Crooked House (2017)

  • last year
Crooked House is a 2017 mystery film directed by Gilles Paquet-Brenner, based on Agatha Christie’s 1949 novel of the same name. The film stars Max Irons, Terence Stamp, Glenn Close, Gillian Anderson, and Stefanie Martini. Principal photography began in September 2016, and the film aired in the UK on Channel 5 on 17 December 2017.
Transcript
00:00:00 [ Music ]
00:00:11 [ Silence ]
00:00:26 [ Silence ]
00:00:41 [ Silence ]
00:00:51 [ Music ]
00:01:21 [ Silence ]
00:01:31 [ Silence ]
00:01:41 [ Music ]
00:01:51 [ Music ]
00:02:01 [ Music ]
00:02:11 [ Music ]
00:02:21 [ Silence ]
00:02:31 [ Sound Effects ]
00:02:42 [ Music ]
00:02:48 >> Death of a legend. It is with sorrow that the country learns this week of the death
00:02:54 of Aristide Leonidis. Born in 1871, he arrived from Greece, aged 23, without a penny in his
00:03:02 pocket, and opened his first restaurant that same year. The first hotel was ready for business
00:03:08 not long after. His first wife, Lady Marcia de Avelin, died young, but Mr. Leonidis
00:03:14 wasn't alone at the end. He is survived by his young and lovely American widow, Brenda.
00:03:20 Here is Mr. Leonidis with his eldest granddaughter, Sophia. Friend or foe, no one could dispute
00:03:27 Aristide Leonidis was a colossus of his time.
00:03:31 [ Music ]
00:03:37 >> Good morning, Miss Ackroyd.
00:03:38 >> Good morning, Mr. Hayward. Mr. Hayward.
00:03:40 >> Yes.
00:03:41 >> We have a client. She's waiting inside.
00:03:44 >> She?
00:03:45 >> Wouldn't give a name.
00:03:48 >> Hello.
00:03:52 >> Hello, Charles.
00:03:54 [ Music ]
00:04:11 [ Music ]
00:04:24 >> I'm sorry to surprise you like this, but I wasn't sure you would agree to see me.
00:04:28 >> I'm really very sorry to hear your news. Miss Leonidis.
00:04:34 >> I wanted to be incognito in Egypt. I was surprised when you left the diplomatic for this.
00:04:42 >> Detection? It's a family business. What exactly can I do for you, Sophia?
00:04:49 >> I believe my grandfather was murdered.
00:04:52 >> Murdered?
00:04:53 >> He died of a heart attack, but I suspect foul play.
00:04:57 >> And what makes you suspect that?
00:04:59 >> I found him, and the doctor was acting oddly, and he wouldn't sign the death certificate, and there's going to be a postmortem.
00:05:08 >> Right.
00:05:09 >> I want you, Charles, to come down to the house and look into it for me before the police get involved. For a fee, of course.
00:05:19 >> It'd be a little unethical for me to take this case, Sophia. I'm sure you can understand that.
00:05:24 >> You want to know why I left?
00:05:26 >> No, I --
00:05:27 >> I didn't want you to become involved with my family.
00:05:29 >> A penniless junior diplomat, not quite what they had in mind for you, is that it?
00:05:32 >> Charles, don't --
00:05:33 >> No, you do want me to become involved in your family.
00:05:35 >> Now things are different, very different indeed.
00:05:37 >> Not for me.
00:05:40 >> I believe the killer may still be in the house. I'm frightened, Charles.
00:05:48 >> You're frightened?
00:05:50 >> Yes.
00:05:52 >> Well, then you should go straight to the police.
00:05:56 >> Miss Aykroyd, Miss Leonidas will be leaving now.
00:06:09 >> You should at least think about it.
00:06:28 >> Miss Leonidas, you've met her before?
00:06:31 >> Briefly, in Cairo.
00:06:33 >> Come on, Mr. Hayward, just think of the publicity. You can't afford to refuse this job.
00:06:42 >> What exactly is your interest in the Leonidas death, Charles?
00:06:46 >> I've been approached by a member of the family.
00:06:49 >> I don't know what you think you're playing at with this gumption business. You should be here at the yard like your father.
00:06:55 >> Hard act for a --
00:06:56 >> Say that again. What do you want?
00:07:00 >> The examining doctor noticed the extreme contractions of the pupils. He ran some tests and concluded the cause of his death was Esserine. It's --
00:07:10 >> Also known as phisostigmine, used in eye drops to treat glaucoma or, if injected directly into the bloodstream, would cause a heart attack.
00:07:24 >> Your father used to lean forward like that.
00:07:29 >> Leonidas was a diabetic. It's possible the Esserine was switched with his insulin.
00:07:35 >> Were the eye drops his?
00:07:36 >> Yes.
00:07:37 >> So the switch could have just been an accident.
00:07:40 >> Could have been. There's not much of a case, and the family lawyers would tear us apart if we tried to make one.
00:07:46 >> What about the press?
00:07:47 >> Once the yard breeds murder, the press will be all over it, and these people relish their privacy as much as they relish their money.
00:07:56 >> This member of the family, he or she?
00:07:59 >> She.
00:08:01 >> Above suspicion? All right. Two days, then I call in the house.
00:08:08 >> I haven't decided to take the case yet.
00:08:11 >> Then what are you doing here?
00:08:13 >> I don't see why a family like this would talk to me, open the gates even. I have no authority.
00:08:19 >> Leonidas had a lot of powerful friends. He also had powerful enemies. He was a controversial figure.
00:08:29 Take all these notes to your office. Think about it. Wait for my call.
00:08:35 [♪♪♪]
00:08:56 >> Thank you, Charles.
00:08:59 >> For what?
00:09:03 >> For taking me dancing tonight.
00:09:25 >> Say what?
00:09:55 [♪♪♪]
00:10:09 [♪♪♪]
00:10:24 [gunshot]
00:10:31 >> Is everything all right?
00:10:33 >> Do you know anything about moles?
00:10:35 >> No. I'm afraid not.
00:10:38 >> I have an arsenal of other weapons, of course. Traps, poisons. Sometimes I use holly. Pricks them, do you see? Makes them bleed.
00:10:46 >> I've seen moles of hemophiliacs, little bleeders, like some European royals. Though I do find a shotgun best expresses my feelings.
00:10:55 Are you Sophia's sleuth?
00:10:57 >> Yes. Charles Hayward. I'm sorry, the gates were open.
00:11:01 >> Yes, we were expecting you. Edith de Havilland, my late sister, was Aristide's first wife. Sophia believes there's a bourgeois living under this roof. How dramatic.
00:11:15 >> Josephine! Josephine! Josephine!
00:11:23 >> Josephine, Nanny's calling you. Come along.
00:11:26 >> All right, Aunt Edith.
00:11:28 >> Come along now. There's a good girl.
00:11:35 >> Get off of me!
00:11:39 >> I don't know what we do without our old nannies. Faithful. I chose this one myself years ago.
00:11:47 >> Hello, Charles.
00:11:49 >> Sophia.
00:11:51 >> How do you two know one another?
00:11:54 >> We met in Egypt when I was out there with Sotheby's.
00:11:57 >> He saved my life, didn't you, Charles?
00:12:00 >> Her horse bolted on the way to the pyramids, I managed to stop it.
00:12:06 >> I'm sorry?
00:12:08 >> Sophia's never been run away with in her life by a horse or anything else come to that.
00:12:15 >> Charles likes to think he rescued me.
00:12:17 >> Oh, the dear boy.
00:12:33 >> When Aunt Edith came to nurse Grandmama, and when she died, considered it her duty to help bring up the boys, save them from Grandpapa's influence.
00:12:43 >> They fought like cat and dog, Aunt Edith and Grandpapa.
00:12:47 >> She told him he was a slimy foreigner with his fingers in the till, and he told her she was a narrow-minded xenophobic snob.
00:12:55 >> Actually, I think she secretly adored him.
00:13:00 >> Here's the man himself.
00:13:02 >> I know what you're thinking.
00:13:04 >> The gorgeous daughter of an earl and a near-midget immigrant.
00:13:07 >> An unlikely match.
00:13:09 >> But Granny fell for him.
00:13:11 >> There was something exotic and vibrant about him that appealed to her.
00:13:15 >> Was the marriage happy?
00:13:16 >> Very happy.
00:13:17 >> Of course, their respective friends didn't mix, and her parents couldn't stand him.
00:13:22 >> Well, then why didn't they stop it?
00:13:25 >> They didn't stop Grandpapa, Charles.
00:13:38 >> This is where you found him. Can you walk me through it?
00:13:42 >> I brought him up breakfast.
00:13:45 >> Was that usual?
00:13:48 >> Yes.
00:13:50 >> Morning, Grandpapa.
00:13:51 >> He liked me to do it.
00:13:53 >> And why was that?
00:13:56 >> We had a special bond.
00:13:59 >> Grandpapa?
00:14:06 >> Special bond? How do you mean?
00:14:08 >> Nothing. We just got along well, that's all.
00:14:13 >> This was his bathroom.
00:14:18 >> That's the fatal cupboard.
00:14:20 >> And through there?
00:14:22 >> His wife's room.
00:14:24 >> Brenda?
00:14:25 >> Yes.
00:14:29 >> In my office, you said...
00:14:32 >> Well, you said you were frightened.
00:14:36 >> We're a very odd family, Charles.
00:14:40 >> There's lots of ruthlessness in us, and different kinds of ruthlessness.
00:14:46 >> That's what's so disturbing, the different kinds.
00:14:52 >> I'm sorry, I didn't mean to...
00:14:54 >> I'm sorry, I didn't mean to...
00:14:55 >> I'm sorry, I didn't mean to...
00:14:56 >> I'm sorry, I didn't mean to...
00:14:57 >> I'm sorry, I didn't mean to...
00:14:58 >> I'm sorry, I didn't mean to...
00:14:59 >> I'm sorry, I didn't mean to...
00:15:00 >> I'm sorry, I didn't mean to...
00:15:01 >> I'm sorry, I didn't mean to...
00:15:02 >> I'm sorry, I didn't mean to...
00:15:03 >> I'm sorry, I didn't mean to...
00:15:04 >> I'm sorry, I didn't mean to...
00:15:05 >> I'm sorry, I didn't mean to...
00:15:06 >> I'm sorry, I didn't mean to...
00:15:07 >> I'm sorry, I didn't mean to...
00:15:08 >> I'm sorry, I didn't mean to...
00:15:09 >> I'm sorry, I didn't mean to...
00:15:23 >> Are you the detective?
00:15:24 >> Ah, you must be Josephine, Sophia's sister.
00:15:27 How do you do?
00:15:28 >> I'm very well, thank you.
00:15:30 So you find out people's secrets?
00:15:32 >> That's the idea.
00:15:35 Is that your treehouse, Anna?
00:15:37 >> Yes, it's my older brother.
00:15:40 >> I like your notebook.
00:15:41 What do you write in it?
00:15:42 >> The things that I know.
00:15:44 I know lots of things.
00:15:46 And now that my grandpa's dead,
00:15:47 I'm by far the cleverest person
00:15:48 in this house.
00:15:50 >> Anything you'd like to tell me?
00:15:51 >> Not yet.
00:15:52 You see, I read detective stories.
00:15:55 And a good detective will take the time
00:15:57 to gather evidence and question everyone
00:15:59 before solving a case.
00:16:00 Because the murderer is never the one
00:16:01 you initially suspect.
00:16:03 Magda is ready for you now.
00:16:05 >> Magda?
00:16:06 >> I'm calling her mummy.
00:16:07 She says that age is her.
00:16:11 >> There's no place like home.
00:16:15 Oh, these shoes are all wrong.
00:16:17 Much too frivolous for the occasion.
00:16:19 I apologize, Mr. Haywood.
00:16:21 >> No.
00:16:22 >> Oh, God.
00:16:24 I drank far too much claret last night.
00:16:26 Gives me headaches.
00:16:28 Burgundy suits me so much better.
00:16:30 >> Perhaps you should take an aspirin.
00:16:32 >> Aspirin?
00:16:34 Perhaps.
00:16:35 >> Hair of the dog, darling.
00:16:38 Cure evil with evil.
00:16:45 And what about you?
00:16:47 >> It's a little early for me,
00:16:48 I think.
00:16:49 >> You're cute.
00:16:52 Wait till you have three children.
00:16:56 >> So, you're an actress?
00:16:59 >> Clearly you've never set foot
00:17:01 in a theater, otherwise you'd know
00:17:02 my work.
00:17:03 >> I must admit, I am
00:17:05 more of a cinema enthusiast.
00:17:07 >> I see.
00:17:08 Never cared much for the movies
00:17:10 myself.
00:17:11 Although I do have a superb
00:17:13 script.
00:17:14 My husband wrote it for me.
00:17:16 "Exposure," his first work of
00:17:18 fiction, full of passion.
00:17:20 The lead character, moi, is a
00:17:23 wonderfully dark part.
00:17:25 I know they say I should always
00:17:27 play comedy because of my nose.
00:17:29 Well, I suppose this murder
00:17:31 would give us a lot of advanced
00:17:33 publicity and a lot of
00:17:35 publicity.
00:17:36 >> Do go on.
00:17:38 >> Is any of this really of any
00:17:40 importance?
00:17:41 I mean, after all, we have our
00:17:43 very own Ruth Ellis right under
00:17:45 this roof.
00:17:46 >> Ruth Ellis shot her lover,
00:17:49 not her husband.
00:17:50 >> Well, either way, she was
00:17:52 hanged for it, and rightly so.
00:17:55 >> But are you saying you'd like
00:17:57 to see Brenda Leonides hanged?
00:18:00 >> You are twisting my words.
00:18:03 >> Yes, well, perhaps I should
00:18:06 have a word with your husband.
00:18:08 >> He's in the library.
00:18:09 >> Thank you so much for your
00:18:11 time.
00:18:12 >> Is that all?
00:18:13 >> For today, yes.
00:18:14 >> Good.
00:18:16 I'm starving.
00:18:17 >> I hope I'm not interrupting.
00:18:21 >> Charles, let me introduce
00:18:23 you to my father, Philip
00:18:25 Leonides.
00:18:26 >> It is a pleasure to meet you,
00:18:28 sir.
00:18:29 Charles Henson.
00:18:30 >> I'm a bit of a fan of your
00:18:32 father's.
00:18:33 >> It's a pleasure to meet you,
00:18:35 sir.
00:18:36 >> Charles Hayward.
00:18:37 >> I knew a Hayward once,
00:18:39 assistant commissioner of
00:18:40 Scotland Yard, something of a
00:18:42 legend in the force.
00:18:43 >> My father.
00:18:44 >> He did rather well for
00:18:45 himself until he was murdered,
00:18:47 and they never found out who did
00:18:49 it.
00:18:50 >> No.
00:18:51 >> Not much of a
00:18:52 recommendation.
00:18:53 >> Father.
00:18:54 >> Mr. Leonides.
00:18:55 As disagreeable as you may find
00:18:58 my visit to be, I can guarantee
00:19:00 that it will pale in comparison
00:19:02 to the rest of the world should
00:19:04 the police decide to come around
00:19:06 again.
