Gregorys Girl-HD (1980)
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TVTranscript
00:00:00 Where is it?
00:00:07 Where is it?
00:00:12 In the middle.
00:00:16 There.
00:00:17 There.
00:00:18 Yeah, I've got it.
00:00:22 I've got it.
00:00:25 Oh, yes.
00:00:27 Yes.
00:00:30 Look at that.
00:00:33 Calm down.
00:00:34 I can't concentrate.
00:00:39 That is a brassier.
00:00:42 She's got a brassier.
00:00:44 Take it off.
00:00:46 Take it off.
00:00:47 Transmit.
00:00:49 Tell her to take off her bra.
00:00:51 Take off your brassier.
00:00:52 Concentrate, you bastards.
00:00:53 Concentrate.
00:00:54 Oh, my.
00:00:57 I can't breathe.
00:01:00 Andy, grow up.
00:01:03 I can't see.
00:01:06 God, Eric, where's your camera?
00:01:10 Where's that picture?
00:01:13 Where's that photograph?
00:01:16 I could make a fortune with a photograph like that.
00:01:21 Andy, Andy.
00:01:27 What a doll, that.
00:01:28 What a doll.
00:01:29 That was terrific.
00:01:32 Superb.
00:01:34 What we did more of it?
00:01:36 Come on, Eric.
00:01:37 I know you're right.
00:01:38 We can bring sandwiches.
00:01:39 Chicken sandwiches.
00:01:44 A lot of fuss over a bit of dirt, eh?
00:01:46 Yeah.
00:01:50 Hey, look, the knickers.
00:01:52 Oh, yeah.
00:01:53 Oh, yeah.
00:02:04 Oh, yeah.
00:02:11 Oh, yeah.
00:02:20 Oh, yeah.
00:02:29 Oh, yeah.
00:02:36 Oh, yeah.
00:02:42 Oh, yeah.
00:02:50 Oh, yeah.
00:02:58 Oh, yeah.
00:03:06 See you, Gregory.
00:03:15 Terrible game, eh?
00:03:17 Bad.
00:03:18 Very bad.
00:03:20 Yeah.
00:03:21 I've got to laugh.
00:03:22 And what have you got to laugh about?
00:03:24 Us.
00:03:27 Football is all about entertainment.
00:03:30 Give them a good laugh.
00:03:32 It's only a game.
00:03:33 It's only a game.
00:03:35 It's only eight games.
00:03:37 Eight games in a row you've lost.
00:03:39 Can't lose them all.
00:03:42 You push us really hard.
00:03:43 No mercy.
00:03:44 Lots of discipline.
00:03:46 Get tough.
00:03:48 We need goals.
00:03:50 It's your job to get them and you don't.
00:03:52 Nobody's perfect.
00:03:54 It's a tricky time for me.
00:03:57 You're in a lot of grime.
00:04:00 Slows you down.
00:04:02 Five minutes this year.
00:04:05 Remember last year?
00:04:07 I was away down here.
00:04:10 You growing a moustache?
00:04:12 I want to make some changes.
00:04:15 Good idea.
00:04:16 Make you look older.
00:04:17 And the team.
00:04:19 I want to make some changes and the team.
00:04:22 You're the boss.
00:04:24 I want to try out some other people.
00:04:27 Switch the team around.
00:04:29 Take some people out.
00:04:31 I was going to take you out.
00:04:34 You don't want to do that.
00:04:36 Yes, I do.
00:04:38 You don't.
00:04:39 I do.
00:04:42 You don't.
00:04:48 What about Andy?
00:04:50 He's not even started growing yet.
00:04:52 He's going to be a real trouble.
00:04:54 I'll tell him.
00:04:55 I'll tell him.
00:04:57 A week's trial and goal for you, then I'll decide.
00:05:02 A jersey my size.
00:05:04 Andy's a lot smaller.
00:05:05 Never mind about the jersey.
00:05:09 A week's trial.
00:05:10 Then I decide.
00:05:12 You're the boss.
00:05:13 Who's taking over my position?
00:05:15 I want to try out some new people.
00:05:21 You won't regret this.
00:05:35 Okay, so Phil Mains is daft.
00:05:37 He's daft enough maybe to throw you out of the team.
00:05:39 I'm not saying that he will fling you out.
00:05:41 No, I didn't say that.
00:05:43 But he's daft.
00:05:44 He's daft enough to do it.
00:05:47 Look, I'll tell you what.
00:05:48 I'll tell you what.
00:05:50 Just supposing Phil Mains is daft enough to throw you out of the team,
00:05:56 well, I'll resign.
00:06:00 Really?
00:06:02 Yeah, well, when I say resign, what I'm getting at,
00:06:06 what it boils down to, what I'm trying to say really is
00:06:09 I'll resign myself to making a decision if it happens.
00:06:14 I'm not saying that it will.
00:06:15 It might, but it won't.
00:06:16 I don't think so.
00:06:17 Well, I'll see you later, Gregory, okay?
00:06:20 Where are you going?
00:06:22 Well, I just want to stay here a wee bit longer and watch the traffic.
00:06:26 I like looking at the big trucks.
00:06:31 Do you know that at least 12 tons of cornflakes passes under here every day?
00:06:36 Really?
00:06:37 It's a well-known fact.
00:06:39 Gee, is it?
00:06:41 Never knew that.
00:06:43 I'll see you later.
00:06:44 Yeah, see you.
00:07:10 Had that dream again last night. So terrific.
00:07:19 Hello, darling.
00:07:21 [Whistling]
00:07:41 [Whistling]
00:07:58 [Whistling]
00:08:11 [Whistling]
00:08:30 [Whistling]
00:08:43 [Whistling]
00:08:53 [Whistling]
00:09:03 [Whistling]
00:09:13 [Whistling]
00:09:23 [Humming]
00:09:51 Bye, Gregory.
00:09:54 [Whistling]
00:10:20 There are two advantages about learning to drive in this new town environment.
00:10:24 Very obvious ones.
00:10:25 Up into third tier.
00:10:27 The absence of traffic lights.
00:10:29 Total absence of street pedestrians.
00:10:31 But you must remember that in other towns things won't be so controlled.
00:10:34 Mirror and brake.
00:10:36 That's the way. Relaxed position.
00:10:38 Brake.
00:10:39 That's the way.
00:10:43 Come here, you.
00:10:45 Was that an emergency stop?
00:10:47 Unsimulated, yes.
00:10:50 Hi, Mike.
00:10:51 Call me Dad, Gregory, or Pop or something.
00:10:53 It makes me feel better when you call me Dad or Father.
00:10:56 Listen, I won't take up any more of your time.
00:10:58 I know what it's like when you're driving under instruction.
00:11:00 That was my first emergency stop, by the way.
00:11:02 Was it? Well, that was really good. Really good, Dad.
00:11:05 Okay.
00:11:06 Stay, Gregory.
00:11:08 I'm sure Mr. Clark would like a minute or two to collect his thoughts, anyway.
00:11:12 My name's Anderson.
00:11:14 Um, Mr. Scorer, are you going to school late or coming home early?
00:11:17 Handbrake in neutral, Mr. Glenn.
00:11:21 How are you, anyway?
00:11:22 Oh, fine. We're all very well.
00:11:24 Your mother. You remember your mother?
00:11:26 Yeah, I remember, Mum.
00:11:27 She was asking after you just the other day.
00:11:29 I told her we'd met briefly in the hallway last Thursday and you looked fine.
00:11:34 Listen, I've got an idea.
00:11:36 Why don't we meet up later in the week for breakfast?
00:11:39 Say, eight o'clock in the kitchen? Friday?
00:11:42 Yeah. Yeah, that sounds fine, yeah.
00:11:45 So date, then?
00:11:47 Yeah.
00:11:48 Mission, mirror, signal, gear. That's the button.
00:11:55 And we'll start the driving lessons when you've mastered the walking bit, okay?
00:12:00 (car engine)
00:12:02 (horse neighs)
00:12:16 (laughing)
00:12:18 Bloody one.
00:12:22 He's mad. He's in the lock-job.
00:12:24 (laughing)
00:12:25 Any teeth?
00:12:27 (laughing)
00:12:29 You must think he's invisible.
00:12:31 Stupid bastard.
00:12:33 Who is it?
00:12:34 That daft boy in fourth year.
00:12:36 The one that's on your football team?
00:12:38 Well, I heard they were awarded a corner last week and took a lap of honour.
00:12:41 (laughing)
00:12:42 Not him. His days are numbered.
00:12:44 After next week, he's out. Kaput. Finished.
00:12:48 Going to get some new blood on the team. Big changes.
00:12:51 Yeah, Chris Bunchgate, though.
00:12:53 The new regime. Signing a new striker this morning.
00:12:57 Hey, uh, who made these?
00:12:59 Oh, relax. It was Sandra and Alison three, eh?
00:13:02 Very nice girls. Very clean.
00:13:05 Oh, Sandra and Alison, eh?
00:13:07 Very nice girls, eh, Alison?
00:13:09 Still getting appointments from me June as well, eh?
00:13:12 You'll get put away.
00:13:14 I like your moustache.
00:13:15 Was it short already? I've only been growing it two days. Thanks a lot.
00:13:19 Oh, yeah.
00:13:20 It's really nice.
00:13:23 Makes you look very, uh, grown up.
00:13:26 Thanks.
00:13:27 Very, very mature.
00:13:29 Yeah, right. I mean, you look at least 15 already.
00:13:32 Well, I've got to scram.
00:13:34 Got an appointment this morning. One place on the team for the best striker.
