Boy on a Dolphin is a 1957 adventure romance film set in Greece and directed by Jean Negulesco, starring Sophia Loren, Alan Ladd and Clifton Webb.
Plot - Phaedra (Sophia Loren) is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif an immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. The statue brings pride to the city of Hydra and has been lost for around 2000 years. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder (Alan Ladd), an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee (Clifton Webb), an aesthete and an unscrupulous dealer in historic artifacts.
Calder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The story reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.
Plot - Phaedra (Sophia Loren) is a poor Greek sponge diver on the island of Hydra. She works from the boat of her boyfriend, Rhif an immigrant from Albania. She accidentally finds an ancient Greek statue of a boy riding a dolphin on the bottom of the Aegean Sea. The statue brings pride to the city of Hydra and has been lost for around 2000 years. Her efforts to sell it to the highest bidder lead her to two competing individuals: Dr. James Calder (Alan Ladd), an honest archaeologist who will surrender it to Greek authorities, and Victor Parmalee (Clifton Webb), an aesthete and an unscrupulous dealer in historic artifacts.
Calder and Parmalee each try to win Phaedra's cooperation. She works in concert with Parmalee, while developing feelings for Calder. When she seems to waver, Rhif decides to make the deal with Parmalee work. The story reaches a happy conclusion, with virtue rewarded, the statue celebrated by the people of Hydra, and Phaedra and Calder in each other's arms. Parmalee, a man with no apparent national loyalties or heritage, sets course for Monte Carlo.
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00:02:24hellos and goodbyes. Maybe a love like ours can leave out its cold.
00:02:37I will keep you near until the world ends
00:02:49and you are safe with me until the world ends
00:02:59and I will keep you near until the world ends
00:03:10and you are safe with me until the world ends
00:03:21cause we will always be until the world ends
00:03:32and I will stay with you until the world ends
00:03:51until the world ends
00:04:22Hey! Riff!
00:04:36Pedra, why you do that?
00:04:38Because you lazy. I work.
00:04:40It is Sunday. We working all.
00:04:42Pedra comes on her Sundays to help you get sponges.
00:04:45To help you to pay for a boat. Your own boat.
00:04:49My own boat. That will be good, eh?
00:04:51Then we get married, we have babies. Maybe house.
00:04:55Babies, yes. Plenty of babies.
00:04:57But a house? I do not see a house.
00:05:00For two years now you tell me soon I pay for a boat, I buy house.
00:05:04But I still work in windmill. And you still die for Mr. Aracopulos.
00:05:07Why always you talk work, money, money, work, not love.
00:05:12I like to make many wishes too.
00:05:14At night, to the stars. But you, Riff, you...
00:05:17What is the matter? You love Riff, you do what Riff say.
00:05:27Hey, Pedra!
00:05:47Pedra!
00:06:17Pedra!
00:06:48Pedra!
00:07:08See, see what happens when you play little girl tricks and run away from your Riff, eh?
00:07:13He was laughing at me. The boy.
00:07:16He was all gold, so big.
00:07:19He was laughing and running, a fish he was.
00:07:21Pedra, stop. Don't talk, eh?
00:07:24Breathe, just breathe.
00:07:31Do not move, eh?
00:07:34You will be all right.
00:07:36I will take you to the English doctor.
00:07:47Come on.
00:08:13No!
00:08:17Cut it on a bit of coral, I imagine, eh?
00:08:20It wasn't the coral.
00:08:22How much do you charge for this?
00:08:24Twenty drachma.
00:08:25Twenty drachma? For twenty drachma I can buy a pair of shoes.
00:08:28Waste of money if you couldn't walk.
00:08:30Now I'm going to wash it off. It may hurt a little.
00:08:32Would it hurt, doctor, if you washed your hands?
00:08:41We work Sunday. You see what happens?
00:08:44We work. I work for you.
00:08:46Now I cannot work for me.
00:08:49Now, keep still.
00:08:53Now, now, it can't hurt all that much.
00:08:55So it doesn't hurt? So it doesn't cost twenty drachma?
00:08:58Well, perhaps you've got something in it.
00:09:00Let's have a look. Now, clench your fists.
00:09:03Hold your shoulders. Riff hard.
00:09:06Mmm! Mmm!
00:09:08Oh! Oh! Oh, you're very stupid, you stupid...
00:09:12Oh! And you clumsy...
00:09:14Mmm! Mmm!
00:09:15Good for pushing tongues.
00:09:16Good girl.
00:09:18But no encore.
00:09:20You see? There was something in it.
00:09:22A nail.
00:09:25You say? You say a nail from a ship?
00:09:28You said a fish.
00:09:29Yes, a pie on a fish.
00:09:30On a fish.
00:09:31Mmm! A dolphin.
00:09:33And you went too deep for your brains and you got stupid.
00:09:36Like you.
00:09:37Ecstasy of the deep, they call it.
00:09:39You're Albanian friends right, my dear.
00:09:42There we are.
00:09:47There.
00:09:49Ah. Mmm.
00:10:04Mmm.
00:10:10Nico, are you down there?
00:10:12I'm here.
00:10:14Help me to make it work. Come on.
00:10:16If the wind can't make it work, I can make it work.
00:10:21Once in ten years your sister is sick
00:10:23and Nico forgets to grease the windmill
00:10:25so the blades don't turn.
00:10:27If the blades don't turn, who wants a windmill?
00:10:29Are you listening?
00:10:31They will throw us out of here someday.
00:10:33And who is going to support us then?
00:10:41It works.
00:10:43Mmm.
00:10:45Go and catch us some fish for lunch. Go.
00:10:47Not now. Dr. Hawkins is here.
00:10:50Nico.
00:11:02Mmm.
00:11:13Well, my little gypsy, the doctor...
00:11:16You like it well.
00:11:17I don't have another 20 drachma for you to say it's well.
00:11:20My dear, you don't understand.
00:11:22I give the baker carrier Kikos a laxative and I charge him 50 drachma.
00:11:26Other patients, I charge nothing.
00:11:28I bring them a present.
00:11:31Tomorrow I break my right leg.
00:11:35Sublime. Sublime wound.
00:11:38No fever, no blackout,
00:11:42no fairy tales about meeting a shark.
00:11:45I never had a fever.
00:11:47And I never said it was a shark.
00:11:49Oh, my mistake, of course. You said a swordfish.
00:11:51Swordfish? It was a dolphin.
00:12:01Like this?
00:12:03Yes, just like this.
00:12:05But only one.
00:12:07My little gypsy.
00:12:09My very dear little gypsy.
00:12:11We're rich.
00:12:13Rich?
00:12:14No, not rich.
00:12:16Very, very rich.
00:12:18Do you know where I've been for the past 24 hours?
00:12:20Giving a laxative to the baker carrier Kikos?
00:12:22No, no, no.
00:12:23I went over to Delos.
00:12:25I sat over the parchments in the old archive looking up a legend.
00:12:28Then I copied the mosaic.
00:12:30I forgot all about my patients. I didn't sleep, I didn't eat.
00:12:33I'll get you something.
00:12:34Sit down.
00:12:38This nail, which stuck in your leg,
00:12:42is hundreds and hundreds of years old.
00:12:45It comes from the hull of an ancient vessel,
00:12:47which, according to the legend, was carrying art treasures to Delos,
00:12:50but sank in a storm within sight of this island a long time ago,
00:12:54when Christ was a little boy.
00:12:57Santa Maria.
00:12:59Then you believe me. It was a ship.
00:13:02Oh, yes. I believe you.
00:13:05And the trouble is to find someone who will believe us.
00:13:08And that someone's got to be the right someone.
00:13:11My cousin Nikita.
00:13:13His wife is the niece of Andros Palosti.
00:13:15He owns all the donkeys in Santa Maria.
00:13:17My dear, the right someone is not someone who owns donkeys,
00:13:19but someone who owns money.
00:13:21Gregory Granitos, my uncle.
00:13:23He has a rich wife who is going to die.
00:13:25No one in your family is going to be included in this.
00:13:28Only you and me, my little gypsy.
00:13:30We are going to be rich. Rich!
00:13:32Good.
00:13:36You say a lot of words, doctor. The one I like best is money.
00:13:39Then go and sell sponges back in Albania.
00:13:41Go dive in Albania, too.
00:13:43I can't, doctor. I am in love.
00:13:45Love? Ah, you just want a share of this.
00:13:47Why not?
00:13:49I know the spot we die from, and I like to be rich.
00:13:52Simple.
00:13:54Simple.
00:13:56Well, there's an old Greek proverb which says
00:13:58a third of something is better than half of nothing.
00:14:03Now, the people to go to.
00:14:05They must be rich, preferably foreign and reasonably honest,
00:14:08but only reasonably.
00:14:10The Americans? Yes.
00:14:12In Athens, there are almost dozens of them poking around the Acropolis, dealing.