00:19:07 >> Can you make an effort now
00:19:09 please for me?
00:19:10 >> Seems my lovely Sophia is
00:19:12 upset.
00:19:13 We must reach some sort of
00:19:15 accommodation, Mr. Hayward.
00:19:16 >> Are you suggesting that we
00:19:18 let the role of a die decide for
00:19:20 us?
00:19:21 >> It will determine whether or
00:19:23 not we continue this
00:19:24 conversation.
00:19:25 Pick a number.
00:19:26 >> Will you two please stop it.
00:19:28 >> Mr. Leonides, please.
00:19:29 >> I'll assign you four.
00:19:31 And I'm not going to answer your
00:19:33 questions anyway.
00:19:34 >> That would be very bad form.
00:19:36 >> You think some illegal
00:19:37 pressure from some little man at
00:19:39 Scotland Yard is going to make me
00:19:41 talk to you?
00:19:42 >> I do.
00:19:43 Yes.
00:19:44 Because that little man and I
00:19:46 are trying to do you a favor,
00:19:48 sir.
00:19:49 >> Ah, the little notebook of
00:19:56 course.
00:19:57 Jot away.
00:19:58 >> You are the eldest son.
00:19:59 >> I am.
00:20:00 >> And how long have you lived
00:20:02 here?
00:20:03 >> Ten years ago I lost a poker
00:20:05 game to the wrong people.
00:20:06 My father used it as an
00:20:08 opportunity to keep me on a
00:20:09 leash.
00:20:10 That's what drove us here along
00:20:12 with one or two bombs.
00:20:13 >> My father is referring to
00:20:15 some of my mother's plays which
00:20:17 were less than successful.
00:20:18 >> Yes.
00:20:19 So you wrote her a screenplay.
00:20:21 >> I am a historian.
00:20:22 I write on medieval art and
00:20:24 literature.
00:20:25 This screenplay of my wife's is
00:20:27 a one-off.
00:20:28 She and I live for the arts.
00:20:30 >> So you play no part in your
00:20:32 father's business operations.
00:20:34 >> Uncle Roger runs associated
00:20:36 catering, my grandfather's
00:20:38 flagship company.
00:20:39 >> Yes.
00:20:40 My little brother is the man
00:20:42 despite having the business
00:20:43 sense of a mongoose.
00:20:45 >> But you are not in actual
00:20:48 need of money.
00:20:51 >> No one in this house is in
00:20:53 actual need of money.
00:20:54 >> Why on earth would you
00:20:56 stay here?
00:20:57 >> Because that was the deal.
00:20:59 Besides, who actually wants to
00:21:01 work for a living, Mr. Hayward?
00:21:05 >> Has the will been read?
00:21:07 >> Not yet.
00:21:08 Why?
00:21:09 >> I would have expected it by
00:21:11 now.
00:21:12 >> Everyone knows what's in it.
00:21:14 I mean we're all very well
00:21:15 provided for.
00:21:16 So no little clues for you
00:21:17 there, Mr. Hayward.
00:21:19 >> Thank you, Mr. Leonidas.
00:21:22 There's one last thing.
00:21:24 >> If you must.
00:21:25 >> You don't seem at all sad,
00:21:27 sir.
00:21:28 >> I beg your pardon.
00:21:29 >> Your father is dead.
00:21:32 But you don't seem remotely sad
00:21:34 about it.
00:21:35 >> Goodbye, Mr. Hayward.
00:21:38 >> Goodbye, Mr. Hayward.
00:22:02 >> A little man, Mr. Hayward,
00:22:04 who cast a large shadow, a very
00:22:07 interesting rather crooked
00:22:09 shadow.
00:22:10 >> What are you doing?
00:22:13 >> Can't I play detective too?
00:22:16 You smell of cigar which means
00:22:18 you've met Philip but you don't
00:22:20 smell of alcohol.
00:22:21 Is Magda still asleep?
00:22:23 >> No.
00:22:24 I met her.
00:22:25 >> So you actually declined the
00:22:27 drink she offered you.
00:22:29 Good boy.
00:22:30 Keeping a clear head.
00:22:32 Eyes on the prize.
00:22:34 No wonder Sophia likes you.
00:22:37 >> Then Edith, when might be a
00:22:39 good time for us to talk?
00:22:41 >> Oh, I'm busy.
00:22:42 Autumnal pruning.
00:22:43 I'm a firm believer in the
00:22:45 benefits of deadheading in all
00:22:48 seasons.
00:22:49 [ Music ]
00:23:17 >> Clementine, I'm sorry.
00:23:19 >> I'm sorry.
00:23:20 >> I'm sorry.
00:23:21 >> I'm sorry.
00:23:22 >> I'm sorry.
00:23:23 >> I'm sorry.
00:23:24 >> I'm sorry.
00:23:25 >> I'm sorry.
00:23:26 >> I'm sorry.
00:23:27 >> I'm sorry.
00:23:28 >> I'm sorry.
00:23:29 >> I'm sorry.
00:23:30 >> I'm sorry.
00:23:31 >> I'm sorry.
00:23:32 >> I'm sorry.
00:23:33 >> I'm sorry.
00:23:34 >> I'm sorry.
00:23:35 >> I'm sorry.
00:23:36 >> I'm sorry.
00:23:37 >> I'm sorry.
00:23:38 >> I'm sorry.
00:23:39 >> I'm sorry.
00:23:40 >> I'm sorry.
00:23:41 >> I'm sorry.
00:23:42 >> I'm sorry.
00:23:43 >> I'm sorry.
00:23:44 >> I'm sorry.
00:23:45 >> I'm sorry.
00:23:46 >> I'm sorry.
00:23:47 >> I'm sorry.
00:23:48 >> I'm sorry.
00:23:49 >> I'm sorry.
00:23:50 >> I'm sorry.
00:23:51 >> I'm sorry.
00:23:52 >> I'm sorry.
00:23:53 >> I'm sorry.
00:23:54 >> I'm sorry.
00:23:55 >> I'm sorry.
00:23:56 >> I'm sorry.
00:23:57 >> I'm sorry.
00:23:58 >> I'm sorry.
00:23:59 >> I'm sorry.
00:24:00 >> I'm sorry.
00:24:01 >> I'm sorry.
00:24:02 >> I'm sorry.
00:24:03 >> I'm sorry.
00:24:04 >> I'm sorry.
00:24:05 >> I'm sorry.
00:24:06 >> I'm sorry.
00:24:07 >> I'm sorry.
00:24:08 >> I'm sorry.
00:24:09 >> I'm sorry.
00:24:10 >> I'm sorry.
00:24:11 >> I'm sorry.
00:24:12 >> I'm sorry.
00:24:13 >> I'm sorry.
00:24:14 >> I'm sorry.
00:24:15 >> I'm sorry.
00:24:16 >> I'm sorry.
00:24:17 >> I'm sorry.
00:24:18 >> I'm sorry.
00:24:19 >> I'm sorry.
00:24:20 >> I'm sorry.
00:24:21 >> I'm sorry.
00:24:22 >> I'm sorry.
00:24:23 >> I'm sorry.
00:24:24 >> I'm sorry.
00:24:25 >> I'm sorry.
00:24:26 >> I'm sorry.
00:24:27 >> I'm sorry.
00:24:28 >> I'm sorry.
00:24:29 >> I'm sorry.
00:24:30 >> I'm sorry.
00:24:31 >> I'm sorry.
00:24:32 >> I'm sorry.
00:24:33 >> I'm sorry.
00:24:34 >> I'm sorry.
00:24:35 >> I'm sorry.
00:24:36 >> I'm sorry.
00:24:37 >> I'm sorry.
00:24:38 >> I'm sorry.
00:24:39 >> I'm sorry.
00:24:40 >> I'm sorry.
00:24:41 >> I'm sorry.
00:24:42 >> I'm sorry.
00:24:43 >> I'm sorry.
00:24:44 >> I'm sorry.
00:24:45 >> I'm sorry.
00:24:46 >> I'm sorry.
00:24:47 >> I'm sorry.
00:24:48 >> I'm sorry.
00:24:49 >> I'm sorry.
00:24:50 >> I'm sorry.
00:24:51 >> I'm sorry.
00:24:52 >> I'm sorry.
00:24:53 >> I'm sorry.
00:24:54 >> I'm sorry.
00:24:55 >> I'm sorry.
00:24:56 >> I'm sorry.
00:24:57 >> I'm sorry.
00:24:58 >> I'm sorry.
00:24:59 >> I'm sorry.
00:25:00 >> I'm sorry.
00:25:01 >> I'm sorry.
00:25:02 >> I'm sorry.
00:25:03 >> I'm sorry.
00:25:04 >> I'm sorry.
00:25:05 >> I'm sorry.
00:25:06 >> I'm sorry.
00:25:07 >> I'm sorry.
00:25:08 >> I'm sorry.
00:25:09 >> I'm sorry.
00:25:10 >> I'm sorry.
00:25:11 >> I'm sorry.
00:25:12 >> I'm sorry.
00:25:13 >> I'm sorry.
00:25:14 >> I'm sorry.
00:25:15 >> I'm sorry.
00:25:16 >> I'm sorry.
00:25:17 >> I'm sorry.
00:25:18 >> I'm sorry.
00:25:19 >> I'm sorry.
00:25:20 >> I'm sorry.
00:25:21 >> I'm sorry.
00:25:22 >> I'm sorry.
00:25:23 >> I'm sorry.
00:25:24 >> I'm sorry.
00:25:25 >> I'm sorry.
00:25:26 >> I'm sorry.
00:25:27 >> I'm sorry.
00:25:28 >> I'm sorry.
00:25:29 >> I'm sorry.
00:25:30 >> I'm sorry.
00:25:31 >> I'm sorry.
00:25:32 >> I'm sorry.
00:25:33 >> I'm sorry.
00:25:34 >> I'm sorry.
00:25:35 >> I'm sorry.
00:25:36 >> I'm sorry.
00:25:37 >> I'm sorry.
00:25:38 >> I'm sorry.
00:25:39 >> I'm sorry.
00:25:40 >> I'm sorry.
00:25:41 >> I'm sorry.
00:25:42 >> I'm sorry.
00:25:43 >> I'm sorry.
00:25:44 >> I'm sorry.
00:25:45 >> I'm sorry.
00:25:46 >> I'm sorry.
00:25:47 >> I'm sorry.
00:25:48 >> I'm sorry.
00:25:49 >> I'm sorry.
00:25:50 >> I'm sorry.
00:25:51 >> I'm sorry.
00:25:52 >> I'm sorry.
00:25:53 >> I'm sorry.
00:25:54 >> I'm sorry.
00:25:55 >> I'm sorry.
00:25:56 >> I'm sorry.
00:25:57 >> I'm sorry.
00:25:58 >> I'm sorry.
00:25:59 >> I'm sorry.
00:26:00 >> I'm sorry.
00:26:01 >> I'm sorry.
00:26:02 >> I'm sorry.
00:26:03 >> I'm sorry.
00:26:04 >> I'm sorry.
00:26:05 >> I'm sorry.
00:26:06 >> I'm sorry.
00:26:07 >> I'm sorry.
00:26:08 >> I'm sorry.
00:26:09 >> I'm sorry.
00:26:10 >> I'm sorry.
00:26:11 >> I'm sorry.
00:26:12 >> I'm sorry.
00:26:13 >> I'm sorry.
00:26:14 >> I'm sorry.
00:26:15 >> I'm sorry.
00:26:16 >> I'm sorry.
00:26:17 >> I'm sorry.
00:26:18 >> I'm sorry.
00:26:19 >> I'm sorry.
00:26:20 >> I'm sorry.
00:26:21 >> I'm sorry.
00:26:22 >> I'm sorry.
00:26:23 >> I'm sorry.
00:26:24 >> I'm sorry.
00:26:25 >> I'm sorry.
00:26:26 >> I'm sorry.
00:26:27 >> I'm sorry.
00:26:28 >> I'm sorry.
00:26:29 >> I'm sorry.
00:26:30 >> I'm sorry.
00:26:31 >> I'm sorry.
00:26:32 >> I'm sorry.
00:26:33 >> I'm sorry.
00:26:34 >> I'm sorry.
00:26:35 >> I'm sorry.
00:26:36 >> I'm sorry.
00:26:37 >> I'm sorry.
00:26:38 >> I'm sorry.
00:26:39 >> I'm sorry.
00:26:40 >> I'm sorry.
00:26:41 >> I'm sorry.
00:26:42 >> I'm sorry.
00:26:43 >> I'm sorry.
00:26:44 >> I'm sorry.
00:26:45 >> I'm sorry.
00:26:46 >> I'm sorry.
00:26:47 >> I'm sorry.
00:26:48 >> I'm sorry.
00:26:49 >> I'm sorry.
00:26:50 >> I'm sorry.
00:26:51 >> I'm sorry.
00:26:52 >> I'm sorry.
00:26:53 >> I'm sorry.
00:26:54 >> I'm sorry.
00:26:55 >> I'm sorry.
00:26:56 >> I'm sorry.
00:26:57 >> I'm sorry.
00:26:58 >> I'm sorry.
00:26:59 >> I'm sorry.
00:27:00 >> I'm sorry.
00:27:01 >> I'm sorry.
00:27:02 >> I'm sorry.
00:27:03 >> I'm sorry.
00:27:04 >> I'm sorry.
00:27:05 >> I'm sorry.
00:27:06 >> I'm sorry.
00:27:07 >> I'm sorry.
00:27:08 >> I'm sorry.
00:27:09 >> I'm sorry.
00:27:10 >> I'm sorry.
00:27:11 >> I'm sorry.
00:27:12 >> I'm sorry.
00:27:13 >> I'm sorry.
00:27:14 >> I'm sorry.
00:27:15 >> I'm sorry.
00:27:16 >> I'm sorry.
00:27:17 >> I'm sorry.
00:27:18 >> I'm sorry.
00:27:19 >> I'm sorry.
00:27:20 >> I'm sorry.
00:27:21 >> I'm sorry.
00:27:22 >> I'm sorry.
00:27:23 >> I'm sorry.
00:27:24 >> I'm sorry.
00:27:25 >> I'm sorry.
00:27:26 >> I'm sorry.
00:27:27 >> I'm sorry.
00:27:28 >> I'm sorry.
00:27:29 >> I'm sorry.
00:27:30 >> I'm sorry.
00:27:31 >> I'm sorry.
00:27:32 >> I'm sorry.
00:27:33 >> I'm sorry.
00:27:34 >> I'm sorry.
00:27:35 >> I'm sorry.
00:27:36 >> I'm sorry.
00:27:37 >> I'm sorry.
00:27:38 >> I'm sorry.
00:27:39 >> I'm sorry.
00:27:40 >> I'm sorry.
00:27:41 >> I'm sorry.
00:27:42 >> I'm sorry.
00:27:43 >> I'm sorry.
00:27:44 >> I'm sorry.
00:27:45 >> I'm sorry.
00:27:46 >> I'm sorry.
00:27:47 >> I'm sorry.
00:27:48 >> I'm sorry.
00:27:49 >> I'm sorry.
00:27:50 >> I'm sorry.
00:27:51 >> I'm sorry.
00:27:52 >> I'm sorry.