00:13:38 Organise a trial. See what they're like under pressure.
00:13:41 Well, I'll see yous later.
00:13:45 Are you still getting those points from June?
00:13:53 Oh, come on. You know it's no right to ask these sort of questions.
00:13:57 We are dealing with the emotions of a vulnerable, sensitive, 16-year-old redhead.
00:14:04 Oh, uh, I may have some news for you by lunchtime, son.
00:14:14 I'll keep you posted.
00:14:17 (BIRDS CHIRPING)
00:14:19 Right. You all know what I'm looking for. A goal scorer.
00:14:29 And that requires two basic skills.
00:14:31 Ball control, shooting accuracy and the ability to read the game.
00:14:35 Three things.
00:14:37 So, this trial will allow me to assess these two...
00:14:41 three basic aspects of your skills. Right?
00:14:45 What's the idea of the Sancho's boy? Have you no boots?
00:14:48 I'll get some, if I get in the team.
00:14:51 Oh, that's a dead loss, son. Go and get changed.
00:14:54 We're playing real boots in this school.
00:14:57 From the word go.
00:14:59 Right. Basic ball control.
00:15:01 Trotting with the ball at your feet, 50 yards and back.
00:15:04 Two lines. Come on. Go!
00:15:07 (FOOTSTEPS)
00:15:09 Both sides of the foot now. Come on, I want to see complete control.
00:15:22 Come on! Faster now!
00:15:24 Come on!
00:15:32 A little bit more pace. Anybody can walk with a ball.
00:15:36 Come on! What do you want, lass?
00:15:39 Faster now! What do you want, dear?
00:15:43 I'm here for the trial.
00:15:45 Look, this is a football trial, dear.
00:15:47 Maybe Miss McAlpine's up to something with the hockey team.
00:15:50 I don't know, but this here is football. For boys.
00:15:53 That's right. Football trials at 11am.
00:15:56 I saw the notice.
00:15:58 Look, I'm sorry you picked it up wrongly, dear,
00:16:00 but it was boys I wanted for the trial.
00:16:02 I didn't say so in the notice. It just said "talented players".
00:16:06 Look, I'm sorry you picked it up wrongly, dear.
00:16:08 There's been a slight misunderstanding, obviously,
00:16:10 but there's nothing I can do about it now.
00:16:12 Come on! You didn't say "boys only".
00:16:17 You're not allowed to anyway.
00:16:19 I want a trial.
00:16:22 It's not possible, dear. Not today.
00:16:24 Well, we don't have a spare ball.
00:16:26 Here's one.
00:16:30 (music playing)
00:16:33 (music playing)
00:16:36 (music playing)
00:16:39 (music playing)
00:16:41 (music playing)
00:16:44 (music playing)
00:16:47 (music playing)
00:16:50 (music playing)
00:16:53 (music playing)
00:16:56 (music playing)
00:16:59 (music playing)
00:17:02 (music playing)
00:17:06 (music playing)
00:17:08 Okay, into twos now.
00:17:10 I want to see some penetration work and a shot for goal.
00:17:12 One attacker, one defender.
00:17:14 It's an open goal, so let's see who's first to score.
00:17:17 Right, you defend me then.
00:17:19 What's going on?
00:17:22 She's gorgeous.
00:17:25 She is absolutely gorgeous.
00:17:34 It's Dorothy.
00:17:36 Do it again, same pairs.
00:17:38 You've got funny ears.
00:17:51 Right, three shots each at goal now.
00:17:54 Let's see how you do against a real goalkeeper.
00:17:56 You first, dear.
00:18:02 (music playing)
00:18:04 Right, that's it.
00:18:12 Finished.
00:18:14 Stamina test.
00:18:16 Once round the playing field, back to the dressing rooms.
00:18:18 It's only a quarter of a mile and should be treated as a sprint.
00:18:20 Off you go.
00:18:22 (music playing)
00:18:25 (music playing)
00:18:28 (music playing)
00:18:31 (music playing)
00:18:33 (music playing)
00:18:36 (music playing)
00:18:39 (music playing)
00:18:42 (music playing)
00:18:45 (music playing)
00:18:48 (music playing)
00:18:51 Well?
00:18:52 I'll let everyone know in the fullness of time.
00:18:54 I'll pass the word on to Miss McAlpine.
00:18:56 I was the best.
00:18:58 You know I was the best.
00:19:00 It's not that simple.
00:19:02 It could be out of my hands.
00:19:04 We'll have to see.
00:19:06 If I was the best, I should be on the team.
00:19:08 I know I just said so.
00:19:10 I said we'll see.
00:19:12 You might very well get into the team.
00:19:14 I'll work it out soon.
00:19:16 You've got to put me on the team list.
00:19:18 I want to sign something.
00:19:20 What a dream.
00:19:22 Mr. Menzies,
00:19:24 I want to sign something.
00:19:26 Oh.
00:19:28 (laughing)
00:19:30 (laughing)
00:19:32 Look, Charlie, we've got to get some girls.
00:19:34 We've got to make a move.
00:19:36 Even Gregory's at it now.
00:19:38 We're falling behind.
00:19:40 I don't think there's any advantage
00:19:42 of putting it off any longer.
00:19:44 Besides,
00:19:48 it's making me depressed.
00:19:57 Sorry I'm late.
00:19:59 That's just paint there.
00:20:01 I've got the basket mix started.
00:20:03 You go and put the oven on.
00:20:05 450 degrees.
00:20:07 Yes, boss.
00:20:09 Hey, Steve, can you help me out
00:20:15 with this pastry mix thing?
00:20:17 Pastry mix?
00:20:21 There's more than one kind, you know.
00:20:23 Shortcrust, flaky, rough puff.
00:20:25 Margaret's doing the strudel soup
00:20:27 and I'm doing the pies.
00:20:29 It's eggs, I'm not sure of.
00:20:31 Strudel soup?
00:20:33 I'd love to try some of that.
00:20:35 It's noodle soup.
00:20:37 You don't put eggs in a pastry anyway.
00:20:39 It's eight ounces of flour,
00:20:41 four ounces of margarine.
00:20:43 Pinch of salt.
00:20:45 Mix it up.
00:20:47 Put it in the oven for 15 minutes.
00:20:49 No eggs, no strudels, nothing.
00:20:51 Okay?
00:20:53 I've got guys in fifth year
00:20:55 crying themselves to sleep over that.
00:20:57 Six if you count the music, teacher.
00:20:59 Take it easy.
00:21:03 Just take it easy.
00:21:05 Have you ever been in love?
00:21:09 I'm in love.
00:21:15 Since when?
00:21:17 About half an hour ago.
00:21:19 It's great.
00:21:21 I feel restless and I'm dizzy.
00:21:23 It's wonderful.
00:21:25 I bet I don't get any sleep tonight.
00:21:27 That sounds more like indigestion.
00:21:29 No, I'm serious.
00:21:31 Is that a mature woman?
00:21:35 Did you wash your hands?
00:21:37 Don't be crude.
00:21:39 Someone in the football team.
00:21:43 Really?
00:21:45 Yeah.
00:21:47 Have you told anyone else about this?
00:21:49 It's just a phase.
00:21:51 Who is it, Andy?
00:21:53 No, it's Dorothy. She's a girl.
00:21:55 She's got lovely long hair.
00:21:57 And she smells
00:21:59 really gorgeous.
00:22:01 Even if you just walk past
00:22:03 in the corridor,
00:22:05 she smells gorgeous.
00:22:07 She's got teeth.
00:22:09 Lovely white teeth.
00:22:11 White, white teeth.
00:22:13 That Dorothy.
00:22:17 She's got teeth and a smell.
00:22:19 That Dorothy.
00:22:21 And she's in the team.
00:22:23 Well, I think she's taking my position.
00:22:25 But she's a really good footballer.
00:22:27 Can she cook?
00:22:29 Can she do this?
00:22:31 Look, Steve.
00:22:33 When you're in love, things like that just don't matter.
00:22:35 Give me the margarine.
00:22:37 Think she'll love me back?
00:22:43 No chance.
00:22:45 That's your mixing. It'll go stiff, Gregory.
00:22:47 No chance.
00:22:51 No chance.
00:22:53 (crickets chirping)
00:22:55 (coughs)
00:22:59 (crickets chirping)
00:23:01 (sighs)
00:23:03 (crickets chirping)
00:23:05 (sighs)
00:23:07 (crickets chirping)
00:23:09 (crickets chirping)
00:23:11 (crickets chirping)
00:23:13 (crickets chirping)
00:23:15 (crickets chirping)
00:23:17 (music playing)
00:23:19 (music playing)
00:23:21 (music playing)
00:23:23 (music playing)
00:23:25 (music playing)
00:23:27 (music playing)
00:23:29 (music playing)
00:23:31 (music playing)
00:23:33 (music playing)
00:23:35 (music playing)
00:23:37 (music playing)
00:23:39 (music playing)
00:23:41 (music playing)
00:23:43 (music playing)
00:23:45 (music playing)
00:23:47 (music playing)
00:23:49 (breathing heavily)
00:23:51 (breathing heavily)
00:23:53 (breathing heavily)
00:23:55 (cheering)
00:23:57 (cheering)
00:23:59 (cheering)
00:24:01 (cheering)
00:24:03 (cheering)
00:24:05 (cheering)
00:24:07 (cheering)
00:24:09 This is a real farce.
00:24:11 Nine games lost in a row and what do we do?
00:24:13 Sack the goalie
00:24:15 and put a girl on the forward line.
00:24:17 This is a madhouse.
00:24:19 Watch the game, Andy. Watch the game.
