• 6 years ago
With more and more homes being built in fire-prone ecosystems, architects and homeowners are coming up with thoughtful design elements to help protect homes from wildfires.

Recommended

2:28
I
Up next
Morissette shares the meaning behind her newest Bisaya song | ASAP
ABS-CBN Entertainment
3:32
WATCH: ASAP Rockoustic Heartthrobs serenade fans with "Prinsesa" | ASAP
ABS-CBN Entertainment
4:30
WATCH: KZ Tandingan takes over the ASAP stage! | ASAP
ABS-CBN Entertainment
42:35
Have I Got News For You US - Season 01 Episode 10
ozmartian
42:54
Have I Got News For You US - Season 01 Episode 09
ozmartian
42:05
Have I Got News For You US - Season 01 Episode 08
ozmartian
22:47
One Conductor’s Mission to Diversify Music in "The Orchestra Chuck Built"
The New Yorker
15:10
Frank
The New Yorker
15:40
“Goodbye, Morganza” Follows the Legacy of a Black Family’s Property Loss
The New Yorker
24:55
Offering Dignity for Those Who Die Alone in “People Like Us”
The New Yorker
7:09
How the Artist Barry Blitt Turns Politics Into Cartoon Cover Gold
The New Yorker
30:24
A Family Reckons with a Father’s Wish to Be Preserved Using Cryonics in “Eternal Father”
The New Yorker
17:48
A Veterinarian’s Soothing Compassion in “The Passing”
The New Yorker
14:53
Zooey Zephyr’s Defense of Trans Lives in a Deep-Red State in "Seat 31"
The New Yorker
15:40
A Relationship and a Nation in Turmoil in “Bogotá Story”
The New Yorker
22:08
Denial
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker
8:07
A Woman’s Forced Marriage in Post-Invasion Afghanistan, in “Hills and Mountains”
The New Yorker
4:40
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker
17:45
Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”
The New Yorker
22:35
Laughing in the Face of Dying Young, in “Cherry”
The New Yorker