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00:11:44Ladies and gentlemen, this part of the Owen Coffee Hour is coming to you right from where the coffee grows,
00:11:49from San Felipe, the capital city of Alturas.
00:11:52The guest star of tonight's program is a lovely lady whom you all know.
00:11:56She's making a personal appearance to her and is now in Alturas.
00:11:59It is my great privilege to introduce to you that glamorous star of the screen, Miss Tian Corday.
00:12:07Hello, everybody.
00:12:09Tian Corday, she's here in Alturas.
00:12:12I don't know why this silly gadget I'm talking into should make me feel so practically nervous,
00:12:17but it always does.
00:12:19I want you to know that I'm delighted to meet you all, even though I can't see you.
00:12:23And we are delighted to meet you.
00:12:25The only thing I don't like about it is that you all seem so far away from me.
00:12:29Look, Manuela, that's Miss Corday herself, appearing in her own person.
00:12:34Oh, Gary, Gary, say something.
00:12:37You don't want to hear from me.
00:12:38Well, I'm sinking. In fact, I'm psyched.
00:12:40The lady says she's sinking, but it's all right because she's got a life preserver around her at this moment.
00:12:44There's nothing to be nervous about.
00:12:46Introducing Gary Owen, Jr., son of the famous American coffee king.
00:12:50Why do that to me?
00:12:52Well, I'm sinking. Give me the life preserver, will you?
00:12:57Well, now that I'm on the air, I'll have to talk about what I asked you to talk about,
00:13:02only we'll talk about it together.
00:13:05I asked a boyhood friend of mine to listen in to this broadcast tonight.
00:13:08That's me, Manuela.
00:13:10You see, I spent my kid days right here in the Republic of Alturas,
00:13:13and it's just like home to me.
00:13:15And I'm wondering whether he got my message.
00:13:17I got it, Gary. Look, here it is.
00:13:19Pancho is one swell fellow, Diana, and I know you'd like him.
00:13:22He thinks you'd like me.
00:13:24I'm sure I would, Gary.
00:13:25She's sure she would.
00:13:27He lives in his hacienda up in the mountains, many miles from here.
00:13:31And if we weren't leaving San Felipe tomorrow, we'd have a chance to visit him.
00:13:34But I just wanted him to know that we were thinking of him.
00:13:37And, uh, I...
00:13:40Well, I guess it's time to stop.
00:13:45Good night, everyone, and thank you so much.
00:13:48So long, folks.
00:13:50I'm switching you back to the New York broadcast of the Owen Coffee Hour.
00:13:53This is Wilbur Hitchcock speaking, representing Miss Corday.
00:13:56And don't forget, good people, in Owen's Coffee, there are no grounds for divorce.
00:14:00Why didn't Gary tell me Diane Corday was coming here?
00:14:03How could he know you wanted to meet her?
00:14:05Besides, you would be arrested if you went to the capital.
00:14:07Don't forget that you've been exiled to this province.
00:14:10Haven't you had fighting enough with the government?
00:14:12Oh, I don't care about the government.
00:14:14But you must care about Valdez.
00:14:17He hates you.
00:14:18And now that he's military governor of our province, he's just waiting for you to get into trouble again.
00:14:22He'll be glad to arrest you and shoot you.
00:14:24A man can't be shot but once.
00:14:26All right, once is enough.
00:14:28Juan, get some men ready to ride with us.
00:14:30We leave tonight for Santa Rosa.
00:14:32Are you crazy?
00:14:34Pancho, what are you going to do?
00:14:36I'm going to find out what train Gary and Miss Corday will take from San Felipe.
00:14:40Don't worry.
00:14:41I won't be too much of a fool.
00:14:43Order your men, Juan.
00:14:44All right.
00:15:04God was so divine
00:15:11Divine
00:15:14A blessing that heaven sent
00:15:18A pleasure that heaven meant
00:15:22Meant to be mine
00:15:28So divine
00:15:33The moments I spend with you
00:15:37Blending a kiss or two
00:15:40No words come before
00:15:47And you think such loveliness
00:15:52Is mine to possess
00:15:59But I'm just so divine
00:16:29This is one of the roughest roads I ever traveled on.
00:16:38You know, I was bummed right out of bed last night.
00:16:41You see the bruise I've got on me.
00:16:43I'd love to.
00:16:44Well, if you ask me, I think they've got square wheels on this car.
00:16:47If you ask me, I don't think they have any wheels on this car.
00:16:50There's always the last car on a train that gets the worst road.
00:16:52Then why don't they put the last car in the middle?
00:16:54Oh, hold still, Wilbur.
00:16:56How can I cure your headache if you keep jumping around?
00:16:58I can't help jumping around.
00:16:59My stomach is full of pinwheels.
00:17:01It's a good thing for me we've got a nurse with this outfit.
00:17:03I have no nurse.
00:17:04Rosamond, get Mr. Hitchcock's medicine, please.
00:17:07Listen, Wilbur, I want you to understand
00:17:09that I brought Jane Ann Long as my personal secretary
00:17:12not to cure your hangover.
00:17:14But, Diane, what's a good press agent without a hangover?
00:17:18Those San Felipe newspaper men were so nuts about you
00:17:21that they couldn't stay sober.
00:17:22And I had to get drunk so I'd understand
00:17:24what they were talking about.
00:17:26Don't tell me there was just alcohol you were drinking.
00:17:28No, there was a wad empty.
00:17:30That means fire water.
00:17:32What did they do, bathe you with it?
00:17:34No, they just held me open and poured it in.
00:17:36Must have thrown in a couple of the bottles, too.
00:17:38One shot of that stuff and you howl like a wolf.
00:17:41Two shots and you begin biting yourself.
00:17:43Look at me, I'm all black and blue.
00:17:45Where's your magnesia, Wilbur?
00:17:47Gah!
00:17:49Whoop!
00:17:57You know, Diane, there's only one thing wrong with this trip.
00:18:00Only one thing?
00:18:01Mm-hmm.
