (upbeat music)
00:12:15 (upbeat music)
00:12:18 (upbeat music)
00:12:20 (upbeat music)
00:12:31 (upbeat music)
00:12:39 (upbeat music)
00:12:44 (upbeat music)
00:12:46 - Let it go.
00:13:03 - Then I'll lose it.
00:13:04 - If you let it run, it'll sleep in a corner.
00:13:07 - No.
00:13:08 It cannot move now.
00:13:12 It's upside down.
00:13:13 - It'll die like that.
00:13:15 - No, it's safe.
00:13:17 In the morning, I'll bring it back.
00:13:19 - It will hurt it.
00:13:20 - But it won't die.
00:13:22 - Who says?
00:13:22 - Quint.
00:13:25 (upbeat music)
00:13:27 (gasps)
00:13:40 (upbeat music)
00:13:43 (upbeat music)
00:13:46 (upbeat music)
00:13:48 (upbeat music)
00:13:51 (upbeat music)
00:13:53 (leaves crunching)
00:14:15 (upbeat music)
00:14:17 (upbeat music)
00:14:29 - That is all right, Mrs. Grose.
00:14:31 We can hear you.
00:14:32 - Oh.
00:14:33 - In fact, we're already here.
00:14:34 - Oh, if you eat it now, it will be hot.
00:14:37 - Yes, Mrs. Grose.
00:14:39 - Now pour the milk on the floor.
00:14:41 - Yes.
00:14:41 - And porridge should always be covered with brown sugar.
00:14:45 - No.
00:14:46 - Oh, yes.
00:14:47 Indeed it should.
00:14:49 Now, so, now explain yourselves.
00:14:52 What do you mean, no?
00:14:53 - We take salt now, only salt.
00:14:56 - Ridiculous.
00:14:57 Now you do as I say.
00:14:58 Now stop, stop.
00:14:59 Now.
00:15:00 - Salt if you please, Mrs. Grose, and for flora.
00:15:03 - But why?
00:15:04 - Sugar tastes dirty.
00:15:05 Salt is clean.
00:15:07 - And who told you that?
00:15:09 (plastic rustling)
00:15:12 - And other children.
00:15:17 - Well, what about them?
00:15:19 - Do they play with their families?
00:15:21 - Let's have the grocery.
00:15:23 - And with children they know?
00:15:24 - Well, maybe.
00:15:26 - And they go out to parties in other houses.
00:15:31 And in turn, invite them back here to Bligh.
00:15:34 - And so?
00:15:35 - And at Christmas, presents are exchanged.
00:15:38 And there are plenty of presents
00:15:39 because there are plenty of friends.
00:15:41 - Oh, is that it?
00:15:42 - Unlike Flora and I, Quint.
00:15:44 - Well, your mom and dad were different.
00:15:49 - Yes.
00:15:51 - I guess they didn't want to waste their time
00:15:56 playing with the children of the house.
00:15:58 Anyway, who taught you to ride a horse?
00:16:00 - It was me.
00:16:01 - And who showed you how to catch a little bird
00:16:04 in the palm of your hand with just a few breadcrumbs?
00:16:06 Peter Quint.
00:16:08 Come on.
00:16:09 And what about seeing in the dark?
00:16:12 And looking through the trees
00:16:13 and quick as an owl's bottom out?
00:16:16 - You?
00:16:17 - That's right.
00:16:18 And so even if they did love you in their queer fashion-
00:16:21 - Did?
00:16:22 - Yes, Flora.
00:16:26 It's too late now.
00:16:28 - He's going to tell you that they are dead
00:16:32 and nobody else in the house wants us to know.
00:16:35 - You see, your mom,
00:16:37 well, she never liked it here at Bligh.
00:16:40 And your father was always chasing
00:16:42 after mechanical instruments.
00:16:44 You know, he liked engines and noise.
00:16:47 Well, anyway, they was traveling around the world.
00:16:51 And they went to India and all the way to the tip of Africa.
00:16:56 And, well, they had an accident.
00:17:02 You know, all of a sudden.
00:17:07 They were driving a gas automobile made in France.
00:17:09 Well, they're dead, Flora.
00:17:14 But you see, that's where they must come back to us
00:17:17 and stay with us forever.
00:17:18 - Now, behavior.
00:17:34 B.
00:17:36 E.
00:17:37 H.
00:17:39 A.
00:17:41 B.
00:17:44 I.
00:17:46 O.
00:17:47 U.
00:17:49 R.
00:17:50 - A very good start.
00:17:53 It means-
00:17:54 - How to deport.
00:17:55 - That is only one interpretation, Flora.
00:17:57 Miles, when a lady walks into a room-
00:18:01 - I will stand up.
00:18:03 - And-
00:18:04 - Wait until she sits down.
00:18:06 - Flora.
00:18:07 Good morning, ma'am.
00:18:09 I'm Sir Charles Warren.
00:18:10 Sit down, Miles.
00:18:12 - Would you be so kind as to come inside, sir?
00:18:16 - Thank you, Hermes.
00:18:18 Miles, sit down.
00:18:20 - Flora Tyrell.
00:18:21 I'm delighted to make your acquaintance.
00:18:24 - Good.
00:18:25 - We never make mistakes at court, seems Jessel.
00:18:28 Could we not try something more difficult?
00:18:30 - Then suggest.
00:18:32 - Well, mother and father,
00:18:35 why have they not returned?
00:18:36 - They will be away for quite some time.
00:18:40 - Until when?
00:18:42 - I cannot tell.
00:18:43 - That isn't really good enough.
00:18:45 - Rudeness will get you nowhere, Miles.
00:18:50 - Manners maketh.
00:18:52 - Yes, indeed they do, Miles.
00:18:54 - Flora and I do not believe you.
00:18:56 - I'm sorry, I cannot tell you any more than I know.
00:18:58 - No?
00:18:59 - No, Miles.
00:19:00 Now, would you read this?
00:19:01 - I have a question, Miss Jessel.
00:19:04 - Yes?
00:19:05 - When the dead die...
00:19:07 - You mean, when the dead are dead, to be exact.
00:19:12 - Where do they go?
00:19:13 - If they are kind and gentle, they go to heaven.
00:19:17 If not, I'm afraid they go and stay with the devil.
00:19:21 - In hell?
00:19:22 - That's right, where it is very hot.
00:19:27 - Absolute pitfall!
00:19:34 - That is why I asked Miss Jessel.
00:19:36 I didn't ask the guardian.
00:19:38 I only remembered what you had said to me, Quint.
00:19:40 - Well, I just thought you ought to know
00:19:43 that your parents were dead.
00:19:44 - I don't think I cried, did I?
00:19:47 - No, you didn't.
00:19:49 But Flora did a bit.
00:19:50 She did.
00:19:52 - And that night, she wet her sheets.
00:19:56 - Ah, poor thing.
00:19:56 - You know, I asked Miss Jessel about the dead,
00:20:01 but I didn't believe her.
00:20:03 - Not after what you had said.
00:20:04 - That's right.
00:20:05 And if she told you that the good go to heaven,
00:20:08 and the bad to hell, she's wrong.
00:20:10 It's all damn nonsense.
00:20:11 - Yes.
00:20:13 But where are my parents now, Quint?
00:20:16 - Well, after they brought them home.
00:20:20 They put them in a couple of boxes,
00:20:22 and in a few days, they'll come
00:20:24 and they'll put them in this hole.
00:20:27 - So Mrs. Grose ought to tell us quickly,
00:20:29 because I want to see.
00:20:32 - Well, there's nothing to see.
00:20:34 - Oh, but I want to, Quint, and you can arrange it.
00:20:38 I can hide in those bushes over there.
00:20:40 - Well, there's nothing to see.
00:20:43 They put the boxes in the ground,
00:20:45 and they take all this dirt,
00:20:46 and they put it over the boxes, and it's finished.
00:20:50 - You remember when you told me about the dead,
00:20:52 and where they go, Quint?
00:20:54 - Yes.
00:20:55 - Tell me again.
00:20:56 - Well, the dead go nowhere,
00:20:59 because they've got nowhere to go, you see.
