Creed III - Blue Bus
Category
🎥
Short filmTranscript
00:00:00 (upbeat music)
00:00:02 (upbeat music continues)
00:00:06 (upbeat music continues)
00:00:09 (upbeat music continues)
00:00:12 (upbeat music continues)
00:00:16 (upbeat music continues)
00:00:19 (upbeat music continues)
00:00:23 (upbeat music continues)
00:00:26 (upbeat music continues)
00:00:29 (water trickling)
00:00:53 (water trickling)
00:00:56 (water dripping)
00:01:12 (upbeat music)
00:01:19 (water trickling)
00:01:22 (water dripping)
00:01:24 (water trickling)
00:01:27 (water trickling)
00:01:30 (water dripping)
00:01:33 (water dripping)
00:01:36 (water dripping)
00:01:38 (water dripping)
00:01:41 (water trickling)
00:01:44 (water trickling)
00:01:47 (water trickling)
00:01:50 (water trickling)
00:01:53 (water trickling)
00:01:55 (water trickling)
00:01:58 (water trickling)
00:02:01 (water trickling)
00:02:04 (water trickling)
00:02:07 (upbeat music)
00:02:33 (upbeat music continues)
00:02:36 (upbeat music continues)
00:02:40 (upbeat music continues)
00:02:44 (upbeat music continues)
00:02:47 (upbeat music continues)
00:02:51 (upbeat music continues)
00:02:54 (upbeat music continues)
00:02:58 (upbeat music continues)
00:03:01 (upbeat music continues)
00:03:04 (upbeat music continues)
00:03:26 (upbeat music continues)
00:03:29 (water trickling)
00:03:53 (water dripping)
00:03:56 (water dripping)
00:03:59 (water dripping)
00:04:01 (water dripping)
00:04:04 (water dripping)
00:04:07 (water dripping)
00:04:10 - You're a nut, you can't take that thing to New Orleans.
00:04:34 - Why not?
00:04:35 - It's a '68 bus, you ain't taking that to New Orleans.
00:04:38 LA, New Orleans, and a bus.
00:04:39 - Let me ask you a question.
00:04:40 What happens if it breaks down?
00:04:41 - Exactly.
00:04:42 - What happens?
00:04:43 - Not if.
00:04:44 - What's the worst?
00:04:45 - When it breaks down.
00:04:46 - Okay, it's gonna break down.
00:04:46 - That's right.
00:04:47 - So what's the worst that's gonna happen
00:04:48 when it breaks down?
00:04:49 - Worse than--
00:04:51 - You're gonna be out in no fucking where, Texas,
00:04:52 and we'll do what happens when it breaks down.
00:04:53 - Well, yeah, well that could be the worst.
00:04:55 - That's what happens.
00:04:55 - We can't do that in Texas.
00:04:56 But what's the worst that can happen?
00:04:58 - Exactly, what's the worst that can happen?
00:05:00 - That's why you don't go.
00:05:01 - The worst--
00:05:02 - When I was a kid, those things used to be called
00:05:05 rolling coffins.
00:05:06 - Or the bus I got laid in.
00:05:08 - Or the bus I got laid in.
00:05:09 Now maybe I might go with you for that one.
00:05:10 (laughing)
00:05:13 Look it, I got stuff to do, I gotta be at the agency.
00:05:16 - Bullshit you gotta be at the agency.
00:05:18 We both know that's bullshit you gotta be at the agency.
00:05:22 All I'm saying is take a week out of your life, man.
00:05:24 I'm asking you to go with me 'cause it's important to me.
00:05:27 - But what's the point of driving this bus
00:05:28 across the country?
00:05:29 - The point is for me to do something that he and I
00:05:32 had talked about doing since we were knee high to puppies
00:05:35 but we never got to do because something always
00:05:37 got in the way.
00:05:38 He got married, I got married.
00:05:40 Somebody died, somebody had a kid.
00:05:42 We changed jobs, we relocated.
00:05:44 Something always happens.
00:05:45 - I can't do it man.
00:05:52 I'd like to do it but I can't do it.
00:05:53 - You're gonna be a fuck all your life.
00:05:55 A week, man.
00:05:58 You know what, Augie, look at it, sounds great.
00:06:01 I can't go and I don't think you should go.
00:06:03 I mean.
00:06:04 - Okay, I'll go by myself.
00:06:06 Thank you.
00:06:07 Chip some more balls and I'll see you later.
00:06:13 And don't hit me on the way out.
00:06:15 - You ain't going anywhere.
00:06:16 It's a nice idea, think about it.
00:06:18 - I thought about it for a--
00:06:19 - Take the box, go on a plane, take it to New Orleans
00:06:22 and do what you gotta do.
00:06:22 - That's not the deal.
00:06:23 - The 68 bus to New Orleans.
00:06:24 - That's not the deal.
00:06:25 It's the bus that his dad gave to him
00:06:28 and he's gone and there's a bus in my driveway.
00:06:30 - I can't go.
00:06:34 I'd love to go, I can't go.
00:06:36 - No, you don't wanna go.
00:06:37 - I can't go.
00:06:38 - Is that your final word?
00:06:39 - Yeah, I don't think you should go.
00:06:43 - No, I'm going.
00:06:45 I'm gonna do it, why the hell not?
00:06:47 I'll call you.
00:06:51 I ain't going.
00:06:54 (engine rumbling)
00:06:57 (engine rumbling)
00:07:00 (engine rumbling)
00:07:03 (engine rumbling)
00:07:14 (tires squealing)
00:07:20 (engine rumbling)
00:07:29 (tires squealing)
00:07:31 - Fuck!
00:07:32 Oh, shit.
00:07:33 (engine rumbling)
00:07:38 (tires squealing)
00:07:57 - Can you do me a favor and not drive in this lane?
00:07:59 - I gotta drive in this lane.
00:08:02 - Why?
00:08:03 - 'Cause I got the pedal to the floor right now.
00:08:05 - So?
00:08:05 - I can't go any faster.
00:08:06 - Let 'em go around you.
00:08:08 - They are going around me. - You're making me nervous.
00:08:09 - They are going around me.
00:08:10 Shit.
00:08:22 Stall 'em.
00:08:26 (engine rumbling)
00:08:29 - We haven't even reached downtown yet.
00:08:32 - I know.
00:08:33 I told you this thing ain't gonna make it anywhere.
00:08:38 We can't even get out of LA.
00:08:39 Have you had this thing checked out or anything before we?
00:08:44 - Oh, I mean, I had the guy at the service station look at it.
00:08:46 He said it's fine.
00:08:47 He changed the oil, he lubed it.
00:08:50 We're inside the borders of the United States.
00:08:52 What can go wrong?
00:08:52 (laughing)
00:08:55 (upbeat music)
00:08:57 (engine rumbling)
00:09:01 (engine revving)
00:09:29 - I'm flying all the time, I never get it.
00:09:31 - I have.
00:09:32 - I tell you, when I fly into Phoenix,
00:09:33 I know exactly where I'm at.
00:09:35 'Cause you get all these old broads
00:09:36 with these fake sun tans and these fake boob jobs
00:09:39 and their faces that don't move, you know?
00:09:41 - Right.
00:09:42 - Those perpetual smiles.
00:09:43 - So that's why you date younger women, huh?
00:09:44 - That's exactly why I date younger women.
00:09:46 (laughing)
00:09:48 We're almost there.
00:09:51 We get to the top of this hill, it's cookie time, baby.
00:09:53 - He's here?
00:09:54 - Yeah, right there.
00:09:55 Buddy, a friend of mine, actually.
00:09:59 - Friend of yours?
00:10:00 - Yeah, yeah, yeah.
00:10:00 I talked to her after you came by the other day.
00:10:02 I talked to her, I said we're gonna do this trip
00:10:03 and dropped her by for the trip.
00:10:07 Hey, this is good.
00:10:09 So is she one of these youngsters?
00:10:15 She's a nice gal.
00:10:18 She makes good cookie.
00:10:22 And you refer to her as a nice gal?
00:10:28 Not a nice lady, a nice friend, or a nice woman,
00:10:31 but a nice gal.
00:10:32 So what are you doing, distancing yourself
00:10:35 from this woman or what?
00:10:36 - No, I just, uh--
00:10:37 - No, not at all.
00:10:39 So I'm asking you, who is this,
00:10:41 tell me a little bit about her.
00:10:42 - Friend of a friend, I'm not--
00:10:45 - How many women friends of yours make you cookies?
00:10:48 That's what I thought, you know?
00:10:53 (laughing)
00:10:55 - Well.
00:10:56 - Yeah.
00:10:57 - We're good, we're good though.
00:10:58 - No, no, no, no.
00:10:59 - You ever get lonely?
00:11:09 I mean, lonely in the sense that
00:11:12 I wish I had somebody with me here.
00:11:14 Everyday, good, bad, indifferent, but somebody--
00:11:17 - Everyday?
00:11:18 - Yeah, the same person.
00:11:20 You have to know her smell, her attitudes,
00:11:22 her mood, her personality.
00:11:24 - Her moods.
00:11:26 - Usually when that happens, they're gone.
00:11:28 It's over.
00:11:29 - I hear ya.
00:11:30 (laughing)
00:11:32 - I guess some great advice here is to go
00:11:33 for a buddy of mine.
00:11:35 He said to me, he said, "You know what?
00:11:36 "Wanna be happy?
00:11:37 "You need three girlfriends.
00:11:41 "You want a girl that you can go out and do stuff with,
00:11:44 "you know, you go to theater or music or you know,
00:11:48 "and then you have a girl that, you know,
00:11:50 "kind of philosophical, spiritual kind of,
00:11:53 "somebody you can actually talk to."
00:11:54 - Yeah, right.
00:11:55 - And then you got a girl that, you know,
00:11:58 she's not even sure what her name is, it's okay.
00:12:02 - Yeah.
00:12:02 - Psychophysical, you know.
00:12:03 - I know her too, yeah.
00:12:04 (laughing)
00:12:07 - Well, let me ask you a question.
00:12:09 A type girl comes along, woman comes along.
00:12:12 She has all three of those qualities.
00:12:14 She's easy to be with, fun, great sense of humor,
00:12:21 great conversation, she's gregarious with your friends.
00:12:25 - Yeah.
00:12:26 - Everybody likes her.
00:12:27 - Yeah.
00:12:28 - She's an intellectual or near an intellectual.
00:12:30 She loves the arts.
00:12:31 - Stop, stop, you're going too far.
00:12:33 - Right?
00:12:34 And in bed, you're glad to go to bed,
00:12:37 but you're also glad to see the sunrise in the morning.
00:12:40 - She make good coffee.
00:12:41 - Yeah, she make good coffee.
00:12:43 - Oh, and I'm still alive.
00:12:44 - And do I have the strength to drink it?
00:12:46 (laughing)
00:12:48 - Yeah, now you got my attention.
00:12:50 - Yeah.
00:12:52 - So what would you do?
00:12:53 (laughing)
00:12:59 - The old man is stumped.
00:13:00 (laughing)
00:13:03 But here's the other thing,
00:13:04 you gotta make sure that with the number three,
00:13:06 when you're in the throes of the passion,
00:13:08 you don't call out the wrong name.
00:13:09 - Number two.
00:13:10 (laughing)
00:13:11 - You look like number one to me.
00:13:12 (laughing)
00:13:14 - This one is good to call out, oh God, oh Jesus, oh.
00:13:19 (laughing)
00:13:20 (jazz music)
00:13:22 - Any biblical, whatever, what do you call it?
00:13:24 - Any biblical.
00:13:25 (laughing)
00:13:27 - Look at these things.
00:13:37 Amazing, isn't it?
00:13:39 And they're huge.
00:13:40 Look at these things.
00:13:43 Look at the size of them.
