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00:00:00Do you want to know what happened to the other two?
00:00:02No, I don't.
00:00:04I'm not sure.
00:00:06I don't know.
00:00:08I don't know.
00:00:10You don't know?
00:00:12No.
00:00:14I don't know.
00:00:16I don't know.
00:00:18I don't know.
00:00:20I don't know.
00:00:22I don't know.
00:00:24I don't know.
00:00:26I don't know.
00:00:28I don't know.
00:00:30I don't know.
00:00:32I don't know.
00:00:34I don't know.
00:00:36I don't know.
00:00:38I don't know.
00:00:40I don't know.
00:00:42I don't know.
00:00:44I don't know.
00:00:46I don't know.
00:00:48I don't know.
00:00:50I don't know.
00:00:52I don't know.
00:00:54I don't know.
00:00:56I don't know.
00:00:58I don't know.
00:01:00I don't know.
00:01:02I don't know.
00:01:04I don't know.
00:01:06I don't know.
00:01:08I don't know.
00:01:10I don't know.
00:01:12I don't know.
00:01:14I don't know.
00:01:16I don't know.
00:01:18I don't know.
00:01:20I don't know.
00:01:22I don't know.
00:01:24are not as for wine.
00:01:30A thirst that from the soul doth rise,
00:01:36the faster drink divine.
00:01:43But might I opt of nectar's cup,
00:01:50I would not change for thine.
00:01:59It's a beautiful example of musical expression.
00:02:02Sounded like a broken-down Deutsch.
00:02:09Hey, Dave!
00:02:12Dave!
00:02:15What color are your eyes?
00:02:18If you don't want them to be black, you better keep them open.
00:02:20I want you to pay some attention to this lethargy in opera.
00:02:24Benny!
00:02:25You're dimming a little on your diminuendo.
00:02:27Oh, that's fine.
00:02:28Yes.
00:02:29Great.
00:02:30You, from you, I want a little more sweetness.
00:02:33But I'm singing sweet.
00:02:34If you can't sing any sweeter than that, you better hum.
00:02:37And Rocky, M.F.
00:02:40That's for you.
00:02:41M.F.?
00:02:42What does that mean?
00:02:43Well, uh, I don't know.
00:02:44Look, it says M.F. there.
00:02:45What do I know from those Latin abbreviations?
00:02:47Hey, um, I, uh, think it means, uh, misfeeling.
00:02:51Misfeeling.
00:02:53Danny, you let me down a waste of all.
00:02:56Your moderato obbligato was just a little bit, uh, staccato.
00:03:00Uh.
00:03:01I'm sorry, Rotsman.
00:03:02I got a cold.
00:03:03What?
00:03:04I said I'm awfully sorry.
00:03:05But I got a cold!
00:03:07Quick.
00:03:08Quick, he's in voice.
00:03:09Play it again.
00:03:09Play it again.
00:03:10Play it again, I say.
00:03:12Come on, once more.
00:03:14Sing to me only with thine eyes, and I will pledge with mine.
00:03:28For he that is within the cup that I'll not have for wine.
00:03:43Oh, that's lovely, boy.
00:03:45Perfectly lovely.
00:03:47The rosary's always been one of my favorite hymns.
00:03:50Oh, you ain't heard nothing yet.
00:03:51Why don't we polish it off a little?
00:03:52Oh, good.
00:03:56Is she kidding?
00:03:57He must have a tin ear.
00:03:58Yeah, we're pretty good.
00:04:01I'm going to tell you something.
00:04:02This thing must have some more crescendo.
00:04:05If you ask me, it's a little bit on the staccato side.
00:04:08You know what I mean.
00:04:10Now, screw no one glimping.
00:04:11Let's have your version of this number.
00:04:14Drink to me only with thine eyes, and I'll pledge with mine.
00:04:21See what I mean?
00:04:22Yeah.
00:04:23You know what you were doing before?
00:04:24Yeah.
00:04:25You see what they're doing now?
00:04:26Yeah.
00:04:27Well, I want you to reach a happy medium.
00:04:29Now, hit that last note.
00:04:31What are you doing?
00:04:32You told me to hit it.
00:04:34You've got a gentleman, ain't you?
00:04:35Give him a pick and send him home.
00:04:37I'll give you a kick in the head.
00:04:39Come on, more music.
00:04:40Drink to me only with thine eyes, and I'll pledge with mine.
00:04:48Bend your feet, kid.
00:04:49You'll get a draw.
00:04:50Now, don't let me start.
00:04:51We'll keep right on rehearsing.
00:04:52It's getting better all the time.
00:04:54Come on, we'll go upstairs.
00:04:55Let's go to my house.
00:04:56It's quieter there.
00:04:57I will never get rehearsed.
00:04:59Hey, Marks, why can't I sing in a quartet?
00:05:01I used to sing in a quartet with six members.
00:05:03I can sing those fortissimos aloud, too.
00:05:05You can't sing at this ceremony.
00:05:07You're the best man.
00:05:08I wouldn't say that.
00:05:09I'm pretty good.
00:05:10You're only the best man because your sister's getting married.
00:05:12It don't mean you're the best, or it don't even mean you're a man.
00:05:15Now, do you know what to do when this ritual starts?
00:05:17Yeah, when a guy asks me for the ring, I run home and get it.
00:05:19What do you mean you run home and get it?
00:05:20You already got it.
00:05:21I don't see it.
00:05:23Wimpy, did you hack that ring?
00:05:26Oh, Mugs, you cut me to the quick.
00:05:29Here you are, dear.
00:05:31Oh.
00:05:33Oh, you look beautiful.
00:05:35Come here, Mommy.
00:05:36You promised not to cry.
00:05:38Oh, I know.
00:05:39I know.
00:05:40But when I think of you moving clear out into the country,
00:05:43into a strange house you've never even seen.
00:05:45It isn't so far.
00:05:46It's only two miles from the end of the subway.
00:05:48And Jack says it's beautiful.
00:05:50We were lucky to get it some cheese.
00:05:52I suppose so.
00:05:53But when I think of you.
00:05:54The owner promised to be out today, and we can move in tonight.
00:05:56Oh.
00:05:57Oh.
00:05:58Oh, dear, Mommy.
00:05:59Don't cry.
00:06:00You'll get your nose all red.
00:06:01Come on.
00:06:02Let's try on the ring.
00:06:03But I will not hang for mine.
00:06:16What is this?
00:06:17Dubby's tavern?
00:06:18Why didn't I ask you guys to go to all this trouble?
00:06:21You ain't seen nothing.
00:06:22This is going to be the most pre-temptation wedding
00:06:24that Avenue A ever witnessed.
00:06:25Where's Betty?
00:06:26Eh, she's in her room seeing which window
00:06:28curtain looks best on her.
00:06:29Yeah.
00:06:30Watch out for my glasses.
00:06:31You want a police escort at this wedding?
00:06:32Oh, I'm afraid they only go to society weddings, Mugs.
00:06:34You want a police escort?
00:06:36Well, sure.
00:06:37I'll get it.
00:06:38How do you like the place?
00:06:39How does it look?
00:06:40Oh, it looks fine.
00:06:41I think it needs a few more declarations.
00:06:44Hey, Stacks, Skinny.
00:06:45Scudo.
00:06:46Yeah.
00:06:47Get out there and rustle up some more flowers.
00:06:48Oh, that's fine.
00:06:49Some more flowers?
00:06:50All right.
00:06:51All right, let's go.
00:06:52Snap on it.
00:06:53What's the matter, Jackie?
00:06:54You nervous?
00:06:55Oh, not at all.
00:06:56I thought I would be.
00:06:57Oh, oh, Blimpy, before I forget it here,
00:06:59you better take this ring.
00:07:00Oh, he ain't.
00:07:01Now, just look at his hand.