00:21:02 There's no heaven or hell or that nonsense.
00:21:04 - That's right.
00:21:05 - That's right.
00:21:06 And then later on, well, we all join them.
00:21:10 - Is that all there is to it?
00:21:14 - That's it.
00:21:15 Come on.
00:21:18 (whistling)
00:21:21 (gentle music)
00:21:28 (door creaking)
00:21:30 - Put yourself out of those clothes, Peter Quint.
00:21:58 - Oh, would you like to see me naked?
00:22:00 - They are the masters.
00:22:02 - Dead now?
00:22:03 - Hm.
00:22:04 No right is it for you to make up imposturings.
00:22:06 - Oh, you don't think they fit?
00:22:08 - Hm, fit a dung shoveler like you.
00:22:11 - Hm, dung?
00:22:13 Dung, is it?
00:22:14 I thought I was the groom.
00:22:16 - The toady to the man you were,
00:22:18 and that I don't remember it.
00:22:21 You toady to the man.
00:22:23 Yes, sir.
00:22:24 No, sir.
00:22:25 Three bags full, sir.
00:22:27 - Oh, he was the dandy, wasn't he?
00:22:29 - All jealousy, Quint, weren't you?
00:22:32 Now take these off.
00:22:34 You have no such permission.
00:22:36 And if it was my say,
00:22:38 you wouldn't be allowed in the stables even.
00:22:40 - Thank you for that.
00:22:43 - You scum, Quint.
00:22:45 Why don't you go back to the stables where scum belongs?
00:22:49 - And you're a lady, Mrs. Grose.
00:22:55 And there's a lice as big as me finger,
00:22:57 and your hair.
00:22:59 Would you be ratting?
00:23:04 - And all your lice.
00:23:07 Don't you come in here again,
00:23:10 or I shall write to the children's garden.
00:23:13 - Maggots?
00:23:14 Maggots in this garden, Aunt Rigley.
00:23:17 - And you'll find yourself back in the public house
00:23:19 borrowing ale.
00:23:21 (coins clinking)
00:23:24 And take those clothes off.
00:23:27 This house can be run without you, Peter Quint.
00:23:31 - You wrinkled ass.
00:23:45 (water dripping)
00:23:48 (door opening)
00:23:54 (knocking)
00:24:00 - You cannot come in.
00:24:04 - Miles and Flora, are you a bed?
00:24:08 - Oh, yes.
00:24:11 - Have you said your prayers?
00:24:14 - Yes, we've said our prayers.
00:24:16 - I don't believe you.
00:24:18 - We're saying them now.
00:24:19 - Good.
00:24:21 Now say after me.
00:24:22 Please God, as this day close.
00:24:28 - Please God, as this day close.
00:24:32 - We give thanks.
00:24:34 - We give thanks.
00:24:36 - That we have come through tonight.
00:24:38 - That we have come through tonight.
00:24:41 (laughing)
00:24:43 - And in your hands safekeeping.
00:24:45 - In our hands safekeeping.
00:24:49 - We are alive and well.
00:24:51 - We are alive and well.
00:24:53 - Amen.
00:24:54 Amen.
00:24:57 Amen.
00:25:00 - You can't come in.
00:25:03 Amen.
00:25:04 (soft music)
00:25:06 (soft music)
00:25:09 - Mrs. Grose.
00:25:15 Now we put a few pins on her like this.
00:25:18 - It does look like her.
00:25:19 - It does, doesn't it?
00:25:20 - But will Mrs. Grose die now?
00:25:22 Only if Quint says so.
00:25:24 Does she want to die yet?
00:25:26 - Well, I can tell you she's coming close to it.
00:25:30 - Then she's got to.
00:25:31 - Let's have a pin.
00:25:34 - Quint, why does Miss Jessel love you?
00:25:38 - Oh, does she now?
00:25:39 - Oh yes, of course she does.
00:25:41 - But why is she so frightened of you?
00:25:45 - Because she loves him, you idiot.
00:25:47 - Oh.
00:25:50 - Quint, what do you do to Miss Jessel when you love her?
00:25:54 (growling)
00:25:55 And what does she do to you?
00:25:56 - Oh, that's easy.
00:25:57 - How do you know?
00:25:59 - They scare each other to death.
00:26:01 (laughing)
00:26:04 - Flora's very funny when she puts her mind to it.
00:26:06 But Quint, what do you really do with Miss Jessel?
00:26:11 - We just trick her around.
00:26:14 That's all.
00:26:19 (dog barking)
00:26:22 - Aren't they beautiful?
00:26:24 - Come along, come along Miss Flora.
00:26:28 - Oh quickly, I beg you.
00:26:31 (footsteps)
00:26:34 (doorbell ringing)
00:26:37 - Oh you must take me to the shop, please.
00:26:38 (laughing)
00:26:39 - Go along, Larry.
00:26:40 - Don't be so hard on me.
00:26:42 - If I find the very one I want,
00:26:43 will you oblige me by buying it?
00:26:45 - Well, which is it?
00:26:48 - There it is.
00:26:49 - The orange one.
00:26:50 - Here, I'll get it for you.
00:26:53 - And you know its name?
00:26:57 - Of course.
00:26:58 - It's the one that's been in the shop
00:26:59 for a long time, and you know its name?
00:27:01 - Of course.
00:27:02 - My me.
00:27:03 - Oh, it's so beautiful.
00:27:04 Now this one, this type has a story.
00:27:08 It's called a duster abmal.
00:27:09 - Yes, it is.
00:27:10 Such a knowledgeable little girl.
00:27:12 - It is born, and it will only live for 48 hours.
00:27:15 Then it has to die.
00:27:17 That's not all.
00:27:18 It's necessary to explain about it.
00:27:20 - You have a tongue like a butterfly, it never stops.
00:27:23 - This little abmal is born without any stomach.
00:27:25 - Not possible.
00:27:27 - It doesn't have a mouth either.
00:27:28 - Flora, all--
00:27:29 - It can't eat.
00:27:30 It has to find a female before it dies.
00:27:34 All it wants to do is to mate.
00:27:36 It has to love once, another butterfly,
00:27:39 and afterwards, well, nothing matters.
00:27:41 Because to love, it has to die.
00:27:43 - Silly girl.
00:27:44 Full of nonsense.
00:27:47 Quint told you that.
00:27:51 - He may not have.
00:27:52 - I don't know where you get such silly ideas.
00:27:57 - But it has to be true.
00:28:00 (dramatic music)
00:28:02 (dramatic music)
00:28:05 (dramatic music)
00:28:08 (dramatic music)
00:28:11 (dramatic music)
00:28:14 (dramatic music)
00:28:16 (dramatic music)
00:28:19 (dramatic music)
00:28:22 (dramatic music)
00:28:25 (dramatic music)
00:28:27 (dramatic music)
00:28:30 (door creaking)
00:28:36 (dramatic music)
00:28:39 (dramatic music)
00:28:56 (dramatic music)
00:28:59 (Flora grunting)
00:29:15 - You don't want to show, do you?
00:29:17 (Flora grunting)
00:29:17 Do you?
00:29:18 Do you?
00:29:20 - No, no, no.
00:29:22 No.
00:29:25 (Flora panting)
00:29:28 (Flora grunting)
00:29:39 - That's it.
00:29:40 (Flora grunting)
00:29:42 - Oh, you brute.
00:30:00 - Brute, is it?
00:30:02 Say sorry.
00:30:09 Say it.
00:30:10 Come on, say it.
00:30:12 (Flora grunting)
00:30:15 - I'm sorry.
00:30:16 - That's better.
00:30:19 (dramatic music)
00:30:21 - Please, stop now.
00:30:31 - Shut up.
00:30:33 (Flora grunting)
00:30:38 (dramatic music)
00:30:41 - Like a chicken in a spit.
00:30:54 (Flora grunting)
00:31:00 Yeah.
00:31:07 Just a dog in the street.
00:31:09 Say it.
00:31:11 Say it.
00:31:14 - No.
00:31:15 - Say it.
00:31:16 - I'm just...
00:31:19 - What?
00:31:21 - I'm just a dog in the street.
