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00:00 Welcome back to New Rock Stars, I'm Eric Voss and this is a breakdown and revisitation
00:03 of Marvel's Loki Season 1 Episode 1, Glorious Purpose.
00:07 So a lot has changed in the MCU since I first broke this series down and with Season 2 coming
00:12 up on Disney Plus October 6th, it definitely felt like time for a rewatch.
00:17 And you know what?
00:18 We were able to find so many more details and Easter eggs.
00:21 I don't know how, but we were.
00:22 So let's go back through the six episodes of Loki Season 1, starting with this one with
00:26 a fresh perspective to find out why Ms. Minutes haunts my new...
00:30 Oh come on, come on, not there!
00:32 We open on New York City, 2012 during Loki's escape and Avengers Endgame.
00:36 The Avengers theme plays as the letters in the New York title card cycle through the
00:40 options before settling like old train station flip-slap displays.
00:44 The date actually starts on that swipe in 2025 if you look at those blurry numbers and
00:48 then swipes back in time until we land on 2012, as if Kang is moving a dial until he
00:53 gets to the option that he wants.
00:55 Now that Quantumania has come out along with trailers for Loki Season 2, we know that he
00:59 remains goal was to isolate the sacred timeline according to director Kate Herron from the
01:04 timelines of the other variants in the Kang dynasty.
01:06 So this opening date swipe is this one playwright frantically flipping back to this date to
01:12 set into motion a plan to hold off his screaming cousins in that arena.
01:16 We see a slightly different variation on the events from Endgame with different takes,
01:20 editing changes and sound mixes and focal points that make it familiar but somewhat
01:24 off.
01:25 Like this is the same establishing shot that was used in Endgame but with the portal beam,
01:29 the Chitauri and some explosions removed because the battle has ended.
01:32 This moment is also slightly different.
01:33 On my way down to coordinate search and rescue.
01:35 On my way down to coordinate search and rescue.
01:38 On my way down to coordinate search and rescue.
01:39 On my way down to coordinate search and rescue.
01:41 In the new take, Loki's Steve Rogers impression is far more robotic and yes this calls back
01:46 to when Loki impersonated Steve Rogers in Thor the Dark World.
01:49 But either way, right off the bat we are clued into the fact that there are alterations to
01:53 the timeline.
01:54 Like in the film when we stayed on Hulk's reaction to Loki's taunting wave, this time
01:58 we stay on Loki as the elevator doors close and he descends to the lobby.
02:02 Really the show is very much about Loki in elevators because we are already seeing a
02:06 branch in the sacred timeline at this point.
02:08 Just by the Avengers looping back to this point in time.
02:11 Little butterfly effects have started to ripple effect and change things.
02:14 Another little change.
02:15 In the original scene when the Tesseract slid out of the briefcase to Loki's feet it made
02:18 no sound but now it has a full choral hum to it.
02:26 Loki believes that the Tesseract is a main part of his glorious purpose of achieving
02:29 God King status and this episode slaps that belief right out of him.
02:33 And it's actually shown later in the episode when the hum dies away after he realizes there
02:37 are an infinite number of useless infinity stones in that drawer and really all this
02:41 time he's just been trying to get his hands on a glorified paperweight.
02:44 We actually got a lot of those.
02:45 Some of the guys use them as paperweights.
02:48 As Loki grabs the space stone and disappears we hear Thor's panicked voice calling out
02:53 back in the timeline.
02:57 Loki just altered history creating a branch timeline and we see the altered Marvel Studios
03:01 title logo now in Loki's signature green and gold colors.
03:04 We cut to this bug crawling reflected in a drop of water in the Gobi Desert.
03:09 The sky opens up and Loki crashes into the sand recalling the moment in Quantumania when
03:14 Kang crash lands into the Quantum Realm.
03:16 The shot composition is also reminiscent of Iron Man's desert landing.
03:19 Three characters who are prone to egomania but whereas Kang digs in and doubles down,
03:24 Tony evolves into someone more selfless and Loki really could go down either of those
03:27 paths at this point.
03:29 Loki greets the locals with his line from the Avengers and is hilariously shut down
03:32 instantly foreshadowing the journey he's about to go on.
