• 4 years ago
Eléonore Hamelin’s film “Quiet No More” explores how the Reverend Sharon Risher, in the years after her mother and eight other members of the Emanuel A.M.E. Church were murdered by a white supremacist, rose above her doubts in humanity to become a gun-violence activist.

Recommended

8:11
I
Up next
Listen to the fourth batch of entries from Philpop Himig Handog 2024 | ASAP
ABS-CBN Entertainment
1:46
Jhong, pinatunayan na pwede na siya maging writer ng pelikula | It’s Showtime | Tawag Ng Tanghalan
ABS-CBN Entertainment
3:11
Kasambahay na si Gel, naiyak sa mensahe ng asawa | It’s Showtime | Breadwinner
ABS-CBN Entertainment
42:35
Have I Got News For You US - Season 01 Episode 10
ozmartian
42:54
Have I Got News For You US - Season 01 Episode 09
ozmartian
42:05
Have I Got News For You US - Season 01 Episode 08
ozmartian
22:47
One Conductor’s Mission to Diversify Music in "The Orchestra Chuck Built"
The New Yorker
15:10
Frank
The New Yorker
15:40
“Goodbye, Morganza” Follows the Legacy of a Black Family’s Property Loss
The New Yorker
24:55
Offering Dignity for Those Who Die Alone in “People Like Us”
The New Yorker
7:09
How the Artist Barry Blitt Turns Politics Into Cartoon Cover Gold
The New Yorker
30:24
A Family Reckons with a Father’s Wish to Be Preserved Using Cryonics in “Eternal Father”
The New Yorker
17:48
A Veterinarian’s Soothing Compassion in “The Passing”
The New Yorker
14:53
Zooey Zephyr’s Defense of Trans Lives in a Deep-Red State in "Seat 31"
The New Yorker
15:40
A Relationship and a Nation in Turmoil in “Bogotá Story”
The New Yorker
22:08
Denial
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker
8:07
A Woman’s Forced Marriage in Post-Invasion Afghanistan, in “Hills and Mountains”
The New Yorker
4:40
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker
17:45
Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”
The New Yorker
22:35
Laughing in the Face of Dying Young, in “Cherry”
The New Yorker