The Hit-HD (1984)
Category
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TVTranscript
00:00:00 [MUSIC PLAYING]
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00:02:13 Buzz off.
00:02:14 [MUSIC PLAYING]
00:02:17 [KNOCKING]
00:02:24 Willie?
00:02:26 630.
00:02:29 Willie?
00:02:31 Right.
00:02:32 [SIGHS]
00:02:35 [SIGHS]
00:02:39 [ENGINE REVVING]
00:02:42 [SIGHS]
00:02:45 [SIGHS]
00:02:49 [SQUELCHING]
00:02:52 [DOOR OPENS]
00:03:03 [DOOR CLOSES]
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00:03:39 [DOOR CLOSES]
00:03:42 [DOOR OPENS]
00:03:45 Stage fright, Willie?
00:03:47 [MUSIC PLAYING]
00:03:50 Come on, Willie.
00:03:51 [MUSIC PLAYING]
00:03:54 [ENGINE STARTS]
00:04:05 [MUSIC PLAYING]
00:04:11 Coming out.
00:04:12 Right.
00:04:17 [MUSIC PLAYING]
00:04:20 [TIRES SCREECHING]
00:04:27 [MUSIC PLAYING]
00:04:30 [MUSIC PLAYING]
00:04:33 Last address was 77A Eaton Grove, South Norwood.
00:04:46 Yes, sir.
00:04:47 And would it be true to say, Mr. Parker,
00:04:50 that for a good many years now, you have made your living solely
00:04:53 as a hardened professional criminal?
00:04:55 Yes, sir.
00:04:56 I regret to say.
00:04:59 On the 23rd of September, 1971, Barclays Bank branch
00:05:03 in Beavers Road, East Dulwich.
00:05:05 You participated in that raid, Mr. Parker?
00:05:07 Yes, sir.
00:05:08 And who were your Confederates on that occasion?
00:05:11 Uh, Hotwood, Reardon, the fellows, Mr. Corrigan.
00:05:18 Who did what?
00:05:21 What?
00:05:22 Uh, oh.
00:05:25 Uh, I stayed with the car.
00:05:30 And, uh, Lenny, Jimmy, and Jeff went in the back.
00:05:36 And Corrigan?
00:05:37 He got the money.
00:05:38 All of it?
00:05:40 No.
00:05:41 You shared it out, didn't you?
00:05:43 Yeah.
00:05:45 But Corrigan got the lion's share.
00:05:47 Right.
00:05:48 Because he was the mastermind behind the operation.
00:05:50 Yeah.
00:05:52 See, Mr. Corrigan-- yeah, mastermind.
00:05:58 Morning of the 25th of October, 1972,
00:06:02 the Securicorps van in Peckham High Road.
00:06:05 A guard was wounded.
00:06:07 You took part?
00:06:09 Yes, sir.
00:06:10 And Reardon, fellows, and Mr. Corrigan.
00:06:15 Not Hotwood?
00:06:17 No, sir.
00:06:19 I think-- I think Lenny had flu that day.
00:06:24 Or cold feet.
00:06:26 Who fired at the guard?
00:06:29 Uh, that was Reardon.
00:06:31 Finally, Mr. Parker, I will ask you this.
00:06:35 In agreeing to give your evidence,
00:06:38 have you been influenced by any promises of immunity
00:06:41 from prosecution or special treatment
00:06:45 at the hands of the police or of the court?
00:06:48 No, sir.
00:06:50 I'm here, and I'm saying this because I think I should.
00:06:56 I think it's right.
00:06:59 Yeah, well, Parker, you may stand down.
00:07:02 Thank you, my lord.
00:07:05 (SINGING) We'll meet again.
00:07:08 Don't know where.
00:07:10 Don't know when.
00:07:12 But I know we'll meet again some sunny day.
00:07:18 Kick.
00:07:19 Keep smiling through just like you used to do.
00:07:25 'Cause I know we'll meet again some sunny day.
00:07:30 We'll meet again.
00:07:33 Don't know where.
00:07:34 Don't know when.
00:07:36 But I know we'll meet again some sunny day.
00:07:42 [MUSIC PLAYING]
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00:08:28 [MUSIC PLAYING]
00:08:37 [CHATTER]
00:09:05 Hola, que tal?
00:09:06 Que deseo?
00:09:07 Ah, cafe solo.
00:09:08 [SPEAKING SPANISH]
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00:10:09 [SPEAKING SPANISH]
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00:10:11 [SPEAKING SPANISH]
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00:10:18 [SPEAKING SPANISH]
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00:10:30 [MUSIC PLAYING]
00:10:33 [MUSIC PLAYING]
00:10:36 [MUSIC PLAYING]
00:10:39 Mr. Parker!
00:10:42 Mr. Parker!
00:10:43 [MUSIC PLAYING]
00:10:46 Mr. Parker!
00:10:47 [MUSIC PLAYING]
00:10:50 [MUSIC PLAYING]
00:10:53 [MUSIC PLAYING]
00:10:56 [MUSIC PLAYING]
00:10:59 [BELLS RINGING]
00:11:02 [BELLS RINGING]
00:11:30 [HORSE NEIGHING]
00:11:33 [GUN CLICKS]
00:11:58 Run!
00:11:59 Hey.