03:35 I am Loki of Asgard and I am burdened with glorious purpose.
03:43 Again glorious purpose is the title of this first episode and we see Loki's glorious
03:47 purpose changing from conqueror to compliant variant.
03:50 Just as in this series we're seeing the spectrum of Kang's shifting from the conqueror
03:53 who's trapped in the Quantum Realm to the one we meet in this series, the one who remains,
03:57 trying to keep the multiverse from unraveling.
03:59 That is the journey Loki will go on.
04:01 A group of time cops from the TVA show up, TVA of course the Time Variance Authority,
04:05 who I have to say is kind of a throwaway entity in the Marvel comics but in this show so freaking
04:10 cool.
04:11 She's led by Hunter B-15 played by Wunmi Mosaku and you can see hash marks on her helmet,
04:16 perhaps marking how many timelines she has reset.
04:19 She keeps track of it this way because otherwise the members of the TVA have no other way of
04:22 keeping track of time.
04:24 This entrance by portal opening and holding the handheld device definitely reminds me
04:27 of any time AI showed up on Quantum Leap.
04:29 There seem to be a few nods to other time travel shows throughout Loki.
04:32 We'll talk about them as we go.
04:34 On B-15's scanner Loki is labeled variant L1130 and you'll notice the units drop from
04:39 five towards zero.
04:40 The soldiers carry batons with glowing tips.
04:42 Some glow orange, some glow purple.
04:44 Purple is really the signature colors of Kang.
04:46 That is more dangerous of the two colors.
04:48 B-15 wallops Loki across the face, forcing him to feel the pain of this hit in time dilated
04:54 slow motion.
04:55 It's so simple of a visual effect but it's so effective, forcing Loki into this humiliation
04:59 of his flapping lips because he's always running his mouth.
05:03 Wunmi Mosaku also plays an admin who tortures Wyatt Russell via time dilation in the Black
05:07 Mirror episode play test.
05:09 So Loki is taken into custody and the timeline is pruned using a reset charge that changes
05:13 from orange to purple.
05:15 The sound the reset charge makes actually sounds a lot like that bug crawling across
05:18 the sand.
05:24 So just like the footsteps of that bug across the desert sand erased by the wind, so too
05:29 is this branch timeline swept from existence.
05:31 So as they enter the TVA you can see the moment when the tesseract stops glowing as it is
05:36 sapped of any magic.
05:37 The interior of the TVA uses a lot of 70s style orange tones and the circle designs
05:42 on the ceiling throughout the building reminded me of the TARDIS on Doctor Who.
05:45 I do miss proper buttons.
05:48 Everything's so swipy these days.
05:50 It also might just be because the new promo is featuring Loki and Sylvia in McDonald's
05:53 for season two, but the bright colors and plastic furniture definitely look like the
05:56 inside of a McDonald's to me.
05:58 Actually the TVA as a whole is color coded so that the walls and outfits are orange on
06:03 the bottom security level, green on the mid-tier office level, and then gold on the top tier
06:07 legal level.
06:08 We actually see a Skrull variant and he's wearing a tracksuit.
06:11 So maybe there is a Skrull in the tracksuit mafia in Hawkeye.
06:14 I gotta wonder which side of the two Skrull factions we saw in Secret Invasion this guy's
06:18 on.
06:19 B-15 uses a time twister to rewind Loki.
06:21 In the comics the time twisters are beings that move backward in time to destroy all
06:24 in their path.
06:25 Here the device is a remote leash to whoever wears the collar.
06:28 Comedian Josh Fadum cameos playing variant Martin, possibly based on Farmer Bro Martin
06:32 Screlli.
06:33 My dad is on the board of Goldman Sachs.
06:35 One little call and your whole job is privatized.
06:37 We also see comedian Eugene Cordero playing the TVA clerk Casey, who always seems confused
06:42 and frazzled.
06:43 He's so good on this series.
06:44 The pens in his pocket leak more and more ink into his shirt throughout the episode.
06:48 He comments that the Tesseract sounds dumb, which sets up what we find out later, that
06:51 here the Infinity Stones have no real value.
06:54 Loki is stripped naked by this disturbing robot with a face on its screen.