00:14:15Now, the one to go to is the man in charge.
00:14:17Good. I go to Athens today.
00:14:20You go to Athens, spend your money on wine,
00:14:23there are plenty of girls in Athens.
00:14:25And if the police ask you for papers, what happens?
00:14:27You want him to go? Never mind about that.
00:14:29The police arrest him on the street.
00:14:31Now, children, children, let's not quarrel.
00:14:34Niko, go and find my shoes.
00:14:40I can't go to Athens without shoes.
00:15:23I can't go to Athens without shoes.
00:15:46Hey, take it easy, boys.
00:15:48We don't make them like that anymore.
00:15:50Everybody wants to be a part of the museum.
00:16:20Dr. Calder, Mr. Bowen and the party have been waiting.
00:16:44I'm sorry, but our wall had other ideas.
00:16:46Well, I tried giving them cokes. I didn't know what to do.
00:16:48Oh, Dil, that's a great hunk of wall.
00:16:50Wait till they bring it up and take a look at it.
00:16:52Where's what's-his-name?
00:16:53Mr. Bowen, Mr. William B. Bowen.
00:16:55He's down in the museum right now appraising the fruits of our labors,
00:16:57plus wife and daughter.
00:16:59And remember, he's the treasurer of the foundation.
00:17:01There's always a treasurer. I'll see him.
00:17:03And, Dr. Calder?
00:17:04Huh?
00:17:05Will you please try to remember for your own sake that treasurers have feelings, too?
00:17:08Ha!
00:17:12Hey, you!
00:17:15You said he'd be here before lunch. I had lunch twice.
00:17:18And onions both times.
00:17:20I have to go to Ida tonight. I've only one day's chief.
00:17:22Well, I'm sorry, but you saw for yourself how busy he was.
00:17:25But that working man with the whistle is the American boss?
00:17:29That's right.
00:17:30You're not fooling me, missus.
00:17:32No, he is busy. And I haven't had lunch, so if you'll excuse me.
00:17:36Oh, I...
00:17:39Nothing personal, Calder,
00:17:41but this museum's an anticlimax after what you see in Rome, Paris, London.
00:17:46What do you expect?
00:17:48Every thief and crook in Europe is in hijacking the great works of Greece
00:17:51to fill the museums of the rest of the world.
00:17:53No need to be violent. I'm on your side, remember?
00:17:56I'm sorry. I just get mad every time I talk about it.
00:17:59Well, do you want to go on, or want some more questions?
00:18:02Yes.
00:18:05How long do you think I can stay here in Athens?
00:18:07I have to go home.
00:18:08Now, you want to see me or don't you want to, huh?
00:18:11Do I? About what?
00:18:21Say they come back later.
00:18:23I'll show you something.
00:18:25I know you. You found something.
00:18:28A great treasure.
00:18:30Thousands of years old.
00:18:34How did you know?
00:18:37In 1820, a shepherd from one of the islands found the Venus de Milo.
00:18:41But this is not Venus de Milo. This is another thing.
00:18:45And since then, every year, shepherds, fishermen come to Athens
00:18:51with stories about statues and...
00:18:54well, they're just stories.
00:18:57So? You don't want to listen? All right.
00:19:01I'll go to the French, the Italian, the English.
00:19:06They will listen. That is where I go.
00:19:11They're rather simple people, the Greeks.
00:19:13Yeah. So simple they made a thing like this a couple of thousand years ago.
00:19:19Don't stop him.
00:19:24Let him ride. Let the jockey boy ride.
00:19:27But he's riding on nothing.
00:19:30You're a folly, wasting the story.
00:19:33You're a fool.
00:19:35You're a fool.
00:19:37You're a fool.
00:19:39You're a fool.
00:19:41You're a fool.
00:19:43You're a fool.
00:19:45You're a fool.
00:19:47You're a folly, wasting the supreme works of the human spirit upon a base and ignorant public.
00:19:51Fall on your knees before a child and remember,
00:19:54the jockey boy of Artemisium is 2,100 years older than you are and infinitely more sublime.
00:20:02Mister, are you a rich American?
00:20:04An irrelevant question, and a decidedly impertinent one.
00:20:08You may leave me alone now.
00:20:12Shoo!
00:20:14You shoo!
00:20:17You shoo!
00:20:27Oh, there you are.
00:20:29Tired?
00:20:31No, just tired.
00:20:32Oh, good. Then you can afford to buy me a martini at Zona's.
00:20:39Uh-oh, the return of the native.
00:20:41You stay here. I'll handle myself quietly.
00:20:47Look, I'm very sorry, miss, but I'm not a shepherd.
00:20:50Okay, so you're not a shepherd.
00:20:52I went to see French.
00:20:54The man there, he pinched me.
00:20:57The English say they have enough troubles.
00:20:59The Italians say they have enough statues.
00:21:03All right, what statue?
00:21:05Well, you see this?
00:21:08Um, I'll get the car, and I'll wait.
00:21:12Oh, the Frenchmen do that?
00:21:14No, the nail on the sheep with the dolphin, 2,000 years old.
00:21:18So when the English doctor take it out of my skin, he make...
00:21:26Look.
00:21:32You see?
00:21:35You'd... you'd better sit down.
00:21:38It's a drawing of the mosaic on the island of Delos.
00:21:41You, uh, you from Delos?
00:21:43No, Idra.
00:21:45And you... you really saw a statue of a boy on a dolphin in the bottom of the sea?
00:21:50Of course I see it. Big.
00:21:52I can sell it to you, maybe, if you pay me plenty of money.
00:21:55Oh, I know, but hold on. I don't want to...
00:21:57You don't believe me? Listen.
00:21:59Today in museum, I see another boy, just like mine.
00:22:02But mine, he rides a fish, a dolphin fish.
00:22:06You, uh...
00:22:08You, uh, you really saw the boy on a dolphin in the bottom of the sea?
00:22:13No, on a ship.
00:22:15English doctor call it ancient vessel.
00:22:18This nail is from vessel. Look.
00:22:25Uh, let's start again. Let's get it straight.
00:22:28But I told you, start from here.
00:22:30Uh, hi.
00:22:33Look, what's your name?
00:22:35Idra.
00:22:36Oh, where are you staying? What hotel?
00:22:38No hotel. Hotel cost money.
00:22:41Hmm.
00:22:45Here, take it.
00:22:46It's okay. It's on doxy.
00:22:49It's not okay. It's not on doxy.
00:22:51If your American company take my dolphin fish out from the sea,
00:22:54500 drachm, it's not okay. It's not on doxy.
00:22:57Not if you have that boy on the dolphin.
00:22:59I have.
00:23:01Then you can have anything you wish.
00:23:03What would you like most?
00:23:04For me, plenty of money is enough.
00:23:06But for Nico...
00:23:08And who is Nico?
00:23:10He's my brother, Lazy Bug.
00:23:13When he grow up, he'll go to university, like you.
00:23:17You know, I think we can make a deal.
00:23:19Meet me at the hysteria at 7 o'clock. Be there.
00:23:22Yes. Okay.
00:23:24Oh, and I'll send a cable to Yale and tell them a new freshman
00:23:27by the name of Lazy Bug is coming.
00:23:30Bye.
00:23:34Bye.
00:24:04Bye.
00:24:34Bye.
00:24:35Bye.
00:24:37I'm sorry. It is not permitted to serve an unescorted lady.
00:25:05I am waiting for a man.
00:25:07That is exactly what I mean. No lady can be.
00:25:09But I am hungry.
00:25:11Please, I cannot serve a lady seated by herself.
00:25:16Oh, him I know. I sit with him.
00:25:19Mr. Parmalee?
00:25:25You see, now I'm not alone. I'm with a friend.
00:25:28My bill, please.
00:25:29No, no, stay here. It's not permitted for me to be alone.
00:25:33I'd like my radio.
00:25:34Huh?
00:25:35That is, of course, unless you intend to hatch it.
00:25:38Oh, I didn't even feel it.
00:25:41It's a soft radio.
00:25:42Lady, please, I must ask you to go.
00:25:45You go.
00:25:46Dr. Calder, the American, tell him I'm here.
00:25:49He wants very much what I find.
00:25:50His most important business.
00:25:55Do I understand that you're having dinner with the illustrious Dr. Calder?
00:25:59I have dinner now. You want some?
00:26:01I'd love it.
00:26:02Allow me to choose an appropriate beverage.
00:26:08Ah, now let me see.
00:26:10What would be the best vintage?
00:26:14Goat's milk for two.
00:26:16Yes, sir.
00:26:17He's an important man, Dr. Calder, eh?
00:26:19In his pedestrian way.
00:26:21Incorruptible Jim, I call him.
00:26:23You know him a long time?
00:26:24Our paths have crossed and recrossed.