00:27:53 >> I'm sorry.
00:27:54 >> I'm sorry.
00:27:55 >> I'm sorry.
00:27:56 >> I'm sorry.
00:27:57 >> I'm sorry.
00:27:58 >> I'm sorry.
00:27:59 >> I'm sorry.
00:28:00 >> I'm sorry.
00:28:01 >> I'm sorry.
00:28:02 >> I'm sorry.
00:28:03 >> I'm sorry.
00:28:04 >> I'm sorry.
00:28:05 >> I'm sorry.
00:28:06 >> I'm sorry.
00:28:07 >> I'm sorry.
00:28:08 >> I'm sorry.
00:28:09 >> I'm sorry.
00:28:10 >> I'm sorry.
00:28:11 >> I'm sorry.
00:28:12 >> I'm sorry.
00:28:13 >> I'm sorry.
00:28:14 >> I'm sorry.
00:28:15 >> I'm sorry.
00:28:16 >> I'm sorry.
00:28:17 >> I'm sorry.
00:28:18 >> I'm sorry.
00:28:19 >> I'm sorry.
00:28:20 >> I'm sorry.
00:28:21 >> I'm sorry.
00:28:22 >> I'm sorry.
00:28:23 >> I'm sorry.
00:28:24 >> I'm sorry.
00:28:25 >> I'm sorry.
00:28:26 >> I'm sorry.
00:28:27 >> I'm sorry.
00:28:28 >> I'm sorry.
00:28:29 >> I'm sorry.
00:28:30 >> I'm sorry.
00:28:31 >> I'm sorry.
00:28:32 >> I'm sorry.
00:28:33 >> I'm sorry.
00:28:34 >> I'm sorry.
00:28:35 >> I'm sorry.
00:28:36 >> I'm sorry.
00:28:37 >> I'm sorry.
00:28:38 >> I'm sorry.
00:28:39 >> I'm sorry.
00:28:40 >> I'm sorry.
00:28:41 >> I'm sorry.
00:28:42 >> I'm sorry.
00:28:43 >> I'm sorry.
00:28:44 >> I'm sorry.
00:28:45 >> I'm sorry.
00:28:46 >> I'm sorry.
00:28:47 >> I'm sorry.
00:28:48 >> I'm sorry.
00:28:49 >> I'm sorry.
00:28:50 >> I'm sorry.
00:28:51 >> I'm sorry.
00:28:52 >> I'm sorry.
00:28:53 >> I'm sorry.
00:28:54 >> I'm sorry.
00:28:55 >> I'm sorry.
00:28:56 >> I'm sorry.
00:28:57 >> I'm sorry.
00:28:58 >> I'm sorry.
00:28:59 >> I'm sorry.
00:29:00 >> I'm sorry.
00:29:01 >> I'm sorry.
00:29:02 >> I'm sorry.
00:29:03 >> I'm sorry.
00:29:04 >> I'm sorry.
00:29:05 >> I'm sorry.
00:29:06 >> I'm sorry.
00:29:07 >> I'm sorry.
00:29:08 >> I'm sorry.
00:29:09 >> I'm sorry.
00:29:10 >> I'm sorry.
00:29:11 >> I'm sorry.
00:29:12 >> I'm sorry.
00:29:13 >> I'm sorry.
00:29:14 >> I'm sorry.
00:29:15 >> I'm sorry.
00:29:16 >> I'm sorry.
00:29:17 >> I'm sorry.
00:29:18 >> I'm sorry.
00:29:19 >> I'm sorry.
00:29:20 >> I'm sorry.
00:29:21 >> I'm sorry.
00:29:22 >> I'm sorry.
00:29:23 >> I'm sorry.
00:29:24 >> I'm sorry.
00:29:25 >> I'm sorry.
00:29:26 >> I'm sorry.
00:29:27 >> I'm sorry.
00:29:28 >> I'm sorry.
00:29:29 >> I'm sorry.
00:29:30 >> I'm sorry.
00:29:31 >> I'm sorry.
00:29:32 >> I'm sorry.
00:29:33 >> I'm sorry.
00:29:34 >> I'm sorry.
00:29:35 >> I'm sorry.
00:29:36 >> I'm sorry.
00:29:37 >> I'm sorry.
00:29:38 >> I'm sorry.
00:29:39 >> I'm sorry.
00:29:40 >> I'm sorry.
00:29:41 >> I'm sorry.
00:29:42 >> I'm sorry.
00:29:43 >> I'm sorry.
00:29:44 >> I'm sorry.
00:29:45 >> I'm sorry.
00:29:46 >> I'm sorry.
00:29:47 >> I'm sorry.
00:29:48 >> I'm sorry.
00:29:49 >> I'm sorry.
00:29:50 >> I'm sorry.
00:29:51 >> I'm sorry.
00:29:52 >> I'm sorry.
00:29:53 >> I'm sorry.
00:29:54 >> I'm sorry.
00:29:55 >> I'm sorry.
00:29:56 >> I'm sorry.
00:29:57 >> I'm sorry.
00:29:58 >> I'm sorry.
00:29:59 >> I'm sorry.
00:30:00 >> I'm sorry.
00:30:01 >> I'm sorry.
00:30:02 >> I'm sorry.
00:30:03 >> I'm sorry.
00:30:04 >> I'm sorry.
00:30:05 >> I'm sorry.
00:30:06 >> I'm sorry.
00:30:07 >> I'm sorry.
00:30:08 >> I'm sorry.
00:30:09 >> I'm sorry.
00:30:10 >> I'm sorry.
00:30:11 >> I'm sorry.
00:30:12 >> I'm sorry.
00:30:13 >> I'm sorry.
00:30:14 >> I'm sorry.
00:30:15 >> I'm sorry.
00:30:16 >> I'm sorry.
00:30:17 >> I'm sorry.
00:30:18 >> I'm sorry.
00:30:19 >> I'm sorry.
00:30:20 >> I'm sorry.
00:30:21 >> I'm sorry.
00:30:22 >> I'm sorry.
00:30:23 >> I'm sorry.
00:30:24 >> I'm sorry.
00:30:25 >> I'm sorry.
00:30:26 >> I'm sorry.
00:30:27 >> I'm sorry.
00:30:28 >> I'm sorry.
00:30:29 >> I'm sorry.
00:30:30 >> I'm sorry.
00:30:31 >> I'm sorry.
00:30:32 >> I'm sorry.
00:30:33 >> I'm sorry.
00:30:34 >> I'm sorry.
00:30:35 >> I'm sorry.
00:30:36 >> I'm sorry.
00:30:37 >> I'm sorry.
00:30:38 >> I'm sorry.
00:30:39 >> I'm sorry.
00:30:40 >> I'm sorry.
00:30:41 >> I'm sorry.
00:30:42 >> I'm sorry.
00:30:43 >> I'm sorry.
00:30:44 >> I'm sorry.
00:30:45 >> I'm sorry.
00:30:46 >> I'm sorry.
00:30:47 >> I'm sorry.
00:30:48 >> I'm sorry.
00:30:49 >> I'm sorry.
00:30:50 >> I'm sorry.
00:30:51 >> I'm sorry.
00:30:52 >> I'm sorry.
00:30:53 >> I'm sorry.
00:30:54 >> I'm sorry.
00:30:55 >> I'm sorry.
00:30:56 >> I'm sorry.
00:30:57 >> I'm sorry.
00:30:58 >> I'm sorry.
00:30:59 >> I'm sorry.
00:31:00 >> I'm sorry.
00:31:01 >> I'm sorry.
00:31:02 >> I'm sorry.
00:31:03 >> I'm sorry.
00:31:04 >> I'm sorry.
00:31:05 >> I'm sorry.
00:31:06 >> I'm sorry.
00:31:07 >> I'm sorry.
00:31:08 >> I'm sorry.
00:31:09 >> I'm sorry.
00:31:10 >> I'm sorry.
00:31:11 >> I'm sorry.
00:31:12 >> I'm sorry.
00:31:13 >> I'm sorry.
00:31:14 >> I'm sorry.
00:31:15 >> I'm sorry.
00:31:16 >> I'm sorry.
00:31:17 >> I'm sorry.
00:31:18 >> I'm sorry.
00:31:19 >> I'm sorry.
00:31:20 >> I'm sorry.
00:31:21 >> I'm sorry.
00:31:22 >> I'm sorry.
00:31:23 >> I'm sorry.
00:31:24 >> I'm sorry.
00:31:25 >> I'm sorry.
00:31:26 >> I'm sorry.
00:31:27 >> I'm sorry.
00:31:28 >> I'm sorry.
00:31:29 >> I'm sorry.
00:31:30 >> I'm sorry.
00:31:31 >> I'm sorry.
00:31:32 >> I'm sorry.
00:31:33 >> I'm sorry.
00:31:34 >> I'm sorry.
00:31:35 >> I'm sorry.
00:31:36 >> I'm sorry.
00:31:37 >> I'm sorry.
00:31:38 >> I'm sorry.
00:31:39 >> I'm sorry.
00:31:40 >> I'm sorry.
00:31:41 >> I'm sorry.
00:31:42 >> I'm sorry.
00:31:43 >> I'm sorry.
00:31:44 >> I'm sorry.
00:31:45 >> I'm sorry.
00:31:46 >> I'm sorry.
00:31:47 >> I'm sorry.
00:31:48 >> I'm sorry.
00:31:49 >> I'm sorry.
00:31:50 >> I'm sorry.
00:31:51 >> I'm sorry.
00:31:52 >> I'm sorry.
00:31:53 >> I'm sorry.
00:31:54 >> I'm sorry.
00:31:55 >> I'm sorry.
00:31:56 >> I'm sorry.
00:31:57 >> I'm sorry.
00:31:58 >> I'm sorry.
00:31:59 >> I'm sorry.
00:32:00 >> I'm sorry.
00:32:01 >> I'm sorry.
00:32:02 >> I'm sorry.
00:32:03 >> I'm sorry.
00:32:04 >> I'm sorry.
00:32:05 >> I'm sorry.
00:32:06 >> I'm sorry.
00:32:07 >> I'm sorry.
00:32:08 >> I'm sorry.
00:32:09 >> I'm sorry.
00:32:10 >> I'm sorry.
00:32:11 >> I'm sorry.
00:32:12 >> I'm sorry.
00:32:13 >> I'm sorry.
00:32:14 >> I'm sorry.
00:32:15 >> I'm sorry.
00:32:16 >> I'm sorry.
00:32:17 >> I'm sorry.
00:32:18 >> I'm sorry.
00:32:19 >> I'm sorry.
00:32:20 >> I'm sorry.
00:32:21 >> I'm sorry.
00:32:22 >> I'm sorry.
00:32:23 >> I'm sorry.
00:32:24 >> I'm sorry.
00:32:25 >> I'm sorry.
00:32:26 >> I'm sorry.
00:32:27 >> I'm sorry.
00:32:28 >> I'm sorry.
00:32:29 >> I'm sorry.
00:32:30 >> I'm sorry.
00:32:31 >> I'm sorry.
00:32:32 >> I'm sorry.
00:32:33 >> I'm sorry.
00:32:34 >> I'm sorry.
00:32:35 >> I'm sorry.
00:32:36 >> I'm sorry.
00:32:37 >> I'm sorry.
00:32:38 >> I'm sorry.
00:32:39 >> I'm sorry.
00:32:40 >> I'm sorry.
00:32:41 >> I'm sorry.
00:32:42 >> I'm sorry.
00:32:43 >> I'm sorry.
00:32:44 >> I'm sorry.
00:32:45 >> I'm sorry.
00:32:46 >> I'm sorry.
00:32:47 >> I'm sorry.
00:32:48 >> I'm sorry.
00:32:49 >> I'm sorry.
00:32:50 >> I'm sorry.
00:32:51 >> I'm sorry.
00:32:52 >> I'm sorry.
00:32:53 >> I'm sorry.
00:32:54 >> I'm sorry.
00:32:55 >> I'm sorry.
00:32:56 >> I'm sorry.
00:32:57 >> I'm sorry.
00:32:58 >> I'm sorry.
00:32:59 >> I'm sorry.
00:33:00 >> I'm sorry.
00:33:01 >> I'm sorry.
00:33:02 >> I'm sorry.
00:33:03 >> I'm sorry.
00:33:04 >> I'm sorry.
00:33:05 >> I'm sorry.
00:33:06 >> I'm sorry.
00:33:07 >> I'm sorry.
00:33:08 >> I'm sorry.
00:33:09 >> I'm sorry.
00:33:10 >> I'm sorry.
00:33:11 >> I'm sorry.
00:33:12 >> I'm sorry.
00:33:13 >> I'm sorry.
00:33:14 >> I'm sorry.
00:33:15 >> I'm sorry.
00:33:16 >> I'm sorry.
00:33:17 >> I'm sorry.
00:33:18 >> I'm sorry.
00:33:19 >> I'm sorry.
00:33:20 >> I'm sorry.
00:33:21 >> I'm sorry.
00:33:22 >> I'm sorry.
00:33:23 >> I'm sorry.
00:33:24 >> I'm sorry.
00:33:25 >> I'm sorry.
00:33:26 >> I'm sorry.
00:33:27 >> I'm sorry.
00:33:28 >> I'm sorry.
00:33:29 >> I'm sorry.
00:33:30 >> I'm sorry.
00:33:31 >> I'm sorry.
00:33:32 >> I'm sorry.
00:33:33 >> I'm sorry.
00:33:34 >> I'm sorry.
00:33:35 >> I'm sorry.
00:33:36 >> I'm sorry.
00:33:37 >> I'm sorry.
00:33:38 >> I'm sorry.
00:33:39 >> I'm sorry.
00:33:40 >> I'm sorry.
00:33:41 >> I'm sorry.
00:33:42 >> I'm sorry.
00:33:43 >> I'm sorry.
00:33:44 >> I'm sorry.
00:33:45 >> I'm sorry.
00:33:46 >> I'm sorry.
00:33:47 >> I'm sorry.
00:33:48 >> I'm sorry.
00:33:49 >> I'm sorry.
00:33:50 >> I'm sorry.
00:33:51 >> I'm sorry.
00:33:52 >> I'm sorry.
00:33:53 >> I'm sorry.
00:33:54 >> I'm sorry.
00:33:55 >> I'm sorry.
00:33:56 >> I'm sorry.
00:33:57 >> I'm sorry.
00:33:58 >> I'm sorry.
00:33:59 >> I'm sorry.
00:34:00 >> I'm sorry.
00:34:01 >> I'm sorry.
00:34:02 >> I'm sorry.
00:34:03 >> I'm sorry.
00:34:04 >> I'm sorry.
00:34:05 >> I'm sorry.
00:34:06 >> I'm sorry.
00:34:07 >> I'm sorry.
00:34:08 >> I'm sorry.
00:34:09 >> I'm sorry.
00:34:10 >> I'm sorry.
00:34:11 >> I'm sorry.
00:34:12 >> I'm sorry.
00:34:13 >> I'm sorry.
00:34:14 >> I'm sorry.
00:34:15 >> I'm sorry.
00:34:16 >> I'm sorry.
00:34:17 >> I'm sorry.
00:34:18 >> I'm sorry.
