American Psycho (2000) UNCUT REMASTERED
American Psycho is a 2000 satirical psychological horror film directed by Mary Harron, who co-wrote the screenplay with Guinevere Turner. Based on the 1991 novel by Bret Easton Ellis, it stars Christian Bale as Patrick Bateman, a New York City investment banker who leads a double life as a serial killer. Willem Dafoe, Jared Leto, Josh Lucas, Chloë Sevigny, Samantha Mathis, Cara Seymour, Justin Theroux, and Reese Witherspoon appear in supporting roles. The film blends horror and black comedy to satirize 1980s yuppie culture and consumerism, exemplified by Bateman and supporting cast.
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Short filmTranscript
00:00:00 [silence]
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00:00:10 (ominous music)
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00:00:20 (upbeat music)
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00:01:41 - Our pasta this evening is squid ravioli
00:01:59 in a lemongrass broth with goat cheese profiteroles
00:02:02 and I also have an arugula Caesar salad.
00:02:04 For entrees this evening, I have swordfish meatloaf
00:02:07 with onion marmalade, rare roasted partridge breast
00:02:09 and raspberry coulis with a sorrel tin bowl
00:02:12 and grilled free range rabbit with herb french fries.
00:02:15 Our pasta tonight is a squid ravioli
00:02:17 in a lemongrass broth and the fish tonight
00:02:19 is a grilled-- (people chattering)
00:02:24 - God, I hate this place.
00:02:25 It's a chick's restaurant.
00:02:27 - Why don't we get doors yet?
00:02:27 - Because Bateman won't give the maitre d' head.
00:02:30 (man chuckles)
00:02:31 - If you'd like to take a minute, I'll be right back.
00:02:33 - Is that Reed Robinson over there?
00:02:35 - Are you freebasing or what?
00:02:36 - That's not Robinson.
00:02:37 - Well, who is it then?
00:02:38 - It's Paul Allen.
00:02:39 - That's not Paul Allen.
00:02:41 Paul Allen's on the other side of the room over there.
00:02:43 - Who's he with?
00:02:44 - That weasel from Kicker Peabody.
00:02:45 - They don't have a good bathroom to do coke in.
00:02:47 - Are you sure that's Paul Allen over there?
00:02:49 - Yes, McDouglas, I am.
00:02:50 He's handling the Fisher account.
00:02:52 - Lucky bastard.
00:02:53 - Lucky Jew bastard.
00:02:54 - Jesus, McDermott, what does that have to do with anything?
00:02:57 - I've seen that bastard sitting in his office,
00:02:59 talking on the phone to the CEO,
00:03:00 spinning a fucking menorah.
00:03:01 - Not a menorah, you spin a dreidel.
00:03:04 - Oh my God, Bateman, you want me to fry you up
00:03:06 some fucking potato pancakes, some latkes?
00:03:09 - No, just cool it with the anti-Semitic remarks.
00:03:13 - Oh, I forgot, Bateman's dating someone from the ACLU.
00:03:16 (laughing)
00:03:17 - It's the voice of reason, the boy next door.
00:03:20 - Speaking of reasonable, I'm only 5'70".
00:03:24 - I bet.
00:03:26 - Little son of a fit purse.
00:03:29 (dramatic music)
00:03:33 (people chattering)
00:03:36 ♪ I used to think that the day would never come ♪
00:03:49 ♪ I'd steal the light from the shimmy of the morning sun ♪
00:03:53 ♪ The morning sun is the drug that brings me down ♪
00:03:57 ♪ Into the shadow of a lost red place by a river ♪
00:04:02 ♪ I used to think that the day would never come ♪
00:04:06 ♪ But my life is taking a turn ♪
00:04:10 - Stoney on the rocks.
00:04:11 - These aren't good anymore, it's a cash bar.
00:04:15 It'll be $25.
00:04:17 - You're a fucking ugly bitch.
00:04:23 I'm gonna stab you to death,
00:04:25 then play around with your blood.
00:04:28 ♪ I'm not what they see ♪
00:04:31 ♪ That's the price that we all pay ♪
00:04:35 ♪ I'll follow you 'til destiny comes to my name ♪
00:04:40 - I got this.
00:04:41 (dramatic music)
00:04:43 - I live in the American Gardens building
00:05:07 on West 81st Street on the 11th floor.
00:05:10 My name is Patrick Bateman.
00:05:13 I'm 27 years old.
00:05:15 I believe in taking care of myself,
00:05:19 in a balanced diet and a rigorous exercise routine.
00:05:24 In the morning, if my face is a little puffy,
00:05:26 I'll put on an ice pack while doing my stomach crunches.
00:05:30 I can do a thousand now.
00:05:32 (gentle music)
00:05:34 After I remove the ice pack,
00:05:50 I use a deep poured cleanser lotion.
00:05:53 In the shower, I use a water activated gel cleanser.
00:05:57 Then a honey almond body scrub.
00:06:01 And on the face, an exfoliating gel scrub.
00:06:05 (water running)
00:06:08 (gentle music)
00:06:10 Then I apply an herb mint facial mask,
00:06:17 which I leave on for 10 minutes
00:06:18 while I prepare the rest of my routine.
00:06:22 I always use an aftershave lotion
00:06:25 with little or no alcohol,
00:06:28 because alcohol dries your face out
00:06:30 and makes you look older.
00:06:32 Then moisturizer.
00:06:33 Then an anti-aging eye balm,
00:06:35 followed by a final moisturizing protective lotion.
00:06:40 There is an idea of a Patrick Bateman.
00:06:44 Some kind of abstraction.
00:06:46 But there is no real me.
00:06:48 Only an entity, something illusory.
00:06:51 And though I can hide my cold gaze,
00:06:54 and you can shake my hand and feel flesh gripping yours,
00:06:57 and maybe you can even sense our lifestyles
00:06:59 are probably comparable,
00:07:01 I simply am not there.
00:07:03 (upbeat music)
00:07:11 ♪ Ooh, yeah ♪
00:07:18 ♪ I said baby, I just want you back ♪
00:07:21 ♪ And I want you to stay ♪
00:07:25 ♪ Oh yeah, I'm walking on sunshine ♪
00:07:28 ♪ Well, I'm walking on sunshine ♪
00:07:32 - Morning, Allison. - Nice cat.
00:07:34 ♪ I'm walking on sunshine ♪
00:07:37 ♪ Well ♪
00:07:39 - Aerobics class, sorry.
00:07:41 Any messages?
00:07:42 - Ricky Harrison has to cancel.
00:07:43 He didn't say what he was canceling or why.
00:07:45 - Occasionally box with Ricky at the Harvard Club.
00:07:48 Anyone else?
00:07:49 - Spencer wants to meet for drinks at Flutie's, Pier 17.
00:07:52 - When? - After six.
00:07:53 - Negative, cancel it.
00:07:55 - And what should I say? - Just say no.
00:07:57 - Okay, Jean, I need reservations for three at Camel's
00:08:01 at 12.30, and if not there, try Crayon's, all right?
00:08:04 - Yes, sir.
00:08:05 - Oh, wait, and I need reservations for two
00:08:09 at Arcadia at eight o'clock on Thursday.
00:08:12 - Something romantic?
00:08:14 - No.
00:08:15 - Silly.
00:08:18 Forget it, I'll make them.
00:08:20 - No, I'll do it.
00:08:21 - No, no, be a doll and just get me a mineral water, okay?
00:08:24 - Okay.
00:08:25 - You look nice today.
00:08:27 - Don't wear that outfit again.
00:08:29 - What?
00:08:30 I didn't hear you.
00:08:31 - I said, do not wear that outfit again.
00:08:33 Wear a dress, a skirt, or something.
00:08:35 - If you don't like this, I take it.
00:08:37 - Come on, you're prettier than that.
00:08:40 - Thanks, Patrick.
00:08:42 - I'm not here.
00:08:44 And high heels, I like high heels.
00:08:47 (door slams)
00:08:54 (door opens)
00:08:56 - Feathered French for 600.
00:09:00 - During courtship, the male frigate bird
00:09:02 inflates to enormous size the red pouch found here.
00:09:05 (upbeat music)
00:09:08 - Pink roses, hundreds, thousands of roses,
00:09:22 and lots of chocolate truffles, Godiva,
00:09:25 and oysters on the half shell.
00:09:27 - I'm trying to listen to the new Robert Palmer tape,
00:09:29 but Evelyn, my supposed fiance, keeps buzzing in my ear.
00:09:33 - Any leave of it, we'll get any leave of it.
00:09:37 And we'll have to get someone to videotape.
00:09:40 Patrick, we should do it.
00:09:43 - Do what?
00:09:45 - Get married, have a wedding.
00:09:47 - No, I can't take the time off work.
00:09:49 - Your father practically owns the company,
00:09:50 you can do anything you like, silly.
00:09:52 - I don't want to talk about it.
00:09:53 - I hate that job anyway.
00:09:55 I see why you just don't quit.
00:09:57 - Because I want to fit in.
00:10:01 ♪ Assembly is in a system ♪
00:10:05 (upbeat music)
00:10:08 (car engine roars)
00:10:10 ♪ Assembly is in a system ♪
00:10:12 - Williams party?
00:10:14 - I'm on the verge of tears by the time we arrive at Espace,
00:10:17 since I'm positive we won't have a decent table.
00:10:20 But we do.
00:10:22 The relief washes over me in an awesome way.
00:10:25 - Patrick, this is my cousin Vanden and her boyfriend Stash.
00:10:29 They're both artists.
00:10:31 - I met you somewhere.
00:10:32 - I see you've met everyone.
00:10:33 - You look awesome.
00:10:35 - Okay, okay, all right.
00:10:39 - I'm fairly certain that Timothy, Bryce, and Evelyn
00:10:42 are having an affair.
00:10:44 Timothy is the only interesting person I know.
00:10:47 I'm almost completely indifferent as to whether Evelyn knows
00:10:50 I'm having an affair with Courtney Rawlinson,
00:10:54 her closest friend.
00:10:56 Courtney is almost perfect looking.
00:10:58 She's usually operating on one or more psychiatric drugs.
00:11:01 Tonight I believe it's Xanax.
00:11:03 More disturbing than her drug use, though,
00:11:05 is the fact that she's engaged to Lewis Carruthers,
00:11:09 the biggest doofus in the business.
00:11:11 - Tell me, Stash,
00:11:13 do you think Soho is becoming too commercial?
