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Short filmTranscript
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00:03:41 Somebody out there?
00:04:00 Who's out there?
00:04:04 I got a gun by me.
00:04:05 You Medford?
00:04:06 Who's that?
00:04:09 Matt Weaver.
00:04:11 Weaver?
00:04:13 You stop right there, Weaver.
00:04:15 Don't you come no closer.
00:04:17 You crazy?
00:04:19 What are you doing here?
00:04:21 Doing? This is my farm.
00:04:24 No more it ain't.
00:04:27 I'm warning you.
00:04:30 This is my house.
00:04:33 No more it ain't.
00:04:34 I bought it from Sam Brewster.
00:04:37 Brewster?
00:04:39 Yeah, Brewster.
00:04:41 After Grant mustered us out.
00:04:43 Why, this ain't been your house, Reb.
00:04:46 For pretty near three years.
00:04:48 Now you start walking off my land.
00:04:51 And keep off.
00:04:58 [Music]
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00:05:31 Welcome.
00:05:32 Welcome home, Senor Matt.
00:05:34 Home?
00:05:36 It's been stolen out from under me by this thieving town.
00:05:39 My house is yours.
00:05:41 Make a roof over your head.
00:05:44 I aim to sleep under my own roof.
00:05:46 [Music]
00:05:51 [Music]
00:05:54 What's going on here, Billy?
00:06:07 That Weaver.
00:06:09 Weaver?
00:06:11 He's got a gun. He's heading for Brewster's.
00:06:13 Tonto! Hey, Tonto!
00:06:15 Tonto!
00:06:17 What's the rush?
00:06:19 The man is back. Matt Weaver's back.
00:06:21 Tonto!
00:06:23 Hey, Tonto!
00:06:25 Guess what? Matt Weaver's here.
00:06:28 Joe and Joseph headed for Brewster's and he's carrying a gun.
00:06:31 Major Brewster's with a gun. Wait for me.
00:06:33 Crane, what is it?
00:06:35 This biggest life out there.
00:06:37 Matt Weaver.
00:06:39 What?
00:06:41 I put a bullet through him.
00:06:44 Crane, come here, just a minute, please.
00:06:47 I've been living in this nightmare for good and all.
00:06:49 Crane, you're drunk.
00:06:51 Don't say it.
00:06:53 Don't you ever say it.
00:06:55 [Music]
00:06:59 Go.
00:07:01 [Music]
00:07:05 Brewster!
00:07:09 Open up, Brewster!
00:07:11 Brewster, open up!
00:07:13 [Gunshots]
00:07:16 Brewster!
00:07:17 [Gunshots]
00:07:19 Brewster, open up!
00:07:22 It's the R.I.P. sure enough.
00:07:25 Found him on Brewster's door.
00:07:27 Yes, sir.
00:07:29 Brewster!
00:07:31 Brewster, I'm coming in.
00:07:33 [Music]
00:07:37 [Music]
00:07:40 Come on down, Brewster.
00:07:58 I'm coming up.
00:08:01 [Music]
00:08:04 Weaver!
00:08:14 [Gunshots]
00:08:16 Stand clear!
00:08:22 Crane!
00:08:24 Ruth.
00:08:28 It's between me and him.
00:08:31 You got him in the arm.
00:08:32 I aimed for his red pocket.
00:08:34 Your performance is never up to your intentions.
00:08:38 Ruth, take Crane home.
00:08:41 Oh, welcome, Sheriff, welcome.
00:08:46 Now that you're here, is it in your capacity to arrest this man?
00:08:51 He broke into my house, tried to kill me.
00:08:53 Jill!
00:08:57 I came here to ask about my farm.
00:08:59 To ask?
00:09:01 Ask and it will be given thee.
00:09:04 But with a rifle in your hands...
00:09:07 Matt, come on, Matt.
00:09:09 Sheriff.
00:09:13 [Music]
00:09:26 Matt, get a hold of yourself.
00:09:27 You put Brewster out of your mind.
00:09:29 You're trying to take on a whole town, not one man.
00:09:32 Old folks and women folks and Mexicans.
00:09:35 A couple of cripples like Crane, that's what this town is.
00:09:38 You come back...
00:09:40 On your own legs, swinging your own arms,
00:09:44 seeing out of both your eyes.
00:09:46 Well, I found my daddy.
00:09:52 Tennessee.
00:09:56 It's my daddy, all right, but his head was shot off.
00:09:58 So, uh...
00:10:07 I picked up his rifle.
00:10:09 Picked up where he left off.
00:10:12 And I stayed to the end.
00:10:16 The end, now it's over.
00:10:20 The war's over!
00:10:22 Not here, not now.
00:10:24 Well, not here, it ain't no...
00:10:25 Not while Brewster can keep it going.
00:10:29 You say Medford...
00:10:32 Medford bought my farm from Brewster, huh?
00:10:34 Well, how'd Brewster get it?
00:10:36 Huh? How?
00:10:38 How'd Brewster get it?
00:10:40 Well, when they auctioned it off, nobody had any running cash, except...
00:10:43 Brewster handed up.
00:10:46 Just to keep things legal.
00:10:48 Legal?
00:10:50 Legal, we was mustered out to return home.
00:10:53 Articles of surrender didn't say nothing about confiscation.
00:10:55 Hey!
00:10:57 Hey, boy, now you just lost a pint of blood.
00:10:59 You quiet down.
00:11:01 So, Brewster picked up my farm cheap.
00:11:03 Sold it a profit to Medford, huh?
00:11:06 Just...
00:11:09 Where did the old folks dine off?
00:11:11 Well, who's picking up their leavings?
00:11:13 You get out of this town, boy.
00:11:16 Come this morning, you're still here.
00:11:17 Pick up your gear and walk out of here.
00:11:20 Keep walking, never come back.
00:11:23 Come this morning, you're still here.
00:11:24 Pick up your gear and walk out of here.
00:11:27 Keep walking, never come back.
00:11:29 Keep walking, never come back.
00:11:30 Never come back.
00:11:31 (dramatic music)
00:11:33 (dramatic music)
00:11:34 (children shouting)
00:11:49 (dramatic music)
00:11:57 (bells ringing)
00:11:58 What's the holy racket?
00:12:22 Church summons.
00:12:25 Tuesday morning?
00:12:26 Funeral for John Medford.
00:12:28 Crazy rabbit killed Medford out of his farm last night.
00:12:30 (bells ringing)
00:12:32 This is the meat in this town.
00:12:39 How long's the stop here?
00:12:45 In Vegas, no longer, and I can help.
00:12:47 Quarter hour, maybe.
00:12:49 Our good Reverend, Brother McMichaels,
00:12:54 has given me leave to speak a few words
00:12:55 over the body of my friend, and yours,
00:12:58 a Union hero of Apache Canyon.
00:13:03 One of the few to return to us from that valley of death.
00:13:09 May John Medford's soul rest in peace.
00:13:15 - Amen. - Amen.
00:13:23 Peace for John Medford.
00:13:24 But not for us, my friends, not yet.
00:13:27 This morning, we woke up to find
00:13:30 that we've got still another widow in a town
00:13:32 that's already got more than it's share,
00:13:35 and she was witted by a rabbit, a Matt Weaver.
