Category
😹
FunTranscript
00:01:00You think you're with a machine, but for $30 a week, we expect a Cleopatra, a Mother
00:01:22Hubbard, and a speed record.
00:01:32Taxi!
00:01:3639, Riverdale.
00:01:38Taxi!
00:01:53Thank you, ma'am.
00:02:00Leave me.
00:02:06Mr. Stanton just asked about you, miss.
00:02:08Oh, is he up?
00:02:09Practically, miss.
00:02:23Nothing like a good day's sleep, my lad.
00:02:26Beg pardon, sir?
00:02:27Oh, I was talking to myself.
00:02:30Oh, good evening, Miss Brenner.
00:02:33Good evening.
00:02:35I hope I didn't spoil your evening.
00:02:37Oh, no.
00:02:38I enjoy coming here.
00:02:40It's lovely.
00:02:42The quiet, I mean.
00:02:44Oh.
00:02:51No.
00:02:56What next?
00:02:58A letter from Mrs. Henderson Hall.
00:03:00You'll probably remember as Mrs. James.
00:03:02She wants you to get her another divorce.
00:03:04On what grounds?
00:03:06She wishes to marry, um, Count Pesso.
00:03:10That's the reason, not grounds.
00:03:12Make an appointment.
00:03:13Yes, sir.
00:03:15This is practically a duplicate.
00:03:17It's from Mrs. Mona Cavanaugh.
00:03:19And what are her grounds?
00:03:20The same.
00:03:21What?
00:03:22They both want to marry Count Pesso?
00:03:24Oh, no, pardon.
00:03:25Her reason is James O'Darrow.
00:03:27Oh.
00:03:28When will these women realize that reason has nothing to do with getting a divorce?
00:03:32Make an appointment for her.
00:03:34Yes, sir.
00:03:35Probably use, uh, mental cruelty.
00:03:38Check up and see what grounds were used for her last time.
00:03:41Yes, sir.
00:03:44White vs. White?
00:03:45Yes, the case is called for 10 o'clock tomorrow.
00:03:48You've had one postponement.
00:03:50I'll see it.
00:03:55Uh, good evening, Gaylord.
00:03:56Omelet.
00:03:57Oh, you don't have to pretend to work hard.
00:03:59We're not clients.
00:04:00Don't you realize that only very dull people work this time of day?
00:04:03Or any time of day.
00:04:04I apologize for boring you with this, but I've just started.
00:04:07Thank heavens we're here in time to save you from that old devil work.
00:04:10Oh, I must do some work tonight.
00:04:11Well, uh, what do you want us to do, to sharpen pencils for you?
00:04:14Impossible.
00:04:15Good evening.
00:04:16I hope I'm in the right place.
00:04:18Well, I don't know.
00:04:19It, uh, says it intends to work.
00:04:21What?
00:04:22Ah, gentlemen of the jury, a lady is in distress.
00:04:25Good.
00:04:26That's where most of them belong, only I spell it with an H.
00:04:30Gentlemen, the lady is young.
00:04:32Very lovely to look upon.
00:04:33Ah, that's different.
00:04:35Very different.
00:04:36Thank you, gentlemen.
00:04:37What's her distress?
00:04:38Her husband will fight her divorce action.
00:04:40Perhaps he has reasons to.
00:04:41What difference does that make?
00:04:43The lady shall have her current heart's desire,
00:04:45or I shall have to take down my shingle.
00:04:49Hello?
00:04:50Hello.
00:04:51Who is this?
00:04:52This is Mr. Stanton's secretary.
00:04:54Is Mr. Richards there, young woman?
00:04:56I beg your pardon?
00:04:57This is Mrs. Richards.
00:04:59Oh, uh, just a moment, please.
00:05:01Uh, Mrs. Richards.
00:05:03Uh, I'm not here.
00:05:05You haven't seen me.
00:05:06I want to speak to my husband at once, do you hear?
00:05:08Now, don't tell me he's not there, because I know...
00:05:10Oh, I know what she's saying.
00:05:12By heart, I know it.
00:05:13Tell her I'm not here.
00:05:15I'll come right up there.
00:05:16Just a moment.
00:05:17Just a moment, please.
00:05:18Mr. Richards is not here.
00:05:19Oh, I know very well he is there.
00:05:21I'm sorry, madam.
00:05:22Mr. Richards is not here.
00:05:24I've not seen him.
00:05:25This is Miss Chris Dunphy.
00:05:28Mrs. Richards says...
00:05:29I know.
00:05:30Don't tell me.
00:05:31Imagine her calling me here.
00:05:33I told her I wasn't coming here.
00:05:35I told her 20 times I wasn't coming here.
00:05:37Ever seen?
00:05:38No.
00:05:39Wrong.
00:05:40Well, you fellows would get married.
00:05:41Well, it's the normal way to live.
00:05:43Finding your way out of the house at night.
00:05:45Everybody should get married once.
00:05:46Hmm.
00:05:47Just to find out how really happy you can be.
00:05:49Single.
00:05:50I know, so I don't have to prove it.
00:05:52You're both wrong.
00:05:53Get a wife such as I have.
00:05:54You don't see yours once a month.
00:05:55That's the point, but I'm in no danger.
00:05:57You are.
00:05:58Oh, I don't think so.
00:05:59A single man is always in danger.
00:06:01A clever woman could get you most any time she wants.
00:06:03They don't always stay married.
00:06:05Once a single man is named correspondent or even hinted at.
00:06:08Well, you know what happens.
00:06:11Me, I'm married already and a great feeling of security.
00:06:16Hmm.
00:06:17Well, Richard's here is married.
00:06:18Doesn't seem to have worked out for him.
00:06:20He has the wrong kind of wife.
00:06:22She's interested in him.
00:06:23Oh, and yours isn't?
00:06:24Not in the least.
00:06:25Her life is peopled with flowers and canary birds.
00:06:29Beautiful, isn't it?
00:06:31But are you sure that's all she's interested in?
00:06:34Certainly.
00:06:35I'm afraid you're not too sure.
00:06:38You haven't any first-hand knowledge, have you?
00:06:42When I was a little boy, I pulled the braids of the coachman's daughter,
00:06:47and I was severely punished for it.
00:06:50I still like to play with girls.
00:06:52Hmm.
00:06:53With or without braid.
00:06:54But I've learned not to play in my own yard.
00:06:56I might add that I feel the urge to play seriously.
00:06:59I'm sailing for Paris next week.
00:07:01I hope you have a rotten time.
00:07:03Thanks.
00:07:04You'd better come along.
00:07:05It's the only life.
00:07:06What do you do in New York?
00:07:08Hibernate?
00:07:09I don't get involved.
00:07:10Or have any fun?
00:07:12Then I don't spend much time in New York.
00:07:14And I haven't a worry in the world.
00:07:16Huh.
00:07:17Neither have I.
00:07:18Not yet.
00:07:19Anyhow.
00:07:20Uh-huh.
00:07:21Why, uh-huh?
00:07:22Uh-huh nothing.
00:07:24Unless she happens to want you, which she probably doesn't.
00:07:27But if she did, delicately, with a tuber accompaniment,
00:07:32tell the whole town that you've broken up her home
00:07:35and then walked out on her, that, my innocent young friend,
00:07:39is the new sin.
00:07:40And your luck will have run out.
00:07:42I haven't the remotest idea what you're talking about.
00:07:46And besides, it isn't all luck.
00:07:50Modest, isn't he?
00:07:54What do you think, Miss, uh...
00:07:56Brenner.
00:07:57Miss Brenner.
00:07:58I'm sure it doesn't make any difference what I think.
00:08:00But I would like to know.
00:08:02Well, Mr. Starvin says it isn't all luck that has kept him single.
00:08:06I was just wondering who has the other half of the luck.
00:08:11May I wait in the library?
00:08:13Oh, certainly.
00:08:14I'm afraid I shan't be able to work until later.
00:08:17I'll have your dinner served in there.
00:08:19Do you suppose she meant anything by that, hmm?
00:08:23Yes.
00:08:24Anything.
00:08:25Good evening, Morton.
00:08:32There's something about this place that traps me.
00:08:36Yes, I can understand that.
00:08:38May we stop here a moment?
00:08:40Certainly, madam.
00:08:41I will announce you to Miss Brenner.
00:08:44Why doesn't Gaylord keep a mane?
00:08:46Criticizing your host?
00:08:48Why not?
00:08:49The criticism is constructed.
00:08:51Who was that girl we passed in the hallway?