00:24:21 She's good. She can move.
00:24:23 It's not right. It's unnatural.
00:24:25 It doesn't even look nice.
00:24:27 It's modern, Andy.
00:24:29 It's good. Modern girls.
00:24:31 Modern boys.
00:24:33 It's tremendous. Look.
00:24:35 (cheering)
00:24:37 (cheering)
00:24:39 (cheering)
00:24:41 (cheering)
00:24:43 (cheering)
00:24:45 (cheering)
00:24:47 Girls weren't meant to play football.
00:24:49 It's too tough.
00:24:51 Too physical.
00:24:53 Tough? Have you ever seen them playing at hockey?
00:24:55 They're like wild animals.
00:24:57 Even at 12 and 13,
00:24:59 they'd kill you.
00:25:01 You know, hockey was invented by the Red Indians
00:25:03 as a form of torture.
00:25:05 They used to make the cowboys play the squads.
00:25:07 Shite. That was lacrosse.
00:25:09 And anyway, if women were meant to play football,
00:25:11 they'd have their tits somewhere else.
00:25:13 They weren't designed for football.
00:25:15 Gregory!
00:25:17 Watch the ball.
00:25:19 Go out and meet her.
00:25:21 Don't wait for her. Watch the way in.
00:25:23 Come on, fast. Wait for the cross.
00:25:25 (cheering)
00:25:27 (cheering)
00:25:29 Give it!
00:25:31 Come on, give us a ball!
00:25:33 (cheering)
00:25:35 (cheering)
00:25:41 What a prick.
00:25:43 Took my eye off the ball for a split second.
00:25:45 Two microseconds.
00:25:47 We need more women in this team.
00:25:49 More new blood.
00:25:51 Yeah, she's some girl.
00:25:53 (upbeat music)
00:25:55 (upbeat music)
00:25:57 (cheering)
00:26:17 What a goal!
00:26:23 What a girl.
00:26:25 She's got a nice pair of legs as well.
00:26:27 Andy, please.
00:26:29 Look at that.
00:26:31 It's disgusting.
00:26:33 That's perverse.
00:26:35 In a football field.
00:26:37 With kids watching.
00:26:39 Come on, there's a football game to be played.
00:26:41 That's the sort of thing
00:26:43 that gives football a bad name.
00:26:45 That is disgusting.
00:26:47 Oh, man.
00:26:49 That's a girl.
00:26:51 You're a genius, Robert.
00:26:53 You're a genius.
00:26:55 If you get any plasters in here,
00:27:09 there's none next door.
00:27:11 No.
00:27:13 Maybe.
00:27:15 I'll get you some.
00:27:17 Don't panic.
00:27:19 I've got to save my tights getting blood on them.
00:27:21 A big gorilla
00:27:27 on the left wing.
00:27:29 I've got my own back.
00:27:31 I've got my boot in his shin
00:27:33 and scraped it right down.
00:27:35 Big animal.
00:27:37 You'll have a bruise there.
00:27:39 Not if I let it bleed.
00:27:41 That's the idea.
00:27:43 I don't bruise easily.
00:27:45 I do.
00:27:47 Bruise.
00:27:49 See that?
00:27:53 I was only three when that happened.
00:27:55 I was chasing a wee boy on the beach.
00:27:57 I wasn't going to hurt him.
00:27:59 I fell on a boat.
00:28:01 That'll never go away.
00:28:03 I'm marked for life.
00:28:05 I'm imperfect.
00:28:07 No, no, it's nice. I like it.
00:28:09 Really?
00:28:11 Yeah.
00:28:15 I've been down once at the join.
00:28:17 Can't get it any higher than this.
00:28:21 I used to be able to get
00:28:23 all the way up here.
00:28:25 You just did.
00:28:27 Nah, it's this arm.
00:28:29 It's stuck.
00:28:31 Look at this thing.
00:28:33 My big brother threw a bike at me.
00:28:35 I was only seven.
00:28:37 I can only see it in the mirror.
00:28:39 It's quite nice, isn't it?
00:28:41 Nice shape.
00:28:43 I was with a boy in Italy last summer.
00:28:45 He said it was like a new moon.
00:28:47 Very romantic.
00:28:49 La luna.
00:28:51 Si, si.
00:28:53 Bella, bella.
00:28:55 Parliamo italiano?
00:28:57 No, not really.
00:28:59 Just bella, bella.
00:29:01 I think it's a wonderful language.
00:29:03 It's so alive.
00:29:05 I want to live in Italy when I leave school.
00:29:07 I can speak a de language.
00:29:09 I'm a quarter Italian,
00:29:11 and a quarter Irish.
00:29:13 And my mother sings.
00:29:15 Hey, I can speak Irish.
00:29:17 What's Ronaldo doing down there anyway?
00:29:25 He lives there.
00:29:27 No, I mean down there.
00:29:29 Ah, he was putting some suntan oil on for me.
00:29:31 Bella, bella.
00:29:33 Anything else to show me?
00:29:39 Any major wins when you were 12?
00:29:41 14?
00:29:43 Oh, hi, Dorothy.
00:29:45 Nice to see you. Good game.
00:29:47 Look, I'd like to have a chat with you for the school magazine.
00:29:49 I want to interview you
00:29:51 and that girl in 2A that had the triplets.
00:29:53 You're pretty famous now, you know.
00:29:55 I'm sorry, this is a dressing room.
00:29:57 You can't come in here.
00:29:59 Eric, get the whole dressing room thing
00:30:01 and some nice big close shots of Dorothy.
00:30:03 You don't mind if Eric flashes, do you?
00:30:07 This is no place for a camera, Eric.
00:30:09 People take their clothes off in here.
00:30:11 Yeah, you're better.
00:30:13 Look, gonna stand in there.
00:30:15 Too many shadows.
00:30:17 Just keep well in there, Eric. Thanks.
00:30:19 I like to interview people like this.
00:30:21 No preparation. Everything nice and natural.
00:30:23 But tell me, Dorothy,
00:30:25 how are the boys taking it?
00:30:27 You being in the team now?
00:30:29 You guys are so predictable.
00:30:31 Always trying to cause trouble.
00:30:33 We're all very happy.
00:30:35 You're a good player.
00:30:37 Slow down, Greg. This is an in-depth interview.
00:30:39 Dorothy.
00:30:41 Things are fine.
00:30:43 I'm quicker than most boys,
00:30:45 so I can keep out of trouble.
00:30:47 I take dancing lessons too,
00:30:49 and that helps my balance.
00:30:51 What you've got to remember is that
00:30:53 my body's quite different.
00:30:55 You've got a good body.
00:30:57 You must train a lot, keep in shape.
00:30:59 Do you have time for anything else?
00:31:01 I mean, what do you and your body do
00:31:03 on a Saturday night, for instance?
00:31:05 Saturday nights are special.
00:31:07 I like to do something special.
00:31:09 How about doing something special this Saturday?
00:31:11 Come on, this is a dressing room.
00:31:13 You lot go and conduct your business somewhere else.
00:31:15 I'll go and change too.
00:31:17 OK, Dorothy.
00:31:19 You're an interesting girl, you know.
00:31:21 But I want to find a real Dorothy.
00:31:23 The one underneath the football strip.
00:31:25 Dorothy the woman.
00:31:27 OK?
00:31:29 OK.
00:31:31 Cheerio, Gregory.
00:31:33 Out of the dirt, Gordon. Hurry back.
00:31:35 Bella, Bella.
00:31:37 Bella, Bella.
00:31:39 Bella Rinaldo,
00:31:41 Bella Gordon.
00:31:43 I like to do something special
00:31:45 on Saturday nights.
00:31:47 Bella, Bella!
00:31:49 What's the sudden need to speak Italian, Gregory?
00:31:51 Oh, it's not sudden.
00:31:53 I've been thinking about it for about
00:31:55 three years.
00:31:57 It's just taken a while for me to make up my mind.
00:31:59 It's very late in the term to start.
00:32:01 I've got some free time. I'll catch up.
00:32:03 It's very important to me.
00:32:05 See, I want to live in Italy when I leave school.
00:32:07 Been there, have you?
00:32:09 No. I've been to Ireland, though.
00:32:11 And I met some Italians there.
00:32:13 They told me all about it.
00:32:15 In English.
00:32:17 Rinaldo could speak good English.
00:32:19 Rinaldo? Is that your Italian friend?
00:32:21 Well, not just him. There was girls there too.
00:32:23 I just said Rinaldo because he could speak good English.
00:32:25 Well, what kind of work do you want to do in Italy?
00:32:27 Well, I'll just learn the language
00:32:29 and then I'll see where it's going.
00:32:31 You know, you should think about taking a course in
00:32:33 technical Italian.
00:32:35 Is that worse to do with work and engines?
00:32:37 Mm-hmm.
00:32:39 I think I'd rather do the normal Italian
00:32:41 and work my way down.
00:32:43 Well, we'll leave it just now. I'll have a word with your
00:32:45 form master, see what he can come up with, OK?
00:32:47 I'm really pleased that you're interested.
00:32:49 It's a lovely country.
00:32:51 Oh, yeah. Wonderful language.
00:32:53 Don't you think it's
00:32:55 so alive?
00:32:57 Did he manage to pick any of it up at all?
00:32:59 A couple of words.
00:33:01 Mm?
00:33:03 Um, Bella.
00:33:05 And Bella.
00:33:07 Do you know any words you could teach me just now?
00:33:09 Tello di ro.
00:33:11 Tello di ro.
00:33:13 Tello di ro.