00:34:19 >> I'm sorry.
00:34:20 >> I'm sorry.
00:34:21 >> I'm sorry.
00:34:22 >> I'm sorry.
00:34:23 >> I'm sorry.
00:34:24 >> I'm sorry.
00:34:25 >> I'm sorry.
00:34:26 >> I'm sorry.
00:34:27 >> I'm sorry.
00:34:28 >> I'm sorry.
00:34:29 >> I'm sorry.
00:34:30 >> I'm sorry.
00:34:31 >> I'm sorry.
00:34:32 >> I'm sorry.
00:34:33 >> I'm sorry.
00:34:34 >> I'm sorry.
00:34:35 >> I'm sorry.
00:34:36 >> I'm sorry.
00:34:37 >> I'm sorry.
00:34:38 >> I'm sorry.
00:34:39 >> I'm sorry.
00:34:40 >> I'm sorry.
00:34:41 >> I'm sorry.
00:34:42 >> I'm sorry.
00:34:43 >> I'm sorry.
00:34:44 >> I'm sorry.
00:34:45 >> I'm sorry.
00:34:46 >> I'm sorry.
00:34:47 >> I'm sorry.
00:34:48 >> I'm sorry.
00:34:49 >> I'm sorry.
00:34:50 >> I'm sorry.
00:34:51 >> I'm sorry.
00:34:52 >> I'm sorry.
00:34:53 >> I'm sorry.
00:34:54 >> I'm sorry.
00:34:55 >> I'm sorry.
00:34:56 >> I'm sorry.
00:34:57 >> I'm sorry.
00:34:58 >> I'm sorry.
00:34:59 >> I'm sorry.
00:35:00 >> I'm sorry.
00:35:01 >> I'm sorry.
00:35:02 >> I'm sorry.
00:35:03 >> I'm sorry.
00:35:04 >> I'm sorry.
00:35:05 >> I'm sorry.
00:35:06 >> I'm sorry.
00:35:07 >> I'm sorry.
00:35:08 >> I'm sorry.
00:35:09 >> I'm sorry.
00:35:10 >> I'm sorry.
00:35:11 >> I'm sorry.
00:35:12 >> I'm sorry.
00:35:13 >> I'm sorry.
00:35:14 >> I'm sorry.
00:35:15 >> I'm sorry.
00:35:16 >> I'm sorry.
00:35:17 >> I'm sorry.
00:35:18 >> I'm sorry.
00:35:19 >> I'm sorry.
00:35:20 >> I'm sorry.
00:35:21 >> I'm sorry.
00:35:22 >> I'm sorry.
00:35:23 >> I'm sorry.
00:35:24 >> I'm sorry.
00:35:25 >> I'm sorry.
00:35:26 >> I'm sorry.
00:35:27 >> I'm sorry.
00:35:28 >> I'm sorry.
00:35:29 >> I'm sorry.
00:35:30 >> I'm sorry.
00:35:31 >> I'm sorry.
00:35:32 >> I'm sorry.
00:35:33 >> I'm sorry.
00:35:34 >> I'm sorry.
00:35:35 >> I'm sorry.
00:35:36 >> I'm sorry.
00:35:37 >> I'm sorry.
00:35:38 >> I'm sorry.
00:35:39 >> I'm sorry.
00:35:40 >> I'm sorry.
00:35:41 >> I'm sorry.
00:35:42 >> I'm sorry.
00:35:43 >> I'm sorry.
00:35:44 >> I'm sorry.
00:35:45 >> I'm sorry.
00:35:46 >> I'm sorry.
00:35:47 >> I'm sorry.
00:35:48 >> I'm sorry.
00:35:49 >> I'm sorry.
00:35:50 >> I'm sorry.
00:35:51 >> I'm sorry.
00:35:52 >> I'm sorry.
00:35:53 >> I'm sorry.
00:35:54 >> I'm sorry.
00:35:55 >> I'm sorry.
00:35:56 >> I'm sorry.
00:35:57 >> I'm sorry.
00:35:58 >> I'm sorry.
00:35:59 >> I'm sorry.
00:36:00 >> I'm sorry.
00:36:01 >> I'm sorry.
00:36:02 >> I'm sorry.
00:36:03 >> I'm sorry.
00:36:04 >> I'm sorry.
00:36:05 >> I'm sorry.
00:36:06 >> I'm sorry.
00:36:07 >> I'm sorry.
00:36:08 >> I'm sorry.
00:36:09 >> I'm sorry.
00:36:10 >> I'm sorry.
00:36:11 >> I'm sorry.
00:36:12 >> I'm sorry.
00:36:13 >> I'm sorry.
00:36:14 >> I'm sorry.
00:36:15 >> I'm sorry.
00:36:16 >> I'm sorry.
00:36:17 >> I'm sorry.
00:36:18 >> I'm sorry.
00:36:19 >> I'm sorry.
00:36:20 >> I'm sorry.
00:36:21 >> I'm sorry.
00:36:22 >> I'm sorry.
00:36:23 >> I'm sorry.
00:36:24 >> I'm sorry.
00:36:25 >> I'm sorry.
00:36:26 >> I'm sorry.
00:36:27 >> I'm sorry.
00:36:28 >> I'm sorry.
00:36:29 >> I'm sorry.
00:36:30 >> I'm sorry.
00:36:31 >> I'm sorry.
00:36:32 >> I'm sorry.
00:36:33 >> I'm sorry.
00:36:34 >> I'm sorry.
00:36:35 >> I'm sorry.
00:36:36 >> I'm sorry.
00:36:37 >> I'm sorry.
00:36:38 >> I'm sorry.
00:36:39 >> I'm sorry.
00:36:40 >> I'm sorry.
00:36:41 >> I'm sorry.
00:36:42 >> I'm sorry.
00:36:43 >> I'm sorry.
00:36:44 >> I'm sorry.
00:36:45 >> I'm sorry.
00:36:46 >> I'm sorry.
00:36:47 >> I'm sorry.
00:36:48 >> I'm sorry.
00:36:49 >> I'm sorry.
00:36:50 >> I'm sorry.
00:36:51 >> I'm sorry.
00:36:52 >> I'm sorry.
00:36:53 >> I'm sorry.
00:36:54 >> I'm sorry.
00:36:55 >> I'm sorry.
00:36:56 >> I'm sorry.
00:36:57 >> I'm sorry.
00:36:58 >> I'm sorry.
00:36:59 >> I'm sorry.
00:37:00 >> I'm sorry.
00:37:01 >> I'm sorry.
00:37:02 >> I'm sorry.
00:37:03 >> I'm sorry.
00:37:04 >> I'm sorry.
00:37:05 >> I'm sorry.
00:37:06 >> I'm sorry.
00:37:07 >> I'm sorry.
00:37:08 >> I'm sorry.
00:37:09 >> I'm sorry.
00:37:10 >> I'm sorry.
00:37:11 >> I'm sorry.
00:37:12 >> I'm sorry.
00:37:13 >> I'm sorry.
00:37:14 >> I'm sorry.
00:37:15 >> I'm sorry.
00:37:16 >> I'm sorry.
00:37:17 >> I'm sorry.
00:37:18 >> I'm sorry.
00:37:19 >> I'm sorry.
00:37:20 >> I'm sorry.
00:37:21 >> I'm sorry.
00:37:22 >> I'm sorry.
00:37:23 >> I'm sorry.
00:37:24 >> I'm sorry.
00:37:25 >> I'm sorry.
00:37:26 >> I'm sorry.
00:37:27 >> I'm sorry.
00:37:28 >> I'm sorry.
00:37:29 >> I'm sorry.
00:37:30 >> I'm sorry.
00:37:31 >> I'm sorry.
00:37:32 >> I'm sorry.
00:37:33 >> I'm sorry.
00:37:34 >> I'm sorry.
00:37:35 >> I'm sorry.
00:37:36 >> I'm sorry.
00:37:37 >> I'm sorry.
00:37:38 >> I'm sorry.
00:37:39 >> I'm sorry.
00:37:40 >> I'm sorry.
00:37:41 >> I'm sorry.
00:37:42 >> I'm sorry.
00:37:43 >> I'm sorry.
00:37:44 >> I'm sorry.
00:37:45 >> I'm sorry.
00:37:46 >> I'm sorry.
00:37:47 >> I'm sorry.
00:37:48 >> I'm sorry.
00:37:49 >> You wouldn't have to go to this house yourself otherwise, would you?
00:37:55 [ Music ]
00:37:58 [ Music ]
00:38:02 [ Music ]
00:38:06 [ Music ]
00:38:09 [ Music ]
00:38:20 [ Music ]
00:38:24 [ Music ]
00:38:27 [ Music ]
00:38:52 [ Music ]
00:38:55 [ Music ]
00:39:06 [ Music ]
00:39:09 [ Music ]
00:39:12 [ Music ]
00:39:15 [ Music ]
00:39:18 [ Music ]
00:39:21 [ Music ]
00:39:24 [ Music ]
00:39:27 [ Music ]
00:39:30 [ Music ]
00:39:33 [ Music ]
00:39:36 [ Music ]
00:39:39 [ Music ]
00:39:42 [ Music ]
00:39:45 [ Music ]
00:39:47 [ Music ]
00:39:50 [ Music ]
00:39:53 [ Music ]
00:39:56 [ Music ]
00:39:59 [ Music ]
00:40:02 [ Music ]
00:40:05 [ Music ]
00:40:08 [ Music ]
00:40:11 [ Music ]
00:40:13 >> Hello?
00:40:14 >> Brent?
00:40:15 >> It's Charles Haywood.
00:40:17 >> Charlie?
00:40:19 >> What a surprise.
00:40:21 What can I do for you, buddy?
00:40:24 >> Aristide Leonidis.
00:40:27 >> What about him?
00:40:29 [ Music ]
00:40:32 [ Music ]
00:40:35 [ Music ]
00:40:38 >> What are you doing here?
00:40:40 >> No, Charles.
00:40:42 The question is, what are you doing now?
00:40:46 [ Music ]
00:40:47 >> You're not scared, are you?
00:40:49 >> Not in the least.
00:40:50 >> You should be.
00:40:52 [ Music ]
00:40:55 [ Music ]
00:40:58 [ Music ]
00:41:01 [ Music ]
00:41:04 [ Music ]
00:41:07 [ Music ]
00:41:10 [ Music ]
00:41:13 [ Music ]
00:41:16 [ Music ]
00:41:19 [ Music ]
00:41:22 [ Music ]
00:41:25 [ Music ]
00:41:28 [ Music ]
00:41:31 [ Music ]
00:41:34 [ Music ]
00:41:37 [ Music ]
00:41:40 [ Music ]
00:41:43 [ Music ]
00:41:46 [ Music ]
00:41:49 [ Music ]
00:41:52 [ Music ]
00:41:55 [ Music ]
00:41:58 [ Music ]
00:42:01 [ Music ]
00:42:04 [ Music ]
00:42:07 [ Music ]
00:42:10 [ Music ]
00:42:14 [ Music ]
00:42:16 >> Charles, this little girl feels like dancing.
00:42:20 [ Music ]
00:42:23 [ Music ]
00:42:26 [ Music ]
00:42:29 [ Music ]
00:42:32 [ Music ]
00:42:35 [ Music ]
00:42:38 [ Music ]
00:42:41 [ Music ]
00:42:44 [ Music ]
00:42:47 [ Music ]
00:42:50 [ Music ]
00:42:53 [ Music ]
00:42:56 [ Music ]
00:42:59 [ Music ]
00:43:02 [ Music ]
00:43:05 [ Music ]
00:43:09 [ Music ]
00:43:13 [ Music ]
00:43:17 [ Music ]
00:43:21 [ Music ]
00:43:25 [ Music ]
00:43:29 >> Just like in college.
00:43:33 [ Applause ]
00:43:37 [ Noise ]
00:43:41 [ Noise ]
00:43:45 [ Noise ]
00:43:49 [ Noise ]
00:43:53 [ Noise ]
00:43:57 >> The last will and testament of Aristides Leonides,
00:44:02 which was drawn up by me and signed by him in front of all his family members
00:44:06 on the 24th of July, 1957.
00:44:10 In it, each and every one of them is handsomely and equitably provided for.
00:44:16 However, Mr. Hayward, Miss Leonides has specifically instructed me
00:44:22 to give you all the information you need,
00:44:26 but I hope I can rely on your absolute discretion here.
00:44:30 >> Of course.
00:44:32 >> As I just told the family, we realized only this morning that this will has no signature.
00:44:38 Everyone present, myself included, saw him sign-- or rather we thought we saw him sign it, but--
00:44:44 >> He died intestate.
00:44:46 >> So it would appear.
00:44:48 >> But if he died intestate, then--
00:44:51 >> Then the primary beneficiary of the will is, of course, the second, Mrs. Leonides.
00:44:58 >> Brenda.
00:44:59 >> Indeed.
00:45:02 [bell ringing]
00:45:11 >> Josephine!
00:45:15 >> Josephine!
00:45:18 [train whistle]
00:45:22 [footsteps]
00:45:26 [phone ringing]
00:45:32 [phone ringing]
00:45:40 >> Nice set-up.
00:45:41 >> What do you want?
00:45:49 >> I know about the will.
00:45:52 And I also know that you had a heated discussion with your father the night he died.
00:45:59 >> Oh.
00:46:02 >> Stab in the dark.
00:46:04 But might it have concerned the imminent collapse of associated catering?
00:46:10 >> You're an extremely intrusive person, Mr. Haywood.
00:46:13 >> I thought you could do with some--
00:46:17 >> Now what was it?
00:46:19 One last attempt to get your father to bail you out, and he refused?
00:46:29 >> I paid out to associated catering for two million pounds.
00:46:35 >> This sort of money would solve most people's problems.
00:46:38 >> Not mine.
00:46:40 All I ever did was let him down.
00:46:42 But he always forgave me and bailed me out again and again.
00:46:47 That night, Clemency told me to destroy this check,
00:46:52 that it would be the end of me if I were to accept one more penny from my father.
00:46:58 I was not as strong as my wife.
00:47:01 The next morning, he was dead.
00:47:24 >> There you are.
00:47:29 >> You don't keep up with people like that.
00:47:31 >> People who eavesdrop seldom hear good of themselves.
00:47:35 Put that horrid notebook away.
00:47:38 [dramatic music]
00:48:05 >> Hello?
00:48:06 >> Buddy, you're being followed.
00:48:08 >> Yes, I know.
00:48:09 I thought it was you.
00:48:11 >> Oh, you could never spot us that easily.
00:48:13 >> So, do you have anything for me?
00:48:15 >> Only if you tell me why you left the foreign office.
00:48:18 You were promising.
00:48:19 >> And the free world needs people like you.
00:48:21 >> The free world, please.
00:48:24 >> Yeah, all right.
00:48:26 Leonides was a friend of ours, but I don't think his death has anything to do with that.
00:48:32 >> What was your business with him?
00:48:34 >> He helped us in Greece during the Civil War, financed a bunch of anti-communist organizations,
00:48:40 gave money to the right people in return.
00:48:42 We helped him out in the States, helped him cover up some of his shady businesses.
00:48:47 >> Which explains Las Vegas.