06:58 He looks a bit like Herbie from the comics, who was a robot sidekick of the Fantastic
07:02 Four, but everything from this slow smile to the glitchy eye just so unsettling, even
07:07 before it removes Loki's clothes and plops him into a prison jumpsuit.
07:10 This whole scene is similar to the scene in Thor Ragnarok, when Stan Lee gives Thor a
07:13 haircut.
07:14 Now don't you move.
07:16 My hands aren't as steady as they used to be.
07:18 In the transcript room, Loki's greeted by an adorable purring cat, whose face is also
07:22 on the mug.
07:23 The cat's owner is playing solitaire on his screen, which reminds me of this moment in
07:27 the Avengers.
07:28 That man is playing Galaga.
07:29 Thought we wouldn't notice, but we did.
07:33 The clock on the wall has multiple hands and way too many numbers on it, just like all
07:37 the clocks in the TVA.
07:38 Kind of like in a casino, TVA employees are trapped from knowing what time it really is.
07:43 It is a prison.
07:44 And in keeping with old technology, Loki's transcript, which should probably be way longer
07:48 than this, prints from a dot matrix printer.
07:51 Loki falls through the floor again and lands in front of this metal detector-looking machine
07:54 that scans someone's temporal aura and ensures that they're not a robot, and then melts them
07:58 from the inside if they are.
08:00 This moment definitely hits differently when you find out later that the timekeepers themselves
08:03 are Chuck E. Cheese-style robots being controlled by He Who Remains.
08:06 Loki asks, "What if I was a robot and I didn't know it?"
08:08 He has a bit of existential panic underlying this whole season.
08:11 Do any of us have free will in He Who Remains scripted reality?
08:15 Or are we his clockwork?
08:17 His machines?
08:18 In the line room with all the stanchions, it looks like a DMV, there's a poster on the
08:21 wall showing Ms. Minutes warning, "Behave or you'll get your clock cleaned!"
08:25 And then we get this explanatory video from Ms. Minutes, who, in trailers for season 2,
08:29 is even more terrifying than we initially thought, and was with a version of Victor
08:32 Timely at the World's Fair in Chicago in 1893, which I think might have been the origin of
08:37 this entire TVA bureaucracy.
08:39 This video has a distinct Jurassic Park, Mr. DNA video vibe to it, but I made another video
08:43 recently about Ms. Minutes explaining that Kate Herron's original idea in this episode
08:47 was for Ms. Minutes to jump off the screen in this pilot episode, and that the designers
08:51 from Luma VFX said that they based her on Felix the Cat and Betty Boop, and that this
08:55 welcome video was based on the propaganda videos from the 1950s, like one called "A
08:59 is for Adam" about atomic energy, and another one called "Destination Earth" about oil made
09:03 by an oil company.
09:04 So, at the end of the video, when it says, "Produced by the Time Variance Authority
09:07 Narrative Commission," yeah, we definitely get a sense that this is all bullshit.
09:12 It's hiding the fact that the temporal energy that they are processing in this facility
09:15 is extremely volatile.
09:17 Ms. Minutes is, of course, voiced by Tara Strong, who also came back to voice Mainframe
09:21 in Guardians of the Galaxy Volume 3.
09:23 Welcome to the Time Variance Authority.
09:25 I'm Ms. Minutes, and it's my job to catch you up before you stand trial for your crimes.
09:32 I love how Ms. Minutes is locked up in a cuckoo clock initially, the bars of the clock mimicking
09:37 prison bars, and the pendulum is actually a prison ball and chain.
09:41 I just noticed this.
09:42 Then we get a thunderclap and a bunch of starbursts, the imagery almost matching frame for frame,
09:45 the A is for Adam video.
09:47 Ms. Minutes explains.
09:48 Long ago, there was a vast multiversal war.
09:52 Countless unique timelines battled each other for supremacy, nearly resulting in the total
09:57 destruction of, well, everything.
10:01 So these events are what Reed Richards will later refer to in Multiverse of Madness as
10:04 incursions, when the boundary between universes erodes and they collide, destroying one or
10:09 both of those universes.
10:11 Ms. Minutes goes on to say that the all-knowing timekeepers reorganize the multiverse into
10:14 a single timeline.