00:13:45 Look how much the world's changed since this thing was made.
00:13:49 - That's what we're looking at, you know what I mean?
00:13:50 - That's true.
00:13:51 - Look at this.
00:13:52 (jazz music)
00:13:55 - All right, favorite baseball player.
00:14:05 - What?
00:14:05 - Favorite baseball player.
00:14:06 - Who is it?
00:14:07 - Man, Maury Wills, easy.
00:14:08 - Oh, Maury Wills, I like Maury Wills.
00:14:09 - Yeah, because he'd get on base most of the time.
00:14:13 Junior Gilliam would come up next, Gilliam, right?
00:14:15 And work the pitcher,
00:14:17 and Maury would get another base stolen.
00:14:18 - Yeah, yeah.
00:14:19 - Oh, man, exciting.
00:14:20 That's when baseball was baseball.
00:14:22 Let me drive.
00:14:23 - No, I'm good.
00:14:24 - No, I wanna drive this thing.
00:14:26 - I'm still feeling--
00:14:26 - You've been driving all day, I wanna drive, come on.
00:14:29 - I'm driving.
00:14:30 - Hey, Oliver brought the bus to my house, I wanna drive.
00:14:32 - Yeah, but you couldn't even back it out of my driveway.
00:14:35 Half the reason I'm here with you.
00:14:37 - Why, why?
00:14:38 - 'Cause you're a shitty driver.
00:14:39 So I'm driving, let's go, come on.
00:14:41 - Fuck.
00:14:42 (laughing)
00:14:44 (jazz music)
00:14:48 (truck engine roaring)
00:14:51 - Look how fast the world is moving.
00:14:56 - I know.
00:14:57 - Look at this.
00:14:58 This is a semi-truck passing us on a hill.
00:15:01 - On a hill, right?
00:15:02 You're not in any hurry in this thing.
00:15:04 - No.
00:15:05 - Makes me realize how wound up I am, you know?
00:15:09 It's like.
00:15:10 - So now you see it's a good reason you came on this trip.
00:15:14 - You know what?
00:15:15 If you're gonna drag my ass to Phoenix,
00:15:17 we gotta get ourselves a good bottle of scotch.
00:15:19 Look how good.
00:15:21 A nice shot of scotch it tastes.
00:15:25 Once we get out of this relic.
00:15:26 - I'll tell you what, since you're doing the driving,
00:15:28 I'll buy you a good bottle of scotch.
00:15:29 - Elevation sea level.
00:15:30 - What is sea level?
00:15:32 - How can you be elevated at sea level?
00:15:34 - I was born in Louisiana,
00:15:35 what do I know about waterline at sea level?
00:15:37 - You live below sea level.
00:15:38 - Well, that's why.
00:15:38 - Right.
00:15:39 - I was told--
00:15:40 - Phoenix, 241.
00:15:42 We're making time, baby.
00:15:43 - Oh, shit.
00:15:44 - 241 at 20 miles.
00:15:46 (upbeat music)
00:15:48,
00:15:49,
00:15:50 it's a good day to be alive, it's a good day to be alive.
00:15:55 (upbeat music)
00:15:57,
00:15:58 it's a good day to be alive, it's a good day to be alive.
00:16:03 (upbeat music)
00:16:06 (car horn honking)
00:16:09 (car door opening)
00:16:12 (car door closing)
00:16:15 (car door opening)
00:16:18 (knocking)
00:16:20 (sighing)
00:16:22,
00:16:23 (sighing)
00:16:25 (sighing)
00:16:27 (sighing)
00:16:29 (water splashing)
00:16:34 - Hey, Augie.
00:16:51 Wasn't one hell of a drive today, man.
00:16:56 (water splashing)
00:16:58 - Yeah.
00:16:59 - That shit takes longer every year.
00:17:04 Augie.
00:17:08 What?
00:17:12 (laughing)
00:17:16 What, what the hell?
00:17:17 What is that?
00:17:20 (laughing)
00:17:23 (clock ticking)
00:17:26 Hey, Augie.
00:17:45 Augie.
00:17:50 (clock ticking)
00:17:52 (sighing)
00:18:00 (engine rumbling)
00:18:05 (engine rumbling)
00:18:08 (engine rumbling)
00:18:27 (snoring)
00:18:29 (sighing)
00:18:39 - Sleep well?
00:18:44 - Like a rock.
00:18:45 And you?
00:18:47 - Not too much, no.
00:18:49 - Because of this?
00:18:51 - What the hell is that?
00:18:54 - It's a breathing machine, it blows air.
00:18:56 - I have sleep apnea.
00:18:57 Otherwise, I snore like a banshee.
00:18:59 Ask my neighbors, they'll tell you.
00:19:02 - Well, you're lucky you live alone, man,
00:19:04 'cause that thing is noisy.
00:19:05 - Well, I'm sorry, I'm sorry.
00:19:09 I mean, that's all I can say.
00:19:11 I'm sorry, I'm sorry you didn't sleep.
00:19:13 I'll drive today, okay?
00:19:15 So you can sleep in the car.
00:19:16 - Hey, I was just checking my emails,
00:19:20 and I gotta get back to the, I gotta get back to LA.
00:19:23 I gotta get back to the agency.
00:19:25 - Why?
00:19:25 - There's a thing going on.
00:19:27 Look, I checked the--
00:19:28 - We just left yesterday.
00:19:29 - I know, I know, I know,
00:19:30 but I gotta get back to this account.
00:19:31 - To be on the road for almost a week or more.
00:19:34 - Yeah, well.
00:19:35 - What?
00:19:36 - I'm a little surprised we made it this far to begin with,
00:19:40 so I wasn't really prepared to be gone for a week or more,
00:19:43 to be truthful with you.
00:19:44 I took one look at that bus,
00:19:45 I just figured maybe downtown LA,
00:19:48 at the most, San Bernardino.
00:19:49 I never thought we'd get this far out of LA.
00:19:51 - You know, I--
00:19:54 - I hate to admit this, I'm kind of embarrassed for you.
00:19:57 Did you really think all those things
00:20:00 after agreeing to go with me?
00:20:01 And you know why I wanna go?
00:20:03 It's not because I wanna sit in a bus for six weeks,
00:20:06 it's because I told you, my friend asked me to do this,
00:20:08 and you agreed.
00:20:09 - Then let's, I tell you what,
00:20:11 we'll get on a plane, fly to New Orleans--
00:20:12 - It's not the same.
00:20:13 - And we'll do what you gotta do.
00:20:14 - It's not the same, Joey.
00:20:16 - But a couple days, we're done.
00:20:17 - It's not the same.
00:20:19 He asked me to drive it to New Orleans.
00:20:23 - I'm embarrassed.
00:20:24 - I gotta get, look at--
00:20:25 - And I guess I'm pissed too, really.
00:20:27 Damn, man.
00:20:29 - Hey, I got an email from Lindsay,
00:20:32 and I probably should be back there.
00:20:34 - You know what, suddenly I don't believe you anymore.
00:20:37 I'm gonna tell you the truth, I think you're lying.
00:20:39 To your eyes, eyeball to eyeball, I think you're lying.
00:20:43 Because of that fabricated story you fabricated,
00:20:49 I think you're lying.
00:20:50 You know what, I'm gonna tell you the truth,
00:20:51 I think you're lying.
00:20:52 You know what, call her.
00:20:54 I know, Lindsay, call her.
00:20:55 - Let me hear Lindsay say to you, you have to get back.
00:20:59 - How does Lindsay know whether I need to be there or not?
00:21:04 - She's an assistant, she knows more about
00:21:06 what you're doing than you do.
00:21:07 - All right, I'll call Lindsay.
00:21:08 - Wait, wait, wait, wait, wait, wait, cancel that.
00:21:09 - What?
00:21:10 - Cancel it, just cancel it before it rings.
00:21:12 If she says she doesn't need you, we continue on.
00:21:17 - I'll talk to Lindsay.
00:21:19 - No, on speakerphone.
00:21:21 - No, it has a speakerphone.
00:21:22 You can shoot down a satellite with that goddamn thing.
00:21:24 Let me hear it, come on.
00:21:25 Aha.
00:21:29 - Good morning, Justice McNeil's office.
00:21:32 - Hi, Lindsay, Joey here, how you doing?
00:21:34 - Hey, Joey, are you working from home again today?
00:21:37 - Mm.
00:21:37 Hey, I was wondering about that, the Scullin account,
00:21:42 how's that going?
00:21:43 - What do you mean, how's it going?
00:21:45 It's on hold, remember?
00:21:48 - Yeah, but did they take the storyboards
00:21:51 and look at 'em?
00:21:51 - Storyboards, Joey, we don't have storyboards.
00:21:54 They haven't even decided if our team's getting the job.
00:21:57 - Okay, very good, thank you.
00:22:04 - Okay, bye.
00:22:05 - Bye.
00:22:06 (phone beeping)
00:22:12 - You know what I'm gonna do right now?
00:22:13 I'm gonna take a royal piss.
00:22:16 - You fuck, God.
00:22:18 Goddamn.
00:22:20 Take your ass back to LA, shit.
00:22:24 Hey, you're never gonna make it through the--
00:22:27 (water trickling)
00:22:32 (dramatic music)
00:22:39 (train horn blaring)
00:22:42 (train horn blaring)
00:22:45 (train horn blaring)
00:22:48 (birds chirping)
00:23:07 (train rumbling)
00:23:13 (train rumbling)
00:23:15 - 40 miles, not bad.
00:23:36 (train rumbling)
00:23:39 - I looked down at the speedometer here
00:23:58 and it said 70, almost 75 miles an hour.
00:24:01 That sign that we just drove by that says,
00:24:03 the radar sign, it says 53.
00:24:06 (laughing)
00:24:08 - Hey, baby, how you doing?
00:24:22 Yeah.
00:24:24 Those cookies were fantastic.
00:24:26 They were great.
00:24:32 Okay, yeah, no, I gotta go, I gotta go.
00:24:35 Yeah, we're somewhere in Arizona.
00:24:36 Okay, I gotta go, bye.
00:24:38 - Hand me a water, will ya?
00:24:41 - Need to wash your pee pee hands?
00:24:55 - Wash your pee pee hands.
00:24:57 (laughing)
00:25:00 (train rumbling)
00:25:03 - So what's in the box?
00:25:09 - I don't know.
00:25:12 I haven't opened it yet.
00:25:13 - You haven't looked in the box?
00:25:17 - No.
00:25:17 - Well, let's open it. - Because, no, I can't.
00:25:21 He wants me to open it when I get to New Orleans.
00:25:23 (laughing)
00:25:27 - So there's more to this trip every day.
00:25:31 What else is there you haven't told me?
00:25:34 - That's why I want you to go with me.
00:25:37 - So you don't know what's in the box?
00:25:38 - No, I don't.
00:25:39 When I open the box and find out what's there,
00:25:42 I would like you to be there with me,
00:25:44 'cause you're as dear a friend to me as Oliver was.
00:25:47 Can you handle that?
00:25:49 - I can't handle that.
00:25:50 - Can't handle that.
00:25:51 - No.
00:25:52 - It's too intimate.
00:25:54 - Oh, man.
00:25:55 (laughing)
00:25:57 But you are my friend, you are, you are.
00:26:00 - I feel that, I appreciate that.
00:26:02 You know, I don't wanna sound stupid or anything,
00:26:10 you know, but...
00:26:11 Everybody must have some sort of a blue bus trip.
00:26:18 You know, something they haven't done, huh?
00:26:22 (waves crashing)
00:26:25 - You're all right, my friend.
00:26:34 I love you.
00:26:36 You fuck.
00:26:38 (laughing)
00:26:40 (upbeat music)
00:26:48 (horse hooves clopping)
00:26:51 - Have some fun, man.