00:07:02Better stay apart.
00:07:03Hold it, and don't lose it.
00:07:05Oh, I won't lose it.
00:07:06I'll put it right here so he can go.
00:07:07You'll lose it if you put it there.
00:07:08Here, keep it on your finger.
00:07:09There.
00:07:10Now, you won't lose it.
00:07:11Does this mean we're engaged?
00:07:12Oh.
00:07:13What are you wearing this afternoon?
00:07:15I'm going to wear my black and white checker ensemble.
00:07:17You can't wear that zoot suit.
00:07:19This is a serious occasion.
00:07:20What are you wearing, Jack?
00:07:21A tuxedo.
00:07:22All right, Danny, Rocky, go out and get
00:07:23Blimpy a tuxedo, a reasonable facsimile.
00:07:26Right.
00:07:27On our way, Mugs.
00:07:28Hey, you think I'm wearing one of them
00:07:29monkey suits with a collar and tie?
00:07:30You wear what I tell you, and you'll like it.
00:07:32OK, well, get it or wear it.
00:07:33Say, has the agent been here with the papers
00:07:35on my house yet?
00:07:36Not yet.
00:07:37You know, I wish I was a big airplane engineer
00:07:39so I could buy one of those houses in the suburbs.
00:07:41Well, the house is a steal, Mugs,
00:07:43or I couldn't have bought it.
00:07:44I only hope there isn't anything wrong with it.
00:07:45Well, what makes you think there's
00:07:46anything wrong with it?
00:07:47It's too good to be true.
00:07:48Oh, you just got those before the wedding jitters.
00:07:50You'll get over that.
00:07:51You need a little more experience.
00:07:52You really think the place looks pretty nice, huh?
00:07:54Oh, it's fine, Mugs.
00:07:55Yeah, it could look better with some of them
00:07:57pictures on the wall, those paintings, those morales.
00:07:59Not morales, morals.
00:08:01Look, uh, you guys mean, uh, murals?
00:08:03Oh, yeah, yeah, yeah, that's right.
00:08:05He threw me off.
00:08:06You know, he's, uh, dumb sometimes.
00:08:07Well, look, I gotta go make a phone call.
00:08:09I'll see you later.
00:08:10OK.
00:08:11Hey, Mugs, uh, what is it with those, uh, superbs?
00:08:13What are they?
00:08:14Superbs?
00:08:15Well, that's a place where you got no running water,
00:08:16you got no trolley cars, you got nothing.
00:08:18Oh, poor people, huh?
00:08:19That's right.
00:08:20Let's go.
00:08:21Hey, Dave.
00:08:24Dave.
00:08:28Hey, fellas, look here, look.
00:08:30Look, I got some bottles.
00:08:31Put them back.
00:08:32Put them back.
00:08:33Oh, they need a little water, that's all.
00:08:35Put them back.
00:08:36OK.
00:08:58Why, now, look here.
00:08:59That's supposed to bring good luck.
00:09:01Oh, that's fine.
00:09:02Now, Mugs said we gotta keep the wedding honest.
00:09:04Didn't he?
00:09:05Yeah.
00:09:07Anybody got any string?
00:09:28Man, look at all of them pretty poses laying there.
00:09:31Must have fallen out of the truck.
00:09:32Yeah.
00:09:33Should I call him back?
00:09:34Yeah, you better.
00:09:35Hey, mister, you dropped your flowers.
00:09:39I guess he didn't hear me.
00:09:41Too bad.
00:09:42Shall we?
00:09:48Well, I guess that says everything, Mr. Gibson.
00:09:50You have the papers and the keys to the house,
00:09:52and I hope you'll both be very happy.
00:09:54Well, thank you very much.
00:09:55Oh, how about the present owners?
00:09:56Have they moved yet?
00:09:57Oh, they'll be out in plenty of time for you to move in.
00:09:59I hope so.
00:10:00After all, it's our honeymoon, you know.
00:10:02Oh, sure, sure.
00:10:03I understand.
00:10:04I was married myself once.
00:10:06Boy, will I ever forget that.
00:10:09Well, maybe you'll have better luck.
00:10:11I hope so.
00:10:12Oh, how about the house?
00:10:13You say it's in pretty good condition.
00:10:15Well, it could stand a little fixing up, maybe.
00:10:17By the way, you're not superstitious, are you?
00:10:19Why?
00:10:20Well, the old couple are trying to tell me
00:10:22that the house next door is haunted.
00:10:24Haunted?
00:10:25You know how old people are, always imagining things.
00:10:27Oh, I do.
00:10:28Of course, it's a lot of nonsense.
00:10:30Well, goodbye, Mr. Gibson.
00:10:32Goodbye.
00:10:33And may the house soon be filled with many pleasant memories.
00:10:36Oh, thanks a lot.
00:10:37Bye.
00:10:38Bye.
00:10:39OK.
00:10:40Here's everything except the shoes.
00:10:42You don't need them, do you?
00:10:43Oh, no, thanks.
00:10:44He's got his own shoes.
00:10:45And this collar may be a little small for Glimpy,
00:10:47but it's the best I can do.
00:10:48Oh, that's right.
00:10:49Glimpy's got a small neck anyway.
00:10:50Yeah, this is swell.
00:10:51We'll take good care of it, too.
00:10:52Well, make sure you get it back tonight.
00:10:54I need it for Louie to look tomorrow.
00:10:56OK.
00:10:57Come on, Rock.
00:10:58Right, Danny.
00:11:09What's the matter, Jack?
00:11:10Oh, nothing, Mrs. Williams.
00:11:11Nothing at all.
00:11:12Look, can I see Betty just for a minute?
00:11:14Oh, I should say not.
00:11:15Why don't you know it's bad luck for the groom
00:11:17to see his bride before the wedding?
00:11:18Oh, Mom, just for a minute.
00:11:19No, you'll be seeing her soon enough.
00:11:21Now, you run along and fill your papers.
00:11:24We was just downtown, and we heard some detectives
00:11:26down there talking about a mob going to break
00:11:28in on Jack Gibson's wedding.
00:11:29We didn't think you'd like any of those downtown guys
00:11:31coming up here and making a pinch right under your nose.
00:11:34I see.
00:11:35Whose mob is it?
00:11:36Well, we didn't get none of the details.
00:11:37We was in a hurry.
00:11:38I think he said it was one of the catchmen mob.
00:11:41OK, I'll have a couple of them then, take care of it.
00:11:43The address is 32 East 33rd Street.
00:11:4632 East 33rd.
00:11:48Yeah, 5 o'clock.
00:11:495 o'clock.
00:11:50All right, boys.
00:11:51Thanks, Lieutenant.
00:11:52We'll return the favor someday.
00:11:59Hey, Shorty, would you mind sitting over there?
00:12:01That chair is reserved for the bride's mother.
00:12:03OK, thanks.
00:12:15Stand still, will you?
00:12:18Oh, you look swell, Glimpy.
00:12:19What's the trouble?
00:12:20Oh, we can't get this collar on.
00:12:21Can't get the collar on, huh?
00:12:23Stand back.
00:12:24Let me take a crack at it.
00:12:25Get him from the back, Danny.
00:12:27Now, push in a little bit.
00:12:29Take a deep breath.
00:12:31Now, hold it.
00:12:32Let's see.
00:12:33This one goes in here.
00:12:35All right, now.
00:12:36That's what I told you to hold it.
00:12:37What, do you think I am a coil diver?
00:12:39Look, don't give me no opposition.
00:12:40Just do like I tell you.
00:12:42Now, pull in your Adam's apple.
00:12:44Pull it in.
00:12:45Come on, I'm getting it.
00:12:47I'm getting it.
00:12:48Don't move.
00:12:49Don't.
00:12:50I got it.