00:18:02You and I should have been married before we left New York.
00:18:05You insisted on coming along.
00:18:07I thought it wouldn't look nice.
00:18:08Oh, I don't mean that.
00:18:10Jane and Rosamond are tough enough to chaperone the island.
00:18:12I don't care.
00:18:13I don't care.
00:18:14I don't care.
00:18:15I don't care.
00:18:16I don't care.
00:18:17I don't care.
00:18:18I don't care.
00:18:19I don't care.
00:18:20I don't care.
00:18:21I don't care.
00:18:22I don't care.
00:18:23I don't care.
00:18:24I don't care.
00:18:25You know, the Navy was tough enough to chaperone the entire Navy
00:18:28with the Marines thrown in.
00:18:30But this could've been our honeymoon.
00:18:32Just imagine that.
00:18:33You imagine it, Jared.
00:18:35Oh, what do you think I'm doing?
00:18:37And incidentally, when are you going to marry me?
00:18:39I haven't said I would.
00:18:41No, but you said you might.
00:18:43I don't have to tell you how crazy I am about you, do I?
00:18:46Well, you've been crazy about too many girls before.
00:18:50Well, I always had a bad cold then and something.
00:18:52But this, this is the real thing.
00:18:54up I'll tell you what that's you and I get married the minute we get to the next
00:18:59town but he's. Well.
00:19:06The. Good gracious what's that.
00:19:09Thing.
00:19:19What's going on. Boy what
00:19:23a story. I get my camera.
00:19:39A lot. Of.
00:19:51Love. I suppose I'll hold this for ransom or just shoot us and be done I don't
00:19:59understand I never heard of any bandits in this part of the country.
00:20:02What's the matter. Of course not my friend don't bunch of
00:20:08granada doesn't hold up train don't want you. Yes I just want to break the
00:20:14breakthrough of this is. Thank you sir thank you what's wrong.
00:20:24What are you doing. What is the meaning of this.
00:20:32To stop
00:20:33a national limited this is an act of war no no my friend my apologies but this is
00:20:39love not war what you're explaining to the chief of the national limit of why we
00:20:43are here. That's fine to run you know I don't care who he is he cannot do this to
00:20:51a government.
00:21:01That's.
00:21:10So what's that I'll be where did you pop out of my house if you think I was going
00:21:15to let you leave I'll do this without seeing you Oh God you are so glad to see me I
00:21:19don't know how to tell you I'll take it easy but I'm plenty glad to see you too
00:21:22you know isn't the abandoned abandoned don't be silly that's my old friend
00:21:27I want you to meet Wilbur Hitchcock Wilbur Brock Page Hitchcock Miss Corday's
00:21:31publicity cost and Miss Jane Evans Miss Corday's secretary How do you do I'm
00:21:35happy for you to know me but where is Miss Corday yourself inside hiding a jewel
00:21:39what I want you to be there of course I meet her Why do you think I stopped the
00:21:44train when you stop the train just. Wait I'll call her.
00:21:50Oh. She thought your men were bandits Oh I'm sorry did we fight no no she's bandits
00:21:56in Hollywood but not without a make up on I see she's ready yet.
00:22:14The party's a bust he had a bandit after all what's the matter you're just a
00:22:18point it sure I am I'm Corday abducted by the Robin Hood of Aljura's what a
00:22:23front page story that would make. Jane an inspiration. To me like a tin can on the
00:22:30end of the dog's tail feel me vibrate that's the way it always happens nothing I
00:22:35can do I've just got to obey that impulse.
00:22:48That.
00:22:54Well that's all the shouting about. Don't be don't say a word just let me look at
00:22:59the. House itself but don't you want to be introduced just for the novelty of the
00:23:03thing I've known it too long for that go away got it and leave us alone this must
00:23:09be the famous fact. Yes I thought. Please don't be afraid I'm not crazy you know
00:23:16no he's not crazy if all was actually a lot that way when he's away. It isn't
00:23:22possible to wait any longer we've got only five hours late but now look at. Never
00:23:30do today what you can put up with the one that will shoot us out as soon as we hit
00:23:35town to hit what do you mean boy will that break the front page. What is all this
00:23:43and when can I start my brain just as soon as we've been abducted. Crazy you are
00:23:51how you do it. I do it yes you know I am doing with my career.
00:24:01That's not your career that's your hat. To this I thought you would all come with
00:24:07me to my ass you end up for the best I stopped the train for that we'd love to
00:24:11but it's impossible to have
00:24:13a time for that time what do we care about I am so is all books I know we can cancel
00:24:19some of the bookings just for the sake of the story what story the one I sent out to
00:24:23the World Wide Press that you had been abducted by the Robin Hood of Altura some
00:24:26carried off to the mountains that I've been moved about who is that that's you.
00:24:32What did you do give it to the conductors get it back no no I didn't give it to the
00:24:36conductor I sent it from San Felipe the night I was celebrating you send out such
00:24:40a ridiculous story about me but the we can make it come true it's the chance of
00:24:44a lifetime a front page natural you know how I did this like publicity I want you
00:24:49if you ever did anything like that again I know you'd fire me but it's a honey of
00:24:53a story just the same Mr Granaro you wouldn't mind abducting this court day would
00:24:57you just for one night I'd be delighted but I don't want to be abducted nobody
00:25:03wants to be abducted besides Pansy was no abductor and don't be too sure of that
00:25:07hey wait a minute hey stop it but you're putting ideas in his head this is
00:25:12an outreach to to realize this is an express of course but why worry look at your
00:25:19passengers enjoying themselves.
00:25:27Not I want to do it but it would only be for a publicity gag we can stay at Mr
00:25:31Garner's house overnight and catch the first train out in the morning you don't
00:25:35know how much good it would do you. Of course it would do it a lot of good.