00:33:15 It means
00:33:17 I'll let you know, Gregory. OK?
00:33:23 Tello di ro.
00:33:25 Tello di ro.
00:33:31 Tello di ro.
00:33:35 What about Alan? Do you think he's still a virgin?
00:33:41 Nah.
00:33:43 He's been in the school orchestra for over a year now.
00:33:45 Pass this ophioric acid, will you?
00:33:51 How many years old is that?
00:33:53 Um, seven.
00:33:55 How's the football going?
00:34:01 Oh, it's good.
00:34:03 You need to cut that up a bit.
00:34:05 It's real big.
00:34:07 What about the goalie, Gregory?
00:34:09 Mm?
00:34:11 What do you make of Gregory?
00:34:13 Well, he's a bit slow.
00:34:15 And a bit awkward.
00:34:17 Yeah, slow and awkward.
00:34:19 Give me the broom, I think.
00:34:21 Hey.
00:34:29 Room four.
00:34:31 Good afternoon.
00:34:47 Do you know
00:34:49 that when you sneeze,
00:34:51 it comes out your nose at 100 mls an hour?
00:34:53 It's a well-known fact.
00:34:57 100 mls an hour.
00:34:59 Just like that.
00:35:01 Room 16.
00:35:15 Hurry up!
00:35:17 To Lord
00:35:23 de Rohe.
00:35:25 Here comes my messenger.
00:35:33 How now, mad spirit.
00:35:35 What night rule now about this haunted grove?
00:35:37 My mistress with her
00:35:39 monster is in love.
00:35:41 Near to her close and consecrated boar,
00:35:43 while she was in her dull and sleeping hour,
00:35:45 a crew of patches,
00:35:47 rude mechanicals,
00:35:49 that work for bread upon Athean stalls,
00:35:51 were met together to rehearse a play
00:35:53 intended for great Theseus'
00:35:55 nuptial day.
00:35:57 The shallowest thick skin of that barren sort
00:35:59 who Pyramus presented in their sport
00:36:01 forsook his scene
00:36:03 and entered in a break,
00:36:05 when I did him at this advantage take.
00:36:07 And forth my mimic comes
00:36:09 when they him spy,
00:36:11 creeping foul array,
00:36:13 sever themselves and madly sweep the sky.
00:36:15 So at his sight away his fellows fly.
00:36:17 Theseus!
00:36:19 Here over and over one falls.
00:36:21 He, "Murder!" cries,
00:36:23 and help from Athens calls.
00:36:25 Their sense thus weak,
00:36:27 lost with their fears thus strong,
00:36:29 made senseless things begin to do them wrong.
00:36:31 For briars and thorns,
00:36:33 and their blood of snatch,
00:36:35 some sleeves, some hats,
00:36:37 from yielders all things catch.
00:36:39 Well, you said you'd come back and see me again.
00:36:41 Here I am.
00:36:43 Can I introduce my boss?
00:36:45 Miss Welsh, this is Mr. Hall.
00:36:47 It's his own business.
00:36:49 Pleased to meet you.
00:36:51 Well, how's our Billy shaping up?
00:36:53 He's a good lad.
00:36:55 He's been telling me all about the characters in the school.
00:36:57 He likes you.
00:36:59 And he's washed a few windows as well.
00:37:01 I hope you're doing mine for free, Billy.
00:37:03 Well, for old time's sake.
00:37:05 Give us your glasses and I'll do them as well.
00:37:07 No charge.
00:37:09 Thank you.
00:37:11 See you outside at four, lads, eh?
00:37:15 Listen,
00:37:17 why don't you come up and see me some time?
00:37:19 I'll do that.
00:37:21 I'll use the stairs, though.
00:37:23 I led them on in this distracted fear,
00:37:25 and left sweet Pyramus translated there.
00:37:27 When in that moment,
00:37:29 so it came to pass,
00:37:31 Titania waked, and straightway loved an ass.
00:37:33 And straightway loved an ass.
00:37:35 Donuts?
00:37:43 Well, we're still doing the two kinds.
00:37:45 There's the jam-filled and the rings.
00:37:47 What kind of jam?
00:37:49 What would you like?
00:37:51 Blackcurrant?
00:37:53 That's no problem.
00:37:55 I'll have half a dozen, okay?
00:37:57 Half a dozen?
00:37:59 I'll tell you what, I'll throw in a couple of ring donuts.
00:38:01 It's a Friday anyway.
00:38:03 Good.
00:38:05 Have you given the petite shoe any more thought?
00:38:07 What was that again?
00:38:09 It was a basic shoe pastry.
00:38:11 I've been working on it.
00:38:13 I think I've got it perfect.
00:38:15 That's good.
00:38:23 It's very good.
00:38:25 I'd like everything in my office by about three o'clock Friday.
00:38:27 Is that understood?
00:38:29 Yes, sir.
00:38:31 I'm sorry I'm early.
00:38:33 Have a seat, Mr. Manzies.
00:38:39 I'm sorry I'm late.
00:38:51 I'm sorry I'm late.
00:38:53 I'm sorry I'm late.
00:38:55 There's a girl in the football team.
00:39:01 Well, yes and no.
00:39:03 Yes and no.
00:39:05 Yes.
00:39:07 What do you mean?
00:39:09 Well, we could have a girl in the football team if we wanted one.
00:39:11 Do we want one?
00:39:13 Well...
00:39:15 I think it's a wonderful idea.
00:39:17 Terrific.
00:39:19 Yes, and she's a great wee player.
00:39:21 She'll help the team by one little bit.
00:39:23 One possible problem area.
00:39:25 The showers.
00:39:27 What happens about the showers?
00:39:29 Oh, she'll bring her own soap.
00:39:31 And you'll undertake to keep everything above board.
00:39:37 Oh, yes, most definitely.
00:39:41 Most definitely.
00:39:49 Hiya. Hello.
00:39:51 Can I get a bag for you?
00:39:53 I can't see you today. I've got to go up to the big school.
00:39:55 What for? Oh, family trouble.
00:39:57 Is it Gregory?
00:39:59 Guess what. He's fallen in love.
00:40:01 That's big trouble.
00:40:03 Well, maybe I can see you later on.
00:40:05 Right.
00:40:07 Bye-bye. Bye.
00:40:09 (children playing)
00:40:11 Say goodnight.
00:40:35 Goodnight.
00:40:37 Waiting for somebody?
00:40:47 Yes.
00:40:49 They're not giving much away.
00:40:55 There's 2,000 people in there.
00:40:57 Gregory, who's here?
00:40:59 Oh, Steve's pal.
00:41:03 Are you Gregory's girl?
00:41:05 I'm Madeline.
00:41:07 (birds chirping)
00:41:09 (children playing)
00:41:15 (children playing)
00:41:17 She's fancied me since first year.
00:41:41 She's after my body.
00:41:43 Why don't you come up and see me sometime?
00:41:45 Hey, watch the jacket.
00:41:49 I had to wet, wash and polish
00:41:51 84 windows for this.
00:41:53 That's some job.
00:41:55 Do you get danger money for that?
00:41:57 No, but if I die, my mother gets her windows
00:41:59 washed for nothing for 25 years,
00:42:01 inside and out.
00:42:03 I'll tell you what you need danger money for.
00:42:07 It's the women.
00:42:09 There's something about window cleaners
00:42:11 that just turns them on.
00:42:13 Especially up that Loganville estate.
00:42:15 You know, the private houses.
00:42:17 They spend too much time on their own up there.
00:42:19 So we turn up once a week,
00:42:21 singing songs,
00:42:23 telling jokes.
00:42:25 Washing the windows?
00:42:27 Right, washing the windows.
00:42:29 Then before you know it, round to the back door,
00:42:31 "Hello, darling, could you give us some hot water?"
00:42:33 I don't get it.
00:42:37 Hot water?
00:42:39 No, it's for washing the windies.
00:42:41 But that's just to get the conversation going.
00:42:43 Anything can happen after that.
00:42:45 I suppose the worst thing
00:42:47 that could happen is they give you some hot water.
00:42:49 Yeah, that sometimes happens.
00:42:51 We saw a great thing last week.
00:42:53 You know, a nurse up at the hostel
00:42:55 kicked this bum fanny the lot.
00:42:57 I could see that
00:42:59 50 times a day through a window.
00:43:01 It's contacts, the thing.
00:43:03 Doing it.
00:43:05 Have you done it?
00:43:07 Sometimes.
00:43:09 In one night?
00:43:11 No, at different times.
00:43:13 But something new always crops up.
00:43:15 You mean stuff like foreplay?
00:43:17 Foreplay is important.
00:43:19 As long as you know it's leading up to something.
00:43:21 Otherwise it's just fooling around.
00:43:23 I'll see you guys later, right?
00:43:25 See you, Billy.
00:43:27 Bye-bye, Madeline.
00:43:29 If I don't see you through the week,
00:43:31 I'll see you through a window, eh?
00:43:33 They grow up fast, don't they?
00:43:35 They're five years old with a body of a woman of 13.
00:43:37 You need some new trousers.
00:43:43 Spaghet ones are awful.
00:43:45 I'll talk to Mum about it.
00:43:47 Blue ones, Italian.
00:43:49 If you're going to start falling in love,
00:43:51 you'll have to start taking care of yourself.
00:43:53 Are Italians good dressers?
00:43:55 Yeah, they make nice trousers.
00:43:57 They've got style.
00:43:59 I was talking to Stephen's sister about Dorothy.
00:44:03 She's very attractive.
00:44:05 I knew you would fall for that type.
00:44:07 She's quartered Italian.