00:12:51I got it.
00:12:52Now, that's what I told you to hold your breath.
00:12:54Pull in your Adam's apple.
00:12:56There you are.
00:12:57You're getting green.
00:12:58I got it.
00:12:59There.
00:13:00He's all right.
00:13:01Get him up.
00:13:02Let him relax his muscles.
00:13:03All right, pull him up.
00:13:04There you are.
00:13:05How's that?
00:13:06Good.
00:13:07How's your voice, Danny?
00:13:09It's much better, I think.
00:13:10Well, don't use it till you have to sing.
00:13:16Tight.
00:13:17Oh, it's all in your mind.
00:13:18That's not tight.
00:13:19You got lots of room there.
00:13:20There you are.
00:13:21You see that?
00:13:27Muggs, look what we got.
00:13:29Yeah, Muggs, look at this.
00:13:31Oh, that's beautiful.
00:13:32Now, that's got some class.
00:13:36What's that?
00:13:37What?
00:13:38Rest in peace.
00:13:41In loving memory to Louie the Lug from the gang,
00:13:45we didn't mean to shoot you, Louie.
00:13:48Honest.
00:13:51Where did you get that?
00:13:52On a street.
00:13:54On a truck.
00:13:56Fell off.
00:13:59You know that Sacralurius?
00:14:01No kidding?
00:14:03Take it back.
00:14:05Take it back.
00:14:07Take it back.
00:14:09Guy ain't got no conscience.
00:14:11Can you imagine a thing like this?
00:14:13Hey, wait a minute.
00:14:14Come here.
00:14:18I don't suppose it would be any more Sacralurius
00:14:20if we brought it back after the wedding.
00:14:22Put it in the parlor.
00:14:24Wait a second.
00:14:27Gotta return that after the wedding.
00:14:29Take it away.
00:14:32Here, hold on to those.
00:14:34Hey, that's funny.
00:14:35This is Louie's suit.
00:14:37What are you doing?
00:14:38I ain't wearing this.
00:14:39Don't worry about nothing.
00:14:40Louie don't need that suit until tomorrow.
00:14:42Yeah, but can't I wear my check suit
00:14:43with the belt on the back?
00:14:44No, you can't.
00:14:45This is a high class wedding.
00:14:46You're going to wear that suit right there.
00:14:47Oh, but Mark, this suit belonged to Louie.
00:14:50I bet I know what killed him.
00:14:52His collar choked him to death.
00:14:54What are you taking a collar off for?
00:14:56What's the matter with you?
00:14:57Grab it.
00:14:58Hey, you.
00:14:59Fellas, I didn't mean it.
00:15:00I'm sorry.
00:15:01You better get it back on.
00:15:02You must not move into that house, I tell you.
00:15:05You made one mistake, Tony,
00:15:07by not buying it from the Elwoods.
00:15:09Now, don't make another mistake.
00:15:11Get that place from Gibson.
00:15:13Yeah, but Gibson's getting married today.
00:15:15Why don't we just wait?
00:15:17Do you question my orders?
00:15:18No, it isn't that, Emil.
00:15:20It's just that I can't see why this guy
00:15:23would be any worse in that house than the Elwoods.
00:15:25You can't see?
00:15:27That old couple was too frightened to interfere.
00:15:29But nobody knows what this young fool will do.
00:15:32All right, Emil.
00:15:33I'll get it.
00:15:34And try to use your head.
00:15:36Get him along.
00:15:38All right.
00:15:40Come on, kids.
00:15:41I don't take that off again.
00:15:42Hey.
00:15:43You fellas ready yet?
00:15:44It's about time to get started.
00:15:45What's the matter?
00:15:46Clumpy's neck was a little bit too big for the collar,
00:15:48but it's OK now.
00:15:49Oh, well, where's the tie?
00:15:51Right there.
00:15:52Oh, put it on.
00:15:53There's a fella outside says he has to see you.
00:15:55I can't see him now.
00:15:56I'm getting married.
00:15:57He says it's important.
00:15:58Who is he?
00:15:59I don't know, but he says it'll just take a few minutes.
00:16:01OK.
00:16:02I'll be right back, fellas.
00:16:11Hi, Jack.
00:16:13Oh, Tony, I haven't seen you for a long time.
00:16:15Where have you been?
00:16:16I've been busy.
00:16:17I know you're in a hurry, and I won't take up much of your time.
00:16:20I want to buy that house on Elm Street.
00:16:22Oh, don't be crazy.
00:16:23I just bought it myself.
00:16:24I know you did, and I know what you paid for it.
00:16:27I represent a party that, well, they're
00:16:30willing to double what you gave for it.
00:16:32Why?
00:16:34Why do they want my place?
00:16:35What difference does it make?
00:16:36They want it.
00:16:37They're willing to pay for it.
00:16:39Now the answer's no.
00:16:40Oh, wait a minute.
00:16:41You can't take a bride in a house like that.
00:16:44Look, suppose you tell me what all this mystery
00:16:47about that house is, huh?
00:16:49Haven't you heard?
00:16:50You know that big estate next door?
00:16:52Yeah.
00:16:53It's haunted.
00:16:57What do you know?
00:16:58All right, laugh at your life, but why do you
00:17:01think they sold it to you so cheap?
00:17:04Well, who lives next door?
00:17:06And why do they want my place?
00:17:08Well, let's say that they're eccentric.
00:17:11They don't like neighbors.
00:17:13All right, now that's perfect.
00:17:14Don't touch nothing.
00:17:21OK, line up like I told you.
00:17:23And don't forget your crescendos and diminuendos,
00:17:25and I don't want no altercations in the lyrics.
00:17:28Let's go.
00:17:33You're on a step, you old lug.
00:17:54So you can see why you don't want to take
00:17:56your wife to a place like that.
00:17:58No, I guess I don't.
00:17:59But she has her heart set on going there tonight.
00:18:02I understand that.
00:18:03Look, Jack, there's $500 to buy the deal.
00:18:06Why don't you take your wife away for a few days?
00:18:08You know, on a honeymoon.
00:18:09You have to do that anyway.
00:18:11Explain about the house when you get back.
00:18:13If I had more time, I'd...
00:18:14Oh, look, forget all about business till you come home.
00:18:17Here, when you get ready to close the deal,
00:18:20write me at this address.
00:18:21They'll get in touch with me.
00:18:23This is a place next to mine, huh?
00:18:25A haunted house.
00:18:28OK.
00:18:29Look, Jack, just a word of warning.
00:18:32When you do get back, write to me.
00:18:34Don't go out there.
00:18:35Yeah, OK.
00:18:36I'll see you later.
00:18:42Hey, Dave.
00:18:44Dave.
00:18:51Dave.
00:19:02Bring to me only with thine eyes
00:19:09and I will bless with mine
00:19:16I'll leave a kiss within a cup
00:19:21and I'll not ask for more
00:19:28The thirst that throngs the souls of Christ
00:19:34the faster drink of wine
00:19:40But I am pure nectar, sir
00:19:46I would not drink for thine eyes
00:19:56Are you ready, Glimpy?
00:19:58Yeah.
00:19:59We're all dirty.
00:20:00Come on.
00:20:10Dave.
00:20:17Dave.
00:20:40Dave.
00:20:42Dave.
00:20:43♪♪
00:21:09Dearly beloved, we are assembled here today to join this man and this woman in holy marriage.
00:21:17For as much as these two persons have come hither to be made one in the holiest state,
00:21:23if there be any here present who know any just cause why they may not lawfully be joined
00:21:28in marriage, I require him now to speak or forever hold his peace.
00:21:39I now pronounce you man and wife.
00:21:43♪♪
00:21:58♪♪
00:22:18Hey gang, Flippy's getting asphyxiated! He's suffocating!