00:48:49 >> He was a strange cat.
00:48:51 He saw himself as the next Alexander the Great or something.
00:48:55 He had a thing for empires.
00:48:58 >> And the British Empire is falling apart.
00:49:00 >> Every dog has his day.
00:49:02 >> And that's it?
00:49:03 >> Everybody wants to know who killed him, and nobody has a damn clue.
00:49:07 But we're talking about a lot of money here.
00:49:10 >> This guy was everywhere, like--
00:49:12 >> An octopus.
00:49:13 So, who benefits from his death?
00:49:16 >> It's just far too obvious.
00:49:18 >> Maybe your friend in the car could help us.
00:49:21 [car engine]
00:49:27 [knocking]
00:49:30 >> Hi, I believe we have a mutual friend.
00:49:32 >> Sorry?
00:49:33 >> Your wife.
00:49:34 >> What?
00:49:36 >> Hey!
00:49:38 Hey, calm down.
00:49:39 We just want to know who you are.
00:49:42 There we go.
00:49:45 Oh, boy.
00:49:47 Charles, meet Sergeant Glover of Scotland Yard.
00:49:54 Easy, easy, big fella.
00:49:56 >> What on earth were you thinking, Charles?
00:49:58 >> It's not as bad as it looks.
00:50:00 >> You know, I would have thought, considering your friendship with my father, you would have had a little more trust in me than this.
00:50:04 >> I swore I would look after you should anything happen to you.
00:50:07 >> So you're saying to me that this clown of a man was there to protect me, is that what you're saying?
00:50:11 >> No one's the clown.
00:50:12 >> Shut up, Glover.
00:50:13 >> He's right, you are a clown.
00:50:15 Now, get out of here.
00:50:19 Charles, you have to understand, I'm under a lot of pressure here.
00:50:23 There's politics involved here.
00:50:25 It's sensitive, and with your past--
00:50:28 >> Sorry, my past?
00:50:29 >> In Cairo.
00:50:30 >> I was a diplomat.
00:50:31 >> Of course, and I'm a duchess.
00:50:34 Now, give me something so I can still have faith in you.
00:50:38 >> All right.
00:50:40 Any one of them could have done it.
00:50:42 They all had means, they all have opportunity.
00:50:45 >> Motive?
00:50:46 >> Oh, anger, jealousy, love, greed, take your pick.
00:50:50 >> So no communist, no Las Vegas mafia, no CIA conspiracy?
00:50:58 >> We're investigating, too, quietly.
00:51:01 But you can go in the house without a warrant.
00:51:05 Get back in there and find out who killed the bloody midget.
00:51:11 [door opens]
00:51:13 [door closes]
00:51:15 [door opens]
00:51:17 [door closes]
00:51:19 [door opens]
00:51:21 [door closes]
00:51:23 [door opens]
00:51:25 [door closes]
00:51:27 [door opens]
00:51:29 [door closes]
00:51:31 >> Brenda admits she gave the fatal ingestion,
00:51:34 but anyone, anyone could have swapped out those bottles.
00:51:37 >> Including her?
00:51:38 >> Including him.
00:51:40 Tell me this, how would Brenda have known the consequences
00:51:43 of swapping out the insulin with the eye drops?
00:51:45 >> Oh, we all knew about that.
00:51:47 He made a point of telling us about it at his 86th birthday party.
00:51:50 He went into great detail, explaining how we could do away with him.
00:51:55 Yes, he had a very twisted sense of fun.
00:51:57 >> You met with him the night he died?
00:52:00 >> Yes.
00:52:01 He wanted to discuss family matters.
00:52:03 Family was pretty much everything to him.
00:52:05 >> Well, you can tell me about Lawrence Brown.
00:52:07 Did you know he was having an affair with Brenda?
00:52:09 >> I suppose I knew something might be going on.
00:52:11 >> And what if your grandfather had found out?
00:52:14 >> I'm quite sure he knew all about it.
00:52:16 >> And he didn't mind?
00:52:18 >> It's highly likely that when he selected Lawrence
00:52:20 for the post of tutor to his grandchildren,
00:52:22 he was also selecting him as Brenda's.
00:52:25 >> Yes.
00:52:26 >> To keep Brenda happy.
00:52:28 [horse whinnying]
00:52:32 >> And I suppose you know he didn't sign the will.
00:52:35 >> Well, yes.
00:52:36 That was a surprise.
00:52:38 >> So Brenda gets the lot, including, I would say,
00:52:40 the final nail in her coffin.
00:52:43 [birds chirping]
00:52:46 [music]
00:53:15 >> What's the hurry, Josephine?
00:53:17 >> I hear you're making progress.
00:53:19 But you won't be the one who solves this case.
00:53:21 If anything, you're Watson.
00:53:23 >> Is that right?
00:53:25 Well, why don't you enlighten me, Holmes?
00:53:28 Tell me about those letters.
00:53:30 >> What letters?
00:53:31 >> You know, the ones that Brenda and Lawrence Brown
00:53:33 are supposedly writing to each other.
00:53:35 >> Oh, I made that up.
00:53:37 I often make things up.
00:53:38 It stops me from getting too bored.
00:53:40 >> I don't believe you.
00:53:41 I know you know things.
00:53:44 >> Sometimes people don't know what they know.
00:53:47 >> There you are.
00:53:48 >> What do you want now, Nanny?
00:53:50 >> Your hot chocolate's ready.
00:53:51 Look at you.
00:53:52 Your belly shoes are all muddy.
00:53:53 >> I don't like hot chocolate.
00:53:55 You only make it so you can drink it yourself.
00:53:57 >> I'll give you a good night's rest.
00:53:59 >> Not everything they say on television is true, Nanny.
00:54:01 Just leave me alone.
00:54:03 >> Mr. Haywood.
00:54:04 >> That's me.
00:54:08 What?
00:54:09 >> I'd say we're doing another murder.
00:54:11 Don't you think, Watson?
00:54:12 >> Another murder, Holmes?
00:54:14 >> Well, there's always a second murder.
00:54:16 Someone who knows something is bumped off
00:54:18 before they can reveal what they know.
00:54:20 [music]
00:54:38 >> I didn't say you could come in.
00:54:40 >> I'm sorry.
00:54:41 >> You couldn't hear me knock.
00:54:43 >> I know everyone in this house is just begging to talk to you,
00:54:46 but I'm not.
00:54:47 [music]
00:54:58 >> You're boring me.
00:55:00 [music]
00:55:21 >> Your tutor, Mr. Brown.
00:55:24 What do you make of him?
00:55:26 >> I reckon Mr. Brown's doing all right for himself.
00:55:28 >> I'm sorry.
00:55:30 Did I shock you?
00:55:32 >> No, it's just the fact is everyone fancies Granny.
00:55:35 Uncle Roger has the hots for her, you can tell.
00:55:38 >> Must have amused Grandpa to put that cat amongst the pigeons
00:55:41 and watch the feathers fly.
00:55:44 Now, I have a question for you, Mr. Detective.
00:55:49 >> I can't imagine there's anything that I can tell you
00:55:51 you don't already know.
00:55:53 >> Did you screw my sister in Cairo?
00:55:57 >> Your grandfather has just died.
00:56:00 >> Good thing.
00:56:01 Really?
00:56:02 It's one less capitalist.
00:56:03 >> Please, you don't know what the hell you're talking about.
00:56:05 >> I didn't hear you.
00:56:07 Did you screw my sister?
00:56:09 >> Are you really happy your grandfather is dead?
00:56:11 >> He was a control freak who played with people's lives.
00:56:14 He was a sadistic pig and his hubris was intolerable
00:56:17 and he got what he deserved.
00:56:20 >> I didn't believe it was Brenda.
00:56:22 She's not clever enough.
00:56:24 She might have been set up, though.
00:56:27 By someone clever.
00:56:30 [kiss]
00:56:31 [laughs]
00:56:34 >> Hm.
00:56:35 [music]
00:56:46 [knock on door]
00:56:49 >> Yeah.
00:56:51 You really seem to make a habit of barging in, don't you?
00:56:53 >> I'm sorry, I won't take a moment.
00:56:56 >> When Brenda was first introduced into the household,
00:57:00 did it rather upset the apple cart?
00:57:02 >> The apple cart remained upright, as I recall.
00:57:05 Nor was there any tasting of forbidden fruits,
00:57:07 if that's what you're insinuating.
00:57:09 Now you really have to go.
00:57:11 >> You forgave him?
00:57:12 >> There was nothing to forgive.
00:57:13 It was a childish infatuation.
00:57:15 >> Yes, I see.
00:57:16 So love turned to hate.
00:57:19 >> The reason my husband hates Brenda
00:57:21 is because he thinks she killed his father.
00:57:23 It's very simple.
00:57:24 >> You don't.
00:57:25 You're no different.
00:57:26 >> I must insist, Mr. Hayworth.
00:57:27 >> Oh, I haven't finished yet.
00:57:28 >> I don't believe this.
00:57:29 >> Last night, your husband showed you the check
00:57:30 his father gave him.
00:57:31 You told him to tear it up, but he didn't.
00:57:33 Did you realize then that there would never be
00:57:35 any escape from this place
00:57:36 until your father-in-law was dead?
00:57:37 >> Yes.
00:57:38 That exact thought went through my mind.
00:57:41 But now he is.
00:57:43 So we can.
00:57:48 >> One more thing.
00:57:50 [door opens]
00:57:51 [door closes]
00:57:52 [sighs]
00:58:06 [fire crackling]
00:58:15 >> Clear?
00:58:18 What's he doing?
00:58:20 Burning evidence?
00:58:22 For my sake!
00:58:24 >> A reporter from the Times just called.
00:58:26 If he knows, soon everyone will.
00:58:29 Look, there was nothing of interest
00:58:31 regarding his murder in these memoirs.
00:58:33 Trust me.
00:58:34 >> Trust you?
00:58:38 >> During the war, he branched out.
00:58:41 Bombs.
00:58:44 First you destroy a city,
00:58:46 then you go in afterwards and rebuild it.
00:58:48 I'm not sure the world needs to know about that.
00:58:52 That and other things.
00:58:54 >> And that's for you to decide, is it?
00:58:56 >> Yes, it is.
00:58:57 So what are you going to do about it, Charles?
00:59:00 What do you know about trust, anyway?
00:59:04 [somber music]
00:59:07 ♪ ♪
00:59:14 [engine rumbling]
00:59:17 [engine sputters]
00:59:20 [engine sputters]
00:59:22 [engine sputters]
00:59:23 [engine sputters]
00:59:24 [engine sputters]
00:59:25 [engine sputters]
00:59:26 [engine sputters]
00:59:27 [engine sputters]
00:59:28 [engine sputters]
00:59:29 [engine sputters]
00:59:30 [engine sputters]
00:59:31 [engine sputters]
00:59:32 [engine sputters]
00:59:33 [engine sputters]
00:59:34 [engine sputters]
00:59:35 [engine sputters]
00:59:36 [engine sputters]
00:59:37 [engine sputters]
00:59:38 [engine sputters]
00:59:39 [engine sputters]
00:59:40 [engine sputters]
00:59:41 [engine sputters]
00:59:42 [engine sputters]
00:59:43 [engine sputters]
00:59:44 [engine sputters]
00:59:45 [engine sputters]
00:59:46 [engine sputters]
00:59:47 [engine sputters]
00:59:48 [engine sputters]
00:59:49 [engine sputters]
00:59:50 [engine sputters]
00:59:51 [engine sputters]
00:59:52 [engine sputters]
00:59:53 [engine sputters]
00:59:54 [engine sputters]
00:59:55 [engine sputters]
00:59:56 [engine sputters]
00:59:57 [engine sputters]
00:59:58 [engine sputters]
00:59:59 [engine sputters]
01:00:00 [engine sputters]
01:00:01 [engine sputters]
01:00:02 [engine sputters]
01:00:03 [engine sputters]
01:00:04 [engine sputters]
01:00:05 [engine sputters]
01:00:06 [engine sputters]
01:00:07 [engine sputters]
01:00:08 [engine sputters]
01:00:09 [engine sputters]
01:00:10 [engine sputters]
01:00:11 [engine sputters]
01:00:12 [engine sputters]
01:00:13 [engine sputters]
01:00:14 [engine sputters]
01:00:15 [engine sputters]
01:00:16 [engine sputters]
01:00:17 [engine sputters]
01:00:18 [engine sputters]
01:00:19 [engine sputters]
01:00:20 [engine sputters]
01:00:21 [engine sputters]
01:00:22 [engine sputters]
01:00:23 [engine sputters]
01:00:24 [engine sputters]
01:00:25 [engine sputters]
01:00:26 [engine sputters]
01:00:27 [engine sputters]
01:00:28 [engine sputters]
01:00:29 [engine sputters]
01:00:30 [engine sputters]
01:00:31 [engine sputters]
01:00:32 [engine sputters]
01:00:33 [engine sputters]
01:00:34 [engine sputters]
01:00:35 [engine sputters]
01:00:36 [engine sputters]
01:00:37 [engine sputters]
01:00:38 [engine sputters]
01:00:39 [engine sputters]
01:00:40 [engine sputters]
01:00:41 [engine sputters]
01:00:42 [engine sputters]
01:00:43 [engine sputters]
01:00:44 [engine sputters]
01:00:45 [engine sputters]
01:00:46 [engine sputters]
01:00:47 [engine sputters]
01:00:48 [engine sputters]
01:00:49 [engine sputters]
01:00:50 [engine sputters]
01:00:51 [engine sputters]
01:00:52 [engine sputters]
01:00:53 [engine sputters]
01:00:54 [engine sputters]
01:00:55 [engine sputters]
01:00:56 [engine sputters]
01:00:57 [engine sputters]
01:00:58 [engine sputters]
01:00:59 [engine sputters]
01:01:00 [engine sputters]
01:01:01 [engine sputters]
01:01:02 [engine sputters]
01:01:03 [engine sputters]
01:01:04 [engine sputters]
01:01:05 [engine sputters]
01:01:06 [engine sputters]
01:01:07 [engine sputters]
01:01:08 [engine sputters]
01:01:09 [engine sputters]
01:01:10 [engine sputters]
01:01:11 [engine sputters]
01:01:12 [engine sputters]
01:01:13 [engine sputters]
01:01:14 [engine sputters]
01:01:15 [engine sputters]
01:01:16 [engine sputters]
01:01:17 [engine sputters]
01:01:18 [engine sputters]
01:01:19 [engine sputters]
01:01:20 [engine sputters]
01:01:21 [engine sputters]
01:01:22 [engine sputters]
01:01:23 [engine sputters]
01:01:24 [engine sputters]
01:01:25 [engine sputters]
01:01:26 [engine sputters]
01:01:27 [engine sputters]
01:01:28 [engine sputters]
01:01:29 [engine sputters]
01:01:30 [engine sputters]
01:01:31 [engine sputters]
01:01:32 [engine sputters]
01:01:33 [engine sputters]
01:01:34 [engine sputters]
01:01:35 [engine sputters]
01:01:36 [engine sputters]
01:01:37 [engine sputters]
01:01:38 [engine sputters]
01:01:39 [engine sputters]
01:01:40 [engine sputters]
01:01:41 [engine sputters]
01:01:42 [engine sputters]
01:01:43 [engine sputters]
01:01:44 [engine sputters]
01:01:45 [engine sputters]
01:01:46 [engine sputters]
01:01:47 [engine sputters]
01:01:48 [engine sputters]
01:01:49 [engine sputters]
01:01:50 [engine sputters]
01:01:51 [engine sputters]
01:01:52 [engine sputters]
01:01:53 [engine sputters]
01:01:54 [engine sputters]
01:01:55 [engine sputters]
01:01:56 [engine sputters]
01:01:57 [engine sputters]
01:01:58 [engine sputters]
01:01:59 [engine sputters]
01:02:00 [engine sputters]
01:02:01 [engine sputters]
01:02:02 [engine sputters]
01:02:03 [engine sputters]
01:02:04 [engine sputters]
01:02:05 [engine sputters]
01:02:06 [engine sputters]
01:02:07 [engine sputters]
01:02:08 [engine sputters]
01:02:09 [engine sputters]
01:02:10 [engine sputters]
01:02:11 [engine sputters]
01:02:12 [engine sputters]
01:02:13 [engine sputters]
01:02:14 [engine sputters]
01:02:15 [engine sputters]
01:02:16 [engine sputters]
01:02:17 [engine sputters]
01:02:18 [engine sputters]
01:02:19 [engine sputters]
01:02:20 [engine sputters]
01:02:21 [engine sputters]
01:02:22 [engine sputters]
01:02:23 [engine sputters]
01:02:24 [engine sputters]
01:02:25 [engine sputters]
01:02:26 [engine sputters]
01:02:27 [engine sputters]
01:02:29 And me?
