PG | 1h 27min | Horror, Drama | 12 August 1974 (South Africa)
On a South African plantation, a maniac is on the loose, first killing the estate's animals, then starting on the human members.
Director: Ray Austin
Writers: Marc Marais (screenplay) (as Marc de V. Marais), John Brason (original story)
Stars: Mark Burns, Shirley Anne Field, David Oxley
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
On a South African plantation, a maniac is on the loose, first killing the estate's animals, then starting on the human members.
Director: Ray Austin
Writers: Marc Marais (screenplay) (as Marc de V. Marais), John Brason (original story)
Stars: Mark Burns, Shirley Anne Field, David Oxley
We have over 15,000 titles available for licensing to VOD platforms. Contact: sales@echelonstudios.us
Category
🎥
Short filmTranscript
00:00:00It.
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00:04:25And...
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00:04:41When Simeon comes for Sir Michael's lunch,
00:04:44give him this letter.
00:04:46Yes, Your Ladyship.
00:04:55I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears, and I'm going to put a little bit of water in your ears
00:05:25Simeon! Simeon!
00:05:34Oh, and there's a letter for him also.
00:05:45Oh.
00:05:46It's becoming quite a thing these letters from England.
00:05:50I reckon the Squire's in love.
00:05:53You're a cheeky blighter, Simeon.
00:05:55Well, don't nobody laugh no more at Brackley.
00:05:58Or are you all too scared of that loony up in the attic?
00:06:00Shh, Simeon.
00:06:01Oh, don't worry, Annie.
00:06:03Nothing to be scared of, as long as I'm around.
00:06:05Oh.
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00:06:17See you at the party tonight, Annie.
00:06:20What party later?
00:06:22I don't know.
00:06:24What party later?
00:06:26Okay, time to get home.
00:06:28Have a seat, Simeon.
00:06:34Oh, oh.
00:06:36Oh.
00:06:38Oh, Ed.
00:06:39Oh.
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00:06:42Steven!
00:06:43Gotta get across that line.
00:06:44We're done talking, kid.
00:06:45Steven!
00:06:46Steven.
00:06:47Steven.
00:06:48Is that the last wagon load, Jan?
00:06:50Yes, sir. It looks like it's going to be a good vintage.
00:06:52I hope so. Brattling needs it.
00:06:54Oh, they've got to be bad years, sir.
00:06:56Yes, I know, Jan, but the Brattlers have had a run of bad years.
00:07:00Perhaps you should let Aya Katt make you up a good luck charm.
00:07:04It'll take more than Aya Katt's magic spells to change the fortunes of the Brattlers.
00:07:08Here's a letter for you, Sir Michael.
00:07:10Oh.
00:07:11Can I have the stamps when you're done, sir?
00:07:13Hmm?
00:07:14Yes, of course.
00:07:16Don't let them drink too much tonight, Jan.
00:07:18No, sir, I won't.
00:07:19Your lunch, Sir Michael.
00:07:20Oh, you have it.
00:07:21I may see you later at the party.
00:07:23Not then.
00:07:28What are you shaking your head for?
00:07:30I don't know how you can be so happy.
00:07:32He's got a loonie for a brother.
00:07:34I saw him in the woods this morning.
00:07:37There was something in his sack.
00:07:39And it was alive.
00:07:41You'd better keep your mouth shut if you want to keep your job.
00:07:46Not only me.
00:07:48The folks say Mr. Breck's fooling around with magic up there.
00:07:52They're more scared of him than they are of that old witch, Aya Katt.
00:08:15Oh.
00:08:45Ah!
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00:11:10Simeon!
00:11:11Annie.
00:11:12Annie.
00:11:13Annie.
00:11:14Annie.
00:11:15Annie.
00:11:16Annie.
00:11:17Annie.
00:11:19Annie.
00:11:22Annie.
00:11:31Annie.
00:11:37Annie.
00:11:46Annie.
00:11:49Here, Simeon.
00:11:55Annie.
00:11:58Oh, that's enough now, Annie. Come on.
00:12:05Simeon?
00:12:12Let go!
00:12:13Let go!
00:12:18Let go!
00:12:19Let go!
00:12:20Let go!
00:12:21Let go!
00:12:22Let go!
00:12:23Let go!
00:12:24Let go!
00:12:25Let go!
00:12:26Let go!
00:12:27Let go!
00:12:28Let go of her!
00:12:29Let go of her!
00:12:30Let go!
00:12:31Let go!
00:12:32She was trying to hex you, sir.
00:12:34Yeah, yeah.
00:12:35Be quiet, all of you.
00:12:36Go back to the party.
00:12:37Go on.
00:12:38Go.
00:12:41Nina?
00:12:45It's alive.
00:12:47It's to protect you.