00:22:23♪♪
00:22:30There's so much fuss about a cut or a leg.
00:22:32Clip! Clip! Clip!
00:22:35Hey, you all right now? You feel good?
00:22:40Fine!
00:22:41♪♪
00:22:52Mindy, why don't you invite us all over to your new home? We could have a party.
00:22:57Well, I'd like to very much, Daddy, but...
00:22:59Well, it's all right, darling. We're not going out there tonight anyway.
00:23:02Not going to our new house? But Jack, why not?
00:23:05Well, it's... Well, I made some extra money, so I thought we'd take a little trip first.
00:23:11You know, a honeymoon.
00:23:13You know anything about that, Clippy?
00:23:15Smooth to me.
00:23:17Well, the place needs an awful lot of fixing up, you know.
00:23:21I... I hope you don't mind, darling.
00:23:24Oh, no, darling. Anything you want to do is all right with me.
00:23:28You've got lipstick all over you.
00:23:30Oh.
00:23:36322 Elm Street.
00:23:38That must be his new house.
00:23:40Certainly is, maybe.
00:23:41Well, folks, I guess we'd better go. Come on, darling.
00:23:43Come on, darling.
00:23:55Tom's Day I hope to get married. You know that, Scruto?
00:24:00What have you got there, Scruto?
00:24:01Man, this is rice.
00:24:02What's the idea of the plan?
00:24:04Nothing. I just had my mom cook it, so it'll be nice and soft.
00:24:07Uh-huh. I see what you mean, right?
00:24:10Hey, where are those gangsters that are supposed to be here?
00:24:15Gangsters?
00:24:16Yeah, gangsters.
00:24:17Well, uh, maybe they lost the address or, uh, maybe you scared them away.
00:24:21Yeah, you look like an old-time scarer.
00:24:23Why don't you use some diplomacy?
00:24:25I got my diploma when I graduated from school.
00:24:27Did you graduate kindergarten?
00:24:29Oh, I skipped kindergarten. I was too old.
00:24:31Here they come!
00:24:46More vanilla.
00:24:48Louie isn't going to like this.
00:24:55You shouldn't have sold that nice young couple the house without warning them.
00:24:59Now, Sarah, there's no use starting something that we can't actually prove.
00:25:03You know in your heart, John, there's something going on in that house next door that isn't strictly honest.
00:25:08But we don't know positively, Sarah.
00:25:10Why, John Elwood, how can you say that after all we've seen and heard in the last six months?
00:25:16Now, now, let's not talk about it anymore.
00:25:18We're out of there and finished with the whole thing.
00:25:21Well, I'm not finished with it.
00:25:25What are you going to do?
00:25:26Phone the police.
00:25:29Now, wait a minute, wait a minute.
00:25:31They'll ask a lot of questions, and the first thing you know, we'll be held as material witnesses.
00:25:35They don't have to know who gave them the information.
00:25:38Now, I wouldn't do it now, Sarah.
00:25:41Well, I would.
00:25:43Give me the police.
00:25:50Police Department. Lieutenant Brady speaking.
00:25:53This is Mrs. John G.
00:25:59I wish to report some mysterious goings-on at 322 Elm Street.
00:26:04322 Elm.
00:26:07What kind of goings-on?
00:26:09Oh, there's noises and screams and people going in and out all hours of the night.
00:26:14All kinds of funny businesses.
00:26:16Who is this speaking?
00:26:18This is Mrs. John G.
00:26:24Hello? Hello?
00:26:28Take that call.
00:26:30Ben and Mulligan and O'Brien.
00:26:36Well, I think that's the place.
00:26:38Don't look very cheerful, though, does it?
00:26:40You certainly do not.
00:26:41Now, come on, get your tools. We've got a hard night's work.
00:26:44Come on, Glimp.
00:26:45Okay.
00:26:53Oh, look at the beautiful flowers.
00:26:56Can't put ketchup on flowers.
00:26:58Hey, this is a pretty big place for two people, ain't it?
00:27:00Yeah.
00:27:02Hey, there's a house down there. Looks more like the place Jack was talking about.
00:27:08Yeah, it does, it does.
00:27:10What did I do with that card?
00:27:13Hey, Glimpy, my eyes ain't so good. What's the number on that house?
00:27:20322.
00:27:21Well, what's the number on that card?
00:27:25322.
00:27:26That must be the place, then.
00:27:27Looks like it.
00:27:28Hey, what are you guys waiting for? We want to decorate this house tonight, not tomorrow. Let's go.
00:27:32We're coming, we're coming. Come on, guys, let's go.
00:27:34All right.
00:27:38You got all the accessories?
00:27:39Yeah, we got everything.
00:27:40Okay.
00:27:46Hey, Glimpy, give me the key.
00:27:48Me, me, me, me.
00:27:49Give it to me.
00:27:51Yeah, yeah.
00:27:52The key to the house.
00:27:54Oh, gee, you crazy?
00:27:55Lucky I got the address.
00:27:57Just a little detail we overlooked, I guess.
00:27:59Well, let's go home.
00:28:00Yeah, let's go.
00:28:01Come on back here.
00:28:02Ain't you got no ingenuity?
00:28:04Give me that hammer.
00:28:11Remind me to put a new glass in there in the morning.
00:28:13Hey, Muggs, watch out. You might cut your jugular.
00:28:20What's the matter with you guys? You scared?
00:28:22Oh, I'm not.
00:28:23Not a bit.
00:28:24All right, then go on in.
00:28:26The rest of you lads can proceed me.
00:28:28What's eating you?
00:28:29Man, if I get lost in there, ain't nobody ever going to find me.
00:28:33Eh, fine, you don't worry. In you go.
00:28:35In who goes?
00:28:36In we all go. Come on, quit stalling.
00:28:38All right.
00:28:39Got work to do.
00:28:40You look like a brave fighter.
00:28:42What?
00:28:43Go ahead, Glimp.
00:28:44Uh, don't you think the lawn needs mowing or something like that?
00:28:47What are you going to do, take the water off your knees?
00:28:49Get in there.
00:29:00Hey, kind of misty in here.
00:29:01Anybody got a match?
00:29:05Oh, I thought you were scared of bats.
00:29:08That's better.
00:29:10Take a look in here.
00:29:38Oh, Jack wasn't kidding when he said this place would need fixing up.
00:29:42Look at that.
00:29:43No curtains, no drapes, no lamps, no knick-knacks, no nothing.
00:29:48Where are we going to get some furniture?
00:29:49How about that house next door?
00:29:51What about it?
00:29:52Well, I saw a sign that says, uh, see how completely furnished.
00:29:55What do you want us to do, buy another house?
00:29:57Oh, just buy the furniture. Let someone else buy the house.
00:30:00That's good.
00:30:01It's the best idea you had in 10 years.
00:30:03Let's go take a look, fellas. Put that stuff down.
00:30:05Okay.
00:30:08I'll give you a what for that.
00:30:13Monk, there's boys in the house.
00:30:15What do we do?
00:30:24They'll make that place look like a million bucks.
00:30:26Oh, you aren't kidding.
00:30:38Hey, the door's open.
00:30:40Hmm, they must trust their neighbors.
00:30:50Wow, this is really nice.
00:30:52Lamps, drapes, books, everything.
00:30:55I wonder why he bought that old house next door instead of this one.
00:30:58Yeah, I guess there wasn't enough room in the yard for a victory garden, huh?
00:31:01Could sure make some improvements over there.
00:31:03Yeah, but do you think we should really take these things?
00:31:05Hey, Sartney, Jack can pay for it later.
00:31:07Sartney, I don't care. I'm his brother-in-law.
00:31:09It's good enough for me. It's good enough for my sister.
00:31:11Stop moving it, then. Boy, stop moving it.
00:31:13Pick up something. Don't pick up nothing heavy.