00:27:04 - Take your hand up slowly.
00:27:05 - You look too aggressive here.
00:27:11 Be nice.
00:27:12 - No, stiffen your hand,
00:27:13 they're gonna bite your finger otherwise.
00:27:14 - Oh, Jesus.
00:27:15 (laughing)
00:27:17 - What happened to the tough guy I know?
00:27:19 - Oh, Jesus.
00:27:21 (laughing)
00:27:24 (squeaking)
00:27:26 - They prefer you, look at that.
00:27:29 (laughing)
00:27:32 He's licking your scalp.
00:27:38 - Get that son of a bitch off my head.
00:27:41 That's all I got to say.
00:27:42 - I wish I had a camera.
00:27:45 I wish I had a camera.
00:27:47 - So listen, are we gonna stay in really down home hotels?
00:27:51 - I'm picking the next spot.
00:27:52 - We'll talk about it.
00:27:54 - Ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow, ow.
00:27:55 Stop, stop, stop.
00:27:57 (upbeat music)
00:27:59 I know where I'm going.
00:28:08 - No, you don't.
00:28:09 - We got off over there.
00:28:11 We're gonna get back on over there.
00:28:12 We'll be back on the interstate.
00:28:14 I'm out of problems.
00:28:16 - You have no sense of direction.
00:28:17 - Yes I do.
00:28:18 You can't even get to my house without calling for help.
00:28:21 - Okay, which way is north, dummy?
00:28:23 - I can see the god dang interstate from here.
00:28:27 Where's the under?
00:28:29 - You can't see the interstate from here.
00:28:31 We're lost.
00:28:32 - Let me drive.
00:28:34 Go back and ask that guy where we are.
00:28:36 (horn honking)
00:28:45 - My cousin in Portland had his prostate removed.
00:28:47 And his number spiked all of a sudden.
00:28:50 He had his removed within a year.
00:28:52 It's not quite a year yet.
00:28:55 So he and his wife were just beside themselves thinking,
00:28:58 uh oh.
00:28:59 - But you were pronounced clear, weren't you?
00:29:01 - Yeah, I was.
00:29:03 But my number spiked after we found out about him.
00:29:06 So it really shook me.
00:29:08 - Got you thinking.
00:29:10 - Got me to thinking.
00:29:11 And I thought, you know what?
00:29:14 I'm in the third act of my life.
00:29:16 - Yeah.
00:29:19 - Right?
00:29:19 - He's in there, isn't he?
00:29:23 - He's in there, right.
00:29:24 - Exactly.
00:29:25 So is he in there?
00:29:26 - I have no idea.
00:29:27 - Come on.
00:29:28 - Just don't turn on any fans when I open the box.
00:29:31 (laughing)
00:29:32 'Cause he'll be all over the place.
00:29:34 - No, no.
00:29:35 (laughing)
00:29:36 Come on, seriously.
00:29:37 - I don't know what's in the box.
00:29:37 - You haven't looked.
00:29:38 - I haven't looked.
00:29:39 - He asked me not to.
00:29:41 - What if those were his ashes, dude?
00:29:42 - It could be.
00:29:43 (smooth jazz music)
00:29:50 - When I left Florida, I never looked back.
00:30:06 That old Dago shit, I didn't want any part of it, man.
00:30:09 All those family dynamics and things, you know.
00:30:11 - What do you mean that old Dago shit?
00:30:13 What do you mean by that?
00:30:14 - One of my brothers was dating a gal
00:30:16 who was an Italian and they were having issues with him.
00:30:18 - Really?
00:30:19 - Yeah.
00:30:19 - Interesting.
00:30:20 That's one of the reasons I left New Orleans.
00:30:22 Because of that bullshit.
00:30:23 - Well, you got the white culture.
00:30:24 - Yeah.
00:30:25 - The Cajuns.
00:30:26 - Yeah.
00:30:27 - Creoles.
00:30:27 - Yeah.
00:30:28 - And the blacks or African Americans.
00:30:30 - Who can't claim to be Creole.
00:30:31 - And where do you fall in on all that?
00:30:35 - I don't fall into any of it, 'cause I hate it.
00:30:37 But I fall in on the Creole side.
00:30:39 'Cause my mother's family was mostly all Creole.
00:30:43 She had family members who became Paso Blanc,
00:30:45 meaning they passed for white.
00:30:47 They looked like they were white.
00:30:49 That was in a place called the Seventh Ward,
00:30:51 where I grew up.
00:30:54 It was known as the Creole Ward of New Orleans.
00:30:59 - It was all Creole.
00:31:00 - Yeah, for the most part, yeah.
00:31:02 And all Catholics.
00:31:03 And most of the girls were virgins forever.
00:31:08 And all of the boys were virgins forever,
00:31:10 trying to get laid.
00:31:11 To virgin girls, they didn't want to give it up.
00:31:14 Very frustrating.
00:31:15 - Yeah, I met a Catholic Italian virgin once.
00:31:20 - Did you?
00:31:21 - Oh yeah.
00:31:22 - Any luck?
00:31:22 Did you corrupt her?
00:31:25 - I think she corrupted me, actually.
00:31:26 - She corrupted you.
00:31:27 Free at last, free at last.
00:31:30 Thank God Almighty, I'm free at last.
00:31:37 - Ay, ay, ay, ay, ay.
00:31:38 - Girl, girl, girl.
00:31:40 (upbeat music)
00:31:42 - Tiger Woods, absolutely number one athlete in the world.
00:31:57 Maybe of all time.
00:31:58 - He's a golfer.
00:31:59 I don't consider those guys athletes.
00:32:01 Well, how about a soccer player,
00:32:04 never stops running?
00:32:05 - Yeah, okay, so he's running.
00:32:06 They're good, but they have all these other players.
00:32:08 - They never stop running and leaping and jumping.
00:32:10 - Yeah, he's got other guys he can count on on a bad day.
00:32:13 Tiger has nobody.
00:32:14 Tiger, what other athlete in the world
00:32:15 has changed his sport?
00:32:16 - Jackie Robinson, one.
00:32:20 - Well, he changed everything, didn't he?
00:32:21 - Yes.
00:32:23 Joe Louis, two.
00:32:25 - Okay.
00:32:26 - Should I go on?
00:32:27 - A couple of black guys, okay.
00:32:28 Tiger Woods, three.
00:32:29 - I understand who he is.
00:32:31 I say I admire him,
00:32:32 it's the game of golf I have a problem with.
00:32:35 - You wanna know about some trivia I heard?
00:32:37 - Yeah.
00:32:37 - You know why you play 18 holes of golf?
00:32:40 - 'Cause you got nothing better to do.
00:32:41 - The reason that you play 18 holes of golf
00:32:43 is that when they invented the game,
00:32:46 for each hole they took a shot of scotch or whiskey.
00:32:50 And you know how many shots there are
00:32:51 in a fifth of whiskey or scotch?
00:32:53 - No.
00:32:54 - 18.
00:32:55 - No kidding.
00:32:56 - Yes.
00:32:57 - That's brilliant.
00:32:58 We should test that theory tonight.
00:33:00 - Well, we should, yeah.
00:33:01 I mean, you ever think why you don't play 16, 17,
00:33:04 21, 32, whatever, whatever?
00:33:07 - Don't go there.
00:33:08 Why do you have nine innings of baseball?
00:33:09 Why do you have four quarters in football?
00:33:11 - I don't know.
00:33:12 - We're gonna test that theory.
00:33:13 - You know when I became a Dodger fan?
00:33:18 When I was about six or seven.
00:33:20 Was when I was playing in my grandmother's backyard.
00:33:23 My aunt, Lorraine, was listening to the broadcast
00:33:26 of the Brooklyn Dodgers,
00:33:28 and they were talking about Jackie Robinson
00:33:30 being acquired and playing.
00:33:32 That's when I became a Dodger fan.
00:33:34 We used to take newspapers
00:33:38 and roll 'em up very tight, about this wide,
00:33:40 about, I don't know, four inches wide,
00:33:42 and take twine and roll it around,
00:33:44 roll it around, roll it around, roll it around.
00:33:46 It tied knots so that you had a solid object.
00:33:49 That was our baseball.
00:33:50 And we'd go in the middle of the street
00:33:53 and we'd draw a home plate
00:33:55 or we'd put an old garbage can down or whatever.
00:33:57 We just fielded any team we could field.
00:33:59 But we were playing baseball in our own way.
00:34:02 You know what I mean?
00:34:03 - 'Cause we played ball in the street all the time.
00:34:05 You got home from school,
00:34:07 you threw your books anywhere,
00:34:08 and you couldn't get out there fast enough to play
00:34:10 until it was time to eat.
00:34:11 - That's true.
00:34:12 - And that's what we did.
00:34:14 - Exactly.
00:34:14 - George Carlin did a bit about raising kids today.
00:34:20 - Yeah, he goes, "Whatever happened to a kid
00:34:25 "who sat in the front yard with a stick?"
00:34:28 - With a stick.
00:34:29 - And he dug a fucking hole.
00:34:31 He doesn't even know why he's digging the fucking hole.
00:34:33 But he's sitting there and he's sitting there
00:34:34 and at some point he looks at the stick and goes,
00:34:36 "Why am I holding this fucking stick?"
00:34:38 And he's sitting there next to a hole with a stick
00:34:40 and he doesn't even know why he's there.
00:34:42 But he's been out there for hours.
00:34:43 - Right.
00:34:44 - Right?
00:34:45 Kids don't do that anymore.
00:34:47 - No, they don't.
00:34:49 I'm afraid not.
00:34:50 (soft music)
00:35:17 - Right now, I'm probably the only place
00:35:20 on the entire planet that I can wear this shirt.
00:35:23 - I was about to say, it's a good color.
00:35:25 It's a good color on you.
00:35:26 - Yeah, well, don't get used to it.
00:35:28 (laughing)
00:35:30 - Welcome to New Mexico.
00:35:34 - The land of the children.
00:35:36 (laughing)
00:35:37 - Hot chili peppers.
00:35:39 All right, hot chili peppers and cold beans.
00:35:42 - Oh shit.
00:35:42 - All right.
00:35:44 (upbeat music)
00:35:46 - And his two brothers, Homer and Poochie
00:35:50 were merchant marines, World War II.
00:35:52 - Poochie?
00:35:53 - Poochie.
00:35:54 - Some of the names, man.
00:35:55 Some of the names.
00:35:56 - You know, Boogie Red, Bebolo, Snag,
00:35:59 Hickey Mickey Green.
00:36:01 Oh, there was Four Eyes.
00:36:03 There was Crip, 'cause he was crippled.
00:36:06 There was Lippy, 'cause he had a limp.
00:36:08 My cousin Donald, Duck.
00:36:11 My brother Wesley, 'cause he's got,
00:36:13 he's red as a reflection.
00:36:15 Red dick paint, everybody's got a dick paint.
00:36:17 - What was yours?
00:36:18 - Earthwork.
00:36:19 (laughing)
00:36:21 Fuck you too.
00:36:22 - Earthwork!
00:36:24 - Yeah, fuck you.
00:36:25 I shouldn't have told you that.
00:36:27 Fuck.
00:36:28 (laughing)
00:36:29 - All right, Earthwork.
00:36:30 - I wasn't thinking, you just came out.
00:36:32 - So what you get for being honest?
00:36:35 - God damn it.
00:36:36 - Why?
00:36:37 (laughing)
00:36:37 - 'Cause you're the guy that's afraid
00:36:38 you're the stick thing in a fucking hole.
00:36:40 (laughing)
00:36:42 That's why whenever I heard Louis Armstrong
00:36:44 singing Back to Night on the jukeboxes,
00:36:47 I thought it was a song about New Orleans.