00:31:23 (dramatic music)
00:31:26 (dramatic music)
00:31:29 (dramatic music)
00:31:32 (dramatic music)
00:31:34 (dramatic music)
00:31:37 (dramatic music)
00:31:40 (dramatic music)
00:31:43 (dramatic music)
00:31:45 (dramatic music)
00:31:48 (dramatic music)
00:31:51 (gentle music)
00:32:16 (gentle music)
00:32:19 - Such shame.
00:32:22 - Bullshit.
00:32:27 - Had I but known in the beginning.
00:32:36 - More bullshit.
00:32:38 You love what you find you can love, and that's all.
00:32:46 But all that pain, all the hurt,
00:32:49 the dirtiness of it, Quint.
00:32:52 - Well, what did you think when we started?
00:32:58 It was to be kind.
00:33:00 - It was to be gentle.
00:33:01 - Do you believe it's not a pain when you're born,
00:33:08 or it's not so when you die?
00:33:14 - Do you think there's no hurt when you love?
00:33:18 Then you're a hypocrite.
00:33:22 - Yes.
00:33:28 - Margaret.
00:33:33 - Not Margaret, nor ever so intimate.
00:33:36 Nor that.
00:33:41 (Margaret scoffs)
00:33:44 I cannot forgive myself.
00:33:48 - With what then?
00:33:50 - The want of you.
00:34:09 - You must be thirsty, my dear.
00:34:12 - The stopper was out of its quantity.
00:34:14 I had to replace it.
00:34:16 - Of course.
00:34:17 - Please, I, I apologize.
00:34:19 - Really?
00:34:23 - My head, I thought perhaps a stiffener.
00:34:26 At half past nine in the morning.
00:34:29 I was not aware of the time.
00:34:32 - You look at me as if it is a misdemeanor
00:34:37 of such proportion.
00:34:39 - As you surely must know, the morning is for work.
00:34:44 - Well, tomorrow is the internment of the master
00:34:50 and his wife, the late master, I mean.
00:34:53 - And the children should not attend the burial?
00:34:57 - Well, you are the nanny, Miss Jessel, not I.
00:35:00 It is your decision.
00:35:01 - But they still should not go.
00:35:03 - On the contrary, if you have prepared them, then--
00:35:06 - No.
00:35:07 No, I have not.
00:35:09 - Well, what they do not know, they need not.
00:35:12 - Yes.
00:35:13 Yes.
00:35:14 - Far be it for me to say what they should
00:35:18 or they should not do.
00:35:20 You, of course, observe your duties
00:35:23 and I, of course, observe mine.
00:35:26 - Ah.
00:35:28 - My dear.
00:35:37 My dear.
00:35:38 - I fell asleep.
00:35:42 - No, no, stay.
00:35:43 - Do forgive me.
00:35:47 I felt so dizzy a moment ago.
00:35:50 - I have already seen it.
00:35:54 But why?
00:35:57 Why would you want to harm yourself?
00:36:01 (birds chirping)
00:36:04 - If you could, Quint, would you marry Miss Jessel?
00:36:11 - Ah, I don't know.
00:36:16 - Are you afraid to marry her?
00:36:18 - No.
00:36:19 But I'd never be fool enough to ask her.
00:36:22 - I don't understand.
00:36:24 - Well, she might turn me down.
00:36:30 (sword clanging)
00:36:32 - Naturally, my dear.
00:36:37 We all think it is the end of the world
00:36:40 and there is no future in it.
00:36:43 And there's nothing left but a futility.
00:36:46 But we conquer it.
00:36:48 - Mrs. Grose, please, leave me.
00:36:52 When I was young, I loved one man.
00:36:54 We lived in the Pennines.
00:36:57 My father shone trees for the landowner.
00:37:01 I had one love.
00:37:02 But never having the courage to show it,
00:37:07 he opted and went to Ramsgate where he met a Frenchie girl.
00:37:11 I cried for two whole days without stop.
00:37:15 Such a good man he was.
00:37:18 The Parsons' eldest boy.
00:37:22 How I cried.
00:37:24 (sword clanging)
00:37:27 (sighing)
00:37:30 - You suggest, you suggest that I'm heartbroken
00:37:34 or miserable or sad.
00:37:35 I'm none of these.
00:37:38 Do you misconstrue?
00:37:42 Peter.
00:37:55 His name is Quint.
00:37:56 He made this.
00:38:06 - I don't know.
00:38:08 - But you do.
00:38:08 - Mrs. Grose.
00:38:09 - It is finished.
00:38:10 - Perhaps the children asked him to make the dolls.
00:38:13 - I will not say to him what I ought.
00:38:16 But I promise you, he won't come in this house anymore
00:38:19 if I have to appeal to the guardian myself in person.
00:38:22 - He stays outside this house.
00:38:24 He stays down by the lodge gate.
00:38:27 And he is forbidden this house.
00:38:30 - Quint, tell us a story about the time
00:38:39 when your father sold a horse to the gypsies.
00:38:42 - The father.
00:38:43 Well, well the first thing I remember about him
00:38:50 was what a fearful crook he was.
00:38:53 He was always traveling around, you know.
00:38:56 And we was up near a place called Carrick Fergus.
00:39:00 And that was it.
00:39:01 - Well, he decides to steal this mangy old nag
00:39:06 and sell it to the gypsies, you know, at a price.
00:39:10 - Well, he thought he knew a lot about horses,
00:39:12 but he didn't know as much as the gypsies did, you know.
00:39:16 - So he, he steals this damn thing.
00:39:19 And he takes me in this old coffin dragger
00:39:23 over Belfast, Solway to Bro Hill.
00:39:26 They was having a horse sale over there.
00:39:29 - Fair day, you know.
00:39:31 - I, oh.
00:39:32 I'll never forget the day he tried to sell it to you.
00:39:39 He's got a big bag of oats, you know.
00:39:42 He's pinched it.
00:39:43 And he puts in some soda powder
00:39:45 and he mixes the whole damn thing up.
00:39:47 He feeds it to the horse, the cats, you know.
00:39:51 So, so the bones won't be sticking through.
00:39:55 - The poor thing had bar patches on it, like that.
00:39:59 And he glues it up, you know.
00:40:02 And he cuts out some rabbit fur.
00:40:05 And he sticks it on there
00:40:07 and then he tires it up with a brush.
00:40:10 To give it a dapple effect, you know.
00:40:12 - Oh.
00:40:13 - Then he takes a handful of, no, no.
00:40:14 It was a piece of ginger, about like that.
00:40:17 And hot.
00:40:18 He sticks it in the rear of the animal.
00:40:26 So it'll spark it up, it's time to go to church.
00:40:30 When he's first made it, he says,
00:40:32 "Come on," he says,
00:40:34 "We'll go down to the river and wait for sunset."
00:40:37 "Well, why sunset?" I says.
00:40:40 But he says to me,
00:40:41 he says, "The damp wood, the visor,
00:40:42 "the pieces won't see a plane until morning."
00:40:46 - And he spies a big jibble coming down the back.
00:40:51 Huge man he was, like that.
00:40:54 Wouldn't be dead, that is,
00:40:56 if you'd take the horse, did you know?
00:41:00 And she walks over to him.
00:41:02 Oh, God, he was full of himself, you know.
00:41:05 And he says, "Good evening to you, sir."
00:41:07 He says, "You know, you look like a man
00:41:09 "that knows about horses."
00:41:12 He says, "I can let you have this magnificent beast
00:41:15 "for only five shillings, silver."
00:41:18 He says, "It's just off the boat from Arabia."
00:41:21 Well, the jibble looks at him real quick,
00:41:22 you know, like that, up and down.
00:41:26 Then he takes a look at the horse.
00:41:27 He can't see the damp thing for the gloom, can he?
00:41:30 (laughing)
00:41:32 Jibble says, "I'll give you a two for it."
00:41:40 Well, I mean, that takes the,
00:41:42 takes the two real quick, you know.
00:41:45 Well, the jibble jumps on the horse,
00:41:46 and he rides the damn thing straight into the water.