01:02:30 Everyone.
01:02:32 Hot-blooded, cold-blooded.
01:02:36 They do share one or two traits.
01:02:39 Vanity.
01:02:41 Distorted morality.
01:02:43 The lack of empathy.
01:02:46 And murderers tend to feel that they are above
01:02:49 the rules and laws that govern ordinary mortals.
01:02:54 Well, that description fits every member
01:02:57 of this family.
01:02:59 I don't envy you your job.
01:03:01 Nonsense.
01:03:02 It's the easiest job in the world.
01:03:04 Open and shut.
01:03:05 I think I shall go to my room now.
01:03:07 It feels good of you to have come at all,
01:03:09 considering you couldn't even show up at his funeral.
01:03:12 I wouldn't have been able to stand it.
01:03:14 You heard the weather forecast, you mean?
01:03:16 None of us enjoy funerals,
01:03:17 but you could at least pretend.
01:03:19 After all, you're getting all our money.
01:03:21 What kind of spell did you put on that poor, poor sweetie pie?
01:03:24 Eris, she'd always loved dancers, you know that?
01:03:26 You weren't a dancer.
01:03:28 You were a girl on a stage in a bikini.
01:03:31 Which doesn't explain why he didn't sign his will.
01:03:34 I've said all I have to say to Mr. Hayward.
01:03:37 Surely we don't need a P.I. in the house
01:03:39 for us all to tell each other the truth.
01:03:41 Oh, Magda, isn't that a line from The Last of Mrs. Janey?
01:03:44 No, it's not.
01:03:46 But if you must know,
01:03:47 it's from a thriller I did at Frinton.
01:03:49 I rest my case.
01:03:52 Admit it, Brenda.
01:03:53 You'd rather be with Lawrence.
01:03:56 Are you two in this together?
01:03:58 Of course they are.
01:03:59 I hope all this money won't put a strain
01:04:01 on your principles, Mr. Brown.
01:04:03 Brenda has her very own red under the bed.
01:04:07 Is that where you keep him?
01:04:09 You don't know me.
01:04:10 None of you do.
01:04:11 Oh, I think we do.
01:04:13 At least we know your type.
01:04:15 Oh, dear, Mommy's in wrecking mode.
01:04:17 I didn't murder him.
01:04:18 I miss him.
01:04:20 And any one of you could have wished him out of the way.
01:04:23 What on earth do you mean?
01:04:24 The film script?
01:04:26 The reason he didn't back the film script,
01:04:28 I'm quite sure,
01:04:29 is because he knew it would be a triumph
01:04:31 and would lead to our independence.
01:04:33 Right.
01:04:35 He didn't even read it.
01:04:38 What?
01:04:39 I did.
01:04:41 So it's all your fault.
01:04:43 No, I actually said it was pretty good.
01:04:45 But he said he'd toss a coin for it
01:04:47 as there were no dice,
01:04:48 and he asked me to call.
01:04:51 And you lost.
01:04:55 And he said it was poetic justice.
01:04:57 You see now why I didn't want you
01:04:59 to become involved with my family?
01:05:01 Come on, Sophia.
01:05:02 It's nothing like a real heart-to-heart,
01:05:04 assuming one could find any real hearts under this roof.
01:05:08 That's the point.
01:05:09 Unlike all of you,
01:05:11 I actually made him happy.
01:05:14 That's why he gave me all the money.
01:05:23 Well, I'm sorry to interrupt
01:05:26 this oh-so-sweet family reunion,
01:05:29 but now I have something to say.
01:05:31 Josephine could be right.
01:05:33 It is a fun evening after all.
01:05:35 Not especially.
01:05:37 Roger and I are leaving.
01:05:40 For good.
01:05:42 Anywhere nice.
01:05:43 Barbados.
01:05:44 Plenty of toxic plants for clemency.
01:05:47 We intend to create, fund,
01:05:49 and manage an orphanage.
01:05:50 Oh, some people have all the luck
01:05:53 I'd have thought any need you had for children
01:05:56 was fully satisfied by Roger.
01:05:58 Don't you ever get tired of sounding superior?
01:06:01 Ruin the family business
01:06:03 and bugger off to Barbados.
01:06:05 How very like my brother.
01:06:07 Better than losing everything,
01:06:09 playing baccarat on the Riviera.
01:06:11 Poor Roger,
01:06:13 who has no idea how fun life can be.
01:06:16 (laughs)
01:06:18 He chose me.
01:06:21 Yes.
01:06:23 And every single day I wonder why.
01:06:26 But I never asked him
01:06:29 to love me more than he loved you.
01:06:32 (laughs)
01:06:34 (laughs)
01:06:36 (laughs)
01:06:39 (sighs)
01:06:41 (phone rings)
01:06:43 Yes, Eustace.
01:06:44 I have a question for Sophia.
01:06:47 Did Mr. Hayward screw you in chiro?
01:06:50 Oh, no, it's just he seemed unsure when I asked him.
01:06:53 I'm sorry, vulgar, Eustace.
01:06:55 Oh, it's quite a sense of the dramatic.
01:06:58 Can you explain what relevance that has
01:07:01 to our discussion of my darling boy?
01:07:03 It is, Hatchley, very relevant.
01:07:06 Because, what, if she's the killer?
01:07:09 And they're in it together.
01:07:12 (gulps)
01:07:14 (lips smack)
01:07:16 (lips smack)
01:07:18 (thud)
01:07:20 (thud)
01:07:22 (thud)
01:07:24 (thud)
01:07:26 (thud)
01:07:28 (thud)
01:07:30 (thud)
01:07:32 (thud)
01:07:34 (thud)
01:07:36 (thud)
01:07:38 (thud)
01:07:40 (thud)
01:07:42 You see?
01:07:44 They're coming after you now.
01:07:47 These people, they bring out all the evil.
01:07:51 Oh, Charles, I'm so frightened.
01:07:53 What will happen next? The press?
01:07:55 Will they be dreadful?
01:07:57 Don't give any interviews.
01:07:59 You ought to get yourself a lawyer
01:08:01 to tell you what to do and what to say
01:08:03 and what not to do and not to say.
01:08:05 I need someone like you, Charles.
01:08:07 Just hold tight, keep quiet, and it'll be all right.
01:08:10 You really think so?
01:08:12 So, she got to you. I knew she would.
01:08:15 Sophia.
01:08:18 Wait. Sophia, stop.
01:08:20 Sophia.
01:08:22 You're just like the rest of them.
01:08:24 Why don't you take her to bed and be done with it?
01:08:26 Stop it. I can see her side of it, that's all.
01:08:29 Oh, what a high moral tone you're taking.
01:08:31 I have to give it to her.
01:08:33 She's got a special gift for dividing people.
01:08:35 Now she's dividing us.
01:08:37 What are you talking about? Brenda hasn't divided us.
01:08:39 You're the one who walked away from me in Cairo.
01:08:41 Yes? And did you ever ask yourself why?
01:08:44 (music)
01:08:48 (music)
01:08:52 (music)
01:08:56 Go away, Charles. You're fired.
01:08:59 You won't be able to fire the police.
01:09:01 Sophia.
01:09:03 (music)
01:09:08 (music)
01:09:13 (music)
01:09:18 (music)
01:09:23 (footsteps)
01:09:28 (footsteps)
01:09:33 (door opens)
01:09:35 (footsteps)
01:09:42 (footsteps)
01:09:44 (screams)
01:09:46 Oh, oh, I was you.
01:09:49 Phew, I thought you were someone else.
01:09:51 What are you doing up here?
01:09:52 Same as you, detecting.
01:09:53 Up here?
01:09:54 I must go.
01:09:55 Wait.
01:09:57 (footsteps)
01:10:07 Josephine.
01:10:10 (music)
01:10:30 (footsteps)
01:10:34 (music)
01:11:04 (music)
01:11:14 (music)
01:11:22 (dog barking)
01:11:26 (music)
01:11:50 Sensationalist tosh.
01:11:56 (music)
01:12:02 You've been in the wars.
01:12:06 Well, your husband's dogs and I had a little cuddle last night.
01:12:11 Suits you.
01:12:15 You're all right.
01:12:21 We weren't always like this, you know.
01:12:23 We used to be the most glamorous couple in London.
01:12:28 They put our pictures in all the magazines.
01:12:32 People looked up to us.
01:12:36 I wonder what happened.
01:12:40 (breathes)
01:12:48 (footsteps)
01:13:09 You know, Charles, they're trained combat dogs.
01:13:14 They could kill you in an instant if they really wanted to.
01:13:18 Meaning?
01:13:19 Like the rest of us.
01:13:22 They like you.
01:13:26 The man from the garage has arrived to mend your car, Mr. Honeywood.
01:13:31 Right.
01:13:37 (phone rings)
01:13:38 The parties are relentless.
01:13:43 (phone rings)
01:13:51 Start the cable.
01:13:52 It's missing.
01:13:55 Right, well.
01:13:59 We can keep this between us.
01:14:03 Charles, there's a call for you.
01:14:06 Chief Inspector Tavener from Scotland Yard.
01:14:09 I had pneumonia.
01:14:11 Is that a crime?
01:14:12 We are just trying to establish the facts, Mr. Agrodolpoulos.
01:14:16 Were you unaware Mr. Leonides was dead?
01:14:19 Until I see the papers, yes.
01:14:22 You think my son, he should read out the death columns to me every day in the hospital?
01:14:26 How did you know Mr. Leonides?
01:14:29 He helped me when I first arrived in London.
01:14:31 Why?
01:14:32 We Greeks stick together.
01:14:34 That is why.
01:14:36 Look, I don't know nothing.
01:14:38 He gave me the envelope.
01:14:40 When he dies, I take it to Gaitskill.
01:14:44 And you never opened it?
01:14:47 The envelope was closed with an unbroken seal.
01:14:50 Do you know the lawyers who drew up this new will?
01:14:53 Not personally, but I'm aware that Mr. Leonides used them for the other side of his affairs.
01:15:01 And you remain the executor?
01:15:03 Yes, but without enthusiasm.
01:15:07 He settled a small sum on the widow.
01:15:09 The rest of the estate goes to a single beneficiary.
01:15:13 The granddaughter, Sophia.
01:15:17 Yes?
01:15:20 There's been a call from the Leonides house, sir.
01:15:22 Yes.
01:15:23 Someone's tried to kill the little girl.
01:15:26 My God.
01:15:32 The rope was cut off through.
01:15:34 You found her?
01:15:35 I did.
01:15:36 And my father went with her in the ambulance.
01:15:38 Does she remember anything?
01:15:40 She was unconscious.
01:15:42 She must have fallen from the very top.
01:15:45 My poor terrible.
01:15:47 Mother, if you want to go down there, I can drive you.
01:15:50 Well, there's no great rush.
01:15:52 Lipp says they're doing everything they can.
01:15:55 If you want to make your mother happy, I wouldn't say no to a gin and hit.
01:16:00 You were the one up there in the treehouse last night.
01:16:03 Thought you were a prowler.
01:16:05 That's why I let the dogs out.
01:16:07 A man named Gaitskell's here, sir.
01:16:11 Oh, let him in.
01:16:14 What's Gaitskell doing here?
01:16:17 What a mess.
01:16:28 Oh.
01:16:30 Uh, this is a crime scene, Lady Edith.
01:16:34 It is also my home.
01:16:38 [door opens]
01:16:42 [door closes]
01:16:46 [footsteps]
01:16:49 [sighs]
01:17:14 [door opens]
01:17:16 [door closes]
01:17:18 [door opens]
01:17:20 [door closes]
01:17:22 [door opens]
01:17:24 [door closes]
01:17:26 [door opens]
01:17:28 [sobbing]
01:17:30 What's going on? Why is Gaitskell here?
01:17:34 Sophia.
01:17:36 [liquid pouring]
01:17:38 [glass clinking]
01:17:40 Let's usher in the next victim.
01:17:43 Let us usher in the reign of Queen Sophia.
01:17:46 Allow me to congratulate you, Sophia.
01:17:49 You are a very wealthy woman.
01:17:51 If I may, I suggest you make a new will
01:17:54 at your earliest opportunity.
01:17:56 A good day to you all.
01:17:58 [door opens]
01:18:00 [door closes]
01:18:02 Madame Sophia.
01:18:04 Your penniless and broken-down old mother
01:18:08 begs you for alms.
01:18:10 Spare us a cup, my dear.
01:18:12 Your ma wants to be in the pictures.
01:18:15 You're very funny, my love,
01:18:17 but perhaps this isn't the time for clowning.
01:18:20 I suppose you're going to bail Roger out.
01:18:22 We don't want any of the money.
01:18:24 How was Sal associated catering?
01:18:26 Good girl. No point throwing good money after bad.
01:18:29 [glass shatters]
01:18:31 I was his eldest son.
01:18:33 Better stab me in the back with his dying breath.
01:18:36 Look at you both.
01:18:38 Desperate and humiliated
01:18:40 because now you're going to have to go to Sophia's door
01:18:43 with your begging bowls.
01:18:45 Get out of this room.
01:18:47 Now!
01:18:49 [glass shatters]
01:18:51 Beware of the vultures, sister dear.
01:19:00 There's one hell of a burden on your shoulders.
01:19:05 I think we're forgetting ourselves.
01:19:07 Philip, tell me, how was dear Josephine?
01:19:11 Oh, I'm so sorry.
01:19:13 She's going to be fine, thank God.
01:19:15 No broken bones.
01:19:17 They want to keep her in for observation.
01:19:19 Very wise.
01:19:21 She should not be in this house.
01:19:23 Much too dangerous.
