SALINE GRACE - MERCY AND DELIVERANCE (Official Music Video))
- 3 years ago
Saline Grace is the new project of Ricardo Hoffmann, who is known as the composer and poet of the German avant-garde band Nobility Of Salt. Supported by his
long-term bass player and companion through life, Ines Pollok, the amazing multi-instrumentalist and singer presents his first solo album, called “Border Town Shades”.
Strongly influenced by the works of Dostoevsky, Kafka and Bukowski, Ricardo Hoffmann has written claustrophobicly profound songs about desperation and the blackest depths of misery, candle-lit rooms full of tragedies, forlorn sinners and deceptive roads which are surrounded by broken telegraph poles, low-hanging wires, sadness and peculiarly grown trees, leading into nowhere and failure. He also tells us about the human’s eternal yearning for deliverance and his hope for God’s doubtful mercy, presenting now with Saline Grace a 17-track-album of incredibly emotional depth.
On “Border Town Shades” his extraordinarily filigree guitar style has been woven into antiques such as piano, organ, banjo and marimba, building up together with Ines Pollok’s powerful bass, admonishing bells and stylishly played drums a remarkable mixture of Americana, psychedelic and folklore of old
Eastern Europe which creates an oppressively sinister atmosphere. Within the centre of this soundscape, in the tradition of Nick Cave, And Also The Trees, Woven Hand or Leonard Cohen stands ominously, full of urgency and often with amazing warmth the marvellously narrative voice of Ricardo Hoffmann, who, like creeping out of the human psyche’s repressed depths, sometimes supported by means of using choirs, knows to celebrate his fateful tales and philosophic poems.
Indeed, with “Border Town Shades” Saline Grace seems to roam a sinister valley on a rain soaked, covered wagon whose wheels pass through that muddy soil, where Nick Cave once laid down The Carny’s old nag named Sorrow.
long-term bass player and companion through life, Ines Pollok, the amazing multi-instrumentalist and singer presents his first solo album, called “Border Town Shades”.
Strongly influenced by the works of Dostoevsky, Kafka and Bukowski, Ricardo Hoffmann has written claustrophobicly profound songs about desperation and the blackest depths of misery, candle-lit rooms full of tragedies, forlorn sinners and deceptive roads which are surrounded by broken telegraph poles, low-hanging wires, sadness and peculiarly grown trees, leading into nowhere and failure. He also tells us about the human’s eternal yearning for deliverance and his hope for God’s doubtful mercy, presenting now with Saline Grace a 17-track-album of incredibly emotional depth.
On “Border Town Shades” his extraordinarily filigree guitar style has been woven into antiques such as piano, organ, banjo and marimba, building up together with Ines Pollok’s powerful bass, admonishing bells and stylishly played drums a remarkable mixture of Americana, psychedelic and folklore of old
Eastern Europe which creates an oppressively sinister atmosphere. Within the centre of this soundscape, in the tradition of Nick Cave, And Also The Trees, Woven Hand or Leonard Cohen stands ominously, full of urgency and often with amazing warmth the marvellously narrative voice of Ricardo Hoffmann, who, like creeping out of the human psyche’s repressed depths, sometimes supported by means of using choirs, knows to celebrate his fateful tales and philosophic poems.
Indeed, with “Border Town Shades” Saline Grace seems to roam a sinister valley on a rain soaked, covered wagon whose wheels pass through that muddy soil, where Nick Cave once laid down The Carny’s old nag named Sorrow.