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01:06I don't see it.
01:07I do, sir.
01:08Where?
01:09On that ledge, sir, resting on a bit of the tribune.
01:11Ah, most practical paper, Tenny.
01:13I'd rather like it, sir.
01:14Remind me to renew my subscription.
01:15That won't be necessary, sir.
01:17And why not?
01:18Because a check for your subscription
01:20is already in the post, sir.
01:22Ah, Tenny, you think of everything, don't you?
01:24I, uh, try to, sir.
01:26Then think of some way to rescue my package.
01:29There, sir, as they say in the books,
01:31you have me, sir.
01:34Is one of my American cousins in the crowd?
01:37What's your name?
01:37Drummond, Captain Hugh C. Drummond.
01:39I ain't got no cousins by that name,
01:41but I'm an American, all right.
01:42Well, fine, then may I borrow a piece of your chewing gum?
01:44Sure.
01:47Don't mention it.
01:51Are you all right, sir?
01:53Quite all right, Tenny.
01:54Now, sir, may I borrow your stick?
02:04An excellent idea, sir.
02:06Colossal, Tenny.
02:07One might almost say stupendous, sir.
02:13Carefully, sir.
02:14I've got it, sir.
02:15Ah.
02:16Oh.
02:16Now, thank you, sir.
02:17Sure, what are you?
02:19My friend, I'm going to become a chewing gum fiend.
02:21Keeps the teeth nice and white, see?
02:23How interesting.
02:24Here.
02:26Don't mention it.
02:28Here you are, Tenny.
02:30Thank you, sir.
02:33Not bad, eh?
02:34I rather like it, sir.
02:35Say, Mr. Drummond, I'm sure you'll like it, sir.
02:38Oh, thank you, sir.
02:39Thank you, sir.
02:41Say, mister, what's in that package?
02:45Wedding rings.
02:50Now that we have them, Tenny,
02:51suppose we make a final check.
02:52Very well, sir.
02:53To begin with, I have the rings.
02:54No, sir, I have the rings, sir.
02:56You have the rings.
02:57In my pockets, sir.
02:58Marriage papers?
02:59In your pockets, sir.
03:00Authorization for your wedding in Switzerland, sir.
03:02Railway tickets?
03:04Car seven, London to Paris Express
03:06leaving Victoria Station tonight.
03:09Flowers?
03:10Orchids, sir, to be placed in Miss Pilly's compartment
03:13at 9.50 p.m.
03:14Hotel accommodations?
03:15Paris tomorrow morning at 9.50, sir.
03:19Two suites, sir.
03:20The following day in Geneva?
03:23One suite.
03:25Ah, Tenny, getting married is great fun, isn't it?
03:27In Switzerland, sir?
03:28Anywhere, Tenny, anywhere.
03:30It's a popular belief, sir.
03:32Tenny, you're a pessimist.
03:34I've been very happy, sir.
03:41Captain Drummond.
03:42Yes, Tenny.
03:42When one is through with it, what does one do with it?
03:46Let's see, when one is done with it,
03:48what does one do with it?
03:49Oh, it's not a riddle.
03:50No, then what is it?
03:51It's an academic inquiry, sir,
03:53as to how one disposes of one's chewing gum.
03:55I see.
03:57Yeah, that does require force.
03:58Yes.
04:03Don't trouble, sir.
04:04And why not?
04:05I've swallowed it, sir.
04:06Well, Tenny, that's one way.
04:08Well, hardly the right way, do you think, sir?
04:10Time will tell.
04:11Oh, speaking of time, sir.
04:12It's at 4.30, I'm to call for Colonel Nielsen
04:14at Scotland Yard.
04:23Good afternoon, Captain Drummond.
04:25Untimely, doc.
04:25Colonel Nielsen will be delayed a few moments,
04:27and I'll wait.
04:28And this clattering telephone from Rockingham Lodge,
04:30shall I get it for you?
04:31Yes, would you please?
04:32You may use this, sir.
04:36There's a phone in there.
04:39Rockingham Lodge, please.
04:40Hello?
04:44Oh, hello, dear.
04:46Oh, I've got the rings.
04:47Don't lose them.
04:48Now, in the first place, you called me...
04:50To tell you that Gwen...
04:51Asked you to tell me...
04:52That Angie would meet you at Colonel Nielsen's office,
04:54and you could all come out...
04:55Together.
04:57All right, darling, see you soon.
05:02Colonel Nielsen will see you in just a moment.
05:07Sumi Okanda.
05:08Hugh Drummond.
05:09Well, seven years haven't changed you.
05:11No, you, my dear friend.
05:13And the English is more perfect than ever.
05:15Due largely to our most present scholastic association.
05:19Now, that's the talk of a diplomat.
05:21That is kind.
05:21Are you?
05:22Am I?
05:23A diplomat.
05:25I see you have not forgotten.
05:27What?
05:28To ask questions.
05:30Goodbye, Colonel.
05:31Goodbye, sir.
05:32Not at all, sir.
05:33I'll go to the Foreign Office immediately.
05:33Very good, sir.
05:34Mr. Okanda, Colonel Nielsen.
05:36How do you do, sir?
05:37Just a few minutes.
05:38Can you step in, Mr. Okanda?
05:40You'll forgive me?
05:40Of course, go ahead.
