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01:01That won't be right now, Daddy. He's staying at the museum.
01:04You know, Stevie said he's been excited ever since he got home.
01:06The museum called up and wanted to see the pictures he took in Amsterdam.
01:09Well, it must be exciting to have a celebrity in the family.
01:12If he's anything like the boys that came back from the war,
01:15we won't hear a word about his trip after tomorrow's breakfast.
01:17-♪♪
01:31What's the matter, Grandpa?
01:33Nothing.
01:34Just look at that.
01:36Look at it!
01:37Well, I am looking at it. What about it?
01:40This is your younger generation.
01:44And that's what...
01:46Don't be Miss Victorian, Zachary.
01:48They're only having a good time.
01:51We never acted that way when we were in our teens.
01:55What about your husking beanies?
01:58Well, what about it?
02:01You never danced that way in all your life.
02:04Oh, yes, I did, but I was wearing so many clothes you couldn't tell.
02:08Mother!
02:11If I remember correctly, you were the cut-up of our family.
02:14You'd never know it till it was here now.
02:17Grandpa's an uproar because of the younger generation.
02:20I suspect he's enjoying himself.
02:23He does put on his show because you are his savior.
02:26You don't think there's anything really wrong in that dance Joel's doing, do you?
02:29Certainly not.
02:31I'd rather energy came off that way than if some other way came off it.
02:38You know, Zach, I haven't touched a drop since prohibition,
02:43and I don't get paid much.
02:44Cutting off your nose to spite your face.
02:46You know you love this stuff.
02:48Well, what if I do?
02:51Law is law, and I recognize it.
02:55Wiggle twaddle.
02:56Awful. Awful.
02:57You've been telling me about the trip you and she take up to the farm.
03:01What can you kids do up there?
03:03Well, we just walk around through the woods, talk.
03:06We get tired talking, we turn it all back and relax.
03:09You know, it's a good idea to get away from the game once in a while.
03:12You'd hear an awful lot of gossip if a lot of people knew we went up there.
03:15Hmm, I'd consider it a source.
03:17Socrates was the first person to use that expression, and he was a wise old geezer.
03:22Oh, Sina, did you ever hear about that tribe in Africa where the women are the bosses?
03:26Every time they want to get a divorce, all they have to do is pick their tents up and turn them around.
03:30No, I didn't know it.
03:31Well, it's a fact.
03:36What made you think that?
03:37Oh, Ted's probably been filling him up with a lot of things he heard on his trip.
03:43You tired waiting, Marsha?
03:45Benson's killing me.
03:47Where's this great hunter?
03:49He's upstairs.
03:51Second door on the right. He wants to see you.
03:53Really?
03:54Yeah.
03:56Thanks.
03:59Yeah!
04:09That's what I mean.
04:25Marsha.
04:26Yes?
04:36How are you, Brown-Eyed?
04:38Oh, I'm tickled pink, you're home.
04:40You're so sweet of you to want to see me before the others.
04:43If you had filmed me, I'd find you up here.
04:46Real pal, that boy.
04:47A friend and a brother.
04:49Didn't sue to me?
04:51I'd be lying if I said I hadn't.
04:54I thought maybe you'd changed your mind.
04:57You hoped I had.
04:59Darling, how can you say that?
05:02I've always found me up and up with you.
05:04Yes, and a dozen others.
05:06But I don't mind going and kissing. I love it.
05:10The lights are beautiful.
05:13I thought maybe you'd found someone else.
05:16Well, how about the NWMP?
05:18Southwest Mounties?
05:20Absolutely.
05:21I always get my man.
05:23Oh, you do, do you?
05:24Yes.
05:25Try and escape.
05:32Thanks.
05:33That was nice.
05:34Too nice?
05:35No, just about right.
05:37You know, Jill.
05:38You're the only girl in the whole gang that I could look at twice.
05:41Now it's my turn to say something nice about you.
05:44You'd better be careful what you use against Jill.
05:47I like the way you tease the little kids.
05:49You don't start toys.
05:52I think I'd better be a neurologist.
05:54Don't. That's why I like you.
05:56Well, I figure the kids are always necking and mushing around,
05:58getting tired of each other awfully quickly.
06:00I don't want anything like that to happen to us.
06:02Neither do I.
06:05The trouble is, I'm going to be catching you on the rebound.