01:19:25 Well, as entertaining as this is,
01:19:27 I've had enough of all the drama.
01:19:29 Roger needs to be gone from this house,
01:19:31 so we shall pack our bags and we shall go.
01:19:33 Congratulations, my darling.
01:19:35 I have a sneaking suspicion that he made the right choice.
01:19:39 Sophia.
01:19:45 You are an extremely clever woman,
01:19:51 and you are a de Havilland.
01:19:53 I have seen what it takes to operate at a certain level,
01:19:56 and it is not always pretty.
01:19:58 So I want you to remember
01:20:00 that lineage will help you find
01:20:03 what's most important in life--
01:20:06 a sense of balance.
01:20:09 Well, my angel, perhaps we should talk about exposure.
01:20:18 I'm sorry, Papa.
01:20:21 But your father wrote it.
01:20:23 At least read the bloody thing.
01:20:32 It would only prolong the agony.
01:20:35 Papa.
01:20:39 Grandfather always said that fortunes don't last
01:21:00 if they get split between the weak members of a family.
01:21:03 They should be concentrated in the hands of the strong.
01:21:06 Did you know about this will, Sophia?
01:21:09 Yes.
01:21:11 Looks bad, doesn't it?
01:21:14 He first mentioned the idea
01:21:16 when things started to get ugly in Cairo.
01:21:19 He said I should come back to England
01:21:21 so he could teach me how to handle his empire.
01:21:24 That's why you left me?
01:21:26 That and the fact you were spying on me.
01:21:28 Spying is a big word.
01:21:30 You broke my heart, Charles.
01:21:32 And I resigned.
01:21:34 Why didn't you tell me about this will?
01:21:44 I don't know.
01:21:46 When it didn't turn up,
01:21:48 I thought it was another of Grandfather's tricks.
01:21:50 He liked to toy with people.
01:21:52 Must run in the blood.
01:21:54 That's what he thought.
01:21:56 He said I looked like a de Havilland,
01:21:59 but the blood in my veins was Leonidas.
01:22:02 So nothing could ever resist me.
01:22:04 I think he may have had a point.
01:22:06 You really believe I could have murdered him, don't you?
01:22:09 Oh, Sophia.
01:22:25 Maybe Mr. Brown has taken up gardening.
01:22:29 Or perhaps they were planted on him.
01:22:32 It's all a bit too convenient.
01:22:34 It helps your girlfriend's case, though.
01:22:36 Worth killing for, that sort of pot of gold.
01:22:39 She's not my girlfriend.
01:22:46 I've taken over this investigation, Charles.
01:22:49 Your position is compromised.
01:22:51 You should be with the other...
01:22:53 Suspect.
01:22:55 If you say so.
01:22:57 Those are Lady Edith's secateurs,
01:22:59 and they don't prove anything.
01:23:01 Any old knife could have been used to cut those rubs.
01:23:04 What we need is direct evidence
01:23:06 of a liaison between Mr. Brown and Mrs. Leonidas.
01:23:10 (scoffs)
01:23:12 This is a joke, Charles.
01:23:21 I'm afraid not.
01:23:23 Well...
01:23:25 you go first, then.
01:23:27 Right.
01:23:29 Charles?
01:23:37 Yes, sir?
01:23:38 Is this what a distinguished chief inspector
01:23:41 should be doing in his golden years?
01:23:44 (laughs)
01:23:46 Hallelujah.
01:23:51 (door closes)
01:23:53 "Oh, Lawrence, my darling, my own dear love,
01:24:17 "I cannot talk about last night,
01:24:19 "but if I do, my heart'll burst.
01:24:21 "It won't be long now before we can be together.
01:24:25 "My darling, is impatience in a lover
01:24:29 "a crime or a virtue?
01:24:32 "I don't want him to suffer,
01:24:34 "not after his kindness to me,
01:24:36 "but I do wish him gone."
01:24:43 ♪ In my solitude
01:24:50 ♪ You hold me
01:24:59 ♪ With prail, oh, reach
01:25:05 ♪ Of his own mind
01:25:12 ♪ In my solitude
01:25:19 ♪ You touch me
01:25:28 Mrs. Leonides,
01:25:31 I have to ask you to accompany me to Scotland Yard.
01:25:35 I'm sorry.
01:25:37 Anything you say
01:25:39 may be taken down and used in evidence against you.
01:25:43 Do you understand?
01:25:45 I didn't write this.
01:25:52 Mrs. Leonides, please.
01:25:54 I would never do anything like this.
01:25:57 You show them some dignity.
01:26:07 I didn't write that.
01:26:10 I would never write that.
01:26:13 No, it was them.
01:26:15 It was them.
01:26:17 You must be so happy.
01:26:23 You're rot in hell.
01:26:25 You old hypocrite!
01:26:27 Daddy's little boy.
01:26:29 You couldn't give your hands off me when I got here.
01:26:32 Charlie, help me.
01:26:34 These vampires, they set us up
01:26:36 Don't let them fool you.
01:26:39 Charlie!
01:26:41 They set us up!
01:26:44 We never stood a chance against them.
01:27:05 Well, I was completely taken in by her performance.
01:27:09 Mother, if Brenda is guilty, then she'll hang.
01:27:12 She'll be tortured to death.
01:27:14 You enjoy watching that.
01:27:16 But he wasn't your father.
01:27:18 I loved my father.
01:27:20 More than you'll ever love me.
01:27:23 Better now?
01:27:25 I want Brenda to have the best lawyer money can buy.
01:27:33 We'll pay.
01:27:35 She's always been out of her depth.
01:27:38 Poor thing.
01:27:40 I'm sorry.
01:27:42 I'm sorry.
01:27:44 I'm sorry.
01:27:46 I'm sorry.
01:27:48 I'm sorry.
01:27:50 I'm sorry.
01:27:52 Where are you going?
01:27:54 An appointment in town, dear.
01:27:56 Well, Charles, you redeemed yourself at the last moment.
01:28:03 I have to admit, couldn't have done it without you.
01:28:08 The evidence is almost entirely circumstantial.
01:28:10 Usually is in a murder case.
01:28:12 A lot depends on the impression they make on the jury.
01:28:18 And if you ever need a proper job, you know where to find me.
01:28:23 What are you thinking, Charles?
01:28:26 That it still could be me?
01:28:29 And I got away with it scot-free, with all the money, thanks to you.
01:28:33 And that's why I chose you in the first place.
01:28:36 Someone could have forged those letters, couldn't they?
01:28:45 I'm sorry.
01:28:47 I'm sorry.
01:28:49 I'm sorry.
01:28:51 I'm sorry.
01:28:53 I'm sorry.
01:28:55 I'm sorry.
01:28:57 I'm sorry.
01:28:59 I'm sorry.
01:29:01 I'm sorry.
01:29:03 I'm sorry.
01:29:05 I'm sorry.
01:29:07 I'm sorry.
01:29:09 I'm sorry.
01:29:11 I'm sorry.
01:29:13 I'm sorry.
01:29:15 I'm sorry.
01:29:17 I'm sorry.
01:29:19 I'm sorry.
01:29:21 I'm sorry.
01:29:23 I'm sorry.
01:29:25 I'm sorry.
01:29:27 I'm sorry.
01:29:29 I'm sorry.
01:29:31 I'm sorry.
01:29:33 I'm sorry.
01:29:35 I'm sorry.
01:29:37 I'm sorry.
01:29:39 I'm sorry.
01:29:41 I'm sorry.
01:29:43 I'm sorry.
01:29:45 I'm sorry.
01:29:47 I'm sorry.
01:29:49 I'm sorry.
01:29:51 I'm sorry.
01:29:53 I'm sorry.
01:29:55 I'm sorry.
01:29:57 I'm sorry.
01:29:59 I'm sorry.
01:30:01 I'm sorry.
01:30:03 I'm sorry.
01:30:05 I'm sorry.
01:30:07 I'm sorry.
01:30:09 I'm sorry.
01:30:11 I'm sorry.
01:30:13 I'm sorry.
01:30:15 I'm sorry.
01:30:17 I'm sorry.
01:30:19 I'm sorry.
01:30:21 I'm sorry.
01:30:23 I'm sorry.
01:30:25 I'm sorry.
01:30:27 I'm sorry.
01:30:29 I'm sorry.
01:30:31 I'm sorry.
01:30:33 I'm sorry.
01:30:35 I'm sorry.
01:30:37 I cleaned these while you were away.
01:30:39 And I'm making you some hot chocolate.
01:30:41 It'll make you...
01:30:43 - Have you seen my notebook? - Why? Have you lost it?
01:30:46 I thought it was in my room. I can't find it anywhere.
01:30:49 Well, have you tried the treehouse?
01:30:51 I know you took it. You hate it.
01:30:53 All right, little lady. Calm down.
01:30:56 I'll find it.
01:30:59 ( doorbell rings )
01:31:01 Lady Edith.
01:31:11 I'm afraid your results do not bode well.
01:31:14 How long?
01:31:19 Hard to tell.
01:31:21 Maybe a few months.
01:31:27 There is a promising new experimental treatment.
01:31:30 I don't want other treatment.
01:31:33 It's over, isn't it?
01:31:36 Well...
01:31:47 Always leave a party at its height...
01:31:51 When you're most enjoying it.
01:31:55 ( doorbell rings )
01:31:57 Nanny! Milk's boiling!
01:32:00 I'll be off now, if that's all right, Mr. Hayward.
01:32:05 Yes. I'll lock up.
01:32:07 Thank you.
01:32:09 So many people called today.
01:32:12 Good night.
01:32:14 Come in.
01:32:23 Nanny's made your hot chocolate.
01:32:25 I hate hot chocolate, and Nanny knows it.
01:32:27 She doesn't even make it for me.
01:32:29 So she can drink it herself. I know.
01:32:32 Why are you so angry, Josephine?
01:32:37 I'm bored.
01:32:39 And I can't find my notebook.
01:32:41 It's okay. We'll find it.
01:32:45 ( doorbell rings )
01:32:48 ( doorbell rings )
01:32:51 ( doorbell rings )
01:32:54 ( doorbell rings )
01:32:57 ( doorbell rings )
01:32:59 ( door opens )
01:33:01 ( dramatic theme playing )
01:33:08 ( dramatic theme playing )
01:33:28 ( dramatic theme playing )
01:33:32 ( dramatic theme playing )
01:33:36 ( dramatic theme playing )
01:33:40 ( dramatic theme playing )
01:33:44 ( dramatic theme playing )
01:33:47 ( dramatic theme playing )
01:34:11 ( dramatic theme playing )
01:34:15 ( dramatic theme playing )
01:34:19 ( dramatic theme playing )
01:34:23 ( dramatic theme playing )
01:34:26 ( dramatic theme playing )
01:34:29 ( dramatic theme playing )
01:34:32 ( dramatic theme playing )
01:34:35 ( dramatic theme playing )
01:34:38 ( dramatic theme playing )
01:34:41 ( dramatic theme playing )
01:34:44 ( dramatic theme playing )
01:34:47 ( dramatic theme playing )
01:34:50 ( dramatic theme playing )
01:34:53 ( doorbell rings )
01:34:55 Charles Herwig.
01:35:00 ( dramatic theme playing )
01:35:03 ( dramatic theme playing )
01:35:06 ( dramatic theme playing )
01:35:09 ( dramatic theme playing )
01:35:12 ( dramatic theme playing )
01:35:15 ( dramatic theme playing )
01:35:18 ( dramatic theme playing )
01:35:21 ( dramatic theme playing )
01:35:24 ( dramatic theme playing )
01:35:27 ( dramatic theme playing )
01:35:30 I was the one who brought the mug up to Josephine,
01:35:33 but it was Nanny who prepared it.
01:35:35 If she made it for Josephine, why did she drink it?
01:35:39 Ah, just in time to say goodbye, Mr. Heywood.
01:35:42 Where are you going?
01:35:44 London Airport.
01:35:45 Close the gates!
01:35:47 I understand how difficult this situation is,
01:35:49 but Roger and I are leaving so we can lead our lives.
01:35:52 Why on earth would we want to poison a nice old woman
01:35:54 who never done us any harm?
01:35:56 Without you, she wasn't the intended target.
01:35:58 Oh, excuse me!
01:35:59 Hold on, Mr. Detective.
01:36:01 Can you prove anything?
01:36:02 Can you prove it wasn't a heart attack or a suicide?
01:36:05 Are you even sure she was poisoned?
01:36:07 The coroner is working on it as we speak.
01:36:10 Nobody gets to leave here without my express permission.
01:36:13 Femi, call my lawyer.
01:36:15 Chief Inspector Tavener's conduct is within the law.
01:36:18 No one can bully us into spending another day in this house!
01:36:22 Josephine, you're safe now.
01:36:24 You're with Mommy and Daddy.
01:36:26 We'll take care of you.
01:36:28 Ah, Mr. Heywood, you must be some sort of magician.
01:36:31 Every time we make you disappear, you keep popping back up.
01:36:34 I need to talk to Josephine.
01:36:36 Well, who doesn't these days?
01:36:38 She'll be on a plane to Lausanne tonight.
01:36:40 Nanny's been poisoned, just like Grandfather.
01:36:42 Isn't it exciting?
01:36:44 Well, aren't you the least bit upset?
01:36:46 I thought you liked Nanny.
01:36:48 Not particularly.
01:36:49 No?
01:36:50 She was always scolding me about something or other.
01:36:52 She fussed.
01:36:53 And I'm sure she stole my notebook.
01:36:55 Josephine, is there anyone you're remotely fond of?
01:36:59 I love Aunt Edith very much.
01:37:01 What about us?
01:37:03 Josephine?
01:37:07 Excuse me.
01:37:10 I'll take a moment.
01:37:13 But what about us?
01:37:15 Really?
01:37:18 What's happening?
01:37:20 Now, Josephine, you and I, we are both solving this case, aren't we?
01:37:23 I haven't got my notebook.
01:37:25 Don't worry about that.
01:37:26 What exactly do you know?
01:37:28 I know lots of things.
01:37:30 Of that I have no doubt.
01:37:32 But you know who put something in your hot chocolate, don't you?
01:37:35 And you know who poisoned your grandfather.
01:37:38 And you know who cut the ropes from your treehouse.
01:37:41 Right, well, now is the time for Holmes to enlighten
01:37:44 not only Watson, but Lestrade.
01:37:47 I shan't tell the police anything.
01:37:49 They're stupid.
01:37:50 They thought Brenda had done it.
01:37:52 Or Lawrence.
01:37:53 I wasn't stupid like that.
01:37:54 I knew jolly well they hadn't done it.
01:37:56 I had no idea who it was all along.
01:37:58 And then I made a kind of test.
01:38:00 And I know I'm right.
01:38:01 Now, you listen to me.
01:38:02 I dare say you are extremely clever.
01:38:05 But it won't be much good to you if you're not alive long enough to enjoy the fact.
01:38:09 Don't you understand?
01:38:10 You foolish child.
01:38:11 That so long as you insist on keeping your little secrets,
01:38:14 you put yourself in imminent danger.
01:38:16 Of course I do.
01:38:17 But in some books, person after person is killed.
01:38:19 And you only by spotting the murderer
01:38:21 because he or she is presently the only person left.