05:49I trust my visit will not upset your plans.
05:51Well, plans are made to be upset, aren't they?
05:53That is so.
05:54That is why I am here, to try and upset some plans.
05:58Sit down.
06:02You know who and what I am?
06:04Of course.
06:06We understand each other, then.
06:07Between us, representing in our separate way
06:11the interest of two friendly nations,
06:14there need to be no evasion.
06:16That is so?
06:17Quite.
06:18Then I'll tell you something of great importance.
06:20Concerning?
06:21Sir John Huxton.
06:23How do you know?
06:24How I know is not of importance.
06:27Sir John Huxton has invented a super explosive,
06:32an ultra-powerful combination of destructive elements
06:36for use in airplane bombs.
06:38He's leaving today for France to confer
06:41with the munition chemist of your great ally.
06:44That is so?
06:46Gone.
06:46An attempt will be made to steal the portion
06:49of experimental supply he's taking with him.
06:52How do you know this?
06:53Please, a single airplane carrying 100 small bombs
06:59loaded with this devastating force
07:01could destroy any captain in the world.
07:04Has it ever occurred to you, my dear Mr. Condor,
07:06that espionage might be a rather dangerous pastime?
07:09Now is not time for accusation or recriminations.
07:14My country and your country, too, are in great danger
07:18if Sir John's discovery falls into unfriendly hands.
07:21Suppose I were to tell you there's no such thing
07:23as this explosive.
07:25We agreed not to evade.
07:27Please, I'm a friend.
07:28I wish to cooperate.
07:30You told me everything?
07:31All that I know?
07:33I'll see Sir John at once.
07:34Yes, of course.
07:35That will be proper.
07:36Goodbye.
07:40Yes, Colonel?
07:41Get Sir John Haxton on the wire at once.
07:43Very well, sir.
07:44Captain Drummond is waiting.
07:45Oh, send him in.
07:50Ready, Colonel?
07:51I'm sorry, Hugh.
07:51I'm afraid you'll have to run along without me.
07:53You mean you're not coming to the station with us?
07:55I didn't say that.
07:55I said you'll have to run along without me.
07:57Then you will be there.
07:58Later, yes, later.
08:01What's happened?
08:02Happened?
08:03Before Sumi Okanda came in here, you looked quite human.
08:06Implying that now I don't?
08:07Definitely.
08:08My dear Hugh, this is Scotland Yard.
08:11Things do happen here.
08:12Things that also happen to be none of your business.
08:15Oh, then Sumi Okanda's visit was important.
08:17Yes, his visit was important.
08:18Just like 50 others today were important.
08:22Now, will you please run along
08:24and quit prying into things that don't concern you?
08:28Yes?
08:29I have Sir John Haxton's home for you, sir.
08:31Thanks.
08:34Hey.
08:36Hello?
08:36One moment, please, Grendan Edelson.
08:38Sir John is in his laboratory.
08:39I'll connect you.
09:06What is it?
09:08Of course, put him on.
09:10I'm due at the airport in half an hour.
09:12I'm afraid you'll have to delay it, sir.
09:14I'll explain when I get there.
09:16But it is important.
09:18Yes, yes, just as quickly as I can make it.
09:21About 20 minutes.
09:22Goodbye.
09:23Goodbye, sir.
09:24Colonel, it's none of your business.
09:26Travis speaking.
09:28Have Smith and Jennings meet me at Sir John Haxson's right away, please.
09:32Right, sir.
09:33Colonel, why don't you think about getting married?
09:37Instead of tormenting me with your infernal questions.
09:39I only wanted to tell you that I'd be glad to drop you off at Sir John's.
09:43All right.
09:44But I warn you not to ask questions.
09:46I mean it.
09:47Of course you mean it.
09:50Right, I'll wait here.
09:53Oh, I'm sorry, Colonel.
09:56Oh, I'm terribly sorry.
10:00Oh, Colonel, I'm...
10:01I know!
10:03You're horribly sorry.
10:04Yes.
10:05Allow me.
10:09I phoned Gwenny to tell her, to phone you, to tell her that I'm...
10:18Oh, come in, Colonel.
10:20Shall I put the bags in the car, sir?
10:21You may as well.
10:22No, we'll take a special car from the yard.
10:24You heard?
10:25Yes, Sir John.
10:29What's up?
10:30There's been a leak somewhere.
10:31Your plans are known.
10:33How could they be?
10:34How about your secretary?
10:35Noguez?
10:36He's been with me for years.
10:37Does he know what you're doing?
10:39Yes and no.
10:40To keep you happy, I destroyed all my notes.
10:42Remember?
10:43Hmm.
10:44Isn't Noguez traveling with you?
10:45He's my navigator.
10:46We're flying in my ship.
10:47In an army plane, you mean.
10:48You'll be traveling under escort from the moment you leave the house.
10:51We can't do that.
10:52Why not?
10:53I can't risk those army chaps' lives.
10:55You're risking your own, aren't you?
10:56It's my show.
10:58And this stuff's full of jokes.
11:02There's enough hexanide in this suitcase
11:04to blow Westminster Abbey into the North Sea.
11:07Hmm.
11:08And, uh, one of these.
11:10Loaded with this stuff and dropped from a plane,
11:12a hundred of those would wipe London off the map.
11:14Here, let me show you something.
