Le jour où Gian Maria Volontè est mort - de quel film vous souvenez-vous de lui ?

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Le jour où Gian Maria Volontè est mort - de quel film vous souvenez-vous de lui ?
Le 6 décembre 1994, le monde du cinéma perdit un talent exceptionnel lorsque l'acteur Gian Maria Volontè mourut à Florina, en Grèce, d'une crise cardiaque soudaine alors qu'il tournait "Regard d'Ulysse", réalisé par Theo Angelopoulos. Gian Maria Volontè a laissé un immense vide dans le cœur de ceux qui aimaient l'art du cinéma, et cette perte persiste encore dans le cœur de ses fans et collègues.
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00:00 The day when Gianmaria Volonté died, which film do you remember him from?
00:04 On December 6, 1994, the world of cinema lost an exceptional talent when the actor Gianmaria Volonté died in Florida, Greece, of a sudden heart attack while he was shooting "Look at Ulysse", directed by Teo Angelo Poulos.
00:18 Gianmaria Volonté left a huge void in the hearts of those who loved the art of cinema, and this loss still persists in the hearts of her fans and colleagues.
00:26 Gianmaria Volonté was born on April 9, 1933 in Milan, Italy. He was once a veteran actor and made a great contribution to world cinema.
00:36 Gianmaria Volonté is one of the most beloved talented actors in Italy and is widely known around the world for his exceptional roles in many famous films.
00:44 "Indegiunsu" is one of his most famous films, where he plays a brilliant detective but caught in the whirlwind of a murder case.
00:53 Gianmaria Volonté has shown an ingenious and laborious expression to bring the public a faithful image of the hidden corners of the human soul.
01:01 Gianmaria Volonté's funerals took place on December 9, 1994 in his hometown, Milan, Italy.
01:08 Many colleagues, friends and fans came to see this outstanding actor during a solemn ceremony.
01:14 An infinite grief invades the funeral space as people remember the wonderful moments that Gianmaria Volonté created on the screen.
01:21 After the funerals, Gianmaria Volonté's grave was placed in a small peaceful cemetery on the island of Maddalena in Sardinia, Italy, a site chosen according to his last will.
01:31 This is where this exceptional actor rests after a sumptuous life filled with success and brilliant contributions to the art of cinema.
01:38 In the absence of Gianmaria Volonté, the film industry has lost a great talent, a class actor and a warm-hearted person.
01:45 However, his talent and legacy will never be lost in the films he has played in, and the memories of a screen legend will never be engraved in the hearts of movie lovers and photos of the whole world.
01:56 In the years that followed the sudden death of Gianmaria Volonté, his fans and colleagues continued to maintain the fire of love and memory of the exceptional actor through events and film projections.
02:07 The films in which Gianmaria Volonté participated have become great lasting works and have continued to spread his artistic message to the next generation.
02:16 Actor Erland Josefsson was given the role of Gianmaria Volonté in the film Regard du lys.
02:21 Erland Josefsson is a Swedish actor who has had a lot of success in his acting career and is widely known in European cinema.
02:28 Although replacing an exceptional actor like Gianmaria Volonté was a challenge, Erland Josefsson managed the role with brilliance, honoring his talent and making the film quite fair.
02:38 Thinking back to Gianmaria Volonté's career, it is impossible not to mention his great contribution to art cinema and politics.
02:46 He always pays special attention to social, political and human rights in many significant films.
02:53 Gianmaria Volonté has become an icon and a source of inspiration for art lovers and social activists, and has contributed to the background of new advances in the construction of cultural cinema and innovation in sports and political films.
03:06 Referring to him, it is impossible not to mention the dedication and sincerity of Gianmaria Volonté in work and personal life.
03:13 He is a professional actor, always giving his best in each role, dedicated to understanding the character and bringing a great effect to the screen.
03:22 In addition to his acting career, he is also a great actor.
03:25 He is also a great actor.
03:27 He can write a meal at a restaurant or a meal at a canteen,
03:34 or a line that scares me,
03:37 or a few lines like that.
03:40 The directors ask for triggers, which are what we call easy writing subjects.
03:54 They are not asked to write very long, but a little bit.
04:00 Those who had the courage to send us something, sent us short lines written by students of the CMA,
04:13 which were not bad at all, very funny, a little humorous.
04:17 It is quite feasible.
04:21 But there is also the problem of evaluation.
04:27 Because the problem of evaluation...
04:32 He tells us, "Oh, we have to evaluate ourselves."
04:37 "Why do you want to evaluate?"
04:40 "Because all teaching must be evaluated."
04:53 "Evaluating oral writing is not easy."
04:59 "You can only evaluate writing."
05:03 "What are you going to do?"
05:05 "Your evaluation will be worth nothing."
05:11 "What you can do is to count the proportion, at least where they are able to write something."
05:21 "The proportion of words used compared to those written in the painting."
05:27 "What was used in the small writing, two or five lines, etc."
05:33 "This may give you an idea of the progress they are making."
05:51 I also wanted to talk about lists.
06:07 Lists and the notion of linguistic performance.
06:10 I have to talk about this a little bit.
06:20 If you look at your lists, you will see that at each level, there are 18 words that are presented as preferential.
06:32 These 18 words are preferential.
06:56 Why 18 words?
07:00 If you look at the book "Rose", or at the website "Vocanet",
07:08 you will see that a great vocabulary lesson about a word of high frequency takes four sessions.
07:24 There are so many words that they want to go beyond the word "eau".
07:33 All that can be said about the word "eau",
07:38 you could spend the whole year with all the verbs that revolve around "eau".
07:43 We said four sessions, that's good.
07:46 I had feedback from people who worked on the adjective "beau".
07:52 They spent seven sessions.
07:55 That's too much.
07:57 If you spend seven sessions with the adjective "beau",
08:00 you won't have any sessions left.

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