06:09First it was Kurt, then it was Mort.
06:12Don't forget, you were sandwiched in between.
06:14Oh, faithful.
06:15Uh-huh.
06:16Then it was Dick, and then it was Jeff.
06:18I think he took stuff more seriously than any of the others, didn't he?
06:21But he's as good as his age, Tom.
06:23He's practically a nonce.
06:25Now he's returned the great hero.
06:27Killer of lions and crocodiles and elephants.
06:31Sunburned stalwart hero of Africa.
06:34You know, if I were half-bred, I'd do something like that.
06:37Well, hunt seals in Alaska.
06:40I went on a side hunt one time.
06:43He said ask me about you this morning.
06:45Did he?
06:46What did he say?
06:47Oh, yes.
06:48Well, I've seen you lately, and that you're still as beautiful as ever.
06:51What'd you tell him?
06:52I told him that you were the swellest-looking dish in these here now parts.
06:55You were more attractive and more entertaining and more lovable and prettier than I'd ever realized.
07:00Probably because of somebody you've spent a lot of time with lately.
07:03Oh, look out.
07:04You'll break your arms patting yourself on the back.
07:06I've already got a dislocated elbow.
07:08What did he say when you told him that about me?
07:11He said you always had it in as well, kid, and I agreed with him.
07:13Say that.
07:17I guess the big hero's about to make his entrance.
07:39Oh!
07:40Oh!
07:41Oh!
07:42Oh!
07:44Oh!
07:45Oh!
07:47Why, you're the handsomest thing I've ever seen.
07:50Well, you're certainly a treat for sore eyes.
07:52Did you ever hear that people used to think you had your ears pierced to help your eyesight?
08:01What you want is a pair of leather socks.
08:07Phew!
08:08My goodness, did you learn that in Africa?
08:10Practice, beautiful.
08:11Just practice.
08:12He knew that before he went to Africa.
08:14You know, everyone does.
08:16Some reputation you have.
08:17Why don't you become a gigolo?
08:19I know better things to do than that.
08:23You don't mind, do you, Roger?
08:25Certainly not.
08:26Jean Carre?
08:27I'm beautiful, baby.
08:29Okay.
08:35That's the idea I'm proud of.
08:37The idea of weighing excitement in the terms of dollars and pennies.
08:42Thanks, Grandma.
08:43Come on, Jill, let's dance.
08:44May I have the pleasure?
08:45Yes, please.
08:46Come on.
09:09You're going to let Chet move in on you without a struggle?
09:12Struggling swimmers always get drowned, my dear.
09:14You're rushing with the defense of your colors.
09:16I'm not going to throw myself at anyone.
09:35You know all the things, don't you, Grandma?
09:37I may be the practice of keeping my eyes open.
09:41See all, hear all.
09:42And say nothing.
09:43Say nothing.
09:57Someone might see us.
09:58You're on edge tonight, dear.
10:00What's the matter?
10:01Oh, I don't know.
10:04It's you and I.
10:06We're just drifting.
10:08I don't like it.
10:09Oh, now, my dear, listen.
10:11We're lucky.
10:12What was that?
10:15I don't see anybody.
10:17You're nervous, dear.
10:21I have been, dear.
10:23Ever since I knew that I cared.
10:42We'd better go in, dear.
10:44I suppose so.
11:01What's the matter, Marcia?
11:02Jill certainly had her nerves.
11:04Don't take it so seriously.
11:06It's you all that's making her nervous.
11:09Well, it's you and everybody else.
11:11Calm down.
11:13You are a jelly.
11:15Well, I'm going to hop in the car and take a look at all the well-known neckers around.
11:19Do you want to come along?
11:21I'll take you home, dear.
11:22But I'm not going to snoop on Jill or anybody else.
11:26Come on.
11:27You've had enough of this.
11:36You and I were that way about each other long before he chiseled in.
11:40That's so true, but...
11:42He's always thought I might change my mind.
11:45Maybe I've let him in.
11:50Say, what time is it?
11:53Two-thirty.
11:54We'd better be going.
11:56All right.
11:59Let's go somewhere to warm up.
12:01Well, I'd love to.
12:09All right.
12:40Hello?
12:42Hello, Sina?
12:44You have the wrong number.
12:46Oh.
12:47I'll wait for your call.
12:54Toby.
12:56Will you give me your divorce?