11:27That's a single crystal of hexanide.
11:30That little speck?
11:32Hold it a second, will you?
11:34Hmm.
11:41All right, I'll take it now.
11:43Come over here a minute.
11:51Exhibit A.
11:52And in case you don't know it, this is a hammer.
11:55Exhibit B.
11:56Be serious, will you?
11:57I am quite serious.
11:58Now watch.
12:01You see?
12:02It didn't go off.
12:03That's the trouble with the stuff.
12:04It's treacherous.
12:05Sometimes it behaves itself.
12:07On the other hand, it's liable to go off for no reason at all
12:10and lift a fellow into Kingdom Come.
12:16There you are.
12:18Suppose the explosive in that suitcase had decided to let go.
12:21More important still,
12:22suppose that suitcase fell into unfriendly hands.
12:25That's why you're traveling under escort.
12:28Excuse me a moment.
12:30Yes?
12:32Oh, have them wait.
12:34Two of your men are here.
12:35Hmm.
12:36We'll go with you to the airport.
12:37I'm flying my ship?
12:39That's the way you want it.
12:40I'd rather.
12:53Put him in the plane.
13:00I'll take that one.
13:01All right, sir.
13:02Nice weather for flying.
13:05Low ceiling.
13:07Everything all right?
13:08You'll be an escort waiting at La Bourget.
13:10If you insist.
13:11But I still think you're making much ado about nothing.
13:13We're taking no chances.
13:14Well, goodbye, Colonel.
13:15Au revoir.
14:00Wire this immediately
14:02to the authorities at La Bourget, Paris.
14:05Right-o, Colonel.
14:07If you want to reach me,
14:08I'll be at Captain Drummond's in about an hour.
14:10Right, Colonel.
14:12Block him large.
14:24You!
14:25What now?
14:26Isn't this the wrong road?
14:28Shortcut.
14:32You!
14:33Yes, Algy?
14:35Aren't we going a little fast?
14:36I want to get there.
14:38So do I.
14:58Fire!
15:29Fire!
15:30Fire!
15:31Fire!
15:32Fire!
15:33Fire!
15:34Fire!
15:35Fire!
15:36Fire!
15:37Fire!
15:38Fire!
15:39Fire!
15:40Fire!
15:41Fire!
15:42Fire!
15:43Fire!
15:44Fire!
15:45Fire!
15:46Fire!
15:47Fire!
15:48Fire!
15:49Fire!
15:50Fire!
15:51Fire!
15:52Fire!
15:53Fire!
15:54Fire!
15:55Fire!
15:56Fire!
15:58Fire!
15:59Fire!
16:00Fire!
16:01Fire!
16:02Fire!
16:03Fire!
16:10That must be Axson's plane.
16:12We'll know in just a minute.
16:27He said he'd get that suitcase out on a parachute, and there it comes.
16:30I'd rather not be around it.
16:31That exonoid goes off when it lands.
16:33Nogai's will be bailing out next.
16:35Get to a phone.
16:36Tell the boss everything's going OK.
16:37Right.
16:49What's that?
16:57I say!
17:08Mystery outing.
17:27That fellow was in a hurry.
17:41Put on all speed when he saw us.
17:58Did you get it?
18:00Come on.
18:01Get that thing in here quick.
18:06J.H.
18:09Haxton.
18:10Sir John Haxton, I'll bet.
18:11Huh?
18:12This afternoon in Colonel Nielsen's office.
18:13Listen.
18:14Captain Grumman.
18:15Captain Grumman.
18:27Come on.
18:47There's the car I saw.
18:55Get out of sight.
19:05Do you see what I see in there?
19:07There's nothing we can do now, Algy.
19:11Captain Grumman.
19:22Ah.
19:24Ring on the finger.
19:25D-N.
19:26It's a John's pilot, I suppose.
19:28There's something queer about this.
19:30Why, Hugh?
19:31Hand cold.
19:32Well, that's to be expected, isn't it?
19:33Rigor mortis doesn't set in so soon.
19:36This is the hand of a man who's been dead at least four hours.
19:47Your hand, sir.
19:51Take off.
19:59Phyllis, we're here.
20:00Tenny.
20:01Yes, sir.
20:02Get me a spot of tea.
20:04Tea, sir?
20:05Yes.
20:06Captain Grumman.
20:07No, but you'd better have some.
20:08Yes, thank you, sir.
20:10Algy, this is a clue to something big.
20:12I wish we were in on it.
20:13I thought we were.
20:16Now, what's the matter with you?
20:18That thing gives me the creeps.
20:19Algy, brace up.
20:20I don't want Phyllis upset.
20:21Hugh.
20:22Algy, welgy.
20:25What'll I tell Gwen?
20:26If you mention a word of what's happened,
20:27I'll wring your neck.
20:30Oh, algy, welgy.
20:34Oh, I'm so excited I could dance.
20:37Oh, I want to tell Hugh before Phyllis does.
20:39Phyllis talked long distance to her Aunt Blanche at Geneva,
20:42and she's giving Phyllis her Swiss chateau
20:44for a wedding present.
20:45That's very interesting.
20:46Oh, you can't go upstairs.
20:47And you and Phyllis can't marry until a week
20:49after you get to Geneva, because Aunt Blanche
20:51slipped on a ski and broke her ankle.