00:36:50 'Cause he sings about Lottie Lincoln,
00:36:52 Sweet Lucy Brown, Back to Night,
00:36:55 all those nicknames, I swear to God,
00:36:57 I thought it was a song about New Orleans, man.
00:37:01 - Yeah.
00:37:02 - Until I was grown and I realized
00:37:03 it came from a fucking opera written by these jerks,
00:37:06 guys in 19 fucking '33.
00:37:08 - But all those guys were on their street cars
00:37:10 and roaming there.
00:37:11 - Everybody had a fucking nickname, man.
00:37:13 - Yeah.
00:37:14 - Really?
00:37:14 (upbeat music)
00:37:18 So the story goes that one day,
00:37:20 somebody bet Wilford that he wouldn't punch
00:37:22 the next guy that walked in the bar
00:37:24 in the fucking jaw for five dollars,
00:37:26 I always think it was two dollars.
00:37:28 Wilford said, "You offered me, betting me two dollars,
00:37:31 "that I won't punch the next motherfucker
00:37:32 "that walked through that door in the jaw?"
00:37:34 Bet.
00:37:35 Wilford's standing inside the bar, Joey G.
00:37:38 The door opens and he hauls open it.
00:37:41 Cole Cox, the guy who walked through,
00:37:44 the guy that stumbles onto the street
00:37:46 and falls down, it's his fucking nephew, Gerald.
00:37:49 (laughing)
00:37:51 He fucking Cole Coxed him and collected his money
00:37:57 and never fucking apologized.
00:38:00 Fucking, it was a bet.
00:38:01 (laughing)
00:38:03 (upbeat music)
00:38:06 (upbeat music)
00:38:09 - Oh wow, speed limit 75, all right.
00:38:12 - Not to worry.
00:38:13 - We're doing 60, we're hopping.
00:38:15 - Yeah, not even.
00:38:17 - We oughta get a ticket just for the hell of it.
00:38:19 - You know what, I'm putting it to the floor right now.
00:38:20 - Put it to the floor, fuck 'em.
00:38:21 - Ticket and Demi, here we go.
00:38:23 - BB, we're gonna get a ticket.
00:38:24 - Let's get a ticket.
00:38:24 (laughing)
00:38:26 (upbeat music)
00:38:35 - Woo, I'm flying.
00:38:37 - 70, 75.
00:38:41 - Hell yeah.
00:38:44 ♪ Here we come, watch out now ♪
00:38:52 ♪ Better run and hide ♪
00:38:57 - 78.
00:38:58 ♪ I've got desperadoes worse than Bonnie and Clyde ♪
00:39:01 - 78.
00:39:01 - 78.
00:39:04 ♪ They call us double trouble ♪
00:39:06 ♪ And there ain't no lie ♪
00:39:11 - Come on baby.
00:39:13 - 84, I didn't think this thing would get this high, 84.
00:39:18 ♪ But we're gonna party ♪
00:39:21 ♪ With my cookies and fries ♪
00:39:23 - 84.
00:39:24 - Woo.
00:39:24 - And hold it, 84 and hold it.
00:39:26 - Woo.
00:39:26 - 84.
00:39:27 (laughing)
00:39:28 - Get out of the car.
00:39:29 - Woo.
00:39:30 - I'm getting comfortable here.
00:39:31 - We're gonna take it easy.
00:39:31 - We may make this a habit.
00:39:33 This year New Orleans, next year spring training
00:39:36 for baseball somewhere and a ticket in each state.
00:39:39 - And a ticket, and a speeding ticket.
00:39:40 - And a speeding ticket in each state.
00:39:42 I'm actually looking forward to this whole New Orleans thing.
00:39:44 I've never been there, you know?
00:39:45 - You haven't been there, huh?
00:39:47 Well, it's a place of, fuck it, let's drink.
00:39:52 - Does it?
00:39:52 - Yeah.
00:39:53 There's a hurricane coming, oh fuck a hurricane,
00:39:55 let's drink.
00:39:56 My last Christmas home with my mom,
00:40:02 I was in a den watching television or something,
00:40:04 and she was in the kitchen cooking a Christmas gumbo,
00:40:07 cooking it the day before, a big, huge pot of gumbo.
00:40:10 So I walked into the kitchen,
00:40:12 said, "Hey, Ma, how you doing?"
00:40:14 She said, "I'm all right, baby."
00:40:16 I saw she went, "I'm all right, baby."
00:40:18 And she's cooking and stirring up,
00:40:20 and I said, "Do you like Johnny Mathers?"
00:40:21 She said, "Oh, he has a beautiful voice."
00:40:23 I said, "Yeah, I know."
00:40:25 And I said to her, "You know what, Mom,
00:40:27 "people say that when I sing,
00:40:29 "I also sound like Johnny Mathers."
00:40:31 She's stirring up pot without even looking up.
00:40:33 She said, "Oh, boy, you never could sing."
00:40:36 It was like she said,
00:40:38 "Give me that jar of pepper up on the shelf."
00:40:42 You know what I mean?
00:40:43 The phone's ringing, answer the phone.
00:40:45 What do you do with that?
00:40:54 You know, what do you do with that?
00:40:57 (waves crashing)
00:41:00 (gentle music)
00:41:05 ♪ You always like to wonder ♪
00:41:08 ♪ Born a free man ♪
00:41:12 ♪ Been on this road ♪
00:41:15 ♪ Since you don't know when ♪
00:41:19 ♪ You may be more lost now ♪
00:41:22 ♪ Than you've ever been ♪
00:41:25 ♪ But you will find ♪
00:41:29 ♪ Your way home ♪
00:41:33 ♪ Again ♪
00:41:38 ♪ It was in your mind ♪
00:41:42 ♪ Go 'round the world ♪
00:41:45 ♪ Make yourself a dollar ♪
00:41:49 ♪ Find yourself a girl ♪
00:41:53 ♪ If you come back wild ♪
00:41:55 - Now this is a hotel, man.
00:41:56 Now this is a hotel.
00:41:58 Not those shitholes where you're standing.
00:41:59 It's a nice place. - You know what?
00:42:00 I might give in on this one.
00:42:01 - This is a nice place.
00:42:02 - I might give in on this one.
00:42:03 - Because this one looks like
00:42:04 it has a little bit of history.
00:42:05 - This is classic.
00:42:06 - You know?
00:42:06 - This is classic.
00:42:07 All right. - Let's check it out.
00:42:10 - Hey, I don't want my own room tonight, you cheap.
00:42:12 - You know what?
00:42:14 My only hope is they don't have a golf course.
00:42:16 - I think they do.
00:42:17 - There might be some bodies buried around here.
00:42:24 - Well, first of all, what was that lady saying
00:42:26 about there was a ghost or something up here?
00:42:28 - Oh, Rebecca.
00:42:29 - Rebecca, yeah.
00:42:31 - Guests at the lodge in the early 1940s.
00:42:34 That's World War II, baby.
00:42:37 - That is World War II, isn't it?
00:42:39 - Yeah.
00:42:39 - You were alive then, I wasn't.
00:42:40 - I wasn't even a year old.
00:42:42 I was pooping in a diaper.
00:42:46 (laughing)
00:42:48 That's funny.
00:42:51 That's funny.
00:42:52 - That's funny.
00:42:53 - Let me ask you something.
00:42:55 - What?
00:42:56 - What took you so long?
00:42:58 30 years you guys wanted to do this.
00:43:00 - My grandmother used to say everything happens for a reason.
00:43:02 So maybe this is the time I would really enjoy it.
00:43:05 And maybe the reason you came with me
00:43:06 is because this is the only time in your life
00:43:09 that you could really enjoy it.
00:43:11 - Well, I'll tell you what.
00:43:13 - What?
00:43:14 - Thank you, Oliver.
00:43:15 - Yeah, thank you, Oliver.
00:43:16 - Thank you, Oliver.
00:43:17 - Our Mardi Gras float this year.
00:43:19 - Yeah.
00:43:20 - So you have floats too on Mardi Gras Day?
00:43:21 - Crawfish races.
00:43:22 - Crawfish races.
00:43:24 (laughing)
00:43:25 - You don't think we're gonna have an event not do it, right?
00:43:28 - When I was a kid, we used to go out early
00:43:30 and find a spot, spread blankets.
00:43:32 And my grandmother would bake a ham that was,
00:43:35 I don't know, when I was a kid,
00:43:36 it seemed like this big, right?
00:43:38 And homemade biscuits and homemade pies.
00:43:40 And we spend the day on the neutral ground.
00:43:43 We didn't have a lot of money.
00:43:44 So our costumes were usually a jeans
00:43:45 and a cowboy shirt and a straw hat.
00:43:47 We were cowboys for the day.
00:43:49 - My grandpa, he was in the Cajun band.
00:43:51 He was in the Lake Charles Ramblers.
00:43:53 Every Saturday night we would go two step and walk.
00:43:56 - Everything about Mardi Gras is just incredible.
00:43:58 It really is.
00:43:59 - Do you miss New Orleans?
00:44:01 - Absolutely.
00:44:02 - Do you?
00:44:03 - Everything about it.
00:44:04 (upbeat music)
00:44:07 (upbeat music)
00:44:09 (upbeat music)
00:44:12 (upbeat music)
00:44:15 (upbeat music)
00:44:17 (upbeat music)
00:44:20 (upbeat music)
00:44:22 (upbeat music)
00:44:25 - So tell me, what is this I hear about Rebecca the ghost?
00:44:29 - We gotta go hear some Rebecca stories then, right?
00:44:32 Who's gonna tell those Rebecca stories?
00:44:34 (upbeat music)
00:44:36 (upbeat music)
00:44:39 - Do you refer to Rebecca as Rebecca
00:44:46 or as a spirit or a ghost or how do you?
00:44:49 - She's Rebecca to me.
00:44:50 She's for real.
00:44:53 - You're a believer.
00:44:54 You've seen stuff out of the ordinary happen?
00:44:56 - Oh yeah.
00:44:57 (footsteps)
00:45:00 the spirit.
00:45:00 (footsteps)
00:45:03 (footsteps)
00:45:05 (footsteps)
00:45:07 (footsteps)
00:45:10 (footsteps)
00:45:12 (footsteps)
00:45:14 (footsteps)
00:45:17 (footsteps)
00:45:19 (soft music)
00:45:29 (soft music)
00:45:32 (sighs)
00:45:44 (soft music)
00:45:45 - And she was murdered on this bed or?
00:45:47 - No, not on this bed. - It was her body.
00:45:48 - It was in this room.
00:45:49 - In this room.
00:45:50 - Well, they never found her body.
00:45:52 They just found the blood.
00:45:53 - Just found the blood.
00:45:54 - Mm-hmm.
00:45:55 (soft music)
00:45:57 (soft music)
00:45:59 (soft music)
00:46:02 (soft music)
00:46:04 (sobs)
00:46:27 (soft music)
00:46:29 (soft music)
00:46:32 - Don't, don't touch me.
00:46:41 (soft music)
00:46:43 She's been lonely.
00:46:52 (door slams)
00:46:59 - Hey, Joe.
00:47:00 Joe.
00:47:02 Hey, Joe, wait a minute, Joe.
00:47:04 Joe.
00:47:06 Wait on me, please.
00:47:08 Joe!
00:47:10 - What?
00:47:11 - Wait.
00:47:12 - What, are you fucking with me?
00:47:13 - I, I, it was real.
00:47:15 - What, what, you're, what, you're,
00:47:16 you're channeling or something?
00:47:17 What the hell is that?
00:47:18 - Never felt this before in my life.
00:47:20 I've had some strange experiences, my friend,
00:47:23 but never like this.
00:47:25 Really.
00:47:27 - You're fucking with me, aren't you?
00:47:29 You're fucking with me.