12:59What?
13:01We need to talk.
13:04Why, uh...
13:06I'm sure you know what I mean.
13:07Why, uh...
13:09Really, this comes as such a...
13:11Such a terrific shock, I...
13:12Really, I don't know what to say.
13:13I don't know how to act.
13:15You act very well.
13:17Is that an accusation or a compliment?
13:20Why can't we be frank and truthful?
13:23Well, yes, certainly.
13:25You start.
13:27All right.
13:28I will.
13:33A new car last month.
13:34Fifteen thousand dollars for Red Rover,
13:36who also ran a cabana last week.
13:39Seventeen thousand five hundred dollars
13:41for stock market losses in five days.
13:45Oh, and two checks to kill Baker.
13:48For poker.
13:50It isn't I you love, Toby.
13:53My money.
13:54Oh, really, my dear.
13:56And that little girl, Mildred Grant.
13:58She's quite an expensive item, too.
14:00Mildred is engaged to one of my closest friends.
14:02He wanted to back her in a show,
14:03so why shouldn't I let him take the money?
14:05He had every chance of being a big hit.
14:08I see.
14:09Really, Sina.
14:11Your suspicions are absolutely unfounded.
14:14Mildred and Guy have had a lover's quarrel.
14:16I never see her anymore.
14:20I know...
14:21that divorce laws in this state are not very elastic.
14:25But if you'll make it convenient for me,
14:27I'll settle a hundred thousand dollars on you.
14:29A hundred thousand dollars on me?
14:32Perhaps.
14:33In the stress of work,
14:34I haven't been quite as attentive toward you
14:36as I might have been.
14:38But when you say that I married you for your money,
14:40you're...
14:41Two hundred thousand.
14:42Can you put our love on a monetary basis?
14:45You bet.
14:47Well, I wouldn't be interested.
14:50Of course, Toby, I get your point of view.
14:53As my husband,
14:54and with my money,
14:55your social position is secure.
14:57But with my money alone,
14:59you'd become Colby Sherwood again.
15:02Now let me tell you something.
15:05You're not fooling me.
15:07I've known for a long time about you and Thayer.
15:10And let me tell you something else.
15:12I'm on the verge of starting a suit for alienation of affections.
15:16You wouldn't dare.
15:17Oh, wouldn't I?
15:18Thayer's a cad, or he wouldn't...
15:20He wouldn't attempt to break up a happy home.
15:22Don't blame Thayer.
15:23Blame him?
15:25I'll put a bullet through his head
15:26if I so much as see you two together again.
15:30You're becoming melancholic.
15:34If you think I want to stand by
15:36and see someone make love to my wife,
15:38you're very much mistaken.
15:40I'm serious, you know.
15:42This thing has made a wreck of me.
15:45You know, I'd do anything
15:47to keep someone else from getting you.
15:49And that goes
15:51to the limit.
15:55I'm sorry.
15:57I'm sorry.
15:59I'm sorry.
16:01I'm sorry.
16:03I'm sorry.
16:05I'm sorry.
16:07I'm sorry.
16:09I'm sorry.
16:11I'm sorry.
16:13I'm sorry.
16:15I'm sorry.
16:17I'm sorry.
16:19I'm sorry.
16:21I'm sorry.
16:22I'm sorry.
16:46Hello.
16:47Hello, darling.
16:48Something has just come up
16:49I must see you about.
16:50Oh, well I want to see you too.
17:16Start the low four five nine six.
17:20Hello.
17:29Hello, darling.
17:31I'll be up in about half an hour.
17:33Anything you say, sweet.
17:35Bye.
17:42You'll have to go, George.
17:44Toby will be up here any minute.
17:58Hey.
18:00Yes, Dad.
18:03Oh, Pop.
18:04Got up pretty early this morning, didn't you?
18:05Yeah, staying in bed killed me.
18:07What's the matter, Dad?
18:08Market's wrong again?
18:10Where's Madge, your grandfather's liver?
18:12On her end, AJ.
18:13He has his point of view.
18:15Through the wrong end of a telescope.
18:18Your grandfather brought several things to my attention.
18:22And unfortunately, most of them are food.
18:26To sum the whole thing up, we're indolent, loose, and heading nowhere in particular.
18:33Sort of, uh, sitting on a volcano.