00:08:53I imagine she's a secretary.
00:08:55She hasn't looked any longer.
00:08:58Comforting to have a plain girl for the darling secretary, isn't it?
00:09:05You don't think she's a secretary, do you?
00:09:09You know, I think Richards gets his office girls from the Far East Chorus.
00:09:13Who said that?
00:09:14Who hasn't said it one time or another?
00:09:16Hello, darling.
00:09:17Hello, ma'am.
00:09:18Good evening, beautiful.
00:09:19Good evening.
00:09:20I hope so.
00:09:24Isn't anyone going to say hello or something to me?
00:09:28I'm speechless.
00:09:29Lost in admiration.
00:09:31You never look so well.
00:09:33I have a special request.
00:09:35Come along.
00:09:36We're coming.
00:09:37Do you approve of me, darling?
00:09:39Always.
00:09:40And especially tonight.
00:09:41What's the occasion?
00:09:42Don't be curious about that.
00:09:44Just about me.
00:09:47I'm curious about everything you do.
00:09:50That was sweet.
00:09:52Shall we go in?
00:09:53Yes, dear.
00:09:54Oh, Gaylord.
00:09:55Who's the girl we passed in the hall?
00:09:57Girl?
00:09:58Oh, my secretary.
00:09:59I hoped she was a maid.
00:10:02Of course.
00:10:03I never thought of it.
00:10:05I'll attend to it tomorrow.
00:10:06That's a dear.
00:10:31A picture.
00:10:55It fell down.
00:10:58Never mind.
00:10:59I'll attend to it.
00:11:05Oh, I'm not hungry.
00:11:07You'd better eat.
00:11:08He may keep you late again.
00:11:11I suppose.
00:11:19The picture.
00:11:20Yes?
00:11:21It didn't fall.
00:11:23I knocked it down.
00:11:25Yes, miss.
00:11:26Your dinner is served.
00:11:55Well, if we expect to see any of the first act, let's get going.
00:12:08Oh, let's be very late.
00:12:10So that you can trap on everybody's toes?
00:12:12Don't you love to hear them crunch?
00:12:14Toes, I mean.
00:12:15Oh, come on.
00:12:16Come on.
00:12:17Let's go.
00:12:18Oh, I have a runner.
00:12:19Change?
00:12:20No, dear.
00:12:23You're a darling.
00:12:25And I'm terribly happy.
00:12:27That's all that matters.
00:12:29Being happy?
00:12:30Mm-hmm.
00:12:31I have some news.
00:12:33My husband is filing suit for divorce.
00:12:36Ah.
00:12:37Really?
00:12:38And you, my angel, are the correspondent.
00:12:41Isn't that exciting?
00:12:43You mean your husband filing suit for divorce?
00:12:46Yes, but that's just an incident.
00:12:48The important thing now is you and me, angel.
00:13:04So I'm an angel?
00:13:06Aren't you thrilled?
00:13:07Oh, thrilled.
00:13:09Congratulations, dear.
00:13:10Thank you, darling.
00:13:11Has he actually filed?
00:13:12They're drawing up the papers.
00:13:13Suppose we get ready.
00:13:14Gaylord, you will have to come now.
00:13:16Oh, uh, I'll join up later.
00:13:18But it's a celebration.
00:13:19Let him work, dear.
00:13:21Come along.
00:13:22Come on, girls.
00:13:23We're very late now.
00:13:28Didn't Gaylord look cute on his knee when you told him?
00:13:32He's a dear.
00:13:35It's a very neat grave.
00:13:37How do you mean, neat?
00:13:39Oh, come, darling.
00:13:40The way you hooked him.
00:13:42He doesn't get off the line.
00:13:43He's been running around loose too long.
00:13:45I've heard him boast about it.
00:13:47I do hope everything turns out all right, dear.
00:13:49I got the last three without any trouble,
00:13:51so don't worry too much.
00:14:00Perhaps Grace wouldn't like to have you drink so much.
00:14:03Oh, yes, she would.
00:14:05She'll make his life a beautiful dream.
00:14:07Until she marries him.
00:14:09No such thing.
00:14:10Let's drink to the fallen angel.
00:14:11That isn't me.
00:14:12Well, you had the life of one.
00:14:13Now you've fallen.
00:14:14All was pushed.
00:14:15Say, quit kidding.
00:14:16This may be serious.
00:14:17May be serious?
00:14:18You quit kidding.
00:14:19Can't you just see Grace on the stand,
00:14:21coyly admitting to the world that she is terribly in love
00:14:24with Gaylord?
00:14:25No, I don't believe it.
00:14:26Oh, yes, you do.
00:14:27And with just the exact number of tears
00:14:28explaining how she couldn't resist the dear boy.
00:14:32And when the trial is over, you'll have to marry her.
00:14:34Huh?
00:14:35To whitewash yourself.
00:14:36I'll think of you while I'm away, enjoying myself.
00:14:39There's a way out.
00:14:40There's a way out.
00:14:41Mm-hmm.
00:14:42But it's a long way off.
00:14:44I should say, he'd be free as air in about four years.
00:14:48And Grace never stays married longer than that.
00:14:50Of course, there's the alimony.
00:14:57There's a way out.
00:14:58There always is.
00:15:00Sure.
00:15:01Shoot yourself.
00:15:02Get committed to an insane asylum.
00:15:03I've told you, I have the only system.
00:15:05Married freedom.
00:15:06Too bad you didn't follow my advice.
00:15:08Ah, let him suffer.
00:15:09It'll do him good.
00:15:10Come along, infants.
00:15:11Here we are.
00:15:12Ready?
00:15:13Who's coming in my car?
00:15:14I am.
00:15:15See you later, Gaylord.
00:15:16Have you room for all of us?
00:15:17Aren't you happy?
00:15:18Well, how can I be?
00:15:20You going to the theater without me.
00:15:22Then I'll stay, dear.
00:15:23Oh, no.
00:15:24No, I have some work to do.
00:15:25Don't work too hard.
00:15:27And you be at the circle club right after theater.
00:15:29Of course.
00:15:30We'll have fun, darling.
00:15:32Oh, I know we will.
00:15:34Till 11.
00:15:35Great.
00:15:36Coming.
00:15:37Bye-bye, dear.
00:15:39Oh.
00:15:57Oh.
00:15:58Sorry I'm so late.
00:15:59Oh, that's quite all right.
00:16:02You'll find everything here on the desk.
00:16:04Oh, thanks.
00:16:06Won't take long.
00:16:11Ah, what does this old fool want to fight the divorce for?
00:16:14Man hasn't a chance with a woman like that.
00:16:17Who?
00:16:18Mrs. White?
00:16:20Who else?
00:16:24Where are my notes?
00:16:26Isn't this?
00:16:28Oh, God.
00:16:37Drink it.
00:16:38Do you good.
00:16:39No, thanks.
00:16:42What's the matter?
00:16:44There's nothing the matter with me that calls for anything that strong.
00:16:48Hmm?
00:16:49No.
00:16:54Oh.
00:16:55Oh.
00:16:56Oh.
00:16:57Oh.
00:16:58Oh.
00:16:59Oh.
00:17:00Oh.
00:17:01Oh.
00:17:02Oh.
00:17:03Oh.
00:17:04Oh.
00:17:06Oh.
00:17:07Oh.
00:17:08Oh.
00:17:09Oh.
00:17:10Oh.
00:17:11Oh.
00:17:12Oh.
00:17:13Oh.
00:17:14Oh.
00:17:15Oh.
00:17:23Expensive?
00:17:28The stockings, I mean.
00:17:30It depends on what sort you buy.
00:17:33Hm.
00:17:35Well, I'd better tackle Mrs. White's marital difficulties.
00:17:42Case is open and shut.
00:17:45Notes for the direct examination of Mrs. White.
00:17:54How much do I pay you?
00:17:57What?
00:17:58What salary do I pay you?
00:18:01Thirty-five dollars a week.
00:18:03Isn't much, is it?
00:18:05Five dollars more than the last place.
00:18:08Well, isn't it difficult to live on that sum?
00:18:11Difficult perhaps, but I manage.
00:18:18Do you live at home?
00:18:20No. I share a furnished apartment with two other girls.
00:18:24Well, how do you manage to clothe yourself on your salary?
00:18:27Many girls do it on less.
00:18:29Pretty crowded basements, bargain sales. Make things yourself.
00:18:33Presents, I suppose.
00:18:35My Aunt Alice sent me a nightgown Christmas two years ago.