00:25:41Not so stupid it would get her a million dollars worth of publicity and make the
00:25:44whole world the anchor day conscious. And why not I am the anchor day conscious
00:25:50why shouldn't the whole world be the anchor day conscious. Get ready everybody
00:25:54you're all coming with me. You can't do a thing like that of course I can do it in
00:25:59this hill if I do as I please. You mean you're going to carry us off whether we
00:26:02like it or not. I'm going to make you like it. We have back horses for your
00:26:07baggage ladies changing to a riding clothes and make it snippy.
00:26:21I have six boy like these to let my skin die.
00:26:25And so you don't understand how the lady is not on a vacation this is a business
00:26:29trip you know she's booked to appear in theaters on time for money we'll be glad
00:26:34to visit you sometime we can't know I understand but I insist that you accept
00:26:38my hospitality or else you'll cram your hospitality down our throat a fine friend
00:26:42you turn out to be here I introduce you to the girl that I love and you carry
00:26:45her off what do you love her to what do you mean to her.
00:26:49I mean that we are both in the same fix it but this way we both get the same
00:26:52chances. You better pack your things guy I don't want to leave you behind.
00:26:58He went that way. I will not permit it so you are you cannot take my passengers
00:27:04off the train your refusal comes too late look they are already off are you sure
00:27:08this group's got a good disposition Oh like an angel.
00:27:12He looks to me as if he might have come from the other direction look at that he
00:27:15snarled at me what's his name I said Maria Jose Jose is a man's name he's in your
00:27:20memory as a woman's name she's in your. You know more about mules and I do.
00:27:25You.
00:27:56That was a steep climb.
00:27:59Terrific.
00:28:01But very beautiful.
00:28:02Yes.
00:28:03No.
00:28:04It's gorgeous.
00:28:05But it's understood that we're going to stay here only for one night catch the first
00:28:09train out in the morning.
00:28:11There are no trains in the morning there isn't another train in a week and my
00:28:15hacienda is a full day's ride from the railroad.
00:28:18A full day's ride?
00:28:20A full day's ride?
00:28:22I've never been on a mule before in my life.
00:28:25You got us into this I hope you break your neck.
00:28:29Yes but you don't ride a mule on your neck.
00:28:53Hey!
00:29:04Welcome to the hacienda de los Llaneros.
00:29:07Abandon hope on ye who enter here is that what you mean?
00:29:10It all depends on what you're hoping for.
00:29:12If I've come here of my own free will I like it but as it is I hate it.
00:29:16Oh.
00:29:17You're tired.
00:29:18Tired?
00:29:19I won't be able to sit down for a week.
00:29:21I'll never forgive you for what you've done to us.
00:29:24Never?
00:29:25Never.
00:29:26Here let me help you dear.
00:29:27Can't you see that she wants you to leave her alone?
00:29:29Listen I don't need any help from anybody and I want you both to let me alone.
00:29:33Stop growling who's going to help me to do this who's going to help me to do that.
00:29:37Oh there you see what you've done she's a wreck.
00:29:39No I'm not a wreck I'm just a little stiff that's all.
00:29:43And you're a big stiff.
00:29:46Nothing to matter with me except that I'm hungry and dirty and sore as a ball doll.
00:29:54And I am broken hearted.
00:29:55Well you don't look it.
00:29:57Oh is this your sister?
00:29:59No this is Manuela Juan's sister.
00:30:01Very pretty.
00:30:03Mmm thirty five perfectures.
00:30:04Manuela meet my guest.
00:30:06Miss Diane Corday my friend Mr. Gario.
00:30:09Delighted.
00:30:10Welcome to the Hacienda de los Llaneros.
00:30:11I'll show you to your room.
00:30:16Señor are you a man or are you a woman?
00:30:24What's it to you?
00:30:25Some of the men say you're a man some say you're a woman.
00:30:29So we make some bets and they send me to find out.
00:30:32Oh did they really?
00:30:33Well you tell them it's none of their business what I am and it's none of your business either.
00:30:37Either.
00:30:38It looks like a man.
00:30:45She walks like a woman.
00:30:48Now look here dynamite.
00:30:59You've been picking on me all the way up here.
00:31:01But if you happen to me again I'm going to bust you right in the nose.
00:31:06Oh look at my legs they'll never be the same again.
00:31:12I'm ruined.
00:31:13Ruined for life.
00:31:15This is the best my poor house can offer you.
00:31:21I'm sure you will sleep very comfortable here.
00:31:25I will it's got a good strong bolt on the door.
00:31:28That isn't a bolt but it's a good healthy key.
00:31:30It's really a charming room isn't it Gary?
00:31:32It'll do for a present.
00:31:35And see that you keep out of it.
00:31:36See that you both keep out of here.
00:31:38And now go.
00:31:39I want to take a bath.
00:31:40Go on.
00:31:41Well the lady wishes to take a bath.
00:31:43I heard her.
00:31:44This way out.
00:31:47After you my friend.
00:31:48No no.
00:31:49You go first.
00:31:50Oh I insist.
00:31:51Insist all you please but you go first.
00:31:53But my dear friend.
00:31:54But listen why can't we arbitrate this?
00:31:56Of course we can.
00:31:57At the bar.
00:31:58At the bar.
00:31:59Oh well we'll go together at the bar I didn't know that.
00:32:03Well listen my fine feathered cavalier oh.
00:32:06Don't figure on hiding me in some far away room in the house.
00:32:09I want a room right next to Dion's.
00:32:11Why?
00:32:12Oh I just want to keep my eye on her.
00:32:14Don't you trust her?
00:32:15Yeah I trust her but not you.
00:32:17That will be your room.
00:32:18Right next door to her.
00:32:20Scotch and soda.
00:32:24How do I raise myself in this contraction?
00:32:27They make for a cold water over you.
00:32:29Cold water?
00:32:30Don't you like cold water?
00:32:32Well I can take it.
00:32:35Why do you stare at me like this?
00:32:38Do I look so strange to you?
00:32:40You are very beautiful.
00:32:42Well you don't crow me yourself.
00:32:45I'm not surprised that Franchot loves you.
00:32:47Uh huh here it comes.