18:36Did you know that there are 350 active volcanoes in the world, and 152 of them are in the Pacific group?
18:41Yes, I know.
18:43I want your boys to know that I'm still one of them.
18:46We've always more or less done as we please.
18:48Shared what secrets we thought the other would enjoy.
18:51Played together.
18:52But this is the father talking to you now.
18:55And I want you to believe that what I'm telling you is for your good.
18:57Are you speaking from experience, or is this just theory?
19:00Don't pay any attention to him, Dad.
19:02He's too young to have any serious thoughts.
19:04Go ahead, what were you saying?
19:05It's time you decided what you wanted to do in regards to business.
19:08You don't have to make up your minds right away.
19:11Then you should give serious thoughts to marriage.
19:14Every man should have a wife and a home to take care of.
19:17Sort of, uh, irons out the creases in a fellow's character.
19:20See, the old man's liver certainly is bad, isn't it?
19:23Your grandparents only visit us once a year.
19:26And it's only fair that we should give in to them.
19:30Up to a certain point.
19:33I think we'd better have one of our business discussions in the morning.
19:37You know, questions and answers.
19:40All right, I'll get the dope on Fig Iron, Dad, and you'll put on a show.
19:43Is that all?
19:44I want you to think about what I said.
19:46Right.
19:47Have a drink?
19:48No, thanks. One look at this pony.
19:49Good?
19:50Sure.
19:51Oh, did you ever notice that a colt's leg is just as long when it's born as when it's full grown?
19:54Never gave it a thought.
19:55Well, give a look sometime when you see a young horse running along with its mother.
19:58They'll be belly to belly.
20:01Hi, hon.
20:03Hi, Chip.
20:05Did you sleep by now?
20:06No, I couldn't sleep.
20:11You know, I've been thinking out about what Dad said this morning.
20:14You know, about being married and settling down.
20:17Yeah?
20:18You're the lucky girl.
20:20Don't know yet.
20:22Well, I can call you one better than that.
20:25I'm going to ask Jill.
20:28I wouldn't do that, Chip.
20:29Why not?
20:31Well, I asked her tonight.
20:35What'd she say?
20:37She said yes.
20:41Well, I'm going to ask her tonight.
20:43What'd she say?
20:45She said yes.
20:49Well, I'm going to ask her tonight.
20:52Well, I guess you can't find the answer to that now, folks.
20:56I wouldn't take it too hard, kid.
20:58There are plenty of other girls.
21:00Sure, I'll find one.
21:02Marsha, for instance.
21:04With my compliments.
21:06Yes.
21:08Are you really serious about marrying for Jill?
21:12You know what I mean.
21:14That's a swell question to be asking your brother.
21:16Of course I'm serious.
21:18Well, do you mind if I talk to her sometime?
21:21Don't be a giraffe.
21:23I don't get jealous.
21:25Okay.
21:26And just to show how big-hearted I am, you can be the best man.
21:29You're too good to me.
21:31Good night, Jack.
21:32Good night, sir.
21:34Oh, Deb.
21:36Congratulations.
21:37You're certainly getting a swell gal.
21:39Thanks.
21:49Jack called.
21:52Oh, did he?
21:54What did you tell him?
21:56That you were out with some friends.
22:01Thanks, Nancy.
22:03Good night, hon.
22:05Good night.
22:07Good night.
22:09Good night.
22:11Good night.
22:13Good night.
22:15Good night.
22:18Mother.
22:26I'll watch her in the morning.
22:31All right, Jill.
22:33Thanks for understanding.
22:35Good night.
22:37Good night.
22:47Good night.
23:11Hello.
23:13Just a moment, miss.
23:22Hello?
23:23Jack, what are you doing tomorrow?
23:26Nothing special.
23:28Let you and I lose the gang and take another day off.
23:31All right.
23:33Would you like to go to the farm again?
23:35Mm-hmm.
23:36Just for two months.
23:38I'll meet you at the usual place about 10 o'clock.
23:40All right, hon.
23:43Good night.
23:44Good night, Jack.
23:54Well, he's had it for the day.
23:57What did the guys do yesterday?
24:00The cards beat him five to one.
24:02There you are.
24:04Playing pool with me today, Jack?
24:05No, dad, I'm busy.
24:07Seeing Stephen?
24:08No, I'm going to town.
24:10What for?
24:11Oh, after all.