20:54But that makes it just ducky for us
20:56to leave for Geneva on Monday instead of Friday,
20:58and then I can have my dress fitted on Saturday.
21:00Isn't that perfect, Gwen?
21:02What?
21:03What's the matter with you, algy?
21:05Oh, nothing, nothing.
21:06Just a little chill.
21:08Oh, you ought to be ashamed of yourself, Hugh Drummond,
21:12dragging algy welgy around in that horrid old car of yours.
21:15You come right over here and let me make
21:17you all nice and comfy, won't you?
21:21I'm sorry.
21:22I'm so sorry.
21:23Why don't you knock a lady down?
21:25That will come after we marry.
21:27Just a minute, young man.
21:29Where on earth have you been?
21:31Well, well, you see that the fog was pretty thick, darling.
21:34I thought you were bringing Colonel Nelson.
21:36Well, something came up at the yard.
21:38He'll be right along.
21:39Well, let me see them.
21:41Them?
21:42The rings.
21:43Oh, yes, the rings, of course.
21:45Oh, you haven't lost them.
21:47No, darling, no.
21:48Well, men always do.
21:49I haven't lost them because I remember perfectly well that I
21:51put them in my pocket some.
21:53Good work, Tenny.
21:54I rather like it some.
21:57There you are, darling.
22:01Hugh, it's beautiful.
22:03For one of my inexperience, I did all right, huh?
22:06You still have time to back out, you know.
22:09What do you mean, back out?
22:10When we put these on and say, I do,
22:13it's the end of your adventuring.
22:15No more mysteries.
22:16No more dangers.
22:17Just home and fireside.
22:19Yes, but darling.
22:20You promised.
22:22Yes, I did, didn't I?
22:23But, well, all right, darling.
22:26You have my word.
22:27The old life is over.
22:29Done with forever.
22:31There.
22:32Isn't that better?
22:33Oh, that's lovely.
22:39There's a hand.
22:41A hand?
22:42You're a hand.
22:43Ah!
22:44Oh!
22:45Ouchie!
22:46Oh, my head!
22:47Ouchie!
22:48Where are you?
22:49It's all right, dear.
22:50Tenny, hello there.
22:52You too, old boy.
22:53Ah!
22:54Ouchie!
22:55Get it!
22:58I've got him!
23:01I've got him!
23:02Ow.
23:06You!
23:09I'm sorry, old boy.
23:10Ouchie!
23:13Darling, did I hurt you?
23:15No, sweetheart, it was nothing.
23:19Did he get away?
23:20Who?
23:21I don't know!
23:22The...
23:25Look!
23:28You! You!
23:29It's gone!
23:30What's gone?
23:31The suitcase!
23:32What suitcase?
23:33Well, I...
23:34Tenny's suitcase!
23:35Tenny's suitcase?
23:36Yes, miss, my suitcase.
23:37But why should anyone steal Tenny's suitcase?
23:39In the name of my sated aunt, what's been going on here?
23:41Colonel, something's happened.
23:43No.
23:44Hugh, what'll I do when...
23:46Take her upstairs, Algernon.
23:47Righto. Hang on, my pet.
23:50You'd better go too, dear.
23:51Just a moment, Hugh Drummond.
23:53Are you mixed up in something again?
23:54No, Phyllis, if you'll just give me...
23:55Just a sample of what our married life's going to be.
23:57No, darling, it isn't.
23:58I've made a promise and I'm going to keep it.
24:00I can.
24:01But I've simply got to talk to Colonel Nierson alone.
24:04Please.
24:05I give up.
24:07Hmm, smart gal.
24:09I did that a long time ago.
24:11Colonel.
24:12But what is it this time?
24:13Murder.
24:15There's a body, of course.
24:16It's about ten miles from here, in what remains of an aeroplane.
24:19Hugh!
24:20Phyllis told me to tell you.
24:21Later, Algy, later.
24:22In an aeroplane, you said?
24:23Sir John Haxton's.
24:24It crashed?
24:25It not only crashed, Colonel, it exploded.
24:29It was an accident, Hugh.
24:30Yes, but Colonel...
24:31Sir John had a suitcase containing hexanite,
24:33a powerful explosive.
24:37Treacherous stuff.
24:38So much so, in fact, that the slightest jaw
24:40at times would set it off.
24:42That's what exploded.
24:44It was in a suitcase?
24:46Hmm.
24:49What's the matter with you idiots?
24:51We had that suitcase here.
24:53Here?
24:54We were tossing it around like a football.
24:56Where is it now, man?
24:57Where is it now?
24:58It was stolen about a minute before you arrived.
25:01Hello?
25:02Hello?
25:03To the Scotland Yard, please.
25:05Clear the wire and get them.
25:07This is Colonel Nielsen speaking.
25:09I was rocking them large.
25:11Colonel.
25:12Hmm?
25:13Whose initials are D.N.?
25:15Draven O'Gay, Haxton's secretary.
25:17Was he with Sir John?
25:18Yes.
25:19Well, then he did it.
25:20Here, look at this.
25:22Here, look at this.
25:23Here, look at this.
25:24Here, look at this.
25:25Here, look at this.
25:26Here, look at this.
25:27Here, look at this.
25:28Here, look at this.
25:29Here, look at this.
25:35Take it easy.
25:36You want this stuff to blow up?