00:18:45Do you intend to get married?
00:18:48I have no very definite ideas about it.
00:18:51You do have some friends.
00:18:55I work very hard all day, often at night.
00:18:58My opportunities for meeting nice men are very limited.
00:19:02Sometimes I doubt there are any.
00:19:05And if I were interested in any man I happen to know at the moment,
00:19:10why, I'd hide that interest.
00:19:14But your future?
00:19:17It doesn't include a husband.
00:19:20Good.
00:19:21What did you say?
00:19:23I have a proposal to make which may brighten your future a little.
00:19:27Marry me.
00:19:28What?
00:19:29I said you could help yourself by marrying me.
00:19:37You're asking me to marry you?
00:19:40Just that.
00:19:42You heard how Sheridan manages.
00:19:44Well, I want some of the freedom and security that he has.
00:19:49You'd have more money than you have now.
00:19:51Lots of nice clothes.
00:19:53And a chance to travel.
00:19:58Mostly travel.
00:20:00I thought perhaps you'd like to travel.
00:20:02So I would.
00:20:04With my husband.
00:20:06Oh, but you'd enjoy yourself.
00:20:08You couldn't help it.
00:20:10And you'd have all the lovely things...
00:20:13That I've stood in front of shop windows and wanted.
00:20:15Exactly.
00:20:18Well?
00:20:19No.
00:20:21I can't do it.
00:20:22A little while ago I said I had no definite plans about marriage.
00:20:27Perhaps I should have said no one wanted to marry me.
00:20:31Oh, don't misunderstand me.
00:20:33But I have an idea of the sort of marriage I'd like.
00:20:36I've thought about it often.
00:20:41Oh, but this wouldn't be a real marriage.
00:20:45It would be all the marriage I'd have.
00:20:47And the marriage I've pictured for myself...
00:20:50Doesn't start out with my husband putting on a wedding ring with one hand...
00:20:55And handing me a railroad ticket with the other.
00:21:03I've hurt you.
00:21:06Oh, I'm sorry.
00:21:08I just thought that you'd look upon it as merely...
00:21:11A better job.
00:21:17I'm in an awful jam.
00:21:21It would be doing me a great favor.
00:21:23We can hardly take that into account.
00:21:29It's getting late. Won't you please finish your dictation?
00:21:35Oh, I can't work tonight.
00:21:38I'll have to try and get another postponement.
00:21:40Well, then I'll go now.
00:21:45Good night.
00:21:46Good night.
00:21:48Oh, uh...
00:21:51Sleep on it.
00:21:53Perhaps you'll feel differently in the morning.
00:21:55I don't see how I can.
00:22:20Good night.
00:22:35Does that guy keep you late again?
00:22:38Not late.
00:22:40It's midnight.
00:22:42As I know, but I've been walking.
00:22:44Walking since 9.30.
00:22:47Walking? Alone?
00:22:49Yes.
00:22:50Trying to think.
00:22:53Oh, what's the use?
00:22:56None.
00:23:00Did a man ever try and seduce you?
00:23:05Good heavens!
00:23:07Sylvia!
00:23:08What happened?
00:23:10Sylvia!
00:23:11What's happened?
00:23:12Oh, don't get alarmed.
00:23:13Nothing's happened.
00:23:14Then what are you talking about?
00:23:17Something I had this morning that I've lost.
00:23:21My pride.
00:23:23My belief in myself.
00:23:25I knew I was no beauty, but I...
00:23:29Wouldn't it be dreadful to be seduced?
00:23:32Well, I've discovered something infinitely worse.
00:23:36Finding out that nobody wants to.
00:23:38How did you find out that nobody wants to?
00:23:41I did.
00:23:43How?
00:23:45Stanton asked me to marry him.
00:23:47Oh!
00:23:48He's in a jam.
00:23:50And he took one look at me and said I could travel.
00:23:53Alone.
00:23:55Well, what's wrong with that?
00:23:59If he asked me like that, what's wrong with it, I don't know.
00:24:03Hello there!
00:24:04Bobby! Bobby!
00:24:05Stanton wants to marry Sylvia.
00:24:07What?
00:24:08Yes, it's on the level.
00:24:09It isn't a pipe dream.
00:24:11What do you think of that?
00:24:13Gee, I'm glad somebody around here gets a break.
00:24:16Oh, Sylvia, it'll be a thrill.
00:24:18Just thinking about you.
00:24:20Buying clothes, getting your hair and face fixed so they look like something.
00:24:24And not worrying over the fact that it costs half your make.
00:24:27But Bobby, I...
00:24:28Isn't he nice?
00:24:29Are you in love with him?
00:24:30How'd it happen?
00:24:31Oh, say something!
00:24:36What's the matter?
00:24:38I used to think he was awfully nice.
00:24:41He isn't.
00:24:43No, I'm not in love with him.
00:24:45He's even less in love with me.
00:24:47He just happens to need a wife.
00:24:50What's the matter?
00:24:51Is he going to become a father?
00:24:53No.
00:24:54He wants to marry me to keep from marrying someone else.
00:24:57Oh, why can't I meet a guy like that?
00:25:00He wants you to travel.
00:25:02Live outside of New York, I suppose.
00:25:04Any strings?
00:25:05I don't think so.
00:25:07He's not offering you marriage, dearie.
00:25:10He's offering you heaven.
00:25:27Oh, good morning.
00:25:28Good morning, Santon.
00:25:30I've been thinking.
00:25:32So have I.
00:25:34Have you seen this?
00:25:36Yes, I've seen it.
00:25:40Are you going to help me out?
00:25:42Well...
00:25:44I can't see why you'd regret it.
00:25:47Now, come.
00:25:48Sit down.
00:25:50We'll draw up a sort of a rough contract.
00:25:54Give us a better idea of what we're about.
00:25:57We can do that.
00:25:59Yes.
00:26:01Um...
00:26:05The, uh...
00:26:06The marriage of Gaylord Santon
00:26:09and, uh, Sylvia Brenner
00:26:11is to stand for one year as per contract.
00:26:15You see, you're not tying yourself up for life.
00:26:17Oh, our marriage is to be different from most.
00:26:20Well, anyway, we won't have to fight our way out of it.
00:26:23That's something.
00:26:24Indeed it is.
00:26:26Sylvia Brenner is to receive $5,000 a year
00:26:29paid in advance
00:26:31and may live wherever she chooses.
00:26:34Anywhere?
00:26:35Why not?
00:26:37Sylvia Brenner will go by the name
00:26:39of Mrs. Gaylord Santon
00:26:42and, uh, will in no way blemish that name.
00:26:48I know. Go ahead. Say it.
00:26:51It'll look well in the contract.
00:26:54Well, what do you say?
00:26:56Yes?
00:26:58Anything you want to add?
00:27:01Well, there's...
00:27:03There's just one thing. It's...
00:27:05It's difficult to put in words, well...
00:27:08But, uh, this won't be a real marriage.
00:27:11It'll be...
00:27:12Well, it's just a pretense.
00:27:14I know.
00:27:16We...
00:27:17You wouldn't expect, uh...
00:27:19Well, uh...
00:27:21We'll be married in name only.
00:27:24Oh, not in fact?
00:27:27That's agreeable.
00:27:30Why are you laughing?
00:27:32Oh, just at the way you put it.
00:27:34It's settled.
00:27:35Now, let's see. What are my engagements?
00:27:37I'd like to make it today. Would that be all right?
00:27:40Yes.
00:27:41I want to get out of town tomorrow.
00:27:43Oh, I should dine at the Lacey's tonight.
00:27:46Well, I can break away early.
00:27:48Uh, suppose I pick you up, uh, say 10.30 tonight?
00:27:52Anything you say.
00:27:53Good.
00:27:55Well, uh, I'll go now. You don't mind?
00:27:58No, no. Of course not.
00:28:00Oh, uh, you'd better call up the agency
00:28:02and get me another secretary.
00:28:04And stay and show her what to do?
00:28:06Mm-hmm.
00:28:08I know a very confident girl who might like the job.
00:28:11Good.
00:28:15Oh, uh, stop at City Hall and pick up a marriage license.
00:28:1910.30 tonight.
00:28:22Do you, Sylvia Brenner,
00:28:24take Gaylord Stanton to be your lawful husband?
00:28:28I do.
00:28:30And do you, Gaylord Stanton,
00:28:32take Sylvia Brenner to be your lawful wife?
00:28:35I do.
00:28:40The ring, please.