00:13:37 No, the war's not over for us, friends.
00:13:41 This Confederate soldier, he's still in uniform,
00:13:45 mine, still, bearing arms, invaded this township,
00:13:48 broke into my house, took my wife,
00:13:52 broke into my house, tried to kill me,
00:13:53 broke out of jail, if you believe our good Sheriff.
00:13:55 In the secret places, he did smite
00:13:58 to death an innocent.
00:14:00 I put it to you, how do we smite this,
00:14:02 this enemy of the Lord?
00:14:05 Now, listen here.
00:14:07 You listen here to me.
00:14:09 I brung the first wagons in.
00:14:11 I can bring this rebel boy in to stand trial.
00:14:14 I got to bring him in.
00:14:19 Now, we're not forgetting one thing.
00:14:21 We're not forgetting what you done
00:14:22 when you was able, you old war horse.
00:14:24 We're not gonna send you out
00:14:26 to get cut down by a crazy rabbit.
00:14:28 Suppose you just tell us what you're working us up to.
00:14:30 Now, lacking a posse, or the Sheriff,
00:14:32 able to do the job, come to me,
00:14:36 we could call on the US Marshal
00:14:38 in Santa Fe for help.
00:14:40 Except, the US Marshal's got a territory
00:14:42 full of looters and rebs to clean out.
00:14:44 Last word from Santa Fe,
00:14:47 they got a backlog a year long.
00:14:50 We can't wait a year.
00:14:51 We can't wait a week.
00:14:53 Business will go to pot.
00:14:55 Well, how many more can Matt Weaver widow in a year?
00:14:57 I hear you, Mr. McKeever.
00:15:00 Oh, I'm digging into my own pocket.
00:15:02 I sent Crane Adams to Amarillo
00:15:05 to hire a lawman able to flush that reb
00:15:07 out of these hills,
00:15:09 and end this war we thought was over.
00:15:11 A lawman, Mr. Brewster?
00:15:15 Crane went to find a gunfighter.
00:15:17 A man named Bruce.
00:15:19 A gunfighter.
00:15:20 A gunfighter kills the man he goes after.
00:15:22 No trial, no jury.
00:15:24 Guilty or innocent, he kills him.
00:15:26 Are you asking us to believe--
00:15:28 I'm asking you nothing, Mrs. Adams.
00:15:30 Women don't vote here.
00:15:32 You turning this funeral service
00:15:38 into a meeting, Sam?
00:15:40 Well, I've got a vote,
00:15:42 and I'm asking you,
00:15:44 are you saying we're not gonna hear
00:15:46 Matt's side of it?
00:15:48 You're gonna do this with all due process of law?
00:15:49 How many here besides me lost sons?
00:15:51 Hands!
00:15:53 Hands!
00:15:55 How many here lost husbands?
00:15:57 Hands!
00:15:59 Due process of law, Bucker, in wartime?
00:16:01 Until every last murdering reb
00:16:03 lays down his arms, it's still war.
00:16:05 And we got a new widow in our midst
00:16:07 that needs our help.
00:16:09 Stennaught, brother.
00:16:11 Stennaught, give.
00:16:13 Give.
00:16:17 And it shall be given unto you.
00:16:18 All aboard!
00:16:24 You're paying through the Santa Fe.
00:16:30 About your little life, huh?
00:16:34 Don't look for it to last.
00:16:39 (thunder rumbling)
00:16:43 (men shouting)
00:16:44 How'd it go?
00:17:00 Bedford's gone for good,
00:17:02 and we were as good as gone.
00:17:04 I'll take over.
00:17:12 You sure you want this side of town?
00:17:13 Mexican town's just over the wash.
00:17:16 Well, you'll be a sight more comfortable here.
00:17:33 Billy, take Mr., uh, Mr., uh,
00:17:35 take the gentleman's bags up to number five, front.
00:17:39 Stay in line.
00:17:41 Stay in line, Mr., uh...
00:17:42 (somber music)
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00:19:20 (water splashing)
00:19:23 - Did you kill John Medford?
00:19:24 - Well, I went crazy.
00:19:30 I tried to scare him off with bullets.
00:19:34 Old Medford come out with his hands up.
00:19:39 To talk, he said.
00:19:42 No guns, he said, so I put down mine
00:19:44 and he got close and pulled this.
00:19:46 He missed and I didn't.
00:19:52 Ruth, I swear that's what happened.
00:19:53 - Even if I believed you, what difference would it make?
00:19:58 The whole town is after you.
00:20:00 - I know, I know.
00:20:02 But I have weeks walking here, Ruth.
00:20:06 And now I get here and...
00:20:13 Ruth, I'm torn up.
00:20:20 - Not just Medford.
00:20:21 You and Crane, how could you marry?
00:20:23 - If you ever came back,
00:20:29 I wanted to be sure that I wouldn't be waiting for you.
00:20:31 - You know, you fixed it sure.
00:20:35 - You never would believe that I cared that much
00:20:38 about men buying and selling other men.
00:20:40 You wouldn't let yourself care.
00:20:44 You didn't love me enough to stop yourself
00:20:46 from doing the one thing that could fix it.
00:20:49 - Ruth, I told you a thousand times
00:20:50 I had to go find my daddy.
00:20:52 - That is not why you went.
00:20:54 You went because you're pig-headed like your father.
00:20:56 Because you couldn't do like the rest if it killed you.
00:20:58 Oh, Pat.
00:21:06 - Yell at me again.
00:21:15 Feels real hard.
00:21:18 Feels real home-like.
00:21:19 - You're such a mean, stubborn boy.
00:21:25 It was the only way I could make you listen.
00:21:27 At least to wonder if you'd ever grow up.
00:21:32 And you never did, hold that.
00:21:45 (somber music)
00:21:46 - Oh, I grew up.
00:21:52 But you're right, I never was much on reasonableness.
00:21:54 And having my farm stole out from me
00:21:57 doesn't make me any more so.
00:21:59 - You never were and you never will be.
00:22:02 I'm glad I didn't wait for you.
00:22:04 - You happy with Crane?
00:22:06 - Crane left town yesterday.
00:22:13 He went, he went to find a gunfighter.
00:22:14 - Gunfighter?
00:22:18 Fight what?
00:22:20 - Fight you.
00:22:22 - Brewster.
00:22:26 - It'll take Crane a week.
00:22:31 If you leave now, they'll never find you.
00:22:33 - That's my mother's grave out there, Ruth.
00:22:37 I planted them vines on the porch.
00:22:42 I live here till I die, sooner or later.
00:22:43 However long I live, I'll fight the whole town
00:22:46 for the right to die here.
00:22:48 - Here, you answer me.
00:22:53 You happy?
00:22:57 - Happy?
00:23:00 This is the house I was going to live in until I died.
00:23:04 You planted vines.
00:23:08 I knew where I was going to plant roses.
00:23:10 I loved you.
00:23:11 I loved you so much that now I hate you
00:23:14 because you're a thief, Matt.
00:23:17 You stole yourself away from me for nothing.
00:23:20 For nothing.
00:23:23 You stole my rightful life away from me.
00:23:25 - I'm sorry.
00:23:40 - I'm sorry.
00:23:41 - I'm sorry.
00:23:43 - I'm sorry.