24:12Pardon me, Mr. Fenton.
24:14Miss Fenwick is on the line.
24:16Oh.
24:17Pardon me.
24:20Going to be home for dinner tonight, Jack?
24:22I don't send me down to Grand Marshall.
24:23I want to have dinner in town.
24:25I get you.
24:29Hello, Angel.
24:30What's on your mind?
24:32Our date's off for the day.
24:33I'm terribly sorry.
24:34Really.
24:36No, it's in connection with Mother's estate.
24:38I'll be at the lawyer's all day.
24:40What?
24:41I wonder if your business has anything to do with the fact
24:43that Jack is ditching a polo game
24:45and is also going into the city.
24:47Why, cat's ear.
24:48How can you think such a thing?
24:50Just for that, I won't see you at all today.
24:53I'm not listening to a word you say.
24:56You're giving a perfect imitation of an old-fashioned donkey.
25:03Bye, Dad.
25:04Bye, Grandma.
25:11Bye.
25:42Oh, this is a lot of fun.
25:44Come on.
25:45Get hot.
26:12Dad.
26:13Yes, Jill?
26:16There's something I want to tell you.
26:19Go ahead.
26:21All right.
26:27I have a peak of a time up here with you.
26:30So quiet and nice.
26:32I'm glad you do.
26:34I never get tired of it myself.
26:37What's the matter, Ponca?
26:39Oh, nothing.
26:43I tell you what, let's have dinner here.
26:45I brought enough food and we can get back by half past ten.
26:48You're alibied, all right, aren't you?
26:50Perfectly.
26:51Well, what do you say?
26:52Okay.
26:53But let's eat now before it gets dark, huh?
27:01I'm sorry.
27:04I'm sorry.
27:11Are you happy?
27:12Mm-hmm.
27:13Full, too.
27:14You know, it's the best.
27:15It's how she meets her mother-in-law.
27:18There always has been a place where she meets her mother-in-law.
27:22Let's go sit by the fire.
27:24All right.
27:34There.
27:35Glad yourself.
27:46Dad.
27:47Hmm?
27:49Would you wonder why I wanted to come up here today?
27:52I don't know. I haven't given it much thought.
27:55Well, I haven't played exactly fair with you.
27:58Don't be silly.
28:00No, really, I haven't.
28:04Okay, Jill.
28:06Go ahead and break down.
28:08I can stand almost anything.
28:12You and I have had an awful lot of fun playing around this summer, and...
28:16I like you for little I care.
28:21Well, you like me, and I like you.
28:24I knew how you felt.
28:26No, you didn't.
28:27You were wholesome.
28:29I like you.
28:31Well, after all, Jill, a girl has a right to change her mind.
28:37I guess I just didn't measure up to your standards.
28:39Oh, Jack, that isn't it.
28:42Only...
28:44Well...
28:46You know, Chuck and I used to be sweethearts, and...
28:50Well, last night, he asked me to marry him.
28:54And I said yes.
28:57Sure.
28:58Sure.
29:01That's all right, Jill, I understand.
29:04Oh, Jack.
29:06I feel awfully mean about it, and...
29:09And that's why I wanted you to come up here with me today, so I could tell you.
29:17You aren't mad, are you?
29:20Of course not.
29:24I didn't mean to hurt you.
29:28Forget it.
29:32Well, we'd better be getting back to town.
29:36Okay.
29:42It's raining cats and dogs.
29:46What are we going to do?
29:47You have to stay here.
29:49I can't do that.
29:51Well, I'm not going to drive that road in this pouring rain.
29:54I don't want to kill you just yet.
29:57You know, we're in a jam.
30:00Jack and Jill went up the hill.
30:02And stayed there.
30:05You still have a sense of humor.
30:07I need it.
30:09I hope Chuck's broad-minded.
30:12I tell you, phone Tommy Evans and tell her to say that you're staying with her.
30:17Boy, have you got a head. That's a swell idea.
30:19I hope this thing works.
30:21Now, that's John's livelihood.
30:24Hello, operator.
30:26Operator.
30:27Wait just a minute.
30:28You do the talking.
30:29Tell Connie you'll see her tomorrow and explain everything.
30:31Okay.
30:33Hello.
30:34Hello, operator.
30:35Get me New York.
30:36Riverside.
30:37Seven.
30:38Three.
30:39Three.