00:28:43Vested with authority,
00:28:45I now pronounce you husband and wife.
00:28:48And I wish you a long and happy married life.
00:29:10And I wish you a blessed life.
00:29:28Let's go.
00:29:40I'm sorry. I didn't mean to cry.
00:29:43Oh, that's all right.
00:29:46Well, what are you going to do now?
00:29:50Do? Why?
00:29:52I suggest that you go abroad, say, to Paris.
00:29:56Paris?
00:29:57Hmm.
00:29:59Is, uh, that what you'd like?
00:30:01Yes.
00:30:05Well, I'd love to go to Paris.
00:30:09I'm sure I'd be very happy there.
00:30:11Well, I'll arrange your passage first thing in the morning.
00:30:15No problem.
00:30:16Oh, it's no trouble at all.
00:30:17You just call up my club.
00:30:18They'll attend to it.
00:30:25Drop me a line sometime.
00:30:30Oh, uh, that contract.
00:30:33Of course, it wouldn't mean anything in a court of law.
00:30:35It's merely our word of honor.
00:30:39Don't worry.
00:30:41I won't trouble you ever.
00:30:49I hope you'll be very happy in Paris.
00:31:03I hope you'll be very happy in Paris.
00:31:33You looking for a table?
00:31:34Yes, please.
00:32:03I'm sorry.
00:32:04I'm sorry.
00:32:05I'm sorry.
00:32:06I'm sorry.
00:32:07I'm sorry.
00:32:08I'm sorry.
00:32:09I'm sorry.
00:32:10I'm sorry.
00:32:11I'm sorry.
00:32:12I'm sorry.
00:32:13I'm sorry.
00:32:14I'm sorry.
00:32:15I'm sorry.
00:32:16I'm sorry.
00:32:17I'm sorry.
00:32:18I'm sorry.
00:32:19I'm sorry.
00:32:20I'm sorry.
00:32:21I'm sorry.
00:32:22I'm sorry.
00:32:23I'm sorry.
00:32:24I'm sorry.
00:32:25I'm sorry.
00:32:26I'm sorry.
00:32:27I'm sorry.
00:32:28I'm sorry.
00:32:29I'm sorry.
00:32:30I'm sorry.
00:32:31I'm sorry.
00:32:32I'm sorry.
00:32:33I'm sorry.
00:32:34I'm sorry.
00:32:35I'm sorry.
00:32:36I'm sorry.
00:32:37I'm sorry.
00:32:38I'm sorry.
00:32:39I'm sorry.
00:32:40I'm sorry.
00:32:41I'm sorry.
00:32:42I'm sorry.
00:32:43I'm sorry.
00:32:44I'm sorry.
00:32:45I'm sorry.
00:32:46I'm sorry.
00:32:47I'm sorry.
00:32:48I'm sorry.
00:32:49I'm sorry.
00:32:50I'm sorry.
00:32:51I'm sorry.
00:32:52I'm sorry.
00:32:53I'm sorry.
00:32:54I'm sorry.
00:32:55I'm sorry.
00:32:56I'm sorry.
00:32:57I'm sorry.
00:32:58I'm sorry.
00:32:59I'm sorry.
00:33:00I'm sorry.
00:33:02I'm sorry.
00:33:03I'm sorry.
00:33:04I'm sorry.
00:33:05I'm sorry.
00:33:06I'm sorry.
00:33:07I'm sorry.
00:33:08I'm sorry.
00:33:09I'm sorry.
00:33:10I'm sorry.
00:33:11I'm sorry.
00:33:12I'm sorry.
00:33:13I'm sorry.
00:33:14I'm sorry.
00:33:15I'm sorry.
00:33:16I'm sorry.
00:33:17I'm sorry.
00:33:18I'm sorry.
00:33:19I'm sorry.
00:33:20I'm sorry.
00:33:21I'm sorry.
00:33:22I'm sorry.
00:33:23I'm sorry.
00:33:24I'm sorry.
00:33:25I'm sorry.
00:33:26I'm sorry.
00:33:27I'm sorry.
00:33:28I'm sorry.
00:33:29I'm sorry.
00:33:30I'm sorry.
00:33:31Traveling alone?
00:33:32Yes.
00:34:01Alone at last.
00:34:03It's pretty noisy tonight, isn't it?
00:34:05Like to slip away?
00:34:06Mm-hmm.
00:34:07Don't think we should.
00:34:08I do.
00:34:09I have some things to talk over.
00:34:11You know, legal things.
00:34:12We'll wait.
00:34:14I don't want them to wait.
00:34:16I'm going to get the divorce.
00:34:18I don't care.
00:34:19Oh, I'm sorry.
00:34:20I'm sorry.
00:34:21I'm sorry.
00:34:22I'm sorry.
00:34:23I'm sorry.
00:34:24I'm sorry.
00:34:25I'm sorry.
00:34:26I'm sorry.
00:34:27I'm sorry.
00:34:28I'm sorry.
00:34:29I'm sorry.
00:34:30Well, let's celebrate.
00:34:31Are you so happy?
00:34:32Yes.
00:34:33I have something to celebrate myself.
00:34:36My wife.
00:34:38My wife sailed for Europe last night.
00:34:41Well, isn't that grand?
00:34:42Yes, I thought you'd be glad to know.
00:34:44What are you talking about?
00:34:46My wife.
00:34:47She sailed.
00:34:48Your what?
00:34:49Yes.
00:34:50She'll be gone for months.
00:34:51Isn't that swell?
00:34:52Gaylord, are you joking?
00:34:54About her sailing?
00:34:55Oh, no.
00:34:56Not her sailing, her.
00:34:57How could you have a wife?
00:34:59Oh, didn't you know?
00:35:00Where have you been keeping her?
00:35:02Oh, um, she's been in sanitariums and things.
00:35:05She's an invalid.
00:35:07I don't know what to say.
00:35:09About wives and husbands and things like that?
00:35:11Why talk about them?
00:35:12They're not important.
00:35:14Oh, no.
00:35:15Tonight, there's just you and I in a barrel of thunder
00:35:17waiting to be tapped.
00:35:19And perhaps tomorrow, a headache.
00:35:21Well, there's always a headache tablet.
00:35:30Another bid for the last bottle.
00:35:32175.
00:35:35Do I hear 80?
00:35:37180.
00:35:37190.
00:35:40Another bid.
00:35:41This is a lucky bottle.
00:35:42200.
00:35:43225.
00:35:45250.
00:35:47Another bid.
00:35:48Another 150.
00:35:50Sold to Mr. Gerard for 250.
00:35:53That's a lot of money for a bottle of champagne.
00:35:56Not when I'm assured that you will help me drink it.
00:36:00Thank you, madame.
00:36:01You are very kind and generous.
00:36:06He should have thanked you.
00:36:08What fun would that have been for him?
00:36:10Fun?
00:36:10Yes.
00:36:11That's a good way to put it.
00:36:13He should have thanked you.
00:36:14What fun would that have been for him?
00:36:16Fun?
00:36:17Yes.
00:36:17He should have thanked you.
00:36:18He should have thanked you.
00:36:19He should have thanked you.
00:36:20He should have thanked you.
00:36:22Fun?
00:36:22Yes.
00:36:23When he said kind and generous, he was thinking,
00:36:26isn't she lovely?
00:36:29And so the kind and generous were said warmly,
00:36:31as if they were important.
00:36:32Well, aren't they?
00:36:34They should be.
00:36:35But few people know other people well enough
00:36:38to find out things like that.
00:36:41You know what I mean?
00:36:43Indeed, I do.
00:36:45To the lady who has made this a lovely voyage,
00:36:48may it continue after we disembark.
00:36:51I've no comparison to make, but I've enjoyed it.
00:36:56Most women wouldn't be content with the sort of honeymoon
00:36:59you're having.
00:37:01Why, I didn't mean to say just that.
00:37:06How did you discover I was Mrs. Stanton?
00:37:09I asked the steward.
00:37:12He doesn't know the answers to the other questions.
00:37:14Too bad.
00:37:16You've asked me millions.
00:37:17I'm sorry.
00:37:18And very difficult questions.
00:37:19I'm very sorry.
00:37:20I shan't ask you any more.
00:37:28Look here.
00:37:30Why are you traveling alone?
00:37:32Is it so unusual?
00:37:36That's a question, not an answer.
00:37:38Once you intimated that you expected to be in Europe
00:37:41indefinitely, alone.
00:37:44Yes, I think it is unusual.