00:26:26In Dresden, Rotterdam, Florence, wherever the Nazis looted.
00:26:31Raphael, Rembrandt's.
00:26:33Even down to a dreary little china pot which belonged to Madame Pompadour.
00:26:39There was always Captain Jim Calder of the U.S. Army.
00:26:42Restoring priceless objects to their rightful owners.
00:26:46A typical middle-class gesture.
00:26:52Well, I'm glad to find out that Jim has finally turned to something more earthy.
00:26:58Eh?
00:26:59He has a date with a pretty girl instead of a mob or bust.
00:27:02No, we have a business deal together.
00:27:04Oh, very enterprising.
00:27:06May I inquire what kind of a business deal?
00:27:09We're all going to have plenty of money and Nico will go to university.
00:27:13Don't tell me you're selling a family treasure to Jim Calder.
00:27:16Oh, no, something I found in the sea.
00:27:19A secret?
00:27:20It's not a secret.
00:27:21I never pry. There's nothing more becoming than a woman with a secret.
00:27:25Ah, excuse me.
00:27:28There's evidently a phone call for me.
00:27:46Boy.
00:27:47Yes, sir?
00:27:48Just talk. Repeat your name six times.
00:27:50Hm?
00:27:51Your name, six times.
00:27:52Dimitri Papadopoulos. Dimitri Papadopoulos. Dimitri Papadopoulos. Dimitri Papadopoulos.
00:27:57Dimitri enough.
00:28:01Thank you.
00:28:06Actually, it was a call for you.
00:28:08Doctor called and sent word he'll be delayed two hours.
00:28:12Two hours?
00:28:15It's so long.
00:28:16Yes, it is.
00:28:17You know, it's very warm here.
00:28:19You have two hours.
00:28:21We'll take a drive.
00:28:22My car and chauffeur are waiting outside.
00:28:25You ask me to ride in your chauffeur and the car?
00:28:28With great pleasure.
00:28:30Okay, we go.
00:28:40Good evening, Dimitri.
00:28:54Hello.
00:29:24Hello.
00:29:54Hello.
00:30:11Where's the boat for Hadrian?
00:30:13Gone.
00:30:25You weren't really thinking of following that girl all the way to the island, were you?
00:30:29Why wasn't I? She made sense.
00:30:31Because this isn't archaeological fieldwork, that's why. It's treasure hunting.
00:30:36Treasure hunting.
00:30:38You know, dear, you gave me a great idea.
00:30:41And you talked yourself out of a martini.
00:30:43We're leaving Athens right now.
00:30:45Oh, no. Sorry, not me. I like my job.
00:30:48Don't you?
00:30:49I love it. That's why I'm doing it.
00:30:54I love it.
00:31:25See to it that the lady is made comfortable.
00:31:28She is to be allowed complete freedom of the yacht,
00:31:30but under no circumstances is she to be permitted to leave.
00:31:33Yes, sir.
00:31:34I am spending the night ashore.
00:31:37In the morning, Tonino will drive me to Epidaurus.
00:31:40If I can find what I'm looking for there, I should return tomorrow.
00:31:43If not, I should go on to the monastery of Meteor.
00:31:55Now, remember.
00:31:57The ladies will be kept aboard as our guest.
00:32:01Is that clear?
00:32:02Yes, sir.
00:32:25I'm sorry you could not find what you were looking for in our library, Mr. Parmoli.
00:32:29It was a shot in the dark.
00:32:30Perhaps you'll have a better luck at Meteora.
00:32:33After what you told me about the roads, I sincerely hope so.
00:32:36I love you, darling.
00:32:40You or me? Neither, I'm afraid.
00:32:43That's our husband out there.
00:32:45Darn right it is.
00:32:46I love you, too.
00:32:48The finest acoustics the world has ever known.
00:32:51Made nauseating by the cooings of tourists.
00:32:53I heard that.
00:32:54Serves you right for eavesdropping.
00:32:56Good luck at Meteora, sir.
00:32:58Thank you very much.
00:34:21We're here, sir.
00:34:47How do I get up there?
00:34:48A lift, sir. The monastery sent down a lift.
00:34:51Hello!
00:35:13Which button do I press?
00:35:15Hello!
00:35:22Hello!
00:35:27Obviously, I pressed the wrong button.
00:35:52Thank you.
00:35:57Thank you, brother.
00:36:01Welcome to Meteora.
00:36:03May I ask who carries your insurance?
00:36:05We put our trust in the Almighty.
00:36:08A very safe company.
00:36:15I hate to impose myself.
00:36:17I can see you're all frightfully busy, so I shall be brief.
00:36:21I am seeking information about an object...
00:36:23which I have reason to believe reposes on the ocean floor.
00:36:25What kind of object? A button? Bone? Wheelbarrow?
00:36:28A ship, sunk many years ago.
00:36:30Five hundred years? A thousand? Two thousand?
00:36:32Two thousand is near enough.
00:36:34Do you know where to look?
00:36:36We have over 3,400 volumes.
00:36:38My only clue is a 12th century manuscript...
00:36:41written by a scholar of Venus.
00:36:43The wonder of heaven's humor.
00:36:45For years, dust gathers on our manuscripts.
00:36:48And today, before the call to Matins...
00:36:50you are the second man to ask the same question.
00:36:52I beg your pardon.
00:36:54If I can be of help, I will come to the library after Matins.
00:36:59Thank you, brother.
00:37:21I should have made a reservation.
00:37:23Well, hello, Parmalee.
00:37:25What are you doing here?
00:37:27Run out of Greek quotations?
00:37:29An impossibility.
00:37:31You, of all people, should know that.
00:37:33I don't get it. New York, London, Paris...
00:37:36Maybe you're...
00:37:39It doesn't ring.
00:37:41What's the matter?
00:37:43I don't get it.
00:37:45I don't get it.
00:37:48It doesn't ring.
00:37:50Please, Jim, no open wounds.
00:37:53We've got too much in common.
00:37:55Not money.
00:37:56But we both love the things that can't buy.
00:38:00For a practical man, Jim, you waste your time on an awful lot of nonsense.
00:38:04I like that about you.
00:38:07And the boy rode downwards into the wine-dark sea...
00:38:12upon the back of the sea-god's playmate.
00:38:17A boy of gold upon an iron dolphin.
00:38:20Bronze.
00:38:22I stand corrected.
00:38:24Bronze.
00:38:26Ah.
00:38:28At a place far down upon the Peloponnesus...
00:38:33sank our finest treasure.
00:38:36Peloponnesus. That satisfy you?
00:38:39What satisfies me more, Jim, is finding you here.
00:38:42I love having dusty fingers.
00:38:45Well, I must hurry or I'll miss my basket.
00:38:48I'd hate to see you go to jail, Victor.
00:38:51Sentimentality is still your most endearing weakness, Jim.
00:38:54Keep it up.
00:38:56Let me remind you of Paragraph 9 of the Penal Code of Greece.
00:39:00Any and all objects having historical value...
00:39:03cannot under any circumstances be removed from Greek territory...
00:39:08or territorial waters. They...
00:39:10They are to be considered the property of the Greek nation.
00:39:12Yes, Jim, I know all about Paragraph 9.
00:39:15I'm the reason they wrote it.
00:39:43I quite agree.
00:39:45Oh, you, you!
00:39:47Before you say anything else, let me ask you a question.
00:39:49No, I know those questions!
00:39:51All tricks and the mix-up.
00:39:53We ride in the car. You ask me if I want a glass of water.
00:39:55I say I go diving in Hydra. We get here to the boat.
00:39:58You ask me if I like fresh air.
00:40:00I say I saw a sunken ship. We sit in the cabin.
00:40:02You ask me if I want a glass of water.
00:40:04I say I go diving in Hydra. We get here to the boat.
00:40:06You ask me if I like fresh air.
00:40:08I say I saw a sunken ship. We sit in the cabin.
00:40:11You ask me my mother's name.
00:40:13Do I say Katrina DeMillas Crisantos?
00:40:15No, I say I saw a boy on a dolphin.
00:40:17And what happens? You go and I wait here for two days.
00:40:20Weren't you comfortable?
00:40:22Didn't they take good care of you?
00:40:23Oh, too much care. They kept me here.
00:40:25No more questions, huh?
00:40:26Good.
00:40:27Now, my question is...
00:40:29if I bring a crew and diving equipment to Hydra...
00:40:32can you locate that exact spot again?
00:40:35Who?
00:40:36Surely you're not going to the police without your shoes.
00:40:40I'm going to Mr. Calder.
00:40:41Do that. It'll be very profitable.
00:40:43He gave you 500 drachma. He may give you 500 more.
00:40:46Then let me see. You'll have 1,000 drachma.
00:40:49In dollars, that means...
00:40:50Oh, no, Mr. Mixup. You can't confuse me anymore, huh?