00:12:11 [GLASS SHATTERING]
00:12:27 [CAR DOOR SLAMMING]
00:12:30 [SPEAKING SPANISH]
00:12:44 [SPEAKING SPANISH]
00:12:45 [SPEAKING SPANISH]
00:12:46 [FOOTSTEPS]
00:12:55 [MUSIC PLAYING]
00:12:58 [TIRES SCREECHING]
00:13:01 [GUNSHOTS]
00:13:23 [GUNSHOTS]
00:13:27 [SPEAKING SPANISH]
00:13:30 [HORSE NEIGHING]
00:13:55 [TIRES SCREECHING]
00:13:59 [TIRES SCREECHING]
00:14:03 [HORSE NEIGHING]
00:14:06 [HORSE NEIGHING]
00:14:31 [HORSE NEIGHING]
00:14:34 [SPEAKING SPANISH]
00:15:00 [SPEAKING SPANISH]
00:15:03 [ENGINE RUMBLING]
00:15:21 [CAR DOOR SLAMMING]
00:15:24 [ENGINE RUMBLING]
00:15:28 [ENGINE RUMBLING]
00:15:31 [CAR DOOR SLAMMING]
00:15:42 [ENGINE RUMBLING]
00:15:45 [CAR DOOR SLAMMING]
00:15:50 [SPEAKING SPANISH]
00:15:53 [SPEAKING SPANISH]
00:15:56 [GRUNTING]
00:16:07 [ENGINE RUMBLING]
00:16:22 [ENGINE RUMBLING]
00:16:25 [GASPING]
00:16:32 [KNOCKING]
00:16:48 [SIGHS]
00:16:51 Go.
00:16:56 [ENGINE RUMBLING]
00:16:59 [ENGINE RUMBLING]
00:17:10 [ENGINE RUMBLING]
00:17:13 [HORN HONKING]
00:17:40 Come on.
00:17:42 Can I open the window?
00:17:45 Enough.
00:17:46 Tom.
00:17:47 [HORN HONKING]
00:17:55 [ENGINE RUMBLING]
00:17:58 Sorry, Mr. Braddock.
00:18:06 [ENGINE RUMBLING]
00:18:09 [MUSIC PLAYING]
00:18:16 [ENGINE RUMBLING]
00:18:28 [MUSIC PLAYING]
00:18:31 [MUSIC PLAYING]
00:18:34 [MUSIC PLAYING]
00:18:38 [MUSIC PLAYING]
00:18:41 [CAR DOOR SLAMMING]
00:18:59 [MUSIC PLAYING]
00:19:03 [ENGINE RUMBLING]
00:19:06 [HUMMING]
00:19:16 [SINGING]
00:19:28 Some sunny day.
00:19:32 What's you grinning at, arsehole?
00:19:44 Sorry?
00:19:45 You've got nothing to smile about, mate, if you knew.
00:19:47 If I knew?
00:19:50 He thinks I don't know.
00:19:52 If I knew.
00:19:56 Where's Mr. Corrigan?
00:19:58 London?
00:19:59 Have you fellas got a boat stashed away somewhere?
00:20:08 No.
00:20:10 Can't see it.
00:20:12 And the travelling north?
00:20:14 No.
00:20:15 I'd say quick run up through France and then over the drink.
00:20:20 That's your only problem, seems to me, getting me over the water.
00:20:24 Well, Corrigan ain't in London. He's in Paris.
00:20:26 Myron?
00:20:27 Sorry, Mr. Braddock.
00:20:30 Myron?
00:20:32 That's an unusual name, Myron.
00:20:36 Well, Paris.
00:20:39 So, across the frontier at--
00:20:43 Where?
00:20:45 Somewhere quiet, eh?
00:20:48 Up through France, should get to Paris 5, 6 in the morning.
00:20:53 Quick word with Mr. Corrigan and then...
00:20:56 Lights out, will he?
00:20:59 The executioner.
00:21:02 And his assistant.
00:21:05 Yeah, well, if you know it, ain't funny, is it?
00:21:08 Isn't it?
00:21:11 I'll tell you something I read once, Myron.
00:21:14 You.
00:21:15 Parker, Mr. Braddock.
00:21:18 Willie Parker.
00:21:20 You.
00:21:23 Shut your mouth.
00:21:25 Get some practice in, eh?
00:21:28 Hey, hey.
00:21:52 Ah, poor old Juan.
00:21:56 Seems those fellows who picked me up swiped him on the way out.
00:22:00 I thought we hit something.
00:22:02 Somebody swiped who?
00:22:04 Juan. Juan Velasquez. He's a cop.
00:22:08 Ah, got the car number.
00:22:14 They expect to make arrest at any moment and there's a reward for information.
00:22:18 Turn it off. What cop?
00:22:21 Nobody said nothing to us about an old filth.
00:22:23 A new edition. When they heard Mr. Corrigan was getting out.
00:22:26 Spanish cop?
00:22:28 Favour from the Guardia Civil.
00:22:30 He's lying, Mr. Braddock.
00:22:32 You fuck, you're lying!
00:22:34 Why would I do that?
00:22:36 Of course he is. He's shitting us. He's winding us up.
00:22:38 Turn off the road next exit.
00:22:40 Mr. Braddock. Do it.
00:22:42 There's no bloody exits.
00:22:45 [car driving away]
00:22:49 [car driving away]
00:22:53 [car driving away]
00:22:57 [car driving away]
00:23:00 [car driving away]
00:23:12 [car driving away]
00:23:15 [car driving away]
00:23:30 [sigh]
00:23:39 [car driving away]
00:23:42 [car driving away]
00:24:02 We've got no problem, Mr. Braddock.
00:24:07 It's only those Spanish geezers could finger us and we took care of them.
00:24:10 And we?
00:24:16 Let's do him here.
00:24:20 It's the goodest place there's any.
00:24:23 Get the fuck out of this country.
00:24:28 We'll get another car.
00:24:33 Yeah.
00:24:36 [car driving away]
00:24:38 Can't be too careful.
00:24:40 Shut up!
00:24:42 It's risky, isn't it, boss?
00:24:46 We'll go to Madrid.
00:24:52 Madrid?
00:24:54 Madrid.
00:24:56 Fuck this up, Arina!
00:24:58 [gunshot]
00:25:01 [car driving away]
00:25:04 I'll get back in the car then, eh?
00:25:14 He's up to something!
00:25:19 What did you do?