00:31:15No, I gotta get the folks on my mind.
00:31:24Good evening, sir.
00:31:25Good evening.
00:31:26Oh, uh, can you give us a room and a bath?
00:31:28Sure.
00:31:29Good evening, sir.
00:31:30Good evening.
00:31:31Oh, uh, can you give us a room and a bath?
00:31:33Yes, sir.
00:31:36What's funny, dear?
00:31:37Oh, well, that's an old joke.
00:31:39I say, can you give us a room and a bath?
00:31:41And he's supposed to say, well, I can give you a room,
00:31:43but you'll have to take the bath yourself.
00:31:46Really?
00:31:48Would you care to register, sir?
00:31:51Thanks.
00:31:57There.
00:31:58How does that look, Mrs. Gibson?
00:32:00I like it very much.
00:32:03Oh, uh, are you, uh, Mr. John Gibson?
00:32:06Oh, yeah. Sure, look here.
00:32:08Got my, uh, my...
00:32:10draft card,
00:32:12social security, driver's license,
00:32:14automobile club, uh...
00:32:17Wanna see marriage certificate?
00:32:19No, thank you.
00:32:20I have a message for you.
00:32:22Message?
00:32:24Call Chelsea 5518,
00:32:27apartment 243.
00:32:29Who the dickens is Chelsea 5518?
00:32:31I don't recognize the number.
00:32:33It sounds like a hotel.
00:32:34They said it was most urgent.
00:32:36Oh, they did, huh?
00:32:37Well, where are the phone booths?
00:32:38Right over there, sir.
00:32:39Oh, uh, well, come on, darling.
00:32:41Hold everything, huh?
00:32:42Yes.
00:32:54Hello?
00:32:56Yes?
00:32:58This is room 243.
00:33:00Well, this is John Gibson.
00:33:02What can I do for you?
00:33:03Oh, Mr. Gibson,
00:33:05it's about your house.
00:33:07This is Mrs.
00:33:09John G. Elwood.
00:33:11I thought you should know the truth about it.
00:33:13What do you mean?
00:33:15Well, I mean,
00:33:17you know,
00:33:19I thought you should know the truth about it.
00:33:21What do you mean?
00:33:24Uh-huh.
00:33:27Uh, well,
00:33:30well, look, when we go there,
00:33:32I'll take along a big box of ghost powder.
00:33:34Well, I just wanted you to know
00:33:36that I'd reported it to the police,
00:33:38and they should be out there by now.
00:33:40Well, what did you do that for?
00:33:42Well, of course I mind.
00:33:43I don't want a lot of cops poking around out there.
00:33:46Oh, okay, okay.
00:33:47Well, just forget it.
00:33:48All right, goodbye.
00:33:50What's the matter, darling?
00:33:52That was Mrs. Elwood.
00:33:53She sent the police to investigate
00:33:54the place next door to our house.
00:33:55There's something fishy about the whole thing.
00:33:57I'm glad we didn't go out there now.
00:33:59Aren't you?
00:34:00Well, I'm not.
00:34:01I think we ought to go out there right now.
00:34:03Right now?
00:34:04Yep.
00:34:05But, honey.
00:34:06Come on, darling, don't be frightened.
00:34:07Who said anything about being frightened?
00:34:09Oh.
00:34:10Here.
00:34:12Here, darling.
00:34:14Oh, you got a nice hotel here.
00:34:15We sure enjoyed our stay.
00:34:16Come on, darling.
00:34:27Short day.
00:34:28All right, come on.
00:34:29Step on it.
00:34:30You ain't getting no overtime for this.
00:34:33Hey, Dave.
00:34:34Come on, wake up.
00:34:35Come on.
00:34:36Get out of there and take that chair with you.
00:34:37I'll carry this ash tray.
00:34:38Watch out for the glass on the way out.
00:34:47OK.
00:34:48Lay it down right here.
00:34:49Now, we got something to work with.
00:34:52You two fellas start to put up the wallpaper over there.
00:34:55And Rocky and Danny, you put up the curtains and tray.
00:34:57And get them nice and cylindrical.
00:34:59Flippy, you can sweep.
00:35:01I'll sweep.
00:35:02I'll sweep.
00:35:03I'll sweep.
00:35:04I'll sweep.
00:35:05I'll sweep.
00:35:06I'll sweep.
00:35:07I'll sweep.
00:35:08I'll sweep.
00:35:09I'll sweep.
00:35:10I'll sweep.
00:35:11I'll sweep.
00:35:12I'll sweep.
00:35:13I'll sweep.
00:35:14I'll sweep.
00:35:15You can sweep.
00:35:16Thanks, Chief.
00:35:25What are you doing?
00:35:27Didn't you tell me I could sleep?
00:35:29Not sleep.
00:35:30Sweep.
00:35:31Now, get up off there and go to work.
00:35:33Dust off that rust.
00:35:34OK, Chief.
00:35:35What are you going to do?
00:35:36I got to think.
00:35:37I'm the supervisor.
00:35:38Oh, why do I always have to do stuff for?
00:35:40I'll give you a consolidation.
00:35:41Do a good job, and I'll reduce your dues
00:35:43for the next three months.
00:35:44Thanks, Chief.
00:35:48Now, don't split that wood with those screws.
00:35:50What is this for, Mark?
00:35:51And don't get too much glue on that paper.
00:35:53It sticks out through there.
00:35:54It makes lumps.
00:35:55OK, OK.
00:35:56That goes onto the drapes, not all of them.
00:35:59Did you ever dress no houses?
00:36:00No.
00:36:15What are those lights to be gone?
00:36:33Who is that in there?
00:36:34It's that guy of the kids.
00:36:35They're friends of Jack Gibson's.
00:36:37You know, the guy that bought the house next door.
00:36:40Is it?
00:36:41No.
00:36:43Is it some more of your bungling, you stupid fool?
00:36:46How'd I know they were coming out here?
00:36:49I'll get rid of them, though.
00:36:51Come on, Bruno.
00:36:52Yeah, let me get my hands on them.
00:36:54Now, wait a minute.
00:36:56Why do I have such idiots around me?
00:37:00Let's find out what Fielder knows about it.
00:37:12Here.
00:37:31Get him to house.
00:37:32They broke in.
00:37:33I don't know.
00:37:34He went up to sea.
00:37:36Idiots.
00:37:37It's all of you.
00:37:38I'm going.
00:38:08I'll get it.
00:38:23Oh, crap!
00:38:24What's that?
00:38:38No, no, no, no, no.
00:38:39That picture up there, he's alive.
00:38:41Who's alive?
00:38:42Him, him, up there.
00:38:48First place, it's not a him, it's a her.
00:38:55Please believe me, her was a him a minute ago.
00:39:00Oh, you're seeing things.
00:39:01Seeing things?
00:39:03Man, I heard him growl.
00:39:05All right, all right, just take it easy now.
00:39:07Relax, you've been drinking too much coffee.
00:39:10What coffee?
00:39:11Hey, where'd you get it, where'd you get it?
00:39:12Go to work.
00:39:14Come on, step on it.
00:39:16Come on, Danny, get those doilies hung.
00:39:18Yeah.
00:39:19Maybe we should have brought a spirit level
00:39:20to make sure they was even.
00:39:28Coffee drinker.
00:39:30Hey, Napoleon, you must be awful hot with that coat on.
00:39:36It's the best example of slow motion I've ever seen.
00:39:38Come on, hurry up.
00:39:45Limpy, we'll play statues later.
00:39:47Get back on that broom.
00:39:49I was just trying to figure out where I, uh,
00:39:50if I should sweep that dust from here into the hall
00:39:52or the dust from the hall into here.
00:39:54I don't know.
00:39:55I don't know.
00:39:56I don't know.
00:39:57I don't know.