00:12:49Give it to me.
00:12:51Give it to me, Nina.
00:12:54From what and from whom are you trying to protect me?
00:12:59Witchcraft's a bit in the Brattling, Nina.
00:13:01You know that.
00:13:02Evil got to be fought with evil.
00:13:06There is no evil at Brattling Isle.
00:13:08Not anymore.
00:13:16Let's go.
00:13:46Let's go.
00:14:16Oops.
00:14:46Let's go.
00:14:47Let's go.
00:15:17Oh no.
00:15:19Simeon?
00:15:21Must have been Saracen.
00:15:24Why?
00:15:28Why?
00:15:29What's his duty to protect me?
00:15:31What's his duty to protect you?
00:15:32Why?
00:15:33Why?
00:15:35I don't know.
00:15:36I just don't know.
00:15:37I don't know.
00:15:38I don't know.
00:15:39I don't know, sir.
00:15:40I don't know.
00:15:41I don't know.
00:15:42I don't know.
00:15:43I don't know.
00:15:44I don't know.
00:15:45What's this do-ton killer, sir?
00:15:52Get him back to the house.
00:15:55Quickly.
00:16:16Jan!
00:16:20Look.
00:16:21So that's what spooked Saracen.
00:16:23A snake will spook any horse.
00:16:25He kicked down the door.
00:16:28No.
00:16:30Someone let him out.
00:16:32Deliberately.
00:16:34I want him found, Jan. Quickly.
00:16:37And get rid of this, will you?
00:16:39Yes, sir.
00:17:10Brett?
00:17:12Brett?
00:17:39Mother?
00:18:09Here.
00:18:39Mother.
00:18:41Mary-Anne has consented to marry me.
00:18:46Is that what the letter was about?
00:18:48Yes.
00:18:50But it's been more than a year since you last saw her.
00:18:53And then only for a short time in London.
00:18:56How do you know she hasn't changed?
00:18:58We love each other. That's all we need to know.
00:19:01You, Breck, and I,
00:19:03we've known each other for a long time.
00:19:05That's all we need to know.
00:19:07You, Breck, and I
00:19:09are the last of the Bratlings.
00:19:11We should make sure there will be no more.
00:19:16If you marry this girl,
00:19:18you'll only be adding another tragedy to the history of Bratling.
00:19:22It's because of Breck that you don't want to hear, isn't it?
00:19:26What do you suggest we do with him?
00:19:28Brush him under a carpet like unsightly dirt?
00:19:30Breck is my brother. I love him as much as you do.
00:19:36Mother, can't you see?
00:19:38He's sick and needs proper care.
00:19:40He's a Bratli as much as you or me.
00:19:43He has a right to stay here as long as he lives.
00:19:48It's Mary Ann who has no right here.
00:20:05I'm afraid I have some rather bad news.
00:20:08Michael?
00:20:09No, not Sir Michael. Breck.
00:20:12His brother?
00:20:13It appears that a runaway stallion that killed a man six weeks ago
00:20:17attacked Breck while he was out on a walk.
00:20:20He was shot by the gunman.
00:20:23He's not breathing.
00:20:24He's not breathing.
00:20:25He's not breathing.
00:20:26He's not breathing.
00:20:27He's not breathing.
00:20:28He's not breathing.
00:20:29He's not breathing.
00:20:30He's not breathing.
00:20:31He's not breathing.
00:20:32He's not breathing.
00:20:33He attacked Breck while he was out on a walk.
00:20:35Oh no.
00:20:48I'm sorry I had to bring you such distressing news.
00:20:54Did you know Breck, Doctor?
00:20:56He was an undergraduate while I was at Dublin.
00:20:59I only met him once or twice after he qualified.
00:21:02That was many years ago in London at a medical conference.
00:21:05I believe he returned to the Cape shortly after that,
00:21:08gave up his practice in London.
00:21:10Michael never mentioned that his brother was a doctor.
00:21:14He had some rather extraordinary ideas which he published.
00:21:18But I'm afraid they had a mixed reception in medical circles.
00:21:23Oh. Why was that?
00:21:26He believed the soul was an organic entity
00:21:28which could be isolated and kept alive
00:21:31outside and independent of the human body.
00:21:35The time has passed most pleasantly thanks to you, Dr. Collinson.
00:21:43I do hope you have a pleasant stay with the group.
00:21:52Dr. Collinson?
00:21:53Yes?
00:21:54Mr. Horat sent me to meet you, sir.
00:21:55Ah, my bags are over there.
00:21:57I'll be with you in a minute.
00:22:00Don't worry, Miss Carew.
00:22:02If Sir Michael doesn't arrive,
00:22:03I can always drop you on my way to the De Fruits farm.