00:37:46Certainly, if you were my wife, it couldn't happen.
00:37:48And Stanton isn't any cripple either.
00:37:50You wouldn't have a wife, not under any conditions.
00:37:53Think of the precautions you take to ensure your freedom.
00:37:57Is that your answer to getting married
00:37:59and taking a boat trip alone?
00:38:02To give Stanton some sort of protection?
00:38:06He believes in married freedom.
00:38:09And what does that mean exactly to you?
00:38:12Another question.
00:38:14I don't know the answer to that one myself.
00:38:17Now you're being mysterious.
00:38:18I don't mean to be.
00:38:20And after all, I am simply a married woman.
00:38:23So were Helena Troy and some others.
00:38:27Why are you going to Paris?
00:38:29I didn't mean to.
00:38:30Oh, yes, you did.
00:38:33I'm going for one thing.
00:38:34The thing I go for every year.
00:38:36Adventure.
00:38:38And with eyes like yours, you must
00:38:41know there's only one sort of adventure
00:38:42that adds very much to the total of one's pleasant memories.
00:38:48Well, I hope you find what you're looking for.
00:38:52I think I will.
00:39:03Where do you intend stopping in Paris?
00:39:05I don't know.
00:39:07Is there a Martha Washington Hotel?
00:39:10No, I'm afraid not.
00:39:13Let me reserve you rooms at the Crayon.
00:39:15I'm sending a wireless for myself tonight.
00:39:19Well.
00:39:19Oh, you'd better.
00:39:20It may be late when we get in.
00:39:22And if you wish, you can change the next day.
00:39:25All right.
00:39:26I'll see you later.
00:39:57Entry?
00:40:01Oh.
00:40:02Good evening.
00:40:05Tired?
00:40:06Perhaps.
00:40:07But I'm so excited I can't even notice it.
00:40:09Are you pleased with your rooms?
00:40:10They look comfortable.
00:40:11Oh, they are comfortable.
00:40:13And beautiful.
00:40:15They're not for me.
00:40:16Oh, yes.
00:40:17Oh, no.
00:40:18You see, I haven't very much money.
00:40:20But your husband, I know enough about him
00:40:24I know enough about him to know that he can afford them.
00:40:27I was his secretary.
00:40:29It isn't what you were.
00:40:30It's what you are.
00:40:31Well, I'm still more or less an employee of his.
00:40:34He's increased my salary, but not enough for this.
00:40:38Are you in love with him?
00:40:40No.
00:40:43And don't ask me any more questions.
00:40:45I'm sorry.
00:40:47That's all right.
00:40:48You're tired tonight.
00:40:49Tomorrow you'll feel very differently.
00:40:51I know tomorrow you'll spend the whole day
00:40:53in modest shops, beauty parlors, and...
00:40:58Oh, not that you need to, but I know you will.
00:41:01It will give you a feeling of courage, power.
00:41:05Power.
00:41:08Will you dine with me tomorrow?
00:41:11Gladly.
00:41:12And during the day, what?
00:41:15You know what.
00:41:17Regardez celle-ci.
00:41:19N'est-ce pas adorable?
00:41:22But they're all so expensive.
00:41:24Oh, madame.
00:41:26Just have them on when you show your husband the bill.
00:41:30All right, I'll take them.
00:41:32Here, madame.
00:41:33These stockings are of very superior quality, madame.
00:41:37All right, will you give me six pair, please?
00:41:39Entendu, madame.
00:41:41Oh, this will make your feet match your shoes.
00:41:44Oh, this will make your feet much more interesting.
00:41:47Oh, not that they aren't, naturally.
00:41:50Of course.
00:41:54So I like this one all right.
00:41:57Merci.
00:41:58Mademoiselle, est-ce que la robe est trop longue?
00:42:01Non, c'est pas.
00:42:02La robe est trop longue, madame.
00:42:05Madame, you should put a little more here.
00:42:09There?
00:42:10Oui.
00:42:15Merci.
00:42:23I am doing wonders for you, chérie.
00:42:27Won't your husband be thrilled when he sees you?
00:42:32My husband is blind.
00:42:36Well, he can see.
00:42:45But where are we?
00:42:47In a nice little villa that I hope you will like.
00:42:50Little?
00:42:51Mm-mm.
00:42:52Monsieur, votre part dessus?
00:42:54Merci.
00:42:56Chavez?
00:42:57Chavez?
00:42:58Chavez.
00:42:59Chavez.
00:43:00Chavez.
00:43:01Chavez.
00:43:02Chavez.
00:43:03Chavez.
00:43:04Chavez.
00:43:05Chavez.
00:43:06Chavez.
00:43:07Chavez.
00:43:08Chavez.
00:43:09Chavez.
00:43:10Chavez.
00:43:11Chavez.
00:43:12Chavez.
00:43:13Chavez.
00:43:14Chavez?
00:43:15Yes.
00:43:29Oh, isn't it lovely?
00:43:32I'm glad you like this room.
00:43:33I hope you like the rest, too.
00:43:38I generally live here when I'm in Paris.
00:43:41But this year I've decided not to.
00:43:43I've made other plans.
00:43:45Too bad.
00:43:47The memories here will miss you.
00:43:50Even if you don't miss them.
00:43:52Oh, I don't mean the face will be lonely.
00:43:56Won't you live here while you're in Paris?
00:43:59And become a memory, too?
00:44:02They're all pleasant memories.
00:44:04And you can become what you choose.
00:44:08Suppose I should become an unpleasant memory.
00:44:14You wouldn't.
00:44:15Not if you're happy here.
00:44:29Sometimes when you're not conscious of anyone looking at you,
00:44:32there's a look in your eyes that is positively serious.
00:44:37Positively sad.
00:44:39I think I know why.
00:44:41But you won't be forever on a honeymoon that might as well be spent in a nunnery.
00:44:48It hasn't been unhappy, this honeymoon, as you insist upon calling it.
00:44:53You could be happier.
00:44:54So much happier.
00:44:55Well, so could most everyone.
00:45:00Oh.
00:45:03I'd love to live in a house like this.
00:45:07I could do without the memories.
00:45:09But this would be too expensive.
00:45:11How do you know?
00:45:12Well, wouldn't it?
00:45:13It costs me nothing to let you live here since I don't want to myself.
00:45:16Nothing?
00:45:17Practically nothing. I have to keep it up in any event.
00:45:23Is there any other reason why you shouldn't live here?
00:45:28There undoubtedly is.
00:45:31But I can't think of it.
00:46:07Oh, yes.
00:46:33Oh, they know you.
00:46:37You're bringing me luck.
00:46:52Don't you play for me.
00:46:55Pardon, madame.
00:46:56Would you have the beauty to play for me, s'il vous plaît?
00:46:59Oh, I'm going to play for you.
00:47:01C'est fait.
00:47:03Rien ne va plus.
00:47:04Rien ne va plus.
00:47:35May I take a picture?
00:47:38May I take a picture?
00:48:04Is this to be sent home?
00:48:07Surely it is for an American magazine. Do you mind?
00:48:11No. On the contrary.
00:48:13One moment.
00:48:15Indeed. Very ill.
00:48:40Should I wait for her to die?
00:48:43Let me tell you, if Durant has her under his wing, she's no invalid and you'll know it.
00:48:47Look at that.
00:48:48I am looking.
00:48:50She looks very well.
00:48:53Where have I seen her?
00:48:57What difference does it make?
00:48:59None.
00:49:00Except I suppose she spends her spare time laughing at me.
00:49:04I'd like to hear her. Just once.
00:49:10Haven't you mooned over that picture long enough? You know what she looks like.
00:49:15I wonder.
00:49:18When are you divorcing her?
00:49:20On what grounds? Surely there's no harm in watching an automobile race.
00:49:24Even with Durant.
00:49:27That's the only thing that isn't grounds then.
00:49:31Besides, they don't spend all their time looking at automobile races.
00:50:01My sweet song,
00:50:06that vibrates with passion,
00:50:11will be to stay in your heart of ice,
00:50:15my beautiful cruel one.
00:50:20What a night of mystery,
00:50:26what a night of pleasure,
00:50:30come, my beautiful treasure,
00:50:36come, come, come.
00:50:45That was wonderful, my dear.
00:50:48You've never been in better voice.
00:50:51I'm sure you know why.
00:50:53It takes two to create a love song.
00:50:57You helped tonight.
00:50:59The perfume of your hair, the warmth of your eyes,
00:51:04but more important still, the unseen cup that passed between us.