00:40:54At least do me one favor. It may be chilly.
00:40:57Take your wrap.
00:40:58Uh-huh.
00:41:01I haven't got a wrap.
00:41:05Come here.
00:41:10It's Belgian lace from Brussels.
00:41:13Very old and very precious.
00:41:16And now, I want the finest statue in Greece.
00:41:20The one you found.
00:41:22For that, you will have a string of fishing boats...
00:41:24perhaps even more, and live in Athens to the end of your days.
00:41:27Uh, well, I don't know. I have to talk to Dr. Hawkins and Drift.
00:41:30I must go to Hydra.
00:41:32What time is it?
00:41:34Give me your hand.
00:41:37So you will always know.
00:41:41It ticks.
00:41:43It's 4.15.
00:41:45The boat leaves at 5.00.
00:41:47What boat?
00:41:48The boat to Hydra.
00:41:50We're already on our way to Hydra.
00:42:06Hi there.
00:42:12I'm looking for a girl called Phaedra.
00:42:14They said she lived up here.
00:42:16Yes, my sister.
00:42:17Oh, then you're Lazy Bug.
00:42:19Hiya, Lazy Bug.
00:42:20Hi, mister.
00:42:21Your sister back from Athens?
00:42:22We are waiting for her.
00:42:24Oh.
00:42:27You're an American, sir?
00:42:28Yes, my name's Calder.
00:42:30Calder.
00:42:31Calder.
00:42:32Calder.
00:42:33Calder.
00:42:34Your name, sir?
00:42:35Yes, my name's Calder.
00:42:36She paid me a visit in Athens.
00:42:38Please, sir, sit down.
00:42:39Oh, thank you.
00:42:40Uh, Nico, clean the gentleman's shoes.
00:42:43Oh, no, no, never mind.
00:42:45My dear sir, perhaps you'd like a drink?
00:42:47Uh, Nico, milk the goat.
00:42:48Oh, no, relax, please. I just came for a little information.
00:42:51You, sir, and Phaedra, why you do not arrive together?
00:42:54Well, that's what I came here to find out.
00:42:57But you had a nice little chat with our Phaedra.
00:43:00Oh, sure.
00:43:02How did you get along?
00:43:04Great, great, great. Like a million.
00:43:07Look, I, uh, left my diving gear down at the wharf.
00:43:10Would somebody give me a hand?
00:43:11Yes, Nico, help the gentleman with his luggage.
00:43:14Oh.
00:43:15Be seeing you, gentlemen.
00:43:16Seeing you.
00:43:18Did you hear what he said?
00:43:20A million!
00:43:33This is not the harbour of Hydra.
00:43:35This is Mandraki Bay, not Hydra.
00:43:37Nobody has lived here for ten years.
00:43:39How very fair of you, my dear.
00:43:41Then we go on.
00:43:42To the harbour itself, with everyone looking on.
00:43:45Not quite.
00:43:46We'll stay where we are.
00:43:48Safe from prying eyes.
00:43:50Mm.
00:43:51I should have been proud to sail into Hydra.
00:43:53Everybody would look at me with big eyes.
00:43:56Nico, Riff, Dr. Hawkins, everybody.
00:43:59My dear savage, try to remember.
00:44:01This is still a highly extralegal enterprise.
00:44:05What do you mean, extralegal?
00:44:07I shall explain.
00:44:08It's a transaction which, if successfully concluded,
00:44:12results in no imperfect adventure with the law.
00:44:16In short, a buyer's risk.
00:44:19And I'll thank you not to flourish that shawl.
00:44:22But what must I do with it if I cannot wear it?
00:44:24Hide it. Put it away somewhere out of sight.
00:44:26Now then, go ashore.
00:44:29Go ashore.
00:44:30Prepare everything softly, quietly.
00:44:35When the marker is in the water, let me know.
00:44:38I have all the latest equipment below.
00:44:42I'll take it from there.
00:44:46Hey, what about our money?
00:44:48Upon delivery, as in all transactions of this nature.
00:44:59See, a boat from Athens is due at three.
00:45:03Which means you won't be here before six.
00:45:05Yeah, if she's on it.
00:45:07Please, I'm quite nervous enough.
00:45:09Come on, let's have another.
00:45:10There isn't a sick man on the entire island.
00:45:12Svegra!
00:45:14Hey!
00:45:16Svegra!
00:45:18Svegra!
00:45:20Svegra!
00:45:22Svegra!
00:45:24Svegra!
00:45:26Svegra!
00:45:28Hey!
00:45:30Look, for you.
00:45:32All the way from Athens.
00:45:36Thank heavens, and you're early.
00:45:38It's only three o'clock.
00:45:39Three? It's exactly...
00:45:41Never mind, child.
00:45:42Hey!
00:45:46Two fifty-four and a half.
00:45:48Look, twenty-one jewels.
00:45:49Where?
00:45:50You can't see them. They're all inside.
00:45:52Why inside?
00:45:53So nobody can see them.
00:45:55Where you get this from?
00:45:57I had it.
00:46:03The American?
00:46:05Of course.
00:46:06The doctor said go and find a rich man.
00:46:08Well, I found a rich man.
00:46:10We know, we know.
00:46:11Everything is clear and perfect.
00:46:14I even like the way he whistles.
00:46:16You've got the wrong man.
00:46:17You're a pair of stupids.
00:46:19Nothing is clear and perfect.
00:46:20But why?
00:46:22Now, we have a big question.
00:46:27We go to the yacht at Mandraki Bay.
00:46:29Come.
00:46:34I don't know.
00:46:35I don't know.
00:46:36I don't know.
00:46:37I don't know.
00:46:39I don't know.
00:46:40I don't know.
00:46:42Nico, go home.
00:46:50Federer, we'll take the boat.
00:46:52Not on the boat.
00:46:53We go by the hill.
00:47:01Hey, Mr. American.
00:47:04Shoe shine, mister.
00:47:06Best shoe shine on the island.
00:47:08Is that right?
00:47:09That's right.
00:47:10Okay, Nico.
00:47:11You got yourself a deal.
00:47:12Come on up.
00:47:20Forty-one.
00:47:28Forty-two.
00:47:31Mr. Parmalee.
00:47:32Yes.
00:47:35Forty-three.
00:47:37You know who is in the island?
00:47:39Who?
00:47:40Forty-four.
00:47:42Calder.
00:47:45Missed that one.
00:47:48It was just a matter of time.
00:47:51Jim Calder is no beginner.
00:47:55These are my friends, Dr. Hawkins and Briggs.
00:47:57We'll exchange cards later.
00:47:59Did you tell Calder I was here?
00:48:01Exactly not.
00:48:02If he wants trouble...
00:48:04I suggest you use that on your fingernails.
00:48:06Well, this orders our plans.
00:48:09As long as Calder is around, no activity on our part.
00:48:12No marker is to be put in the water till...
00:48:14It's my fault.
00:48:15I'm too friendly with people.
00:48:16Uncoil, my dear, uncoil.
00:48:18We have all the time in the world.
00:48:20We'll bake in the sun for a while and have a glass of Madeira.
00:48:23Will you play hostess?
00:48:24No, they don't want to drink.
00:48:26But what am I going to do with Dr. Calder?
00:48:28He'll want her to die for him.
00:48:29And get the statue.
00:48:30I wonder if you could explain to these stockholders
00:48:32if they'll be quiet now, they can have a ball.
00:48:34Stockholders, if they'll be quiet now, they can have a bone later.
00:48:38You'll dive with Calder.
00:48:39What?
00:48:40Dive all over the Aegean Sea.
00:48:41Except in one spot.
00:48:44The spot with a boy and a dolphin.
00:48:46But, sir...
00:48:47Dive until he runs out of patience,
00:48:49runs out of ambition, out of money,
00:48:51oxygen and hope.
00:48:53Oh, Mr. Parmalee.
00:48:55You have plenty of noodles, you know.
00:48:57Thank you.
00:48:58Now we all have wine.
00:49:05Fish heads?
00:49:06Caviar, to be precise.
00:49:08You like that?
00:49:10Like many expensive things,
00:49:12an acquired taste.
00:49:14Here's hoping you acquire it.
00:49:16Sue.
00:49:17Yes, Sue.
00:49:18Yes, Sue.
00:49:19Yes, Sue.
00:49:34Ha, ha, ha.
00:49:57There you go.
00:49:58This is Monsieur Stavropoulos.
00:50:02Well...
00:50:05Welcome to Hydra.
00:50:06Yes.
00:50:07And if I wait for you, I would not be in Hydra.
00:50:09I would still be in Athens.
00:50:10Oh, now, wait a minute.
00:50:11And you, lazy bug,
00:50:12go back to the windmill.
00:50:13Do not talk with strangers.
00:50:14We're not strangers.
00:50:15We're all college chumps.
00:50:16And look at your face, how dirty it is.