00:41:49 And no sooner is he in the water,
00:41:50 he's just turning and, you know,
00:41:54 bucking and kicking and farting.
00:41:56 (laughing)
00:41:58 I thought the British were coming.
00:42:00 Well.
00:42:01 Well, the rabbit fell off of it,
00:42:07 and the paint was running down his legs,
00:42:09 and the bald patches were showing through.
00:42:12 And the piece of ginger flew out of his,
00:42:14 flew out of the poor animal's ass
00:42:16 like it was shot from a cannon.
00:42:18 (laughing)
00:42:21 Well, when you send me down, you know,
00:42:25 he's trembling and he's trying to fight his fish,
00:42:28 and praying, oh God.
00:42:29 The first time he's like,
00:42:31 well, they take him, and he,
00:42:34 they tear his clothes off him.
00:42:37 And they throw him in the river.
00:42:39 And, well, they damn near drown him.
00:42:44 But he gets to the other side,
00:42:46 and he runs off, you see.
00:42:48 And that's the last time I saw the damn food
00:42:51 from that day to this.
00:42:53 And it wouldn't lie to you.
00:42:55 So help me God.
00:42:56 Ah, well.
00:43:00 That's me father.
00:43:05 (laughing)
00:43:08 Now.
00:43:13 He'd like a flower.
00:43:16 Well, he's got one ear.
00:43:20 I broke it off, but I'll fix it for you.
00:43:24 Do you want it?
00:43:25 - Oh, please.
00:43:26 - Well, give us a kiss then.
00:43:27 Come on.
00:43:28 - All right.
00:43:33 - Oh.
00:43:34 (laughing)
00:43:35 Come here.
00:43:36 Here you are darling.
00:43:38 You keep it.
00:43:41 - There, how does that feel?
00:43:53 - Absolutely dreadful.
00:43:55 - Why?
00:43:56 - I can't move.
00:43:58 - Well, that's the idea of it.
00:44:01 - It is?
00:44:02 - It is just possible that we've been doing it
00:44:04 all the wrong way.
00:44:05 - Miles, it hurts.
00:44:08 - I think it's meant to.
00:44:10 - Oh.
00:44:11 I think we're going to have to start all over again.
00:44:17 Miles!
00:44:20 - No use shouting, Flora.
00:44:21 It's got to be as absolutely painful as possible.
00:44:23 - Ow!
00:44:24 - Quincey, if it hurts, it is the truth.
00:44:26 I've made up my mind.
00:44:29 - Well?
00:44:30 - Take the shoes off.
00:44:31 - Certainly not.
00:44:32 - Take the dress off.
00:44:33 - Never.
00:44:34 - Flora, if you're going to behave like a baby.
00:44:37 - I am not.
00:44:38 - Flora, you agreed.
00:44:40 We are passionately in love
00:44:41 and having an ecstatic love affair.
00:44:44 - Ecstatic love affairs are boring.
00:44:46 Do you think it's tea time?
00:44:49 Oh!
00:44:59 - I don't know why you make all this fuss.
00:45:01 We had a bath together last week.
00:45:03 Stop it!
00:45:04 (thudding)
00:45:07 Flora, stop!
00:45:12 This is not how sex is made!
00:45:14 (thudding)
00:45:17 Flora, you'll be sorry.
00:45:29 (Flora screaming)
00:45:32 - Leave!
00:45:33 - Miles!
00:45:34 (glass clinking)
00:45:36 - Stop it!
00:45:38 - Miles!
00:45:39 - Oh, leave me!
00:45:41 (glass clinking)
00:45:43 (Flora laughing)
00:45:51 - Miles!
00:45:53 Flora!
00:45:54 - There's a rule in this house
00:45:55 that nobody enters the room without knocking.
00:45:58 I am forced to ask you what you think you are doing.
00:46:01 And why was Miss Flora screaming?
00:46:03 - I'll tell you exactly what we have been doing.
00:46:06 We have been doing sex.
00:46:09 (Flora laughing)
00:46:11 - In the midst of life, we are in death.
00:46:16 Of whom may we seek for succor?
00:46:18 But of thee, O Lord,
00:46:19 whom for our sins are justly displeased.
00:46:22 Yet, O Lord God most holy, O Lord most mighty,
00:46:26 deliver us not into the bitter pains of eternal death.
00:46:29 Thou knowest, Lord, the secrets of our hearts.
00:46:33 Shut not thy merciful ears to our prayer.
00:46:36 But spare us, Lord most holy, O God most mighty,
00:46:41 O holy and merciful savior,
00:46:44 thou most worthy God, the eternal.
00:46:46 Cover us not at our last hour, for any pains of death.
00:46:50 (dramatic music)
00:46:53 (water splashing)
00:46:56 - There, Quince.
00:47:00 - What did you say to her, Miles?
00:47:02 - To meet Quince.
00:47:03 - Don't you think, Quince, you should go to her?
00:47:06 - Of course not.
00:47:08 - Why tell her to go there, then?
00:47:10 - Because that's how it's done.
00:47:12 - What?
00:47:14 - That's how you make love.
00:47:15 - What is?
00:47:17 - Oh, shut up, Flora.
00:47:22 But, Quince, she loves you.
00:47:24 - That's right.
00:47:26 - But then you must go to her.
00:47:28 Often you've said, "Meet me,"
00:47:30 and she goes to the same place and waits.
00:47:33 But you never go to her.
00:47:35 Why not, Quince?
00:47:37 - It's hard to explain, Flora, why not?
00:47:39 - You're not allowed in the house anymore, Quince.
00:47:43 Mrs. Grose says.
00:47:45 - Oh, she does, does she?
00:47:46 - Are you forbidden to see Miss Jessel, Quince?
00:47:52 - Well, that's what they told me.
00:47:54 - But she waits for you a while, doesn't she, Flora?
00:47:56 She loves him.
00:47:58 Quince, isn't it true all this love is just sheer agony?
00:48:04 I just hate to be in love.
00:48:07 All this boring.
00:48:10 All these problems.
00:48:12 - Well, you know, sometimes when you hate,
00:48:18 you're in love, Flora.
00:48:20 (dramatic music)
00:48:22 (dramatic music)
00:48:25 (dramatic music)
00:48:28 (dramatic music)
00:48:34 (dramatic music)
00:48:49 (dramatic music)
00:48:51 (screaming)
00:49:13 (dramatic music)
00:49:16 (dramatic music)
00:49:19 (dramatic music)
00:49:21 (dramatic music)
00:49:24 (dramatic music)
00:49:27 (dramatic music)
00:49:43 (dramatic music)
00:49:45 (laughing)
00:50:05 - Rats!
00:50:11 Rats in my kitchen!
00:50:13 It's Quince's job to keep them down.
00:50:15 - Oh, I'm sure.
00:50:16 - Where are Miles and Flora?
00:50:18 Are they not with you?
00:50:19 - Not this morning.
00:50:21 Quince has a kite.
00:50:22 - Oh, a grown man.
00:50:25 What a waste.
00:50:26 - The children were so excited.
00:50:28 They went to the chalk pit, I think.
00:50:30 - The chalk pit?
00:50:31 - Hmm.
00:50:32 - I have told them they must not play there.
00:50:35 It is dangerous.
00:50:36 - But they're with Quince.
00:50:37 - Oh, he has no care.
00:50:38 I shall go.
00:50:42 - Will you not come with me?
00:50:44 - I have some work.
00:50:45 - I can't do it, Quince.
00:50:52 It won't work.
00:50:54 - All right, 'twill so.
00:50:56 Come on.
00:50:57 Back away, Flora.
00:51:00 Grab this here now.
00:51:02 Now, when I tell you to run, run like the wind.
00:51:08 Wait a minute, son.
00:51:12 Now, run.
00:51:13 Faster.
00:51:15 Fast.
00:51:17 Run, keep running.
00:51:19 That's it.
00:51:20 Keep running.
00:51:21 Now, Flora, give me that.
00:51:23 Keep at it.
00:51:27 You've got it.
00:51:28 That's it.
00:51:32 - Mind the block.
00:51:34 Miles, Miles.
00:51:36 - Dear God.
00:51:41 - Miles.