10:16 Also among this animated imagery, we see these warring alien races, which I think are the
10:20 Kree versus the Titans.
10:21 We see similarly armored Kree in the Marvel's film, and the purple ones look like the residents
10:26 of Thanos' home world of Titan.
10:27 Then we see this little yellow example in a hat and bow tie, and his variants switch,
10:32 always keeping the bow tie, from a sea captain, big muscly guy who reminded me of Bluto from
10:36 Popeye, and then a mughead man, and a James Bond-style mad scientist with an eye patch,
10:40 and then a guy in a top hat, which kind of resembles Loki and Mobius' look in the trailer
10:43 for season two.
10:44 Ms. Minutes explains that stepping off a path creates a nexus event, which could lead to
10:47 another multiversal war.
10:49 Now since this is a rewatch, we know that this is all bullshit.
10:51 It's a story concocted by He Who Remains to maintain order and prevent the Kang variants
10:56 from seizing power.
10:57 But like any good propaganda, there are enough truths scattered throughout to make it sound
11:01 plausible.
11:02 The video ends, and Loki says this.
11:04 Timekeepers, the sacred timeline.
11:07 Who actually believes this bunkum?
11:08 And later on this episode, he'll add, "The idea that your little club decides the fate
11:12 of trillions of people across all of existence at the behest of three space lizards, yes,
11:18 it's funny.
11:19 It's absurd."
11:20 So he actually gets it correct right off the bat.
11:22 This is bunkum.
11:24 Lies designed to maintain control.
11:25 And the timekeepers are, in fact, fake.
11:28 And in the Quantumania post-credits scene, one of the Kang variants is a reptilian lizard.
11:32 So Martin gets terrifyingly reset, and the way he screams, it does not sound like a pleasant
11:37 experience.
11:38 "What are you yanking?
11:39 You're raising your voice with me, buckethead!"
11:40 "We said, oh!"
11:44 So these main titles were done by the design lab, Perception, in a white, fuzzy glow on
11:49 a black background.
11:50 And you can see one of the O's has little horns, like Loki's horned crown.
11:54 The people of Perception stated, "We designed the opening title for this series to pay homage
11:58 to Loki's ship-shifting nature.
12:00 Texts from previous films, title sequences, and comic books that Loki's appeared in, alien
12:03 topography from the series, and even Norse runes can be seen flickering throughout the
12:07 logo."
12:08 So, Agent Mobius, Owen Wilson, in France, 1549.
12:11 He's based on Mobius M. Mobius from the comics.
12:13 He's investigating the killings of hunters and minutemen by a mystery murderer, who turns
12:17 out later to be Sylvie, a female variant of Loki, played by Sofia DiMartino.
12:21 She lured them here to steal their reset charges using this kablooey gum, an anachronistic
12:26 item left in the past that they would then have to come and deal with.
12:29 But it does show something nice about this character, that she gave the gum to a kid.
12:33 So there is a heart in there.
12:34 Mobius has handed Loki variant L1130's rap sheet, and we see that he is Loki Laufeysen,
12:39 son of Laufey.
12:40 That's the Jotunheim Frost giant from the first Thor movie.
12:42 And he goes by the name Loki Odinson, because he didn't actually know he was Laufey's son
12:46 until the events of Thor.
12:47 But the sex is listed as fluid, which is just a clue pointing to the fact that different
12:51 variants can have different sexes.
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14:04 In the courtroom, there are murals all over the wall showing TVA clerics, technicians,
14:08 and judges, one of whom's wearing glasses and a mustache, kinda looking like a younger
14:11 Stan Lee.
14:12 We meet Justice Ravonna Renslayer, played by Gugum Abathura, sitting in front of the
14:16 looming faces of the three timekeepers, and sitting directly in front of the kissing lips
14:21 of the center one.
14:22 In the comics, she was the love of Kang the Conqueror, and she threw herself in front
14:25 of a blast to save his life.
14:26 In season two, her other identity, Rebecca Tormine, will be beside Victor Timely in that
14:30 1893 era.
14:31 Loki tries to shift blame to the Avengers in their time heist, but Renslayer shoots
14:35 him down.
14:36 - We're not here to talk about the Avengers.