00:22:07I'm sure he'll be here soon.
00:22:10Will you excuse me while I look for my luggage?
00:22:12Yes.
00:22:17That one and that one.
00:22:18Yes, sir.
00:22:29Michael!
00:22:48Michael!
00:22:53I know it's Michael!
00:23:00You've been very kind, Dr. Collinson.
00:23:03My pleasure, Miss Carew.
00:23:13Marianne!
00:23:15Hello.
00:23:18Dearest.
00:23:22Oh, this is Dr. Collinson.
00:23:25He's been very kind.
00:23:27This is Dr. Collinson.
00:23:29He's been my guardian angel.
00:23:30How do you do?
00:23:31I'm very grateful to you, Doctor.
00:23:33He's going to visit your neighbors, the De Groots.
00:23:35I've asked him to come and visit us.
00:23:39Yes, of course, we'd be delighted, Doctor.
00:23:41Thank you, Sir Michael.
00:23:43Miss Carew?
00:23:44Goodbye.
00:23:45Goodbye.
00:23:50Oh, Marianne, this is Lena.
00:23:52She'll be your personal maid at Bratling.
00:23:55How do you do, Lena?
00:23:57Ma'am.
00:23:58Come, my dear.
00:24:01I beg your pardon, Sir Michael.
00:24:02Yes?
00:24:03That case that's addressed to Dr. Brett,
00:24:05will you take it now or have it sent for later?
00:24:09Uh...
00:24:10Oh, we'll take it with us, we might as well.
00:24:12Um, load it up, would you?
00:24:54How much further is it to Bratling, Michael?
00:25:24About another mile.
00:25:25I can hardly wait to get there.
00:25:27You're much thinner, dearest.
00:25:29That's one of the changes at Bratling since I wrote to you.
00:25:32You mean Breck's accident?
00:25:34You know about that?
00:25:36The stationmaster told Dr. Collinson.
00:25:38How is he?
00:25:39Well, at first we thought he might die.
00:25:41His head was badly crushed.
00:25:43Oh, Michael, how awful.
00:25:45Your poor mother must have been very upset.
00:25:47She still is upset.
00:25:49She doted on Breck.
00:25:52Can we go a little faster, Michael?
00:25:54I can hardly wait.
00:25:56Yes, of course.
00:25:57Get up, go on.
00:25:58Get up.
00:26:16Michael, I think it's...
00:26:17It's beautiful.
00:26:19Beautiful is hardly the word for it.
00:26:21The house is run down, the garden's overgrown.
00:26:24Well, all except for one part, which is Mother's pride and joy.
00:26:27It's been such a long time.
00:26:29Remember when we talked about this day?
00:26:31Whoa, whoa.
00:26:32Yes, I remember.
00:26:34Whoa, whoa.
00:26:36But then I wasn't sure you were going to marry me.
00:26:38Excuse me.
00:26:40Oh.
00:26:48Michael?
00:26:49Michael, do you think your mother will like me?
00:26:52Of course she'll like you.
00:26:54How could anyone not like you?
00:27:00Welcome to Bracklin.
00:27:10It is rather grim, isn't it?
00:27:13But everything will change now that you're here.
00:27:16Let me introduce you.
00:27:17This is Bland, our butler.
00:27:18May I?
00:27:19And behind you is Annie.
00:27:23Welcome, ma'am.
00:27:25Thank you, Annie.
00:27:26The inner will show Miss Mary Ant in her room.
00:27:28My dear, when you're refreshed, I'll introduce you to Mother.
00:27:33Thank you, Bland.
00:27:39I simply will not allow you to marry this girl.
00:27:43You will allow whatever I say, Mother.
00:27:46Then you intend to go through with it, despite my wishes?
00:27:54Not despite anything, but because I am your mother.
00:27:59Not despite anything, but because I am master of Bracklin.
00:28:11I can hardly believe it.
00:28:14It seems incredible that this is Africa and not England.
00:28:17Cape Colony, my dear, not Africa.
00:28:20But if you will listen carefully, you will realize there is a difference.
00:28:30What is that drumming, Michael?
00:28:32Nothing that need concern you.
00:28:34You might call it the sound of Africa.
00:28:37You should not permit it.
00:28:39Your father never did.
00:28:41What should Michael not permit, Lady Bracklin?
00:28:44Witchcraft.
00:28:46Mr. Bracklin wishes to trade with you.
00:28:48Thank you, Bland.
00:28:49That will be all.
00:28:53If you'll excuse me, my dear.
00:28:55Bracklin and I usually have a few moments together at this time.
00:28:58Can I come with you?
00:28:59No, Marianne.
00:29:01Michael can take the tray, and you and I will have coffee in the drawing room.
00:29:06It's better this way, for the moment.
