"Dans ta peau" avec l'actrice Adèle Exarchopoulos

  • l’année dernière
Rencontre avec l'actrice Adèle Exarchopoulos en couverture de Marie Claire.
Transcript
00:00 I think we run too much after something, we want to correct everything.
00:03 In the end, do we do it for others or for us? I don't know.
00:06 Beauty, it evokes me my family, the women who inspire me around me,
00:17 my grandmother, Penelope Cruz, Leila Bekti.
00:22 Beauty can be a gesture, it evokes me a lot of different things.
00:25 My mother.
00:28 My mother, beyond the fact that she is my mother,
00:32 because who she is, what she gives to others.
00:35 My mother is a nurse, she is very simple, she got married in jeans, she is beautiful.
00:39 I would say my mother.
00:41 Clean love takes time to be appreciated, I think it's through the choices we make.
00:47 We have to accept that we can be disappointed, but for me it's a lot of time.
00:51 Nudity for me is sacred, it's intimate.
00:57 Obviously, there is nudity that we see in the films, even in the films I made.
01:00 I tried to take it for a disguise, because it's hard.
01:06 Otherwise, nudity in my life represents sacredness, intimacy.
01:11 Norms, I don't really know what it means, I don't really have it in what I like.
01:16 I think that the norms today take up too much space, they divide too much.
01:20 We should redefine them, because I don't know who decided that.
01:24 But I think that today, thanks to a lot of women, movements,
01:28 or a desire for freedom, we try to break them,
01:32 because it doesn't make much sense, the norms.
01:34 In any case, I don't want to learn such norms from my son.
01:37 For me, class is education.
01:41 Of course, there are class women, there are people who bring out something,
01:44 but for me it's related to education.
01:45 Someone well-educated, polite, respectful, gentle, kind.
01:51 That's class for me.
01:53 We're not going to lie, the mirror, in the morning, it's crazy.
01:57 And others where you say, "Ah, it's okay."
01:59 The mirror is...
02:01 After, it's more in relationships, the mirror.
02:03 People you choose to love, who choose to love you,
02:05 what drives you, who you are.
02:07 But the mirror, I think for everyone, it's complex.
02:11 I think it's a chance to age.
02:15 There are people who don't have that chance, so aging, for me, I would say it's a chance.
02:21 I admit that I think that from the moment things are assumed,
02:24 everything can happen, everything can be beautiful or pretty.
02:27 There's no faux pas or...
02:30 I think there are women today who assume what others might think is a complex
02:35 and suddenly it's that which becomes hyper sexy.
02:37 I think of one of the main roles in Tarantino,
02:42 when she does a whole show and she has a lot of cellulite,
02:46 she's in a thong, she's not washed, she's still ultra sexy,
02:49 as much as Ashley Graham.
02:51 For me, the complexes, that's what you do with them.
02:54 After, I think we all have them and it's hard to accept living with them.
02:58 But I think we run too much behind something, we want to correct everything.
03:02 In the end, do we do it for others or for us? I don't know.
03:05 There's the smell of summer.
03:09 I love the smell of barbecue, of burgers.
03:11 The smell of food, it matters a lot to me.
03:14 And then there's the smell of the skin, the skin we love.
03:16 Maternity is...
03:20 It's hard to sum up.
03:21 Maternity is the most beautiful and at the same time dizzying adventure, I think, to live.
03:27 But once again, I think it's also a gift.
03:29 Because we don't all have that chance, there are more sinuous paths.
03:34 I think it's a gift.
03:36 I love scars.
03:40 I think it's very beautiful on men, on women.
03:42 Scars are what you've lived, your trials.
03:46 Whether it's a Forest Windtaker or...
03:48 I'm thinking of people we all know.
03:50 I love my scars, I don't have a lot of them, but I never tried to hide them.
03:54 My breathing is my family.
03:58 That means that wherever I am, if I'm with people I love and who make me laugh, I breathe.
04:03 [BLANK_AUDIO]

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