00:47:30 - You know what, I'd like to--
00:47:30 - You brought that girl tears,
00:47:31 you're fucking with me, aren't you?
00:47:32 - I would like to say yes, but I'm not,
00:47:33 and I'm sorry about the girl crying,
00:47:35 but what happened in there was real.
00:47:37 - That's it, man, we're outta here.
00:47:39 - Wait, Joe, Joe.
00:47:40 - You're a nut, you're a nut.
00:47:41 - Joe, listen to me, man.
00:47:43 Joe.
00:47:45 - Hey, you know what?
00:47:46 You know what?
00:47:48 - What?
00:47:49 - You can drive.
00:47:50 - Guess what, Joe, huh?
00:47:53 Hey, paisano, I don't wanna drive.
00:47:56 - You drive, I'm not up to it right now.
00:47:59 You've always wanted to drive,
00:48:00 I'm begging you to drive, you drive.
00:48:02 I didn't know you were a nut.
00:48:07 You're a nut.
00:48:09 - I'm on a road trip.
00:48:13 - Joe, wait, wait, wait, don't drive.
00:48:13 - You're a relic of a boss.
00:48:15 - Wait, Joe, Joe, Joe.
00:48:15 - You're a nut.
00:48:16 - Joe. - What?
00:48:17 - Count to 10. - Come on, baby.
00:48:19 - Joe. - Come on.
00:48:20 - Joe, come on.
00:48:21 - Count to 10.
00:48:22 - Two, 10, let's go.
00:48:25 (engine rumbling)
00:48:27 Come on, man, just pop the clutch, let's go.
00:48:34 - All right. - Just pop the clutch.
00:48:37 - All right. - Come on.
00:48:38 Thank you, let's get out of here.
00:48:40 - You're a nut, man.
00:48:41 - Watch it, there's a car.
00:48:43 - Slow down.
00:48:44 - I don't wanna stay in some spooky place, man.
00:48:50 Why'd we even go there?
00:48:51 - What were we thinking,
00:48:52 going up there, spending the night at that place?
00:48:54 - What? - It was just weird, man.
00:48:55 - We went there because you wanted to go there, you fuck.
00:48:58 That's why we went there.
00:49:00 You know, you're uncomfortable with all that stuff, man.
00:49:07 All that stuff in New Orleans you're always telling me about.
00:49:09 I mean, that was weird, man.
00:49:11 - Did you feel the way the room got cold?
00:49:15 That was weird, man.
00:49:17 - You know what?
00:49:18 You're a nut.
00:49:19 I don't wanna talk about ghosts anymore.
00:49:22 - I grew up with that.
00:49:24 New Orleans is a superstitious place.
00:49:27 I've seen ghosts before.
00:49:29 Everybody in my family has seen ghosts.
00:49:32 I'm serious.
00:49:34 You're Italian, you eat pasta.
00:49:36 That's all there is to that.
00:49:38 You see ghosts, that's it.
00:49:40 Big deal.
00:49:41 - So you've seen ghosts?
00:49:43 - Oh yeah.
00:49:44 I saw Abraham Lincoln.
00:49:45 You laughed, right?
00:49:47 - Yeah.
00:49:48 - You don't believe me, do you?
00:49:49 - I don't know.
00:49:50 Where'd you see it?
00:49:53 - I was in the kitchen with my mother washing dishes
00:49:56 and I looked up and standing in our bedroom
00:50:01 was this tall white man.
00:50:02 He was dressed in a black suit, the long black coat
00:50:08 and he had a stovepipe hat on his head.
00:50:10 I looked up and the image was there
00:50:12 and I turned around to get another dish
00:50:14 and I realized I'd seen something, right?
00:50:16 And I turned back and it was gone.
00:50:18 Now it was only years later
00:50:20 when I knew who Abraham Lincoln was
00:50:22 that I realized that's the image I saw.
00:50:25 I grew up with my grandmother telling stories about ghosts
00:50:30 and my uncle's telling stories about ghosts
00:50:32 and my mother's telling stories about ghosts.
00:50:35 There are ghosts all over the place.
00:50:36 (upbeat music)
00:50:39 ♪ The show ♪
00:50:43 ♪ The show is on the road ♪
00:50:45 ♪ The road ♪
00:50:47 ♪ Let's pack it up and go ♪
00:50:50 ♪ Let's go ♪
00:50:52 ♪ This is the life we know ♪
00:50:55 ♪ The road ♪
00:50:57 ♪ The show is on the road ♪
00:51:00 (upbeat music)
00:51:03 - You know what, guys?
00:51:18 I gotta tell you.
00:51:19 Those gals were really nice.
00:51:21 - Yeah, they were.
00:51:22 - Right?
00:51:23 I like those two ladies.
00:51:23 - Yeah, nice ladies.
00:51:25 - And you know what?
00:51:26 - What?
00:51:27 - You still got it, man.
00:51:30 - What are you talking about?
00:51:33 - That brunette.
00:51:34 - Oh, man.
00:51:35 - I think she'd like you.
00:51:37 That could have been the beginning
00:51:37 of a nice long weekend, you know?
00:51:39 - No, man.
00:51:40 - Really?
00:51:40 Yeah, I think you still got it.
00:51:42 That brunette, I think she's gonna like you.
00:51:44 - I got it.
00:51:45 - You still got it?
00:51:46 - I still got it.
00:51:47 - You still got it.
00:51:47 - I got it, I got it.
00:51:48 I still got it.
00:51:49 (laughing)
00:51:52 - You got it.
00:51:53 - You're jealous, aren't you?
00:51:54 - You know what?
00:51:55 I gotta ask you one thing.
00:51:56 - You're jealous, aren't you?
00:51:57 - I, I, I.
00:51:58 - You're jealous, aren't you?
00:51:59 - You got it.
00:52:00 You got it.
00:52:01 You got it, you got it, you got it.
00:52:02 (laughing)
00:52:03 All right, leave me alone.
00:52:04 (laughing)
00:52:05 - I got it, I got it.
00:52:07 ♪ The show is on the road ♪
00:52:09 ♪ The road ♪
00:52:12 ♪ Let's pack it up and go ♪
00:52:14 ♪ Let's go ♪
00:52:17 ♪ This is the life we know ♪
00:52:19 ♪ The road ♪
00:52:21 ♪ The show is on the road ♪
00:52:25 - What are we gonna do?
00:52:34 Should we stay or should we go?
00:52:36 - Let's go.
00:52:37 - Blow it hard, man.
00:52:38 It's going straight across.
00:52:39 - This is not wind.
00:52:40 I used to walk to school in this.
00:52:42 Come on.
00:52:43 This ain't windy, brother.
00:52:46 - 10 feet of snow.
00:52:47 - And I'm not driving, you are.
00:52:47 - I'm telling you right now,
00:52:49 we're gonna be chasing this thing
00:52:50 all the way to New Orleans,
00:52:51 and it's gonna be the whole weekend.
00:52:53 I saw the weather map.
00:52:54 The whole weekend it's gonna be raining.
00:52:55 - $10 is clear.
00:52:57 - I'm $10.
00:52:58 It's all weekend long, pal.
00:53:00 - 20.
00:53:00 - We're going right into it.
00:53:01 - 20.
00:53:02 - You're on, $20.
00:53:03 - $20.
00:53:04 - All right, let's go.
00:53:05 But I'm telling you right now.
00:53:07 - You're right.
00:53:08 Jump.
00:53:09 Easy $20, I tell you.
00:53:12 - It's gonna blow.
00:53:14 It's gonna blow our ass around.
00:53:15 If I get blown around too much,
00:53:17 we're pulling over at a nice place
00:53:19 with that good scotch.
00:53:21 - You know there's more wind coming out
00:53:22 of your mouth right now
00:53:23 than there is blowing across this road?
00:53:25 - Well, look at the skies out there.
00:53:26 There's nothing out there.
00:53:27 - We're driving in right into it.
00:53:28 We can do something out there.
00:53:29 - By the time we get there, that won't be there.
00:53:31 - By the time we get there, it's gonna be August.
00:53:33 - Well, whatever, but that won't be there.
00:53:36 - Now I know why all the people in New Orleans,
00:53:39 when there's a hurricane, you guys just stay.
00:53:42 'Cause you don't believe anything.
00:53:44 You believe in ghost spirits, Abraham Lincoln,
00:53:47 dead broads that were screwed
00:53:49 in some lumberjack in a motel,
00:53:50 but you don't believe we're driving
00:53:51 into a storm that I can see.
00:53:53 - Those are just clouds.
00:53:55 - No, that's exactly what I'm, that's my point.
00:53:58 - Remember the elderly couple sitting
00:53:59 against the boardwalk?
00:54:01 - Yeah.
00:54:02 - Over there?
00:54:02 Two of them came out, this lady had a Texas troll
00:54:06 that was plastic, right?
00:54:08 And she looked at the bus, and she said,
00:54:10 "Did you really drive that from California?"
00:54:13 (laughing)
00:54:15 Whoa, you feeling that shit?
00:54:17 I'm telling you, we're driving into the storm.
00:54:19 - Well, you calm down, we had this when we left.
00:54:22 Look how fast those guys are going.
00:54:25 - You know what they're doing?
00:54:25 I bet they're out racing the goddamn storm
00:54:27 that's gonna hit us.
00:54:27 - Or he'd be in Chasen.
00:54:28 - Will you please, will you please, get that.
00:54:31 - Whoa!
00:54:32 - Fucking storm!
00:54:33 - Where the hell are you taking me?
00:54:34 (laughing)
00:54:35 I want out!
00:54:37 - We'd be in Texas.
00:54:37 - Get me the hell out of here!
00:54:39 - We'd be in Texas, baby.
00:54:40 - Oh my God, you need a fucking babushka on your head,
00:54:43 did you know that?
00:54:44 - I could've had the work bushka.
00:54:45 - Did she?
00:54:46 - Yeah.
00:54:47 (laughing)
00:54:49 - This gal looks big.
00:55:03 - This gal?
00:55:05 - Yeah.
00:55:08 - Gal have a name?
00:55:09 - Yeah, she's got a name.
00:55:13 I get a call like at two in the morning.
00:55:17 - Right.
00:55:18 - Right?
00:55:19 And it's her.
00:55:20 She goes, "What are you doing?"
00:55:23 - I go, "I'm sleeping."
00:55:25 - She says, "I'm about ready to take a fresh loaf
00:55:28 "of homemade bread out of the oven."
00:55:30 It's two o'clock in the morning.
00:55:33 - Called you to tell you that?
00:55:34 - Right.
00:55:35 She says, "If you come over,
00:55:37 "I'll cut you a warm slice of butter and honey."
00:55:40 - You're lying.
00:55:41 - No.
00:55:42 So I went over there, man.
00:55:43 She put this loaf of bread
00:55:47 in a nice wood cutting board, you know, cut it.
00:55:52 Steam came up.
00:55:55 We ate bread for about an hour.
00:55:58 And it was magnificent.
00:56:02 - But you're still calling her gal.
00:56:06 - She's a great gal.
00:56:08 - I got a gal.
00:56:10 - I got a gal.
00:56:11 Her name is Sue.
00:56:12 How's that go?
00:56:13 - I don't know.
00:56:14 - You know what?
00:56:15 I never could frickin' sing.
00:56:15 I could never sing.
00:56:16 - No, it's no singing.
00:56:17 - Look right there.
00:56:18 I got a gal.
00:56:19 Her name is Sue.
00:56:20 - Everybody can sing, man.
00:56:21 - No, but you can sing.
00:56:21 You got a sweet voice.
00:56:22 You got a sweet, sweet voice.
00:56:23 - You and I were just singing together, Joey.
00:56:26 - Yeah.
00:56:26 - Don't you realize that?