00:29:09I shan't be long.
00:29:56They're very much alike, Lady Bracklin.
00:30:00They were then.
00:30:04But not anymore.
00:30:08I'm such a blunderer.
00:30:10Please forgive me.
00:30:14Has Michael told you about the accident?
00:30:17Only that Breck was attacked by a stallion while out walking.
00:30:21He also said that Breck refuses to see anyone except you and Michael.
00:30:30You both look so overwrought.
00:30:32Surely there's something I could do to help.
00:30:35This is a family matter.
00:30:37Michael had no right to tell you about it.
00:30:40But I am family.
00:30:43Not yet, my dear.
00:30:45Not yet.
00:30:52I love Michael, Lady Bracklin.
00:30:54And everything that is part of him.
00:30:57Even if you don't care for me,
00:30:59you'll never change what I feel for him.
00:31:02Nothing will ever change that.
00:31:21Come in.
00:31:52May I turn back the bed, Miss Marianne?
00:31:54Yes, thank you, Lina.
00:32:00What's he like, Lina?
00:32:02Who, Miss?
00:32:03Mr. Breck.
00:32:05I haven't seen him since the accident, Miss.
00:32:08No, I haven't seen him since the accident.
00:32:11I'm afraid he's not well.
00:32:13I'm afraid he's not well.
00:32:15I'm afraid he's not well.
00:32:17I'm afraid he's not well.
00:32:19I haven't seen him since the accident, Miss.
00:32:21Nobody has.
00:32:22He never leaves the upper floor.
00:32:24Oh, how dreadful.
00:32:27Poor Breck.
00:32:50What was he like, Lina, before the accident?
00:32:52What was he like, Lina, before the accident?
00:32:54Did you know he was crippled, Miss?
00:32:56Did you know he was crippled, Miss?
00:32:57Yes, Sir Michael told me.
00:32:59Ayakat says he's marked by the devil.
00:33:02He used to play the organ, sometimes late at night.
00:33:06We could hear him.
00:33:08We could hear him.
00:33:10We could hear him.
00:33:12We could hear him.
00:33:14We could hear him.
00:33:16We could hear him.
00:33:18We could hear down in the servants' quarters.
00:33:21Lonely.
00:33:23Terrible music.
00:33:25Like the swell.
00:33:27Come in.
00:33:30Leave us, Lina.
00:33:43You're retiring rather early, aren't you?
00:33:47I don't...
00:33:49I don't think your mother wants me here at Bratley.
00:33:51Oh?
00:33:52Did she say that?
00:33:54She told me not to interfere in family matters.
00:33:56My mother's had a terrible shock.
00:33:58Breck is more than just a son to her.
00:34:01You'll have to be very patient with us, my darling.
00:34:03All of us.
00:34:04Mother, Breck, even me.
00:34:10Who is Ayakat?
00:34:16Oh, just an old Malay woman.
00:34:18People believed to have supernatural powers.
00:34:21Did Lina tell you about her?
00:34:23Yes, but why are you so angry?
00:34:27I'm... I'm not angry.
00:34:30I just don't want you listening to servants' gossip, that's all.
00:34:33Especially from Lina.
00:34:35I'll speak to Mother tomorrow about a new maid for you.
00:34:37Oh, please don't, Michael.
00:34:39I like the girl.
00:34:40All right, my love.
00:34:42Good night.
00:34:46Sleep well.
00:34:49You'll be called at 8.30.
00:35:16KALARANA MINASHA
00:35:46KALARANA MINASHA
00:36:16KALARANA MINASHA
00:36:46KALARANA MINASHA
00:37:16KALARANA MINASHA
00:37:46KALARANA MINASHA
00:38:16KALARANA MINASHA
00:38:47Did you lock my door last night, Lina?
00:38:49No.
00:38:54And the organ music.
00:38:56Did you hear it?
00:38:59Lina?
00:39:01I saw Mr. Breck with my own eyes
00:39:03limping along the path beneath my bedroom window.
00:39:06Then he must be bitterness.
00:39:09Lina, please trust me as I now trust you.
00:39:12I promise you that whatever you tell me
00:39:14will remain a secret between us.
00:39:17There's nothing to tell, miss.
00:39:19I've told you everything I know.
00:39:23You haven't told me why
00:39:25whenever you speak of Mr. Breck
00:39:27you behave like a frightened child.
00:39:30What is it that he does or used to do?
00:39:33I don't know.
00:39:35A frightened child?
00:39:37What is it that he does or used to do up in that attic?
00:39:41Nobody knows for sure.
00:39:43But Ayakat says he's doing what no man has the right to do.
00:39:47What is Mr. Breck doing, Lina?
00:39:52Collecting the souls of living creatures.
00:39:56Lina!