00:11:16 - Yes, I read that.
00:11:18 - Oh, who gives a rat's ass?
00:11:20 - Okay, that affects us.
00:11:22 - Oh, well, what about the massacres in Sri Lanka, honey?
00:11:25 Doesn't that affect us too?
00:11:26 I mean, do you know anything about Sri Lanka?
00:11:28 How, like, the Sikhs are killing, like, tons of Israelis over there?
00:11:31 - Come on, Bryce.
00:11:32 There are a lot more important problems than Sri Lanka to worry about.
00:11:36 - Like what?
00:11:37 - Well, we have to end apartheid, for one,
00:11:40 and slow down the nuclear arms race,
00:11:42 stop terrorism, and world hunger.
00:11:45 We have to provide food and shelter for the homeless
00:11:49 and oppose racial discrimination and promote civil rights
00:11:53 while also promoting equal rights for women.
00:11:56 We have to encourage a return to traditional moral values.
00:12:02 Most importantly, we have to promote general social concern
00:12:08 and less materialism in young people.
00:12:12 - Patrick.
00:12:14 How thought-provoking.
00:12:17 [soft music]
00:12:20 ♪ ♪
00:12:27 [singing in Hindi]
00:12:30 ♪ ♪
00:12:40 [singing continues]
00:12:43 ♪ ♪
00:12:52 - Hello.
00:12:55 - Hello.
00:12:57 [singing continues]
00:13:00 ♪ ♪
00:13:05 - ♪ Break my heart ♪
00:13:10 ♪ ♪
00:13:15 - Bleaching? Are you trying to say bleaching?
00:13:18 Oh, my God. Two things.
00:13:20 One, you can't bleach a cheroot. Out of the question.
00:13:23 Two, I can only get these sheets in Santa Fe.
00:13:25 These are very expensive sheets, and I really need them.
00:13:28 - If you don't shut your fucking mouth, I will kill you.
00:13:32 - Now listen, I have a lunch meeting at Hubert's in 20 minutes
00:13:35 at the Barbell House, and I need those sheets cleaned by this afternoon.
00:13:38 Listen, I cannot understand you!
00:13:40 This is crazy! You're a fool!
00:13:42 I can't cope with this stupid bitchy!
00:13:44 Understand?
00:13:46 - Patrick?
00:13:48 Hi, Patrick. I thought that was you.
00:13:50 - Hello. This is--
00:13:52 - Isn't it ridiculous coming all the way up here?
00:13:54 But they really are the best.
00:13:56 - Then why can't they get these stains out?
00:13:58 I mean, can you talk to these people or something?
00:14:00 - I'm not getting anywhere. - What are those?
00:14:03 - Oh, well, it's cranberry juice, cran-apple.
00:14:06 - Really? - Listen, if you could talk to them,
00:14:08 I would really appreciate it. I'm really late.
00:14:10 I have a lunch appointment at Hubert's in 15 minutes.
00:14:12 - Hubert's? That moved uptown, right?
00:14:14 - Well, oh, boy, listen, I've gotta go. Thank you, Victoria.
00:14:17 - Maybe we could do lunch one day next week.
00:14:19 You know, I'm downtown on Wall Street quite often now.
00:14:21 - I don't know, Victoria. I'm at work all the time.
00:14:23 - Well, what about a Saturday?
00:14:25 - Next Saturday? - Sure.
00:14:27 - Can't, I'm afraid. I'm not in the Avalon Maze.
00:14:29 - Oh, I'll-- Christ, I'll call you.
00:14:31 - Okay. Do.
00:14:33 - Listen, you're dating Lewis. He's in Arizona.
00:14:35 You're fucking me, and we haven't made plans.
00:14:37 What could you possibly be up to tonight?
00:14:39 - Stop it. I'm-- - A lot of lithium?
00:14:42 - Waiting for Lewis to call me. He said he called tonight.
00:14:46 - Pumpkin? Pumpkin, you're dating an asshole.
00:14:49 - Mm-hmm. - Pumpkin, you're dating
00:14:51 the biggest dickweed in New York.
00:14:53 Pumpkin, you're dating a tumbling, tumbling dickweed.
00:14:57 - Patrick, stop calling me Pumpkin, okay?
00:15:00 I have to go.
00:15:02 - Courtney. - Hmm?
00:15:04 - Dinner. - I can't.
00:15:06 - I'm thinking Dorsea.
00:15:08 - Dorsea's nice. - Or something fabulous.
00:15:13 [moaning]
00:15:15 [phone beeping]
00:15:25 [phone ringing]
00:15:27 - Dorsea. - Um, yes.
00:15:29 I know it's a little late, but is it possible
00:15:31 to reserve a table for 2 at 8 or 8.30, perhaps?
00:15:35 [laughing]
00:15:37 [rock music]
00:15:50 ♪ ♪
00:15:52 - Facial at Elizabeth Hargan, which was really relaxing.
00:15:57 Then to the Pottery Barn,
00:16:00 where I got this little silver muffin dish.
00:16:05 - Is that Donald Trump's car? - God, Patrick, shut up.
00:16:08 - You know, Courtney, you should take some more lithium
00:16:10 or have a Diet Coke. Some caffeine might get you out of this slump.
00:16:14 - I just want a child.
00:16:17 Just two.
00:16:19 Perfect.
00:16:22 Children.
00:16:24 - Mm.
00:16:28 Are we here? - Yeah.
00:16:31 - This is Dorsea? - Yes, dear.
00:16:42 Courtney, you're gonna have the peanut butter soup
00:16:45 with smoked duck and mashed squash.
00:16:47 New York matinee called it a playful but mysterious little dish.
00:16:51 You'll love it.
00:16:53 And then the red snapper with violets and pine nuts.
00:16:56 I think that'll follow nicely.
00:16:58 - Mm.
00:17:00 Thanks, Patrick.
00:17:02 - Patrick, thanks so much for looking after Courtney.
00:17:11 Dorsea, how impressive.
00:17:13 How on earth did you get a reservation there?
00:17:15 - Lucky, I guess.
00:17:18 - That's a wonderful suit.
00:17:20 Don't tell me, don't tell me. Let me guess.
00:17:22 Mm. Valentino Couture. Uh-huh.
00:17:26 Hm. Looks so soft.
00:17:29 - Your compliment was sufficient, Lewis.
00:17:32 - Hello, Halberstram. Nice tie.
00:17:36 How the hell are you?
00:17:38 - Alan has mistaken me for this dickhead Marcus Halberstram.
00:17:41 It seems logical because Marcus also works at P&P
00:17:43 and in fact does the same exact thing I do.
00:17:46 He also has a pension for Valentino's suits
00:17:48 and Oliver Peoples' glasses.
00:17:50 Marcus and I even go to the same barber.
00:17:52 Although I have a slightly better haircut.
00:17:54 - So how's the ransom account going, Marcus?
00:17:56 - It's, uh, it's all right. - Really?
00:17:58 That's interesting. It's not, uh, it's not great.
00:18:00 - Oh, well, you know. - So how's Cecilia?
00:18:03 She's a great girl. - Oh, yeah. I'm very lucky.
00:18:06 - Mm-hmm. - Hey, Alan.
00:18:08 Congratulations on the Fisher account. - Thank you, Baxter.
00:18:11 - Hey, Alan. - Paul. Squash.
00:18:14 - Call me.
00:18:19 - What, Friday? - No can do.
00:18:22 I got an 8.30 res at Dorcia.
00:18:25 - Great. Sea urchin ceviche.
00:18:28 - Dorcia on Friday night. How'd he swing that?
00:18:31 - I think he's lying.
00:18:33 - Is that a gram?
00:18:37 - New card.
00:18:39 - What do you think?
00:18:41 - Whoa. Very nice.
00:18:44 Look at that. - Picked them up from the printers yesterday.
00:18:47 - Good coloring. - That's bone.
00:18:50 And the lettering is something called "Cilian Braille."
00:18:53 It's very cool, Bateman, but that's nothing.
00:18:55 Look at this. - That is really nice.
00:18:58 - Eggshell with Romalian type.
00:19:01 What do you think?
00:19:03 - Nice.
00:19:05 - Jesus. That is really super.
00:19:08 - What a nitwit like you gets so tasteful.
00:19:11 - I can't believe that Bryce prefers Van Patten's card to mine.
00:19:15 - But wait. You ain't seen nothing yet.
00:19:19 Raised lettering. Pale nimbus.
00:19:23 White.
00:19:25 - Impressive. - Very nice.
00:19:29 - Let's see Paul Allen's card.
00:19:35 [crunching]
00:19:37 - Look at that subtle off-white coloring.
00:19:50 The tasteful thickness of it.
00:19:52 Oh, my God. It even has a watermark.
00:19:56 - Something wrong, Patrick?
00:20:03 - I'm sweating.
00:20:06 [music playing]
00:20:32 - Hello. Pat Bateman.
00:20:35 You want some money? Some food?
00:20:39 This what you need? - I'm hungry.
00:20:44 - Yeah. Cold out too, isn't it?
00:20:47 Why don't you get a job? You're so hungry.
00:20:53 Why don't you get a job? - I lost my job.
00:20:56 - Why? You drinking?
00:20:59 Is that why you lost it? Insider trading?
00:21:03 Just joking. Listen. What's your name?
00:21:06 - Al. - Speak up. Come on.
00:21:09 - Al. - Get a goddamn job, Al.
00:21:12 You got a negative attitude. That's what's stopping you.
00:21:15 You gotta get your act together. I'll help you.
00:21:18 - You are so kind, Mr. Be Kind. You're a kind man.
00:21:23 - Okay. - Please. You gotta tell me what to do.
00:21:26 You gotta help me. I'm so cold. I'm hungry.
00:21:31 - You know bad you smell. You reek of shit.
00:21:35 Did you know that?
00:21:37 - Al. I'm sorry.
00:21:41 Just that... I don't know.
00:21:45 I don't have anything in common with you.
00:21:50 - Al.
00:21:52 - Oh, thank you, mister. Thank you.
00:22:01 You all right? I'm cold out here.
00:22:04 - You know what a fucking loser you are?
00:22:07 (barking)
00:22:10 - What beautiful skin you have, Mr. Bateman.
00:22:34 So fine. So smooth.
00:22:37 - I have all the characteristics of a human being.
00:22:48 Flesh, blood, skin, hair.