00:25:21 Yeah, I know.
00:25:24 He's up to something!
00:25:27 Is he?
00:25:30 Is he?
00:25:32 Where to, Mr. Braddock?
00:25:48 Left.
00:25:50 Oh, it's ages since I've been to Madrid.
00:25:52 [car driving away]
00:25:55 [music]
00:26:14 [music]
00:26:17 [music]
00:26:21 [music]
00:26:24 [music]
00:26:27 [music]
00:26:31 [car door slams]
00:26:48 [footsteps]
00:26:51 [door slams]
00:26:54 [door slams]
00:27:07 [footsteps]
00:27:10 [footsteps]
00:27:13 [announcer speaking]
00:27:26 Ha, ha, ha, ha, ha, beauty! Ripper!
00:27:33 [laughs]
00:27:35 [crowd cheering]
00:27:38 [announcer speaking]
00:27:41 Hello, sweetheart!
00:27:43 [announcer speaking]
00:27:46 Oh, fuck.
00:27:53 [announcer speaking]
00:27:56 [door slams]
00:28:02 I know you, don't I?
00:28:06 It's Mr. Mitchell, isn't it?
00:28:08 No.
00:28:10 Sure it is.
00:28:12 Tony Mitchell.
00:28:14 Mitch! You remember me, Mitch?
00:28:16 Harry. Rome.
00:28:18 You remember me? Harry!
00:28:20 What you doing here?
00:28:22 Well, sort of a foreign place.
00:28:25 It's all right, though, Mitch.
00:28:27 Bruno knows.
00:28:29 Oh, well, no, he don't, actually.
00:28:32 He gave me the keys a couple of years ago.
00:28:35 And I had to leave where I was in a hurry.
00:28:38 And I thought that Bruno wouldn't mind.
00:28:41 I wasn't expecting to find anybody.
00:28:43 Yeah, well, why should you?
00:28:45 Yeah, that's why the gun.
00:28:47 Yeah, I can see that. I mean, it's a social call, isn't it?
00:28:50 I mean, you drop in on a friend and you know the flat's gonna be empty.
00:28:54 And you find this bugger installed here.
00:28:57 Well, naturally, you're gonna, uh...
00:29:00 Well, I mean, if you're carrying one.
00:29:02 I mean, it's nothing, eh? That's clear.
00:29:05 Uh...
00:29:09 Australian rules.
00:29:11 I get them sent in every week.
00:29:14 Uh, my name's Harry. I know Mitch.
00:29:17 Don't know you, though, mate, do I?
00:29:19 No.
00:29:21 Don't know you either. But what's in a name?
00:29:24 Three friends of Bruno's.
00:29:26 All friends of Bruno's.
00:29:28 Good old Bruno.
00:29:31 How's it been, Mitch?
00:29:33 My name's Willie Parker.
00:29:35 You've probably read about me in the paper.
00:29:40 You bastard.
00:29:44 I didn't hear that, Mitch. He's a joker, right?
00:29:50 He's a bloody clown. I swear to you, Mitch, I never heard his name.
00:29:53 Willie Parker. Shut up!
00:29:55 Shut up! What are you trying to do to me?
00:29:57 I'm trying to do anything to you, Harry.
00:30:00 I don't know you're on the job.
00:30:02 I don't know nothing.
00:30:04 I haven't read the paper.
00:30:07 I'll burn the fucking paper.
00:30:09 - Darlo. - Darlo.
00:30:23 Maggie, why don't you meet some friends?
00:30:28 Amigos, OK?
00:30:30 Some Bruno's amigos.
00:30:32 Me este mato amigo Mr Mitchell.
00:30:36 And these are some other friends.
00:30:39 Hola.
00:30:41 Won't be for us.
00:30:46 That old tape calls here.
00:30:48 Look, why don't we...
00:30:51 Why don't we have a beer, eh?
00:30:53 A nice cold beer all around. Talk this thing out.
00:30:57 - Would you like a doodle of beer, Mr Burdick? - Great.
00:31:00 That's what we need. And we can sort it all out.
00:31:03 - Nothing for him. - I'll let bygones be bygones.
00:31:09 A beer, a chat. Maggie, tres ovesos pronto, OK?
00:31:13 Sit, sit. Get comfy.
00:31:18 (Sniffs)
00:31:20 - She's called Maggie? - Magdalena Maria Victoria Morales.
00:31:31 Beautiful, innit? But a mouthful.
00:31:34 I call her Maggie.
00:31:36 She's been with me for a year.
00:31:39 Best year I ever had.
00:31:44 - How old would you say she was? - I don't give a toss how old she is.
00:31:48 - 19? - How about 16?
00:31:52 How about 15?
00:31:57 Not bad for an old fart, is it?
00:32:04 I suppose you're wondering what she sees in me.
00:32:08 Money, obviously, but it's more than that. It's a real bond.
00:32:13 She was in bad shape when I met her.
00:32:15 Beautiful little kid running wild in the streets.
00:32:18 Comes from an excellent family, so she tells me.
00:32:21 Brothers of priests, all that.
00:32:23 But, you know, death, disaster, unfortunate investments.
00:32:28 One minute she's a little princess up in the hill.
00:32:31 Next she's down there working the bars, doing the best she can.
00:32:35 - This is Spain. - Why don't you shut up?
00:32:39 I can't!
00:32:41 I'm sorry, I can't.
00:32:43 Did you know I'd moved to Madrid, Mitch?
00:32:55 Mitch and me are old mates from Rome.
00:32:57 He helps an associate of mine with a problem I have.
00:33:00 You know how it is.
00:33:02 You greedy bummers messing it up for everybody else.
00:33:05 Well, Mitch came in one weekend, saw her out.
00:33:10 - Gracias. - De nada.
00:33:12 I'll just leave it here whenever you're ready, Mitch.
00:33:20 Kalki.