00:56:27 We were singing together.
00:56:28 - Yeah, we were.
00:56:29 - That was actually fun.
00:56:30 - Absolutely.
00:56:31 (upbeat music)
00:56:33 (engines roaring)
00:56:36 (upbeat music)
00:56:39 (engines roaring)
00:56:42 (upbeat music)
00:56:44 (engines roaring)
00:56:47 (upbeat music)
00:56:50 (engines roaring)
00:56:52 (upbeat music)
00:56:55 (engines roaring)
00:56:58 (upbeat music)
00:57:00 (upbeat music)
00:57:03 (upbeat music)
00:57:06 - See that over there?
00:57:31 - Yeah.
00:57:33 - That's one of my memories as a child,
00:57:35 before I left here.
00:57:37 My Uncle Andrew, the fisherman who was always making nets.
00:57:40 - Yeah.
00:57:41 - And any chance he had, he was out fishing, right?
00:57:43 Or craw fishing or crabbing.
00:57:45 Sometimes he'd take us with him.
00:57:47 That's what we do.
00:57:48 See that little boy sitting on that yellow drum?
00:57:51 That's what we do.
00:57:52 Hold the fishing pole.
00:57:53 This is Louisiana.
00:57:55 This is the Louisiana I remember as a child,
00:57:57 with my Uncle Andrew.
00:57:58 - Hey, you know what?
00:57:59 I feel like I'm a new man, baby.
00:58:00 I'm here in the waterfront with you in Louisiana.
00:58:03 (laughing)
00:58:03 Drinking beer, smoking cigar.
00:58:05 I will drive 2000 miles to do that with you.
00:58:07 (laughing)
00:58:08 Thank you.
00:58:09 - You're welcome, Bubala.
00:58:11 - To New Orleans.
00:58:14 Seriously, thanks for thinking of me.
00:58:17 How long has it been since you've been back here?
00:58:19 - Oh, geez.
00:58:22 I left when I was 17.
00:58:26 - You haven't been back since?
00:58:28 - Nope.
00:58:29 - Why not, man?
00:58:32 - I wanted to get away.
00:58:34 It's too much stuff.
00:58:36 I couldn't deal with.
00:58:37 So I left.
00:58:39 Quit high school.
00:58:41 Joined the military.
00:58:44 Finished my education in the military.
00:58:49 I even missed my mother's funeral.
00:58:51 - Really?
00:58:53 - Yeah.
00:58:54 - How old were you when your mom died?
00:58:58 - 19.
00:58:59 - You couldn't get back to the funeral?
00:59:01 - Well, no, I was in Saudi Arabia at the time.
00:59:03 Stationed there.
00:59:04 I mean, you know what?
00:59:05 I could've fought to come back.
00:59:06 I really could've got on my knees and begged
00:59:08 and went to the company commander,
00:59:10 whatever and whatever, called the Red Cross.
00:59:13 You know, I could've got an emergency leave.
00:59:15 But I just didn't wanna come back.
00:59:17 I was feeling a lot of anger, guilt.
00:59:21 All those things mixed in together, you know?
00:59:25 Pot of spaghetti, wet spaghetti.
00:59:26 How do you untangle that?
00:59:27 You know what I mean?
00:59:28 - Yeah.
00:59:29 (car engine rumbling)
00:59:32 - So listen.
00:59:33 Joey.
00:59:36 - Yeah.
00:59:37 (smooth jazz music)
00:59:38 - Let's sing a song.
00:59:39 - Sing a song, I love it when you sing.
00:59:43 - What do you want me to sing?
00:59:44 - Whatever this place does to you.
00:59:47 Let me hear the tune.
00:59:48 ♪ Yeah ♪
00:59:56 ♪ Do you know what it means ♪
00:59:58 - That's a good song.
00:59:59 - Yeah, I love that one, sing that.
01:00:00 - I'm gonna teach you the first line.
01:00:02 - Of what?
01:00:02 - That song.
01:00:03 - How to sing it?
01:00:04 - Yeah.
01:00:05 - I've never sung, I'll do this, come on.
01:00:06 - You're embarrassed.
01:00:07 - Out of respect for you and New Orleans.
01:00:08 I'm gonna sing.
01:00:09 I've never sung in my life, but you know what?
01:00:12 Who's gonna hear me down here?
01:00:13 - What are we singing?
01:00:14 - Only you.
01:00:15 - We're singing to the gods.
01:00:16 Here we go.
01:00:17 ♪ It's the life of New Orleans ♪
01:00:21 ♪ You can't lose ♪
01:00:24 ♪ You can't lose ♪
01:00:29 ♪ Good old drink ♪
01:00:32 ♪ Good old food ♪
01:00:34 ♪ Everybody's happy and they're singing too ♪
01:00:39 ♪ It's the love for New Orleans ♪
01:00:44 ♪ You can't lose ♪
01:00:44 - By the way, there's a prank coming on in here.
01:00:47 (laughing)
01:00:49 - All right, let's do that song one more time.
01:00:52 This is perfect.
01:00:52 - Wait, I wanna hear it.
01:00:53 - No, no, no, I wanna hear this one.
01:00:54 I wanna answer your question.
01:00:55 - Is this what you sing?
01:00:56 - No, I wanna answer your question.
01:00:57 - This works, no, no, no, no.
01:00:57 - I wanna answer your question.
01:00:58 - What?
01:00:59 - How's a cooking girl gonna deal with this?
01:01:01 - Bite me, man.
01:01:02 (laughing)
01:01:04 ♪ You can't lose ♪
01:01:08 - You got a full tank of gas, four hours.
01:01:17 - We can't pull up.
01:01:17 - Well, we'll have to stop the car three or four times
01:01:19 'cause you gotta always pee.
01:01:20 - Well, hey, I gotta pee and you gotta light a cigar.
01:01:23 - If you have to pee, I'll be giving you a bottle today.
01:01:25 I just get the New Orleans.
01:01:26 - Pee in a bottle?
01:01:27 - You know, that's what black folk had to do
01:01:29 through the South years ago.
01:01:30 Serious.
01:01:33 - What?
01:01:34 - Pee in a bottle.
01:01:35 - Pee in a bottle?
01:01:35 - That's where it comes from.
01:01:36 - It does that?
01:01:37 - Yeah, yeah, for us.
01:01:38 Like maybe other people have said this.
01:01:39 - You ever experienced that?
01:01:40 - Yeah, man, back in the '50s,
01:01:41 you drove through the South, forget it.
01:01:44 You could buy gas and you could buy candy at a store,
01:01:48 but you couldn't use the restrooms.
01:01:50 I was traveling with my cousin and his wife was pregnant.
01:01:53 So both our wives were pregnant,
01:01:55 riding in the backseat of this,
01:01:56 I think it was like a '54 Chevy or something we had.
01:01:59 It was my cousin's car.
01:02:01 So the gas station attendant had come out, white guy,
01:02:04 and I said, "Where's your restroom?"
01:02:06 And he said, "Oh, we don't have a restroom for colored."
01:02:10 And I told my cousin, "Do you have enough gas?"
01:02:12 He said, "Yeah."
01:02:13 I said, "Take the nozzle off."
01:02:15 - And they said, "Oh, no."
01:02:16 And I said, "No, no, I'm not giving this guy my money.
01:02:19 "To hell with him."
01:02:21 The next time we came to, we stopped at this store,
01:02:23 we bought a large jar of mayonnaise, wiped it out,
01:02:26 and that was a pea jar for them.
01:02:28 - What year is that?
01:02:30 - 1960.
01:02:32 - Wow.
01:02:33 People forget, man.
01:02:35 - When we shopped in New Orleans when I was a kid,
01:02:37 we could buy clothes,
01:02:38 but we couldn't try them on in the store.
01:02:40 But we couldn't use the dressing rooms.
01:02:42 It was for whites only.
01:02:44 When I was a kid, it cost seven cents
01:02:50 to ride the bus in New Orleans.
01:02:52 But it was segregated.
01:02:53 There was a screen.
01:02:55 So whites sat in front of the screen, blacks sat behind.
01:02:58 - There were places you just couldn't go?
01:03:00 - French Quarter.
01:03:01 - Bourbon Street?
01:03:03 - Yeah, it's Bourbon Street, yeah, yeah.
01:03:04 - You couldn't go there?
01:03:05 - If you were an entertainer, you could go as an entertainer,
01:03:08 but you couldn't turn around and go through the front door
01:03:10 and sit down as a patron, eat at a table in a restaurant.
01:03:14 'Cause when my father was overseas,
01:03:16 I remember my mother had to get a job
01:03:19 because the money he was sending us wasn't enough.
01:03:21 So the only job she could find was as a dishwasher
01:03:26 at a very famous restaurant called Galatoire's.
01:03:28 And the only way she could get that job
01:03:32 was for whites only.
01:03:33 She became passablanc.
01:03:35 My mother looked like a white woman.
01:03:37 When I was a kid, the only people
01:03:38 who were allowed to collect garbage were whites.
01:03:41 Our drive buses, whites only.
01:03:45 There weren't any jobs for colored people in New Orleans
01:03:49 when I was a kid, very few.
01:03:51 It's hard to just be an individual
01:03:53 in the African-American community
01:03:55 because whites expect you to act a certain way
01:03:58 'cause they really don't know who we are, to be honest.
01:04:01 And certain African-Americans expect you to act
01:04:05 a certain way.
01:04:06 For instance, when I read about a crime
01:04:10 and it's been committed by a black person,
01:04:13 the whole black community is affected
01:04:15 because the white people look at the whole black community
01:04:19 as if they perpetrated that crime.
01:04:22 We didn't blow up a building in Oklahoma.
01:04:24 You know what I mean?
01:04:26 We didn't hook up a white boy with a chain
01:04:28 and drag him behind a pickup truck while he was alive.
01:04:32 And as we drove, his body was disintegrated.
01:04:34 We didn't do those horrible things.
01:04:37 And I'm saying that because when that happened,
01:04:39 the black race didn't look at the white race
01:04:41 and say, "You did that."
01:04:42 We looked at the individuals who did that.
01:04:44 But when you turned that camera around,
01:04:46 the whole black race,
01:04:47 (tires screeching)
01:04:49 is looked down upon.
01:04:51 And you can feel it in the air when you go places.
01:04:54 You know what I mean?
01:04:55 - And that's just embedded in your generation.
01:04:57 - I don't know if it's changed that much.
01:04:59 I really don't think it's changed that much.
01:05:01 I really don't.
01:05:02 After a while, you see a pattern.
01:05:05 And a pattern tells you something after a while.
01:05:08 You see rain clouds after a while,
01:05:11 you know it's gonna rain.
01:05:12 - That's what I'm saying.
01:05:14 - Yeah, exactly.
01:05:15 No, it's not gonna rain.
01:05:16 Forget that.
01:05:17 - Yes, it is.
01:05:17 - Just give me my $20.
01:05:18 - I'm gonna get the $20.
01:05:19 - No, no, no, no.
01:05:20 - You know what?
01:05:21 - What?
01:05:22 - Look at the sky, right?
01:05:24 - Yeah.
01:05:25 - You say no rain in New Orleans this weekend?
01:05:27 - None.
01:05:28 - None.
01:05:29 - None.
01:05:30 - But if a one drop of rain,
01:05:31 - No, no, no, no, no, no, no.
01:05:32 - If it rains this weekend.
01:05:34 - No, no, no.
01:05:35 - If it rains this weekend.
01:05:35 - No, no, no, you fuck.
01:05:36 I know what you're gonna do.
01:05:37 No, no, I know what you're doing.
01:05:38 No, no.
01:05:39 If it rains though,
01:05:40 with the bed, right?
01:05:41 - Not one drop of rain.
01:05:43 No, no, no.