00:39:58Lina!
00:40:06Good.
00:40:08Very good.
00:40:14Living in England all these years
00:40:16has not robbed you of your skill, I see.
00:40:18I used to practice on Hampstead Heath
00:40:20to keep up with you, Hugo.
00:40:26You're not sorry you've given up your London practice
00:40:29to take up this lecturing post at the medical school, are you?
00:40:33Good heavens, no.
00:40:35I was intended to return to the colony.
00:40:37What makes you think that I have any regrets?
00:40:39Sometimes you look like a man who has a profound regret
00:40:42as if he has lost something.
00:40:46It's the girl you met on the boat coming out,
00:40:49isn't it, my friend?
00:40:51Miss Carew is engaged to be married to Sir Michael Bratley, Hugo.
00:40:55Yes.
00:40:57But somehow I think that she's in great danger.
00:41:01She's in great danger.
00:41:05Let's go and have some tea.
00:41:31Please.
00:42:27Hello, Annie.
00:42:28Is Sir Michael back from the fields yet?
00:42:30Come in, Miss.
00:42:31Thank you, Annie.
00:43:01Ah!
00:43:18Ah!
00:43:31No!
00:43:33No!
00:43:34No!
00:43:36No!
00:44:00No!
00:44:30No!
00:45:00No!
00:45:01No!
00:45:02No!
00:45:03No!
00:45:04No!
00:45:05No!
00:45:06No!
00:45:07No!
00:45:08No!
00:45:09No!
00:45:10No!
00:45:11No!
00:45:12No!
00:45:13No!
00:45:14No!
00:45:15No!
00:45:16No!
00:45:17No!
00:45:18No!
00:45:19No!
00:45:20No!
00:45:21No!
00:45:22No!
00:45:23No!
00:45:24No!
00:45:25No!
00:45:26No!
00:45:27No!
00:45:28No!
00:45:29No!
00:45:30No!
00:45:31No!
00:45:33No!
00:45:34No!
00:45:40Ah!
00:45:47Why are you and Michael hiding Brett from me as if he were some dangerous animal?
00:45:51I've seen him staring out of the attic window.
00:46:00My son does not wish to see you.
00:46:02He's been ill.
00:46:03Very ill.
00:46:04Can't you understand that?
00:46:05Then why was he walking in the garden last night?
00:46:12That's impossible.
00:46:13It was your imagination.
00:46:15And the organ music?
00:46:17Was that also my imagination?
00:46:47Leave, Brattley Mary, Anne, leave, before it's too late.
00:46:59I'll never leave here.
00:47:00Not as long as Michael Blounson needs me.
00:47:01Get him!
00:47:02What is it?
00:47:03What's happening?
00:47:04I was coming to tell you, sir, Iacocca is dead.
00:47:05They all want to leave.
00:47:06What do you want?
00:47:27It isn't safe to work or live here anymore.
00:47:29Is that damn horse that's killed her?
00:47:31Yes.
00:47:32Sheraton is no longer on Brattling.
00:47:34He's disappeared.
00:47:35You all know that.
00:47:36He's probably dead.
00:47:37Denisot ain't dead.
00:47:38He's out there somewhere.
00:47:39It's him.
00:47:40That's Hex's place.
00:47:41Your crazy brother.
00:47:42Up there.
00:47:43Let's go get him.
00:47:44Those of you who wish to leave, go!
00:47:45Go!
00:47:46Go!
00:47:47Go!
00:47:48Go!
00:47:49Go!
00:47:50Go!
00:47:51Go!
00:47:52Go!
00:47:53Go!
00:47:54Go!
00:47:55Go!
00:47:56Go!
00:47:57Go!
00:47:58Go!
00:47:59Go!
00:48:00Go!
00:48:01Go!
00:48:02Go!
00:48:03Go!
00:48:04Go!
00:48:05Go!
00:48:06Go!
00:48:07Go!
00:48:08Go!
00:48:09Go!
00:48:10Go!
00:48:11Go!
00:48:12Go!
00:48:13Go!
00:48:14Go!
00:48:15Go!
00:48:16Go!
00:48:17Go!
00:48:18Go!
00:48:19Go!
00:48:20Go!
00:48:21Go!
00:48:22Go!
00:48:23Go!
00:48:24Go!
00:48:25Go!
00:48:26Go!
00:48:27Go!
00:48:28Go!
00:48:29Go!
00:48:30Go!
00:48:31Go!
00:48:32Go!
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00:48:35Go!
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00:49:22Go!
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00:49:24Go!
00:49:25Go!
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00:49:27Go!
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00:49:29Go!
00:49:30Go!
00:49:31Go!
00:49:32Go!
00:49:33Go!
00:49:34Go!
00:49:35Go!