00:32:49Bandit's gal jealous of kidnapped beauty.
00:32:51Probably has stiletto and garter.
00:32:53Beauty very apt to get stuck.
00:32:56So you think Franchot loves me?
00:32:58You know very well he does.
00:33:00He wants you.
00:33:02And you don't want him to get me is that it?
00:33:04Perhaps the senorita would not object.
00:33:07Oh but the senorita would object very much.
00:33:10I can't believe that.
00:33:11Well I don't care whether you believe it or not.
00:33:14You don't want Franchot?
00:33:16No I don't want Franchot.
00:33:19I take the cold water instead.
00:33:22I guess you're all a little bit mad at me.
00:33:24Yes?
00:33:25No?
00:33:26I give you dinner under the stars.
00:33:28Radio music from a New York hotel.
00:33:30I tell you funny stories and I still cannot make you smile.
00:33:33If you could only do car tricks.
00:33:35No.
00:33:36I'm not lucky at cars.
00:33:38I'm not lucky at cars.
00:33:40I'm not lucky at cars.
00:33:42I'm not lucky at cars.
00:33:44I'm not lucky at cars.
00:33:46I'm not lucky at cars.
00:33:48I'm not lucky at cars.
00:33:50And Miss Evans, she's unhappy too?
00:33:52Oh no, I'm doing all right.
00:33:54I hate coming to dinner in these clothes.
00:33:56The excitement of leaving in the train, I forgot my bags.
00:33:59I'm sorry.
00:34:00Is Miss Evans in the pictures also?
00:34:02Oh good gracious, no.
00:34:03Jane wants to become a novelist.
00:34:05She's a frightful, intellectual person.
00:34:08If she doesn't look out, she'll grow up to be an old maid.
00:34:12Well, from what I've seen of men, I won't be missing much.
00:34:16Why?
00:34:17Don't you ever dream of love?
00:34:19Of course I dream of love.
00:34:21Pass the ketchup.
00:34:23Excuse me for being late, folks.
00:34:25Is this my place?
00:34:26Yes, that's your chair.
00:34:28Well, well, everything looks just dandy.
00:34:30And can I go for it?
00:34:33Sorry, folks.
00:34:34I'm afraid I can't take it.
00:34:37Do you mind if I eat my dinner off the radio?
00:34:40Why no, if you like.
00:34:42That's fine.
00:34:43Thank you, thank you.
00:34:44That's just dandy.
00:34:47Attention, everybody.
00:34:48Interrupting the Tuscany Hotel Orchestra dance program
00:34:51with a newsflash of international interest.
00:34:53New York.
00:34:54It is reported that Diane Corday, famous screen star,
00:34:57has been abducted in Alturas and is being held for ransom.
00:35:01Miss Corday's train was held up, and she and her entire party
00:35:04were captured and carried off into the mountains
00:35:07by a bandit gang whose leader calls himself
00:35:10the Robin Hood of Alturas.
00:35:12The Robin Hood of Alturas.
00:35:14Turn out that thing, Colonel Barrea.
00:35:16Yes, General.
00:35:17The Robin Hood of Alturas.
00:35:19Poor Pancho.
00:35:21I am afraid your friend has cooked his own goose this time.
00:35:27You are to take an escort of cavalry and proceed at once
00:35:29to the Hacienda de los Graneros.
00:35:31Yes, General.
00:35:34Come in.
00:35:35General?
00:35:36Oh, yes.
00:35:37Come in, gentlemen.
00:35:39Captain de Triana will have command of the men.
00:35:42You will arrest Granero and send him over to the captain.
00:35:46The captain will see that he reaches the capital.
00:35:49The captain will not stop to shoot him down.
00:35:53The captain will do his duty.
00:35:55And that is just what you want, General Valdez.
00:35:59You are Granero's worst enemy.
00:36:01You have always hated him.
00:36:04If I turn him over to de Triana,
00:36:07he will never reach the capital alive.
00:36:10And yet, you will do exactly as I tell you, Colonel Barrea.
00:36:16That's all, gentlemen.
00:36:18Good night.
00:36:23The finish of Granero.
00:36:28You should come along with me, Dion.
00:36:30This is the best time of day for a hike.
00:36:32No, thanks.
00:36:33I'm not a hiker.
00:36:34Well, I'm not going to give up my exercise
00:36:36just because we've been snatched.
00:36:39Don't worry.
00:36:40I can take care of myself.
00:36:42That's what they all say.
00:36:48Look.
00:36:49Doesn't the young man want the horse to ride?
00:36:50No.
00:36:51I think the young man prefers to walk.
00:36:53Is he mad?
00:36:54Quite mad.
00:36:55And he's not a young man.
00:36:56She's a young woman.
00:36:57A young woman with those pants?
00:36:59Yeah.
00:37:00It's a fairy.
00:37:01A fairy.
00:37:02It's a sin.
00:37:03She should be taken out of there.
00:37:05You're right.
00:37:08So, always when I come into Pancho's room,
00:37:10I find you here.
00:37:12What kind of a woman are you to have such a hold on him?
00:37:16You are the last one he sees at night
00:37:18and the first one he looks at in the morning.
00:37:20You seem very sure of yourself.
00:37:22And don't laugh at me, or I'll...
00:37:27How do you like that, eh?
00:37:29Does it touch the spot?
00:37:31How can I tell you the answer?
00:37:36What's nearest to my heart?
00:37:41Although I try, try and try,
00:37:47don't know where to start.
00:37:51Words fail me in expressing
00:37:56how much you mean to me.
00:38:05Still my heart beats unconfessingly,
00:38:14constantly.
00:38:23So divine.
00:38:28You are more than my thunder storm,
00:38:33more than my thunder stream.
00:38:37Oh, you are so divine.
00:38:45Divine.
00:38:48A blessing that heaven sent,
00:38:52a treasure that heaven meant,
00:38:57meant to be mine.
00:39:06So divine.
00:39:11The moments I spend with you,
00:39:16a kiss or two,
00:39:19no words can define.