25:38What time is it?
25:40Seven o'clock.
25:43I owe Drummond something for this.
25:46So to make it appear that he had been killed too,
25:48O'Gay's put his ring on this, wherever he got it,
25:50and then bailed out in a shoot after he had dumped the Haxonite overboard.
25:53For once, I think you're right.
25:55Colonel.
25:56Huh?
25:57The ring on his cheek, which I gave him during our fight.
26:00Hello?
26:02Hello, Nielsen speaking.
26:04Put me through to Jennings right away, please.
26:06Elsie, Elsie.
26:07Is that a word, Elsie?
26:08Do you hear me?
26:09Hello.
26:10I'll put this in your overcoat pocket, Colonel.
26:11Hello.
26:12Hello, Jennings.
26:13Got out an order for the arrest of Draven O'Gay.
26:15It's right away, please.
26:16Did you tell him?
26:17I forgot.
26:19Forgot what, Elsie?
26:21You, old boy.
26:22Well, Elsie, out with it.
26:24Phyllis told me to tell you that.
26:26There you are, darling.
26:28What's the matter?
26:30I've changed my mind.
26:32You've what?
26:33I thought it over, and I...
26:35She's not going to marry you.
26:38That's what she told me to tell you.
26:40Now we can't go to Geneva.
26:44Darling, you're joking.
26:46I'm not.
26:47But why, Phyllis, why?
26:49It's been just one thing after another since the day we met.
26:51Darling, that's all over.
26:52Oh, no, it isn't.
26:54On the very night we leave to get married,
26:56the lights go out, and there's a fight,
26:58and suitcases disappear.
26:59Come on, Phyllis, please.
27:01I want a home, and not so much excitement.
27:04Now, sweetheart, if you suddenly come up, Phyllis, I've got to go.
27:06See you in Geneva next week.
27:08What are you crying about?
27:10Her heart's broken, that's what.
27:12Oh.
27:18You, you, what'll I do?
27:21What?
27:23Tenny!
27:24Coming, sir.
27:31Gwen.
27:32Gwen, my pet.
27:33Thank you. Here, dear, drink this.
27:36There you are.
27:38Yeah, that's fine. Thank you, Tenny.
27:40Phyllis, you didn't mean it, did you?
27:42Oh, I suppose not.
27:43But I warn you, if anything happens...
27:46If nothing will happen, dear, how could it?
27:48Oh, darling.
27:50You!
27:51Oh, later, Elsie, I'm busy.
27:53Tenny!
27:54Coming, sir.
27:56Well, hurry, hurry.
28:19And I think it's just too perfectly thrilling
28:22to be traveling on the train ferry all the way to Paris
28:24without getting off the train, don't you?
28:26When Elsie and I went to Paris, they didn't have a train ferry.
28:28Did they, Elsie?
28:30And you know, we forgot all about having to get off the train
28:32at Dover to get on the boat if we went sound asleep.
28:34Well, we simply had to tear into our clothes,
28:36and you know what?
28:37What?
28:38Oh, silly.
28:39Elsie's feet started hurting him,
28:41and it wasn't until the boat dropped in Calais
28:43that he found he had his right foot in his left shoe.
28:45That's the funniest thing I ever saw.
28:51Porter.
28:52Yes, sir?
28:53These orchids and this luggage were to go
28:55to Miss Clevering's compartment, number one and forward.
28:58I'm sorry, sir.
28:59Please get it right this time.
29:01Right you are, sir.
29:02I'll tip you at Dover.
29:04Thank you, sir.
29:06I beg your pardon.
29:09I beg your pardon.
29:15Teddy.
29:16Yes, Mr. Longworth?
29:18Look.
29:19An alarm clock.
29:21Set for 2 o'clock in the morning.
29:23But why, sir?
29:24To wake him up.
29:25To wake Captain Drummond up, sir?
29:28When they did it to me, I almost jumped out of my pajamas.
29:33It's a joke, don't you see?
29:35Not very clear, this.
29:37It's supposed to be funny, if you insist so.
29:41Excuse me, sir.
30:01Why, I beg your...
30:04I beg your pardon.
30:06May I pass, please?
30:08Yes, of course.
30:17I beg your pardon.
30:34Oh, and don't forget that little gown shop I told you about in Geneva.
30:37Oh, no, it isn't Geneva.
30:38It's in Paris, I think.
30:40Oh, well, I don't remember exactly, but it's either one or the other.
30:42I know because I've been there.
30:46The train's ready to start.
30:47Oh, is it?
30:48Oh, well, goodbye, dear.
30:49And I know you're going to have a perfectly thrilling time.
30:52Goodbye, dear.
30:53Goodbye.
30:54Goodbye.
30:55Goodbye.
30:56Goodbye.
30:57Goodbye.
30:58Goodbye.
30:59Goodbye.
31:00Goodbye.
31:01Goodbye.
31:02Goodbye, Gwen.
31:03Goodbye.
31:04Goodbye, Hugh.
31:05Goodbye, Gwen.
31:06Goodbye.
31:08Algy!
31:11Algy!
31:12Algy!
31:13Oh!
31:14Oh, Algy!
31:16Number seven, sir.
31:17Your compartment's been raided.
31:19Algy!
31:32Why, I beg your pardon.
31:34Good evening.