00:33:33 - Yes, sir? - I've got a letter for you.
00:33:36 - Thank you. - You're welcome.
00:33:39 Kalki's?
00:33:44 The garage has gone, Mitch.
00:33:47 I've been using the car a little bit.
00:33:50 I thought Bruno would be glad to have the motor turned over once in a while.
00:33:54 If you want the car, I'll have to phone down for it.
00:33:56 - Tell him to bring it around. - Right, sure.
00:33:59 (Mutters)
00:34:01 Hey, Julian.
00:34:07 (Mutters)
00:34:09 Yeah.
00:34:11 (Mutters)
00:34:13 (Mutters)
00:34:15 (Mutters)
00:34:17 Bring it straight round, Mitch.
00:34:22 - It's a white Mercedes. - I know what it is.
00:34:25 The cover's a bit dicey.
00:34:27 I was going to have it serviced, but I didn't.
00:34:29 You're leaving straight away?
00:34:31 It's too bad. Madrid's a fabulous city, you know.
00:34:34 Good one.
00:34:44 (Guitar playing)
00:34:46 Wait!
00:35:09 (Guitar playing)
00:35:37 I don't deserve this, Mitch.
00:35:39 Don't you like...
00:35:43 - ...the girl? - Maggie?
00:35:47 - Hmm. - Yeah.
00:35:49 Yeah, I do.
00:35:52 I mean, she's got a hell of a temper sometimes, but we get along.
00:35:55 I think I finally struck it lucky.
00:35:59 You're going to have to take her, Harry.
00:36:05 That's starting to do for you.
00:36:07 Well, if it'll shut me up, that's for sure.
00:36:15 Not that I'd... You know.
00:36:17 I appreciate it, Mitch.
00:36:28 How well does it keep her?
00:36:33 She'll be all right. She's a good kid.
00:36:35 I guess I was just in the wrong place at the wrong time.
00:36:44 Here.
00:36:48 Get the girl. You're taking her with us.
00:36:52 - Eh? How's that going to work, Mr Pratt? - Get the girl!
00:36:56 You, back to me.
00:37:00 You, back to me.
00:37:02 Harry! Harry!
00:37:09 Harry!
00:37:12 Manicone, hijo de puta!
00:37:14 - Harry! - You!
00:37:17 Tell this whore that we're just about to go out.
00:37:20 If she doesn't behave herself, I'm going to get very angry.
00:37:23 I don't think I need to tell her.
00:37:27 Good.
00:37:29 (sobbing)
00:37:32 (sobbing)
00:37:35 (sobbing)
00:37:37 (sobbing)
00:37:39 (door slams)
00:37:41 (sobbing)
00:37:52 (door slams)
00:38:18 I'm sure true love will see us through.
00:38:21 Even with a reward.
00:38:25 Wait.
00:38:34 - Mr Pratt, I... - Wait!
00:38:37 (music playing)
00:38:39 I didn't talk to him, Mitch.
00:39:02 I didn't have time.
00:39:06 (music playing)
00:39:08 Fair old reward, though, isn't it?
00:39:20 You have to be careful.
00:39:23 Want a drink?
00:39:30 (snoring)
00:39:32 Shall we watch the game?
00:39:38 (TV playing)
00:39:51 (TV playing)
00:39:53 It's my team, Mitch.
00:40:06 Hawthorne.
00:40:09 They're losing.
00:40:13 (TV playing)
00:40:15 (music playing)
00:40:39 (music playing)
00:40:41 Everything all right, Mr Braddock?
00:41:00 (music playing)
00:41:02 (music playing)
00:41:05 (car engine starting)
00:41:31 Oh, look. She's terrified.
00:41:34 Don't worry, you're in safe hands.
00:41:38 She doesn't understand a word I'm saying.
00:41:43 - Do you want me to translate? - No.
00:41:46 She's a pretty little thing, isn't she?
00:41:50 She's wasted on that Aussie.
00:41:53 Now, you'd have thought we'd taught her a bit of English.
00:41:58 - Do you speak any English? - Que?
00:42:00 English. Do you speak any English?
00:42:03 Oh, yes, English.
00:42:05 (speaking in foreign language)
00:42:12 Jesus, I'm horny.
00:42:14 (laughing)
00:42:17 Well, it's coming along.
00:42:19 I think she's taking a fancy to me.
00:42:23 (music playing)
00:42:29 (music playing)
00:42:56 (speaking in foreign language)
00:42:58 No.
00:43:00 No.
00:43:02 (singing in foreign language)
00:43:05 (music playing)
00:43:25 No.
00:43:26 What are you doing?
00:43:29 Why does it look like I'm doing?
00:43:32 We can't take her with us.
00:43:35 And we can't let her go.
00:43:37 (speaking in foreign language)
00:43:40 What about Harry? I'll talk as soon as he finds out.
00:43:49 Harry's dead.
00:43:51 What?
00:43:53 So we don't need her.
00:43:55 You, get away from her.
00:43:57 No.
00:44:03 No. No!
00:44:06 (music playing)
00:44:10 (crying)
00:44:12 Take them both to the car.
00:44:32 (music playing)
00:44:34 Should have killed them both together in the flat.
00:44:55 I don't know.
00:44:57 It's supposed to be quick, clean work.
00:45:00 You know, Australians, women.
00:45:02 It's not his fault, it's an accident.
00:45:04 Yeah, but he's not meant to have accidents.
00:45:07 Perhaps he's slipping.
00:45:12 Yeah, well I ain't slipping.
00:45:16 Can't count on that, son.
00:45:18 Get inside.
00:45:19 (door opening)
00:45:21 You all right, Mr. Braddock?
00:45:36 Yeah.
00:45:39 Grass was trying to wind me up.
00:45:42 But I told him.
00:45:44 Shut him up.
00:45:47 (wind blowing)
00:45:49 We'll take care of her later, eh?