30:40One. Eight.
30:41That's right.
30:43Say, what's the number here?
30:44Oh, it just says Thayer.
30:47This is Thayer's place.
30:49Please hurry the call.
30:51I'll hold the line.
30:53You know, it's a good thing Alexander Graham Bell invented that thing before he died.
30:57I'll say it is.
31:02Hello.
31:03Hello.
31:05Hello, operator.
31:06Oh, I'm sorry.
31:16Hello, is that you, Connie?
31:18Hello.
31:20I can hardly hear you.
31:21Talk louder, please.
31:23Oh, is that you, Jill?
31:25Yes, this is Connie.
31:29Connie, I want you to do something for me.
31:32This rain's put me in a jam.
31:34Yes.
31:35Yes, I want you to say that I spent the night with you.
31:38Oh, sure, I'll do that for you.
31:40No explanation necessary, honey.
31:43You can do as much for me sometimes.
31:46Okay.
31:47Thanks.
31:48Goodbye.
31:52Was that Jill Fenwick?
31:54Jill?
31:57No, it was Bill.
31:59Oh.
32:01Jack!
32:03Yes?
32:11Oh, Jack, please don't do that.
32:14What's the matter?
32:16Why, Jack's singing.
32:18Did you drink this whole bottle?
32:19Yes, maybe I did.
32:21Well, you ought to be ashamed of yourself.
32:24If you felt like I do, you'd do the same thing.
32:27You might know you're going to pass out like a light drinking that much.
32:30What if I do?
32:32Well, I don't call that being a very good thought.
32:49I'll be right back.
33:20Jill, don't buzz at me.
33:23I was only trying to forget.
33:25We're pals, aren't we?
33:28I hope so.
33:30Well, then I can talk without you thinking I'm crying over spilled milk.
33:34I'm trying to change your mind.
33:36If you think you want to.
33:41I shouldn't say this, Jill, but...
33:44I've loved you lots longer than you ever will.
33:47I've loved you lots longer than you ever could have expected.
33:50I never rushed you like a regular sweetheart, but...
33:53I heard that movie.
33:55You know, girls like to play around, go out with a lot of boys.
34:00Sometimes I feel as though...
34:02I've settled down to one of those engagements before they've had a fling and...
34:06I've lost something.
34:08Isn't that right?
34:10I guess so.
34:12Well, I...
34:14I just waited.
34:16Divided my time.
34:19When I brushed you off your feet.
34:21Asked you to marry me.
34:26Lots of times I...
34:27I wanted to take you in my arms.
34:29Make love to you.
34:31But I...
34:36I waited too long.
34:41I didn't mean to make you cry, Jill.
34:43That's a 12, Miller.
34:45I'd rather see him marry you than anybody else.
34:51I wish you a lot of happiness.
34:55Both of us.
35:01Oh, forget it, Jill. It's just the liquor talking.
35:07If you don't mind, I think I'll lie down a while.
35:09This stuff's beginning to hit with a terrible wallop.
35:15Are you all right, Jack?
35:17Sure I'm all right.
35:32Sorry I made such a fool of myself, Jill.
35:36Oh, that's all right.
35:38You'll feel better pretty soon.
35:40I'll be back.
35:45Kiss me just once, will you?
35:53Thanks.
35:55You're a swell pal.
36:15Hi.
36:17Oh, my God.
36:19Are you wet?
36:20Are you wet?
36:21No, not much.
36:25Why, it's all good.
36:26Oh, yeah.
36:33I'm sorry.
36:35I'm sorry.
36:37I'm sorry.
36:39I'm sorry.
36:41I'm sorry.
36:42I'm sorry.
36:47There's somebody who's speaking.
36:49It's probably one of the boys.
36:58I guess the rain must have given them away.
37:00Well, it turned out all right.
37:03It's lucky for us we missed them.
37:05It might have been a little difficult to explain.
37:08If it doesn't stop raining, we'll be here till morning.
37:09That isn't it.
37:10Some way we can get back.
37:12That's all I can do to force the car through that last crossing.
37:20I shouldn't have said I'd come.
37:22Oh, it's all in the sun.
37:24What is to be, will be.
37:26Poor philosophy.
37:28The bad boys get hold of it, they'll crucify us.
37:31No one would ever believe we came up here just to talk.
37:35Hardly.