00:22:51 But not a single clear, identifiable emotion...
00:22:54 except for greed and disgust.
00:22:58 Something horrible is happening inside of me,
00:23:01 and I don't know why.
00:23:04 My nightly bloodlust has overflowed into my days.
00:23:08 I feel lethal, on the verge of frenzy.
00:23:11 I think my mask of sanity is about to slip.
00:23:15 - Hey, McCloy. What do you say?
00:23:30 - Hey, Hamilton. Have a holly jolly Christmas.
00:23:33 Is Alan still handling the Fisher account?
00:23:35 - Of course. Who else?
00:23:37 - Mistletoe alert.
00:23:39 Merry X-mas, Patrick. Merry X-mas, Harry.
00:23:42 - Merry Christmas. - You late, honey.
00:23:44 - I know. - Yes, you are.
00:23:46 - I've been here the entire time. You just didn't see me.
00:23:49 - Say hello to Snowball. Snowball says, "Merry Christmas, Patrick."
00:23:53 - What is it? - It's a little baby piggy winky, isn't it?
00:23:57 - A Vietnamese pot-bellied pig. - You darling pets.
00:24:00 Don't you? Don't you?
00:24:03 - Stop scowling, Patrick. You're such a Grinch.
00:24:06 - What does Mr. Grinch want for Christmas?
00:24:09 - And don't say breast implants again.
00:24:12 - Alan. - Marcus.
00:24:15 - Merry Christmas. How you been?
00:24:17 - Workaholic, I suppose. - Haven't seen you in a while.
00:24:20 - Hey, Hamilton. - We're going to Nell's. Limo's out front.
00:24:24 - We should have dinner. Maybe you could bring, uh...
00:24:27 - Cecilia? - Yes, Cecilia.
00:24:30 - Oh, Cecilia would adore it. - Well, then let's do it, Marcus.
00:24:34 - Great party. - Thanks.
00:24:37 - Patrick Wasey calling you Marcus. - Missile tow alert.
00:24:50 Marcus Hallerstram for two at seven.
00:24:54 No, I want to know. I came here for the cilantro crawfish gumbo.
00:24:59 Which is the only excuse one can have for being in this restaurant,
00:25:03 which is almost completely empty.
00:25:05 - I'm very sorry, sir. - J&B straight and a Corona.
00:25:08 - Would you like to hear the... - Double absolute martini.
00:25:11 Yes, sir. Would you like to hear the specials?
00:25:14 Not if you want to keep your spleen.
00:25:19 This is a real beehive of activity, Hallerstram.
00:25:22 - This place is hot. Very hot. - Listen, the mud soup and charcoal arugula
00:25:27 - are outrageous here. - Yeah, well, you're late.
00:25:30 Hey, I'm a child of divorce. Give me a break.
00:25:34 I see they've omitted the pork loin with lime jello.
00:25:37 - We should have gone to Dorcia. - I could have gotten us a table.
00:25:40 Nobody goes there anymore.
00:25:43 Is that Ivana Trump?
00:25:47 Jeez, Patrick. I mean, Marcus, what are you thinking?
00:25:51 Why would Ivana be a Texarkana?
00:25:54 So, uh, wasn't Rothschild originally handling the Fisher account?
00:25:59 - How'd you get it? - I could tell you that, Hallerstram.
00:26:03 But they don't have to kill you.
00:26:13 I like to dissect girls. Did you know I'm utterly insane?
00:26:17 Uh, great tan, Marcus. I mean, really impressive.
00:26:22 - Where do you tan? - Salon.
00:26:24 I've got a tanning bed at home. You should look into it.
00:26:27 And, uh, Cecilia, how is she? Where is she tonight?
00:26:32 Cecilia's, uh... Well, you know, Cecilia.
00:26:35 I think she's having dinner with, um, Evelyn Williams.
00:26:38 Evelyn? Great ass. Goes out with that loser Patrick Bapin. What a dork.
00:26:44 [ Chuckles ]
00:26:46 Another martini, Paul.
00:26:49 - You like Huey Lewis and the News? - They're okay.
00:26:58 Their early work was a little too new wave for my taste.
00:27:03 But when "Sports" came out in '83, I think they really came into their own...
00:27:08 commercially and artistically.
00:27:11 The whole album has a clear, crisp sound...
00:27:15 and a new sheen of consummate professionalism...
00:27:18 that really gives the songs a big boost.
00:27:30 He's been compared to Elvis Costello.
00:27:33 But I think Huey has a far more bitter, cynical sense of humor.
00:27:37 - Hey, Albuster. - Yes, Alan?
00:27:40 Why are there copies of the style section on the play?
00:27:43 Do you have a dog? A little chow or something?
00:27:47 - No, Alan. - Is that a raincoat?
00:27:50 Yes, it is.
00:27:52 In '87, Huey released this. "Four," their most accomplished album.
00:27:58 I think their undisputed masterpiece is "Hip to Be Square."
00:28:01 A song so catchy, most people probably don't listen to the lyrics.
00:28:05 But they should, because it's not just about the pleasures of conformity...
00:28:08 and the importance of trend.
00:28:10 It's also a personal statement about the band itself.
00:28:13 Hey, Paul!
00:28:15 Start getting a reservation at Thornton now, you fucking stupid bastard!
00:28:26 You fucking bastard!
00:28:30 Fuck you!
00:28:32 Fuck you!
00:28:35 It's hip to be square
00:28:37 It's hip to be square
00:28:40 I find my fans in Venezuela
00:28:45 I watch 'em on TV
00:28:48 I'm working out most every day
00:28:52 And watching what I eat
00:28:55 They tell me that it's good for me
00:28:59 But I don't even care
00:29:03 I know that it's crazy
00:29:05 I know that it's nowhere
00:29:07 There is no denying that
00:29:09 It's hip to be square
00:29:11 It's hip to be square
00:29:29 ...completely naked, and he was standing up on the table...
00:29:33 Patrick? Patrick!
00:29:38 Is that you?
00:29:40 No, Lewis. It's not me. You're mistaken.
00:29:43 This is my very good friend Patrick Bateman.
00:29:46 Where are you going?
00:29:47 We're going to Nell's. Gwendolyn's father is buying it.
00:29:50 Where did you get that overnight bag?
00:29:58 Jean-Paul Gaultier.
00:30:00 When I get to Paul Allen's place, I use the keys I took from his pocket before disposing of the body.
00:30:17 There is a moment of sheer panic
00:30:20 when I realize that Paul's apartment overlooks the park
00:30:25 and is obviously more expensive than mine.
00:30:28 I calm myself and move into the bedroom
00:30:34 where I find his suitcase and start to pack.
00:30:37 It's time for Paul to take a little trip.
00:30:40 Son of a bastard.
00:30:45 Dallas.
00:30:47 Paris.
00:30:48 Saint-Paul.
00:30:50 London.
00:30:51 Silly asshole.
00:30:53 [claps]
00:30:54 Hi, this is Paul. I've been called away to London for a few days.
00:31:04 Meredith, I'll call you when I get back.
00:31:06 Hasta la vista, baby.
00:31:08 ♪ Lady in red ♪
00:31:21 ♪ is dancing with me ♪
00:31:25 ♪ She wanted you ♪
00:31:28 ♪ There's nobody here ♪
00:31:31 What is it?
00:31:33 Patrick.
00:31:35 Yes, Jean?
00:31:37 There's a Mr. Donald Kimble here to see you.
00:31:40 Who?
00:31:41 Detective Donald Kimble.
00:31:48 Tell him I'm at lunch.
00:31:50 Patrick, it's only 10.30. I think he knows you're here.
00:31:54 Send him in, I guess.
00:31:57 Now, John, you've got to wear clothes in proportion to your physique.
00:32:07 There are definite do's and don'ts, good buddy, of wearing a bold striped shirt.
00:32:11 A bold striped shirt calls for solid colored or discreetly patterned suits and ties.
00:32:16 Yes, always tip the stylist 15%.
00:32:19 Listen, John, I've got to go. T-Bone Pickens just walked in.
00:32:23 [laughs]
00:32:24 Just joking.
00:32:25 No, don't tip the owner of the salon.
00:32:27 Okay, John? Right.
00:32:30 Got it.
00:32:31 Sorry about that.
00:32:33 No, I'm sorry. I should have made an appointment.
00:32:36 Was that anything important?
00:32:38 All that?
00:32:39 Just mulling over business problems,
00:32:41 examining opportunities, exchanging rumors,
00:32:44 spreading gossip.
00:32:45 [laughs]
00:32:46 Hi. I'm Donald Kimball.
00:32:49 Hi. Pat Bateman. Nice to meet you.
00:32:52 Sorry to barge in on you like this. I know how busy you guys can get.
00:32:56 So, what's the, uh, topic of discussion?
00:33:03 I've been hired by Meredith Powell to investigate the disappearance of Paul Allen.
00:33:09 I see. Yeah. Paul's disappearance. Yeah.
00:33:13 So, it's nothing that official.
00:33:15 I just have some basic questions about Paul Allen, about yourself.
00:33:18 Coffee? No, I'm okay.
00:33:20 Pollen ours? No, I'm okay.
00:33:22 Can you bring Mr., uh...
00:33:25 Kimball.
00:33:26 Mr. Kimball a bottle of a pollen...
00:33:27 No, really, I'm okay.
00:33:28 It's no problem.
00:33:29 So, what's the topic of discussion?
00:33:34 The disappearance of Paul Allen.
00:33:38 Right. Well, I, um...
00:33:40 I haven't...
00:33:41 I haven't heard anything about the disappearance or anything.
00:33:46 Not on page six, at least.
00:33:48 I think his family wants this kept quiet.
00:33:50 Understandable. Lime?
00:33:52 No, really, I'm okay.
00:33:54 You sure? I can always get you a lime.
00:33:55 Just some preliminary questions that I need for my own files, okay?
00:33:59 Shoot.
00:34:00 How old are you?
00:34:02 Twenty-seven.
00:34:03 Where did you go to school?
00:34:05 Harvard. Then Harvard Business School.
00:34:07 Your address?
00:34:08 The American Gardens building, West 81st Street.
00:34:10 Mm, nice. Very nice.
00:34:12 Thanks.
00:34:13 What can you tell me about Paul Allen?
00:34:16 I'm at a loss.
00:34:17 He was part of that whole Yale thing.
00:34:19 Yale thing?