00:51:42 Miles.
00:51:43 No.
00:51:44 - Oh, dear.
00:51:55 - Master Miles, are you all right?
00:52:04 - Of course I'm all right.
00:52:05 Quince was looking after me.
00:52:06 - You evil penguin.
00:52:08 - Are you all right?
00:52:09 - You bastard.
00:52:10 - I can't stand it.
00:52:11 - Look at the boy.
00:52:12 - It went right over the cliff.
00:52:14 - Of course I did.
00:52:15 - What did it feel like?
00:52:17 - All right, really.
00:52:18 Like flying.
00:52:19 (dramatic music)
00:52:22 (dramatic music)
00:52:25 (dramatic music)
00:52:27 (dramatic music)
00:52:30 (dramatic music)
00:52:33 (dramatic music)
00:52:36 (dramatic music)
00:52:39 (dramatic music)
00:52:43 (dramatic music)
00:53:04 (dramatic music)
00:53:07 (fire crackling)
00:53:30 (dramatic music)
00:53:32 - Miles?
00:53:54 - No, Quince.
00:53:55 You do not come in here.
00:53:58 - What is it?
00:53:59 - I'm not going in there.
00:54:01 - You're not going in there?
00:54:02 - No.
00:54:03 - Then what is it?
00:54:04 - I'm not going in there.
00:54:04 - Then what is it?
00:54:05 - I'm not going in there.
00:54:06 - Then what is it?
00:54:07 - I'm not going in there.
00:54:08 - Then what is it?
00:54:09 - I'm not going in there.
00:54:10 - Then what is it?
00:54:10 - I'm not going in there.
00:54:11 - Then what is it?
00:54:12 - I'm not going in there.
00:54:13 - Then what is it?
00:54:14 - I'm not going in there.
00:54:15 - Then what is it?
00:54:15 - I'm not going in there.
00:54:16 - Then what is it?
00:54:17 - I'm not going in there.
00:54:18 - Then what is it?
00:54:19 - I'm not going in there.
00:54:20 - Then what is it?
00:54:20 (footsteps)
00:54:23 - Pull the trigger.
00:54:26 - Quince.
00:54:29 (eerie music)
00:54:33 - Pull it.
00:54:34 Are you afraid to kill me, Mrs. Grose?
00:54:39 - I'll write to the master.
00:54:46 That'll be the last you'll see of her.
00:54:47 (eerie music)
00:54:50 - It is you.
00:55:06 You think I will scream.
00:55:10 You see, I will not.
00:55:17 - Peter.
00:55:18 - No, not Peter.
00:55:21 He is not coming.
00:55:24 He is told.
00:55:27 He cannot.
00:55:27 What he wants of thee.
00:55:30 He had you like a puppet.
00:55:34 You dance.
00:55:35 - I was asleep.
00:55:36 - And you would have allowed him
00:55:39 anything that he does to thee.
00:55:42 Any vileness.
00:55:44 - I was dreaming.
00:55:46 - You feed off him.
00:55:47 - Every person's room in this house
00:55:52 is a private place.
00:55:53 That is a rule.
00:55:55 - Why, Margaret?
00:55:58 Why?
00:56:01 - You notice, don't you?
00:56:03 In the moonlight through the window,
00:56:07 how white the sheets are.
00:56:10 (chuckles)
00:56:15 (birds chirping)
00:56:18 No, you take it by the end.
00:56:20 Not the end of the arrow.
00:56:22 - Like this?
00:56:23 - Now you see, that's it, right there.
00:56:25 Straighten your arm.
00:56:26 Still, still.
00:56:28 Now let her go.
00:56:29 Good, good.
00:56:32 - Oh, dear.
00:56:34 - No, it's not bad.
00:56:35 You know in China they say, Miles,
00:56:38 if you think about the target hard enough,
00:56:41 you can hit it, blindfold.
00:56:43 - Blindfold?
00:56:43 - That's it.
00:56:44 - How do they do it?
00:56:45 - Well, well first you close your eyes, you see.
00:56:50 Then, then you think real hard about the target.
00:56:55 And in your mind, you see the arrow going into the bullseye.
00:57:01 And then you fire it.
00:57:05 - I did it!
00:57:10 - For the love of God.
00:57:13 - You are clever, Quint.
00:57:14 - Flora!
00:57:20 - Miss Jessel!
00:57:23 Shall we walk now?
00:57:24 May I talk to you about Peter Quint?
00:57:30 - Hmph, there's no point, Flora.
00:57:31 What good would he do?
00:57:33 - I don't know.
00:57:34 But I do think you should see him.
00:57:36 - I will not.
00:57:37 - All right, Miss Jessel.
00:57:39 I understand.
00:57:41 (birds chirping)
00:57:45 - Miles, will you do something for me?
00:57:48 - Anything, Quint.
00:57:49 - Well, I want to see Miss Jessel,
00:57:51 but I'm forbidden by old wrinkled ass, you know.
00:57:56 But I must see her.
00:57:58 - You hate Miss Jessel, don't you, Quint?
00:58:00 - Oh, I hate her.
00:58:02 - In that case, if I understand you correctly,
00:58:04 you love her.
00:58:06 - That's right.
00:58:06 I do love her, lad.
00:58:09 - That's easy.
00:58:10 I can arrange anything.
00:58:12 - Can you do it?
00:58:13 - Yes!
00:58:14 - Good, lad.
00:58:15 Right, come on now, push.
00:58:17 Hey, come on!
00:58:19 Push!
00:58:20 Push!
00:58:21 - Can I keep it to practice with?
00:58:30 - Well, look after yourself.
00:58:37 (dramatic music)
00:58:40 - The Chinese, Quint, they first see the target,
00:58:48 then they pretend they have hit it
00:58:50 because they think hard about it.
00:58:52 - That's right.
00:58:53 - Then they close their eyes.
00:58:55 - And fire!
00:58:56 (dramatic music)
00:58:58 (dramatic music)
00:59:01 - Miles!
00:59:10 That could be very dangerous.
00:59:12 I was never a child as you are.
00:59:18 Such a grand house,
00:59:20 able to have any dress or toy you like.
00:59:23 - Who was your father, Miss Jessel?
00:59:25 - Well, Mr. Jessel, of course.
00:59:26 - And what did he do, Miss Jessel?
00:59:28 - He was the church sexton.
00:59:30 Such a timid man, so gentle.
00:59:35 And my mother loved him.
00:59:36 - Why, Miss Jessel?
00:59:37 - They were married five years after I was born.
00:59:41 He was not my father, you see.
00:59:44 He was just a kind little man.
00:59:48 - I understand.
00:59:49 Do you like kind and gentle people, Miss Jessel?
00:59:53 (laughing)
00:59:54 - Not anymore, Flora.
00:59:57 When Mr. Jessel died, my mother killed herself.
01:00:00 She loved him that much.
01:00:02 He was so calm and nice.
01:00:04 But when he was dead, my mother knew the truth.
01:00:08 - The truth?
01:00:09 - The world is a very violent place.
01:00:12 Nothing is truly calm.
01:00:16 Even when you're dead, you bring pain.
01:00:19 - Flora, don't jump!
01:00:22 Flora!
01:00:23 - It's all right, Miss Jessel.
01:00:25 (sighing)
01:00:26 Why, you've turned white.
01:00:28 (water bubbling)
01:00:29 - I cannot swim.
01:00:31 And I thought,
01:00:32 I was afraid.
01:00:34 - It's all right, Miss Jessel.
01:00:36 I can swim and I would have saved you.
01:00:38 (panting)
01:00:40 - Quint says he doesn't want to see you again, ever.
01:00:48 And that it's all over, he says.
01:00:50 - Miles, don't!
01:00:52 - He says that he doesn't care anymore
01:00:54 and that you ought to rot.
01:00:55 - Miles, don't hit the ball again like that.
01:00:58 - So as far as he's concerned,
01:01:00 he has, or he says, washed his hands of you.
01:01:03 What do you say to that, Miss Jessel?
01:01:07 - You had no right to hit my ball into the hedge like that.
01:01:12 - But what do you say?