37:37There must be some solution to our problem, Athena.
37:42It'll have to end.
37:44End?
37:46You talked as though we were having, well, an affair or something.
37:51We didn't ever get to do it.
37:53May I come in?
37:59Oh, sure, I...
38:02Hello, Athena.
38:04How are you?
38:05Just fine.
38:07May I have a cigarette, Jeff?
38:09Of course.
38:14Where's Chet?
38:17Why, uh...
38:19I'm with Jack.
38:21Jack?
38:23Jack.
38:28He's in there, dead to the world.
38:30I told him that Chet and I were engaged, and he succeeded in drowning his sorrows.
38:40Oh, I see.
38:42No, you don't see.
38:45But I'll tell you.
38:47Jack and I used to picnic up here, just to get away from the crowd.
38:50And, well, today was to have been our swan song, as far as he and I were concerned.
38:55It was so nice, and so we decided to stay for supper.
38:58Then it rained, and, well, here we are.
39:04You believe me, don't you?
39:06Of course I do, Jeff.
39:08It's all right, Jill.
39:10I know Jack.
39:13And I know you.
39:20Marsha!
39:22Jeff, darling, hello!
39:24How are you?
39:26Fine, thank you, Jack. How are you?
39:28Please join me. I'm all alone.
39:30I love you.
39:32Sit over there.
39:35This is luck, isn't it?
39:37So nice to see you again, Chet.
39:39It's good to see you, too.
39:41Well, everybody's sort of deserted me this evening.
39:46What do you know, Marsha?
39:48Oh, I know a lot.
39:50Sounds very interesting.
39:52Oh, may I have a cigarette?
39:54Certainly, darling.
39:56I'll tell you when we dance.
39:59Jill's confessed.
40:01I'm going to tell her about us.
40:03You don't have to.
40:05We'd rather.
40:07Jeff, tell her, Jeff.
40:09Tina and I love each other.
40:11We're confronted with a problem for which apparently there's no solution.
40:14Yes, I know. Mr. Sherwood.
40:16And we thought no one knew.
40:18You're silly.
40:20Why, all of us know.
40:22You mean to sit there and tell me that everybody knows about Jeff and...
40:25Everybody knows about Jeff and...
40:27Well, of course. We've all known that Jeff's been in love with you for over a year.
40:31Tina.
40:33There's the solution to our problem.
40:35But what do you mean?
40:37I'll tell you tomorrow.
40:41Meanwhile, young lady, you have a problem.
40:44You're telling me?
40:46You got an alibi?
40:48Just before Jack passed out, he had a brilliant idea that I saw in Connie Evans.
40:51Idea? He's going to say I spent the night with her.
40:53Well, that's not bad.
40:55And if your story does fall down, well...
40:58I guess we're all caught with the same brush.
41:01There's nothing to worry about, really.
41:04Connie's a clever liar.
41:06Besides, it's just as well Jack doesn't know about you being here.
41:09He's dead to the world now, and you can leave in the morning before he wakes up.
41:12Yes, I'd rather Jack didn't know.
41:14And not that I'm ashamed to have him know about us.
41:16But he seems to understand his nature.
41:18It would be a blow to his pride to have me see that he couldn't handle his liquor.
41:23You'd do something to that boy.
41:25Yes, I would.
41:27Will you focus your battle early in the morning, and leave everything to me?
41:30I'll have awfully sweet of you, Bill.
41:32But if anything should happen, and your story needs corroboration, don't just...
41:37Oh, don't be silly. Nothing's going to happen.
41:40Well, free the frogs. Good night.
41:42Good night.
41:44Good night, dear.
41:48Good night.
42:01You know, I wonder if he cares as much for Ken as he does for Jack.
42:06Either one of them will be lucky.
42:11It seems mighty fine to me.
42:13He goes to town, and you go to town.
42:15He stays out all night, and you stay out all night.
42:16Is that a crime?
42:18Well, I know you weren't at Connie's last night.
42:20How do you know I wasn't at Connie's?
42:22Because Marsha told me.
42:24Oh, so Marsha told you.
42:26She was at Connie's, and you were not.
42:28And where do you think I was?
42:30That's what I intend to find out.
42:32All right, find out. I'm nothing to you.
42:34If you start keeping things from me now, don't tell me what you'll do later.
42:36The way you're acting, I don't even care to discuss it with you.