00:34:20 Yeah, Yale thing.
00:34:21 What do you mean, "Yale thing"?
00:34:23 Well, I think, for one, that he was probably a closet homosexual
00:34:27 who did a lot of cocaine at Yale thing.
00:34:31 What kind of man was he?
00:34:33 Besides the information you've just given.
00:34:35 I hope I'm not confusing you.
00:34:37 You feel like that?
00:34:39 No, not really.
00:34:41 Where did Paul hang out?
00:34:43 Hang out?
00:34:44 Yeah, you know, hang out.
00:34:46 Let me think.
00:34:47 The Newport, Harry's, Flutie's, Indochine, Nell's,
00:34:52 the Cornell Club, the New York Yacht Club.
00:34:55 He had a yacht?
00:34:56 No, he just hung out there.
00:34:58 And where did he go to school?
00:35:01 Don't you know this?
00:35:03 I just wanted to know if you knew.
00:35:05 Before Yale, if I remember correctly, St. Paul's.
00:35:10 Listen, I just, I just want to help.
00:35:14 I understand.
00:35:16 Do you have any witnesses or fingerprints?
00:35:20 Well, there's a message on his answering machine
00:35:23 that says he went to London.
00:35:25 Maybe he did, huh?
00:35:26 His girlfriend doesn't think so.
00:35:28 But has anyone seen him in London?
00:35:30 Actually, yes.
00:35:31 But I've had a hard time getting actual verification.
00:35:33 A Stephen Hughes said he saw him at a restaurant there,
00:35:37 but I checked it out, and what happened is
00:35:39 he mistook a Herbert Ainsworth for Paul So.
00:35:41 Had his apartment been burglarized?
00:35:43 No, actually, it hadn't.
00:35:45 Toiletries were missing, a suit was gone,
00:35:47 so was some luggage, that's it.
00:35:48 I mean, no one's dealing with the homicide squad yet
00:35:50 or anything, right?
00:35:51 No, not yet.
00:35:52 As I said, we're not sure.
00:35:53 Basically, no one's seen or heard anything.
00:35:56 So, you're saying that he was in a hotel room
00:35:59 and no one's seen or heard anything?
00:36:01 So typical, isn't it?
00:36:02 It's just strange.
00:36:04 One day someone's walking around,
00:36:06 going to work, alive, and then--
00:36:09 Nothing.
00:36:11 People just disappear.
00:36:14 Earth just opens up and swallows them.
00:36:18 Eerie.
00:36:20 Really eerie.
00:36:27 Listen, you'll have to excuse me.
00:36:29 I have a lunch meeting with Cliff Huxtable
00:36:31 at Four Seasons in 20 minutes.
00:36:34 Four Seasons?
00:36:35 Isn't that a little far uptown?
00:36:37 I mean, aren't you gonna be late?
00:36:39 No, there's one down here.
00:36:41 Oh, really? I didn't know that.
00:36:42 Yeah, it's very good.
00:36:43 Listen, if anything else occurs to you,
00:36:46 any information at all--
00:36:47 Absolutely, I'm 100% with you.
00:36:49 Great.
00:36:50 And thanks for your time, Mr. Bacon.
00:36:55 Bye-bye.
00:36:57 Bye-bye.
00:36:59 [screaming]
00:37:07 [screaming]
00:37:10 [screaming]
00:37:12 [screaming]
00:37:17 [pounding]
00:37:26 [eerie music]
00:37:36 [eerie music]
00:37:38 I haven't seen you around here.
00:38:01 You just haven't been looking.
00:38:03 Would you like to see my apartment?
00:38:06 I'm not supposed to.
00:38:09 Do you want to come to my apartment or not?
00:38:13 I'm not supposed to, but I can make an exception.
00:38:18 Would you take a credit card?
00:38:23 I'm joking.
00:38:24 Come on, get in.
00:38:27 [door opens]
00:38:29 Like a girl in her early 20s, blonde,
00:38:39 who does couples.
00:38:41 Couples.
00:38:42 I really can't stress blonde enough.
00:38:45 Blonde.
00:38:47 I'm Paul.
00:38:51 My name's Paul Allen.
00:38:53 You got that?
00:38:55 You're Christy.
00:38:56 You're to respond only to Christy.
00:38:59 Is that clear?
00:39:01 [music]
00:39:03 That's a very fine Chardonnay you're drinking.
00:39:13 I want you to clean your vagina.
00:39:24 No, I'm behind.
00:39:26 Get on your knees.
00:39:28 You have a very nice body.
00:39:31 [laughs]
00:39:33 [phone rings]
00:39:35 Thank you.
00:39:44 Send her up.
00:39:46 Christy, get out and dry off.
00:39:51 Choose a robe, not the Bijon.
00:39:54 And come and meet me and our guest
00:39:57 in the living room for drinks.
00:40:00 You've arrived.
00:40:06 How lovely.
00:40:07 Let me take your coat.
00:40:09 I'm Paul.
00:40:10 How good of you to come.
00:40:13 Not quite blonde, are you?
00:40:19 More dirty blonde.
00:40:21 I'm gonna call you Sabrina.
00:40:24 I'm Paul Allen.
00:40:26 So...
00:40:47 don't you want to know what I do?
00:40:50 No.
00:40:54 No, not really.
00:40:57 Well, I work on Wall Street.
00:41:01 I'm piercing pairs.
00:41:03 Have you heard of it?
00:41:14 You have a really nice place here, Paul.
00:41:17 How much did you pay for it?
00:41:20 Well, actually, that's none of your business, Christy.
00:41:24 But I can assure you, it certainly wasn't cheap.
00:41:28 No.
00:41:29 No smoking, not in here.
00:41:32 Fart a truffle?
00:41:35 I don't want you to get drunk, but, uh...
00:41:40 that's a very fine chardonnay you're not drinking.
00:41:45 Do you like Phil Collins?
00:41:53 I've been a big Genesis fan
00:41:55 ever since the release of their 1980 album, Duke.
00:42:00 Before that, I really didn't understand any of their work.
00:42:05 It was too artsy, too intellectual.
00:42:08 It was on Duke where, uh...
00:42:11 Phil Collins' presence became more apparent.
00:42:15 I think "Invisible Touch"
00:42:19 is the group's undisputed masterpiece.
00:42:23 It's an epic meditation on intangibility.
00:42:29 At the same time, it deepens and enriches
00:42:33 the meaning of the preceding three albums.
00:42:37 Christy, take off the robe.
00:42:41 Listen to the brilliant ensemble playing
00:42:44 of Banks, Collins, and Rutherford.
00:42:47 You can practically hear every nuance of every instrument.
00:42:52 Sabrina, remove your dress.
00:42:54 In terms of lyrical craftsmanship,
00:42:57 and sheer songwriting,
00:42:58 this album hits a new peak of professionalism.
00:43:01 Sabrina, why don't you, uh, dance a little?
00:43:05 Take the lyrics to "Land of Confusion."
00:43:08 In this song, Phil Collins addresses
00:43:10 the problems of abusive political authority.
00:43:15 "In Too Deep" is the most moving pop song of the 1980s
00:43:20 about monogamy and commitment.
00:43:24 The song is extremely uplifting.
00:43:26 Their lyrics are as positive and affirmative
00:43:31 as, uh, anything I've heard him rock.
00:43:36 Christy, get down on your knees
00:43:40 so Sabrina can see your asshole.
00:43:43 Phil Collins' solo career seems to be more commercial
00:43:48 and therefore more satisfying in a narrower way,
00:43:52 especially songs like "In the Air Tonight"
00:43:55 and, uh, "Against All Odds."
00:43:58 Sabrina, don't just stare at it, eat it.
00:44:02 But I also think Phil Collins works best
00:44:05 within the confines of the group than as a solo artist.
00:44:10 And I stress the word "artist."
00:44:14 This is "Sussudio," a great, great song.
00:44:21 Personal favorite.
00:44:25 ♪
00:44:29 ♪
00:44:35 ♪
00:44:39 ♪
00:44:43 ♪
00:44:47 ♪
00:44:51 ♪
00:44:55 ♪
00:44:59 ♪
00:45:03 ♪
00:45:07 ♪
00:45:11 ♪
00:45:15 ♪
00:45:19 ♪
00:45:23 ♪
00:45:27 Don't touch the watch.
00:45:37 [footsteps]
00:45:39 [door opens]
00:45:52 [eerie music]
00:45:55 Can we go now?
00:45:58 We're not through yet.
00:46:02 [footsteps]
00:46:04 If they have a good personality and they're not great-looking,
00:46:20 then who fucking cares?
00:46:22 Well, let's just say hypothetically, okay?
00:46:24 What if they have a good personality?
00:46:26 [laughing]
00:46:28 I know, I know.
00:46:30 There are no girls with good personalities.
00:46:32 A good personality consists of a chick with a little hard body
00:46:35 who will satisfy all sexual demands
00:46:37 without being too slutty about things
00:46:39 and who will essentially keep her dumb fucking mouth shut.
00:46:41 The only girls with good personalities who are smart
00:46:44 or maybe funny or halfway intelligent or talented,
00:46:46 though God knows what the fuck that means,
00:46:48 are ugly chicks. Absolutely.
00:46:50 And this is because they have to make up
00:46:52 for how fucking unattractive they are.
00:46:54 Do you know what Ed Gein said about women?
00:46:56 Ed Gein, Matriarch of Alba?
00:46:58 He said that she was a real killer, Wisconsin in the '50s.
00:47:00 And what did Ed say?
00:47:02 He said, "When I see a pretty girl walking down the street,
00:47:04 "I think two things.
00:47:06 "One part of me wants to take her out and talk to her,
00:47:08 "be real nice and sweet and treat her right."
00:47:10 And what'd the other part of him think?
00:47:12 What her head would look like on a stick.
00:47:15 [laughing]
00:47:17 Hi, guys.
00:47:21 I want to get your opinion on something.
00:47:24 It's my business card.
00:47:26 I decided to get a new one, too.
00:47:28 Oh, that's very nice, Lewis.
00:47:34 Thank you.
00:47:38 Listen, what about dinner?
00:47:54 All you ever have to contribute, Van Patten,
00:47:56 what about fucking dinner?
00:47:58 Cheer up there, Bateman. What's the matter?
00:48:00 No shiatsu this morning?
00:48:02 Don't simulate that. You'll draw back a stump.
00:48:04 Hold on there, little buddy.