00:39:27And to think such loveliness
00:39:32is mine to possess.
00:39:41Oh, darling, you are so
00:39:50divine.
00:40:00Ah, very pretty indeed.
00:40:03You like it too?
00:40:04Like it.
00:40:05I love it.
00:40:06Shall I sing it again?
00:40:07No, I'm all choked up now.
00:40:09I don't want you to start bickering again.
00:40:11Suppose you let me get in my sense of words.
00:40:13How long do you intend to hold us here?
00:40:15You are to be my guest until I make up your mind.
00:40:18Make up my mind to what?
00:40:20As to which of us you want.
00:40:21I can do that right now.
00:40:23Do you think for one moment that...
00:40:24Do you think for one moment that a girl like Diane could be...
00:40:26Gary, please.
00:40:28No man can make up my mind for me, because I...
00:40:30Because her mind was made up a long time ago.
00:40:32Will you please let me...
00:40:33Ah, but a woman so often unchanges the mind.
00:40:35Well, you can't say that about me.
00:40:36I don't want Gary to...
00:40:37Of course you don't want Gary.
00:40:39Well, I didn't mean that.
00:40:40I mean that...
00:40:41She meant that she doesn't want you to think that she meant that she doesn't want me.
00:40:44Will you stop taking the words out of my mouth?
00:40:47Darling, I always know what you're going to say.
00:40:49You don't know what I'm going to say.
00:40:51There, what did I tell you?
00:40:52Not as you know.
00:40:54What do you think you're fighting about?
00:40:56The price package?
00:40:57Exactly.
00:40:58I won't be treated like that.
00:41:00I'm sick of it.
00:41:02It gives me a pain.
00:41:03Oh, you got a pain where?
00:41:05Oh, I wish I'd gone insane.
00:41:35Oh.
00:41:36Oh.
00:41:37Oh.
00:41:38Oh.
00:41:39Oh.
00:41:40Oh.
00:41:41Oh.
00:41:42Oh.
00:41:43Oh.
00:41:44Oh.
00:41:45Oh.
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00:43:56Oh.
00:43:57Oh.
00:43:58Oh.
00:43:59Oh.
00:44:00Poor little thing. Are you hurt?
00:44:03Something nipped me under the water.
00:44:05I was more frightened than hurt.
00:44:06What was it?
00:44:07Just an old turtle that lives in the pool.
00:44:09A snapping turtle?
00:44:10I guess that's what you call him.
00:44:12I come here sometimes to feed him.
00:44:15He must have thought I threw you in for him to eat.
00:44:17Why didn't you tell me there was a snapping turtle in that pool?
00:44:20Oh, I knew he couldn't hurt you very much.
00:44:23And besides, it was good to hear you scream like a woman.
00:44:27It's about time you did something like a woman.
00:44:29Suppose I slapped your face. That would be like a woman.
00:44:32That would be very nice.
00:44:33Besides, I could kiss you.
00:44:35You wouldn't dare.
00:44:37Oh, yes, I would.
00:44:38But you'd have to take those windows off your eyes.
00:44:40Don't you know that they make you look like a howl?
00:44:43Like an owl?
00:44:44Yes. You try to look like a man, but you look like a howl.
00:44:48I don't try to look like a man.
00:44:50Then why do you wear your hair as if you are ashamed of it?
00:44:53My hair and all the rest of me is none of your business.
00:44:58Don't you see that I'm trying to make you my business?
00:45:02Pretty. Pretty girl. Pretty girl. Pretty.
00:45:06There. You see?
00:45:08You've got curls and you didn't know it.
00:45:10I'd always say that when I get family.
00:45:13You're very pretty, you know.
00:45:16You think so?
00:45:18Oh, but my jobs are gone. What am I going to do?
00:45:21Your pants. From now on, you do without them.
00:45:27You're getting to look more like a woman every minute.
00:45:31You're very beautiful, you know.
00:45:39Oh, but you have everything here, Pancho.
00:45:43It's just like a little town.
00:45:45Yes, and I am the mayor.
00:45:48My, what a pretty baby.
00:45:51Yes, it's one of the Indian children.
00:45:52He ought to go on a diet.
00:45:54Is that all the clothes they wear?
00:45:55They don't need any clothes.
00:45:56Why don't they catch cold?
00:45:58Does your face catch cold?
00:46:00Why, no.
00:46:01Well, this boy's all face.
00:46:06What's going on in the election?
00:46:11No, tonight is a fiesta.
00:46:13I'm going to show you how my people laugh, live and love.
00:46:16Oh, fiesta.
00:46:18Yes, tonight is the first full moon of the spring.
00:46:20Many of my people have got plenty of Indian blood inside.
00:46:23And they don't forget their costume.
00:46:25What you will see tonight wasn't the old days,
00:46:27a prayer to the mother moon.
00:46:29For good crops, healthy calves and many babies.
00:46:55Full moon, shine down upon us.
00:47:01Full moon, shine down upon us.
00:47:11Full moon, all in your glorious light.
00:47:26Chase the darkness away while we pray you stay with us ever and ever.
00:47:39Full moon, in all your splendor and might.
00:47:51As in days of yore say that you'll for more than before have a sincere heart.
00:48:08Tonight brings the love fiesta.
00:48:14A full moon and happy laughter everywhere.
00:48:21For sweethearts the love fiesta means moments of sweet romance for them to share.
00:48:34Be gay, life is worth the living.
00:48:40Away with the care, let your heart be free.
00:48:47Tonight brings the love fiesta.
00:48:53When love sings a song for you and me.
00:49:04When love sings a song for you and me.
00:49:09When love sings a song for you and me.
00:49:15When love sings a song for you and me.
00:49:19When love sings a song for you and me.
00:49:24When love sings a song for you and me.
00:49:33When love sings a song for you and me.
00:49:38When love sings a song for you and me.
00:49:45When love sings a song for you and me.
00:49:49When love sings a song for you and me.