00:23:45 - I'm sorry.
00:23:47 - I'm sorry.
00:23:49 - I'm sorry.
00:23:51 - I'm sorry.
00:23:53 - I'm sorry.
00:23:55 - I'm sorry.
00:23:57 - I'm sorry.
00:23:59 - I'm sorry.
00:24:01 - I'm sorry.
00:24:03 - I'm sorry.
00:24:05 - I'm sorry.
00:24:08 - I'm sorry.
00:24:09 - I'm sorry.
00:24:11 - I'm sorry.
00:24:13 - I'm sorry.
00:24:15 - I'm sorry.
00:24:17 - I'm sorry.
00:24:19 - I'm sorry.
00:24:21 - I'm sorry.
00:24:23 - I'm sorry.
00:24:25 - I'm sorry.
00:24:27 - I'm sorry.
00:24:29 - I'm sorry.
00:24:31 - I'm sorry.
00:24:33 - I'm sorry.
00:24:37 - I'm sorry.
00:24:38 - Let me through.
00:24:43 - Let me through, please.
00:24:45 - Mr. Brewster, this is Mr. Dancer.
00:24:48 - Good morning, sir.
00:24:50 - You one-armed toad.
00:24:52 Driving me 100 miles in that square wheel hearse for what?
00:24:54 For nothing.
00:24:56 Your brain's rocking with booze.
00:24:58 (dramatic music)
00:25:01 - Mr. Brewster.
00:25:16 - Can't you do nothing right?
00:25:18 - Mr. Brewster, I sent you after a gunfighter
00:25:20 and what'd you come back with?
00:25:22 - How do you find a gunfighter?
00:25:24 - I don't go to church.
00:25:27 I go to the saloon.
00:25:28 Saloon keeper says a top gun is a fellow
00:25:30 by the name of Jewel.
00:25:32 But he had to move on and now we're using Dancer.
00:25:36 So I go to Dancer and I tell him
00:25:38 we're paying $300 to help him.
00:25:40 - Jewel.
00:25:42 - And you pay his coach fare here.
00:25:44 And where is he now?
00:25:46 - Here, he's here.
00:25:48 Jewel, there.
00:25:51 (footsteps)
00:25:52 - Your name, Jewel?
00:26:00 - No.
00:26:02 - The hotel register.
00:26:04 - My name is...
00:26:12 Jewel.
00:26:17 (footsteps)
00:26:18 - Jasper.
00:26:20 - Die a sting.
00:26:27 - Jewel, soft J, silent S.
00:26:31 Gaspar, silent D.
00:26:33 They stank, just a touch of diphthong.
00:26:36 - Touch of diphthong?
00:26:38 - Well try Jewel.
00:26:46 - Jewel.
00:26:47 - Yeah, the J's still a little hard.
00:26:50 Try this, zzz.
00:26:52 - Zzz.
00:26:54 No.
00:26:57 I'm just gonna call you if I need you, Jewel.
00:27:01 Will you step along to my office now?
00:27:05 I'll find out soon enough if I'm gonna need you.
00:27:08 - How many steps?
00:27:10 - Right down the street here.
00:27:15 To the bank.
00:27:16 The bank.
00:27:18 Where the money's kept.
00:27:20 - Too hot.
00:27:24 - You a gunfighter?
00:27:31 We got a little problem around here.
00:27:40 It's quite a story.
00:27:44 Quite a story.
00:27:45 There's his rib.
00:27:47 - Where?
00:27:49 - On this farm he owns.
00:27:51 Just a ride out of town.
00:27:54 - Horseback ride?
00:27:56 I stay off horses.
00:27:58 - Well I, I guess you could walk it.
00:28:03 - I'm not much for walking either.
00:28:06 I'll take care of your rib.
00:28:09 Five hundred dollars.
00:28:13 I'm not done, sir.
00:28:14 I'll take his three hundred dollars in account.
00:28:17 Now.
00:28:19 There.
00:28:22 In your breast pocket.
00:28:24 Bank is sweating.
00:28:39 Bank is sweating.
00:28:40 My hotel room's cooler.
00:28:53 My hotel room's cooler.
00:28:54 My hotel room's cooler.
00:28:55 (horse neighing)
00:28:56 (laughing)
00:28:58 (dramatic music)
00:29:11 (dramatic music)
00:29:12 - After the time you've wasted for us,
00:29:26 you better pray this Jules what they say he is
00:29:30 and does what he says he'll do.
00:29:32 And that's two things I'm settling right now.
00:29:35 (dramatic music)
00:29:39 (dramatic music)
00:29:40 - I'm back.
00:29:54 - I put your coffee on your desk.
00:29:56 (dramatic music)
00:29:58 (door slamming)
00:30:02 (dramatic music)
00:30:05 (door slamming)
00:30:06 (dramatic music)
00:30:08 - What I want to hear is how you're gonna earn your money.
00:30:18 - The bullet in his back, no doubt.
00:30:21 - It is.
00:30:23 What I am talking about is you're here.
00:30:28 And he's out there.
00:30:30 Now you won't ride, you won't walk.
00:30:33 - You'll have to come to me.
00:30:34 He can't work a farm under siege.
00:30:36 He's been shooting his food.
00:30:38 - Yeah.
00:30:40 First sign up, we hear his rifle cracking away.
00:30:42 Weaver's always been a dead shot.
00:30:45 - Not with an empty rifle.
00:30:47 Now where would a man buy or steal bullets in this town?
00:30:52 - The Emporium.
00:30:55 - Now suppose I'm tired of this hotel room.
00:30:58 And the Emporium might seem more...
00:31:01 home-like.
00:31:02 - Not hardly.
00:31:04 Adams would live upstairs.
00:31:06 Crane might, Ruth.
00:31:08 - Now the way you walked into my room,
00:31:10 I'd say you own the hotel.
00:31:12 Wouldn't surprise me if you owned a piece
00:31:14 of every business in this town.
00:31:16 - I own more than a piece of the Emporium.
00:31:20 I can tell you that.
00:31:22 - Well you see,
00:31:24 I have more faith in your powers of persuasion than you do.
00:31:30 - I'll put you to Crane.
00:31:31 A man know not how to rule his own house.
00:31:34 - Is he a man?
00:31:36 - Yes, sir.
00:31:42 Catch Weaver red-handed stealing a...
00:31:46 (laughs)
00:31:48 That is a cut above a bullet in the back, you gotta admit.
00:31:50 (laughs)
00:31:52 - Yeah, you held a town meeting the other day.
00:31:57 How'd it go?
00:31:59 - Well, I don't know.
00:32:00 - Well, I don't know.
00:32:02 - Well, I don't know.
00:32:04 - Well, I don't know.
00:32:06 - Well, I don't know.
00:32:08 - Well, I don't know.
00:32:10 - Well, I don't know.
00:32:12 - Well, I don't know.
00:32:14 - Well, I don't know.
00:32:16 - Well, I don't know.
00:32:18 - Well, I don't know.
00:32:20 - Well, I don't know.
00:32:22 - Well, I don't know.
00:32:24 - Well, I don't know.
00:32:26 - Well, I don't know.
00:32:28 - Well, I don't know.
00:32:29 - Well, I don't know.
00:32:31 - Well, I don't know.