00:45:53 When it's dark.
00:45:56 You sure we've got to take care of her?
00:46:00 I mean, we can't just find somewhere quiet.
00:46:03 Let her go.
00:46:05 I ain't going soft on nothing.
00:46:08 She'll see me.
00:46:13 It's going to be all right, isn't it, Mr. Braddock?
00:46:16 Sure.
00:46:24 (music playing)
00:46:27 (music playing)
00:46:29 Let them understand what she's saying.
00:46:55 She wants to stop.
00:46:57 Do some shopping.
00:46:59 What?
00:47:00 She needs to get some new clothes.
00:47:02 What for?
00:47:04 She had a bit of an accident back there.
00:47:07 Christ.
00:47:10 How about it, Mr. Braddock?
00:47:15 It can't be very comfortable.
00:47:24 Well, I don't want to sit next to it.
00:47:26 I think we should stop.
00:47:34 (siren blaring)
00:47:46 (shouting in Spanish)
00:47:49 (shouting in Spanish)
00:47:51 Size 10, mate.
00:47:56 That'll do for it.
00:47:58 It's the best I could find.
00:48:06 These are fine.
00:48:09 (siren blaring)
00:48:11 I think we should find a rubbish dump or something.
00:48:32 (engine rumbling)
00:48:34 (laughing)
00:48:40 Well, that could have been a mistake, Mr. Braddock.
00:48:46 Could have been a clue or something.
00:48:48 (laughing)
00:48:51 (speaking Spanish)
00:48:56 (speaking Spanish)
00:48:58 (speaking Spanish)
00:49:22 (car door slams)
00:49:24 Well, I don't know what's wrong with it.
00:49:40 My ma said I knew about cars, but I don't really.
00:49:47 Well, not a lot.
00:49:49 Shall I give it a try?
00:49:51 You know about cars, then?
00:49:53 Well, it's a drive, isn't it?
00:49:55 Shut up.
00:50:10 Give it a try.
00:50:18 Try it again.
00:50:20 Okay, give us a tick.
00:50:24 (car door slams)
00:50:26 Couple of minutes, Mr. Braddock.
00:50:52 So far, so good, eh?
00:50:54 Right, Myron.
00:51:03 Nice one, Fearless.
00:51:12 It'd kill him to thank me, wouldn't it?
00:51:15 No, it wouldn't.
00:51:18 (car door slams)
00:51:20 I don't know if I fancy a beer, Mr. Braddock.
00:51:32 All right, beer's all round here.
00:51:35 (speaking Spanish)
00:51:39 (speaking Spanish)
00:51:43 (laughing)
00:51:47 (speaking Spanish)
00:51:49 (speaking Spanish)
00:51:55 (speaking Spanish)
00:52:15 (speaking Spanish)
00:52:17 (speaking Spanish)
00:52:21 (speaking Spanish)
00:52:25 (laughing)
00:52:29 Mister.
00:52:40 Mister!
00:52:43 (speaking Spanish)
00:52:45 (announcer speaking Spanish)
00:52:49 (cans clattering)
00:52:51 (speaking Spanish)
00:52:53 (crowd cheering)
00:53:00 (speaking Spanish)
00:53:09 (crowd cheering)
00:53:11 (speaking Spanish)
00:53:21 (announcer speaking Spanish)
00:53:31 (announcer speaking Spanish)
00:53:33 (cans clattering)
00:53:44 (announcer speaking Spanish)
00:53:48 (crowd cheering)
00:53:51 (crowd cheering)
00:53:56 (cans clattering)
00:54:00 (crowd cheering)
00:54:02 Oh, Christ, that felt good.
00:54:20 (laughing)
00:54:27 (wind whistling)
00:54:29 This country goes on and on forever, doesn't it?
00:54:49 There's another one.
00:54:51 How come they've got so many castles, then, eh?
00:54:54 It's the route of the invaders.
00:54:57 They came through these mountains--
00:54:59 Romans, Gauls, Napoleon.
00:55:01 The Pass of Roncesvalles.
00:55:04 What?
00:55:06 They fought the Saracens here.
00:55:08 Who did?
00:55:10 Roland and Oliver.
00:55:12 Knights of old, Myron.
00:55:15 Great warriors.
00:55:16 Great chiefs.
00:55:18 Great friends.
00:55:20 They fought together, and they died together.
00:55:25 At Roncesvalles.
00:55:27 Why'd you do it, Willie?
00:55:34 Why'd you cross?
00:55:36 Oh, I couldn't go back to Nick.
00:55:38 Couldn't.
00:55:39 Then they came up with this deal.
00:55:42 Was this a deal?
00:55:44 This wasn't no ticket to Canada and goodbye.
00:55:46 This was a lifetime.
00:55:48 Nobody had got a deal like that.
00:55:50 I was sorry I did it, though.
00:55:54 For the fellas.
00:55:55 This ain't no better than a nick, is it?
00:55:58 This?
00:55:59 This is nothing.
00:56:03 (explosion)
00:56:06 (chatter)
00:56:09 (chatter)
00:56:11 (chatter)
00:56:13 (chatter)
00:56:21 (chatter)
00:56:23 (chatter)
00:56:25 (chatter)
00:56:32 (chatter)
00:56:35 (train rumbling)
00:56:38 (train rumbling)
00:56:41 (train rumbling)
00:56:44 (door slams)
00:56:47 (door slams)
00:56:49 (footsteps)
00:56:51 (footsteps)
00:56:54 (footsteps)
00:57:21 (sighs)
00:57:23 That seemed to be holding up all right, don't you think?
00:57:32 The mood, he sod, that's for sure.
00:57:34 Well, 700 miles to go to Paris.
00:57:37 Frontier to cross.
00:57:39 Can't say I blame him, really.
00:57:41 I wonder if he's up to it.
00:57:43 I think so.