00:50:17Go home and wash yourself.
00:50:20And you?
00:50:21You are not a trusty man.
00:50:23Absolutely not.
00:50:25I'm not?
00:50:26Well, as long as you admit it,
00:50:27I will not be angry anymore.
00:50:28All right, I'll admit it.
00:50:29But where do we go from there?
00:50:30You still want to get the statue?
00:50:32Sure.
00:50:33Matter of fact, I'm going to hire a boat,
00:50:34a crew, and...
00:50:35I hire a boat and a crew.
00:50:36Like that it will be cheaper for you.
00:50:39How much?
00:50:40Well...
00:50:42500 drachma.
00:50:43I get fine crew and boat for that.
00:50:46500?
00:50:48What do you think I am, a millionaire?
00:50:50No.
00:50:52I have a better idea.
00:50:54Can you handle the motor?
00:50:56I'll try.
00:50:57Good, I handle boom.
00:50:58Boat I get free.
00:50:59Crew we don't need, so we save money.
00:51:01I wish you'd handle my income tax.
00:51:05Nothing, just forget it.
00:51:08I'll meet you here at 8 o'clock tomorrow
00:51:10and we'll go diving, okay?
00:51:11Okay.
00:51:12Okay.
00:51:16You hold your breath like I told you
00:51:17and you'll have it made.
00:51:18Yes, but my ears.
00:51:21Couple of more days, you'll get used to it.
00:51:30Okay.
00:53:01I can't understand it.
00:53:02I was sure this was the spot.
00:53:04Well, that's how it goes.
00:53:06It's a big ocean.
00:53:07But it was here.
00:53:08The sun was up there.
00:53:10And the boat was in straight line with that cliff.
00:53:13And today ain't nothing but sand.
00:53:16The days are longer,
00:53:17the sun's in a different position.
00:53:18Oh, yes, yes, longer days.
00:53:21And the boat was in a straight line
00:53:22with that cliff.
00:53:23And today ain't nothing but sand.
00:53:25The days are longer,
00:53:26the sun's in a different position.
00:53:28Oh, yes, yes, longer days.
00:53:30You know, you're a smart cookess.
00:53:33Next we try over there.
00:53:34Oh, no, that's all for today.
00:53:36What?
00:53:37Yeah, we gotta save the air in the tanks.
00:53:39Plant your bearing tank.
00:53:41All right.
00:53:42Then let's save you.
00:54:00All right.
00:54:30All right.
00:55:00All right.
00:55:30All right.
00:55:50You like that?
00:55:52What?
00:55:53We've been diving every day for two weeks.
00:55:55At least we found something.
00:55:56Exactly nothing.
00:55:58Could be.
00:55:59That's the answer to the big question mark.
00:56:01Now if we can fit it together with
00:56:03the other half, maybe...
00:56:24Here.
00:56:26Come on.
00:56:28Don't you want to go on?
00:56:29It's early morning.
00:56:30We had the whole day.
00:56:32No, I got some things to do and I...
00:56:35Look at them.
00:56:37Line of duty, my boy.
00:56:39I'll see you in the morning.
00:56:40Oh, is it all for today?
00:56:42I'll tell you what I'll do.
00:56:45You meet me at the taverna
00:56:46and if you're a real good girl,
00:56:47I'll buy you a drink.
00:56:49Eight o'clock.
00:56:50Eight o'clock, sharp.
00:56:51Sharp.
00:56:58Well, and dachshund.
00:57:01Best to share in Greece.
00:57:03How much?
00:57:05For you, special bargain.
00:57:07Free.
00:57:09Well, we'll sweeten the kitty then.
00:57:13One, two.
00:57:18Caviar.
00:57:19Pretty fancy.
00:57:21Not good.
00:57:22Reef no like it.
00:57:24Do you always serve caviar at the windmill?
00:57:27Fedra bring from the yacht.
00:57:29She said it was good for me.
00:57:32Oh, a yacht?
00:57:34What yacht?
00:57:35Big ship.
00:57:36Mandraki Bay.
00:57:38Mandraki Bay?
00:57:40Where's Mandraki Bay?
00:57:41Other side of the island.
00:57:43Nobody can see it.
00:57:46Oh.
00:57:48Well, lazy bug,
00:57:50you'd better scoot home.
00:57:51Your sister might want you.
00:57:54Okay.
00:57:56So long.
00:58:22Domino.
00:58:24We'll be two for luncheon.
00:58:26Yes, sir.
00:58:32Well, what a cozy little spot.
00:58:35Smuggler's Cove.
00:58:37Just suits you.
00:58:38Surprised to see me?
00:58:40To the contrary.
00:58:41I was expecting you.
00:58:44Huh.
00:58:45No wonder you hijack somebody else's paintings.
00:58:47You're playing a losing game, Calder.
00:58:49You haven't got a chance.
00:58:51You really want that boy on the dolphin, don't you?
00:58:53Yes.
00:58:55That's why I'm so annoyed at you.
00:58:57Why bother to stick around?
00:58:59The girl won't help you.
00:59:00And you can't hope to find the statue alone.
00:59:03So?
00:59:05So, when you're dead,
00:59:07lie down.
00:59:09Maybe you're right.
00:59:12As long as we've got the cards on the table.
00:59:15Tell me,
00:59:16if I'm not around,
00:59:17how do you get it out of the Greek waters?
00:59:20Jim,
00:59:22you're talking to me as if I were a man of honor.
00:59:26I'm not.
00:59:29Lunch?
00:59:30Will you join me?
00:59:32Thanks.
00:59:35Please.
00:59:44Pepper?
00:59:45Salt?
00:59:51My, what a pretty picture of Benjamin Franklin.
00:59:55Thumb through.
00:59:57He gets better looking.
00:59:59It's money.
01:00:00I presume you've heard of money.
01:00:03Don't try to be noble and turn it down.
01:00:06There's nothing as noble as money.
01:00:11Sorry, but your soup's cold.
01:00:12So is the bottom of your chair.
01:00:15G and C.
01:00:45I'm sorry.
01:00:46I'm sorry.
01:00:47I'm sorry.
01:00:48I'm sorry.
01:00:49I'm sorry.
01:00:50I'm sorry.
01:00:51I'm sorry.
01:00:52I'm sorry.
01:00:53I'm sorry.
01:00:54I'm sorry.
01:00:55I'm sorry.
01:00:56I'm sorry.
01:00:57I'm sorry.
01:00:58I'm sorry.
01:00:59I'm sorry.
01:01:00I'm sorry.
01:01:01I'm sorry.
01:01:02I'm sorry.
01:01:03I'm sorry.
01:01:04I'm sorry.
01:01:05I'm sorry.
01:01:06I'm sorry.
01:01:07I'm sorry.
01:01:08I'm sorry.
01:01:09I'm sorry.
01:01:10I'm sorry.
01:01:11I'm sorry.
01:01:12I'm sorry.
01:01:13I'm sorry.
01:01:14I'm sorry.
01:01:15I'm sorry.
01:01:16I'm sorry.
01:01:17I'm sorry.
01:01:18I'm sorry.
01:01:19I'm sorry.
01:01:20I'm sorry.
01:01:21I'm sorry.
01:01:22I'm sorry.
01:01:23I'm sorry.
01:01:24I'm sorry.
01:01:25I'm sorry.
01:01:26I'm sorry.
01:01:27I'm sorry.
01:01:28I'm sorry.
01:01:29I'm sorry.
01:01:30I'm sorry.
01:01:31I'm sorry.
01:01:32I'm sorry.
01:01:33I'm sorry.
01:01:34I'm sorry.
01:01:35I'm sorry.
01:01:36I'm sorry.
01:01:37I'm sorry.
01:01:38I'm sorry.
01:01:39I'm sorry.
01:01:40I'm sorry.
01:01:41I'm sorry.
01:01:42I'm sorry.
01:01:43I'm sorry.
01:01:44I'm sorry.
01:01:45I'm sorry.
01:01:46I'm sorry.
01:01:47I'm sorry.
01:01:48I'm sorry.
01:01:49I'm sorry.
01:01:50I'm sorry.
01:01:51I'm sorry.
01:01:52I'm sorry.
01:01:53I'm sorry.
01:01:54I'm sorry.
01:01:55I'm sorry.
01:01:56I'm sorry.
01:01:57I'm sorry.
01:01:58I'm sorry.
01:01:59I'm sorry.
01:02:00I'm sorry.
01:02:01I'm sorry.
01:02:02I'm sorry.
01:02:03I'm sorry.
01:02:04I'm sorry.
01:02:05I'm sorry.
01:02:06I'm sorry.
01:02:07I'm sorry.
01:02:08I'm sorry.
01:02:09I'm sorry.
01:02:10I'm sorry.
01:02:11I'm sorry.
01:02:12I'm sorry.