00:48:06 Excuse me.
00:48:08 [music playing]
00:48:10 [music playing]
00:48:12 [music playing]
00:48:14 [music playing]
00:48:16 [music playing]
00:48:18 [music playing]
00:48:20 [music playing]
00:48:22 [music playing]
00:48:24 [music playing]
00:48:26 [music playing]
00:48:28 [music playing]
00:48:30 [music playing]
00:48:32 [music playing]
00:48:34 [music playing]
00:48:36 [music playing]
00:48:38 [music playing]
00:48:40 [music playing]
00:48:42 God, Patrick.
00:48:44 Why here?
00:48:46 I've seen you looking at me.
00:48:48 I've noticed
00:48:50 your hot body.
00:48:52 Don't be shy.
00:48:56 You can't imagine
00:48:58 how long I've wanted this, ever since that Christmas party
00:49:00 in Arizona 206.
00:49:02 You know, the one you were wearing, that red striped paisley
00:49:04 on mommy's tie.
00:49:06 I want you.
00:49:10 I want you, too.
00:49:12 - Patrick? - What is it?
00:49:15 - Where are you going?
00:49:17 - I've gotta return some video games.
00:49:20 (dramatic music)
00:49:23 - Patrick.
00:49:29 Patrick.
00:49:29 (dramatic music)
00:49:32 (dramatic music)
00:49:35 - Okay, Monday, uh, between you?
00:49:57 - Monday, I have this, um--
00:49:59 - Any Paul Allen? - Reservation, no.
00:50:01 - Reservation, but he's done. - Kimball.
00:50:03 I've been wanting to talk with you.
00:50:04 Come into my office.
00:50:05 Gene, great jacket, Matsuda.
00:50:07 Do you remember where you were
00:50:09 the night of Paul's disappearance,
00:50:11 which was on the 20th of December?
00:50:14 - God, I guess I was probably returning videotapes.
00:50:18 I had a date with a girl named Veronica.
00:50:24 - That's not what I've got.
00:50:25 - What?
00:50:26 - That's not the information I've received.
00:50:29 - Well, I wait.
00:50:31 What information have you received?
00:50:32 - Let me see.
00:50:33 You were with-- - Well, I could be wrong.
00:50:40 - When was the last time you were with Paul Allen?
00:50:42 - We'd gone to a new musical called
00:50:45 Oh, Africa, Brave Africa.
00:50:49 It was a laugh riot.
00:50:50 That was about it.
00:50:52 I think we had dinner at Orso's.
00:50:53 No, Petal, no, Orso's.
00:50:55 I hope I've been informative.
00:50:57 Long day, bit scattered.
00:50:59 I'm a little spent now, too.
00:51:01 But how about lunch in a week or so
00:51:04 when I've sorted out all this information?
00:51:06 - Great, yes, I'd like that.
00:51:08 - And if you could try and pin down where you were
00:51:11 the night of Paul Allen's disappearance,
00:51:13 it would make my job a lot easier.
00:51:15 - Absolutely, I'm with you on that one.
00:51:17 - Huey Lewis and the News.
00:51:23 Great stuff.
00:51:27 I just bought it on my way here.
00:51:28 You heard it?
00:51:29 - Never.
00:51:31 I mean, I don't really like singers.
00:51:34 - Not a big music fan, huh?
00:51:36 - No, I like music.
00:51:38 Just their,
00:51:39 Huey's too black sounding for me.
00:51:43 - He just don't.
00:51:44 - So.
00:51:48 - Lunch next week?
00:51:49 - I'll be there.
00:51:56 (grunting)
00:51:58 (breathing heavily)
00:52:26 - Do you call me before Easter?
00:52:28 - Maybe.
00:52:30 - What are you doing tonight?
00:52:36 - Dinner at a river cafe, O-Bar afterwards maybe.
00:52:40 - That's nice.
00:52:41 - Never knew you smoked.
00:52:45 - You never noticed.
00:52:48 Listen, Patrick.
00:52:55 Can we talk?
00:52:56 - You look marvelous.
00:53:05 There's nothing to say.
00:53:08 You're gonna marry Lewis.
00:53:10 - Isn't that special?
00:53:11 Patrick.
00:53:15 - Yes, Courtney.
00:53:25 - If I don't see you before Easter,
00:53:27 have a nice one, okay?
00:53:29 - You too.
00:53:35 - Patrick?
00:53:44 - Yeah?
00:53:46 - Nothing.
00:53:53 (upbeat music)
00:53:55 - There is this theory now, listen to me, baby.
00:54:20 There is this theory now that if you can catch
00:54:22 the AIDS virus through having sex with someone
00:54:23 who's infected, then you can catch anything.
00:54:26 Alzheimer's, muscular dystrophy, hemophilia,
00:54:30 leukemia, diabetes, dyslexia.
00:54:32 - I'm not sure, guy, but I don't think dyslexia is a virus.
00:54:35 - But who knows?
00:54:37 - They don't know that.
00:54:38 - Prove it.
00:54:39 (sighing)
00:54:51 - Oh, God.
00:54:52 - What?
00:54:53 - That's a fucking milligram of sweetener.
00:54:55 I wanna get high, I wanna sleep,
00:54:56 and not sprinkle it on my fucking oatmeal.
00:54:58 - He's definitely weak, but I have a feeling
00:55:00 if we do enough of it, we'll be okay.
00:55:01 - Could you keep it down?
00:55:02 I'm trying to do drugs.
00:55:04 Fuck you!
00:55:06 - Calm down, let's do it anyway.
00:55:08 - You're so right.
00:55:10 - That isn't the faggot in the next stall thinks it's okay!
00:55:12 - Fuck you!
00:55:13 - Say fuck you!
00:55:14 - Sorry, dude, my steroids.
00:55:18 Okay, let's do it.
00:55:21 ♪ I know you know ♪
00:55:23 ♪ Well, don't forget ♪
00:55:25 ♪ There are some things you can't hide ♪
00:55:29 ♪ I know you know ♪
00:55:31 ♪ Well, don't feel bad ♪
00:55:33 ♪ Tell me what's on your mind ♪
00:55:37 - Where did Craig go?
00:55:43 - Well, Gorbachev is downstairs.
00:55:46 McDermott went to sign a peace treaty
00:55:47 between the United States and Russia.
00:55:48 He's the one behind Glassnose, too.
00:55:50 - He said he was in mergers and acquisitions.
00:55:54 - You're not confused, are you?
00:55:56 - No, not really.
00:55:57 Gorbachev is not downstairs.
00:56:00 - Karen's right, Gorbachev's not downstairs.
00:56:02 He's a tunnel.
00:56:03 - Ask me a question.
00:56:04 - So what do you do?
00:56:08 - I'm into murders and executions, mostly.
00:56:12 - Do you like it?
00:56:13 - Well, it depends.
00:56:14 Why?
00:56:16 - The guys I know who work in mergers and acquisitions
00:56:20 really don't like it.
00:56:21 - So, where do you work out?
00:56:27 - Think I'm dumb, don't you?
00:56:32 You think I'm dumb, you think all models are dumb.
00:56:36 - No, I really don't.
00:56:39 - That's okay, I don't mind.
00:56:40 There's something sweet about you.
00:56:43 (sirens blaring)
00:56:46 (knocking)
00:57:02 - Doing the crossword?
00:57:12 - No, I'm just checking out.
00:57:14 - Okay, I'll be right back.
00:57:15 - Okay.
00:57:16 - You need any help?
00:57:25 - Jean?
00:57:36 - Yes, Patrick?
00:57:39 - Would you like to accompany me to dinner?
00:57:41 - Sure.
00:57:42 - Wow.
00:57:44 Isn't this a coincidence?
00:57:49 Listen, where should we go?
00:57:51 - Anywhere you want.
00:57:52 - Let's not think about what I want.
00:57:54 How about anywhere you want?
00:57:55 - I don't know, Patrick, I can't make this decision.
00:58:00 - Come on.
00:58:01 Where do you wanna go?
00:58:04 Anywhere you want, just say it.
00:58:05 I can get us in anywhere.
00:58:07 - What about...
00:58:10 (phone ringing)
00:58:13 - Dorcia?
00:58:21 - So.
00:58:28 Dorcia is where Jean wants to go.
00:58:32 - I don't know, we'll go anywhere you wanna go.
00:58:36 - Dorcia is fine.
00:58:38 (phone ringing)
00:58:40 - Dorcia, yes?
00:58:46 - Yeah, can you take two tonight at,
00:58:48 let's say nine o'clock?
00:58:49 - We're totally booked.
00:58:50 - Really?
00:58:51 That's great.
00:58:52 - No, I said we are totally booked.
00:58:54 - Two at nine, perfect.
00:58:56 See you then.
00:58:57 Yeah.
00:59:02 You're...
00:59:04 Dressed okay.
00:59:08 - You didn't give a name.
00:59:09 - They know me.
00:59:10 Why don't you meet me at my place at seven for drinks?
00:59:16 And Jean?
00:59:19 We'll wanna change before we go out.
00:59:22 - Patrick, it's so elegant.
00:59:32 What a wonderful view.
00:59:35 - Jean?
00:59:37 Sorbet?
00:59:38 - Thanks, Patrick, I'd love some.
00:59:43 Do you wanna bite?
00:59:51 - I'm on a diet, but thank you.
00:59:53 - No need to lose any weight.
00:59:54 You're kidding, right?
00:59:56 You look great.
00:59:58 Very fit.
00:59:59 - You can always be thinner.
01:00:02 Look better.
01:00:03 - Well, maybe we shouldn't go out to dinner.
01:00:06 I don't wanna ruin your willpower.
01:00:08 - No, it's all right.
01:00:09 I'm not very good at controlling it anyway.
01:00:12 So listen.
01:00:17 What do you really wanna do with your life?
01:00:22 Just briefly, summarize.
01:00:24 Don't tell me you enjoy working with children, okay?
01:00:27 - Well, I'd like to travel and maybe go back to school,
01:00:31 but I don't really know.
01:00:35 There's a point in my life where there seems to be
01:00:37 so many possibilities, but I don't know,
01:00:40 I'm just so unsure.
01:00:42 - You have a boyfriend?
01:00:47 - No, not really.
01:00:50 - Interesting.
01:00:52 - Are you seeing anyone?
01:00:54 I mean, seriously?
01:00:56 - Maybe.