01:01:13 - About Quint?
01:01:16 I don't believe it.
01:01:17 - He doesn't care about you anymore, Miss Jessel.
01:01:20 - If that's true, he should tell me so.
01:01:25 - To my face.
01:01:27 Catch!
01:01:28 - That's easy.
01:01:29 I can arrange everything.
01:01:31 (upbeat music)
01:01:36 - Quint!
01:01:50 Quint!
01:01:51 - Ah, Florida.
01:01:55 (laughing)
01:01:57 - Well, what are you doing?
01:01:58 - I came to see you.
01:02:00 To tell you-- - To see old Quint.
01:02:01 - To tell you that I'd see Miss Jessel.
01:02:03 She loves you.
01:02:05 - Get your rude ass out of here.
01:02:07 - She loves you, Quint.
01:02:09 - Who?
01:02:10 - Miss Jessel.
01:02:11 She told me to tell you
01:02:12 and that she thinks of nothing but you
01:02:14 and the day when you'll be together.
01:02:16 - You wouldn't like to?
01:02:18 - Oh, no.
01:02:19 And that you must meet her and she'll forgive you.
01:02:23 - Oh, yes.
01:02:24 - And be kind and gentle.
01:02:25 - Ah.
01:02:26 - She loves you with all her being.
01:02:28 - Oh, how pretty you make the words.
01:02:30 What else, what else is there to say?
01:02:33 What other lies are there to tell you?
01:02:35 (upbeat music)
01:02:38 - Mrs. Grouse, I'll help you up.
01:02:52 - Oh, dear.
01:02:53 I'm terrified of heights.
01:02:56 - Give me your hand, Mrs. Grouse.
01:03:01 It's quite safe.
01:03:02 Give me your basket.
01:03:06 - Here we are.
01:03:06 You go on up, Miles.
01:03:12 I think I'm all right now.
01:03:13 I'll follow you up.
01:03:15 Oh.
01:03:16 Oh, you can be such a charming young man when you want.
01:03:22 Inviting me into the tree house.
01:03:24 Oh, thank you very much.
01:03:26 - On the contrary, it's my pleasure.
01:03:28 - There we are.
01:03:29 Isn't it nice in here?
01:03:38 - Quint built it for us.
01:03:39 It took him four months.
01:03:41 - Is Miss Flora to join us?
01:03:43 - I'm sure she is.
01:03:44 - I remember as a child when we would...
01:03:48 (birds chirping)
01:03:51 - What was that?
01:03:54 - There are squirrels here, you know.
01:03:56 - But I did hear something.
01:04:00 - It could be just that...
01:04:06 - What?
01:04:07 - I'll go and look.
01:04:08 - Right.
01:04:09 Can you see anything?
01:04:17 - Miles, be careful.
01:04:19 - Right.
01:04:20 - Where are you, dear?
01:04:24 - Just a moment.
01:04:25 - Be a good boy, Miles, and come back and finish your tea.
01:04:33 - That I surely will.
01:04:34 (laughing)
01:04:37 - Now, what do you think you're at, Miles?
01:04:42 - Miles?
01:04:44 Miles!
01:04:48 Dear God, he's taken the ladder away.
01:04:50 - Miles!
01:04:53 - Oh, Miles!
01:04:55 (dramatic music)
01:05:00 (dramatic music)
01:05:03 (dramatic music)
01:05:06 (dramatic music)
01:05:09 (dramatic music)
01:05:11 (dramatic music)
01:05:14 (dramatic music)
01:05:17 (dramatic music)
01:05:20 (dramatic music)
01:05:22 (coughing)
01:05:48 (dramatic music)
01:05:50 (dramatic music)
01:05:53 (dramatic music)
01:05:56 (dramatic music)
01:05:59 (dramatic music)
01:06:02 (dramatic music)
01:06:05 (dramatic music)
01:06:08 (dramatic music)
01:06:11 (dramatic music)
01:06:39 - Good evening, Quint.
01:06:41 - Good evening, lad.
01:06:42 - Your hair, it does look tidy.
01:06:50 - Do you like it?
01:06:51 (dramatic music)
01:06:54 - I told you I'd arrange everything.
01:07:04 Good luck, Quint.
01:07:04 (dramatic music)
01:07:07 - They're up there.
01:07:12 (whistling)
01:07:19 (whistling)
01:07:21 - How smart you look.
01:07:36 So clean.
01:07:39 You see, I didn't believe for one minute
01:07:43 that you care nothing for me.
01:07:45 It was just a lie, wasn't it?
01:07:46 (dramatic music)
01:07:49 Lies, Harvard lies.
01:07:53 - You had to see me.
01:07:54 - That's right.
01:07:57 - And you didn't risk losing the work here,
01:08:00 isn't that true?
01:08:01 And you know that all that Mrs. Grose has to do
01:08:09 is to write one note to the master,
01:08:12 and you're finished here.
01:08:13 You know that.
01:08:15 (birds chirping)
01:08:17 That doesn't suit you.
01:08:19 Looks uncomfortable.
01:08:22 How hot you are.
01:08:27 Have you been running?
01:08:34 - Not running, Margaret.
01:08:45 - I'm not frightened, Quint.
01:08:46 I know what you want, and it's all right.
01:08:50 How strong you are.
01:08:59 Is that how you like to appear?
01:09:12 Dark and cold as if you're about to be evil.
01:09:14 Yes?
01:09:17 And all I would have to do, did you ever think on that?
01:09:27 Was to scream out but once,
01:09:30 or to run down to the village, the policeman there.
01:09:33 It would have meant jail, Quint.
01:09:37 Years.
01:09:40 I could have done anything to you
01:09:41 for what you did to me in the beginning.
01:09:43 - No.
01:09:54 - Why not?
01:09:54 What have I gained by my silence?
01:09:58 - Myself.
01:10:00 - But you've just told Miles,
01:10:04 you care nothing, but you'd end it now.
01:10:08 And this is the last of it, isn't it?
01:10:10 Tonight.
01:10:12 - As you wish.
01:10:14 - Oh, I do.
01:10:15 Look, I have no fear.
01:10:21 I am free.
01:10:24 It is done.
01:10:26 Secret.
01:10:37 Secret.
01:10:38 How little it matters.
01:10:41 - I need you with me, Margaret.
01:10:51 I need you to stay with me.
01:10:56 - To live with you in your pigsty.
01:11:00 (dramatic music)
01:11:03 - I'll give you a pigsty.
01:11:21 (dramatic music)
01:11:24 (Margaret grunting)
01:11:27 (dramatic music)
01:11:30 (Margaret grunting)
01:11:33 (dramatic music)
01:11:44 (dramatic music)
01:11:46 - Who's down there?
01:12:07 Who is it?
01:12:08 - Peter Quint.
01:12:13 - Quint?
01:12:14 Quint!
01:12:15 Get me down from here at once.
01:12:17 Do you hear me?
01:12:18 You'll pay for this, my man.
01:12:21 Quint!
01:12:21 Oh, it's you, Master Miles.
01:12:24 Hold me down, I pray you.
01:12:28 - Never fear, Mrs. Grose.
01:12:29 I'll have you down immediately.
01:12:31 - Good boy.
01:12:32 - Miss Jessel?
01:12:41 Miss Jessel, I have looked everywhere this morning
01:12:44 for Master Miles and Miss Flora.
01:12:46 - They were up early.
01:12:48 They went to the lake for something.
01:12:51 - I want you to know, Miss Jessel,
01:12:53 that I am sorely worried about them,
01:12:55 their general behavior,
01:12:57 and what they did to me yesterday.
01:12:59 And though I was told not to contact the Master,
01:13:03 I feel that I must.
01:13:04 - I think I'll go and see.
01:13:08 - No, you stay here.
01:13:09 I think Miles' behavior,
01:13:12 outrageous, what he did to you.
01:13:13 But you must see it in the light of a prank,
01:13:17 don't you think?
01:13:17 - Are your eyes weak this morning, Miss Jessel?
01:13:22 - No, why?
01:13:23 - I was just wondering why-
01:13:26 - Why what?
01:13:26 - Why you should need to wear a veil in the house.