00:32:33 - Well, I don't know.
00:32:35 - Well, I don't know.
00:32:37 - Well, I don't know.
00:32:39 - Well, I don't know.
00:32:41 - Well, I don't know.
00:32:43 - Well, I don't know.
00:32:45 - Well, I don't know.
00:32:47 - Well, I don't know.
00:32:49 - Well, I don't know.
00:32:51 - Well, I don't know.
00:32:53 - Well, I don't know.
00:32:55 - Well, I don't know.
00:32:57 - Well, I don't know.
00:32:58 (dramatic music)
00:33:01 (dramatic music)
00:33:04 (dramatic music)
00:33:07 - Ruth.
00:33:33 - Uh, uh, Mrs. Adams.
00:33:34 This is Mr. Jewel.
00:33:36 - Yes.
00:33:38 - Well, Crane, I brought you some business, boy.
00:33:40 - Get out of your line, maybe.
00:33:42 I got a border for you.
00:33:44 - Huh?
00:33:45 - A border.
00:33:46 Man, a border.
00:33:47 For a couple of days.
00:33:48 Mr. Jewel here, he don't fancy the hotel much.
00:33:49 - We don't take in borders.
00:33:51 - First time for everything.
00:33:53 - We don't take in borders.
00:33:55 Ruth.
00:33:57 - I'm putting it to you.
00:33:59 What's Ruth got to do with this?
00:34:02 - A woman's work is never done in the boarding house,
00:34:03 I'm sure.
00:34:05 - I've been meaning to take a long look at these books
00:34:09 of yours, first chance I got.
00:34:11 (dramatic music)
00:34:16 Crane, boy, you can't afford nothing taking a border.
00:34:31 - Go find Mrs. Adams here, sets a nice table.
00:34:33 - You heard, you'll be doing the work
00:34:36 if you don't want him here, speak up.
00:34:38 - Well, that's all, son?
00:34:42 - Yes.
00:34:44 - I'll be on my way now.
00:34:46 - You'll show me the way?
00:34:48 - Certainly.
00:34:51 (dramatic music)
00:34:56 (dramatic music)
00:34:59 - Oh, spare room.
00:35:12 Means room to spare.
00:35:15 - It's never a question of room.
00:35:18 - Yes, just the company.
00:35:20 I do hope you don't find me to troubles.
00:35:24 - And what if I do?
00:35:25 - Well, isn't it easier to keep an eye on me here
00:35:28 than from your front steps?
00:35:30 (dramatic music)
00:35:35 (dramatic music)
00:35:39 (dramatic music)
00:35:42 (knocking)
00:35:45 (door opening)
00:36:14 (clinking)
00:36:16 (clinking)
00:36:45 (clinking)
00:37:14 - It's Crane's.
00:37:15 He played beautifully.
00:37:19 (gentle music)
00:37:28 (gentle music)
00:37:31 (gentle music)
00:37:34 (gentle music)
00:37:37 (gentle music)
00:37:41 (gentle music)
00:37:45 (gentle music)
00:37:49 (gentle music)
00:37:53 (gentle music)
00:37:57 (gentle music)
00:38:02 (gentle music)
00:38:05 (humming)
00:38:09 (humming)
00:38:13 (humming)
00:38:17 (humming)
00:38:21 (gentle music)
00:38:24 - Sleep well, my child.
00:38:27 Silvery dreams be thine.
00:38:31 May happiness
00:38:33 illumine your way.
00:38:36 Comme dans chaque vie,
00:38:41 bien qu'il soit tôt ou tard,
00:38:45 on dit qu'il faut qu'il tombe un peu de pluie.
00:38:51 - Frank!
00:38:52 That was Frank.
00:38:55 You, Frank?
00:38:59 - No, French.
00:39:01 - Creole.
00:39:02 - Creole.
00:39:04 New Orleans.
00:39:07 Born in New Orleans.
00:39:12 (laughing)
00:39:16 It's funny.
00:39:18 Don't you see the joke?
00:39:21 Joke's on Brewster.
00:39:23 We hired a rab to kill a rab.
00:39:26 - Born in New Orleans but no rab.
00:39:29 - Union?
00:39:30 - No.
00:39:31 - Oh, well now.
00:39:34 Let's just hear how you manage that.
00:39:37 - Managed to be in Mexico.
00:39:38 - Sat it out.
00:39:40 Slackery.
00:39:41 - Rab or slacker, which makes you feel better?
00:39:45 - Nothing can make me feel better but you.
00:39:48 Put nothing past you.
00:39:50 Know what I think?
00:39:52 I think you're lying straight through, Creole.
00:39:55 I say you're Mexican.
00:39:56 - Craig.
00:39:57 - I'll tell you what I am and what you are.
00:40:02 I'm a man with a gun and you're drunk.
00:40:07 - Please go.
00:40:08 - Good night.
00:40:16 (footsteps)
00:40:18 (door slams)
00:40:24 - Juice is wild.
00:40:29 - I'll open with a dollar.
00:40:41 - I call.
00:40:43 - Call.
00:40:44 - I'm out.
00:40:45 - A dollar.
00:40:48 - I'll raise you 15.
00:40:51 - I'm out.
00:40:54 - Call.
00:41:00 - Out.
00:41:01 - Light.
00:41:05 - Cards.
00:41:07 - Two.
00:41:13 - One.
00:41:14 - One for the dealer.
00:41:18 - I bet 25.
00:41:32 - Out.
00:41:34 - 25.
00:41:39 25 better.
00:41:43 - I call.
00:41:44 - I call.
00:41:46 - I call.
00:41:48 - I call.
00:41:50 - I call.
00:41:52 - I call.
00:41:54 - I call.
00:41:56 - I call.
00:41:58 - I call.
00:42:00 - I call.
00:42:02 - I call.
00:42:04 - I call.
00:42:06 - I call.
00:42:08 - I call.
00:42:11 - I call.
00:42:12 - I call.
00:42:13 - I call.
00:42:15 - I call.
00:42:17 - I call.
00:42:19 - I call.
00:42:21 - I call.
00:42:23 - I call.
00:42:25 - I call.
00:42:27 - I call.
00:42:29 - I call.
00:42:31 - I call.
00:42:33 - I call.
00:42:35 - I call.
00:42:37 - I call.
00:42:40 - You're on hired hand and you let them see you and walk away.
00:42:44 - Jewel, we hired your gun.
00:42:47 - I favor us with a little sharp shooting exhibition.
00:42:50 - Tomorrow maybe.
00:43:09 - I favor us with a little sharp shooting exhibition.
00:43:11 - Bring your friends.
00:43:13 - Craig?
00:43:36 - Craig?
00:43:37 - You told me that the board had come first.
00:43:46 - I heard shots, they woke me.
00:43:48 - Just a little gunplay in the saloon.
00:43:53 - Nobody hurt.
00:43:54 - Gunplay?
00:43:56 - Guns that play things to you?
00:43:59 - Play and work, Mrs. Adams.
00:44:05 - Play.
00:44:06 - Play.
00:44:07 - Play.
00:44:08 - I'm going to the saloon.
00:44:11 - I'm going to the saloon.
00:44:13 - I'm going to the saloon.
00:44:42 - Tell me something.
00:44:43 - The truth.