00:44:09 Don't get too serious about it if you could help it.
00:44:13 Have you asked her out yet?
00:44:15 I can help you.
00:44:21 I can tell you things.
00:44:23 I'm a girl.
00:44:25 You were nice to me when other boys hated their sisters.
00:44:27 If it was brown, it would be OK.
00:44:29 Not enough brown, innit?
00:44:31 Yeah.
00:44:33 There's a dark brown.
00:44:39 Well, the grey was quite nice too.
00:44:41 You don't think about colours, do you?
00:44:43 If you don't take an interest in yourself,
00:44:45 how can you expect other people to be interested in you?
00:44:47 Talk to Dorothy.
00:44:49 Ask her out.
00:44:51 She won't say no, I'll bet you.
00:44:53 But don't treat her too special.
00:44:55 You're too romantic.
00:44:57 You could scare a girl off.
00:44:59 What kind of things should I say?
00:45:01 For goodness sake, don't plan it.
00:45:03 Don't think about it. Do it.
00:45:05 So, I should think less about love
00:45:07 and more about colours?
00:45:09 You've got it.
00:45:11 What would you like?
00:45:15 Ginger beer and lime juice with ice cream, please.
00:45:17 But don't stir it.
00:45:19 Coffee, please.
00:45:21 Black or white?
00:45:23 Erm...
00:45:25 Brown.
00:45:27 Brown?
00:45:29 Not good, blue coffee's here, Madeline.
00:45:31 This isn't Italy.
00:45:33 No style.
00:45:35 Do you dream about her?
00:45:41 That means you love her.
00:45:43 The one that you have the dreams about that counts.
00:45:45 What do you dream about?
00:45:49 Just ginger beer and ice cream.
00:45:51 I'm still a little girl, remember?
00:45:53 (clicks tongue)
00:45:55 That looks nice, doesn't it?
00:46:01 Yeah, the nicest part is just before you taste it.
00:46:03 Your mouth goes all tingly.
00:46:05 But that can't go on forever.
00:46:07 ...and then adding the proportion's amount of sugar,
00:46:11 which is two to one.
00:46:13 But I think that's going a little far.
00:46:15 Do you know anything about Italians?
00:46:17 Excellent seafood in the North West.
00:46:19 Some of their regional pasta dishes
00:46:21 are good too.
00:46:23 Good with salads.
00:46:25 Very stylish all round.
00:46:27 Whoa, whoa!
00:46:29 Go easy with the sugar, lady.
00:46:31 Food, food, food!
00:46:33 Is that all you think about?
00:46:35 You're unnatural, pal.
00:46:39 You're a freak.
00:46:41 You eat it, don't you?
00:46:43 I've never seen you turn your nose up at anything I've made.
00:46:49 Hours and hours I've spent
00:46:51 making you lovely, lovely things.
00:46:53 And all it means to you in the end is food.
00:46:55 Look, pal, I don't know whether you've noticed,
00:46:57 but I'm going through a crisis.
00:46:59 Of course I've noticed.
00:47:01 But what do you want me to do?
00:47:03 The whole world's got problems.
00:47:05 You're just obsessed by a beautiful, young,
00:47:07 unattainable girl.
00:47:09 So what?
00:47:11 Stop saying things like "obsessed" and "unattainable".
00:47:13 It's love.
00:47:15 OK, it's love.
00:47:17 Then sweep her off her feet.
00:47:19 Oh, I forgot, you're the goalkeeper.
00:47:21 She's the sweeper.
00:47:23 Look, one key question.
00:47:25 Have you spoken to her?
00:47:27 Asked her for a date?
00:47:29 Anything?
00:47:31 Well, do it, then complain.
00:47:33 If I get a date,
00:47:41 can I borrow your white jacket?
00:47:45 No.
00:47:47 Maybe that's her.
00:47:55 I wonder if Maddy's in?
00:48:03 You mean Madeline. She's out with her mother.
00:48:05 That's a shame. I thought we'd go for a walk.
00:48:07 Maybe I could wait.
00:48:09 Nah, the wages.
00:48:11 Maybe she could phone me later on. She has my number.
00:48:13 Who are you, anyway?
00:48:15 You're talking about my sister.
00:48:17 And she doesn't go for walks with anybody.
00:48:19 What's the idea?
00:48:21 Come to people's doors, seducing people's sisters?
00:48:23 Act your age.
00:48:25 Go and break some windows.
00:48:27 Demolish some phone boxes.
00:48:29 See, when I was your age...
00:48:31 You're Gregory, aren't you?
00:48:33 How you feeling? Everything OK?
00:48:35 There's nothing wrong with me, son.
00:48:37 You're the one that should be worried.
00:48:39 Seducing children.
00:48:41 You're a freak.
00:48:43 You're heading for big trouble.
00:48:45 Underage walks, dates.
00:48:47 You'll run out of vices before you're 12
00:48:49 if you don't slow down.
00:48:51 Go on, piss off.
00:48:53 OK, Gregory. Fair enough.
00:48:55 Richard's the name.
00:48:57 Ask Maddy to call me anyway.
00:48:59 The name's Madeline.
00:49:01 Go on, piss off.
00:49:03 Get...
00:49:07 (tapping)
00:49:09 (squeaking)
00:49:35 (meowing)
00:49:37 (meowing)
00:49:45 (howling)
00:49:57 (howling)
00:49:59 (howling)
00:50:01 (howling)
00:50:13 (howling)
00:50:19 (howling)
00:50:21 I had that dream again last night.
00:50:35 That's four nights in a row.
00:50:37 That's really good, that.
00:50:39 (knocking)
00:50:41 (knocking)
00:50:47 Yeah, hold on. I'm in the dark.
00:50:49 What is it?
00:50:57 Can I come in?
00:50:59 You know, I'd make a lousy photographer.
00:51:03 I get scared in the dark.
00:51:05 What do you want?
00:51:07 I just wondered how the snaps turned out.
00:51:09 You know, the ones in the dressing room.
00:51:11 Oh, Dorothy?
00:51:13 I'm working on her just now.
00:51:15 She's a dream to photograph.
00:51:17 Very interesting.
00:51:19 I could really go for this girl in a big way.
00:51:21 Look at that nose.
00:51:23 Very pretty.
00:51:25 Some of the guys reckon that
00:51:27 she's too much like a boy.
00:51:29 I don't. I think she's wonderful.
00:51:33 Her like a boy?
00:51:35 Nah.
00:51:37 She's just modern.
00:51:39 You're right.
00:51:41 It's modern. It's the future.
00:51:43 In another million years,
00:51:45 there'll be no men, no women.
00:51:47 It'll just be people.
00:51:49 It's logical evolution. Evolution is a thing.
00:51:51 No more men or women.
00:51:53 Just a whole world full of wankers.
00:51:55 Drink?
00:51:57 Yeah, this is a modern girl.
00:52:01 Made to be photographed.
00:52:03 Boy, I'd love to get my
00:52:05 wide-angle lens on her.
00:52:07 A low-key light.
00:52:11 A soft fill.
00:52:13 Oh, the face and the body of the '80s.
00:52:15 Could really make that girl.
00:52:17 One elephant, two elephant, three elephant,
00:52:25 four elephant, five elephant, six elephant.
00:52:27 If you don't put any elephants, you don't get real seconds.
00:52:31 Ten elephant.
00:52:33 Each print needs an exact exposure.
00:52:39 Ten elephants.
00:52:41 Here she comes.
00:52:47 There you go, you beauty.
00:52:49 Look how quickly Gordon moved in.
00:52:51 He knows what he likes.
00:52:53 I timed it.
00:52:55 One elephant, two elephant.
00:52:57 One minute and 50 elephants, and he had a date.
00:52:59 That's a record, even for him.
00:53:01 What a guy, eh?
00:53:03 What an absolutely
00:53:05 incredible guy.
00:53:07 What a guy.
00:53:09 Absolutely.
00:53:11 Give us a photograph, will you?
00:53:13 Oh, I get it.
00:53:15 You fancy her too, eh?
00:53:17 No.
00:53:19 It's for a friend.
00:53:21 Someone really shy.
00:53:23 Just give us a photograph, eh?
00:53:25 This is really expensive.
00:53:27 The chemicals and the paper.
00:53:29 Really expensive.
00:53:31 Twenty pence.
00:53:33 Forty.
00:53:35 I'll take it with the eggs, thanks.
00:53:37 I'll give you a dry one.
00:53:45 Don't want you dripping down the corridor.
00:53:47 Tello.
00:53:51 Dero.
00:53:53 Tello.
00:53:55 Dero.
00:53:57 Hey, are you Gregory?
00:53:59 Yes, me sweetheart.
00:54:01 Who wants to know?
00:54:03 Dorothy.
00:54:05 That's what I said. She'll be in room nine at break time.
00:54:07 Okay?
00:54:09 Give us your coat, will you?
00:54:23 No.
00:54:25 Give me your coat.
00:54:27 No.
00:54:29 Give me your coat.
00:54:31 Oh.
00:54:41 Tello.
00:54:43 Dero.
00:54:45 Hi, Dorothy. I got your message.
00:54:57 I just wanted to know what you're up to at lunchtime.
00:54:59 Nothing that can't wait a million years.
00:55:01 Will you help me out with some goal practice?
00:55:03 Yeah, sure.
00:55:05 It'll speed things up.
00:55:07 I want to practice some shots at different angles.
00:55:09 I'll bring my compass.
00:55:11 Good.
00:55:15 Well, I'll see you at half twelve, then.
00:55:17 Fine.
00:55:19 Good. See you.
00:55:21 Look at all these men.