01:00:58 I don't know.
01:00:59 Not really.
01:01:02 - I'm sure you're not.
01:01:03 - No, I'm not.
01:01:04 - You're not?
01:01:05 - No.
01:01:06 - I'm sure you're not.
01:01:07 - No.
01:01:08 - I'm sure you're not.
01:01:08 - No.
01:01:09 - I'm sure you're not.
01:01:10 - No.
01:01:11 - I'm sure you're not.
01:01:12 - No.
01:01:13 - I'm sure you're not.
01:01:13 - No.
01:01:14 - I'm sure you're not.
01:01:15 - No.
01:01:16 - I'm sure you're not.
01:01:17 - No.
01:01:18 - I'm sure you're not.
01:01:19 - No.
01:01:19 - I'm sure you're not.
01:01:20 - No.
01:01:21 - I'm sure you're not.
01:01:22 - No.
01:01:23 - I'm sure you're not.
01:01:24 - No.
01:01:24 - I'm sure you're not.
01:01:25 - No.
01:01:26 - I'm sure you're not.
01:01:28 - Did you know that Ted Bundy's first dog,
01:01:33 a collie, was named Lassie?
01:01:36 (laughs)
01:01:36 Did you hear that?
01:01:37 - Who's Ted Bundy?
01:01:39 - Forgot it.
01:01:42 - What's that?
01:01:47 - Duct tape.
01:01:48 I need it for taping something.
01:01:52 (laughs)
01:01:54 - Patrick?
01:01:58 Have you ever wanted to make someone happy?
01:02:03 - What?
01:02:04 No, put it in the carton.
01:02:05 - Sorry.
01:02:08 - Jean?
01:02:11 What?
01:02:14 - Make someone happy.
01:02:18 Have you ever wanted to?
01:02:21 (footsteps)
01:02:23 - I'm looking for...
01:02:25 I guess you could say I just wanna have
01:02:32 a meaningful relationship with someone special.
01:02:35 - Hmm.
01:02:37 (phone rings)
01:02:41 - Patrick, Patrick, I know you're there.
01:02:48 Pick up the phone, you bad boy.
01:02:51 What are you up to tonight?
01:02:52 It's me, don't try to hide.
01:02:55 I hope you're not out there with some little number
01:02:57 you picked up because you're my Mr. Bigman,
01:02:59 my boy next door.
01:03:01 Anyway, you never called me and you said you would.
01:03:04 And I'll leave a message for Jean about this too
01:03:06 to remind you, but we're having dinner
01:03:08 with Melania and Taylor.
01:03:09 You know Melania, she went to Sweetbriar.
01:03:12 And we're meeting at the Cornell Club,
01:03:14 so I'll call you tomorrow morning, honey.
01:03:16 Oh, sorry, I know you hate that.
01:03:19 Bye Patrick, bye Mr. Big Time CEO.
01:03:22 Bye bye.
01:03:23 - Was that Evelyn?
01:03:29 Are you still seeing her?
01:03:35 I'm sorry, I have no right to ask that.
01:03:48 - Do you want me to go?
01:03:49 - Yeah.
01:03:51 I don't think I can control myself.
01:03:57 - I know I should go.
01:04:01 I know I have a tendency to get involved
01:04:02 with unavailable men.
01:04:04 I mean, do you want me to go?
01:04:11 - I think if you stay, something bad will happen.
01:04:18 - I think I might hurt you.
01:04:20 You don't want to get hurt, do you?
01:04:23 - No, no, I guess not.
01:04:25 I don't want to get bruised.
01:04:28 You're right, I should go.
01:04:34 Oh, don't forget you have a lunch date tomorrow
01:04:43 with Donald Kimball at Smith and Walensky's.
01:04:46 - Thanks.
01:04:47 Slipped my mind completely.
01:04:50 (dramatic music)
01:04:59 - So, the night he disappeared,
01:05:15 any new thoughts about what you did?
01:05:18 - I'm sure.
01:05:20 I had a shower and some sorbet.
01:05:25 - I think you're getting your dates mixed up.
01:05:27 - But how?
01:05:28 Where do you place Paul that night?
01:05:32 - According to his date book,
01:05:33 and this was verified by his secretary,
01:05:36 he had dinner with Marcus Helberstram.
01:05:38 - And?
01:05:40 - I questioned him.
01:05:41 - Marcus?
01:05:42 - Yes, and he denies it.
01:05:44 - Yes, and he denies it though, at first, he wouldn't be sure.
01:05:48 - But he denied it?
01:05:49 - Yes.
01:05:49 - Well, does Marcus have an alibi?
01:05:53 - Yes.
01:05:54 - He does, you're sure?
01:05:57 - I checked it out, it's clean.
01:05:59 - Now, where were you?
01:06:06 - Where was Marcus?
01:06:09 - He wasn't with Paul Allen.
01:06:11 - Who was he with?
01:06:12 - He was at Atlantis,
01:06:14 with Craig McDermott, Frederick Dibble,
01:06:18 Harry Newman, George Butner, and...
01:06:20 - You.
01:06:23 - Oh, right, yeah, of course.
01:06:29 He'd wanted Paul Allen to come,
01:06:33 but he had made plans,
01:06:35 and I guess I had dinner with Victoria the following night.
01:06:39 - Firstly, I think the guy went a little nuts,
01:06:41 so split town for a while, maybe he did go to London,
01:06:44 sightseeing, drinking, whatever.
01:06:46 Anyway, I'm pretty sure he'll turn up soon, I'll let him.
01:06:49 I mean, to think that one of his friends killed him
01:06:52 for no reason whatsoever would be too ridiculous.
01:06:56 Isn't that right, Patrick?
01:06:58 - Careful, here.
01:06:59 - Kristy, Kristy!
01:07:21 - I'm not so sure about this.
01:07:23 I had to go to emergency after last time.
01:07:25 - This won't be anything like last time, I promise.
01:07:28 - I don't think so.
01:07:29 - Just come in the limo and talk to me for a minute.
01:07:34 The driver's here, be safe.
01:07:37 (eerie music)
01:07:40 - Nothing like last time, I promise.
01:07:58 - All right.
01:07:59 - So, you're looking great.
01:08:02 Where have you been?
01:08:03 - Well, I actually might need a little surgery
01:08:05 after last time.
01:08:06 - Really?
01:08:07 - My friend told me I should maybe even get a lawyer.
01:08:10 - Lawyers are so complicated.
01:08:13 Don't do that.
01:08:15 Here's a check.
01:08:18 (whistles)
01:08:36 (whistles)
01:08:37 (whistles)
01:08:39 (footsteps)
01:09:07 - Huh, half now, half later.
01:09:10 Okay, your name's Kristy.
01:09:18 I'm meeting a friend of mine, Elizabeth.
01:09:22 She'll be joining us in my new apartment shortly.
01:09:25 You'll like her.
01:09:28 She's a very nice girl.
01:09:30 (upbeat music)
01:09:34 (upbeat music)
01:09:36 - You look really familiar.
01:09:38 Did you ever go to Dalton?
01:09:40 I think I met you at the surf bar, didn't I?
01:09:43 It was spicy.
01:09:44 Well, maybe not with spicy, we definitely ate surf bar.
01:09:46 - You know, surf bar.
01:09:47 - Anyway, surf bar sucks, that was terrible.
01:09:49 Went to a birthday party there for Malcolm Forbes.
01:09:51 Oh my God, please.
01:09:53 - This is nicer than your other apartment.
01:09:57 - Oh, it's not that nice.
01:10:03 (liquid pouring)
01:10:06 - Where did you two meet?
01:10:08 - Oh God, we met at, um,
01:10:11 oh God, at the Kentucky Derby in '85, or '86.
01:10:15 You were hanging out with that bimbo, Alison Poole.
01:10:17 Hot number.
01:10:18 - What do you mean?
01:10:19 She was a hot number.
01:10:21 - Get a platinum card, she'd give you a blow job.
01:10:22 Listen, this girl worked at a tanning salon,
01:10:24 need I say more?
01:10:26 What do you do?
01:10:27 - She's my cousin.
01:10:32 - Uh-huh.
01:10:33 - She's from France.
01:10:36 - Where's your phone, I've gotta call Harley.
01:10:39 Where do you summer, Southampton?
01:10:47 - No.
01:10:48 - Oh God, it's his machine.
01:10:51 - Elizabeth, it's three in the morning.
01:10:53 - It's a God damn drug dealer, these are his peak hours.
01:10:55 - Don't tell him you're here.
01:10:56 - Why would I?
01:10:57 This is weird.
01:10:59 Harley, it's me, I need your services,
01:11:01 translate that however you want.
01:11:03 I'm at...
01:11:05 - Paul Allen's.
01:11:08 - Who?
01:11:09 - Paul Allen.
01:11:10 - I want the number, idiot.
01:11:11 Anyway, I'm at Paul Norman's, and I'll try you again later,
01:11:13 and if I don't see you at the canal bar tomorrow night,
01:11:15 I'm gonna stick my hairdresser on you.
01:11:17 Did you know that guy who disappeared,
01:11:20 didn't he work at Pierce and Pierce,
01:11:21 was he a friend of yours?
01:11:23 - No.
01:11:24 - Do you have any coke?
01:11:26 Or halcyon?
01:11:27 - If I had a halcyon, I would take a halcyon.
01:11:29 - Listen.
01:11:30 I would just like to see the two of you get it on.
01:11:37 - What's wrong with that?
01:11:41 It's totally disease free.
01:11:43 - Patrick, you're a lunatic.
01:11:47 - Come on.
01:11:48 Don't you find Christy attractive?
01:11:50 - Let's not get lewd.
01:11:52 I am in no mood for a lewd conversation.
01:11:54 - Come on.
01:11:56 I think it'd be a turn on.
01:11:58 - Does he do this all the time?
01:12:00 - Christy, you're not drinking your wine.
01:12:05 Are you telling me you've never gotten it on with a girl?
01:12:09 - No.
01:12:10 Not a lesbian.
01:12:12 Why would you think I would be into that?
01:12:14 - Well, you went to Sarah Lawrence for one thing.
01:12:17 - Those are Sarah Lawrence guys, Patrick.
01:12:20 You're making me feel weird.
01:12:24 (Christy groans)
01:12:27 - Did you know that Whitney Houston's debut LP
01:12:32 called simply Whitney Houston
01:12:35 had four number one singles on it?