31:35Oh, I'm an inspector.
31:38And I came in here to...
31:40to inspect.
31:41Good night.
31:50It's started, hasn't it?
31:51Right you are, sir.
31:52Oh.
31:53Ticket, please.
31:54Yeah, ticket.
31:55If you please, sir.
31:56Oh, yes, yes.
31:57Well, I haven't any.
31:58Then I'll have to sell you one, I'm afraid.
32:00Space?
32:01Compartment 11, this car.
32:03Straight through, sir, or to Dover only?
32:05I can phone Gwen at Dover, can't I?
32:07Oh, yes, I should think so.
32:09Oh, all right.
32:13That horse-faced friend of Drummond's is on the train.
32:16Drummond is, too, in the compartment next to mine.
32:19Do you think they're on to us?
32:21Horse-face, as you call him, is on to you.
32:23I caught him snooping.
32:27Algy!
32:28You?
32:29It's on the train.
32:30It's on the train?
32:31Yes, what are we going to do?
32:32What are you talking about, Algy?
32:33What's on the train?
32:34The suitcase.
32:35So, the suitcase is on the train.
32:37How do you know?
32:38I saw him.
32:39Saw whom?
32:40Nogueira?
32:41The man with the scratches.
32:42I might have known it.
32:43Wait a moment, darling.
32:44If what Algy says is the truth, we're in danger.
32:46The whole train's in danger.
32:47Ken Nielsen warned me.
32:48It's my own fault.
32:49Proceed, Watson.
32:50Well, I got on the train, but I didn't want to get on the train when the train was going.
32:52Because, wait a moment, Algy, the stick to the man with the scratches.
32:54It's all right for you not to worry.
32:56They don't know you.
32:57You're safe.
32:58Especially in that get-up you're wearing.
33:00But what about me?
33:01These scratches have got me pegged.
33:04Well, if they find out you weren't killed in Axton's plane,
33:07Drummond will probably think I'm you.
33:09That is possible, isn't it?
33:11Sure puts me in a spot.
33:14Half a million almost in our hands and this had to happen.
33:19You know, my friend, you have given me an idea.
33:24What?
33:25Did you hear something?
33:30I don't hear it.
33:36Hugh, this isn't your affair.
33:37Darling, it is my affair.
33:39I told you what Colonel Nielsen said.
33:40There's more at stake than just our lives.
33:42Our lives aren't important.
33:43Naturally they are, but don't you understand?
33:45Somebody's got to see it through.
33:46Your mind's made up?
33:47Of course.
33:48All right, then.
33:49I'm in on it, too.
33:50I'll go to my compartment.
33:51You stay right here until we get to Dover.
33:53I'll do nothing of the sort.
33:54Right in this room.
34:09All right.
34:40Your gun, sir.
34:41You brought them along.
34:42Just in case, sir.
34:43An excellent idea, Tenny.
34:44I thought you might like it, John.
34:46One for you, sir.
34:48But what about yourself?
34:49It's all there are, sir.
34:50There are to be more.
34:51Then you'd better stay here.
34:52Very good, sir.
34:53Come on, now.
34:54Well, if I don't see you, I'll go to my compartment.
34:56All right.
34:57Good-bye.
34:58Good-bye.
34:59Good-bye.
35:00Good-bye.
35:01Good-bye.
35:02Good-bye.
35:03Good-bye.
35:04Good-bye.
35:05Good-bye.
35:06Good-bye.
35:07Good-bye.
35:08Well, if I don't see you again, good-bye.
35:10It's been so nice knowing you.
35:12Relax, darling.
35:13Relax.
35:14Come on, Algie.
35:15We're going into conference with Mr. Draven Nogueiras.
35:29He doesn't appear to be in.
35:32Lock the door, Algie.
35:38She resides.
35:40Well, the game was up, Algie.
35:42He couldn't take it.
35:54Be careful.
35:56Let me help you.
35:59Be careful.
36:01There may be a hexahedron there.
36:14Is that it?
36:16That's it, Algie.
36:17Well, what are you going to do?
36:18Hand it over to the authorities at Dover, I hope.
36:21I don't see it.
36:31Algie, do you smell perfume?
36:34Yes.
36:35That's odd, don't you think?
36:36I've smelled worse.
36:37What do you mean?
36:38For a man to use perfume.
36:39I once knew a chap...
36:40Algie.
36:41What?
36:42Perhaps this isn't suicide.
36:44You mean a woman?
36:46Why not?
36:49Did she use the perfume we smell in here?
36:51You mean the woman who found me in there?
36:53Whom else did you think I meant?
36:54I don't know.
36:55Well, did she?
36:56I just told you.
36:57You just told me what?
36:58I don't know.
37:01We'll soon find out.
37:02How?
37:03By knocking politely on her door and...
37:04Phyllis won't like it.
37:05Yes, but if somebody killed her...
37:06She still won't like it.
37:07You made a promise in case you'd forgotten.
37:10Oh, you're right, Algie.
37:12We'll hang on to it.
37:13We'll hang on to it.
37:16Oh, you're right, Algie.
37:17We'll hang on to this until we get to Dover.
37:19And then forget it, eh?
37:21Right.
37:38What's the matter?
37:39I'm jumpy.
37:40Relax, darling, relax.
37:42If...