00:44:45 - Never lie.
00:44:48 - I...
00:44:54 - I have this feeling that you...
00:44:58 - That you are playing with us, all of us.
00:45:01 - You really don't intend to do what you've been paid to do.
00:45:08 - Is that a question or a request?
00:45:12 - I'm not sure.
00:45:13 - Maybe both.
00:45:15 - First smile.
00:45:20 - First in a long time.
00:45:23 - Much longer since I've laughed.
00:45:28 - My mother used to scold me for laughing too much.
00:45:31 - Is that why you stopped?
00:45:32 - My mother died, my father.
00:45:37 - When the war reached us,
00:45:40 - I don't know, one day I stopped laughing.
00:45:42 - You were not born here.
00:45:45 - New England.
00:45:47 - A white town in a green valley.
00:45:50 - I wish we'd never left.
00:45:53 - This came from New England, it was Crane's family.
00:45:59 - Nothing good comes from the south.
00:46:03 - I'm not one of those northerners who despises the whole south.
00:46:09 - We knew a family here, the...
00:46:11 - Well, the Southern family.
00:46:14 - They were wonderful people.
00:46:16 - Warm, kind, happy.
00:46:18 - Your second smile.
00:46:21 - You didn't answer my question.
00:46:29 - What I do with what I've been paid to do?
00:46:33 - What would I gain by it?
00:46:38 - What would I gain by answering it?
00:46:40 - Your second smile was your last for a while.
00:46:53 - I'll answer your question.
00:46:56 - I'm in business for money, and pleasure too.
00:46:59 - A town that hires a gunfighter is always a hen house with just one rooster.
00:47:03 - A few fat capons, a few clipped wings.
00:47:07 - What happens when a man with a gun walks in?
00:47:09 - That's play, Mrs. Adams, fun.
00:47:12 - When the fun is over, how will it trigger?
00:47:16 - Where does Crane go at night?
00:47:21 - Why does he drink?
00:47:23 - What is Matt Weaver to Crane?
00:47:25 - What is he to you?
00:47:27 - Tell me.
00:47:30 - Was Crane a whole man before he lost his arm?
00:47:33 - Are you a whole woman?
00:47:36 - I'm a woman.
00:47:37 - I'm a woman.
00:47:38 [Music]
00:47:40 [Music]
00:47:43 [Music]
00:47:45 [Music]
00:47:47 [Music]
00:47:50 [Music]
00:47:53 [Music]
00:47:56 [Music]
00:48:00 [Music]
00:48:02 - Oh, is this hearth and bakers?
00:48:25 - Hmm? Heart?
00:48:28 - Oh, it'll get much hotter before it cools off.
00:48:30 - In winter.
00:48:32 - We have snow in winter.
00:48:34 - Mr. Guthrie used to say it's either burn or freeze in bakers.
00:48:38 - The late Mr. Guthrie.
00:48:41 - Are those fresh flowers?
00:48:45 - Hmm? Oh, yes, they're from my garden.
00:48:49 - May I?
00:48:54 - Thank you.
00:48:58 [Music]
00:49:00 - I want to buy a horse, Mr. Canalsi.
00:49:06 - Buy? I recollect you saying something about staying off horses.
00:49:12 - Until I have to get on one.
00:49:14 - I want you to keep it here and saddle it up for the next 24 hours.
00:49:17 - I hear you. Knew we could look for a little action sooner.
00:49:20 - Well, let's see what we got here.
00:49:26 - Hmm?
00:49:27 - Here's a beauty. Yes, sirree.
00:49:30 - Ah. Do I?
00:49:33 - There's a steal. $30.
00:49:37 - Who's stealing from whom, Mr. Canalsi?
00:49:43 - Four hours ride and this horse will go lame.
00:49:46 - Ah? You got a pretty good feel for a horse-shy city fella, huh?
00:49:54 - Well, now, let's see, uh, what else we got here?
00:49:56 - You've got nothing here but that.
00:49:58 - Huh? Oh, no, no, that soil ain't for sale.
00:50:01 - I nursed him off of a colt, riding myself. I wouldn't sell him for gold.
00:50:06 - $30 in currency.
00:50:09 - No, no, I, I wouldn't sell him. No.
00:50:12 - Can't allow you to cheat yourself, Mr. Canalsi.
00:50:15 - $30. When I take him out.
00:50:18 - He's worth $200.
00:50:23 - $30.
00:50:24 - Now saddle him up and keep him saddled.
00:50:28 - Mats!
00:50:38 - Senor Mats!
00:50:40 - Cornmeal.
00:50:52 - You poor you.
00:50:53 - And news.
00:50:56 - Gunfighting, John.
00:50:59 - He's due, don't worry.
00:51:01 - But I do, amigo.
00:51:04 - I have seen him.
00:51:06 - And today he bought a horse that he will use before tomorrow night.
00:51:10 - Yeah, well, I'm already waiting for him.
00:51:15 - Already waiting for him?
00:51:16 - If you got it to spare,
00:51:23 - thank you kindly.
00:51:27 - But, uh, this,
00:51:31 - you can't spare that.
00:51:34 - I, I can shoot my own.
00:51:37 - True.
00:51:39 - To us, they will not sell shot.
00:51:41 - To us, they will not sell shot.
00:51:42 - To us, they will not sell shot.
00:51:43 - To us, they will not sell shot.
00:51:44 - To us, they will not sell shot.
00:51:45 - To us, they will not sell shot.
00:51:46 - To us, they will not sell shot.
00:51:48 (Birds chirping)
00:51:49 (Gunshot)
00:52:10 (Gunshot)
00:52:11 - Shave one dime.
00:52:24 - I admire your enterprise.
00:52:33 - The war shorted me on customers, in a manner of speaking.
00:52:39 - I had to do something to make ends meet.
00:52:41 - Show me that.
00:52:44 - I'm showing that on consignment for one of our local widows.
00:52:52 - Husband didn't make it back.
00:52:56 - Bargain at $50.
00:52:59 - I'll take it.
00:53:03 - I'll pay Mrs. Guthrie when I see her.
00:53:07 - Oh, now, I didn't say, Miss...
00:53:09 - No, sirree, I don't do business.
00:53:11 - You can't just...
00:53:13 - Well, what am I going to tell Mrs. Guthrie?
00:53:14 - I'll tell her.
00:53:16 - My motto is, "Eliminate the middleman by hook or crook."
00:53:22 (Suspenseful music)
00:53:24 (Suspenseful music)
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00:54:39 (Suspenseful music)
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00:55:18 (Suspenseful music)
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00:55:22 (Suspenseful music)
00:55:23 (Suspenseful music)
00:55:25 (Suspenseful music)
00:55:27 (Suspenseful music)
00:55:29 (Suspenseful music)
00:55:31 (Suspenseful music)
00:55:33 (Suspenseful music)
00:55:35 (Suspenseful music)
00:55:37 (Suspenseful music)
00:55:39 (Suspenseful music)
00:55:41 (Suspenseful music)
00:55:43 (Suspenseful music)
00:55:45 (Suspenseful music)
00:55:47 (Suspenseful music)
00:55:49 (Suspenseful music)
00:55:51 (Suspenseful music)
00:55:52 (Suspenseful music)
00:55:54 (Suspenseful music)
00:55:56 (Suspenseful music)
00:55:58 (Suspenseful music)
00:56:00 (Suspenseful music)
00:56:02 (Suspenseful music)
00:56:04 (Suspenseful music)
00:56:06 (Suspenseful music)
00:56:08 (Suspenseful music)
00:56:10 - You have time to kill me and get away.