00:57:47 I think he is.
00:57:50 All right, I want to know.
00:57:51 Know what?
00:57:52 You've had something going from the start.
00:57:53 You've got a plan, now I want to know now, I swear.
00:57:55 I haven't got any plan.
00:57:57 What are you so happy about? What's going on?
00:57:59 Nothing's going on.
00:58:00 You silly sod, you're gonna die.
00:58:02 So are you, sooner or later.
00:58:03 You're gonna die fucking soon, mate.
00:58:05 I'll tell you something I read once, Myron.
00:58:08 Apparently what happens to you after death
00:58:12 is not all that much different
00:58:14 from what happens to you before death.
00:58:16 Physically speaking.
00:58:19 All part of the same process, you know?
00:58:22 So if it's all the same really,
00:58:26 what's there to worry about?
00:58:29 You'll bar me.
00:58:36 Don't worry about me, Myron.
00:58:39 Worry about you.
00:58:41 Are you really up to this?
00:58:43 I ain't worried about me.
00:58:45 Good.
00:58:46 Then worry about your boss.
00:58:48 Is this job getting him down?
00:58:50 Is he making the right decisions?
00:58:52 Are you gonna have to take over it sometime or another?
00:58:55 Think about it.
00:58:58 We don't want anything going wrong.
00:59:00 You got bird shit in your hair.
00:59:10 Well, well.
00:59:15 I'm sorry.
00:59:17 You're no 15-year-old.
00:59:37 What are you?
00:59:41 You think my little friend Myron's gonna save you?
00:59:44 You think my little friend Myron's gonna save you?
00:59:47 [grunts]
00:59:50 [grunts]
00:59:52 [grunts]
00:59:54 [grunts]
01:00:07 [grunts]
01:00:21 [grunts]
01:00:49 [engine starts]
01:00:51 Mr. Braddock?
01:01:00 Do you think we can stop for something to eat soon?
01:01:03 I ain't had nothing all day and I'm really hungry.
01:01:06 I suspect I'm not the only one.
01:01:08 Her, too. She's probably hungry and all.
01:01:10 She's already eaten.
01:01:12 I'm gonna stop soon.
01:01:17 I'll stay off the road till after dark.
01:01:19 Sell of a lot hanging about, innit?
01:01:21 Yeah.
01:01:23 I had hoped to cross the frontier this evening.
01:01:26 Bit safer. They like to stay in their huts when it's dark.
01:01:29 Had to make a few diversions. You would have your fun and games, Myron.
01:01:35 [wind blowing]
01:01:37 [upbeat music]
01:01:57 [applause]
01:01:59 [applause]
01:02:24 [applause]
01:02:26 You're not eating, Mr. Braddock?
01:02:52 I'm on petrol.
01:02:54 We've got enough petrol to get to France, haven't we?
01:02:56 I want to get well inside France.
01:02:58 I'll take her along.
01:03:04 What for?
01:03:06 So I can watch her. And you can watch him.
01:03:08 Why don't you take him along? I'll watch her.
01:03:10 Because, Myron, I think she might distract you from your job.
01:03:13 Come on.
01:03:15 Mr. Braddock, I've been thinking.
01:03:17 I don't think anything should happen to her.
01:03:20 Now's as good a time as any, Myron.
01:03:23 It's not fair.
01:03:25 It's not fair?
01:03:27 No, Mr. Braddock, it isn't.
01:03:31 I mean, he means a fucking grass.
01:03:33 He put his mates inside.
01:03:35 But she ain't done nothing.
01:03:37 You're just not thinking right.
01:03:49 The job's got you down.
01:03:51 I mean, I'm getting through the thing.
01:03:54 But Christ, there's a limit.
01:03:56 You're just not thinking right.
01:04:00 There.
01:04:15 Make you feel safer, won't it, Myron?
01:04:18 There.
01:04:32 Put her in the car, Myron.
01:04:41 Go on, then!
01:04:45 Now, Mr. Braddock.
01:04:47 Here you are.
01:04:49 You!
01:04:51 Spanish for "fill the tank".
01:04:53 General, half a volt.
01:04:55 I'm sorry, Mr. Braddock.
01:04:57 Well, you're through, then.
01:05:10 (whistling)
01:05:12 He'll kill you if you hurt me.
01:05:24 Oh, Myron?
01:05:27 What an idea.
01:05:32 (whistling)
01:05:34 Oi!
01:05:43 Where are you going?
01:05:45 Look at the water.
01:05:48 (birds chirping)
01:05:50 Hey!
01:06:07 Let's have a look at your kosh.
01:06:09 Now, feel these.
01:06:12 Laser blades.
01:06:17 (whistling)
01:06:19 What for?
01:06:21 I've still got a gun, you know.
01:06:23 Guns?
01:06:24 Right.
01:06:26 Leather?
01:06:28 Yeah.
01:06:29 What's it filled with?
01:06:30 Sand.
01:06:32 That's enough.
01:06:36 Had it since I was at school.
01:06:41 For years.
01:06:43 Made it in handicrafts.
01:06:45 Never lets me down.
01:06:47 Nice place.
01:06:50 I'll tell you what.
01:06:53 I think you're crazy, but I admire your attitude.
01:06:56 I don't know. This whole thing, it's not turning out like I thought it would.
01:07:04 Not at all.
01:07:05 It's my first time, you know.
01:07:07 It's like a test. Mr. Braddock said,
01:07:09 "If I do well on this one, you'll take me along on these other jobs."
01:07:12 And if you don't?
01:07:13 Then what?
01:07:14 Well, at least I got a grand for this one, haven't I?
01:07:16 Look, I want you to know, when you get the job,
01:07:21 when it happens, I'm not going to be enjoying myself.
01:07:26 That's a comfort.
01:07:28 I wouldn't worry.
01:07:30 I ain't worried.
01:07:31 I mean, he needs you to drive.