00:51:09I want to drink deeply. I want...
00:51:13You should really write poetry.
00:51:15I could, now.
00:51:18You seem to know all the words.
00:51:20Perhaps.
00:51:22One can never discover you alone.
00:51:25Couldn't we step out for a moment and talk?
00:51:28Can't we talk here?
00:51:30Oh, I'm not at ease here.
00:51:32Are you sure I'd be at ease there?
00:51:35Oh, the sweet days are late.
00:51:37Sylvia, dear, before I forget it,
00:51:40won't you come and spend July with us at Biarritz?
00:51:43Well, I hadn't...
00:51:45I'll persuade you.
00:51:47I have a pleasant surprise for you, I think.
00:51:51Good, thank you.
00:51:54She's just asked me to stay with her at Biarritz.
00:51:57I think she'll invite you, too.
00:51:59She'd better, or I'll cut her heart out.
00:52:02Sylvia, can't we have a moment alone together tonight?
00:52:06Why?
00:52:07Oh, don't ask me why.
00:52:09Well, I don't suppose anyone would notice
00:52:12if we stepped out in the garden a moment.
00:52:24Whatever in the world is the matter?
00:52:27You see me alone most every day.
00:52:30I know.
00:52:31Has something happened?
00:52:33Yes, an important something,
00:52:35or I shouldn't have been so urgent about it.
00:52:38I've thought about it often.
00:52:40I've thought about it often.
00:52:42I've thought about it often.
00:52:44I've thought about it often.
00:52:46I've thought about it often.
00:52:48I've thought about it often.
00:52:50I've thought about it often.
00:52:52But tonight I heard someone say something
00:52:55that crystallized my ideas on the subject.
00:53:01Nearly everybody in that house
00:53:03believes that you and I...
00:53:06No, that we're...
00:53:08that we're having an affair.
00:53:12My dear.
00:53:14And you're afraid I'll be hurt if I find out?
00:53:18Don't worry.
00:53:20My reputation isn't very important.
00:53:23I'm sorry, of course.
00:53:25But as long as the thought is in other people's minds
00:53:29and not in yours and mine,
00:53:31I shan't be unhappy.
00:53:33Now you've made it utterly impossible for me
00:53:36to tell you what I came out here to say.
00:53:39And I thought I couldn't wait another minute.
00:53:43You'd better go in.
00:53:45You'd better go in.
00:53:47I'll follow after everyone else has left.
00:53:50All right.
00:54:16♪
00:54:42I thought you'd forgotten me.
00:54:44The others have been gone a long time.
00:54:47You know I'd not forgotten you.
00:54:52Sylvia.
00:54:56Yes?
00:54:58You know what I've made up my mind to do tonight?
00:55:01Ask you to become my...
00:55:05What do you suppose I think about when I leave here
00:55:08night after night?
00:55:12I can't pose as one of the Rover boys.
00:55:15I had only one regret about the thing I heard tonight.
00:55:19I regretted the fact that it wasn't true.
00:55:24I may as well be truthful, don't you think?
00:55:27Yes.
00:55:29I felt so restless lately and at times positively useless.
00:55:33I felt like that sometimes too.
00:55:36Useless to myself and everyone else.
00:55:40I'm sorry.
00:55:42I can't be different than I am.
00:55:45Sylvia.
00:55:47Will you marry me?
00:55:52I'm in love with you. I have been for a long time.
00:55:55Things can't go on like this.
00:55:57Tell me, dear. Tell me, what do I mean to you?
00:56:02Oh.
00:56:04Oh, what can I say?
00:56:07You've made me very happy.
00:56:10Happier than I've ever been in my life.
00:56:13I could make you even happier.
00:56:16Don't doubt me.
00:56:18Oh, it isn't you I doubt.
00:56:20It's myself.
00:56:22Well, let me worry about that.
00:56:24That wouldn't be quite fair.
00:56:26Let me be as fine to you as you've been to me.
00:56:30Let me think and you think too.
00:56:33Perhaps if I go, you'll be very glad you're free.
00:56:36Oh, Sylvia, don't, please.
00:56:38You forget, my friend, I know you.
00:56:41I've changed almost as much as you have.
00:56:46Have I changed so very much?
00:56:49Only someone who hasn't seen you since you left New York could realize how much.
00:56:58Start getting a divorce tomorrow.
00:57:01No.
00:57:03I'll start for New York tomorrow.
00:57:07There's someone there I must see.
00:57:11Can't be Stanton.
00:57:15Sylvia, have you...
00:57:17Have you a lover in New York?
00:57:21One would hardly call him a lover.
00:57:24Oh, I was terribly in love with him.
00:57:28Terribly in love with him.
00:57:31Are you now?
00:57:34I don't know.
00:57:37I must find out.
00:57:40The only way is to see him once more.
00:57:58Well, he'll be out of New York.
00:58:28I'm going to New York.
00:58:59Patty!
00:59:00Sylvia!
00:59:01Tell me, how are you?
00:59:03Oh, I'm so glad to see you.
00:59:05Oh, what's happened to you?
00:59:07You're gorgeous!
00:59:08That's not a happening, darling, that's an accomplishment.
00:59:10Tell me, are you glad to see me?
00:59:12Gee, am I?
00:59:14But ought I to call you Sylvia?
00:59:16Why not?
00:59:17Well, you're not quite like her.
00:59:19Don't be too sure.
00:59:20Tell me, how is, um...
00:59:22Oh, him?
00:59:23Well, he's all right, if you like that type.
00:59:26Shall I tell him you're here?
00:59:31Sylvia!
00:59:32Oh, Mrs. Mrs. Stanton, she's outside.
00:59:36Mrs., uh...
00:59:37Stanton, she's back!
00:59:39Oh, show her in.
00:59:42Go on in.
00:59:47I hope you don't mind my dropping in on you like this.
00:59:50Mind?
00:59:51I'm tickled to death.
00:59:56Won't you sit down?
01:00:13Well, when did you return?
01:00:16This morning.
01:00:17Oh, why didn't you let me know?
01:00:18I would have come down to meet you.
01:00:20I hardly thought you would.
01:00:22Oh, come now.
01:00:23I was very busy when you went away.
01:00:26Anyway, it's nice.
01:00:28You're coming to see me the day you arrive.
01:00:32I have some things I want to see you about.
01:00:34Good.
01:00:36I'm thinking of getting married.
01:00:38What?
01:00:39But you are married.
01:00:41Well, at least your year isn't up yet.
01:00:43Oh, I see.
01:00:45Well...
01:00:48I'll wait until the end of my year.
01:00:50Oh, I didn't mean just that.
01:00:52If you want a divorce, certainly.
01:00:54It's just that, well, I was rather taken by surprise.
01:00:57Surprise?
01:00:59Surprise that someone's in love with me?
01:01:01Oh, of course not.
01:01:02It's just that I was sort of counting on...
01:01:05But you're right.
01:01:06Your own happiness is all that should matter to you.
01:01:09You don't need me for anything else, do you?
01:01:11I do.
01:01:12Rather badly.
01:01:15Don't tell me you've developed too much sympathy for another woman
01:01:18whose husband doesn't understand her.
01:01:20It's the same one.
01:01:22Mrs. Lawrence?
01:01:24You are being very constant.
01:01:26And a little ridiculous.
01:01:28She says she's moving into my apartment.
01:01:30Then you could move out.
01:01:32Well, it would be very inconvenient.
01:01:34And besides, nobody'd really believe that I'd moved out.
01:01:37And then there'll be a row, and I'll be in a mess again.
01:01:41And if I don't get shot, something worse.
01:01:43I'll have to marry her.
01:01:44What, again?
01:01:46Do you really want to get rid of her?
01:01:49I do.
01:01:51Will you help me?
01:01:53I have to, don't I?
01:01:55No, you don't have to.
01:01:57And I won't let you unless you say,
01:02:00I want to.
01:02:01I want to help you.
01:02:05Well, it'll be very simple.
01:02:08You've just arrived.
01:02:10Move your things into my apartment,
01:02:12and take your lawful place beside me.
01:02:16What do you mean by my lawful place beside you?
01:02:20Well, they'll all be there for dinner tonight.
01:02:23And you shall be there as my adored and adoring wife.
01:02:28And then, after they've gone...
01:02:31I can return to my hotel.
01:02:34Surely, if you insist.
01:02:36There'd be no point in my staying.
01:02:39May I invite someone for dinner?
01:02:41Certainly.