00:56:13 (Suspenseful music)
00:56:15 (Suspenseful music)
00:56:17 Cover up for a thief, I won't do it.
00:56:20 (Suspenseful music)
00:56:21 - Oh, Matt.
00:56:23 (Suspenseful music)
00:56:25 (Suspenseful music)
00:56:27 - These bullets keep me alive.
00:56:29 I'll pay you back.
00:56:31 - Say what you mean, Matt.
00:56:33 Say you're just ready to keep on killing.
00:56:35 - I told you, Ruth, I'll fight to keep what's mine.
00:56:38 (Suspenseful music)
00:56:40 (Suspenseful music)
00:56:42 I'm ready for your gunfire now,
00:56:44 so you just, you send them after me.
00:56:47 - Is that the way you came in?
00:56:49 - We'll leave that way now.
00:56:50 (Suspenseful music)
00:56:52 - Ruth, I never thanked you for coming out to warn me.
00:56:54 I do thank you, Ruth.
00:56:56 - Hurry, Matt.
00:56:58 - Ruth.
00:57:00 I'm saying goodbye.
00:57:02 Only way I know.
00:57:04 (Suspenseful music)
00:57:06 I love you and I'm sorry like I am.
00:57:08 (Suspenseful music)
00:57:10 (Suspenseful music)
00:57:12 Don't you cover up.
00:57:14 (Suspenseful music)
00:57:16 (Suspenseful music)
00:57:18 (Doorbell rings)
00:57:19 (Door opens)
00:57:21 (Door closes)
00:57:25 - May I join you?
00:57:32 - Who's he?
00:57:38 - I bought you here.
00:57:40 - Oh, sir.
00:57:43 Are you the gunfighter?
00:57:45 - Gunfighter without a gun.
00:57:47 - Taking quite a chance.
00:57:48 - I passed out my chance at killing you.
00:57:50 I wanted to look you over.
00:57:53 Ask a question.
00:57:56 - Yeah, well, look quick.
00:57:58 I've killed so many men these past four years,
00:58:00 one more don't matter not.
00:58:02 Tell me, you pass up your chance,
00:58:04 you think I'm gonna pass up mine?
00:58:06 - Truthful tonight.
00:58:08 - Oh, and you believe me when I say I'm crazy?
00:58:10 - So am I.
00:58:12 It's a funny thing, a man crazy to live
00:58:14 takes a chance and dies.
00:58:16 A man crazy to die takes the same chance
00:58:17 and gets away with it.
00:58:19 Let's call it as you, Gaspar Oswald.
00:58:21 - All right.
00:58:24 All right.
00:58:26 So far you're getting away with it.
00:58:28 Now about that question.
00:58:30 - Why were you the one rab in a union town?
00:58:33 - What kind of a question?
00:58:37 Well, I used to have a reason.
00:58:42 Lots of 'em.
00:58:45 - You used to defend your,
00:58:46 let's call it your slave-owning rights.
00:58:48 - Slave-owning rights.
00:58:51 Slave-owning rights.
00:58:53 Whoever's seen a slave in these parts, you, Ruth?
00:58:55 Unless you see my palm, he's slaving away for Brewster.
00:58:57 Paying off loans for seed and stock.
00:58:59 Took longer to pay off the interest than the loans.
00:59:01 I know.
00:59:05 I know it's a poor, mean excuse of a reason to carry arms.
00:59:08 Sometimes.
00:59:11 Sometimes it seemed like to me
00:59:14 that I went rab just to cross Brewster.
00:59:15 - Don't believe him.
00:59:17 He's what he is because he can't do anything
00:59:19 like anybody else.
00:59:21 And because he hates this town.
00:59:23 As much as you do.
00:59:25 You both hate this town and you've allowed it
00:59:27 to set you against each other.
00:59:29 - You think you've found a way of persuading me
00:59:31 not to do what I've been paid to do?
00:59:33 - Have I?
00:59:36 - If I were human.
00:59:38 I am not, I'm told.
00:59:40 - You don't want to be.
00:59:43 I believe that you are.
00:59:44 - I say you're gonna try to earn your blood money.
00:59:47 - Right.
00:59:49 You stand between me and something I want.
00:59:52 - Mm-hmm.
00:59:54 Well, when the time comes,
00:59:56 it'll help to know you aren't human.
00:59:58 - Ruth?
01:00:00 Where are you?
01:00:02 Ruth!
01:00:04 (dramatic music)
01:00:07 (gunshots)
01:00:29 (dramatic music)
01:00:32 (gunshots)
01:00:35 - You stopped me.
01:00:40 - Couldn't have you claiming my $500.
01:00:43 - You let him get away.
01:00:45 - My aim was off.
01:00:47 - Yeah, well, I don't see a hot foot in that room.
01:00:49 - It's been a tiring night.
01:00:51 Your wife caught him stealing.
01:00:53 I made the mistake of coming to your rescue
01:00:55 without my gun.
01:00:58 Good night.
01:00:59 (dramatic music)
01:01:03 - Caught him stealing?
01:01:08 - Yes.
01:01:10 - Or arranged it?
01:01:12 - No.
01:01:14 - Or maybe set up a truce party
01:01:16 between him and the gunfighter?
01:01:18 - Sober up before you accuse me.
01:01:20 - What did you promise the gunfighter
01:01:22 to let Matt go, huh?
01:01:24 (gunshot)
01:01:27 (dramatic music)
01:01:30 (dramatic music)
01:01:33 (dramatic music)
01:01:37 (dramatic music)
01:01:40 (dramatic music)
01:01:56 (dramatic music)
01:01:59 (knocking)
01:02:24 (knocking)
01:02:27 - Oh, I saw Mr. Adams.
01:02:29 Then I saw you through the...
01:02:31 Well, it's early, but I thought you might be...
01:02:33 You're not open?
01:02:35 - We just opened.
01:02:37 - Well, if Mrs. Adams isn't about yet,
01:02:39 I can just come back a little later.
01:02:41 - Well, what did you have in mind?
01:02:43 - Just some thread, so it can wait.
01:02:46 - Mrs. Guthrie, do you know that I am now
01:02:51 the possessor of this?
01:02:53 - That isn't why I came here.
01:02:55 I don't want you to think that's why I came here.
01:02:58 - Are you willing to part with it to me?
01:03:01 - I must part with it.
01:03:03 If you're sure you want it.
01:03:05 - I want it.
01:03:07 Now, what did Mr. Fidler say it was worth?
01:03:10 - He said, he thought I might get $25 for it.
01:03:19 - Now, 50 is the price Mr. Fidler quoted
01:03:22 and what it's worth to me.
01:03:24 - Oh, I can't allow you to...
01:03:28 - Now, Mrs. Guthrie, don't you think you owe yourself
01:03:31 a new dress?
01:03:34 - I haven't had a new dress since...
01:03:38 It's been a long time.
01:03:42 - Silk.
01:03:48 Or maybe something gay.
