...أنا أربأ بيك وزير يوسف الوسيلة الحربي شا...
Transcript
00:00I want you to be the Minister of The Means of War, a Saudi young man from Al-Qassim
00:08He wanted to master her novel and trade her
00:11as a handcraft from which Khost earns his day and practice through it, and achieves with it the limitless
00:21D
00:22not
00:23I wanted things to be difficult. My father died and I was almost four years old
00:32the neighbor entered through the secondary industrial institute thank god
00:39the job was spent i mean her daughter was finished
00:43what
00:46At first, I worked with the Saudi. I want security to be an industrial institute that graduated and opened if it was postponed
00:54Now, God willing, he had three workshops and was opening for Egypt
00:57i worked with him in balls by the time things were good but at the moment i became with me the moment of transformation
01:08at the moment i was tired i was born to have an operation and i literally went to the money
01:17the wine beyara from everything
01:21And more when, I mean, these moments, the money, ISIS, on what basis, I mean, the name of the man
01:31Ambition, the future, and the desire to verify are among the most important catalysts for Joseph to develop his profession.
01:41But the family was still the main engine
01:44and the most influential in his fateful decisions in his work.
01:49the fatigue which is
01:51a large complex, I mean, it changed many concepts. So I said, “It's all right. Today, I mean, the Porsche is with
02:01the egyptian people for a special table i pay monthly .
02:08True, it is possible that internally less than what was with Saudi Arabia
02:13The year sure didn't start. I mean, we are in a period that will be less, God willing, the rise in income
02:22in
02:23D
02:25I know what happened
02:28we go to the workshop thank god i mean i don't have a gene
02:37and how about eight o'clock in the morning
02:40to twenty, and sometimes until Friday today
02:44More questionable challenges have been encountered
02:51that tomorrow I will return the workers' ladder, and I think that it is the voice of the stage.