01:12:38 Did you know that, Christy?
01:12:42 - You actually listen to Whitney Houston?
01:12:45 You own a Whitney Houston CD?
01:12:48 More than one?
01:12:53 - It's hard to choose a favorite
01:12:54 among so many great tracks.
01:12:56 But The Greatest Love of All
01:13:00 is one of the best, most powerful songs ever written
01:13:05 about self-preservation and dignity.
01:13:09 Its universal message crosses all boundaries
01:13:13 and instills one with the hope
01:13:17 that it's not too late to better ourselves.
01:13:21 Since, Elizabeth, it's impossible
01:13:26 in this world we live in to empathize with others.
01:13:30 We can always empathize with ourselves.
01:13:33 It's an important message.
01:13:36 Crucial, really.
01:13:38 And it's beautifully stated on the album.
01:13:43 (Christy grunts)
01:13:49 (Christy groans)
01:13:52 (Christy screams)
01:14:13 (dramatic music)
01:14:16 (Christy screams)
01:14:19 (Christy screams)
01:14:29 (dramatic music)
01:14:32 (Christy screams)
01:14:41 (dramatic music)
01:14:44 (Christy pants)
01:14:47 (Christy groans)
01:14:50 (Christy pants)
01:14:53 (Christy screams)
01:14:55 - That's a fish!
01:14:56 You picked up the fucking fish!
01:14:58 You piece of bitch trash!
01:15:00 (dramatic music)
01:15:03 (Christy pants)
01:15:06 (Christy screams)
01:15:09 (dramatic music)
01:15:12 (Christy screams)
01:15:15 (dramatic music)
01:15:18 (Christy pants)
01:15:21 (dramatic music)
01:15:24 (dramatic music)
01:15:27 (engine revs)
01:15:30 (dramatic music)
01:15:33 (Christy pants)
01:15:36 (dramatic music)
01:15:39 (engine revs)
01:15:42 (Christy pants)
01:15:45 (dramatic music)
01:15:48 (Christy pants)
01:15:51 (dramatic music)
01:15:54 (Christy screams)
01:15:57 (dramatic music)
01:15:59 (Christy screams)
01:16:03 (dramatic music)
01:16:06 (gentle music)
01:16:29 - I want a firm commitment.
01:16:32 - I think, um, Evelyn, that, uh, we've lost touch.
01:16:36 - Why, what's wrong?
01:16:38 - My need to engage in homicidal behavior
01:16:43 on a massive scale cannot be corrected,
01:16:46 but I have no other way to fulfill my needs.
01:16:50 We need to talk.
01:16:52 - Talk about what, Patrick?
01:16:54 - It's over, Evelyn, it's all over.
01:16:57 - Touchy touchy, I'm sorry I brought up the wedding.
01:17:00 Let's just avoid the issue, all right?
01:17:02 Now, are we having coffee?
01:17:04 - I'm fucking serious, it's fucking over, us.
01:17:07 This is no joke.
01:17:09 Uh, I don't think we should see each other anymore.
01:17:12 - But your friends are my friends,
01:17:14 and my friends are your friends.
01:17:16 I really don't think it would work.
01:17:19 - You have a little something.
01:17:20 - I know that your friends are my friends,
01:17:23 and I've thought about that.
01:17:26 You can have them.
01:17:28 - You're really serious, aren't you?
01:17:31 - Yes, I am.
01:17:33 - What about the past?
01:17:37 Our past?
01:17:38 - We never really shared one.
01:17:40 - You're inhuman.
01:17:41 - No, I'm in touch with humanity.
01:17:44 Evelyn, I'm, uh, sorry, I just, uh...
01:17:48 You're not terribly important to me.
01:17:52 - Oh, no!
01:17:54 Oh, no!
01:17:56 No, no!
01:17:59 - I know my, uh, behavior can be erratic sometimes.
01:18:04 - What do you want me to do?
01:18:06 What is it that you want?
01:18:08 - If you really want to do something for me,
01:18:10 then stop making this seem right now.
01:18:12 - Oh, God, I can't do this.
01:18:14 - I'm leaving.
01:18:15 Assess the situation, and, uh, I'm going.
01:18:17 - Where are you going?
01:18:19 - Just leaving.
01:18:20 - But where?
01:18:23 - I have to return some videotapes.
01:18:26 [sighs]
01:18:28 [sighs]
01:18:32 [indistinct chatter]
01:18:35 [cat meows]
01:18:56 - Here, kitty, kitty.
01:19:01 [cat meows]
01:19:04 - Oh, my God, what are you doing?
01:19:16 Stop that!
01:19:18 [gunshot]
01:19:20 [cat meows]
01:19:25 [dramatic music]
01:19:28 ♪ ♪
01:19:35 [siren wailing]
01:19:40 [car horn honking]
01:19:43 [siren wailing]
01:19:56 [siren wailing]
01:19:59 - Drop the weapon! Drop it now!
01:20:02 Get on the ground!
01:20:04 [gunshots]
01:20:07 [dramatic music]
01:20:10 ♪ ♪
01:20:17 [gunshots]
01:20:20 [dramatic music]
01:20:33 ♪ ♪
01:20:41 [footsteps approaching]
01:20:44 - Burning the midnight oil, Mr. Smith?
01:20:49 Hey, now, don't forget to sign in.
01:20:52 [gunshot]
01:20:55 [gunshot]
01:21:09 [gunshots]
01:21:11 ♪ ♪
01:21:18 [breathing heavily]
01:21:37 [dramatic music]
01:21:40 ♪ ♪
01:21:47 [breathing heavily]
01:21:50 ♪ ♪
01:21:57 [dramatic music]
01:22:00 ♪ ♪
01:22:07 [phone beeping]
01:22:19 - Howard.
01:22:23 It's Bateman, Patrick Bateman.
01:22:25 You're my lawyer, so I think you should know
01:22:27 I've killed a lot of people.
01:22:29 Some escort girls in an apartment uptown.
01:22:31 Uh...
01:22:33 Some homeless people, maybe five or ten.
01:22:35 Um, an NYU girl I met in Central Park.
01:22:37 I left her in a parking lot behind some donut shop.
01:22:39 I killed Bethany, my old girlfriend, with a nail gun.
01:22:42 Uh, and, uh, some--a man,
01:22:45 some old faggot with a dog.
01:22:47 Last week, I, uh--
01:22:49 I killed another girl with a chainsaw.
01:22:53 [sobbing]
01:22:55 I had to.
01:22:57 She almost got away.
01:22:59 And, uh, someone else there.
01:23:02 I can't remember. Maybe a model.
01:23:04 But she's dead too.
01:23:06 And, uh, Paul Allen.
01:23:08 I killed Paul Allen with an ax in the face.
01:23:12 His body is dissolving in a bath tub in Hell's Kitchen.
01:23:16 I don't want to leave anything out here.
01:23:19 I guess I've killed maybe 20 people.
01:23:22 Maybe 40.
01:23:24 Uh...
01:23:26 I have, uh, tapes of a lot of it.
01:23:29 Uh, some of the girls have seen the tapes.
01:23:32 I even, um...
01:23:34 [whispering]
01:23:36 I ate some of their brains.
01:23:43 [sobbing]
01:23:45 And I tried to cook a little.
01:23:47 [sniffling]
01:23:49 Tonight, I, uh...
01:23:51 [laughing]
01:23:53 I just had to kill a lot of people!
01:23:57 And, um...
01:23:59 I'm not sure...
01:24:04 I'm gonna get away with it this time.
01:24:08 So, uh, I mean...
01:24:12 [sighs]
01:24:15 I guess...
01:24:17 I'm a pretty, uh...
01:24:20 I mean, I guess I'm a pretty sick guy.
01:24:23 [sniffling]
01:24:25 So...
01:24:27 If you get back tomorrow...
01:24:29 I'll meet you up at Harry's bar.
01:24:33 So, you know...
01:24:35 Keep your eyes open.
01:24:38 [sighs]
01:24:43 Oh...
01:24:48 [snoring]
01:24:50 [piano music]
01:24:59 [water running]
01:25:13 [piano music]
01:25:15 [water running]
01:25:44 [piano music]
01:25:46 [piano music]
01:26:12 [phone ringing]
01:26:41 [door creaking]
01:26:43 Are you my two o'clock?
01:26:59 No.
01:27:02 Can I help you?
01:27:05 I'm looking for...
01:27:07 Paul Allen's place.
01:27:10 Doesn't he...
01:27:12 live here?
01:27:13 No, he doesn't.
01:27:15 You sure?
01:27:17 You saw the ad in the Times?
01:27:20 No.
01:27:21 Yeah.
01:27:22 I mean, yeah.
01:27:24 In the Times.
01:27:25 There was no ad in the Times.
01:27:28 I think you should go now.
01:27:30 But I think...
01:27:32 I wanna know what happened here.
01:27:36 Don't make any trouble, please.
01:27:39 I suggest you go.
01:27:41 Don't come back.
01:27:55 I won't.
01:27:57 Don't worry.
01:27:59 [door creaking]
01:28:06 [door creaking]
01:28:08 [phone ringing]
01:28:29 Patrick Bateman's office.
01:28:31 Jean!
01:28:32 I need help.
01:28:34 Patrick, is that you?
01:28:36 Jean, I'm not...
01:28:38 Craig McDermott called.
01:28:40 He wants to meet you, David Van Patten, and Tim Bryce
01:28:42 at Harry's for drinks.
01:28:44 God!
01:28:45 What did you say, you dumb bitch?
01:28:47 Patrick, I can't hear you.
01:28:49 What am I doing?
01:28:51 Where are you, Patrick?
01:28:52 What's wrong?
01:28:54 Don't think I'm gonna make it, Jean.
01:28:58 To the office this afternoon.
01:29:02 Why?
01:29:04 Just say no!
01:29:07 What is it, Patrick?
01:29:08 Are you all right?
01:29:10 Stop sounding so fucking sad!
01:29:13 Jesus!
01:29:16 [phone ringing]
01:29:19 [phone clicking]
01:29:22 [phone ringing]
01:29:25 [footsteps]
01:29:28 [footsteps]
01:29:30 [music playing]
01:29:37 [music playing]
01:29:39 [music playing]
01:29:41 [music playing]
01:29:45 [music playing]
01:29:48 [music playing]
01:29:51 [music playing]
01:29:54 [music playing]
01:29:57 [music playing]
01:30:00 [music playing]
01:30:03 [music playing]
01:30:07 [music playing]
01:30:09 [music playing]
01:30:12 [music playing]
01:30:15 [music playing]
01:30:18 [music playing]
01:30:21 [music playing]
01:30:24 [music playing]
01:30:27 [music playing]
01:30:30 Table for three.