14:37 - Oh, no?
14:38 - No.
14:39 What they did was supposed to happen.
14:40 You escaping was not.
14:43 - So what the Avengers did was given the okay by He Who Remains, and when they put the Infinity
14:47 Stones back, it set the timeline right again.
14:50 But still, I've always interpreted this to mean He Who Remains wanted the Avengers to
14:54 break the rules of time travel to defeat Thanos.
14:57 Loki has some embarrassing performance issues.
14:59 - How do you plead?
15:00 - Guilty of this.
15:01 - What's going on?
15:02 - Yeah, magic doesn't work in the TVA.
15:12 Renslayer pronounces him guilty and sentences him to be reset, but Mobius intervenes and
15:15 takes Loki on a little tour of the TVA, and it seems massive.
15:18 One of the spires is labeled T-282, which could be a nod to Thor issue 282, which was
15:24 our first appearance of the Time Keepers.
15:26 They get to the elevator, and the elevator buttons have these three-character alphanumeric
15:29 code that many of us online have tried to decipher over the years, but so far, they
15:32 don't seem to refer to anything specific.
15:33 Maybe we'll get some answers in season two, but the end credits, we do see one of those
15:37 codes again, 1EJ, and it's immediately hit with access denied.
15:41 Maybe it's to the auto-mat, and someone's trying to double dip on slices of key lime
15:44 pie.
15:45 In the time theater, Mobius cracks open a Josta, a discontinued soft drink from the
15:48 '90s made by PepsiCo and was marketed as a high-energy drink.
15:51 It was only around from 1995 to 1999.
15:54 I thought maybe based off this that Loki could be from the late '90s, but in the season
15:57 two trailer, his past as a jet ski salesman is, rumor has it, the scene set in 2022.
16:02 Loki tells Mobius that he wanted to rule over Midgard and then eventually all of space,
16:06 and Mobius replies, "Why does someone with so much range just want to rule?"
16:11 This is perhaps some meta commentary on comic book villains just always wanting power, but
16:15 for no real reason, and Loki responds, "I would have made it easy for them.
16:19 The first and most oppressive lie ever uttered was the song of freedom.
16:26 For nearly every living thing, choice breeds shame and uncertainty and regret."
16:35 This is similar to what Loki said in Germany, "Is this not easier?"
16:38 And Mobius shows them this moment among his greatest hits in the TVA holo-projector.
16:41 "The bright lure of freedom diminishes your life's joy in a mad scramble for power."
16:48 We see the events from the previous films, Loki killing Coulson, Loki stealing that eyeball,
16:52 and then the Battle of New York freezes on the waitress, Beth, played by Athelie Johnson
16:56 or Chrissy Siever from Growing Pains, and the voice of Ellie in The Last of Us games,
16:59 who played Ellie's mom in the Last of Us HBO series.
17:02 There was actually a Steve Rogers subplot that got cut from that film.
17:05 Perhaps we can now look at that as a Prune Branch storyline.
17:08 Mobius reveals that Loki was real-life mystery hijacker D.B.
17:11 Cooper, a man who hijacked a Northwest Orient Airlines flight in 1971 by saying he had a
17:15 bomb and then demanded $200,000 and parachuted out over Washington and was never found or
17:20 identified.
17:21 "The flight deck, Captain William Scott."
17:23 William Scott was actually the name of the pilot on that flight.
17:25 Here, Heimdall catches Loki with the Bifrost, leaving cash floating, a nod to the fact that
17:29 all they ever found of D.B.
17:30 Cooper was some cash floating in the Columbia River.
17:33 Loki apparently did all this because he lost a bet to Thor.
17:35 Mobius tells Loki that he wants to know what makes Loki tick, which is true, since he is
17:39 hunting Sylvie, and he needs to know why she is doing what she's doing, and Loki once again
17:43 gets it right.
17:44 "You know what this place is?"
17:45 "What is it?"
17:46 "It's an illusion."
17:47 As a trickster prone to weaving illusions himself, Loki can spot the machinations behind
17:53 what the TVA is presenting him.