01:02:42Reginald, your aunt. You know him.
01:02:44Yes, I've heard a great deal about him lately.
01:02:46No doubt.
01:02:47He does very interesting things.
01:02:51Well, I'll be there by six.
01:02:53I hope everything works out all right.
01:02:55It will.
01:02:56When Grace sees how lovely my wife is.
01:02:58I'm sure.
01:03:00Particularly, if we convince her that we are very much in love.
01:03:04I'll try very hard to be convincing.
01:03:10Where did you stop when you were in Paris?
01:03:14Your aunt loaned me the sweetest little villa you've ever seen.
01:03:18I haven't seen it.
01:03:19You must.
01:03:20Sometime.
01:03:22We expect to live there.
01:03:27Why are you marrying Durand?
01:03:29Is there any reason why I shouldn't?
01:03:37Have you noticed the ring he gave me?
01:03:42Don't you like it?
01:03:43No.
01:03:46Besides, it hides your wedding ring.
01:03:48I think the poor little wedding ring has always wanted to hide.
01:03:52I think it feels sort of useless.
01:03:55Don't make a joke of our marriage.
01:03:57Mr. Stanton, my almost former husband, used to have a sense of humor.
01:04:02What's happened to it?
01:04:03Please call me Gaylord.
01:04:05Gaylord.
01:04:07You know, husbands and wives are supposed to know each other's first names.
01:04:11And as for sense of humor, my former secretary, Miss Brenner, wasn't especially gifted.
01:04:16I think you'd better call me Sylvia.
01:04:19Sylvia.
01:04:20And it's really too bad you couldn't have known some of the things I thought.
01:04:23They were quite funny.
01:04:25That's probably Reginald.
01:04:27He's generally early.
01:04:28You needn't be so obviously glad to see him.
01:04:30Why not if I am?
01:04:32Oh, Sylvia.
01:04:33I wish nobody were coming tonight.
01:04:35Just you and I.
01:04:37Yes?
01:04:38I'd like to... to... to talk to you.
01:04:43Good evening.
01:04:46I hope I'm not too early.
01:04:47Oh, no.
01:04:48No, indeed.
01:04:49Glad to see you, Gaylord.
01:04:55I missed you at tea this afternoon.
01:04:58That's what love does to you.
01:04:59It makes you terribly lonely, no matter where you are.
01:05:02If she isn't there.
01:05:04So I've heard.
01:05:05I don't think you'd better talk about love to Gaylord.
01:05:08Men so dislike discussing things they don't understand.
01:05:12Will you excuse me a moment?
01:05:23If she does marry you, I hope she makes you very uncomfortable.
01:05:26Thanks, but she won't.
01:05:27She's the most gracious, most charming, the best human...
01:05:30Yes, I know, I know, I know.
01:05:31I'm quite sure you don't, but it doesn't matter.
01:05:33Well, it was nice of her to come all the way back here to settle things fairly.
01:05:36Huh.
01:05:37You mean, uh, just to see you?
01:05:39Well, put it that way if you want.
01:05:40Well, she didn't.
01:05:41She returned to New York to see someone that she was once in love with.
01:05:44She wasn't in love with anyone when she married me.
01:05:46Are you sure?
01:05:47Quite.
01:05:48I don't believe it.
01:05:49So let me tell you...
01:05:50I'm not interested.
01:05:51You're not capable of knowing anything about a girl as decent as Sylvia.
01:05:53Huh.
01:05:54When did you turn angelic?
01:05:55I married Sylvia in as long...
01:05:58While Grace is here, Sylvia's playing that she's very much in love with me.
01:06:02Don't mess it up.
01:06:03Well, I won't help you any.
01:06:07Darling, you're quite so solemn.
01:06:10It's nothing, nothing.
01:06:11And look who's here.
01:06:13Well.
01:06:14Ponce de Leon and the modern crusader rolled into one has returned.
01:06:17Just like old home week.
01:06:18Quite.
01:06:19Hello, Reggie.
01:06:20Hello.
01:06:21When did you get back?
01:06:22This morning.
01:06:23And you hurried right up to see Papa.
01:06:25Yes.
01:06:27Gaylord, does he know they still print magazines?
01:06:32Hello, prodigal.
01:06:33Well, Richard, see you back.
01:06:35He's not the main prodigal.
01:06:37What do you mean by that?
01:06:39Oh, it's a surprise.
01:06:40I don't like surprises.
01:06:42Congratulations, dear.
01:06:44And what have you been doing with yourself, Sheridan?
01:06:46Don't bother him.
01:06:47He's suffering.
01:06:48With gout?
01:06:49No, metal cruelty.
01:06:50His wife left him.
01:06:52I thought her life was filled with flowers.
01:06:55And canary birds.
01:06:56One of the canaries started to sing.
01:07:00Too bad, Sheridan.
01:07:01Too bad.
01:07:02Yes, I guess he'll have to marry me now.
01:07:04And a dirty shame.
01:07:06It'll bust up a swell romance.
01:07:10Darling, what's the matter with you tonight?
01:07:12Oh, nothing.
01:07:13Nothing important.
01:07:14Something's happened.
01:07:21I'm sorry I was late dressing for dinner, darling.
01:07:25Am I forgiven?
01:07:27I only returned this morning.
01:07:29I can't resist kissing him every now and then.
01:07:32But Angel.
01:07:34I don't know some of our guests.
01:07:36Oh, of course.
01:07:37This is Mrs. Lawrence, Miss Monson, and Mrs. Graham.
01:07:41Hello.
01:07:42How do you do?
01:07:43Mr. Sheridan, I...
01:07:44Yes, I know Mr. Sheridan.
01:07:45Good to see you again.
01:07:46And Mr. Richards.
01:07:47How are you?
01:07:48And dear Mrs. Richards.
01:07:50Well, I hope?
01:07:51Unfortunately.
01:07:53Hello, Reggie.
01:07:54You don't have to kiss him.
01:07:56Are you sure?
01:07:57You seem to have recovered your health, Mrs. Stanton.
01:08:01Yes, I...
01:08:03I'm sure it's a great relief to Gaylord
01:08:05to know you're quite well again.
01:08:07It must be.
01:08:08I told Grace all about your illness, dear.
01:08:10Oh, I see.
01:08:11He didn't say just what the trouble was.
01:08:14Well, I suffered from heart trouble.
01:08:18Is it curable?
01:08:19Oh, yes.
01:08:20I had excellent care in Paris.
01:08:24Well, I think, dear, you could have been taken care of
01:08:26just as well here.
01:08:27Do you really think so?
01:08:29Are you staying in New York long, Mrs. Stanton?
01:08:32I'm not certain.
01:08:34I needn't ask you, because you'll have to go when she does
01:08:38if you're to continue to get into all the pictures.
01:08:42He is bold coming here, don't you think?
01:08:45Either that or just a bit foolish.
01:08:48Don't you think?
01:08:49I hadn't thought.
01:08:51Well, you should.
01:08:52You really should.
01:08:57I'd like to choke her, Gaylord.
01:08:58Did you hear what she said to me?
01:09:00About her health?
01:09:01Never mind her health.
01:09:02You heard her.
01:09:03Look at her.
01:09:05Well?
01:09:06Well, what are you trying to tell me?
01:09:07Do you expect me to know a woman like that?
01:09:09Go mad.
01:09:10Is she married to you?
01:09:11Certainly.
01:09:12Do you expect me to associate with a married woman
01:09:13who's openly having an affair with...
01:09:14Now, how do you know?
01:09:15Whether she's your wife or not is beside the point.
01:09:18What's she grinning about?
01:09:19Really, I...
01:09:20Have you told her you're divorcing her?
01:09:21I have no grounds.
01:09:22Don't say that again.
01:09:24You tell her now.
01:09:25I can't stand to see that silly grin another minute.
01:09:27I want her to realize it.
01:09:28All right, all right.
01:09:29You tell her before dinner.
01:09:32All right.
01:09:38Did you hear her?
01:09:39I don't know our guest.
01:09:41Have you ever met such nerve?
01:09:42And how is dear Mrs. Richards?
01:09:45She spoiled my whole evening.
01:09:47She hasn't spoiled mine yet.
01:09:49Well, she will.
01:09:50That's what wives are for,
01:09:51to spoil other people's evenings.
01:09:54Why did you drag me into this alcove?
01:09:56Don't you see?
01:09:57No.
01:09:58I've done everything I'm supposed to do.
01:09:59I pretend to be a loving wife and...