00:39:58All I know is as soon as I get the dust from the hall
00:39:59into here.
00:40:00Just sweep it clockwise.
00:40:01OK, chief.
00:40:09Napoleon?
00:40:20Feminine.
00:40:21Hey, Max, Max.
00:40:22You warm, you warm.
00:40:23No, I'm not warm.
00:40:24Why?
00:40:25Napoleon took his coat off.
00:40:26He had it on and he took it off.
00:40:28Look, he took his coat off, huh?
00:40:32You look.
00:40:38Well, what do you know, he put it back on.
00:40:40What's going on around here, anyway?
00:40:41You going goofy, too?
00:40:43Don't answer that.
00:40:44Just go over and lie down next to Scruno.
00:40:46Wait a minute.
00:40:47Yeah, yeah.
00:40:48Let's not have any animosity.
00:40:59Hey, Scruno.
00:40:59Yeah?
00:41:01Are you sure you saw what you saw?
00:41:03Sure?
00:41:03I'm sure.
00:41:04But how?
00:41:05I tried to tell Muggs.
00:41:06See, I'm back there sweeping.
00:41:07I got a blue in my hand.
00:41:08I look up at the little pony.
00:41:09He's got a coat on.
00:41:10He's standing like that.
00:41:13Then I turn around, and he's got.
00:41:15Then I turn around, and he's got.
00:41:30Where are you going?
00:41:32What are you doing up there?
00:41:43Hey, look.
00:41:43Now he's in his long drawers.
00:41:51Get down off there.
00:41:52I'm going to send you to an optimist
00:41:54and have your eyes examined.
00:41:55Come on down.
00:41:57Huh?
00:41:58If I have to go up there and get you,
00:41:59I'll stab you with one of those horns.
00:42:05And I want you two to quit clowning.
00:42:07Clowning?
00:42:08Who's clowning?
00:42:08Quit clowning.
00:42:09The thing was right.
00:42:11Oh!
00:42:12Stop acting like a couple of hysterical dames.
00:42:14Who's acting like hysterical dames?
00:42:16I saw it in school.
00:42:17No sort of toad in your school.
00:42:18Nothing else, Muggs.
00:42:19Come on, let's go home.
00:42:20I ought to slug the boat to you.
00:42:21You're imagining things.
00:42:22It's all in your mind.
00:42:28Now, whose mind is that in?
00:42:31Hey, Muggs, did you hear that?
00:42:32Certainly I heard it.
00:42:33You think I'm thief?
00:42:34Come on, let's go home.
00:42:36We ain't going to go no place.
00:42:37We're going to find out who's the thief.
00:42:39We're going to find out what that was.
00:42:40You hear what he said?
00:42:41We're going to find out what it was.
00:42:42Well, you guys find out what it was.
00:42:44I'll be in the car waiting for you.
00:42:45You wait right there.
00:42:47I said we're going to find out what it was, and I meant it.
00:42:49Hey, Glimpy.
00:42:50Chief.
00:42:51You go first.
00:42:52Certainly.
00:42:55What am I saying?
00:42:56What's the matter?
00:42:56You scared?
00:42:57Scared?
00:42:58I'm not scared of nothing, but I'm not going out there.
00:42:59You want to go out, so you go out and see what it was.
00:43:01You're going to let me go up there all alone?
00:43:03Yeah.
00:43:05Remind me when we get back to town to give you
00:43:07the Iron Cross for bravery.
00:43:08Right over the skull.
00:43:09Sure.
00:43:10I'll go find out what it was.
00:43:14What are you doing?
00:43:16The noise came from that direction.
00:43:18Oh, uh, yes.
00:43:20I thought, uh, maybe Shortcut over there was the, uh.
00:43:38Oh, uh, yes.
00:43:39I thought, uh, maybe Shortcut over there was the, uh.
00:43:41Oh, uh, yes.
00:43:42I thought, uh, maybe Shortcut over there was the, uh.
00:43:44Oh, uh, yes.
00:43:45I thought, uh, maybe Shortcut over there was the, uh.
00:43:47Oh, uh, yes.
00:43:48I thought, uh, maybe Shortcut over there was the, uh.
00:43:50Oh, uh, yes.
00:43:51I thought, uh, maybe Shortcut over there was the, uh.
00:43:53Oh, uh, yes.
00:43:54I thought, uh, maybe Shortcut over there was the, uh.
00:43:56Oh, uh, yes.
00:43:57I thought, uh, maybe Shortcut over there was the, uh.
00:43:59Oh, uh, yes.
00:44:00I thought, uh, maybe Shortcut over there was the, uh.
00:44:02Oh, uh, yes.
00:44:03One o'clock!
00:44:05And all ain't well.
00:44:07No howl.
00:44:08Paw's nothing to worry about.
00:44:10All Aidwell know-how.
00:44:13Pa's nothing to worry about.
00:44:16This is going to be a light night, Pa.
00:44:18Just enjoy it, Pa.
00:44:19Nothing out, Joe.
00:44:20If nothing else, we'd better go.
00:44:22I'll be back, Pa.
00:44:24All right, Joe, just go.
00:44:26You must come back afternegoings.
00:44:28It's good for the brun Folgeians.
00:44:31But he may be yor to spend time at nu c.
00:44:32l'll solution this lug numb all laws!
00:44:33Let's directed this lug numb all laws!
00:44:37Sit down.
00:44:38Sit down.
00:44:39Ma, let's go home now.
00:44:41Come here.
00:44:42Just for that, you're going to go first.
00:44:44Me?
00:44:45Yeah, you.
00:44:46Now, go on.
00:44:47Get up there.
00:44:47I don't have to do that.
00:44:48We'll let you go home later.
00:44:49Go on.
00:44:50Go up there all of you.
00:44:52Come on.
00:44:53I'm going to be last for a change.
00:44:56Lippy, get up there.
00:45:07Well, do you see anything?
00:45:09Nope.
00:45:10No.
00:45:13Who dat?
00:45:14Who dat?
00:45:15Who dat say who dat when I say who dat?
00:45:18Who said who dat when I say who dat?
00:45:21What's the matter with you?
00:45:23That's just an echo.
00:45:24That's an echo.
00:45:26See, that's what I tell you.
00:45:27There's nothing to be scared of.
00:45:29It's just an echo.
00:45:30It's just an echo.
00:45:31It's just an echo.
00:45:32It's just an echo.
00:45:33It's just an echo.
00:45:35That's what I tell you.
00:45:36There's nothing to be scared of.
00:45:38That's what you think.
00:45:40Well, boys, here we go again.
00:45:42Get out of the way for me.
00:45:49Open the door.
00:45:50Open the door.
00:45:51Open the door.
00:45:52Open that door.
00:45:53Oh, there go that echo again.
00:46:08Have they gone?
00:46:09Yes, in the cellar.
00:46:11The cellar?
00:46:12Oh, that's bad.
00:46:13We must get them out of there quick.
00:46:16Open the door.
00:46:22Hey, Pat, give me a hand.
00:46:29Take a look in there.
00:46:45What's that, Mark?
00:46:46Looks like a printing press.
00:46:48Jack never told me he had a printing press.
00:46:51What?
00:46:52How to destroy the Allies.
00:47:01What the new order means to you?
00:47:05How to destroy the Allies.
00:47:09What are they doing?
00:47:11Let me see.
00:47:15Look.
00:47:16The kids have found the printing press and everything.
00:47:19Shall I take care of them?
00:47:20No.
00:47:21We have company upstairs, too.
00:47:22The police.
00:47:23The Gestapo.
00:47:24Did you hear the Gestapo?
00:47:25No.
00:47:26Just two American detectives.
00:47:28Probably dumb ones, too.
00:47:30Don't worry about them.
00:47:31Let me see.
