Shirley Le is the Vietnamese-Australian author of the book 'Funny Ethnics.' As a child, Shirley grew up watching politicians on screen push harmful rhetoric and say things like Australia had been 'swamped by Asians.'
In cities Yagoona and Bankstown, she didn’t always feel like she belonged. She was called 'ethnic' often, further stigmatizing her as an outsider. That’s why she's reclaiming the word in the title of her book.
"I find great joy in being empowered to take the role of storyteller."
Today, she’s an important and authentic voice because of one central defiance: she is speaking from her community rather than for it.
Director
Andrew Yee
Producers
Andrew Yee
Chris Yee
Editor
Andrew Yee
Director of Photography
Kaan Cansiz
Sound
Andrew Yee
Assistant Editor
Rendy Abi
Editor-in-Chief
Keshia Hannam
Head of Production
Stephanie Tangkilisan
Producer
Yudistira Dilianzia
Post Production Coordinator
Skolastika Lupitawina
Color
Nadya Shabrina
Sound
Ernesto Suarez
Additional Music by
Leon Laudenbach - Pirate Blues
Free Walking Trio - At the Corner
Shahead Mostafafar - Purple Drop
Lalinea - Calm On
Ziv Grinberg - Its Fun Being a Cat
Raw - Nonsense
Bunker Buster - Arak Elite
Kicktracks - Fat Banana
Additional Archival Material
The Guardian, Funny Ethnics by Shirley Le review – a second-generation migrant wrestles with longing and belonging, (2023)
Good Reads, Funny Ethnics, (2023)
The West Australian, Book review: Funny Ethnics by Shirley Le a sharply humorous take on identity, racism and growing up, (2023)
rtrfm, Shirley Le’s Funny Ethnics is not your usual coming of age story, (2023)
The Sydney Morning Herald, ‘Biting, bold and visceral’. A debut novel about migrants and racism, (2023)
Readings, Funny Ethnics by Shirley Le, (2023)
Scrap multiculturalism, Pauline Hanson declares, (1996)
Pauline Hanson's maiden speech: Has Australia been 'swamped by Asians'?, (2016)
Macquarie University, Macquarie University Campus tour, (2021)
Hungry Passport, VIETNAM Travel Guide 2023 - [Hanoi, Ha Long Bay, Nha Trang, Ho Chi Minh City & more], 2022
Sweatshop, Sweatshop Women on The Drum, (2020)
Special Thanks
Sweatshop Literacy Movement
Michael Mohammed Ahmad
Winnie Dunn
Rosanna Hunt
Benjamin Law
Better Read Than Dead
Books Kinokuniya
In cities Yagoona and Bankstown, she didn’t always feel like she belonged. She was called 'ethnic' often, further stigmatizing her as an outsider. That’s why she's reclaiming the word in the title of her book.
"I find great joy in being empowered to take the role of storyteller."
Today, she’s an important and authentic voice because of one central defiance: she is speaking from her community rather than for it.
Director
Andrew Yee
Producers
Andrew Yee
Chris Yee
Editor
Andrew Yee
Director of Photography
Kaan Cansiz
Sound
Andrew Yee
Assistant Editor
Rendy Abi
Editor-in-Chief
Keshia Hannam
Head of Production
Stephanie Tangkilisan
Producer
Yudistira Dilianzia
Post Production Coordinator
Skolastika Lupitawina
Color
Nadya Shabrina
Sound
Ernesto Suarez
Additional Music by
Leon Laudenbach - Pirate Blues
Free Walking Trio - At the Corner
Shahead Mostafafar - Purple Drop
Lalinea - Calm On
Ziv Grinberg - Its Fun Being a Cat
Raw - Nonsense
Bunker Buster - Arak Elite
Kicktracks - Fat Banana
Additional Archival Material
The Guardian, Funny Ethnics by Shirley Le review – a second-generation migrant wrestles with longing and belonging, (2023)
Good Reads, Funny Ethnics, (2023)
The West Australian, Book review: Funny Ethnics by Shirley Le a sharply humorous take on identity, racism and growing up, (2023)
rtrfm, Shirley Le’s Funny Ethnics is not your usual coming of age story, (2023)
The Sydney Morning Herald, ‘Biting, bold and visceral’. A debut novel about migrants and racism, (2023)
Readings, Funny Ethnics by Shirley Le, (2023)
Scrap multiculturalism, Pauline Hanson declares, (1996)
Pauline Hanson's maiden speech: Has Australia been 'swamped by Asians'?, (2016)
Macquarie University, Macquarie University Campus tour, (2021)
Hungry Passport, VIETNAM Travel Guide 2023 - [Hanoi, Ha Long Bay, Nha Trang, Ho Chi Minh City & more], 2022
Sweatshop, Sweatshop Women on The Drum, (2020)
Special Thanks
Sweatshop Literacy Movement
Michael Mohammed Ahmad
Winnie Dunn
Rosanna Hunt
Benjamin Law
Better Read Than Dead
Books Kinokuniya
Category
🗞
NewsTranscript
00:00 Growing up as a Vietnamese Australian,
00:02 I have heard the term ethnic being thrown around.