01:05:44 - What?
01:05:45 - The bed was not one drop of rain.
01:05:46 - What?
01:05:47 - The bed was rain or no rain.
01:05:49 Let's define rain right now,
01:05:51 'cause I want my $20.
01:05:53 All right?
01:05:53 - Okay, let's define rain.
01:05:54 - All right, what is rain?
01:05:56 - Water hits these windshields.
01:05:57 - That's not rain.
01:05:59 - That might be a bird pissing up in the air.
01:06:01 - Water falling out of the sky is rain.
01:06:02 - How much water and for how long?
01:06:04 - Intermittent thundershowers is what I said.
01:06:06 - Is it rain that ruins the weekend?
01:06:08 The answer is no.
01:06:09 - I didn't say ruin the weekend.
01:06:10 (laughing)
01:06:12 (soft music)
01:06:15 - Baton Rouge, 38 miles.
01:06:18 Baton Rouge, Louisiana.
01:06:20 Yeah, I can't believe I'm down here.
01:06:22 I don't know why I was so resistant.
01:06:24 I've always wanted to come down.
01:06:25 I don't know why I was resistant.
01:06:26 It was how we were getting down here.
01:06:28 And look, you drove all the way.
01:06:30 Thank you.
01:06:32 Thank you.
01:06:32 B-B-B-B-U-B.
01:06:34 Right now, let's just say,
01:06:35 don't let a year go by
01:06:37 where we don't go somewhere in the blue bus.
01:06:40 - You sound like Ollie.
01:06:42 - I sound like Oliver, man.
01:06:44 No, seriously, come on.
01:06:45 This has been great.
01:06:46 We should just plan, we should just take a week,
01:06:48 put it on our calendar,
01:06:49 one weekend of the year, pick a spot, go.
01:06:52 - In the blue bus.
01:06:53 - In the blue bus.
01:06:54 - As uncomfortable as it is.
01:06:56 - Bring the pee bottle.
01:06:58 - Bring it.
01:06:59 (laughing)
01:07:01 That's a bayou.
01:07:05 See, look, we're over the swamp.
01:07:06 - Oh, we are.
01:07:07 We are over the swamp. - This is swamp land.
01:07:09 Nothing but water down there.
01:07:10 Snakes and alligators.
01:07:11 Look at that, man.
01:07:12 You know, you get off this main road right now,
01:07:14 you can go 10 feet off the highway
01:07:16 and you may never be seen again.
01:07:17 - That's true.
01:07:18 - Look at that.
01:07:18 - And look, you can go in there in the little P-Roll.
01:07:21 - Uh-oh.
01:07:22 - What's the matter?
01:07:23 - Uh-oh.
01:07:27 You gotta be kidding me.
01:07:28 - What's wrong?
01:07:29 - I don't know what's wrong.
01:07:30 I swear to God.
01:07:31 - Oh, oh shit.
01:07:34 Pop the clutch.
01:07:39 You got gas?
01:07:40 - I got gas.
01:07:41 But I don't have any transmission.
01:07:44 - Are you serious?
01:07:45 - I'm serious.
01:07:46 - You're serious?
01:07:47 - I am serious.
01:07:47 - Holy shit.
01:07:48 I got engine.
01:07:51 Holy shit.
01:07:58 Oh man, this is not a good place to be.
01:08:03 (engine revving)
01:08:06 Something just popped underneath.
01:08:12 (laughing)
01:08:33 You know how long this fucking thing goes for?
01:08:35 (engine revving)
01:08:38 (soft music)
01:08:44 (engine revving)
01:08:47 (soft music)
01:08:50 (engine revving)
01:08:52 (soft music)
01:08:55 (soft music)
01:09:24 - You know what I say?
01:09:25 What I'm thinking?
01:09:26 That we...
01:09:28 Here's what I'm thinking.
01:09:35 We catch the flight out of Baton Rouge
01:09:38 and go back to LA.
01:09:40 - You don't wanna go?
01:09:41 - No, I don't wanna go.
01:09:42 (laughing)
01:09:44 - We're 130, 150 miles away.
01:09:48 Now you're telling me--
01:09:49 - What's the difference between 130 miles away?
01:09:51 The point is she broke down.
01:09:54 (soft music)
01:09:56 And maybe, maybe, I don't know, maybe--
01:09:58 - What, you think it's a sign or something?
01:10:00 - Yeah.
01:10:01 Why did this happen?
01:10:02 Maybe this is a sign.
01:10:03 I don't, I don't wanna go.
01:10:05 I don't, I don't need New Orleans.
01:10:07 I really don't.
01:10:08 I really don't.
01:10:09 I really don't.
01:10:11 - After everything we just did--
01:10:13 - Okay. - 130 miles,
01:10:14 I'll go to New Orleans, spend the night,
01:10:16 at least see it.
01:10:17 - You fly, you do what you want to.
01:10:18 I'm going back to LA.
01:10:19 I don't wanna do this.
01:10:20 I don't wanna do this.
01:10:23 I'm not ready.
01:10:23 - Oh shit.
01:10:25 - What?
01:10:26 - Where's the box?
01:10:29 The box.
01:10:33 (upbeat music)
01:10:36 ♪ My only ride just quit on me ♪
01:10:47 ♪ And I'm as broke as I can be ♪
01:10:50 ♪ Lady luck is wearing a frown ♪
01:10:52 ♪ And I just feel a little down ♪
01:10:57 ♪ Sometimes it rains on my parade ♪
01:11:09 ♪ And all the plans that I have made ♪
01:11:11 ♪ I guess there's only one thing I can do ♪
01:11:16 ♪ I'll find the nearest honky tonk ♪
01:11:19 ♪ And drown my troubles away ♪
01:11:22 ♪ Then everything will be all right with me ♪
01:11:27 ♪ Oh, let's party down in the street ♪
01:11:36 ♪ With everyone that we meet ♪
01:11:39 ♪ Ah ha ♪
01:11:40 ♪ We're having such a great time ♪
01:11:44 ♪ I'm really feeling so fine ♪
01:11:47 ♪ Yeah, yeah ♪
01:11:48 ♪ We're having such a great time ♪
01:11:52 ♪ I'm afraid to lose my mind ♪
01:11:55 ♪ Hi-de-ho, hi-de-ho ♪
01:11:57 ♪ Clap your hands, clap your hands ♪
01:11:59 ♪ Clap your hands now ♪
01:12:03 - Yeah!
01:12:04 - I'm back.
01:12:05 - You're back.
01:12:05 - I'm back.
01:12:06 - You're back, baby.
01:12:07 - I'm back.
01:12:08 - You're back.
01:12:09 (laughing)
01:12:18 ♪ Granny Mae ♪
01:12:21 ♪ Won't you please come home ♪
01:12:24 ♪ Granny Mae ♪
01:12:28 ♪ Won't you please come home ♪
01:12:31 ♪ I ain't had no loving girl ♪
01:12:34 ♪ Since you been gone ♪
01:12:37 (upbeat music)
01:12:40 ♪ Oh yeah ♪
01:12:54 ♪ There's a place in New Orleans ♪
01:12:58 ♪ Where the hip cats make the scene ♪
01:13:02 ♪ We're gonna jam on Bourbon Street tonight ♪
01:13:07 - There's a six inches, baby.
01:13:10 (laughing)
01:13:12 - Daddy's coming home!
01:13:14 ♪ And have some kicks ♪
01:13:18 ♪ We'll be jamming, playing jazz all night ♪
01:13:23 (upbeat music)
01:13:29 (saxophone solo)
01:13:32 (clapping)
01:13:52 - Yeah, all right!
01:13:53 (laughing)
01:13:55 You decided to stay here, that could be you in 20 years.
01:13:58 - That's true.
01:13:59 - Look!
01:14:00 (laughing)
01:14:02 Gotta get one.
01:14:03 - Big, easy, or bust.
01:14:05 - Hey, you know what?
01:14:06 She made it here, but the rubber wasn't quite--
01:14:09 - On the pavement.
01:14:10 - She made it.
01:14:10 - She made it.
01:14:11 Bebe made it, man.
01:14:12 - How would you like to be part of a jazz feud?
01:14:18 - A jazz feud?
01:14:20 You mean New Orleans jazz feud?
01:14:22 - Yeah.
01:14:23 - Yeah, when is it?
01:14:24 - Tomorrow!
01:14:25 - I'm in.
01:14:26 What else am I gonna do in New Orleans?
01:14:27 - All right, I'll check on New Orleans.
01:14:29 (upbeat music)
01:14:32 - When I was a kid, that lady used to have a cow,
01:14:51 used to get fresh milk,
01:14:53 and that was a polling place my father voted.
01:14:55 This guy here was a, owned a cleaner's.
01:14:57 He sponsored the Little League team, which I didn't make.
01:15:02 - Well, and you--
01:15:03 - I didn't have those skills.
01:15:03 - You gotta be able to run, hit, throw.
01:15:05 - Yeah, right.
01:15:06 That was my grandmother's house right there.
01:15:09 You see where that water heater is?
01:15:12 That was the crapper when I was a kid.
01:15:14 And right down the street is Roman,
01:15:18 and to the right, that's where Oliver lived.
01:15:20 - Oh, right over there's Oliver's?
01:15:23 - Yeah, you see that pink house in the corner?
01:15:24 When I first saw Oliver,
01:15:26 see the first step after the vacant lot there
01:15:30 with the debris?
01:15:31 I was sitting in a stroller in front of the step,
01:15:33 and Oliver's mom pushed him across the street right here,
01:15:37 and I saw him for the first time
01:15:39 being pushed across the street.
01:15:41 That's when I first met Oliver.
01:15:44 We were in strollers.
01:15:45 - Wow, you brought him home.
01:15:47 - Let's see what he has to say.
01:15:48 - Wow, where you first met him, right here?
01:15:52 - Yeah, right down there.
01:15:53 It was his mama, Miss Irene, my mother, and my nanny.
01:15:57 Yeah, this is it.
01:16:00 This is my grandma's house.
01:16:01 1549 Prairie.
01:16:03 This is it.
01:16:05 And you see, in the summertime,
01:16:09 I used to sit right here in the middle, right?
01:16:11 'Cause my grandma would sit here,
01:16:14 my mother would sit here,
01:16:17 my Aunt Elvira would sit here,
01:16:19 and my Aunt Lorraine would sit here.
01:16:21 Three sisters with their mother and my grandmother.
01:16:23 - Oh, yeah.
01:16:24 - And I'd just sit here with the oak trees
01:16:26 all along this street, huge oak trees.
01:16:29 All this metal stuff you see now.
01:16:32 Kids playing, crickets.
01:16:34 And this is where my mother would ask me to comb her hair,
01:16:36 sometimes, you know?
01:16:38 And she'd take out a comb and she'd sit here,
01:16:40 and she'd scoot around a little bit,
01:16:41 and they're still chatting, dah, dah, dah, dah, dah.
01:16:43 Guys walk by, say, "How you doing, ladies?"
01:16:45 Dolphin in her hat, and I'm combing her hair.
01:16:48 (laughing)
01:16:51 And she said, "Thank you, baby, that feels so good."
01:16:54 It was great, it was great.
01:16:57 I'm home.
01:17:00 Time, you think?
01:17:15 - Yeah.
01:17:16 - Yeah.
01:17:17 You got a credit card in you?
01:17:20 Here, try that.
01:17:21 - Thanks.
01:17:22 (laughing)
01:17:43 - Ollie.
01:17:48 (cards shuffling)
01:17:51 - Hmm.
01:17:54 (laughing)
01:18:01 - You know what that says.
01:18:03 Now, it wasn't that fun.
01:18:05 Welcome home.
01:18:06 (laughing)
01:18:08 Oh my God.
01:18:12 Old dog.