00:55:25 Boys.
00:55:27 What's the difference?
00:55:29 Come on, come on. Stop.
00:55:31 I'm on the way, Steve.
00:55:37 It's off the ground.
00:55:39 Romance. It's in the air.
00:55:41 Hi, Paul.
00:55:43 Can I have your white jacket?
00:55:45 For whom?
00:55:47 I don't want to make a big thing about it.
00:55:49 It's just that the jacket would really help.
00:55:51 It'd put the affair off on the proper level.
00:55:53 Put the affair off on the proper footing.
00:55:55 Just for one night, eh?
00:55:57 What are you raving on about?
00:55:59 Me. Dorothy.
00:56:01 Eh? It's in the bag.
00:56:03 She's after me.
00:56:05 She wants me to play with her at lunchtime.
00:56:07 Why, my, she wants you to play with her, eh?
00:56:09 How do you do it, Gregory?
00:56:11 Football or playing.
00:56:13 I'm going to be in goals.
00:56:15 Not with my jacket, you won't.
00:56:17 Morning, Kelvin. How's business?
00:56:19 It's all right.
00:56:21 I'm going to be a waiter for the real beat.
00:56:23 The donuts are going like hotcakes, Steve.
00:56:25 But the marzipan almonds don't seem to give a nice cup of tea.
00:56:27 Tasteless psyllid.
00:56:29 Come on, Steve.
00:56:31 You gave Pete the jacket last week.
00:56:33 Why not me?
00:56:35 That's exactly why, Gregory, old son.
00:56:37 Did you see that jacket the day after?
00:56:39 Grass stains.
00:56:41 I don't know all what kind of stains.
00:56:43 Yeah, but with Dorothy and I,
00:56:45 things would be high class.
00:56:47 No stains.
00:56:49 Look, I'll make a deal with you.
00:56:51 You get the date,
00:56:53 sign's sealed and delivered,
00:56:55 and then come and see me about the jacket.
00:56:57 Fair enough.
00:56:59 Just keep the donuts coming, Steve.
00:57:01 We're on the gravy train, but what the public says is
00:57:03 ease off on the marzipans.
00:57:05 It's a deal.
00:57:07 Do you want to throw in your brown shoes as well?
00:57:09 I could use a persuasive prick like you in the organisation.
00:57:11 Help me offload some marzipan
00:57:13 onto an uncaring population.
00:57:17 Go on, get.
00:57:19 I bought one of these this morning
00:57:23 and it cost me 25 pence.
00:57:25 Come off, I haven't seen a boss.
00:57:27 31 elephant.
00:57:29 32 elephant.
00:57:31 33 elephant.
00:57:33 34 elephant.
00:57:35 35 elephant.
00:57:37 36 elephant.
00:57:39 (music)
00:57:41 Don't touch that, Ravioli.
00:57:55 It's garbage.
00:57:57 Ravioli, please.
00:58:01 Here.
00:58:03 Oh, Brenda.
00:58:05 Mind if I join you?
00:58:07 How's lunch?
00:58:09 As usual.
00:58:11 Meat looks OK.
00:58:13 (gagging)
00:58:15 Have you got a tissue?
00:58:17 Let's sweet-talk these two, eh?
00:58:23 Good afternoon, ladies.
00:58:29 Hello.
00:58:31 Mind if we join you?
00:58:33 (chatter)
00:58:35 How's the roast beef?
00:58:45 It's veal.
00:58:47 Veal?
00:58:49 Do you know how they make veal?
00:58:51 They get the little baby calves
00:58:53 and they hang them upside down
00:58:55 and they slit their throats and let the blood drip out.
00:58:57 It's very interesting, isn't it?
00:58:59 (music)
00:59:01 This is great.
00:59:17 You can really use it. Practice.
00:59:19 Thanks.
00:59:23 Good go.
00:59:25 Just kick it out in future.
00:59:27 It's quicker.
00:59:29 Good idea.
00:59:31 Great idea. Do that the next time, eh?
00:59:33 Great shot.
00:59:37 Got me that time.
00:59:39 Could you stop dancing around so much?
00:59:41 It's very distracting.
00:59:43 How can you judge a shot dancing around like...
00:59:47 Great.
00:59:51 First class.
00:59:53 You know your son, girl.
00:59:55 Haven't got near the ball yet, eh?
00:59:57 Well held.
01:00:03 You OK?
01:00:05 Come on, we've only got another hour.
01:00:11 I think I've broke my neck chain.
01:00:13 Come on, come out and tackle me.
01:00:15 Try and block.
01:00:17 Then move back and block some more.
01:00:19 And use your feet.
01:00:21 Don't grab for the ball.
01:00:23 OK.
01:00:25 Keep them coming, Dorothy.
01:00:27 (whistle)
01:00:39 (whistle)
01:00:43 (music)
01:00:45 (music)
01:00:47 Off you go, you small boys.
01:01:11 (music)
01:01:13 Of course, you know we're in the wrong place.
01:01:21 You know where we should be?
01:01:25 South America.
01:01:29 There's a town there.
01:01:31 And this is a well-known fact.
01:01:33 But do you know the ratio
01:01:35 of women to men?
01:01:37 Eight to one.
01:01:39 It's eight women per one guy.
01:01:41 That's the sort of place for us, eh?
01:01:43 It's called Caracas.
01:01:47 Are you happy, Angol?
01:01:57 It's OK.
01:01:59 You waste a lot of energy.
01:02:03 No control.
01:02:05 I've got tonnes left.
01:02:07 Thanks for the practice.
01:02:09 No sweat.
01:02:11 Well,
01:02:13 lots of sweat, actually.
01:02:15 But no sweat if you get my meaning.
01:02:17 I'm sorry you missed lunch.
01:02:19 It's OK.
01:02:21 Lunch means nothing to me.
01:02:23 Some nuts.
01:02:25 Some fresh fruit.
01:02:27 Double apple pie and custard?
01:02:29 That kind of thing.
01:02:31 I'm off for a shower.
01:02:33 (music)
01:02:35 (music)
01:02:37 (music)
01:02:39 (music)
01:02:41 (music)
01:02:43 (music)
01:02:45 (music)
01:02:47 Dorothy!
01:02:49 (music)
01:02:51 I just wanted to say
01:02:53 any time.
01:02:55 (music)
01:02:57 For more practice.
01:02:59 Any time.
01:03:01 Right. Ta.
01:03:03 Ta.
01:03:05 Also,
01:03:07 would you like
01:03:09 to come out with me?
01:03:11 OK.
01:03:13 I'm meaning a kind
01:03:17 of date.
01:03:19 I said OK.
01:03:21 Come on, stop fooling around.
01:03:25 I mean, a real...
01:03:27 If you're going to argue about it,
01:03:29 forget it.
01:03:31 Fine.
01:03:33 When?
01:03:35 Tonight.
01:03:37 Half past seven, at the cloakroom
01:03:39 in the plaza.
01:03:41 (knocking)
01:03:57 Yeah?
01:03:59 (knocking)
01:04:01 I just wanted to check.
01:04:07 Yeah?
01:04:09 Tonight. Tonight?
01:04:11 Yeah. Half seven?
01:04:13 Half past seven. And you'll be there?
01:04:15 I'll be there. And I'll be there.
01:04:17 Mm-hmm. At the cloak?
01:04:19 At the cloak.
01:04:21 Right.
01:04:23 (knocking)
01:04:25 (knocking)
01:04:27 Yeah?
01:04:41 What is it?
01:04:43 Has that boy been bothering you?
01:04:47 No. He's harmless.
01:04:49 (door closes)
01:04:51 How's the training
01:05:01 been going? I was practicing some turns
01:05:03 on the ball. I'm not very happy
01:05:05 with it. I think I'm using my feet
01:05:07 too much. That little remark
01:05:09 tells me a lot about you, sweetheart.
01:05:11 Now listen. When you trap
01:05:13 a ball, what you've got to do first and
01:05:15 foremost is kill that ball's energy.
01:05:17 You've got to tame it.
01:05:19 Now what do you use to kill a ball's energy?
01:05:21 My feet. And what else?
01:05:23 My chest. And?
01:05:25 This! Your gluteus
01:05:29 maximus trap, my dear.
01:05:31 Now this is what you do, right?
01:05:33 You've got a high ball and a fast
01:05:35 ball, but it's behind you.
01:05:37 And you want to trap it and turn
01:05:39 it. So you let the ball bounce
01:05:41 once, kill the momentum, then
01:05:43 and this is what focuses them.
01:05:45 Reverse up to the ball.
01:05:47 Catch it on the bounce with your
01:05:49 fleshy paw. Drop
01:05:51 down low on it. And there it is.
01:05:53 But you don't waste time. You're up
01:05:55 on your feet. You turn.
01:05:57 Steady. And it's yours.
01:05:59 Jeez, so bumpy.
01:06:01 Now that's really nifty.
01:06:03 Right, you try it. I'll walk you through it.
01:06:05 Ready?
01:06:07 Reverse. Down.
01:06:09 Trap. Up.
01:06:11 Turn. Steady.
01:06:13 Kick.
01:06:15 Reverse. Down.
01:06:17 Trap. Up.
01:06:19 Turn. Steady. Kick.
01:06:21 Reverse. Down.
01:06:23 Trap. Up. Turn.
01:06:25 Steady. Kick.
01:06:27 Reverse. Down. Trap. Up.
01:06:29 Turn. Steady.
01:06:31 Kick. Reverse.
01:06:33 Down. Trap. Up.
01:06:35 Turn. Steady.