01:38:23 We must wait and see what happens next.
01:38:25 This isn't a detective story, for Christ's sake.
01:38:27 Two people have been murdered.
01:38:29 I'm going to make you tell me what you know
01:38:31 if I have to shake you until your teeth rattle.
01:38:33 There you are, Charles.
01:38:35 Lady, Josephine and I, we were just having a little chat.
01:38:39 Of course.
01:38:40 And everybody is a bit tense today,
01:38:42 which is quite understandable under the circumstances.
01:38:46 Charles.
01:38:48 Hmm?
01:38:49 Chief Inspector Tavener and the coroner are looking for you.
01:38:52 I understand they're making significant progress.
01:38:55 Right.
01:38:57 Don't worry.
01:38:58 I'll keep an eye on her.
01:39:00 I know, Charles.
01:39:02 Let me handle this.
01:39:04 Yes, of course.
01:39:07 Now...
01:39:10 what do you think about going into Longbridge
01:39:13 and having an ice cream soda?
01:39:15 Yes.
01:39:17 I understand you're making progress.
01:39:30 We'll have to wait for the analysis report.
01:39:33 You do have a theory, though.
01:39:36 Well, considering the symptoms
01:39:39 and the fact that it needs to be
01:39:41 a rather common and accessible poison,
01:39:43 my educated guess would be cyanide.
01:39:47 Why would anyone have cyanide in their house?
01:39:50 Apart from killing people, you mean.
01:39:53 Moles.
01:39:55 Moles?
01:39:57 Cyanide is used to kill moles.
01:40:01 (car horn honks)
01:40:04 (people shouting)
01:40:11 Sorry, Lady Edith.
01:40:13 No one's permitted to leave the estate.
01:40:16 (people shouting)
01:40:19 I know.
01:40:21 I know.
01:40:23 I know.
01:40:25 I know.
01:40:27 I know.
01:40:29 I know.
01:40:31 But Chief Inspector Tavenner
01:40:33 has decided it would be more appropriate
01:40:35 if you were out of the house for the next hour or so
01:40:38 until the corpse has been removed.
01:40:41 He doesn't believe that a 12-year-old little girl
01:40:44 or a feeble old woman on her last legs
01:40:47 could be the murderess.
01:40:49 Do you agree, Sergeant?
01:40:51 Sorry, we've all been a bit on edge.
01:40:53 I'll get him out the way.
01:40:55 All right, boys, get him out the way.
01:40:57 (people shouting)
01:41:00 (car horn honks)
01:41:03 (people shouting)
01:41:06 (car horn honks)
01:41:09 (car door slams)
01:41:11 (dramatic music)
01:41:14 (keys clinking)
01:41:17 (dramatic music)
01:41:20 (keys clinking)
01:41:23 (dramatic music)
01:41:26 (dramatic music)
01:41:29 (dramatic music)
01:41:32 (dramatic music)
01:41:35 (dramatic music)
01:41:38 (dramatic music)
01:41:41 (dramatic music)
01:41:44 - Charles? - Look.
01:41:46 - What are you doing? - It's Josephine's diary.
01:41:48 Edith is trying to destroy it by burying it in quicklime.
01:41:51 And the sign, I don't know.
01:41:54 - What? What is it? What?
01:41:57 - Auntie Edith's just left three gables.
01:41:59 She took Josephine.
01:42:01 (dramatic music)
01:42:04 (dramatic music)
01:42:07 - Where's Auntie? There's handwriting.
01:42:09 - Get in the car.
01:42:11 - It's so annoying. I can't find my notebook anywhere.
01:42:14 You haven't seen it, have you?
01:42:17 (dramatic music)
01:42:20 - Well, my darling,
01:42:22 I love you more than you'll ever know.
01:42:25 (dramatic music)
01:42:28 (people shouting)
01:42:31 - This lady just left the estate.
01:42:33 - Yeah, she just left with a little girl.
01:42:34 - Where? - That way, why?
01:42:35 - Get those damn people out of the way.
01:42:36 - Move! Get out of the way! Now!
01:42:38 Move! Get back! Now!
01:42:39 (tires screeching)
01:42:42 (people shouting)
01:42:45 (dramatic music)
01:42:47 - What does it say?
01:42:49 - "I, Edith Jane de Havilland, confess to the murder
01:42:51 "of Aristide Leonides."
01:42:54 - God, Josephine.
01:42:56 (dramatic music)
01:42:59 (dramatic music)
01:43:02 (dramatic music)
01:43:04 - Josephine, I have a confession.
01:43:08 - What is it?
01:43:10 - We are not going for ice cream.
01:43:13 (dramatic music)
01:43:16 Would you like to know where we're going?
01:43:19 - Well, yes.
01:43:21 - I'm taking you to your new ballet lessons.
01:43:25 - Ballet lessons?
01:43:27 Oh, Aunt Edith.
01:43:30 I haven't got my ballet slippers.
01:43:32 Why didn't you say?
01:43:34 - I think they'll have everything
01:43:35 we could possibly want once we get there.
01:43:39 - I wish Grandpa Pa could see this.
01:43:42 (dramatic music)
01:43:45 (thunder rumbling)
01:43:47 - But why would Aunt Edith want to kill Grandpa Pa and Nanny?
01:43:49 She's not a psychopath.
01:43:51 - I don't think it was Edith.
01:43:52 - Not Edith?
01:43:53 - Maybe there's something in Josephine's notebook.
01:43:55 Read it out loud.
01:43:57 (dramatic music)
01:44:00 - Grandpa Pa, I'm so bored.
01:44:03 Something needs to happen in this house.
01:44:06 So today I...
01:44:07 (dramatic music)
01:44:09 Oh my God.
01:44:10 (dramatic music)
01:44:11 - Go on.
01:44:12 (dramatic music)
01:44:15 - So today I killed Grandpa Pa.
01:44:18 - And I enjoyed it very much.
01:44:21 I certainly had a good reason to do it though.
01:44:23 And I warned him.
01:44:25 I told him he'd be sorry for stopping my ballet.
01:44:28 And now I hope he jolly well is.
01:44:30 He really shouldn't have done that.
01:44:32 That and other things.
01:44:34 Many other things.
01:44:35 He's mean, cruel.
01:44:38 He's a bad person.
01:44:40 And he thinks he can do anything.
01:44:42 He thinks he can tell everyone what to do
01:44:44 and make them crazy and miserable.
01:44:46 But not me.
01:44:47 I'm stronger.
01:44:49 I'm different.
01:44:50 I'm like him.
01:44:51 And I gave him a special treat for his birthday.
01:44:53 I did my best dance for him.
01:44:55 I know how much he likes watching Brenda dance.
01:44:58 I can see it from my treehouse.
01:45:00 I also know how much he loved it
01:45:01 when Sophia wanted to be a ballerina.
01:45:03 He thought she was beautiful and gracious.
01:45:05 But he said there was no point in me
01:45:07 having any more ballet lessons
01:45:09 because I would never be good enough
01:45:10 or gracious enough.
01:45:11 He said it wasn't so much Swan Lake as Duck Pond.
01:45:14 I hate him.
01:45:16 I hate him.
01:45:18 - There's a bit about Brenda's dance
01:45:20 and about her letter.
01:45:22 - I find it a bit of a hang-up for handwriting.
01:45:25 It's lucky she writes like a child of ten.
01:45:28 I copied it from a bit in exposure.
01:45:31 Is this the right way?
01:45:33 - I believe so.
01:45:35 ♪ ♪
01:45:37 - Today I have to be very brave.
01:45:39 I put Aunt Edith's secateurs
01:45:41 in Lawrence's drawer in the schoolroom.
01:45:43 Now I must climb up to the treehouse with a knife.
01:45:47 ♪ ♪
01:45:53 But every task worth doing has a hard bit.
01:45:56 [screeches]
01:45:58 - Nanny's guest.
01:46:00 Eustace kept asking questions,
01:46:02 and I worried he might.
01:46:03 - But he didn't.
01:46:04 Nanny did.
01:46:05 She's snooping around all the time.
01:46:08 She suddenly saw my ballet shoes,
01:46:10 which were muddy after I took secateurs from the shed.
01:46:12 She kept looking at me,
01:46:13 and I knew she'd took two and two together.
01:46:15 I hate Nanny.
01:46:17 Always after me, trying to teach me lessons.
01:46:19 She's so stupid.
01:46:21 I hate stupid people.
01:46:23 They're useless apart from dying during wars
01:46:26 like Grandpapa used to say.
01:46:28 She should be next.
01:46:30 - Edith must have sent something.
01:46:33 And then she found Josephine's notebook.
01:46:36 And then Josephine killed Nanny.
01:46:38 - And that's when Edith decided to blame herself.
01:46:41 - She couldn't let Lawrence and Brenda hang for a crime
01:46:44 they hadn't committed, but at the same time,
01:46:46 she couldn't let her darling Josephine
01:46:48 face a lifetime of institutionals.
01:46:50 Being jeered at as a monster,
01:46:52 laughed at as a freak,
01:46:53 not to mention the public humiliation
01:46:55 the house would have had to endure.
01:46:57 - What is she doing with Josephine?
01:46:59 ♪ ♪
01:47:03 There they are.
01:47:04 [engines rumbling]
01:47:07 ♪ ♪
01:47:13 - Ride this way.
01:47:15 - It's a shortcut.
01:47:17 - It's the road that leads to the quarry.
01:47:19 I don't understand.
01:47:21 ♪ ♪
01:47:28 [engines rumbling]
01:47:31 - Jesus.
01:47:32 What is this?
01:47:33 You're frightening me.
01:47:35 - Don't be frightened.
01:47:37 ♪ ♪
01:47:42 - Oh, Jesus.
01:47:43 What are you doing?
01:47:45 [thunder rumbling]
01:47:46 - I'm fading!
01:47:48 ♪ ♪
01:47:55 ♪ ♪
01:47:59 - Oh, God, Josephine.
01:48:00 - I'm fading!
01:48:01 Help!
01:48:02 [screaming]
01:48:05 [screaming]
01:48:07 - Oh, my God, stop the car!
01:48:09 [sobbing]
01:48:11 [thud]
01:48:13 [panting]
01:48:15 [explosion]
01:48:16 [screaming]
01:48:19 [sobbing]
01:48:21 - No, no, no, no, no, no, no.
01:48:23 [screaming]
01:48:25 ♪ ♪
01:48:27 No, no, no, no, no, no, no, no.
01:48:29 [sobbing]
01:48:32 ♪ ♪
01:48:39 [sobbing]
01:48:42 What did we do to her?
01:48:44 What did we do to her?
01:48:46 - No, no, it's okay.
01:48:47 It wasn't you.
01:48:48 It wasn't you.
01:48:49 ♪ ♪
01:48:51 It wasn't you.
01:48:52 - [sobbing]
01:48:54 ♪ ♪
01:49:01 [sobbing]
01:49:04 ♪ ♪
01:49:11 ♪ ♪
01:49:18 ♪ ♪
01:49:25 ♪ ♪
01:49:32 ♪ ♪
01:49:39 ♪ ♪
01:49:46 ♪ ♪
01:49:53 ♪ ♪
01:50:00 ♪ ♪
01:50:07 ♪ ♪
01:50:14 ♪ ♪
01:50:21 ♪ ♪
01:50:28 ♪ ♪
01:50:35 ♪ ♪
01:50:42 ♪ ♪
01:50:49 ♪ ♪
01:50:56 ♪ ♪
01:51:03 ♪ ♪
01:51:10 ♪ ♪
01:51:17 ♪ ♪
01:51:24 ♪ ♪
01:51:31 ♪ ♪
01:51:38 ♪ ♪
01:51:45 ♪ ♪
01:51:52 ♪ ♪
01:51:59 ♪ ♪
01:52:06 ♪ ♪
01:52:13 ♪ ♪
01:52:20 ♪ ♪
01:52:27 ♪ ♪
01:52:34 ♪ ♪
01:52:41 ♪ ♪
01:52:48 ♪ ♪
01:52:55 ♪ ♪
01:53:02 ♪ ♪
01:53:09 ♪ ♪
01:53:16 ♪ ♪
01:53:23 ♪ ♪
01:53:30 ♪ ♪
01:53:37 ♪ ♪
01:53:44 ♪ ♪
01:53:51 ♪ ♪
01:53:58 ♪ ♪
01:54:05 ♪ ♪
01:54:12 ♪ ♪
01:54:19 ♪ ♪
01:54:26 ♪ ♪
01:54:33 ♪ ♪
01:54:40 ♪ ♪
01:54:47 ♪ ♪
01:54:54 ♪ ♪
01:55:01 ♪ ♪
01:55:08 [BLANK_AUDIO]

Recommended

1:46:41
I
Up next
Agatha Christie's Poirot. Dumb Witness.
deaddogsdam
1:54:04
Miss Marple '4.50 From Paddington' Joan Hickson
Ade Binelli
1:35:02
The Quiet Girl (2022)
PicturePerfectChannel
1:32
Crooked House (2017) | Official Trailer, Full Movie Stream Preview
Popcorntimes
2:05
Invitation to a Murder Movie
Teaser Trailer
1:41:34
Agatha Christie's Poirot - Se4 - Ep01 HD Watch
tumaybilgin99227comge
1:47:08
Agatha Christie's Poirot. Hercule Poirot's Christmas.
deaddogsdam
1:25:50
Murder She Said (1961) Margaret Rutherford, Arthur Kennedy, Muriel Pavlow. Comedy, Crime, Drama
Mov-ie
1:36:09
Dangerous Game- The Legacy Murders (2022) Watch HD
Yalcin4424muhabbet1235comm
1:32:23
Agatha and the Truth of Murder-American movie
Movie Time
57:48
Murder Ahoy! (1964) 1/2 Margaret Rutherford Lionel Jeffries Derek Nimmo
Ade Binelli
1:24:34
Cut, Color, Murder (2022) Watch HD
Yalcin4424muhabbet1235comm
1:52:09
The Messenger | Film Complet en Français | Action
Films Complets
1:37:15
Girls on Film 2023 Full Movie
CT Pictures
1:46:14
Agatha Christie's Poirot. One, Two, Buckle My Shoe.
deaddogsdam
57:35
The Serpent Queen Season 2 Episode 7 A House Divided
USERNANE
1:35:49
A Christmas Carol (2009)
PicturePerfectChannel
1:43:59
My Wife Is 18 (2002) Watch HD
Behnan2594ongul8755comm
59:00
The Adventures of Sherlock Holmes S03 - Ep02 The Abbey Grange - Part 01 HD Watch
gryseldaatsutane69ket72
53:53
Gelin 41. Bölüm (2. Sezon 7. Bölüm) | 18 Eylül Çarşamba
Gelin Dizisi
2:36
And Then There Were None | movie | 1975 | Official Trailer
JustWatch
1:47:10
I Do... Until I Don't (2017) Watch HD
Tendu3647alin2594comm
1:53:56
Murder on the Orient Express (2017)
PicturePerfectChannel
1:46:05
The Usual Suspects (1995)
PicturePerfectChannel
2:00
Knife + Heart / Un couteau dans le cœur (2018) - Trailer (English Subs)
Unifrance