01:02:13I'm sorry.
01:02:14I'm sorry.
01:02:15I'm sorry.
01:02:16I'm sorry.
01:02:17I'm sorry.
01:02:18I'm sorry.
01:02:19I'm sorry.
01:02:20I'm sorry.
01:02:21I'm sorry.
01:02:22I'm sorry.
01:02:23I'm sorry.
01:02:24I'm sorry.
01:02:25I'm sorry.
01:02:26I'm sorry.
01:02:27I'm sorry.
01:02:28I'm sorry.
01:02:29I'm sorry.
01:02:30I'm sorry.
01:02:31I'm sorry.
01:02:32I'm sorry.
01:02:33I'm sorry.
01:02:34I'm sorry.
01:02:35I'm sorry.
01:02:36I'm sorry.
01:02:37I'm sorry.
01:02:38I'm sorry.
01:02:39I'm sorry.
01:02:40I'm sorry.
01:02:41I'm sorry.
01:02:42I'm sorry.
01:02:43I'm sorry.
01:02:44I'm sorry.
01:02:45I'm sorry.
01:02:46I'm sorry.
01:02:47I'm sorry.
01:02:48I'm sorry.
01:02:49I'm sorry.
01:02:50I'm sorry.
01:02:51I'm sorry.
01:02:52I'm sorry.
01:02:53I'm sorry.
01:02:54I'm sorry.
01:02:55I'm sorry.
01:02:56I'm sorry.
01:02:57I'm sorry.
01:02:58I'm sorry.
01:02:59I'm sorry.
01:03:00I'm sorry.
01:03:01I'm sorry.
01:03:02I'm sorry.
01:03:03I'm sorry.
01:03:04I'm sorry.
01:03:05I'm sorry.
01:03:06I'm sorry.
01:03:07I'm sorry.
01:03:08I'm sorry.
01:03:09I'm sorry.
01:03:10I'm sorry.
01:03:11I'm sorry.
01:03:12I'm sorry.
01:03:13I'm sorry.
01:03:14I'm sorry.
01:03:15I'm sorry.
01:03:16I'm sorry.
01:03:17I'm sorry.
01:03:18I'm sorry.
01:03:19I'm sorry.
01:03:20I'm sorry.
01:03:21I'm sorry.
01:03:22I'm sorry.
01:03:23I'm sorry.
01:03:24I'm sorry.
01:03:25I'm sorry.
01:03:26I'm sorry.
01:03:27I'm sorry.
01:03:28I'm sorry.
01:03:29I'm sorry.
01:03:30I'm sorry.
01:03:31I'm sorry.
01:03:32I'm sorry.
01:03:33I'm sorry.
01:03:34I'm sorry.
01:03:35I'm sorry.
01:03:36I'm sorry.
01:03:37I'm sorry.
01:03:38I'm sorry.
01:03:39I'm sorry.
01:03:40I'm sorry.
01:03:41I'm sorry.
01:03:42I'm sorry.
01:03:43I'm sorry.
01:03:44I'm sorry.
01:03:45I'm sorry.
01:03:46I'm sorry.
01:03:47I'm sorry.
01:03:48I'm sorry.
01:03:49I'm sorry.
01:03:50I'm sorry.
01:03:51I'm sorry.
01:03:52I'm sorry.
01:03:53I'm sorry.
01:03:54I'm sorry.
01:03:55I'm sorry.
01:03:56I'm sorry.
01:03:57I'm sorry.
01:03:58I'm sorry.
01:03:59I'm sorry.
01:04:00I'm sorry.
01:04:01I'm sorry.
01:04:02I'm sorry.
01:04:03I'm sorry.
01:04:04I'm sorry.
01:04:05I'm sorry.
01:04:06I'm sorry.
01:04:07I'm sorry.
01:04:08Well, this afternoon, I got a little box that finds metal underwater, you know, by sound.
01:04:17No diving?
01:04:18Oh, yes.
01:04:19But you only dive once, then you get it.
01:04:21Nico!
01:04:22Nico!
01:04:23Where is he?
01:04:24Nico!
01:04:25Where have you been?
01:04:26It's late for you!
01:04:27We have to go home!
01:04:28Quick!
01:04:29Why?
01:04:30It's not late!
01:04:31It is late!
01:04:32I'm sorry.
01:04:33No, that's all right.
01:04:34You take him home, put him to bed, and come on back.
01:04:35I'll be waiting for you.
01:04:36Dr. Calder knows everything, that we have tricked him, everything.
01:04:50Tomorrow he starts to go in a boat, but alone, to find our statue.
01:04:55He will take it away from us.
01:04:56Alone?
01:04:57He will never find it.
01:04:58He has a machine.
01:04:59It listens.
01:05:00An American machine.
01:05:01An underwater sound detector.
01:05:04Our friend, Dr. Calder, is a very determined man.
01:05:08You're right, my dear Phaedra.
01:05:09The statue must be moved tonight.
01:05:12Break out all necessary equipment, torch, lamp, ropes, oxygen, aqualungs, and send Tonino
01:05:19with them.
01:05:20Yes, sir.
01:05:21And I'll prepare to bring the statue aboard as soon as they return.
01:05:23You'll do nothing of the kind, not now.
01:05:26Not with Calder watching like a hawk.
01:05:28And certainly not in these waters.
01:05:31It's too risky.
01:05:33When the time is right, we will meet at this island, the one that looks like a whale.
01:05:40The transfer will take place there.
01:05:43Now listen carefully.
01:05:45You and your partner here will cut the statue loose from the ship's hull and move it into
01:05:50a cave, or better still, into the grotto nearby, the one beneath the lighthouse, here.
01:06:01After we are down, watch the float.
01:06:04You know the signals.
01:06:05One for rope, two for oxygen.
01:06:07Okay.
01:10:01Riff?
01:10:32Oh.
01:10:41Good morning.
01:10:42Did I wake you up?
01:10:45Yes.
01:10:46Well, I couldn't sleep last night.
01:10:47You didn't come to the taverna.
01:10:49You didn't show, so I...
01:10:50You're going to dive now?
01:10:53So early?
01:10:54No, not quite yet.
01:10:56It's going to be kind of lonely out there.
01:11:01I'll miss you.
01:11:10Oh.
01:11:11How do you like that for a laugh?
01:11:15I do not laugh.
01:11:18I only...
01:11:20Only what?
01:11:25I don't know what.
01:11:27I'll tell you what.
01:11:28You're the prettiest girl that ever lived under a windmill.
01:11:58I'll marry you.
01:12:21Don't worry.
01:12:23Hug me.
01:12:25I'm mixed up.
01:12:28Dr. James, Dr. James!
01:12:31Hi, lazy bug.
01:12:33Dr. James, I come with you, please?
01:12:36Sure, there's always room for you, partner. Hop aboard.
01:12:44Is that present for you, Dr. James?
01:12:47No, not exactly. In a second, we'll take a look at it.
01:12:50You know what this is?
01:12:52Look, it's a...
01:12:56Hey, you really go for that, don't you?
01:12:59Well, it's yours.
01:13:02For me?
01:13:03For you.
01:13:04Thank you, Dr. James.
01:13:06I can help you, please, Dr. James?
01:13:08Yeah.
01:13:10I can help you, please, Dr. James?
01:13:12Yeah.
01:13:14I can help you, please, Dr. James?
01:13:16Yeah.
01:13:17I can help you, please, Dr. James?
01:13:19Yeah.
01:13:21As a matter of fact, you can help an awful lot.
01:13:24When we go in the water, you listen to this gadget.
01:13:26When it goes tick, tick, tick...
01:13:29...you start to yell.
01:13:31Okay, if it makes tick, tick, I yell.
01:13:34Well, what are you going to do?
01:13:38Listen to the fishes?
01:13:40It's too soon sometimes.
01:13:42Reef, look, Dr. James gave it to me.
01:13:44Ah.
01:13:45It's all right for a small boy.
01:13:47Hey, doctor?
01:13:50I never found I needed a bigger knife.
01:13:55But for a strong man, this one is better, no?
01:13:59It all depends.
01:14:01Sometimes it's the other way around.
01:14:04Smaller the man, but the bigger the knife.
01:14:15Tick, tick, tick...
01:14:33Still no tick, tick, tick.
01:14:36Dr. James?
01:14:37You look for sponges?
01:14:40Right now, I'd settle for one.
01:14:42Here is no good for sponges.
01:14:44My sister never dives here.
01:14:48Oh, where does your sister dive?
01:14:50Sometimes over there, and sometimes over there.
01:14:53And once she dives over there.
01:14:56All good spots, huh?
01:14:57Not all good.
01:14:58Over there is much coral, deep.
01:15:01Feather, she cut her leg.
01:15:02It's not good.
01:15:05All the same, Nico.
01:15:07We go over there.
01:15:09Where your sister hurt her leg.