01:30:33 Eight men.
01:30:34 What, are you having a little wild-eyed rough day at the office?
01:30:36 Hey, look, Bryce is back, and he's drinking mineral water.
01:30:39 He's a changed man.
01:30:41 Except he still can't get a reservation to save his life.
01:30:43 Why don't you just try 150 Wooster?
01:30:45 I'm not going anywhere unless we have a reservation.
01:30:48 Le Cirque, Flamingo East.
01:30:50 Oyster Park.
01:30:51 Come on, faggots, let's get a res.
01:30:53 Keep your shirt on.
01:30:54 Maybe we'll lose the suspenders.
01:30:56 Need a reservation for 830.
01:30:58 Excuse me, gentlemen.
01:31:00 Right back.
01:31:01 Ten wood would not be any good.
01:31:03 No.
01:31:04 Just fucking call them.
01:31:05 Give me the phone. I'll do it.
01:31:06 I'll call you back.
01:31:07 Face it, the Japanese will own most of this country
01:31:09 by the end of the '90s.
01:31:10 Shut up, Corns.
01:31:12 They will not.
01:31:15 So, uh, Harold, did you get my message?
01:31:20 Jesus, yes.
01:31:21 That was hilarious.
01:31:22 That was you, wasn't it?
01:31:23 Yeah, naturally.
01:31:24 Bateman killing Allen and the escort girls.
01:31:26 That's fabulous.
01:31:27 That's rich.
01:31:28 What exactly do you mean?
01:31:29 The message you left.
01:31:30 By the way, Davis, how's Cynthia?
01:31:32 You're still seeing her, right?
01:31:33 Wait, Harold, what do you mean?
01:31:35 Now, excuse me, nothing.
01:31:37 It's good to see you.
01:31:39 Is that Edward Towers?
01:31:41 Come on.
01:31:42 Hi.
01:31:43 Davis.
01:31:46 I'm not one to badmouth anyone.
01:31:48 Your joke was amusing.
01:31:49 But come on, man.
01:31:51 You had one fatal flaw.
01:31:54 Bateman is such a dork,
01:31:56 such a boring, spineless lightweight.
01:31:59 Now, if you said Bryce or McDermott,
01:32:02 otherwise it was amusing.
01:32:03 Now, if you'll excuse me, I really must be going.
01:32:06 Wait, um...
01:32:08 Stop.
01:32:10 I did it, Garth.
01:32:13 I killed him.
01:32:15 I'm Patrick Bateman.
01:32:18 I chopped Allen's fucking head off.
01:32:24 Like, the whole message I left on your machine was true.
01:32:29 Excuse me. I really must be going now.
01:32:33 No, listen.
01:32:35 Don't you know who I am?
01:32:38 I'm not Davis. I'm Patrick Bateman.
01:32:43 We talk on the phone all the time.
01:32:47 Don't you recognize me?
01:32:51 You're my lawyer.
01:32:54 Now, Carnes, listen.
01:32:58 Listen very, very carefully.
01:33:01 I killed Paul Allen.
01:33:08 And I liked it.
01:33:10 I can't make myself any clearer.
01:33:13 But that's simply not possible.
01:33:16 And I don't find this funny anymore.
01:33:18 It never was supposed to be.
01:33:20 Why isn't it possible?
01:33:22 It's just not.
01:33:23 Why not, you stupid bastard?
01:33:26 Because I had dinner with Paul Allen twice in London.
01:33:30 Just ten days ago.
01:33:32 No, you...
01:33:34 Didn't.
01:33:37 Now, if you'll excuse me.
01:33:40 [♪♪♪]
01:33:43 [♪♪♪]
01:33:46 [♪♪♪]
01:33:49 [♪♪♪]
01:33:57 [♪♪♪]
01:34:00 We've seen the results of that mistrust
01:34:22 in the form of lies, divisions and mistakes.
01:34:26 We need to find a way to cooperate
01:34:28 while realizing foreign policy can't be run by committee.
01:34:33 And I believe there's now the growing sense
01:34:36 that we can accomplish more by cooperating.
01:34:40 And in the end, this may be the eventual blessing in disguise
01:34:44 to come out of the Iran-Contra mess.
01:34:46 How can he lie like that?
01:34:48 There are now 17 months left in this administration.
01:34:50 - How can he pull that shit? - What shit?
01:34:52 Now, where do we have reservations?
01:34:54 I'm not really hungry, but I'd like to have reservations someplace.
01:34:57 How can you be so fucking...
01:34:59 I don't know...
01:35:01 cool about it?
01:35:03 You guys are just born cool, I guess.
01:35:05 [LAUGHS]
01:35:07 Bateman?
01:35:12 [LAUGHS]
01:35:13 What are you so fucking zany about?
01:35:15 I'm just a happy camper.
01:35:17 Rocking and a-rolling.
01:35:20 Oh, brother, look.
01:35:23 He presents himself as this harmless old codger,
01:35:26 but inside...
01:35:28 but inside...
01:35:30 but inside doesn't matter.
01:35:33 Inside, yes, inside.
01:35:35 Believe it or not, Bryce, we're actually listening to you.
01:35:38 Come on, Bateman.
01:35:40 What do you think?
01:35:42 Whatever.
01:35:45 This moronic idea was a door at Rye Beers.
01:35:48 I need a scotch.
01:35:50 Judge Robert Boyd.
01:35:52 When I named him to the U.S. Court of Appeals...
01:35:55 There are no more barriers to cross.
01:36:09 All I have in common with the uncontrollable and the insane,
01:36:13 the vicious and the evil,
01:36:15 all the mayhem I have caused
01:36:17 and the utter indifference toward it I have now surpassed.
01:36:21 My pain is constant and sharp,
01:36:27 and I do not hope for a better world for anyone.
01:36:31 In fact, I want my pain to be inflicted on others.
01:36:35 I want no one to escape.
01:36:38 But even after admitting this,
01:36:42 there is no catharsis.
01:36:44 My punishment continues to elude me,
01:36:47 and I gain no deeper knowledge of myself.
01:36:50 No new knowledge can be extracted from my telling.
01:36:54 This confession has meant nothing.
01:36:58 [♪♪♪]
01:37:01 [♪♪♪]
01:37:04 [♪♪♪]
01:37:09 ♪ I'm looking for you ♪
01:37:21 ♪ I lose you ♪
01:37:23 ♪ We can avoid the clash ♪
01:37:28 ♪ A big mistake ♪
01:37:31 ♪ Now we're gonna play and play ♪
01:37:34 ♪ I guess you know ♪
01:37:38 ♪ I never wanted anyone more than you ♪
01:37:41 ♪ We lived all our best times ♪
01:37:46 ♪ But I know you hold your head up high ♪
01:37:51 ♪ There's nothing we have to say ♪
01:37:58 ♪ There's nothing in our eyes ♪
01:38:02 ♪ But there's something in the air ♪
01:38:07 ♪ There's something I have to say ♪
01:38:12 ♪ There's something in the air ♪
01:38:16 ♪ Who feels it? ♪
01:38:19 ♪ Loves it ♪
01:38:21 ♪ Who knows it? ♪
01:38:24 ♪ Shows it ♪
01:38:27 ♪ Who knows it? ♪
01:38:29 ♪ Scratch it up, here comes Virginia ♪
01:38:32 ♪ Grandmaster, Passion, the Purious ♪
01:38:35 ♪ Nasty looks, they are serious ♪
01:38:37 ♪ The message, delirious ♪
01:38:40 ♪ Doughboy, a genius chameleon ♪
01:38:42 ♪ Africa, Babada, host of minions ♪
01:38:45 ♪ Poachers on the scene like a failing any dream ♪
01:38:47 ♪ Salvation's here, a lot out green ♪
01:38:50 ♪ Who feels it? ♪
01:38:52 ♪ Loves it ♪
01:38:55 ♪ Who loves it? ♪
01:38:57 ♪ Shows it ♪
01:38:59 ♪ Who feels it? ♪
01:39:02 ♪ Loves it ♪
01:39:04 ♪ Who knows it? ♪
01:39:07 ♪ Shows it ♪
01:39:09 ♪ Come on ♪
01:39:15 ♪ What you gonna do with a broken heart? ♪
01:39:17 ♪ Zip, crystal, burn up the chart ♪
01:39:19 ♪ What you gonna do when they put you down? ♪
01:39:22 ♪ Move to the tip, groove underground ♪
01:39:24 ♪ What you gonna do when you miss your mark? ♪
01:39:27 ♪ Chill out, choose a brand new start ♪
01:39:29 ♪ How does it feel to be back on top? ♪
01:39:31 ♪ It's good, uh-huh, and you don't stop ♪
01:39:34 ♪ Who feels it? ♪
01:39:36 ♪ Loves it ♪
01:39:38 ♪ Who loves it? ♪
01:39:41 ♪ Shows it ♪
01:39:43 ♪ Who feels it? ♪
01:39:46 ♪ Loves it ♪
01:39:48 ♪ Who knows it? ♪
01:39:51 [Heartbeat]
01:39:54 [Heartbeat]
01:39:57 [Drums]
01:40:02 ♪ Yeah, I've been watching you fall ♪
01:40:10 ♪ Boy, it seems like you're watching me grow small ♪
01:40:18 ♪ I watch you disappear ♪
01:40:25 ♪ But, babe, I'm my ordinary wall ♪
01:40:32 ♪ I'm my ordinary heart ♪
01:40:39 ♪ I'm my ordinary wall ♪
01:40:51 ♪ I'm my ordinary wall ♪
01:41:08 ♪ I'm my ordinary wall ♪
01:41:18 ♪ So now that I'm with you ♪
01:41:22 ♪ So disconnected ♪
01:41:27 ♪ Minds so targeted ♪
01:41:33 ♪ And she said ♪
01:41:35 ♪ It's so disconnected ♪
01:41:39 ♪ But my kind of trouble ♪
01:41:44 ♪ Is you ♪
01:41:48 ♪ But my kind of trouble ♪
01:41:56 ♪ Is you ♪
01:41:59 [BLANK_AUDIO]