37:43Well, if someone did kill Nogais,
37:45and they find out that you have that bag...
37:47Nothing's going to happen.
37:48I hope you're right,
37:50but I think the chances are against it.
37:52Watch out!
37:54Well, Algie,
37:55the conductor says that is the telephone on the ferry.
37:57I'll phone Gwen the minute we get to Dover.
37:59Algie.
38:00Uh-huh?
38:01You were going through the train
38:02to see if you could find the woman
38:03who had the compartment next to Nogais.
38:05And if you did find her,
38:06to see if she used the perfume
38:07we smelled in his compartment, remember?
38:10I do now.
38:13I give up.
38:14I wish you'd make up your mind.
38:16One minute you're through,
38:17and the next you're...
38:18Well, you're trying to make some innocent woman a criminal.
38:20We don't know that she isn't.
38:21We don't know that she is.
38:22Ah, but she could be.
38:23So could I.
38:24Why pick on her?
38:25Isn't it strange they have adjoining compartments?
38:27Oh, I suppose so.
38:29I don't know.
38:32Come in.
38:33Here he is.
38:34Are you finished, Denny?
38:36Thank you, sir.
38:37All right, darling, I'll figure it.
38:39Well, I think I'll be...
38:41Careful!
38:45Excuse me, sir.
38:52I'd give a hundred pounds to know if she used the one.
38:56I've simply got to find out.
38:57You promised.
38:58If you leave here,
38:59I'll take the next train back to London.
39:00I...
39:01Oh, I'm so nervous from looking at that bag,
39:03I can scream.
39:04Please, sweetheart.
39:05But you promised.
39:07Oh, you're right, sweet.
39:08I'm a dog,
39:09a mean, contemptible dog.
39:11You're not.
39:12Oh, yes, I am.
39:13Darling, I should know.
39:14I won't have you talk like that.
39:16There, there, sweetheart.
39:17This time I will forget it.
39:18We'll let the authorities handle it when we get to Dover, huh?
39:40Over there, Carol Nielsen.
39:43The train's coming. Hurry!
40:09Yes, I know, but we're here. Huh?
40:34More than I ever expected.
40:35Well, goodbye to this, goodbye to you.
40:37I've got to make a dash for the telephone.
40:38I've got to make a dash for the salon with Phyllis.
40:40It's you.
40:41I've got to let Gwen know that...
40:42well, that I'm all right.
40:43I know, old fella,
40:44but until the police get here and we wind this thing up,
40:45you've got to take care of Phyllis.
40:47You ready, darling?
40:48I'm beginning to live again now that we're really here.
40:50That's the spirit.
40:51Yes.
40:54I beg your pardon, fella.
40:55Tenny, you stay here and keep your eye on that bag
40:57until we get back.
40:58Alone, sir?
40:59Alone. Come on, darling.
41:01Well, don't you think I'll...
41:02I want Elsie to know.
41:08Could you just think that...
41:09The stairway's over here, Elsie.
41:19Meet you in the salon, dear.
41:20You stay right with her, Elsie.
41:21When can I phone Gwen?
41:23Later, Elsie, later.
41:25Later, Elsie, later.
41:26Oh, I can't lose you, can I?
41:55I want to see you.
41:56Now, Gaius is on the train.
41:57Are you certain?
41:58As certain as I am of the fact that someone killed him.
41:59What?
42:00Some woman's, my guess.
42:01Does Sumio Kanda know of this?
42:02Is he on the train?
42:03Supposed to be.
42:04Apartment 5, car 9.
42:05I haven't seen him.
42:06Have you told anybody else what's happened?
42:07No.
42:08I thought it best to keep my mouth shut.
42:09That's usually a head for once.
42:10Let's go below.
42:11Where is he?
42:12Why hasn't he come?
42:13Why ask me?
42:14I'm only his fiancée.
42:15No.
42:17What was the door?
42:18A blow at the base of the brain.
42:19Logaius, of course.
42:20I'm not so certain.
42:21What was that you said about a woman?
42:22You smell jasmine in here?
42:23Yes.
42:24It was in Logaius's compartment.
42:25He's a man.
42:26A man.
42:27A man?
42:28A man.
42:29A man.
42:30A man.
42:31A man.
42:32A man.
42:33A man.
42:34A man.
42:35A man.
42:36A man.
42:37A man.
42:38A man.
42:39A man.
42:40A man.
42:41A man.
42:42A man.
42:43A man.
42:44A man.
42:45A man.
42:46apartment to Canada didn't say anything about a woman being. You know you don't
42:52belong in this you but I am in it I know I may as well tell you I suppose you
42:57drag it out of me anyway if I don't tell me your account that telephone me at the
43:01yard about nine thirty five too late for me to catch the train he just received
43:05word that Yusuf Merkel suspected on the continent of dealing in war secrets was
43:10coming aboard when we dock at Dunkirk indicates that he was to meet no guess
43:13and make a deal for the Hex night certainly who's the woman. You tell me
43:19where's my gate in my car you know you certainly have a way of stumbling into
43:24things that don't concern you it's a gift I don't doubt it.
43:44This is not a guess. It's not a guess it's not a much lighter bill you know the
43:49answer to this don't you of course this fellow whoever he is was in with no gas and
43:53evidently disagreed about something we make
43:54a detective of you. You say no guess is
43:59a slighter bill then I've got it the woman who killed some of your condom this
44:03fellow is no guess disguised as a woman I think you've got something there I'll
44:07make a bet wait a minute you say you have the hacks and I guess my compartment
44:11somewhere.