01:13:31 (gasps)
01:13:33 (birds chirping)
01:13:36 - You slut.
01:13:41 And it was all a trick against me.
01:13:44 (screams)
01:13:47 (screams)
01:13:55 (screams)
01:14:01 (screams)
01:14:03 - The devil!
01:14:20 The devil is in both of you!
01:14:23 God forgive you!
01:14:24 - Let go!
01:14:25 - Don't you understand what I see with my own eyes?
01:14:28 You nearly killed Flora, you little dog!
01:14:30 - I'm your toad, you stop me, you infuriate!
01:14:33 - Flora!
01:14:34 - You stopped it, you stopped it,
01:14:35 and you interfered!
01:14:36 Miles was right, and it's-
01:14:39 Damn you!
01:14:40 The pipe was, but you don't understand!
01:14:43 It was a game!
01:14:44 I was meant to die!
01:14:46 - A game to die?
01:14:47 - And you ruined it!
01:14:49 - And you wanted to die?
01:14:51 - Oh, yeah!
01:14:52 (crying)
01:14:59 - Well?
01:15:01 - What to say?
01:15:02 - They saw you last night with him.
01:15:05 - Yes.
01:15:08 They repeated exactly what you did.
01:15:10 - No!
01:15:11 - Oh, yes, they did.
01:15:12 Everything.
01:15:13 They cannot copy everything
01:15:17 because they cannot know that
01:15:18 they are still children.
01:15:22 They cannot possibly understand that whatever I have done,
01:15:27 if you like, whatever wickedness I have done,
01:15:30 it was with a love.
01:15:31 And think you now,
01:15:34 now you have seen with your own eyes what comes of it.
01:15:38 It is still love.
01:15:40 - I beg you not to-
01:15:41 - Had Miss Flora died, and by Miles' hand,
01:15:45 Margaret, have you thought?
01:15:49 I could have pitied you once,
01:15:54 but now,
01:15:59 I shall write to London.
01:16:00 Either you must go and never come back,
01:16:04 or surely you will be sacked from here.
01:16:08 Oh, the ignominy.
01:16:13 (crying)
01:16:16 (crying)
01:16:18 - There are no lessons today, Flora.
01:16:41 I'm afraid-
01:16:43 - And why not?
01:16:44 Are you ill, Miss Jessel?
01:16:46 - I am tired.
01:16:47 - I notice that nothing is written on the blackboard.
01:16:50 - Flora.
01:16:51 - And that your eyes are red and puffy
01:16:53 as if you'd been crying.
01:16:54 - What have I had?
01:16:57 - May I ask you, are you in great pain?
01:17:01 Let me help you.
01:17:03 - Too late, Flora.
01:17:05 - But why?
01:17:06 - Because I am ill.
01:17:09 - But I am not.
01:17:10 You love him.
01:17:16 - No.
01:17:17 - Please, you do.
01:17:18 - I hate.
01:17:21 - Then you do love.
01:17:24 But you cry, Miss Jessel, and you hurt so.
01:17:29 - Don't worry so for me.
01:17:33 - But I do.
01:17:34 - Oh, if only you could understand
01:17:38 how cruel I have been to you,
01:17:40 and that I did not know I was to mislead you.
01:17:44 - But you haven't at all.
01:17:46 - On the blackboard I write the grammar
01:17:50 and the spelling and all the nice words.
01:17:52 I did not mean to show you something else.
01:17:57 - You mean Quint.
01:17:58 - I'm so ashamed.
01:18:02 - You see, I can help you.
01:18:04 - No, it will all end.
01:18:08 - Let me help you.
01:18:10 Won't you let me?
01:18:11 - I will go.
01:18:14 - Go, Miss Jessel.
01:18:16 You must not go, you must stay.
01:18:18 - I can arrange anything.
01:18:21 I can tell Quint and he will meet you.
01:18:22 - No.
01:18:23 - Just once before you go.
01:18:25 - I love Quint, but you cannot help me.
01:18:28 (door slams)
01:18:30 - Cold, you're cold.
01:18:32 Come catch me.
01:18:34 - Ah!
01:18:35 Come on now.
01:18:36 Ah!
01:18:40 - Catch me.
01:18:40 (children laughing)
01:18:43 - Ah!
01:18:44 (laughing)
01:18:45 I'll eat your life.
01:18:46 - Miss.
01:18:46 - Come on now.
01:18:47 - Got it.
01:18:48 - Ah, me hat.
01:18:49 - You're a wimp.
01:18:50 (children laughing)
01:18:51 - I'll get you now.
01:18:52 (laughing)
01:18:52 (screaming)
01:18:53 (laughing)
01:18:54 Got you now.
01:18:55 (laughing)
01:18:56 Oh God.
01:18:57 - It's my turn now.
01:18:59 - Oh no, come on.
01:19:00 Got to rest a bit.
01:19:02 (birds chirping)
01:19:04 - What did you say about dying, Quint?
01:19:06 - Huh, what, what?
01:19:09 - Where did the dead go, Quint?
01:19:11 - The dead?
01:19:13 They don't go nowhere.
01:19:15 They got nowhere to go.
01:19:17 Ah.
01:19:19 - But how do you meet them?
01:19:24 - If you want to meet them, you'll have to die yourself.
01:19:28 - So the dead people meet each other?
01:19:32 - That's right.
01:19:33 - But do they love each other?
01:19:35 - Sure, of course they do.
01:19:37 - But live people love each other too.
01:19:40 - Well, I suppose so.
01:19:42 But sometimes it's hard to tell.
01:19:45 Well, you see, if you love someone, you want to kill them.
01:19:52 - Please, say that again, Quint.
01:19:56 - Well, if you really,
01:19:59 if you really love someone, sometimes you,
01:20:04 you really want to kill them.
01:20:06 - Oh.
01:20:09 (somber music)
01:20:12 (birds chirping)
01:20:14 (somber music)
01:20:17 (birds chirping)
01:20:20 (somber music)
01:20:50 - I've ordered a driver.
01:20:52 I'm sending all this up to London in advance.
01:20:57 By tomorrow I shall be gone.
01:21:00 (water dripping)
01:21:05 (door clicking)
01:21:10 (door thudding)
01:21:17 (Claudia gasping)
01:21:20 (door thudding)
01:21:23 (water dripping)
01:21:29 - I'll put the cases on the couch, madam.
01:21:34 - Thank you.
01:21:35 - You stay here and I'll give you the signal from the tower.
01:21:45 (somber music)
01:21:48 (horse galloping)
01:22:03 (somber music)
01:22:05 (door clicking)
01:22:24 (somber music)
01:22:26 (somber music)
01:22:29 - Quint.
01:22:47 (somber music)
01:22:50 (water dripping)
01:22:53 (somber music)
01:22:55 (water dripping)
01:22:58 (water splashing)
01:23:11 (somber music)
01:23:23 (water dripping)
01:23:25 - Oh, Peter, did you think I would leave you?
01:23:29 Without a word.
01:23:31 (Claudia gasping)
01:23:36 Peter!
01:23:37 Peter!
01:23:38 Please, help me!
01:23:41 Help me, Peter!
01:23:42 (Claudia screaming)
01:23:45 (Claudia screaming)
01:23:49 Help me, help me!
01:23:51 (Claudia screaming)
01:23:54 - We don't want you to go.
01:24:00 (Claudia gasping)
01:24:03 We want you to stay with us.
01:24:07 You see, you must stay.
01:24:14 (water dripping)
01:24:16 We love you.
01:24:20 (somber music)
01:24:30 (somber music)
01:24:33 - Ah, you've got the lake.
01:24:51 - It's the wrong shape.
01:24:52 - It will do.
01:24:54 - All of these are the trees, then.
01:24:56 - They go all round the lake.
01:24:58 - You put the island in the middle.
01:25:01 - These are the reeds.
01:25:05 - Doesn't look much like reeds to me.
01:25:06 - Use your imagination.
01:25:08 - The boat.
01:25:10 - It's got a hole in it.
01:25:12 What's the use of a boat with a hole in it?
01:25:13 - So it will sink.