01:07:34 And to watch me.
01:07:36 So you're safe to Paris, at least.
01:07:39 Well, we're both safe to Paris.
01:07:43 You did take a bit of a risk, though.
01:07:46 You think she's worth it?
01:07:48 I mean, we don't want anything going wrong, and she is in the way.
01:07:54 You're no different from him, are you?
01:07:57 I don't see how you reckon that.
01:08:00 She's got nine to fear from me.
01:08:02 I think I'll have a lie down.
01:08:07 [birds chirping]
01:08:09 [singing]
01:08:19 [singing]
01:08:21 Yeah, I know.
01:08:43 [engine starts]
01:08:46 [engine starts]
01:08:48 [engine starts]
01:09:17 [engine starts]
01:09:19 [speaking Spanish]
01:09:28 [speaking Spanish]
01:09:30 [speaking Spanish]
01:09:32 [panting]
01:09:46 [speaking Spanish]
01:09:48 [music]
01:09:55 Yeah.
01:10:06 [sighs]
01:10:13 [gun cocks]
01:10:15 [gunshots]
01:10:40 [gunshot]
01:10:42 [gasps]
01:10:48 Oh, no.
01:11:03 No.
01:11:07 [gun cocks]
01:11:09 [screams]
01:11:17 No.
01:11:34 No.
01:11:36 [grunts]
01:11:50 [music]
01:12:01 [engine starts]
01:12:03 [speaking Spanish]
01:12:11 Let me go.
01:12:28 Please.
01:12:30 Let me go.
01:12:32 Please.
01:12:36 [music]
01:12:44 [engine starts]
01:12:46 Where is he?
01:13:07 I don't know.
01:13:13 Oh, chuh.
01:13:16 [leaves rustling]
01:13:18 [leaves rustling]
01:13:20 [engine starts]
01:13:34 [engine rumbles]
01:13:37 [engine rumbles]
01:13:39 [engine rumbles]
01:13:42 [engine rumbles]
01:14:09 [engine rumbles]
01:14:11 We're moving out.
01:14:37 [engine rumbles]
01:14:39 Come on down.
01:15:00 [engine rumbles]
01:15:02 [engine rumbles]
01:15:19 [engine rumbles]
01:15:21 [radio chatter]
01:15:37 [radio chatter]
01:15:39 [radio chatter]
01:15:46 [radio chatter]
01:16:05 [radio chatter]
01:16:07 [radio chatter]
01:16:11 [radio chatter]
01:16:25 [radio chatter]
01:16:27 She's saying...
01:16:50 She's saying if we both jump the boss together,
01:16:53 one of us might live.
01:16:55 Oh, no.
01:16:57 I've got a gun here.
01:16:59 Then you sit on him.
01:17:01 He's my partner.
01:17:04 You're crazy.
01:17:08 Well, calm down.
01:17:11 Let's be sensible.
01:17:13 I'm going to have a word with him about you anyway.
01:17:17 He'll see reason. I know he will.
01:17:20 I don't know about you, as it's a job.
01:17:22 But I'll tell you what, I've got a feeling about situations,
01:17:26 and I don't think anything's going to happen.
01:17:28 Not really.
01:17:30 I just don't believe it.
01:17:33 Will you help me?
01:17:36 Oh!
01:17:42 [phone rings]
01:17:45 [phone rings]
01:18:12 Why didn't you make a run for it when you had the chance?
01:18:15 What for?
01:18:17 You'd have found me again.
01:18:19 Would have got the boy into trouble.
01:18:21 I'm not scared.
01:18:24 You've got to be.
01:18:27 Why?
01:18:29 Because everyone else is?
01:18:31 Because you are?
01:18:33 You don't know.
01:18:36 [music]
01:18:38 Death is just a stage in the journey.
01:18:45 We're all going to get there.
01:18:49 No exceptions.
01:18:51 Me and you and...
01:18:54 It's just a moment.
01:18:58 We're here.
01:19:00 Then we're not here.
01:19:02 We're somewhere else.
01:19:05 Maybe.
01:19:07 And it's as natural as breathing.
01:19:11 Why should we be scared?
01:19:14 I was scared.
01:19:19 At first.
01:19:21 I was dead scared.
01:19:24 I knew Corrigan would come after me one day,
01:19:28 or send someone.
01:19:30 I've had ten years to get ready for this.
01:19:33 I thought, and I read.
01:19:36 Must have read a whole library of things.
01:19:40 Amazing things.
01:19:43 Amazing.
01:19:48 In the end,
01:19:52 the only thing that really worried me
01:19:55 was that he'd send some rubbish after me.
01:19:58 And I thought,
01:20:01 if I got somebody good,
01:20:03 somebody who could do the job proper,
01:20:07 then I could do my bit.
01:20:10 Do you ever, um...
01:20:20 Did you ever call yourself, uh...
01:20:23 Something like a Walsh, a Wallace,
01:20:26 something like that?
01:20:30 Wallace, maybe.
01:20:32 Ah, yeah. Thought so.
01:20:34 I met you once in the old days.
01:20:37 Well, we was in the same room together.
01:20:40 Yeah.
01:20:44 I remembered you.
01:20:46 You didn't remember me, though.
01:20:57 What's your real name?
01:20:59 Braddock.
01:21:05 Nothing I can do about this, you know that?
01:21:15 Nothing I can do about this, you know that?
01:21:18 I read this in a magazine when John Lennon died.
01:21:37 "Death be not proud,
01:21:42 "though some have called thee mighty and dreadful,
01:21:45 "for thou art not so.
01:21:47 "For those whom thou think'st thou dost overthrow,
01:21:51 "die not, poor death,
01:21:54 "nor yet canst thou kill me."
01:21:58 You're gonna kill the girl?
01:22:00 I don't think she's ready.
01:22:09 I don't think she's ready.