01:18:13 - What's with this, though?
01:18:14 - Well--
01:18:15 - I wish I was at the beach, though, I'd love that.
01:18:17 - Well, that's us, that's Mardi Gras.
01:18:19 We used to go to parades together, we'd collect,
01:18:21 see who caught the most beads, we'd have a contest.
01:18:25 Yeah.
01:18:25 Wow.
01:18:32 Old Ollie.
01:18:37 - Better scotch than him,
01:18:38 I thought he was in the box the whole time.
01:18:40 - Well, it was a thought, wasn't it?
01:18:42 - Yeah. - Yeah.
01:18:43 We bought this about 40 years ago.
01:18:47 To take on our trip, our cross-country trip
01:18:50 to New Orleans together, right?
01:18:53 But it never happened.
01:18:55 But every time we got together,
01:18:57 we'd take a shot out of this, see?
01:18:59 So you're looking at 40 years worth of shot-taking
01:19:03 out of this spotless scotch.
01:19:05 It's my buddy Ollie.
01:19:08 - Well, I love.
01:19:08 - Yeah.
01:19:09 Would you like to share a shot with me?
01:19:14 - Oh, yeah.
01:19:16 - Sit down with me.
01:19:17 Sit down with my relatives.
01:19:20 They're here.
01:19:21 My mother, my grandmother, my Aunt Elvira,
01:19:28 my Aunt Lorraine.
01:19:29 Careful, don't squeeze her out.
01:19:32 (laughing)
01:19:34 - The way you described your Aunt Lorraine,
01:19:35 I wouldn't be sitting here.
01:19:36 (laughing)
01:19:38 - No, she is a nice lady.
01:19:40 She's the one who listened to the Dodgers
01:19:42 in the back kitchen, ironing,
01:19:44 and I'd be in the backyard playing.
01:19:46 - Yeah.
01:19:47 - I had my love with the Dodgers.
01:19:47 That's where it started, in the backyard.
01:19:48 - Right back here?
01:19:49 - When I was a little boy.
01:19:51 She's in the back door ironing in the summer,
01:19:53 and I'm playing in the backyard,
01:19:54 listening to the Dodgers from Brooklyn.
01:19:56 (sighing)
01:20:08 (laughing)
01:20:10 Nice.
01:20:11 Nice.
01:20:14 (sighing)
01:20:16 - Good stuff?
01:20:29 - Good stuff.
01:20:30 (laughing)
01:20:32 - Woo! - Good stuff.
01:20:33 - Yeah, good stuff.
01:20:35 - This is for you, Ollie.
01:20:42 (birds chirping)
01:20:45 (liquid pouring)
01:20:48 (sighing)
01:21:02 (sighing)
01:21:04 - Okay, Joey.
01:21:16 Let's go.
01:21:18 (grunting)
01:21:23 (sighing)
01:21:28 (sighing)
01:21:30 D-E-B-O-I-S-B-L-A-N-C.
01:21:37 How would you pronounce that?
01:21:38 - Dibois.
01:21:39 - Dibois Blanc.
01:21:42 - Dibois Blanc.
01:21:44 - Blanc.
01:21:45 - Dibois Blanc.
01:21:46 - You sound like a New Orleans person.
01:21:46 - Dibois Blanc.
01:21:49 - Dibois Blanc.
01:21:50 But look for that Alexis grave.
01:21:57 - I don't know.
01:21:58 He said Alexis.
01:21:59 - Looks like they got hoops up there or something.
01:22:01 - That's to hold the flowers, man.
01:22:03 You ever been in a graveyard before?
01:22:04 - I've done one of these.
01:22:05 Hey, look at this, Italia.
01:22:07 Palermo.
01:22:08 - Hey!
01:22:09 - My family's from Palermo.
01:22:11 - That could be a relative.
01:22:13 - West side.
01:22:20 We're on the west side.
01:22:21 - West side, yeah.
01:22:22 - Is that it?
01:22:24 - I really don't...
01:22:25 (somber music)
01:22:28 - That's it.
01:22:51 (somber music)
01:22:54 - It's my mom.
01:22:56 It's my mother, man.
01:23:01 (sighs)
01:23:11 (clears throat)
01:23:13 (sings in foreign language)
01:23:39 ♪ Deep river ♪
01:23:44 ♪ My home is over Jordan ♪
01:23:49 ♪ Deep river ♪
01:24:07 ♪ I want to cross over ♪
01:24:12 ♪ Into campground ♪
01:24:18 ♪ Oh, don't you want to go ♪
01:24:27 ♪ To that pride ♪
01:24:33 ♪ That promised peace ♪
01:24:36 ♪ That promised land ♪
01:25:02 ♪ Where all is peace ♪
01:25:05 ♪ Deep river ♪
01:25:30 ♪ I want to cross over ♪
01:25:35 ♪ Into campground ♪
01:25:41 (sobs)
01:25:51 I love you, Mom.
01:25:52 I'm sorry.
01:25:54 Sorry.
01:25:57 (sniffs)
01:25:59 I'm on my own.
01:26:04 I'm home.
01:26:07 (thunder rumbles)
01:26:15 Joey.
01:26:20 Hold that.
01:26:24 Remember that New Orleans funeral I told you about?
01:26:27 Open your umbrella.
01:26:28 All right, we can hold it like this.
01:26:32 Come on.
01:26:33 ♪ Da da da da ♪
01:26:34 Put it over your head.
01:26:35 ♪ Da da da ♪
01:26:36 Now follow me, all right?
01:26:37 You know this song, you ready?
01:26:39 - What song is it?
01:26:40 - You ready?
01:26:41 ♪ Oh, when the saints ♪
01:26:41 (laughs)
01:26:42 ♪ Go marching in ♪
01:26:43 - Oh, I know this.
01:26:44 - Yes!
01:26:45 ♪ Oh, when the saints go marching in ♪
01:26:48 Yes!
01:26:49 ♪ Oh, I want to be in that number ♪
01:26:52 Sing with me, baby.
01:26:53 All right, baby.
01:26:54 ♪ When the saints go marching in ♪
01:26:57 Okay, here I come.
01:26:58 ♪ Oh, when the saints ♪
01:26:59 ♪ Oh, when the saints ♪
01:26:59 ♪ Go marching in ♪
01:27:00 ♪ Marching in ♪
01:27:01 ♪ Marching in ♪
01:27:02 ♪ I'm marching in ♪
01:27:03 ♪ Marching in ♪
01:27:04 ♪ When the saints go marching in ♪
01:27:07 ♪ Go marching in ♪
01:27:08 ♪ I want to be in that number ♪
01:27:13 ♪ When the saints go marching in ♪
01:27:19 (upbeat jazz music)
01:27:22 - Say goodbye, Mom.
01:27:41 Bye, Mom.
01:27:46 - Thank you, Mom.
01:27:47 - Oh, she's in there.
01:27:49 She's smiling, and now she's happy.
01:27:52 You can buy me a scotch.
01:27:56 I'll buy you one.
01:27:58 - I'm gonna buy you one with your money, you know why?
01:27:59 (laughs)
01:28:00 No, you know why? - Why?
01:28:01 - Check it out, baby.
01:28:03 - Oh, no, no, it's not gonna rain.
01:28:04 - It's gonna rain.
01:28:04 - It's not gonna rain.
01:28:05 - We got thunder now, come on.
01:28:06 - I don't feel the rain.
01:28:08 Thunder means nothing.
01:28:09 Thunder's music down here.
01:28:11 You know what I mean?
01:28:12 It's music.
01:28:13 - I'm buying you a scotch,
01:28:14 but I'm buying it with your $20.
01:28:16 (laughs)
01:28:17 - I won the bet.
01:28:18 - So that's a New Orleans funeral.
01:28:20 - That's right.
01:28:21 - And then you just walk away?
01:28:23 - Yeah, it's done. - And you go drink.
01:28:24 - It's done.
01:28:25 - Now we're drinking.
01:28:26 - And you mourn.
01:28:27 - Here, I'll go out this way.
01:28:27 - You mourn, you say goodbye, and you celebrate.
01:28:30 That's it.
01:28:30 - I'm loving it.
01:28:31 - That's it.
01:28:32 - We got a gypsy bus.
01:28:35 (upbeat jazz music)
01:28:36 ♪ Starting out from L.A. ♪
01:28:38 - Oh!
01:28:39 (laughs)
01:28:41 ♪ We got a gypsy bus ♪
01:28:44 ♪ Starting out from L.A. ♪
01:28:49 ♪ It's right down that road ♪
01:28:51 ♪ Coming home to New Orleans ♪
01:28:53 - Oh!
01:28:54 (laughs)
01:28:56 ♪ How we doing out there good people ♪
01:29:07 ♪ People with a hard job doing the right dance today ♪
01:29:11 ♪ We don't go for rain ♪
01:29:14 - You win.
01:29:15 This is great.
01:29:16 ♪ He's got a pack, he's got a chest ♪
01:29:17 ♪ He's got a rockin' roller ♪
01:29:19 ♪ He's got a, he's got a stronger soul ♪
01:29:22 ♪ Ah, we got a gypsy bus ♪
01:29:25 ♪ A rockin' ♪
01:29:26 - A little bit more on the front.
01:29:27 (laughs)
01:29:29 I'll see you across the Senora.
01:29:32 Oh, here's the test.
01:29:33 (laughs)
01:29:34 All right.
01:29:35 - Hey, Joey, look at this.
01:29:36 - Oh, there's some nice people in there.
01:29:39 - Hey, what do you have there, man?
01:29:41 - I got a little something for Michelle Marie.
01:29:43 Where do you wanna go drink?
01:29:44 Do you wanna get a drink?
01:29:45 - Michelle Marie?
01:29:46 So the cookie girl has a name, all right.
01:29:49 - Ah, get out of here.
01:29:49 Come on, let's go get a drink.
01:29:50 Hey, I'm buying.
01:29:51 - So you got something for Michelle Marie?
01:29:53 - Ah, leave me alone.
01:29:54 - Is there something else you wanna tell me?
01:29:56 (upbeat jazz music)
01:30:06 ♪ I've been all over the world ♪
01:30:11 ♪ And seen many sights all around ♪
01:30:16 ♪ I've walked the Champs-Élysées ♪
01:30:22 ♪ And rode through London town ♪
01:30:27 ♪ There's no place like New Orleans ♪
01:30:33 ♪ That's where I'd rather be ♪
01:30:38 ♪ When I'm home in New Orleans ♪
01:30:43 ♪ That's where c'est la bonne vie ♪
01:30:59 ♪ I've strolled on Waikiki ♪
01:31:04 ♪ And stood by the fountains in Rome ♪
01:31:10 ♪ But there's no place like where I'm from ♪
01:31:15 ♪ The city I call home ♪
01:31:20 ♪ There's no place like New Orleans ♪
01:31:26 ♪ That's where I'd rather be ♪
01:31:31 ♪ When I'm home in New Orleans ♪
01:31:36 ♪ That's where c'est la bonne vie ♪
01:31:41 (upbeat jazz music)
01:31:44 ♪ I dig the jazz on Bourbon Street ♪
01:32:09 ♪ Jamming all night long ♪
01:32:14 ♪ If you want the best to eat ♪
01:32:19 ♪ Go to Café du Monde ♪
01:32:24 ♪ There's no place like New Orleans ♪
01:32:30 ♪ That's where I'd love to be ♪
01:32:35 ♪ When I'm home in New Orleans ♪
01:32:40 ♪ That's where c'est la bonne vie ♪
01:32:45 (upbeat jazz music)
01:32:48 (upbeat jazz music)
01:32:51 (upbeat jazz music)
01:32:54 (upbeat jazz music)
01:32:57 (upbeat jazz music)
01:33:00 [BLANK_AUDIO]