01:06:37 [humming]
01:06:43 Remember your neck?
01:06:45 Yeah.
01:06:47 And under your arms?
01:06:49 Yeah, yeah. Everything's under control.
01:06:51 [whirring]
01:06:53 [whirring]
01:06:55 Think you should tell her
01:06:57 some jokes?
01:06:59 Maybe.
01:07:01 [whirring]
01:07:03 Do you know any jokes?
01:07:05 Don't tell her the one about Batman and Superman.
01:07:08 SHE CHUCKLES
01:07:10 HE LAUGHS
01:07:12 Sit still.
01:07:14 SHE LAUGHS
01:07:16 DRUMMING CONTINUES
01:07:18 DRUMMING CONTINUES
01:07:20 DRUMMING STOPS
01:07:22 DRUMMING CONTINUES
01:07:24 DRUMMING CONTINUES
01:07:26 DRUMMING STOPS
01:07:28 DRUMMING STOPS
01:07:30 DRUMMING STOPS
01:07:32 DRUMMING CONTINUES
01:07:34 DRUMMING STOPS
01:07:36 DRUMMING CONTINUES
01:07:38 DRUMMING CONTINUES
01:07:40 DRUMMING CONTINUES
01:07:42 DRUMMING CONTINUES
01:07:44 DRUMMING CONTINUES
01:07:46 DRUMMING STOPS
01:07:48 DRUMMING CONTINUES
01:07:50 Hi there.
01:07:52 DRUMMING CONTINUES
01:07:54 DRUMMING CONTINUES
01:07:56 DRUMMING CONTINUES
01:07:58 DRUMMING STOPS
01:08:00 Oh, hi there.
01:08:02 DRUMMING CONTINUES
01:08:04 DRUMMING CONTINUES
01:08:06 DRUMMING CONTINUES
01:08:08 DRUMMING CONTINUES
01:08:10 DRUMMING CONTINUES
01:08:12 DRUMMING CONTINUES
01:08:14 DRUMMING STOPS
01:08:16 DRUMMING CONTINUES
01:08:18 DRUMMING CONTINUES
01:08:20 DRUMMING STOPS
01:08:22 DRUMMING CONTINUES
01:08:24 DRUMMING CONTINUES
01:08:26 DRUMMING STOPS
01:08:28 DRUMMING CONTINUES
01:08:30 DRUMMING CONTINUES
01:08:32 DRUMMING STOPS
01:08:34 DRUMMING CONTINUES
01:08:36 DRUMMING STOPS
01:08:38 DRUMMING CONTINUES
01:08:40 DRUMMING CONTINUES
01:08:42 DRUMMING CONTINUES
01:08:44 DRUMMING CONTINUES
01:08:46 DRUMMING STOPS
01:08:48 Hi, Gregory.
01:08:50 Hi, Carol.
01:08:52 Waiting for Dorothy?
01:08:54 Yeah.
01:08:56 She's not coming?
01:08:58 Right, thanks.
01:09:00 WHISTLING
01:09:02 WHISTLING
01:09:04 WHISTLING
01:09:06 Wrong way.
01:09:08 WHISTLING
01:09:10 It's got to do with her football, I think.
01:09:12 Is that Steve's jacket?
01:09:14 No.
01:09:16 No.
01:09:18 Steve's has got a stain there.
01:09:20 There's no stain.
01:09:22 Thanks for the word about Dorothy.
01:09:24 Ah, it's OK.
01:09:26 I couldn't leave you here all night.
01:09:28 What will you do now?
01:09:30 Fancy a walk?
01:09:32 Where?
01:09:34 Have you got to the sports centre?
01:09:36 Nah.
01:09:38 I'm pretty hungry, though.
01:09:40 We could go to Capaldi's and I'll buy you some chips.
01:09:42 Yeah, OK. What's going on with you anyway?
01:09:44 MUSIC PLAYS
01:09:46 Gregory!
01:09:58 Hold on a minute.
01:10:00 MUSIC CONTINUES
01:10:02 MUSIC CONTINUES
01:10:04 MUSIC CONTINUES
01:10:06 MUSIC CONTINUES
01:10:08 MUSIC CONTINUES
01:10:10 MUSIC CONTINUES
01:10:12 MUSIC CONTINUES
01:10:14 MUSIC CONTINUES
01:10:16 MUSIC CONTINUES
01:10:18 MUSIC CONTINUES
01:10:20 MUSIC CONTINUES
01:10:22 MUSIC CONTINUES
01:10:24 MUSIC CONTINUES
01:10:26 MUSIC CONTINUES
01:10:28 MUSIC CONTINUES
01:10:30 MUSIC CONTINUES
01:10:32 MUSIC CONTINUES
01:10:34 MUSIC CONTINUES
01:10:36 MUSIC CONTINUES
01:10:38 WHISTLING
01:10:40 I feel like a human being again.
01:10:42 GRUNTS
01:10:44 Look, I've got to go home.
01:10:46 I really enjoyed the walk.
01:10:48 You go that way, right, and I'll go this way. See you.
01:10:50 Hold it, Gregory!
01:10:52 Thought we were going for chips.
01:10:54 Chips?
01:10:56 OK. There you are.
01:10:58 50 pence. Got lots of chips with that.
01:11:00 Bye. Don't be stupid.
01:11:02 Come on, you're worse than my dad, and he's old.
01:11:04 At least he's getting an excuse for being a prick.
01:11:06 OK. OK.
01:11:08 OK.
01:11:10 Put your coat on.
01:11:12 Oh, no. Look, come on, Gregory.
01:11:14 All I'm asking for is a walk up to the chip shop.
01:11:16 I've got a date. I'm going away.
01:11:18 I've just got a funny feeling
01:11:20 that something nice
01:11:22 might happen up there, so...
01:11:24 Come on!
01:11:26 OK. Walk ahead.
01:11:28 Come on, Gregory, hurry up.
01:11:30 We haven't got all night.
01:11:32 MUSIC CONTINUES
01:11:34 MUSIC CONTINUES
01:11:36 MUSIC CONTINUES
01:11:38 MUSIC CONTINUES
01:11:40 MUSIC CONTINUES
01:11:42 MUSIC CONTINUES
01:11:44 Do you really fancy Dorothy?
01:11:46 Yeah.
01:11:48 Can you drive?
01:11:50 Nah, but her run's in the family, why?
01:11:52 Well, it's just that Ricky Swift's bit of a car.
01:11:54 Dorothy knows him.
01:11:56 He's up at the Physical Ed College.
01:11:58 Must be quite old then, eh?
01:12:00 He's nearly 19.
01:12:02 19? Has he got any hair left?
01:12:04 Ricky Swift?
01:12:06 Sounds like something out of a comic.
01:12:08 Does he fly through the air like Batman?
01:12:10 LAUGHTER
01:12:12 Quick, Dorothy, to the rig mobile.
01:12:14 OK, calm down. Don't wet yourself.
01:12:16 Well, lovely boy, I'm off.
01:12:20 Hey, Margot,
01:12:22 there's Gregory.
01:12:24 Dorothy stood him up,
01:12:26 so he's buying everybody chips and telling jokes.
01:12:28 Have fun, Gregory.
01:12:30 You can tell him all about it tomorrow.
01:12:32 By the way,
01:12:34 pickled onions and dates don't mix.
01:12:36 You might have to do some kissing later on.
01:12:38 Bye!
01:12:40 Well,
01:12:46 I'll buy my own chips.
01:12:48 We keep telling jokes.
01:12:50 MUSIC CONTINUES
01:12:52 MUSIC CONTINUES
01:12:54 What's going on?
01:12:56 I don't know.
01:12:58 I think Margot's after me.
01:13:00 I think Margot's after me.
01:13:02 I get that feeling.
01:13:04 It's a good night, then.
01:13:06 Are you taking her up to Country Park?
01:13:08 Don't know.
01:13:12 Think I should.
01:13:14 Aye!
01:13:16 Yeah.
01:13:18 PHONE RINGS
01:13:20 PHONE RINGS
01:13:22 PHONE RINGS
01:13:24 PHONE RINGS
01:13:26 Hello?
01:13:28 MUSIC CONTINUES
01:13:56 It's a fine night, pretty.
01:13:58 You know,
01:14:02 there's definitely something in the air tonight, Charlie.
01:14:04 Something in the atmosphere.
01:14:08 MUSIC CONTINUES
01:14:10 MUSIC CONTINUES
01:14:12 MUSIC CONTINUES
01:14:14 MUSIC CONTINUES
01:14:16 MUSIC CONTINUES
01:14:18 MUSIC CONTINUES
01:14:20 MUSIC CONTINUES
01:14:22 MUSIC CONTINUES
01:14:24 MUSIC CONTINUES
01:14:26 MUSIC CONTINUES
01:14:28 MUSIC CONTINUES
01:14:30 MUSIC CONTINUES
01:14:32 MUSIC CONTINUES
01:14:34 MUSIC CONTINUES
01:14:36 MUSIC CONTINUES
01:14:38 MUSIC CONTINUES
01:14:40 Relax.
01:14:42 Where are we going?
01:14:44 Relax.
01:14:46 Enjoy it.
01:14:48 Um...
01:14:50 Hello.
01:14:52 What are you up to?
01:15:02 Nothing. Nothing.
01:15:04 Look,
01:15:06 what's going on?
01:15:08 Where are we going?
01:15:10 Where are you and I going?
01:15:12 I told you to relax.
01:15:14 You can't enjoy yourself if you don't relax.
01:15:16 I'm just a bit emotional tonight, OK?
01:15:20 That's OK. It's fine.