01:03:50 - I really can't decide.
01:03:59 I'm afraid of losing all control with my new found riches.
01:04:03 I'll just have to think it over and come back a little later.
01:04:06 - Thread.
01:04:08 - Yes, thread. I do need some thread.
01:04:11 And twice.
01:04:13 - Thank you for opening for me.
01:04:17 - There you are, Ruth.
01:04:18 - Good morning, Hannah.
01:04:20 - And a spool of thread, that's 12 cents, please.
01:04:22 - It's a lovely morning, isn't it?
01:04:24 Just lovely.
01:04:26 I pray that the watch will be worth $50 to you.
01:04:34 - Mrs. Guthrie, if one dollar of it finds its way
01:04:38 into Mr. Fidler's pocket,
01:04:40 I promise you I'll smash the watch.
01:04:46 - Yes, you...
01:04:47 - Here you are.
01:04:50 - I think I'll buy enough material to make a bonnet to match.
01:04:58 (dramatic music)
01:04:59 - You don't keep a record of 12 cents sales?
01:05:20 - What are you?
01:05:27 - You know all you need to know.
01:05:28 - A hired killer, how could you choose such a life?
01:05:33 - Choose?
01:05:35 Why did you marry Crane Adams?
01:05:37 Shall I help?
01:05:40 You both loved music.
01:05:42 He lost his arm in the holy war to free the slaves.
01:05:46 Lost music with his arm.
01:05:48 So you made it up to him.
01:05:50 Hating slavery as you do, if you do.
01:05:55 - Because I've never seen it?
01:05:57 Can't you hate an idea?
01:05:59 I hated it.
01:06:01 - And loved Crane for hating it too?
01:06:03 - Wanted to.
01:06:05 - You're forgetting I was born in New Orleans,
01:06:08 where we see things differently.
01:06:10 Black men are born to be slaves.
01:06:13 - You can't believe that.
01:06:16 - Because all men are born equal?
01:06:18 - They should be.
01:06:20 - Now you wanted to know how I got to New Orleans.
01:06:24 - You want to know how it turned on Fyder?
01:06:26 My father educated me beyond what the New Orleans would call
01:06:32 my station in life.
01:06:35 - I don't understand.
01:06:38 - You don't?
01:06:40 My mother asked my father to improve my position.
01:06:43 He refused.
01:06:45 She kept asking.
01:06:47 It annoyed him.
01:06:51 So he sold her.
01:06:54 (dramatic music)
01:06:57 You see, we could say that Crane lost his arm to free me.
01:07:04 To free me for what?
01:07:07 That is the question, Mrs. Adams.
01:07:10 Have you lost your voice?
01:07:15 - Don't look like that.
01:07:21 It's not what you just told me.
01:07:23 It's what it's made of.
01:07:27 - Oh, it was a wide choice for the son of a quadroon slave.
01:07:31 Piano player in a fancy house,
01:07:34 backroom gladiator for white gentlemen batters.
01:07:37 - But your name, that beautiful French name.
01:07:42 - Oh yes, my father's name.
01:07:44 I'm covering it with glory.
01:07:47 You pity him?
01:07:50 - You pity him?
01:07:51 - I pity his son.
01:07:55 - Save your pity for Matt Weaver.
01:07:59 He's dying tonight.
01:08:01 - Please.
01:08:04 Last night you let him live.
01:08:07 Today you're going to kill him
01:08:09 because of something I've said or done?
01:08:11 - There's something I want from you, it's not pity.
01:08:15 Leave your husband.
01:08:19 This hellhole of a town.
01:08:21 With me.
01:08:23 Think about it.
01:08:26 - Will you kill Matt Weaver, senor?
01:08:45 - Will you kill Matt Weaver, senor?
01:08:46 - Senor, I'm not here to talk.
01:08:52 I'm here on very important business.
01:08:56 - Do not kill Matt Weaver.
01:09:01 - I've been paid to kill him.
01:09:07 I swore to kill him.
01:09:10 And I want to kill him.
01:09:14 - And why do you drink in the morning?
01:09:15 - Don't worry about the Rev.
01:09:26 His skin is white.
01:09:29 If the white town finds out
01:09:33 they need him,
01:09:36 they'll find a way of getting to him.
01:09:38 - No, never.
01:09:40 - I'm not going to let you kill him.
01:09:42 - No, never.
01:09:43 - Soon.
01:09:45 - If I am wrong,
01:09:47 if he lets himself be used,
01:09:49 I will load your gun for you.
01:09:53 - Stand by, senor.
01:09:57 Stand by.
01:09:59 - I guess you didn't hear, Crane Adams.
01:10:02 Jewel let Matt Weaver fly free as a bird last night.
01:10:06 Shot at him and missed.
01:10:08 - Dying gunfighter.
01:10:11 - He's a dead shot.
01:10:12 He done it on purpose.
01:10:14 He's from New Orleans.
01:10:16 Mr. Brewster, he's a Rev, just like Matt.
01:10:19 - You all had your say, huh?
01:10:21 All right.
01:10:24 I want to do whatever is right and best for us all.
01:10:27 Whosoever would be chief among you,
01:10:30 let him be your servant.
01:10:32 So,
01:10:35 let's hear the will of this meeting.
01:10:37 - Get rid of the gunfighter.
01:10:38 - No.
01:10:41 - So be it.
01:10:52 I am elected to do the talking, am I?
01:10:55 Then you all bear me no grudge.
01:11:06 You all bear me witness I do it right.
01:11:08 (dramatic music)
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01:12:31 (dramatic music)
01:12:33 (dramatic music)
01:12:35 - They will vary your diet.
01:12:37 (dramatic music)
01:12:38 - I am.
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01:12:42 (dramatic music)
01:12:44 (dramatic music)
01:12:46 - God in heaven.
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01:13:00 - Go in the hotel.
01:13:02 - Yeah.
01:13:04 - Go past it now.
01:13:06 (door closing)
01:13:07 - Billy's locked the door.
01:13:09 (laughing)
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01:13:36 (glass shattering)
01:13:38 (dramatic music)
01:13:40 - Like a dog in a garbage heap.
01:13:43 (dramatic music)
01:13:45 (dramatic music)
01:13:47 - Yes, a mad dog.
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01:14:48 (dramatic music)
01:14:50 - What's he doing?
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01:16:19 (gun firing)
01:16:21 - Stop!
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01:17:11 (dramatic music)
01:17:13 - Talk or I will.
01:17:15 (dramatic music)
01:17:17 - Jewel.
01:17:19 I'd like to have a word with you.
01:17:27 - Well, here I am.
01:17:28 - I...
01:17:32 I'd like...
01:17:35 A few words in private, Jewel.
01:17:40 - A few words here.
01:17:42 - All right.
01:17:45 - Kneel.
01:17:47 On your knees, Mr. Brewster.
01:17:56 - Brewster, ruler of the roost.
01:17:57 - Get on your knees.
01:18:02 Repeat after me.
01:18:24 - Don't face me, face this miserable animal.
01:18:26 - He's doing it.
01:18:37 - Now, repeat after me.
01:18:45 - I'm a thief and a hypocrite.
01:18:49 And I beg forgiveness.
01:18:52 For all the filth I've burdened you with.