01:25:16 - What's this?
01:25:17 - Give it to me.
01:25:19 This is Miss Jessel.
01:25:23 I made it.
01:25:24 - Oh.
01:25:27 - She's drowning.
01:25:29 - And the ducks, please, Flora.
01:25:31 - I wasn't going to use them.
01:25:32 - And why not?
01:25:34 - You made them wrong.
01:25:35 - I did not.
01:25:37 - Ducks are white.
01:25:38 - There is no white.
01:25:40 - The green and red duck is out of the question.
01:25:42 - Lot of rot, I made them.
01:25:43 - I hate them!
01:25:44 - Flora!
01:25:45 (Flora gasping)
01:25:47 Flora!
01:25:48 (Flora gasping)
01:25:50 - Now you've spoiled it.
01:25:52 - Oh, no.
01:25:53 (birds chirping)
01:25:56 - Quince!
01:26:16 Get up!
01:26:18 Quince!
01:26:22 You will go, Quince, and today,
01:26:24 because I have written!
01:26:26 And that's the end of it.
01:26:29 (door slams)
01:26:31 (birds chirping)
01:26:34 (gentle music)
01:26:37 - Now that I have told you all I know,
01:26:45 it is imperative that you go down to Bligh House immediately.
01:26:49 - Yes, sir.
01:26:50 - As the former young woman left so suddenly,
01:26:53 I believe it was in answer to an urgent call from her family.
01:26:56 - A relative who'd been taken suddenly sick.
01:27:00 - The children are left alone, virtually.
01:27:02 But the housekeeper and the gardener.
01:27:06 - I understand.
01:27:07 - Have you any questions?
01:27:10 - Unless the children are taken very sick indeed,
01:27:13 or there has been an accident in the house,
01:27:15 I must on no account get in touch with you.
01:27:17 - On no account.
01:27:19 And the welfare and tutoring of the children
01:27:21 remains in my care.
01:27:22 - It does, in total.
01:27:24 - But you will require a report of the--
01:27:26 - From time to time.
01:27:28 If you like, every six months.
01:27:30 I am a busy man, and--
01:27:32 - Forthwith, then.
01:27:34 - I am so grateful.
01:27:35 But I will see you out.
01:27:38 (gentle music)
01:27:43 (water splashing)
01:27:46 (dog barking)
01:27:49 (gentle music)
01:27:51 (tires screeching)
01:28:08 (gentle music)
01:28:12 (water splashing)
01:28:14 (gentle music)
01:28:18 (water splashing)
01:28:21 (gentle music)
01:28:24 (water splashing)
01:28:26 (gentle music)
01:28:29 (dog sniffing)
01:28:43 (gentle music)
01:28:46 (dog whining)
01:28:50 (gentle music)
01:28:53 (water splashing)
01:28:56 (gentle music)
01:28:59 - Here, Miles, here are your prunes.
01:29:08 - Yes, Mrs. Grose.
01:29:10 - We don't often sit here, do we?
01:29:13 - No. - No.
01:29:17 - A special occasion.
01:29:18 - We don't understand.
01:29:20 - Well, Miles and Flora,
01:29:22 now firstly, as you already have gathered,
01:29:25 Miss Jessel has suddenly left us.
01:29:27 - She has?
01:29:28 - Yes, Miles.
01:29:30 All of a sudden, she had to leave
01:29:31 to see a relative who has become very ill.
01:29:34 - She had?
01:29:35 - Why weren't we told of this, Mrs. Grose?
01:29:37 - I, she didn't want to upset you.
01:29:40 She wanted to just leave.
01:29:43 Well, you know how very fond she was of you both,
01:29:46 and that is why she didn't say goodbye.
01:29:49 - Very well.
01:29:50 She asked me to convey to you her most sincere good wishes
01:29:54 and for the future.
01:29:55 - Are we to understand she will never come back?
01:29:57 - True, Flora, but--
01:29:59 - How perplexing.
01:30:01 - What is, my dear?
01:30:02 - 'Cause she will come back.
01:30:04 - Oh, on the contrary.
01:30:05 - She has to.
01:30:07 - Flora-- - 'Cause she has nowhere to go.
01:30:09 Therefore, she can only stay.
01:30:12 Therefore-- - A new governess
01:30:14 will be arriving in her stead.
01:30:16 - Therefore, Miss Jessel has to--
01:30:18 - What was that you said, Mrs. Grose?
01:30:19 - I said, Master Miles, you are to meet a new tutor.
01:30:23 - I don't believe it.
01:30:24 Miss Jessel would not allow it to happen.
01:30:27 - Miss Jessel has gone.
01:30:29 - Would you be so kind?
01:30:36 I'd like some more prunes.
01:30:37 - Cheese for me, please.
01:30:49 (dramatic music)
01:30:53 (dramatic music)
01:30:55 (dramatic music)
01:30:59 (dramatic music)
01:31:02 (dramatic music)
01:31:17 (dramatic music)
01:31:22 (dramatic music)
01:31:25 (dramatic music)
01:31:29 (dramatic music)
01:31:33 (dramatic music)
01:31:37 (dramatic music)
01:31:41 (dramatic music)
01:31:45 (dramatic music)
01:31:50 (dramatic music)
01:31:52 (dramatic music)
01:31:56 (dramatic music)
01:32:00 (dramatic music)
01:32:04 (dramatic music)
01:32:08 (men chattering)
01:32:12 (dramatic music)
01:32:15 (dramatic music)
01:32:17 (dramatic music)
01:32:20 (dramatic music)
01:32:24 (dramatic music)
01:32:28 (dramatic music)
01:32:34 (dramatic music)
01:32:37 (dramatic music)
01:32:41 (dramatic music)
01:32:46 (dramatic music)
01:32:49 (thudding)
01:33:14 (groaning)
01:33:16 (growling)
01:33:18 (thudding)
01:33:20 (groaning)
01:33:22 (thudding)
01:33:24 (thudding)
01:33:26 (thudding)
01:33:28 (thudding)
01:33:30 (thudding)
01:33:32 (thudding)
01:33:34 (thudding)
01:33:35 - I'm sorry, Quint.
01:33:36 (thudding)
01:33:38 (thudding)
01:33:39 Please keep still.
01:33:40 (thudding)
01:33:41 It won't be long.
01:33:42 (thudding)
01:33:44 Miss Jessel's waiting.
01:33:46 (thudding)
01:33:48 (groaning)
01:33:50 (thudding)
01:33:52 (thudding)
01:33:54 (thudding)
01:33:56 (thudding)
01:33:58 (thudding)
01:34:00 (thudding)
01:34:02 (dramatic music)
01:34:05 (dramatic music)
01:34:08 (dramatic music)
01:34:11 (dramatic music)
01:34:14 (dramatic music)
01:34:17 (dramatic music)
01:34:20 (dramatic music)
01:34:23 (birds chirping)
01:34:24 - Come along, children.
01:34:25 Come down.
01:34:26 (dramatic music)
01:34:29 (dramatic music)
01:34:32 (dramatic music)
01:34:35 (dramatic music)
01:34:38 - Welcome to Bly House, my dear.
01:34:40 - Thank you.
01:34:41 - You'll be very happy here.
01:34:42 - Sure I will.
01:34:43 - The journey, was it, darling?
01:34:45 - Yes, it was very pleasant.
01:34:48 - Well, well, well, well.
01:34:50 And here we have Miss Flora and Master Miles,
01:34:55 your new governess, my dears.
01:34:58 You could not hope to meet in all your life
01:35:02 more exquisite young angels
01:35:04 as are Miles and Flora.
01:35:06 - Good afternoon.
01:35:07 Was it a pleasant journey you had?
01:35:09 - Thank you, Flora.
01:35:10 It was.
01:35:11 - Miles, dear.
01:35:14 (dramatic music)
01:35:20 - Hello.
01:35:21 Shake my hand, please.
01:35:23 Hold it very tightly.
01:35:25 (Flora screams)
01:35:27 (dramatic music)
01:35:30 (dramatic music)
01:35:33 (dramatic music)
01:35:36 (suspenseful music)
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01:36:17 (suspenseful music)