17:54 We see Frigate's death from Thor The Dark World, and events that are still in the future
17:58 from this point, for this Loki, and it's kind of like that scene in Scrooged when the Ghost
18:02 of Christmas Past tells Frank that even the worst people cry when they see memories of
18:05 their mothers.
18:06 "Merry Christmas, Frankie Angel."
18:07 "Merry Christmas to you, Mama."
18:08 "Niagara Falls, Frankie Angel."
18:09 "Oh, my God, what is that?"
18:10 "Oh, my God, what is that?"
18:11 "Oh, my God, what is that?"
18:12 "Oh, my God, what is that?"
18:13 "Oh, my God, what is that?"
18:14 "Oh, my God, what is that?"
18:15 "Oh, my God, what is that?"
18:16 "Oh, my God, what is that?"
18:17 "Oh, my God, what is that?"
18:18 "Oh, my God, what is that?"
18:19 "Oh, my God, what is that?"
18:20 "Oh, my God, what is that?"
18:21 "Oh, my God, what is that?"
18:22 "Oh, my God, what is that?"
18:23 "Oh, my God, what is that?"
18:24 "Oh, my God, what is that?"
18:25 "Oh, my God, what is that?"
18:26 "Oh, my God, what is that?"
18:27 "Oh, my God, what is that?"
18:28 "Oh, my God, what is that?"
18:29 "Oh, my God, what is that?"
18:30 "Oh, my God, what is that?"
18:31 "Oh, my God, what is that?"
18:32 "Oh, my God, what is that?"
18:53 "Oh, my God, what is that?"
19:19 "Oh, my God, what is that?"
19:48 "Oh, my God, what is that?"
19:49 "Oh, my God, what is that?"
19:50 "Oh, my God, what is that?"
19:51 "Oh, my God, what is that?"
19:52 "Oh, my God, what is that?"
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19:55 "Oh, my God, what is that?"
19:56 "Oh, my God, what is that?"
19:57 "Oh, my God, what is that?"
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20:00 "Oh, my God, what is that?"
20:01 "Oh, my God, what is that?"
20:02 "Oh, my God, what is that?"
20:03 "Oh, my God, what is that?"
20:04 "Oh, my God, what is that?"
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20:32 "Oh, my God, what is that?"
20:39 "Oh, my God, what is that?"
20:50 "Oh, my God, what is that?"
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22:04 "Oh, my God, what is that?"
22:05 "Oh, my God, what is that?"
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22:07 "Oh, my God, what is that?"
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22:09 "Oh, my God, what is that?"
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22:12 "Oh, my God, what is that?"
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22:18 "Oh, my God, what is that?"
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22:20 "Oh, my God, what is that?"
22:21 "Oh, my God, what is that?"
22:22 "Oh, my God, what is that?"
22:43 "Oh, my God, what is that?"
23:11 "Oh, my God, what is that?"
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23:54 "Oh, my God, what is that?"
23:55 "Oh, my God, what is that?"
23:56 "Oh, my God, what is that?"
23:57 "Oh, my God, what is that?"
23:58 "Oh, my God, what is that?"
23:59 "Oh, my God, what is that?"
24:00 "Oh, my God, what is that?"
24:01 "Oh, my God, what is that?"
24:02 "Oh, my God, what is that?"
24:03 "Oh, my God, what is that?"
24:04 "Oh, my God, what is that?"
24:05 "Oh, my God, what is that?"
24:06 "Oh, my God, what is that?"
24:07 "Oh, my God, what is that?"
24:08 "Oh, my God, what is that?"
24:29 "Oh, my God, what is that?"
24:55 "Oh, my God, what is that?"
25:02 "Oh, my God, what is that?"
25:03 "Oh, my God, what is that?"
25:03 "Oh, my God, what is that?"
25:04 "Oh, my God, what is that?"
25:04 "Oh, my God, what is that?"
25:05 "Oh, my God, what is that?"
25:05 "Oh, my God, what is that?"
25:06 "Oh, my God, what is that?"
25:06 "Oh, my God, what is that?"
25:07 "Oh, my God, what is that?"
25:07 "Oh, my God, what is that?"
25:08 "Oh, my God, what is that?"
25:08 "Oh, my God, what is that?"
25:13 "Oh, my God, what is that?"
25:18 "Oh, my God, what is that?"