00:49:36Go!
00:49:37Go!
00:49:38Go!
00:49:39Go!
00:49:40Go!
00:49:41Go!
00:49:42Is it unreasonable for a woman who's come 7,000 miles
00:49:45to join the man she loves to expect him to spend
00:49:48a little of his time with her?
00:49:53You saw what happened last night.
00:49:56Bratling is like a ship that's sinking,
00:49:59and no one can save her except me.
00:50:01You and me, Michael.
00:50:03Or have you forgotten you asked me to marry you?
00:50:06Last night, your mother begged me to leave Bratly.
00:50:10Is that what you want, too?
00:50:13Mother begged you to leave Bratly.
00:50:15Why?
00:50:17Maybe because of Breck.
00:50:20I mean, I thought...
00:50:21Breck?
00:50:23Why does everyone blame poor Breck
00:50:25for everything that happens in this house?
00:50:32I spent an hour with him this morning.
00:50:34I'm glad I can get nothing from him.
00:50:37He just sits there, staring into space.
00:50:41A shattered mind and a shattered body.
00:50:45Oh, my dearest, I'm sorry.
00:50:48I've been so selfish and thoughtless.
00:50:52I promise never to speak about it again.
00:50:56I promise.
00:51:07I promise.
00:51:29It seems we have a visitor.
00:51:32Will you be all right on your own, my love?
00:51:34Yes, you go.
00:51:36It's been a while.
00:51:41The horse.
00:51:42Was it Saracen?
00:51:44Yes, it was Saracen.
00:51:47I'm sorry, Michael.
00:52:01Without my son, Captain, sir.
00:52:04Good to see you, Tana.
00:52:06What brings you to Bratlin?
00:52:08One of your farmhands put in an appearance
00:52:10at the castle the day before yesterday.
00:52:12With a rather incredible story, Sir Michael.
00:52:19As long as he's up there in that attic,
00:52:21none of us is safe.
00:52:24Oh, please, miss, let's go to Cape Town.
00:52:27I will work for you there.
00:52:29You must stay calm, Lina.
00:52:31You must think.
00:52:33I have thought, miss.
00:52:35I'm leaving Bratlin.
00:52:39How far is Grutwood from here?
00:52:41About eight miles by road, miss.
00:52:43But there's a shortcut through the fields.
00:52:45Then will you do one last favor for me
00:52:47before you leave Bratlin?
00:52:49Oh, yes, miss.
00:52:50Take this letter to Grutwood and hand it to Dr. Collinson.
00:52:54Yes, miss.
00:52:58God protect you.
00:53:02It may well be as you say, Sir Michael.
00:53:05Superstitious servants chatter.
00:53:09Nevertheless, two particularly brutal killings have occurred.
00:53:13And I'm quite sure none of us here really believe
00:53:15that the stallion was responsible.
00:53:17And who do you suggest is responsible?
00:53:19Perhaps after I've looked around the property
00:53:21and questioned a few people,
00:53:23I might be able to give you the answer.
00:53:27With your permission, Sir Michael,
00:53:29I should also like to have a few minutes with your brother.
00:53:34You realize, of course, Lieutenant,
00:53:36that Breckenridge has not yet completely recovered
00:53:38from the stallion's attack.
00:53:40It is this that I need assuring of, Lady Bratley.
00:53:42That is why I should like to see him
00:53:44when I return from speaking to your field workers.
00:53:46Now, if you'll excuse me, Lady Bratley.
00:53:49Sir Michael.
00:53:55Oh, Michael.
00:53:57Oh, Michael.
00:54:27Oh, Michael.
00:54:57Oh, Michael.
00:55:27Oh, Michael.
00:55:58Oh!
00:56:03Oh!
00:56:06Oh!
00:56:24Oh!
00:56:28Oh!
00:56:53Oh!
00:56:58Oh!
00:57:09Help! Help me!
00:57:14Dr. Collinson!
00:57:16Dr. Collinson!
00:57:23Dr. Collinson!
00:57:25What is it? What is it?
00:57:27He tried to kill me!
00:57:29Hugo!
00:57:30He tried to kill me!
00:57:32Hugo!
00:57:33It's all right. You're safe now.
00:57:38It's one of the servant girls from Bratley.
00:57:40Let's take her into the house.
00:57:55Let's go.
00:58:11Where'd you drop the note, Lina?
00:58:13There.
00:58:22It's not here.
00:58:24That's the only place I could have dropped it.
00:58:26And the trap?
00:58:28Further down.
00:58:55Where'd you see the killing, Lina?
00:58:58Down in the south vineyard.
00:59:08There. There it is.
00:59:10Oh, oh.
00:59:12Oh, my God.
00:59:14Oh, my God.
00:59:16Oh, my God.