01:15:22 Nothing wrong with a bit of emotion.
01:15:24 Come on.
01:15:26 MUSIC CONTINUES
01:15:28 MUSIC CONTINUES
01:15:30 MUSIC CONTINUES
01:15:32 MUSIC CONTINUES
01:15:34 MUSIC CONTINUES
01:15:36 MUSIC CONTINUES
01:15:38 MUSIC CONTINUES
01:15:40 MUSIC CONTINUES
01:15:42 MUSIC CONTINUES
01:15:44 MUSIC CONTINUES
01:15:46 MUSIC CONTINUES
01:15:48 Hello, Gregory.
01:15:50 What are you up to?
01:15:52 Nothing.
01:15:54 We're just cruising.
01:16:02 You're all dressed up.
01:16:08 Anywhere to go?
01:16:10 I've got somewhere to go.
01:16:20 See you tomorrow, Susan.
01:16:22 Relax.
01:16:24 I believe you're short of a date.
01:16:34 There was a bit of a mix-up earlier on.
01:16:36 It's OK.
01:16:38 Would you like to spend some time with me?
01:16:44 On a kind of date?
01:16:48 Look, I'm not very sure what's going on.
01:16:50 Is this some kind of joke?
01:16:52 All this... with Carol and Margot and...
01:16:54 It's a joke, isn't it?
01:16:56 Not a joke.
01:16:58 It's just the way girls work.
01:17:00 They help each other.
01:17:02 Who's Dorothy?
01:17:04 Dorothy's a good sport.
01:17:06 Anyway, how about it?
01:17:08 You and me, what do you say?
01:17:10 Think about it.
01:17:16 Sit down over there and think about it.
01:17:18 OK.
01:17:44 A kind of date.
01:17:46 Do we start right away?
01:17:48 Yeah.
01:17:50 We'll go to the country park.
01:17:52 It's too nice an evening to sit in a bar.
01:17:54 Yeah, bar too nice.
01:17:56 What we'll do is...
01:18:10 we'll just walk and talk.
01:18:12 And we don't even need to talk that much either.
01:18:14 We'll just see how it goes.
01:18:16 Fine.
01:18:18 I hope you don't think I do this kind of thing all the time.
01:18:20 No.
01:18:22 Can we whistle too?
01:18:24 Yes, we can whistle too.
01:18:26 Good.
01:18:28 See, if we were going for a drink...
01:18:34 what would you have to drink?
01:18:36 Ricardi and Coke with ice.
01:18:40 Same here.
01:18:42 With ice.
01:18:44 There's definitely something in there tonight, Charlie.
01:18:46 That's three women in a row he's had.
01:18:50 I like the jacket.
01:19:06 I like your scarf.
01:19:08 I like your scarf.
01:19:12 I like your scarf.
01:19:20 I like your beret.
01:19:26 Thank you.
01:19:28 Do you want to swap?
01:19:34 No.
01:19:36 You know, this is really good.
01:19:42 I'm really enjoying myself.
01:19:44 Good.
01:19:46 I'm glad we bumped into each other.
01:19:48 Do you want to dance?
01:19:56 It's really good.
01:19:58 You just lie flat down and dance.
01:20:00 I'll show you what I mean.
01:20:02 You just lie down and dance.
01:20:04 I'll show you what I mean.
01:20:06 Just dance.
01:20:08 I'll tell you something.
01:20:10 Not a lot of people know this.
01:20:12 We are clinging to the surface of this planet
01:20:14 while it spins through space
01:20:16 at a thousand miles an hour.
01:20:18 Held only by the mystery force called gravity.
01:20:20 A lot of people don't know this.
01:20:22 We are clinging to the surface of this planet
01:20:24 while it spins through space
01:20:26 at a thousand miles an hour.
01:20:28 Held only by the mystery force called gravity.
01:20:30 Wow.
01:20:32 A lot of people panic when you tell them that
01:20:34 and they just fall off.
01:20:36 But I see you're not falling off.
01:20:38 That means you've got the hang of it.
01:20:40 That means that you have got...
01:20:42 Natural ability.
01:20:44 Yeah.
01:20:46 A thousand miles an hour, eh?
01:20:50 Why are boys obsessed with numbers?
01:20:52 No, we're not.
01:20:56 You are.
01:20:58 I'm not.
01:21:00 You're not.
01:21:02 I'm not.
01:21:04 You're not.
01:21:06 I'm not.
01:21:08 You're not.
01:21:10 I'm not.
01:21:12 You're not.
01:21:14 I'm not.
01:21:16 You're not.
01:21:18 I'm not.
01:21:20 You're not.
01:21:22 I'm not.
01:21:24 I'm not.
01:21:26 I'm not.
01:21:28 I'm not.
01:21:30 I'm not.
01:21:32 I'm not.
01:21:34 What are you two up to?
01:21:36 What are you up to?
01:21:40 I'm going down to the hospital to do the...
01:21:42 the exposure test.
01:21:44 The flesh tone experiment.
01:21:46 Oh yeah, the flesh tone experiment.
01:21:48 Of course.
01:21:50 Have you got the right equipment?
01:21:52 Oh, of course.
01:21:54 I've got a lens. It opens up to 2.8.
01:21:56 Which with 700 foot candles
01:21:58 at say, er...
01:22:00 100 yards.
01:22:02 A falling speed of 360.
01:22:04 And a forced processing for about 1.5 stops.
01:22:06 Do you like numbers, Eric?
01:22:08 Numbers make the world go round.
01:22:10 How many, erm...
01:22:16 elephants...
01:22:18 will you give it tonight?
01:22:20 They can't have any time exposures.
01:22:22 I don't want to ruin the image definition, eh?
01:22:24 Right, so that means a fast shutter.
01:22:26 Say at the outside, er...
01:22:28 120 foot of an elephant.
01:22:30 Sounds fine.
01:22:32 Thanks.
01:22:34 You coming?
01:22:36 Erm... no.
01:22:38 I'd be quite interested in the results, though.
01:22:40 Put me on advance order and submit the tens.
01:22:42 Yeah, put me down for six.
01:22:44 Nah.
01:22:46 Make it half a dozen.
01:22:48 (laughs)
01:22:50 Listen, I want to tell you something.
01:22:54 Do you know
01:22:56 when you sneeze
01:22:58 it comes out your nose at 100 miles per hour?
01:23:00 Really?
01:23:02 Just like that.
01:23:04 One more number.
01:23:16 Eleven.
01:23:18 Home by. I've got to be.
01:23:20 OK, Mr. Spaceman.
01:23:22 I'll walk you home.
01:23:24 Really?
01:23:28 I don't want to put you to any trouble.
01:23:32 It's OK.
01:23:34 If you just want to walk me to the bridge, that's fine.
01:23:38 No, the way home, I don't mind.
01:23:40 OK.
01:23:44 I'll do the same for you sometime.
01:23:46 (laughs)
01:23:48 (music)
01:24:16 That's good.
01:24:18 You stopped kissing me like I was your auntie.
01:24:20 Nobody's looking.
01:24:24 What's my auntie going to say when I kiss her at Christmas?
01:24:30 Say something.
01:24:44 342.
01:24:46 A million and nine.
01:24:52 How come you know all the good numbers?
01:25:00 Thanks for seeing me home.
01:25:06 When can I see you again?
01:25:12 Tomorrow. History.
01:25:14 10.30.
01:25:16 I want a date.
01:25:26 OK, Mr. Spaceman.
01:25:34 12.30.
01:25:36 Room 17 tomorrow.
01:25:38 We'll talk about it.
01:25:40 (laughs)
01:25:42 10.40.
01:25:44 (laughs)
01:25:46 Goodnight, Mr. Spaceman.
01:25:54 375.
01:26:02 5,670.
01:26:08 5,672.
01:26:10 How did it go?
01:26:24 Are you going to see her again?
01:26:26 Who? Dorothy?
01:26:30 Who else?
01:26:32 Well, maybe Susan, for instance.
01:26:34 Tell me.
01:26:36 I'll hurt you. Tell me.
01:26:38 OK.
01:26:40 Dorothy didn't show up, but I met Carol, and then Margot, and then Susan.
01:26:42 She's lovely.
01:26:46 We went into the park.
01:26:48 I think she likes me.
01:26:50 I'll see her tomorrow.
01:26:52 Did you kiss her?
01:26:54 No. Maybe tomorrow.
01:26:56 You liar! I saw you. You kissed her about 50 times.
01:26:58 Shh. You'll wake the mate up and beat her.
01:27:00 I'd better kiss you too, then.
01:27:04 I like being in love, eh?
01:27:06 Especially when you don't know which girl it is.
01:27:08 Yeah. I'll work on it.
01:27:10 Who's going to be Gregory's girl?
01:27:12 You are.
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01:27:48 - Come on Andy, let's go home.
01:27:51 That's not the way you spell Caracas anyway.
01:27:59 - What?
01:28:00 What do you mean?
01:28:03 - Caracas is spelled with an A, C-A-S, not C-U-S.
01:28:09 - Why didn't you tell me that before?
01:28:14 Could you not have told me that four hours ago?
01:28:16 I've been standing here waiting here for you.
01:28:20 - Come on, let's go home.
01:28:22 Come on, we can start again tomorrow.
01:28:32 There's some nice girls in third year.
01:28:36 They always go for the older guys.
01:28:39 At least the nice ones do.
01:28:41 There's even a couple of dolls in second year.
01:28:46 I thought I'm in a dining hall.
01:28:48 Do you know the movies?
01:28:50 Andy, I think everything's going to be all right.
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