01:18:54 In this dirtiest of towns.
01:18:57 On the dirty face of the earth.
01:19:00 (dramatic music)
01:19:05 - Say it.
01:19:07 (gunshot)
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01:20:26 (dramatic music)
01:20:28 - Matt.
01:20:30 Matt Weaver!
01:20:32 - Don't move, Doc.
01:20:35 - I won't.
01:20:37 A rooster's coming into Parley.
01:20:39 We got trouble, Matt.
01:20:41 (birds chirping)
01:20:43 (birds chirping)
01:20:45 (footsteps)
01:20:48 (door opens)
01:20:49 (door closes)
01:20:51 - Crane's dead.
01:20:53 Sheriff's dead drunk.
01:20:55 - Ruth!
01:20:57 - All right, last I saw her.
01:20:59 Gunfighter's gone on a rampage.
01:21:01 He smashed up the whole town.
01:21:03 Everybody's dead out.
01:21:05 - What you want?
01:21:07 - I'm gonna give you the satisfaction
01:21:09 of hearing that from Brewster.
01:21:11 That much you got coming.
01:21:13 (footsteps)
01:21:15 - D.D. Farmer.
01:21:17 - I'm Mrs. Metric.
01:21:18 She told me how Metric got himself killed.
01:21:20 - How long you known this?
01:21:22 - Let's just call this paper a peace treaty.
01:21:25 War's over.
01:21:27 - What you want from me for my own fun?
01:21:35 - Your help.
01:21:37 - I don't look so sad when you make a joke.
01:21:40 - No joke.
01:21:42 - Funniest I ever heard.
01:21:44 You bribing me to kill a gunfighter.
01:21:46 You hired to kill me.
01:21:47 I'm not even fit to kill.
01:21:51 - But you're right, Matt.
01:21:53 You got no use for me and I got none for you.
01:21:56 But fair is fair.
01:21:58 I was wrong about Metric.
01:22:00 I was wrong to hire the gunfighter.
01:22:02 I just pray you're a better shot than him.
01:22:05 - You think you can pray me
01:22:08 into being one of your fool hired hands?
01:22:10 The town's full of 'em.
01:22:13 - You can do it, Matt,
01:22:15 and you're gonna do it,
01:22:16 so let's just stop talking about it.
01:22:18 I know.
01:22:20 - You know what?
01:22:22 - Ruth.
01:22:25 Ruth and a gunfighter alone in the Emporium
01:22:28 ever since Crane was killed.
01:22:30 And she went back of her own free will, I saw.
01:22:33 Today,
01:22:36 Crane stopped fretting about you,
01:22:38 tried to kill the gunfighter.
01:22:40 I got a notion I'll come and try.
01:22:42 - Go on.
01:22:43 - Oh, Matt.
01:22:45 Now we all know Ruth's still got
01:22:47 a soft spot in her heart for you.
01:22:49 I got this notion she
01:22:52 promised the gunfighter something.
01:22:55 Let you go.
01:22:58 Crane couldn't stand that.
01:23:01 - He said I stood between him and something he wanted.
01:23:09 - Well, I'm sure he did.
01:23:11 - I'm sure he's doing it.
01:23:12 - Well, anyway, Dave,
01:23:14 been a long day together in the Emporium this past hour.
01:23:19 We brung a horse for you.
01:23:25 (gentle music)
01:23:26 - You've changed your mind.
01:23:42 - It was changed for me.
01:23:48 Crane's dead, I'm half dead.
01:23:52 My going with you will save one whole life.
01:23:54 - Is that the whole reason?
01:23:58 - I wish it were.
01:24:04 But the truth is,
01:24:07 part of me wants to come with you.
01:24:10 And you know that.
01:24:14 I warn you,
01:24:18 it won't keep me alive very long.
01:24:22 You said you never lie.
01:24:23 So I believed everything you told me.
01:24:26 You said you'd kill Matt.
01:24:29 You said you aren't human.
01:24:32 - I told you I'd been told that.
01:24:36 All my life.
01:24:39 - It didn't have to be true.
01:24:42 Now you've believed it.
01:24:45 Now it's true.
01:24:47 - I'm not going to lie.
01:24:50 It's true.
01:24:51 - I give you two lives for the one I took.
01:24:58 Yours
01:25:02 and Matt Weaver's.
01:25:05 Because what I feel for you,
01:25:16 might turn out to be the opposite of hate.
01:25:18 I can't risk that.
01:25:24 - I'm going in.
01:25:38 - There.
01:25:42 There.
01:25:44 (dramatic music)
01:25:45 (speaking in foreign language)
01:26:12 - And Matt Weaver.
01:26:13 - Gracias.
01:26:15 - Looking for me?
01:26:28 - No.
01:26:30 - You going somewhere?
01:26:34 - Yes.
01:26:36 - Without any of your blood money?
01:26:40 - It reminds me.
01:26:41 - The blood money.
01:26:47 You might use it in my name.
01:26:51 Save for the emancipation of the local slaves.
01:26:55 Reb.
01:27:00 - I'm still not standing between you and something you want.
01:27:02 - You're standing between me and the road out of town.
01:27:04 - Well, if it wasn't the money, what'd you want?
01:27:09 What'd you get?
01:27:10 - Neither profits or pleasure.
01:27:15 You can't make me draw on you.
01:27:20 Stop trying, boy.
01:27:23 - Matt!
01:27:29 Let him go.
01:27:31 - Why is he going?
01:27:35 Why is he going?
01:27:36 - Why'd you give him to let me off?
01:27:41 - Nothing.
01:27:46 - Not true.
01:27:50 (speaking in foreign language)
01:27:53 Oh, God.
01:28:00 (gunshot)
01:28:01 - Brewster.
01:28:17 Throw the gun.
01:28:23 Throw the gun.
01:28:24 Get on your knees.
01:28:34 This time, say it.
01:28:44 Don't face me.
01:28:46 Face this mule of a reb.
01:28:50 (dramatic music)
01:28:51 Say after me.
01:29:03 I'm a thief and a liar.
01:29:07 - I am a thief and a liar.
01:29:13 - Say for me.
01:29:18 - I forgive me for betraying you and this town.
01:29:20 This town that I now bequeath to your care.
01:29:47 Say it.
01:29:48 Say it.
01:30:03 (gunshot)
01:30:07 - We did it.
01:30:15 - No, you did it, Brewster.
01:30:16 You turned me into one of them.
01:30:19 Now, finish it.
01:30:24 Say forgive me for betraying this town.
01:30:27 - It's a reb talking.
01:30:29 I warned you.
01:30:31 I warned you.
01:30:33 It's a reb taking over.
01:30:35 - Say it.
01:30:37 - Stop him.
01:30:38 Stop him.
01:30:39 Say it!
01:30:40 - We just took a vote, Sam.
01:30:41 You heard it.
01:30:42 - He'll walk this town like he owns it.
01:30:44 (gunshot)
01:30:47 (gentle music)
01:31:00 (gentle music)
01:31:01 - Brewster.
01:31:24 - Brewster.
01:31:25 (gentle music)
01:31:27 - Here as I just won the war, Reb.
01:31:51 (gentle music)
01:31:52 (gentle music)
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01:32:00 ♪ (dramatic orchestral music)
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