00:49:53When love sings a song for you and me.
00:49:56When love sings a song for you and me.
00:49:59When love sings a song for you and me.
00:50:02When love sings a song for you and me.
00:50:05When love sings a song for you and me.
00:50:08When love sings a song for you and me.
00:50:12When love sings a song for you and me.
00:50:15When love sings a song for you and me.
00:50:18When love sings a song for you and me.
00:50:21When love sings a song for you and me.
00:50:24When love sings a song for you and me.
00:50:27When love sings a song for you and me.
00:50:30When love sings a song for you and me.
00:50:33When love sings a song for you and me.
00:50:36When love sings a song for you and me.
00:50:39THE END
00:51:39A man who can't stop himself.
00:51:42He lives, he lives.
00:51:47A man who can't stop himself.
00:51:51Who can't quit the love he has found.
00:51:56He can't quit.
00:51:57The love for Yankee.
00:52:00Go Yankees!
00:52:02Go Yankees!
00:52:03Go Yankees!
00:52:05Go Yankees!
00:52:35Go Yankees!
00:52:37Go Yankees!
00:52:39Go Yankees!
00:52:41Go Yankees!
00:52:44Go Yankees!
00:52:46Go Yankees!
00:52:48Go Yankees!
00:52:50Go Yankees!
00:52:52Go Yankees!
00:52:54Do you like our fiesta?
00:52:56Oh, it's wonderful.
00:52:58Do you think I look like a woman tonight?
00:53:01Too much.
00:53:03to get that pretty dress.
00:53:05Oh, it's one of Dionne's.
00:53:07I told you you were beautiful.
00:53:10Tonight, you look divine.
00:53:25Now, you're bothering me some more.
00:53:27You would like to punch me in the nose, wouldn't you?
00:53:29I thought you were dangerous, but I didn't
00:53:31know you were a savage.
00:53:32Inside, we are all savages.
00:53:34You mean in Alturas?
00:53:35Don't blame me on Alturas.
00:53:37My father was an Alturian, but my mother, she was Irish.
00:53:40Oh, Spanish and Irish.
00:53:42Yes, don't you trust me now?
00:53:44Trust you?
00:53:45I trust you less than ever.
00:53:47Now, I know you're dangerous.
00:53:48If love is dangerous.
00:53:50What makes you think I want your love?
00:53:53My love is a river that will not be dammed.
00:53:55I'll dam it pretty quickly if you don't let me go.
00:53:58Why did you make love to me behind Gary's back?
00:54:01Why should I make love to you in front of his face?
00:54:03Besides, he was making love to you behind my back
00:54:05before I ever met you.
00:54:07Oh, but that's different.
00:54:08I've known him for years.
00:54:09Gary's your friend.
00:54:11Haven't you any code of honor?
00:54:13Too much for my own good, it seems.
00:54:16Pardon me.
00:54:18If it hadn't been for that, I would have taken you off
00:54:20that train and brought you here without him.
00:54:21Oh, yeah?
00:54:22Stop, you fool!
00:54:29Was that a dress to me?
00:54:30More likely it had my name on it.
00:54:32No, it was meant for me.
00:54:35I think that bunch that you gave me saved my life, Gary.
00:54:37My mistake.
00:54:38It won't happen again.
00:54:39Come on, Dion.
00:54:47Why did you do that?
00:54:48I didn't want to hurt you.
00:54:50I didn't want to hurt you.
00:54:51I didn't want to hurt you.
00:54:52I didn't want to hurt you.
00:54:54I didn't want to hurt you.
00:54:55I didn't want to hurt you.
00:54:57Why did you do that?
00:54:58You could have hurt Miss Corday.
00:55:00I could do more than hurt her.
00:55:01Remember, it was you who taught me how to throw the knife.
00:55:04I did it to stop the fight.
00:55:05I don't want to see you hurt.
00:55:07Do you think he could hurt me?
00:55:08She can't hurt you.
00:55:09She'll bring death to you.
00:55:12But she's life to me.
00:55:13And a man has got to fight for his life,
00:55:16even if he loses it.
00:55:24I wouldn't be surprised if this party
00:55:25wouldn't last until they break.
00:55:26And this is the knife for us to make our getaway.
00:55:28What the honey of a story that would make?
00:55:30Dion Corday escapes from bandit gang,
00:55:32dash for liberty led by son of coffee king
00:55:34and daring press agent.
00:55:36Daring press agent gets shot in the melee.
00:55:38Yeah, mind it, that.
00:55:40That's not so good.
00:55:41The only way to get the story to the papers
00:55:43is for me to be one of the survivors.
00:55:44But don't you worry, Dion.
00:55:46Gary and I will defend you to the last breath.
00:55:48I'm all set, see?
00:55:51Say, where did you get that?
00:55:52I stole it from one of those grouchos.
00:55:54You know, one of those bullfighters.
00:55:55It's got bullets in it, look.
00:55:57Babe, let me take it.
00:55:58Yeah, you better keep it.
00:55:59I'd hate to hurt anybody with it, especially myself.
00:56:01Well, if I thought there was the slightest possibility of that,
00:56:03I'd let you keep it.
00:56:04Well, I'm too tired to escape tonight.
00:56:06Suppose we sleep on it and talk it over in the morning.
00:56:08That is an excellent idea.
00:56:10I'm dead.
00:56:11Me too.
00:56:12I can always sleep.
00:56:13Good night, Dion, dear.
00:56:14Good night, Jan.
00:56:15Good night, Wilbur.
00:56:24Good night, Gary.
00:56:26Good night, dear.
00:56:27Good night.