01:10:01Oh, I wish they'd go home
01:10:02and then we could discuss the divorce.
01:10:04I won't divorce you.
01:10:06Then I'll divorce you.
01:10:07Shh.
01:10:11Look in the mirror.
01:10:14Look in the mirror.
01:10:21Oh, kiss me.
01:10:22I won't.
01:10:23Please.
01:10:24You must.
01:10:27Well, look as though you enjoyed it.
01:10:29You promised.
01:10:44The music.
01:10:45Yes, just to drown out my words.
01:10:47In case I happen to tell you
01:10:49what I really think of you.
01:10:51I just want them to see, not hear.
01:10:53Oh, they can see all right.
01:10:55Yes, they do.
01:10:56My goodness, your grace looks funny
01:10:58with her mouth open.
01:10:59Oh, forget her.
01:11:00She's right, we're here.
01:11:01Let's talk about ourselves.
01:11:02That would be interesting.
01:11:04Did you think about me when you were gone?
01:11:06No.
01:11:08I never wanted to see you again.
01:11:14Liar.
01:11:16Oh, perhaps you're right,
01:11:18but I'd love to stick you a pin.
01:11:20I'm glad you're back.
01:11:23Even with pins.
01:11:36Sylvia darling.
01:11:37No, don't say anything.
01:11:40Oh, I wish he'd go home high.
01:11:52Oh, I'm sorry.
01:11:53Calm yourself.
01:11:54Don't get so excited.
01:11:57What's the matter?
01:11:59I'm sorry.
01:12:00I'm nervous.
01:12:02It was an accident.
01:12:04Oh, quite all right.
01:12:06Dinner is served.
01:12:08Shall we?
01:12:12Could we wait just a minute?
01:12:14I'd like to call her.
01:12:16Certainly.
01:12:18Ten minutes.
01:12:19Very good, madam.
01:12:21Will you come with me?
01:12:22Please don't trouble.
01:12:23I know my way about.
01:12:24I have no doubt,
01:12:26but I've moved the powder.
01:12:31Aren't you overdoing it a little?
01:12:33You know, you're making Sylvia very uncomfortable.
01:12:36She's married to me.
01:12:37She might remember that I'm in love with her.
01:12:48It does seem changed somehow.
01:12:50I thought you'd notice.
01:12:52Lovely, isn't it?
01:12:53Very.
01:12:54Isn't Gaylord thoughtful?
01:12:56You know, when I came home,
01:12:57he had all sorts of powder and things here
01:12:59just for persons who happened to drop in.
01:13:02Very thoughtful.
01:13:04Do you want there?
01:13:05In a minute.
01:13:07By the way, what did you do with the things you found here?
01:13:10Threw them out.
01:13:11You wouldn't.
01:13:12But I would.
01:13:15We'd better understand each other.
01:13:17Do you know, I thought we did.
01:13:19Are you going to divorce him?
01:13:21No.
01:13:22On the contrary, I've forgiven him.
01:13:24I think we have an excellent chance to be very happy.
01:13:28You've forgiven him.
01:13:30Has he forgiven you?
01:13:32You've been playing around with Durant.
01:13:35I've heard things.
01:13:36I've seen pictures.
01:13:38It isn't improper to be seen in a picture with a gentleman.
01:13:42I'm not ashamed.
01:13:43I don't care.
01:13:44I love him.
01:13:45And I love him,
01:13:46and I can keep you just where you are.
01:13:48You'll never marry him because I'll never let him divorce me.
01:13:50Never.
01:13:51Do you understand?
01:13:54Do you wish powder?
01:13:55I'd like gunpowder.
01:13:57You'd like it, perhaps.
01:13:59But you're not fool enough or courageous enough to use it.
01:14:02I'm leaving.
01:14:04I'll take everyone with me.
01:14:06I'll ruin your triumphant dinner.
01:14:09You know, I was hoping you would.
01:14:15Get my things and take me out of here.
01:14:18Are you going to take me out of here?
01:14:20Sylvia, Grace wants to know if we're taking...
01:14:22If you do that, I'll...
01:14:26Mrs. Lawrence, haven't you forgotten something?
01:14:29No.
01:14:37I believe Mrs. Lawrence did forget something.
01:14:39She wished you all to leave with her.
01:14:41What?
01:14:42Not you.
01:14:46After all I've meant to you, if you had one spark of manhood...
01:14:48What's happened?
01:14:49None of your business.
01:14:50Oh, you probably coached her.
01:14:52I haven't the remotest idea what you're talking about.
01:14:54So she's an invalid.
01:14:58Are you coming?
01:14:59No.
01:15:00Then you'll never see me again.
01:15:02Well, I'll try and bear up.
01:15:03Well, can you imagine?
01:15:04What's the matter?
01:15:05Why, uh, Mrs. Stanton said that Grace wanted us to leave with her.
01:15:08So I do.
01:15:10Mrs. Stanton wishes a nice, quiet evening at home with her husband and her lover.
01:15:15Sat.
01:15:18This has all the earmarks of a very pleasant evening spent at home with Mrs. Richards.
01:15:24Come on, dear.
01:15:28You seem to have accomplished your purpose.
01:15:30Let's get out of here.
01:15:32Yes, but we haven't had dinner yet.
01:15:34Plenty of places for that.
01:15:36I know, but, uh, I have some packing to attend to.
01:15:42Do you want to stay?
01:15:45A little while.
01:15:47You see, I have some things I must talk over with my husband.
01:15:52Will it take long?
01:15:53No, not long.
01:15:54You send Gaylord to me.
01:15:56What about dinner, madam?
01:15:57Uh, later.
01:16:05Oh, you're still here.
01:16:07So are you.
01:16:10We may not be dining for some time.
01:16:13In fact, we may call dinner off entirely.
01:16:16Indeed.
01:16:17We hate to inconvenience you, though.
01:16:20Oh, how thoughtful of you.
01:16:21There's some really charming restaurants quite nearby.
01:16:24Yes, so Sylvia said.
01:16:27When she's put a few things together and told you just what she thinks of you,
01:16:31she'll dine in one of them.
01:16:52Sylvia.
01:16:53Yes?
01:16:54Sit down.
01:16:55No.
01:17:01I have an awful lot I want to tell you.
01:17:03I'm not so sure I want to hear.
01:17:05Sylvia, do you love Durant?
01:17:09I don't ask you whom you're in love with.
01:17:12I'm going to tell you anyhow.
01:17:24It isn't strange at all.
01:17:25It's very true and very real.
01:17:33Why do you doubt me?
01:17:36I can't help it.
01:17:38Why?
01:17:40You don't love Durant.
01:17:42Are you in love with anyone?
01:17:46Yes, I'm in love.
01:17:49With me?
01:17:51If I were in love with you, it wouldn't be because you had a new suit.
01:17:58Oh, Sylvia, I...
01:18:00Well, that's what it amounts to, isn't it?
01:18:02You say you love me.
01:18:03How do I know you do?
01:18:05Before I went to Paris, you...
01:18:07Well, certainly you...
01:18:10Were you in love with Grace?
01:18:12No.
01:18:13Nor she with me.
01:18:14My love never even entered into it.
01:18:17It's what you think of as love.
01:18:19No, my dear.
01:18:20There was a time, but...
01:18:23Oh, don't you see?
01:18:25What you think of as love is nothing more or less than...
01:18:29Well, an emotional hurdle race.
01:18:32And what do you win?
01:18:34You're the last hurdle.
01:18:37And as long as I live, you will be the prize.
01:18:41Will you please tell Mrs. Stanton I couldn't wait?
01:18:43I have a boat for Paris to catch.
01:18:46Something I missed over there last trip.
01:18:48Beg pardon, sir?
01:18:49No, nothing, nothing.
01:18:51It's curious how attractive a girl can be on a honeymoon.
01:18:55Without a husband.
01:18:58I must remember that.
01:19:00I know I shouldn't trouble you, sir, but...
01:19:02What?
01:19:03I was wondering about dinner, sir.
01:19:05Oh.
01:19:06Oh, I shouldn't bother them tonight.
01:19:08But they'll need a hearty breakfast.
01:19:13I'm going to hold you closer than you've ever been held before.
01:19:17I've never been held close at all.
01:19:20As far as my life is concerned, it's been...
01:19:24Been...
01:19:25Empty?
01:19:26Yes.
01:19:27Sometimes I've been very lonely and regretted it.
01:19:32But tonight, I'm glad.
01:19:47© BF-WATCH TV 2021