00:59:18Oh, my God.
00:59:20Oh, my God.
00:59:22There. There it is.
00:59:24Oh, oh. Steady, darling. Steady.
00:59:36There's nothing here.
00:59:38I don't understand.
00:59:40Never mind, Lina.
00:59:42Now, listen. I want you to go back to Bratley
00:59:45and stay with Miss Mary Anne till I get there.
00:59:48Tell her I'm on my way, but nothing else.
00:59:50Not to her or anybody. Do you understand?
00:59:52Yes.
00:59:54Come on, now.
01:00:01Come on. Up, now. Up. Come on.
01:00:05Nasty business, this, Sir Michael.
01:00:07I thought when that farmhand of yours came here
01:00:10with a wild story of ghost horses and killings
01:00:13with a mile of track,
01:00:15Turner thought it should be looked into.
01:00:18Good officer.
01:00:21Great pity.
01:00:23Take him away.
01:00:27Now I shall have to look into things myself.
01:00:31Could you spurn your visit, Colonel Pringle,
01:00:34for a few days?
01:00:36Something wrong, Sir Michael?
01:00:39My... my brother, Breckenridge.
01:00:44He died suddenly this afternoon.
01:00:48I'm sorry.
01:00:58Sir Michael, just a minute.
01:01:02I'm sorry, Colonel Pringle. Please try and understand.
01:01:05We're all very upset.
01:01:07Can I let you know when we can see you?
01:01:09Certainly.
01:01:11My condolences to you and your mother.
01:01:18Dr. Collinson.
01:01:21I'm afraid you've just missed my son.
01:01:23He left for Cape Town over an hour ago.
01:01:28Was there anything important?
01:01:30No, Lady Bradley. May I?
01:01:34Sir Michael invited me to visit whenever I was passing.
01:01:37My son never mentioned having met you, Dr. Collinson.
01:01:40Perhaps because of the brevity of our encounter.
01:01:43Miss Carew and I were fellow travellers as far as Bratling.
01:01:46She introduced me at the station.
01:01:51It's your other son, Breckenridge, whom I knew.
01:01:54We met while he was studying at Dublin.
01:01:57I was most impressed by some of his theories.
01:02:08It's a shame.
01:02:11It was kind of you to call, Dr. Collinson.
01:02:13Should you miss Michael in town, I'll tell him you've called.
01:02:19How is Miss Carew, Lady Bradley?
01:02:21When I last saw her, she was walking with her maid in the garden.
01:02:25Then she appeared to be perfectly well.
01:02:28You wouldn't object if I spoke to her before I left.
01:02:31Why should I object, Dr. Collinson?
01:02:34Miss Carew.
01:02:36How good of you to come, Dr. Collinson.
01:02:38I wish I could prevail upon you to leave immediately.
01:02:41Come back to Cape Town with me.
01:02:43Until we can establish exactly what's going on here at Bratling.
01:02:50No, I can't, Dr. Collinson.
01:02:53I'm engaged to a woman.
01:02:55I'm engaged to a woman.
01:02:57I'm engaged to a woman.
01:02:59I'm engaged to a woman.
01:03:02I'm engaged to be married to Michael.
01:03:05My place is here with him.
01:03:08I'm not afraid.
01:03:10Then why did you send me that letter with Lena?
01:03:13Because I thought you might be able to persuade Michael
01:03:15to allow you to examine Breck.
01:03:17If they won't allow you to see him,
01:03:19how do you expect them to allow me?
01:03:24I thought that you being a doctor,
01:03:27they would listen to you.
01:03:30Miss Carew,
01:03:32I sincerely believe you should come with me.
01:03:44I still think you should change your mind
01:03:46and come to Cape Town with me.
01:03:48I've explained to you, Dr. Collinson,
01:03:50that I must stay here.
01:03:53Then stay close to Lena.
01:03:56I promise.
01:04:01♪♪♪
01:04:26Yes, I made it.
01:04:29And the boot that goes with it.
01:04:32Been making it for years.
01:04:35Can't understand how it came off.
01:04:38Who is the customer, Mr. Hill?
01:04:41Peculiar.
01:04:43Dr. Breckenridge Bradley, sir.
01:04:45His brother, Sir Michael, brought the boot in this afternoon
01:04:47to be repaired.
01:04:49How can you be so sure this heel
01:04:52comes off Mr. Breckenridge's boot?
01:04:54Easy, sir.
01:04:56Notice how high the heel is.
01:04:59It was Lady Bradley's idea.
01:05:03With the boot on, he walked as normal as Sir Michael.
01:05:07Here's his last.
01:05:13There it is.
01:05:15Just there.
01:05:17Now the heel there.
01:05:22Yes, you see, sir, he doesn't have a true foot.