00:56:36The yellow moon
00:56:40so softly stealing through the roses
00:56:45whom my heart discloses
00:56:49wonders I've never known
00:56:53the magic night
00:56:57inspires the song I sing you
00:57:02hoping it may bring you to me
00:57:07my own
00:57:12Oh, bella mia
00:57:16come out in the moonlight
00:57:20and share this enchantment with me
00:57:28Oh, bella mia
00:57:31your lips in the moonlight
00:57:35enthrall me with sweet ecstasy
00:57:43I need you
00:57:46my lovely madonna
00:57:50why wait for manana
00:57:55come live while we may
00:57:58and say
00:58:01you are mine, dear
00:58:06Oh, bella mia
00:58:10I find heaven nearer
00:58:14when you are nestled here
00:58:18in my arms
00:58:36Dion, why don't you say goodbye to me?
00:58:39I knew you'd be up for something like this.
00:58:41Something like what?
00:58:42To say good night to her?
00:58:43Good night?
00:58:44Listen, it's not good night you want to say.
00:58:46Big guess, Riccardo.
00:58:47I don't want trouble with you.
00:58:48Trouble?
00:58:49Listen, fast worker, you're all set for a massacre.
00:59:00Why didn't you knock, Manuela?
00:59:01I did.
00:59:02But you were so busy you didn't hear me.
00:59:04The night air is cold.
00:59:05I'll go and get some air.
00:59:07How sweet of you.
00:59:08Are you waiting for Pancho here?
00:59:10What do you mean by that?
00:59:11If it's fight you want, we go someplace
00:59:13where Dion cannot hear it.
00:59:14She'd like to hear it.
00:59:15She'd like nothing better than to see me smash
00:59:17your guitar over your head.
00:59:18My guitar.
00:59:19Well, your piano, then, whatever it is.
00:59:21I don't believe that.
00:59:22You don't?
00:59:23Well, I'll prove it to you.
00:59:24I made Pancho a much better wife than you ever could.
00:59:26I've no doubt of that.
00:59:28I'd give him David's, one, two, three, as many as he likes.
00:59:31All right, go on.
00:59:32Give them to him.
00:59:33Who's stopping you?
00:59:34You are stopping me.
00:59:35You could never love him as I do.
00:59:37Love, love, love.
00:59:38Is that all you think about in this country?
00:59:40No wonder you fight so much.
00:59:42Ah!
00:59:47Pancho, what have you done?
00:59:49You killed him.
00:59:51No, I didn't kill him.
00:59:53But he's wounded.
00:59:54Where was the hit?
00:59:55Oh, on the chin, but with this.
00:59:57On the chin?
00:59:58But we heard a shot.
00:59:59Well, he had a gun in his pocket.
01:00:00When we fight, the gun goes off.
01:00:02He nearly hit himself in the foot.
01:00:04Oh, but you tried to kill him.
01:00:05You're a savage.
01:00:06I hate the sight of you.
01:00:07Oh, you don't mean that, dear.
01:00:08I do mean it.
01:00:09Why didn't you leave us alone?
01:00:10Gary and I were happy together until you came along.
01:00:12Oh, you say that because he's hurt,
01:00:14because you're sorry for him.
01:00:15It's not true.
01:00:16I'll always love him.
01:00:17Then you shall marry him.
01:00:19You bet your life you'll marry him, won't you, sweetheart?
01:00:21Why, of course, dear.
01:00:23We'll be married just as soon as we get away from this terrible place.
01:00:26Oh, no.
01:00:27You'll marry him before you get away from this terrible place.
01:00:29Oh, no.
01:00:30You'll marry him before you get away.
01:00:32We have a priest here.
01:00:33You'll marry him tomorrow morning.
01:00:34That's a swell idea.
01:00:36Now, wait a minute.
01:00:37Who do you think you are?
01:00:38You can't dictate to me like this.
01:00:40But you love him.
01:00:41Yes, I love him.
01:00:42But I'll marry him when and where I please.
01:00:44And it won't be where you are.
01:00:46You'll marry him here tomorrow morning.
01:00:49Congratulations, Gary.
01:00:52I'll be your best man.
01:00:54And may the best man win.
01:00:59© BF-WATCH TV 2021
01:01:29Enrique.
01:01:30Pancho.
01:01:31How many men are these?
01:01:33Enough.
01:01:34Don't be foolish, my friend.
01:01:36Have you treated your girls well?
01:01:38They have enjoyed themselves.
01:01:40And the beautiful Miss Corday, where is she?
01:01:44Oh, I treat her very nicely.
01:01:46She's as good as new.
01:01:47Oh, it was crazy trick to steal her, Pancho.
01:01:50Wait till you see her, Enrique.
01:01:52I have seen her.
01:01:54I wish I had stolen her myself.
01:01:59But you are under arrest.
01:02:02Pancho, we won't let them take you.
01:02:04Our fighting men are coming in from the hills.
01:02:06We can drive these federals into the valley.
01:02:08Then the government will send troops.
01:02:10And our own people will kill each other.
01:02:12I'm not worth that kind.
01:02:13Send the men back to their homes.
01:02:14Pancho, what are they going to do?
01:02:16It's all right, Manuela.
01:02:17Ask Gary to meet us in my room.
01:02:18But, Pancho.
01:02:19All right.
01:02:20Do as I tell you.
01:02:22This way, then.
01:02:23There are other charges for which you are tried
01:02:26and sentenced to life imprisonment.
01:02:28But I was excited with this provincing, Ted, Gary.
01:02:31I can thank Colonel Barrera for that.
01:02:33If it hadn't been for his influence.
01:02:36Unfortunately, my influence is not so good at present.
01:02:41Pancho, we have been ordered to send you
01:02:44to the capital under guard.
01:02:46Well, at least I make the trip in good company.
01:02:48Don't worry.
01:02:50Will you excuse us, Mr. Owen?
01:02:52Certainly.
01:02:53But does this mean that they may
01:02:54carry out the original sentence?
01:02:56It looks that way.
01:02:57Well, holy smoke.
01:02:58You can't let that happen.
01:02:59Suppose we refuse to bring charges.
01:03:01That will make no difference, senor.
01:03:02An example must be made.
01:03:04I know, but after all, no harm was done.
01:03:07Well, don't you worry, Pancho.
01:03:08When we get to San Felipe, we'll put it up
01:03:10to the American consul.