01:22:13 I don't think she's ready.
01:22:17 I don't think she's ready.
01:22:21 I don't think she's ready.
01:22:23 I don't think she's ready.
01:22:25 I don't think she's ready.
01:22:27 Ten miles to the border, Mr Braddock.
01:22:53 Ten miles to the border, Mr Braddock.
01:22:56 Ten miles to the border, Mr Braddock.
01:23:00 Ten miles to the border, Mr Braddock.
01:23:04 (BELLS TOLLING)
01:23:06 (BELLS TOLLING)
01:23:09 (BELLS TOLLING)
01:23:11 (GENTLE MUSIC PLAYING)
01:23:24 (GENTLE MUSIC PLAYING)
01:23:26 I've locked him in.
01:23:47 He's still sleeping. He's a brave man, isn't he?
01:23:49 Seems so.
01:23:52 We'll do 'em here.
01:23:54 How about her?
01:23:57 I'll do 'em both.
01:24:04 Thanks, Mr Braddock.
01:24:06 I don't think I could have done it, really.
01:24:08 It's my first time, isn't it?
01:24:10 Won't be needing a gun then, will you?
01:24:13 Don't suppose you could help me get them out of the car?
01:24:21 Oh, sure.
01:24:23 If I still get my thousand.
01:24:26 I'm coming in.
01:24:45 It's all right, love. It's all right.
01:24:50 (SPEAKING SPANISH)
01:24:52 I wish I could have made her understand.
01:25:07 You too, Willie.
01:25:09 Ah, Willie. Thanks.
01:25:11 I said you too.
01:25:15 What is it?
01:25:19 We're gonna do it now, Willie.
01:25:21 What?
01:25:24 We're gonna do it now.
01:25:26 Not me.
01:25:29 Yes.
01:25:31 Now? Right.
01:25:33 No, it's tomorrow. We're doing it tomorrow.
01:25:37 It's tomorrow, Willie.
01:25:39 You've got to take me to Corrigan.
01:25:43 You've got to get me to Paris.
01:25:45 We're gonna do it now.
01:25:47 That's not the job.
01:25:49 The job ends in Paris.
01:25:51 You're not doing the job.
01:25:53 Come on, Willie.
01:25:55 No.
01:25:57 You can't.
01:26:00 You've got to get me to Paris.
01:26:02 Not till Paris.
01:26:04 You can't.
01:26:06 Not now.
01:26:08 Oh, God.
01:26:12 Myron.
01:26:16 (CHUCKLES)
01:26:18 Oh, God. Please.
01:26:20 Willie.
01:26:22 In the house.
01:26:24 You can't. Not now.
01:26:26 Myron!
01:26:37 Oh!
01:26:39 Where are you going?
01:26:44 I don't want to see. What's this?
01:26:46 (GUNSHOT)
01:26:48 (GRUNTS)
01:26:56 (GRUNTING)
01:26:58 (GRUNTING)
01:27:01 (GRUNTING)
01:27:03 (GRUNTING)
01:27:19 (GRUNTING)
01:27:21 (GRUNTING)
01:27:32 (GASPS)
01:27:43 (PANTING)
01:27:46 (PANTING)
01:27:48 Very lucky girl.
01:27:54 Very lucky girl.
01:27:59 (GENTLE MUSIC)
01:28:02 (PANTING)
01:28:05 (GENTLE MUSIC)
01:28:07 (PANTING)
01:28:09 (GENTLE MUSIC)
01:28:11 (THUNDER RUMBLING)
01:28:34 (THUNDER RUMBLING)
01:28:37 (THUNDER RUMBLING)
01:28:40 (THUNDER RUMBLING)
01:29:08 (BIRDS CHIRPING)
01:29:10 (ENGINE STARTS)
01:29:13 (ENGINE STOPS)
01:29:15 (BIRDS CHIRPING)
01:29:17 (BIRDS CHIRPING)
01:29:20 (DOOR CLOSES)
01:29:22 (DOOR OPENS)
01:29:26 (DOOR CLOSES)
01:29:31 (ENGINE STARTS)
01:29:42 (BIRDS CHIRPING)
01:29:44 (FOOTSTEPS)
01:29:47 (FOOTSTEPS)
01:29:50 (SIGHS)
01:29:53 (FOOTSTEPS)
01:29:55 (FOOTSTEPS)
01:30:13 (FOOTSTEPS)
01:30:15 (ENGINE STARTS)
01:30:41 (ENGINE STOPS)
01:30:43 (INDISTINCT CHATTER)
01:30:48 (SPEAKING SPANISH)
01:31:01 (SPEAKING SPANISH)
01:31:04 (FOOTSTEPS)
01:31:07 (ENGINE STARTS)
01:31:09 (MAN ON RADIO)
01:31:18 (GUNSHOTS)
01:31:20 (GUNSHOTS)
01:31:22 (YELLS)
01:31:33 (YELLS)
01:31:35 (YELLS)
01:31:37 (YELLS)
01:31:39 (YELLS)
01:31:41 (GUNSHOTS)
01:31:43 (GUNSHOTS)
01:31:50 (GUNSHOT)
01:31:52 (PANTING)
01:32:05 (GUNSHOTS)
01:32:07 (SPEAKING SPANISH)
01:32:11 (GUNSHOTS)
01:32:14 (SIGHS)
01:32:16 You are Charles Kinnear.
01:32:38 Born in Dublin.
01:32:41 Just nod if that is true.
01:32:44 You are Raymond John Baker.
01:32:48 Born in Newcastle.
01:32:50 Just a moment.
01:32:53 We're here.
01:32:56 Then we're not here. We're somewhere else.
01:32:59 Maybe.
01:33:04 (SIGHS)
01:33:06 And it's as natural as breathing.
01:33:16 Why should we be scared?
01:33:18 (PANTING)
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01:37:46 [ Music ]