00:06 And to me, being labelled that term
00:10 always came with this stigma
00:13 of feeling like you don't belong somewhere.
00:15 I find great joy in being empowered
00:23 to take up the role of a storyteller.
00:27 (drumming)
00:29 I would say that it's not a memoir in a way
00:36 where all of the things that happened in the book
00:40 happened in my personal life,
00:42 but I can say that all of the feelings in that book
00:47 I have experienced in my personal life.
00:49 Growing up, I thought the world was Bankstown and Yagoona.
00:54 Someone on Reddit said that Yagoona is a certified shithole
00:59 and I think people who say that are certified shitheads.
01:04 When I was around five or six years old
01:09 and my parents were watching the news
01:13 and I remember feeling that there was
01:16 such a tension in the room.
01:18 There was a lady with red hair on the screen
01:22 talking about how,
01:24 I believe we are in danger of being swamped by Asians.
01:27 And there was just a feeling of confusion
01:30 about whether that could influence government policy
01:34 and did that mean that my family could be sent back
01:39 to where they came from.
01:40 Growing up as a Vietnamese Australian from Yagoona,
01:46 it has showed me that to reclaim narratives
01:50 about your community and to hold that pen to write
01:53 is a privilege that I believe
01:55 I've had to fight for in a way.
01:58 I remember taking a class in my writing degree
02:09 called travel writing.
02:11 And I wrote this story about going to Vietnam
02:16 and there was a mature age student sitting opposite me
02:20 who was like an older white guy.
02:22 And he said, "Oh, you look happy with your mark.
02:26 "What did you write about?"
02:28 And I said, "I wrote about visiting my family in Vietnam
02:33 "and in particular, my experiences bonding with a relative
02:38 "who had a mental illness."
02:42 And he said, "Your story really did pull
02:46 "at the heartstrings of the marker."
02:48 And it was at that point where I realised,
02:52 oh, this guy is wearing Crocs and board shorts
02:56 but he's actually right.
02:57 So sure, I got a shiny mark,
03:01 but I definitely felt gross.
03:05 I felt gross after that.
03:06 So the book traces Sylvia Nguyen's life
03:11 from the point where she's about to sit this intense exam
03:16 called the Selective Schools Test
03:19 to the point where she's struggling in university
03:24 and not really sure where her education is taking her.
03:30 And she's not really sure who she is
03:35 as a second generation Vietnamese Australian.
03:39 (upbeat music)
03:42 - I am so nervous that Funny Ethnics is out in the world
03:49 but I'm also excited and I'm also curious
03:54 to see how readers respond to the work.
03:59 - I'm anxious about spelling people's names incorrectly.
04:05 However, a line that I have gone to,
04:08 if the other person is a person of colour,
04:10 is I've written from one Funny Ethnic to another
04:14 and then I've signed it.
04:15 - I think writing can be a really isolating process
04:21 but because I have such a strong community
04:25 and communities around me, I feel supported.
04:29 I'm nervous, I don't like to disappoint anyone
04:31 but at the same time, it feels really special
04:35 to have something that you've created
04:38 come out into the world.
04:39 - I don't know anyone who's writing like her at the moment
04:42 and there's something about Shirley's ability
04:45 to capture a very sharp, pointed,
04:50 very arch interior world compared to what's actually going
04:54 on in the outside which is so potent.
04:57 I don't know, a whole generation's gonna hold onto
05:00 really close to their hearts.
05:01 This book is one of a kind and there's gonna be a bit
05:03 of a before and after Funny Ethnics, I think.
05:06 - At the end of the day, I'm speaking from
05:11 a Vietnamese Australian community
05:13 but I don't speak for everyone.
05:16 And I think writers of colour can feel something called
05:19 the burden of representation when we approach our work.
05:23 We feel like we have to absolutely capture
05:27 everyone's experiences in our work
05:30 but I believe that once I broke through that barrier,
05:33 I've been able to feel more empowered
05:36 about speaking from that community rather than for it.
05:39 (upbeat music)
05:42 (upbeat music)