01:03:11Call us when you're ready, Colonel.
01:03:13Yes, sir.
01:03:19Call us when you're ready, Colonel.
01:03:20Your friend is an optimist.
01:03:23Pancho, the captain will be in command of the guard
01:03:28that takes you to San Felipe.
01:03:30I see.
01:03:31And his report will be that the prisoner was shot
01:03:35while trying to escape.
01:03:36Colonel Barrera.
01:03:37When a man is sentenced to death,
01:03:39the least one can do is tell him the truth.
01:03:42And the truth is you have been ordered to murder my friend.
01:03:47You are wasting time, gentlemen.
01:03:49Lieutenant.
01:03:50Sir.
01:03:52Get the men that will escort the prisoner.
01:03:54Surround the pathway.
01:03:55We'll meet you there.
01:03:57If you please, Senor Granero.
01:04:17Don't be silly, darling.
01:04:42Do you think the government...
01:04:43The government will not talk to you about it.
01:04:45It's a general affair.
01:04:46General affair?
01:04:47Pretty much, huh?
01:04:48You've got to do something.
01:04:50Yeah, boy.
01:04:52I'll do something.
01:04:54Dion.
01:04:56Don't you worry, honey.
01:04:58We will fight you!
01:04:59We will fight you!
01:05:01Quiet, you hollers!
01:05:02Listen to me.
01:05:03Our point, your sentence, was to let the soldier take him away.
01:05:06No!
01:05:07No!
01:05:08With your blood and mine, he's willing to sacrifice himself.
01:05:10Are we going to let him do that?
01:05:12Let's go!
01:05:18I'm Dianne Corday, General Barrera.
01:05:20Colonel.
01:05:21Colonel Barrera, Miss Corday.
01:05:23Oh, you should be a general.
01:05:26Tell me, why didn't I meet you before?
01:05:28Forgive me, my dear lady.
01:05:30I was coming to you as soon as this very unpleasant affair was finished.
01:05:35What unpleasant affair?
01:05:37You've come to take us back to the train, haven't you?
01:05:40Of course, Miss Corday.
01:05:42We are here to rescue you.
01:05:44Rescue me?
01:05:45From Pancho?
01:05:46And suppose I don't want to be rescued?
01:05:48What then?
01:05:50Suppose she doesn't want to be rescued.
01:05:52What then?
01:05:53But you've got to be rescued.
01:05:54The government has ordered it.
01:05:56All right, all right.
01:05:57I'm rescued, and that's that.
01:05:59And now we all take a pleasant trip to the capital, explain to the government, and call it a day, huh?
01:06:04I am afraid this will not be so easy.
01:06:07Your friend Pancho will go with me and my men.
01:06:09Those are orders.
01:06:10And do you guarantee to deliver him safely?
01:06:14I'll deliver him.
01:06:16This man is planning to kill him, Colonel.
01:06:19Are you going to let him get away with it?
01:06:21Miss Corday, I am acting under orders from military governors.
01:06:25My hands are tied.
01:06:28Pancho, why did you take that chance?
01:06:31Forgive me, I didn't want you to know about it.
01:06:33What did he do to us?
01:06:34Nothing.
01:06:35It wasn't his fault.
01:06:36I was more to blame than he.
01:06:38You see, I want him to do it.
01:06:40Beyond.
01:06:41Gary.
01:06:42Oh, I get it.
01:06:43You mean you love him?
01:06:45Sure, that's what she means.
01:06:47Heck, I might have known that would happen.
01:06:49Tiziana, you hear that?
01:06:50She loves him.
01:06:52Sure, she does.
01:06:53Be a sport, can't you?
01:06:54I'm taking my prisoner with me now.
01:06:57Pancho, you don't have to go with them.
01:06:59Where are your men?
01:07:01We're here, Miss Corday.
01:07:03You see?
01:07:04If Sisto is going to obey you, other men will.
01:07:07Juan, if I promise you that no harm will come to Pancho,
01:07:11will you take him to the capital and send him over to the government?
01:07:14To the government?
01:07:15That's asking a lot, senorita.
01:07:17But don't you understand?
01:07:19I love him.
01:07:21Ah, that's different.
01:07:23Do you hear that, my pretty one?
01:07:25She loves him.
01:07:26She loves him.
01:07:28She loves him.
01:07:30She loves him.
01:07:31She loves him.
01:07:33She loves him.
01:07:34She loves him.
01:07:35She loves him.
01:07:36She loves him.
01:07:37She loves him.
01:07:38She loves him.
01:07:39She loves him.
01:07:40She loves him.
01:07:41She loves him.
01:07:42Your men will shoot, senor Granero.
01:07:44Then you'll have to shoot me, too.
01:07:45How will you explain that to your government?
01:07:47He won't live to explain it.
01:07:51You are beaten, Captain.
01:07:53Lady Gwynne's.
01:07:54You know that.
01:07:55They always do.
01:08:00I have just received word that our Count is at war.
01:08:03So we're not going to put him in jail.
01:08:05No.
01:08:06My men and I are needed to fight.
01:08:08But Count.
01:08:10I know.
01:08:11You told them that you love me.
01:08:12But I knew it was just to save my life.
01:08:14It was a sweet lie.
01:08:15And I will hear it always, singing in my heart.
01:08:18OK, Gary?
01:08:20OK, pal.
01:08:31Wait.
01:08:33Wait.
01:08:35Wait.
01:08:36Wait.
01:08:37Wait.
01:08:38Don't let it pop.
01:08:40You're having it.
01:08:41First, weè²· you a bottle.
01:08:42Then, buy me a cup of coffee.
01:08:44Buy me a cup of coffee.
01:08:46All you won't do is call GEIC, right?
01:08:47Why?
01:08:48I'm sure there's people out there,
01:08:49getting laid, touty-touty,
01:08:56We are the eagle flying, flying, flying, flying, flying, flying, flying, flying, flying, flying,
01:09:10flying, flying, flying, flying, flying.