01:15:10Okay.
01:15:11Okay.
01:15:41No.
01:16:11No.
01:16:12No.
01:16:42Nice big canvas, Victor.
01:16:46Nice big sea, too, wasn't it called?
01:16:49Big, not too big.
01:16:50Well, well, a lie detector?
01:16:53I see.
01:16:55Who's your small scientific friend?
01:16:57He's a bright boy, almost as bright as his sister, Phaedra.
01:17:00And, and you know how bright she is.
01:17:02They don't come any brighter, Jim.
01:17:04You may as well face it.
01:17:06I'll be back in a minute.
01:17:08You may as well face it.
01:17:10How about a pick-me-up?
01:17:12You must need one.
01:17:13Badly.
01:17:15On the yacht?
01:17:17On the yacht.
01:17:19Go ahead, Jim.
01:17:20She's all yours.
01:17:21If you happen to find the boy an adult, then let me know.
01:17:23I'd like to see it myself.
01:17:25No, I think I'll take a rain check.
01:17:28Promise?
01:17:31I promise.
01:17:34Tonino.
01:17:35Yes, sir.
01:17:39I want you to take this message to Riff at once.
01:17:42Not the girl, to Riff.
01:17:44Now listen carefully.
01:18:05Riff!
01:18:07Riff!
01:18:22Sir.
01:18:23What do you want?
01:18:25You send for us to run quick.
01:18:27We run.
01:18:28You smile.
01:18:29Why?
01:18:31Now, Phaedra.
01:18:32Did you not see the boat for Mr. Pameli?
01:18:34Of course I saw it.
01:18:37But why did he send it to you?
01:18:39He sent it to tell me the plan.
01:18:41And now, I tell you the plan.
01:18:47Tonight, at the festival, you will dance for Dr. Calder.
01:18:52I dance when my feet tell me to, not when you tell me to.
01:18:56You will dance when I tell you to.
01:19:03You will dance for Dr. Calder.
01:19:05His eyes will only watch you.
01:19:07He will not watch me.
01:19:09While you dance, I will go away.
01:19:11I will go to Poros.
01:19:13And I will get a big fast boat tonight.
01:19:15Tonight?
01:19:16Tonight we are going to be rich, my little gypsy rich.
01:19:19Stop it. Not tonight.
01:19:20Tomorrow.
01:19:22Tomorrow, in the evening, we will go to the cave.
01:19:25Take the statue in the fast boat.
01:19:27And go quick to the island that looks like a well.
01:19:30And give the statue to Mr. Pameli.
01:19:32Then, we get money tomorrow.
01:19:34Tomorrow, did you say?
01:19:36Why not today?
01:19:43You talk too much.
01:19:44You drink too much.
01:19:46And I do not need you.
01:19:47I do not need anybody.
01:19:50If you too want money, you do what Riff say.
01:19:55What is this money, Riff?
01:19:57Where did you get it?
01:20:00Cleo, do you not trust me?
01:20:02Pameli gave the money to get the boat.
01:20:05Not for the doctor to get drunk.
01:20:11But why did you hit him?
01:20:18Pedro.
01:20:20He is angry with me.
01:20:23But she is still beautiful.
01:20:26And after tomorrow,
01:20:28she will not be angry.
01:20:30She will be rich.
01:20:33I kiss when I want to kiss.
01:20:38All right.
01:20:41But remember.
01:20:42Tonight, when you dance for color,
01:20:45you dance with your feet and your head.
01:20:47Not with your heart.
01:21:03I'm sorry, Riff.
01:21:05I spoke out of turn.
01:21:08All right.
01:21:09I forget it.
01:21:11But you watch her.
01:21:12That she dances.
01:21:13That she keeps him there.
01:21:15If we want money tomorrow,
01:21:17you do what I say tonight.
01:21:32All right.
01:22:02Ah.
01:22:26Ah.
01:22:28My dedicated
01:22:30and learned friend,
01:22:31I don't know what to call that.
01:22:33Won't you join me in a delicious glass of wine?
01:22:36No, thank you, doctor.
01:22:37I was just looking for...
01:22:44Hi.
01:22:46Hi.
01:22:48I've been waiting for you.
01:22:50Yes?
01:22:51You wanted to talk to me?
01:22:53No, I thought you might dance for me tonight.
01:23:02You're happy tonight.
01:23:04Oh, why shouldn't I be?
01:23:06Everybody's happy.
01:23:08Yeah, even Dr. Hawkins.
01:23:09He's very happy.
01:23:11And Riff,
01:23:13I wonder where Riff is.
01:23:17Riff's okay, too.
01:23:19What about you?
01:23:22Of course.
01:23:23I have every reason.
01:23:26I guess you have at that.
01:23:32Stop it.
01:23:33You're drunk.
01:23:35You will lose everything.
01:24:02Some wine, Dr. Hawkins?
01:24:05You know me, sir?
01:24:07You're not a stranger in Greece, Dr. Hawkins.
01:24:10A guest,
01:24:11but not a stranger.
01:24:12A guest?
01:24:14Yes, I suppose I am, really.
01:24:17I mean,
01:24:19you've put up with me for a long time, haven't you?
01:24:23Made me feel rather ashamed,
01:24:26in a way.
01:24:27Then,
01:24:28let's drink to ambition,
01:24:30riches,
01:24:32and above all,
01:24:34to trustworthy friends.
01:24:38To trustworthy friends.
01:24:43Now I will dance.
01:24:45For whom?
01:24:46For whom?
01:24:48For the dance.
01:24:58For the dance.
01:25:28For the dance.
01:25:46Papaji,
01:25:47three yachts left.
01:25:52When do they leave?
01:25:53Half an hour, maybe.
01:25:54I think.
01:25:56Thanks, partner.
01:25:57You, uh,
01:25:59you watch your sister dance.
01:26:00She's very good.
01:26:27Thank you.
01:26:57Cheers.
01:27:14Worked out well, didn't it?
01:27:17Smile, you dance,
01:27:19I watch.
01:27:21Rip meets Parmalee.
01:27:25You got a nice smile, Phaedra.
01:27:27You dance well.
01:27:28Just thought I'd tell you that.
01:27:30But don't ask me to shake your hand, it's too dirty.
01:27:35And your hand, Dr. Calder.
01:27:38When you dig in the earth,
01:27:39it's never dirty because,
01:27:41because you don't have to dig.
01:27:44You are a famous archeologic man.
01:27:46You do not shine shoes or work in the windmill,
01:27:48or dive for sponges and break your lungs.
01:27:51You are an American,
01:27:53and if you had founded a statue,
01:27:54you would have taken glory, yes.
01:27:56But not change Niko's life, or Rip's,
01:27:58or Dr. Hawkins' life by one piece of bread.
01:28:01That's why I'm happy you'll never see the statue in your life,
01:28:04Dr. Calder.
01:28:07I'm happy for you too, Phaedra.
01:28:10For you, for your partners.
01:28:13You got together, the statue's gone,
01:28:15you're set for the rest of your life.
01:28:17Yes, and it is good.
01:28:19And you're a cheat and a thief like any other thief.
01:28:23The only difference is,
01:28:24the house you stole from tonight is your own country.
01:28:27I am not a thief.
01:28:29I have not stolen.
01:28:30I have found.
01:28:32And what I have found in the sea is mine,
01:28:33to sell for me.
01:28:35What about your own people,
01:28:36the people of Greece?
01:28:37They're the losers.
01:28:38They'll never see it.
01:28:39You think the people of Greece,
01:28:40they live their life like you, in a museum?
01:28:43You think the people of Greece,
01:28:44they live their life like you, in a museum?
01:28:46What do you know about Greek people?
01:28:47You are an American.
01:28:49And you're a Greek girl,
01:28:50and it's a Greek statue.
01:28:51And being an American,
01:28:52it's none of my business.
01:28:54That is exactly right, Dr. Calder.
01:28:57Maybe.
01:29:00Maybe I don't know a lot about the Greek people.
01:29:03But I've learned something
01:29:04about the people of this island.
01:29:06Your statue could have meant
01:29:07excitement and pride to them.
01:29:09But no one's gonna see it now, no one.
01:29:12Don't you worry.
01:29:13You'll have everything in the world,
01:29:14except friends, neighbors, and a country.
01:29:22Go away, go away from this island.
01:29:28And I wish never to see you again.
01:29:43Go away.
01:30:10Wet noses.
01:30:11Sponges.
01:30:14Not a bad life after all, is it?
01:30:21The statue.
01:30:24Huh?
01:30:25It's still here in a cave.
01:30:27You want to see it now?
01:30:30It's a tough one.
01:30:32Tomorrow, we will go tomorrow.
01:30:34In the morning.
01:30:35It will be time enough.
01:30:38The statue's been down there a long time.
01:30:40I...