42:38Listen, Jill, I won't stand for this sort of thing.
42:40Just what do you intend to do about it?
42:42You can stop this whole argument if you just tell me where you were.
42:44Marsha, you've made some pretty horrible insinuations.
42:47You ought to be more of a gentleman.
42:49And until you apologize, I don't even care to talk to you anymore.
42:51And if I never see you again, it's all right with me.
42:53All right. I know one thing.
42:55You weren't at Connie's, and you won't tell me where you were.
42:57But I intend to find out.
42:59What?
43:01Wait a second.
43:06Well, what's that all ruffed up about?
43:09Oh, it turns out I wasn't at Connie's last night.
43:11Well, if you didn't want to tell me, you must have had a reason.
43:16I did have a moment.
43:18I just couldn't tell you.
43:20But I can tell you.
43:22Part of it.
43:36You must have had a wild night on the ocean deck.
43:39Why?
43:41Your eyes look like balloon tires.
43:43Well, I didn't sleep very well.
43:46Oh, these modern youngsters.
43:50Jack, if you don't mind, I want to talk to you.
43:53All right.
44:03Zachary?
44:05Leave those boys alone.
44:06Chet didn't have something he wanted to say in private.
44:09He just filled it here.
44:11I... I was only going through the paper.
44:16Of course I believe you, dear.
44:20But if you can prove that you and Jack were not alone,
44:24don't you think it would be a wise thing to do?
44:27It's going to be such a...
44:29Well, as long as you believe me, I don't care what the others say.
44:31Well, who else would believe you, dear?
44:34Well, Mommy, I can't tell you.
44:37Because I...
44:40In a minute, I'll tell you why I can't tell you.
44:43All right, dear.
44:46What's the telegram?
44:48Somebody did.
44:50Oh, you'll hope this is for you.
44:52So is it.
45:01Read this, Mommy, while I change.
45:03I'll explain all about it later.
45:06I told you it wasn't none of your business where I was last night.
45:09I don't keep tabs on Jill.
45:11How do you expect me to know where she was?
45:13All I want you to do is ask yes or no.
45:15Was she with you?
45:17That's a hell of an accusation for a brother to make.
45:19Chet! Stop that swearing!
45:21Zachary, keep your mouth shut.
45:23Yes, but I do.
45:25Well, you haven't done anything.
45:27I was nice to her.
45:28You're a liar.
45:30You're acting like a heel.
45:32Your car was all muddy this morning.
45:34You were up at the farm, weren't you?
45:36What if I was?
45:38Jill called Connie from long distance.
45:40Lots of places you can call long distance from.
45:42Maybe they're all.
45:44But Jill was up there with him.
45:46She didn't deny it.
45:48She didn't admit it, did she?
45:50No, she didn't.
45:52Smart girl.
45:54Then she was up there with you, wasn't she?
45:56Wasn't she?
45:59Zach.
46:06Zach!
46:12I didn't mean to do it.
46:14Zachary, go and get a doctor.
46:16Quick, quick.
46:18Let him rest.
46:20All right.
46:22Austin.
46:24Austin.
46:26Yes, call a doctor.
46:28Just hurry, hurry.
46:42No, no, no.
46:44That won't do.
46:46Why doesn't he say something to me?
46:48Let him rest, please.
46:51Get out of the way, Zachary.
46:53Pull that chair.
46:59Hello, Harkness.
47:01I want to see Mr. Jack.
47:03He's with the doctor.
47:05What's the matter?
47:07He met with an accident.
47:09Where is he?
47:11He's upstairs.
47:29There you are.
47:31As good as new.
47:33Thanks.
47:35Couldn't have done it better myself.
47:37It's a good job.
47:39What's happened?
47:41Nothing, I just got a bump that knocked me kind of silly for a while.
47:43I'm all right now.
47:45How did he feel?
47:47Zach and I had an argument about should I hit him.
47:49I didn't realize what I was doing.
47:51I'm sorry.
47:53He wouldn't admit that I spent last night with him at the farm, would he?
47:56No, he wouldn't.
47:59Well, I did.
48:05Here's something else that might be of interest to you.
48:27I told you so.
48:29They should have done it a long time ago.
48:31Do you feel all right now?
48:33I think I'll live.
48:36Let's go up to the farm.
48:38I'll drive.
48:56THE END