00:47:34Gee, that sounds like spice.
00:47:36Yeah, do you think Jack's mixed up with them?
00:47:38I don't know.
00:47:39This is his house.
00:47:40Ah, Jack won't have nothing to do with the Nazis.
00:47:42I hope not.
00:47:44What do you mean, Mark?
00:47:45Well, he told us not to come out here, remember?
00:47:48Yeah, you're right.
00:47:49He had a lot of extra dough when he left, too.
00:47:51Where did he get that?
00:47:52That's probably where this stuff comes in.
00:47:54Yeah, and how could he buy a big house like this?
00:47:56Why don't you shut your big mouth?
00:47:58Do you want me to punch you right in the nose?
00:48:00Oh, stop drooling.
00:48:01We've got to figure this thing out.
00:48:03This is no time to argue.
00:48:09Your brother-in-law.
00:48:10I can't believe it.
00:48:11I'll never be able to face the Boy Scouts again.
00:48:13Ah, don't feel bad, comfy.
00:48:15We're not sure it was your brother-in-law.
00:48:16We're only guessing.
00:48:17What do you got in your mind, Mark?
00:48:19I don't know.
00:48:20If anybody else found that stuff here, I know what they'd think.
00:48:23Yeah, that's right.
00:48:25Maybe we'd better get it out of here.
00:48:27Where are we going to take it?
00:48:28Why don't you put it in the house next door?
00:48:30Don't hit me.
00:48:31Don't hit me.
00:48:32Well, you actually think I was a bully or something?
00:48:33That's a good idea.
00:48:34Put it in the house next door.
00:48:35Go on, move it, boys.
00:48:36Come on, guys.
00:48:37Watch your hands under there, too.
00:48:40They're taking the press out.
00:48:42Let them go.
00:48:43But they're taking the press.
00:48:45Why don't you take the evidence next door?
00:48:48It'll remove all suspicion from us.
00:48:50Did you find anything in there?
00:48:52No, nothing in there.
00:48:53We'd better take a look upstairs.
00:48:55OK.
00:49:02Go over to the room thoroughly and see that nothing is left to incriminate us.
00:49:05Yes, sir.
00:49:07Tony, you come with me.
00:49:11Get up.
00:49:15Get up.
00:49:31I guess it was OK letting Gibson buy that house, huh?
00:49:35Yes.
00:49:36That was a lucky mistake you made.
00:49:41Nothing in there.
00:49:42Huh?
00:49:43Nothing in there.
00:49:44Let's take a look downstairs, then.
00:49:58Now, that door wasn't open before, was it?
00:50:01Was that door there when we came in?
00:50:03Was that door there when we came in?
00:50:05No.
00:50:06It's just this minute groove.
00:50:10Come on.
00:50:11Let's go.
00:50:15I sure hope Jack appreciates what we're doing for him.
00:50:18He certainly should.
00:50:19As his brother-in-law, I personally thank you one and all.
00:50:30Nothing down here.
00:50:32Don't look like it.
00:50:38Hey, I got a good idea.
00:50:39Let's call the cops.
00:50:40What would our thinking be?
00:50:42The best idea you can get is not to get any more ideas.
00:51:02Let's see if the people in that little place know anything about it.
00:51:04Let's do it.
00:51:13We should have left that door open.
00:51:18Hey, there's Jack and Betty.
00:51:22Well, we sure got them out of a tight spot just in time.
00:51:26Well, darling, here's our little love nest.
00:51:30Oh, Jack, it's wonderful.
00:51:34Yeah.
00:51:36Huh.
00:51:37With a couple of cops hammering at the door.
00:51:39I wonder who that is.
00:51:41Let's have a look.
00:51:46Well, did you find anything?
00:51:48No.
00:51:49No, there's no one around here.
00:51:51Say, by the way, who might you be?
00:51:53I'm Jack Gibson.
00:51:54This is my wife.
00:51:55We just bought that little place.
00:51:56Oh, I see.
00:51:57Uh-oh.
00:51:58We got our signals crossed.
00:52:02You're right.
00:52:03We better get that press back out of there.
00:52:05Let's go.
00:52:10Well, we were sent out to look over that big place there.
00:52:12Yes, I know.
00:52:13The people we bought our house from seem to think something funny is going on.
00:52:16We couldn't find anything wrong.
00:52:17It's probably their imagination.
00:52:18You know how old folks are.
00:52:20Well, we'll be heading back to the station now.
00:52:22If you hear anything, give us a call.
00:52:24All right.
00:52:25Thanks.
00:52:27Hey.
00:52:28What are you whispering about?
00:52:29Ouch.
00:52:30Shh.
00:52:31Ouch.
00:52:32I'm going to tear your head off.
00:52:33Oh, yeah.
00:52:44Well, let's go.
00:52:46Let's go.
00:52:47Let's go.
00:52:48Let's go.
00:52:49Let's go.
00:52:50Let's go.
00:52:51Let's go.
00:52:52Let's go.
00:52:53Let's go.
00:52:54Let's go.
00:52:55Let's go.
00:53:04Hey, Al.
00:53:09What's open?
00:53:17This is for luck.
00:53:19Well, darling, here we are.
00:53:21Look it over.
00:53:27OK.
00:53:28We'll put that press back where it was and show it to the cops.
00:53:41R-17.
00:53:42Mulligan speaking.
00:53:43We've just looked the place all over.
00:53:45There's nothing here but a couple of newlyweds.
00:53:48Looks a little bad, doesn't it?
00:53:50I can't understand it.
00:53:52There should be more furniture here.
00:53:54Yeah.
00:53:55It would help, but I still think it's awful cute.
00:53:59Easy.
00:54:00Easy.
00:54:01Need some help?
00:54:02Easy.
00:54:03There you are.
00:54:04No, thanks.
00:54:09Leave it just the way it was now.
00:54:13Leave it just the way it was now.
00:54:15OK.
00:54:16Let's tell the law.
00:54:17Come on.
00:54:20Guess I may as well get the grips.
00:54:23OK.
00:54:24We're coming right in.
00:54:26Let's go.
00:54:33Hey.
00:54:34Hey.
00:54:39What do you think of that?
00:54:40Their car's gone.
00:54:41Who?
00:54:42The cops.
00:54:43That awful.
00:54:44Hey, Muzz.
00:54:49What are you doing here?
00:54:50Well, just what I was about to ask you.
00:54:52Oh, that's a long story.
00:54:53We was decorating that house.
00:54:54Yeah, we thought it was yours.
00:54:55We found a printing press with a lot of nasty propaganda.
00:54:57Yeah, we thought it was yours.
00:54:58So we moved it over here.
00:54:59Yeah, then we found out that was yours.
00:55:01So we moved it back again.
00:55:02Nasty propaganda.
00:55:03Sure.
00:55:04So that's why they didn't want us to come out here.
00:55:05Why didn't you phone the police?
00:55:06We thought it was yours.
00:55:07Is there a phone next door?
00:55:09Yeah, but that ain't yours.
00:55:10Well, come on.
00:55:12Well, don't confuse it, though.
00:55:13Won't you be glad it's yours?
00:55:15What?
00:55:21There it is.
00:55:26Get me police headquarters.
00:55:31Hello?
00:55:32This is 322 Elm Street.
00:55:34Send a couple of men out here right away.
00:55:36Yeah, tell them about the Nazis.
00:55:38Yes, I know they've been here, but send them back.
00:55:41Yes, they've gone.
00:55:42That's right.
00:55:46Quick.
00:55:47We must get the press back to that cottage.
00:55:48They're calling the police.
00:55:50Hurry up.
00:55:54Come on.
00:55:55Let's go.
00:55:56Pick it up.
00:55:57Calling car 17.
00:55:58Calling car 17.
00:56:00Return at once to 322 Elm Street.