01:30:41I would want to lose it now.
01:30:43It is safe.
01:30:45It's in a secret cave.
01:30:48In the morning early,
01:30:50we will see it
01:30:52together.
01:31:00Promise?
01:31:10I promise.
01:31:41Jim.
01:31:43I don't know what has happened.
01:31:45Listen to me.
01:31:48I didn't do this or know about this.
01:31:51Riff must have come here.
01:31:53He has taken it this morning.
01:31:55Early, I guess.
01:31:57You think so?
01:31:59I don't think so.
01:32:01I don't think so.
01:32:03I don't think so.
01:32:05I don't think so.
01:32:07I don't think so.
01:32:08I guess.
01:32:10You think last night I stopped you so that he could take it?
01:32:13No, it's not true.
01:32:14It couldn't be.
01:32:16You didn't stop me.
01:32:17I stopped myself.
01:32:19Say you know I didn't do this.
01:32:20Say it.
01:32:22Or I lost everything, Jim.
01:32:23Forget it.
01:32:24I have.
01:32:25I threw away the only thing that mattered for
01:32:27something that will never matter.
01:32:29Don't say that.
01:32:38Here.
01:32:43It's not your fault you believed in your viewpoint.
01:32:46You stuck with it, but I didn't stick with mine.
01:32:49Jim.
01:32:51I'm sorry for this morning, for now.
01:32:56But I will never be sorry for last night.
01:33:03So.
01:33:05What will you do?
01:33:06What will I do?
01:33:08What you do is between you and Riff.
01:33:10What I do is
01:33:12between myself and the Greek government.
01:33:14I'll give them the facts, get off the island and
01:33:17go back and start digging.
01:33:36Fedra, Fedra!
01:34:07Fedra, Riff told me.
01:34:09You must come quickly.
01:34:11He has something for you, quickly.
01:34:13When did he send you to me?
01:34:15He has been looking for you.
01:34:17He is in this mobile.
01:34:19Come.
01:34:37Nico, wait for me.
01:34:39Please, I come with you.
01:34:41No, I have to talk to Riff, alone.
01:34:43I'll be back quickly.
01:34:45And do not come down.
01:35:07Hey, Riff.
01:35:09Fedra, I've been looking for you.
01:35:11Where have you been?
01:35:13Where is the statue?
01:35:15Ah, the statue.
01:35:17It will make your eyes want to see it.
01:35:20And why do you ask where is it?
01:35:22Tell me.
01:35:24Is it here? I want to know.
01:35:26I show you, come.
01:35:28And I will tell you why it is here, not in the cave.
01:35:31Tonight, we sail to the island and afterwards we go far away.
01:35:34I must get Nico, I must go to the house.
01:35:37To the house?
01:35:39Or to Calder?
01:35:41That's why I take the statue.
01:35:42That's why I take the statue.
01:36:03Oh, I'm sorry, chief, but I...
01:36:07Well, I hate to interfere in your work, but this is kind of important.
01:36:10I'm sorry, Dr. Calder.
01:36:12And you are right.
01:36:14It is important.
01:36:16You see, this will be one of our last games together, he and me.
01:36:19Perhaps the last.
01:36:21Oh, is that so?
01:36:23Pardon me while I catch a slow boat for Athens.
01:36:26But it is thanks to you, Dr. Calder, that it is so.
01:36:29Oh, you know my name.
01:36:31Glad I accomplished something.
01:36:33Of course I know it.
01:36:35I know also that you have come to warn us about the statue
01:36:38that is being taken to Mr. Parmely's yacht tonight.
01:36:42Ah, you want the jackpot.
01:36:44That's exactly the point.
01:36:46I have not won it yet.
01:36:49Well, that makes two of us.
01:36:51By the way, what do you do?
01:36:53In a small way, I represent the Greek government.
01:36:57For the past weeks, I've been watching you dive until I'm almost out of breath.
01:37:02Fortunately, Mr. Parmely feels the same way.
01:37:06As a result, we'll get him.
01:37:08You'll get the statue.
01:37:10Well, I hope you're right.
01:37:13Dr. Calder, if anything changes our plans, I'll let you know immediately.
01:37:19Will you be here?
01:37:21Yeah, I'll be here.
01:37:38Oh, my God.
01:38:09Oh, my God.
01:38:19The statue.
01:38:38If I let you lose, will you swim and run away?
01:39:09Oh, my God.
01:39:23Dr. Hawkins, Dr. Hawkins.
01:39:27Ah, Nico.
01:39:29Pedro, quick.
01:39:31The birds have flown.
01:39:33I'm afraid she's of the same feather.
01:39:35Flown together.
01:39:36Gone.
01:39:37No, Riff has taken her.
01:39:39He has tied her.
01:39:41Tied her?
01:39:43Tied her where?
01:39:44By the small bay, in the red cake.
01:39:46He can't find the water.
01:39:48Feather, she show me.
01:39:49The statue.
01:39:51The statue.
01:39:53I need water.
01:40:06The statue.
01:40:16Let's go.
01:40:36Ah, ah.
01:40:50You are angry, but it will not last.
01:40:53In two days, you will be in my country, Albania.
01:40:57And we will be married, and rich, and happy.
01:41:07In a hurry, Dr. Cutler?
01:41:11I can wait a few more seconds if I have to.
01:41:14A family I have waited for years.
01:41:36Water.
01:41:37Water.
01:41:39Water.
01:42:05Better receive cargo. Stand by to weigh anchor.
01:42:07Mr. Family, are you there, sir?
01:42:10Of course I'm here. Stop talking and hoist your cargo.
01:42:31Where is it?
01:42:32First the mud.
01:42:37First the mud.
01:43:08Mr. Family.
01:43:10We have never met before.
01:43:13But if I may say so, I know your work.
01:43:15Thank you.
01:43:16Nevertheless, whoever you are, flattery will get you nowhere.
01:43:20It is not flattery, mister.
01:43:22I represent the Greek government.
01:43:25In that case, you may apologize briefly and leave.
01:43:28You are under arrest, Mr. Family.
01:43:30Arrest?
01:43:31Yes.
01:43:32You may apologize briefly and leave.
01:43:34You are under arrest, Mr. Family.
01:43:36Arrest?
01:43:37This is preposterous.
01:43:38On what charge?
01:43:39Theft of Greek national property.
01:43:43Hi, Victor.
01:43:44Hi.
01:43:45Is it okay to go and get that rain check?
01:43:47Go ahead. It appears to be that kind of night.
01:43:50It's not on the yacht.
01:43:51How do you know?
01:43:54I guess I know Victor Parmely.
01:43:58Hold it. Cross your fingers.
01:44:02I guess I know Victor Parmely.
01:44:33Well, Victor, this must be yours. It's got your monogram on it.
01:44:37Rather incriminating evidence, Mr. Parmely.
01:44:40Of what?
01:44:42Attempted theft of Greek national treasure.
01:44:45Before you handcuff me, may I, in the interest of Greek justice, ask one simple question?
01:44:52Go ahead, please.
01:44:54This treasure I'm to be arrested for stealing.
01:44:56Might I be told its size, weight, and color?
01:44:59Might I be told its size, weight, and color?
01:45:03Its age, shape, and value?
01:45:07Have you seen it?
01:45:09Have you?
01:45:10Or you?
01:45:13Well, there go your handcuffs.
01:45:16Have you, Mr. Parmely?
01:45:18I have not.
01:45:20You admit no guilt whatsoever.
01:45:21To the contrary.
01:45:23I am 100% guilty of an unforgivable crime.
01:45:27A crime of failure.
01:45:28Well, under the circumstances, Dr. Calder,
01:45:31perhaps it would be better for us to wait for Mr. Parmely until...
01:45:36the next time.
01:45:38Until the next time, Calder?
01:45:40Well, it's been a long night.
01:45:42Let's head for home.
01:45:44Let's.
01:45:50Weigh anchor.
01:45:58Weigh anchor.
01:46:17Order, sir.
01:46:19Ah, yes, orders.
01:46:21Course, southwest by west.
01:46:24Speed, 12 knots.
01:46:26Destination.
01:46:29Destination.
01:46:32Monte Carlo.
01:46:59Strange. So empty.
01:47:02They must have gone to the ball game.
01:47:16Hitch a ride to Athens.
01:47:19I'll be back in three minutes.
01:47:20Good.
01:47:28Good.
01:47:59No!
01:48:02No!
01:48:09Ferra!
01:48:11Ferra!
01:48:13Si, I can't.
01:48:15I can't.
01:48:17You told me.
01:48:18It is good?
01:48:21It is good.
01:48:23Dr. Jean, I can't.
01:48:25Good work, Nico.
01:48:26How do you like that little guy?
01:48:28Went under the boat and cut the ropes and...
01:48:30cut them underwater with a pocket knife.
01:49:26No!
01:49:28No!