44:20All right let me open up. Anything happen not yet close the door.
44:32If I run off with this boat out of
44:33a channel. It is.
44:39That is
44:40a hex and I want to. But
44:46a source. That means no guess is on the train and has the real acts and I kept in
44:51German yes to me yeah I retired let's go to bed good night tonight. I want to look
44:57in the next compartment I was in there a woman as you saw and if she uses the
45:01perfume we smell in the compartment adjoining her she's no guess you've seen
45:05this one no confounded but we're going to right now she's in that.
45:24I knew it Jasmine. Still burning and I'm going to get just left here.
45:31On the way he must still be on the ship.
45:47Some are on the boat probably.
46:01Time. To me. Coming from.
46:07It into my compartment if anyone is the one next to it come and get me well I find
46:11it on someone on the ship we're going to search it come on come. Whose case is this
46:15yours or mine.
46:30Mr.
46:43Long. Radio Graham thank you thank you so.
46:51What is it this time. If you love me you would have answered my telegram you
46:55received on the train. But if you went on the train you couldn't have received it
47:02and if you're not on the boat you won't have to answer this one either because if
47:06you're not on the boat you won't get it. Nothing else. Please answer you could
47:12send a radio.
47:19You were under way what am I going to do coming with me to help find no guess but
47:23he's dead I was someone else no guess is the woman you saw in the next compartment
47:27now you're the only one that knows what you what he looks like but I don't see
47:30that I'm going to make happen. I'm sorry I've kept you waiting the stuff that we
47:34thought was hacks and I just only bought some and no guess is on the boat with
47:37the real stuff enough to blow us all to return how nice we don't belong you stay
47:40here and relax well can I go to my compartment I should say not put into your
47:44compartment you stay right here where you're safe and to think I'm marrying you
47:49sorry she's not but we've got to find him come on.
47:53I.
48:06We can have a look around but we've made
48:08a thorough search are you certain you've not of course he was wearing I mean she
48:12was but no he was wearing I'm
48:13a mind out and now can I send when a radio grab go ahead when he comes back we
48:17look again as you wish I think I'll say a lot of fillers.
48:24Not smooth crossing Madam.
48:35Here put this into.
48:39My closet and put it up there.
48:48Come on.
48:53I'm.
49:11Telling I thought I told you not to put up your hands and around.
49:19So don't get that wrong you're going to miss.
49:24It seems you have the advantage but definitely you may lower your hands thank
49:28you. I believe it's customary to ask me I smoke isn't it I trust you have better
49:34judgment than to attempt anything foolish I assure you Sir my judgment is excellent
49:39to bet you didn't take the brown suit that great and become I like may I inquire
49:43what you intend to do. Under different circumstances you and I could work well
49:48together from when you honor me so.
50:03You are you there just
50:05a moment I'll take you sit down this I'll be watching her German if you're smart
50:09you'll act as if nothing is wrong and I don't smile I don't mean to me it's
50:14business. What's the trouble. You said you were coming back on the other has been
50:20waiting for you I'll tell you how I feel about it I'll see I'm fed up with this
50:23nonsense about no gas and Haxton we'll let Nielsen handle it you're not sick I
50:27don't want to but after all it is the colonel's business not mine now where you
50:31run along like
50:31a good fellow this isn't like you Hugh one must reform sometime else even as you
50:36pointed out I have made Phyllis
50:38a promise but what I'm not going to tell you. Oh I don't want to tell you
50:44I'll put that up to people go out and I don't mean.
50:51But I can't get his gun to me. Why you want to get my gun in the pocket.
51:00Now get can listen but don't you think I'm not going to get him. And now you have
51:06the advantage but definitely won't you sit down and lower your hands. Thank you.
51:14And to quote you may I smoke and to quote you I trust you have better judgment than
51:19to attempt anything foolish. When one loses one loses that sounds original.
51:29I mean I trouble you for that bag.
51:30And. You know. That's
51:36a night.
52:01I. Think I'll give
52:13a shoot yes I'm going. To get
52:19a gun now. But then I was I tell you yes but you take that I'll take the last
52:24in such a big car you stay and watch the door I'll take.
52:45You don't have that kind of.
52:46Big.
52:50Stay where you are and I guess the game's up yes.
52:59Good.
53:10Girl.
53:16I'm. Feeling better. I want to ask you something
53:23yes. Come in. Let me.
53:34But you want to say you only mean. Come in. Sorry to leave you I'm
53:41a squad and I'm going to Paris so if I'm not at Geneva for the wedding you'll
53:45understand try to be there you know I will goodbye Phyllis don't scold him too
53:50much and don't try to reform him it's impossible. But I don't mind thanks kind
53:56of.
54:01You really mean. That will be. Come in.
54:07You when taking the plane to Paris I'm going to see her tomorrow it's fine I'll be
54:12now good night I'll check Phyllis is trying to tell me something. Oh yes it's
54:15a call. Right.
54:22All right now do I really mean to give up this highly exciting way of living. Why
54:27yes of course I promised it isn't necessary. Because well it's
54:33anything I'd rather like it.