00:56:03Urgent.
00:56:04That is all.
00:56:05We just came from there.
00:56:08Let's go.
00:56:24Where are they?
00:56:25Well, they ought to be here any minute.
00:56:27Who?
00:56:28Oh, he's in a hurry.
00:56:31There they are now.
00:56:32Come on, Jack.
00:56:33OK.
00:56:37We tried to call you back, but you didn't hear us.
00:56:39There's a lot of intimidating evidence in that house.
00:56:41Hey, what is this, a gag?
00:56:42Well, these boys have found a printing press in the basement
00:56:44with a lot of subversive literature all over the place.
00:56:46It must be a Nazi hideout.
00:56:47How about the people?
00:56:48Seen any signs of them around?
00:56:49Heard a lot of noises.
00:56:50Didn't see no people.
00:56:51Well, we better take a look.
00:56:52Yeah, follow me.
00:56:54We got all the evidence.
00:56:55Now let's get it.
00:56:56It's a body.
00:56:57It's a body.
00:56:58It's a body.
00:57:08Who's there?
00:57:23How can you picture that?
00:57:24I must be having optical delusions.
00:57:26What's the matter?
00:57:27Well, there was a printing press here 10 minutes ago.
00:57:29Well, it just got up and walked away, huh?
00:57:31Well, if he can run, he gets a printing press from where?
00:57:34That's right.
00:57:35You can still see the ink on our hands
00:57:36from where we touched it.
00:57:37That dirt could have been on your hands
00:57:38for the last six months, for all we know.
00:57:40Come on.
00:57:41We better get out of here before we
00:57:42start seeing things ourselves.
00:57:44I'm telling you, it was here.
00:57:45It was right here.
00:57:46It was right here.
00:57:47I don't always look like this.
00:57:48I was here.
00:57:49I was here.
00:57:50The ink was sort of right there.
00:57:59All right.
00:58:00All right.
00:58:01It was there.
00:58:02All right.
00:58:03All right.
00:58:04It was there and you saw it.
00:58:05But it ain't there now.
00:58:06They can't figure this thing out.
00:58:08We seen that press with our own eyes.
00:58:10So did I.
00:58:11That's what I said.
00:58:12It didn't just disappear.
00:58:14Somebody must have taken it out of here.
00:58:16You know, I think.
00:58:17Yeah, I'll do all the thinking around here.
00:58:19All right, go ahead and think.
00:58:20You're always thinking.
00:58:21Think.
00:58:22Think a while.
00:58:23You're such a smart guy.
00:58:24We should think.
00:58:27Hey, Muggs.
00:58:28Look.
00:58:32What do you think that's for?
00:58:33Ice.
00:58:36You'll never learn nothing, will you?
00:58:38Hey.
00:58:39I bet that's how they got that press out of here.
00:58:43Just be quiet.
00:58:45You follow me.
00:59:03Nobody here.
00:59:04Let's go home.
00:59:05Come on.
00:59:13What are you, a coward?
00:59:16Go in there already.
00:59:17What do you think?
00:59:18Hey!
00:59:19Hey, drop my hand.
00:59:20I'll put you right in the hole.
00:59:21Come on, Pat.
00:59:22Hey, wait a minute.
00:59:25That's funny.
00:59:27Now what?
00:59:28Those lights in my cottage.
00:59:30I turned them off.
00:59:32Now the lights are turning themselves on and off.
00:59:35Come on, Pat.
00:59:36Go ahead if you want to.
00:59:37I want to see for myself.
00:59:38Come on, Betty.
00:59:39I want to find out for himself, too.
00:59:51All right.
00:59:53Well, doggone.
00:59:54Fellas, look at here.
00:59:57Hmm.
00:59:58What's this?
00:59:59Looks like the printing press.
01:00:00Ah, so it does.
01:00:02So it does.
01:00:05Ah, what are these?
01:00:06What do these look like?
01:00:07Look like them same things we always been telling you
01:00:09holes about.
01:00:11What's it doing here?
01:00:12That's something you'll get a chance to explain.
01:00:14And you'd better think fast.
01:00:17Oh, look.
01:00:18You don't think this belongs to me.
01:00:20This is your house, isn't it?
01:00:21Yes, but.
01:00:22We'd better find Munson.
01:00:23Tell him.
01:00:24You ain't kidding.
01:00:25Come on.
01:00:26Take a ride.
01:00:27Come on.
01:00:30Hey, Bruno.
01:00:31Ah, get up.
01:00:40Hey, Bruno.
01:00:41Hey, take it easy.
01:00:45Betty.
01:00:49What you up to?
01:00:50Oh, yeah.
01:00:51Take it easy.
01:00:52I'm talking to my mother.
01:00:53Hey, Bruno.
01:00:54Hey, take it easy.
01:00:55What are you up to?
01:00:56Hey, you're reckless.
01:00:58You look like a gorilla.
01:01:03Oh, you're playing with my.
01:01:06Come on, Benny.
01:01:07Wait until we talk this thing over.
01:01:09Get the rest of the fellas, Ben.
01:01:11Listen, officer.
01:01:12This is absolutely ridiculous.
01:01:14All I know is the press is on your property.
01:01:16I'll have to take a look.
01:01:17I'll have to take a look.
01:01:18Let's go.
01:01:19I'll take a look.
01:01:20Come on.
01:01:21Come on.
01:01:22Come on.
01:01:23Come on.
01:01:24Come on.
01:01:25Come on.
01:01:26I'll have to take you to headquarters to talk to the lieutenant.
01:01:29Hey, fellas! Jack, come here!
01:01:33We still haven't found the tunnel.
01:01:34They got Mugs and Glippy and they took them to a room.
01:01:36All right, but this is the last time I'll believe any of you.
01:01:39O'Brien, beat it back to the house.
01:01:41And go down to the basement.
01:01:42I'll look down the tunnel.
01:01:45It's been quite some time since I knew you that you couldn't say nothing.
01:01:48Are you kidding?
01:01:52You better wait here, honey. You boys stay with her.
01:01:54Okay, Jack.
01:01:57Hurry up. They got Mugs and Glippy in there.
01:01:59Let me have a try, sir.
01:02:03Hey, what's that?
01:02:05Must be somebody in there.
01:02:08Must be some way to get in there.
01:02:10Yeah.
01:02:12Look around here.
01:02:14We'd better get out of here, boss.
01:02:15Let's.
01:02:24Look.
01:02:25Say, what's the matter?
01:02:26Grab that woman.
01:02:29Follow me. I'll show you.
01:02:38Get ready.
01:02:53Hey, Glippy!
01:02:54Glippy!
01:02:56Hey, Mugs! Mugs!
01:03:00Hey, Glippy!
01:03:09Hey, Mugs!
01:03:12Hey, Mugs!
01:03:14Why don't you go home and get dressed?
01:03:18Glippy, look!
01:03:22Fine, honey, plain leapfrog.
01:03:23Let me have him. In shape, honey? Let's go.
01:03:27What's the matter, kid? You feel good?
01:03:32Come on. Come out of it, Mugs.
01:03:35You're all right, kid.
01:03:36All right.
01:03:37Steady.
01:03:38Wake up. Wake up.
01:03:40The winner!
01:03:41A new champ.
01:03:42I knew you could do it, kid.
01:03:45What a honeymoon.
01:03:56You always got to do everything the hard way.
01:03:58Everybody else gets plain, ordinary common measles.
01:04:01So you got to go out and dig up German measles.
01:04:05What are you picking on me for?
01:04:07I know them guys were Nazis.
01:04:09Don't you know I'm sick?
01:04:13I'll throw it on you.
01:04:15Don't, Glippy. I apologize.
01:04:19And remember, you've got seven days more to go.
01:04:22And remember, you've got seven days more to go.