01:05:26More like a hoof it is, without toes.
01:05:29But with my boot on, you'd never know.
01:05:57Thank you, Bland.
01:06:03Will there be anything else, Miss, before I go into town?
01:06:07Don't tell me you're deserting us too, Bland.
01:06:10I'm taking Annie in, Miss.
01:06:12I understand she's not very happy at Bradley.
01:06:16Will that be all, Miss?
01:06:18Yes, thank you.
01:06:21Oh, Bland, by the way, have you seen Nina anywhere?
01:06:25Not since this morning, Miss.
01:06:31Breckenridge Bradley is dead.
01:06:34Sir Michael told me so himself.
01:06:36Breckenridge Bradley is very much alive, Colonel.
01:06:39God knows if it's time enough
01:06:41to prevent him committing another insane crime.
01:06:46How do you know he is?
01:06:48Believe me, Colonel, I do.
01:06:51Very well, Collins.
01:07:16Michael.
01:07:18Michael?
01:07:45Michael?
01:08:07Michael?
01:08:16Michael?
01:08:25Marianne.
01:08:27You must leave Bradley before it's too late.
01:08:30You're in danger, terrible danger.
01:08:35You're trying to frighten me into leaving.
01:08:37It's a lie, a mad, vicious lie.
01:08:40But the Bradleys are mad.
01:08:46Look at them.
01:08:48All of them died of some sort of madness.
01:08:55I'm going to get you out of here.
01:08:58I'm going to get you out of here.
01:09:01I'm going to get you out of here.
01:09:04That was me.
01:09:09Do you see what marriage to a madman
01:09:12and giving birth to one can do to a woman?
01:09:15Is that what you want, Marianne?
01:09:17I beg you, for the last time,
01:09:21leave Bradley.
01:09:23I won't listen to you. I won't.
01:09:33I won't.
01:09:48Liam?
01:09:50Yes.
01:09:51Take the other horse out of the tree.
01:09:53Right.
01:10:04Hang on a minute.
01:10:15Come inside!
01:10:18Come inside!
01:10:33Come inside!
01:11:03Liam! Liam!
01:11:33Liam!
01:12:04Brick? Brick?
01:12:07Brick!
01:12:34Liam!
01:12:37Liam!
01:13:03Liam!
01:13:34Liam!
01:13:51Let her go! You must let her go!
01:13:58Wedding matter.
01:14:00Have you forgotten the wedding?
01:14:02No, I won't let you.
01:14:04Marianne!
01:14:06Run! Run for your life!
01:14:28Michael!
01:14:31Michael!
01:14:43Michael!
01:15:01No.
01:15:05No!
01:15:09Brick!
01:15:22No! No!
01:15:24Please! Please!
01:15:30No, Brick!
01:15:32Brick, let me go!
01:15:35No, please!
01:15:37No! No!
01:15:39Please, no! Brick, let me go!
01:15:41No!
01:15:43No! No!
01:15:45Brick, let me go!
01:15:47No!
01:15:52No, please, let me go!
01:15:55No, please!
01:15:58No!
01:16:00No, let me go!
01:16:03Help me!
01:16:05No! No!
01:16:07No!
01:16:18Let me go! Let me go!
01:16:20Let me go!
01:16:22Let me go! Let me go!
01:16:24Let me go!
01:16:26Brick, oh, my darling, please, please.
01:16:29Out of my way, Mother.
01:16:31Enough. There's been enough killing and throttling.
01:16:37No!
01:16:41No! No!
01:16:43Michael!
01:16:45Michael!
01:16:47Let me go!
01:16:49Michael!
01:16:55Let me go!
01:16:56Mother!
01:16:58Michael!
01:17:10Michael, help me!
01:17:12I'm going to die!
01:17:14Michael, help me!
01:17:16Michael!
01:17:18Michael!
01:17:20Michael!
01:17:22Michael!
01:17:24Michael? You want Michael?
01:17:26Michael's upstairs, waiting for you!
01:17:28We must make you beautiful for him!
01:17:35Put it on.
01:17:36Put it on!
01:17:40Put it on!
01:17:43Put it on!
01:17:44Put it on! Do you want me to help you?
01:17:52No, no, no!
01:18:08Do you want me to help you?
01:18:13No, no, no...
01:18:22That's better, that's more like Michael's Mary Ann.
01:18:32I shan't harm you, I shall make you very happy.
01:18:38Look, let me explain.
01:18:42You see, I've always maintained that the soul is not something destined for a mythical paradise,
01:18:50but a force that can be isolated and contained here on this earth.
01:18:55My colleagues said I was insane, but here is the proof.
01:18:59Not only one, but many. Not only animals, but human beings.
01:19:04This one's Saracen, poor Saracen, so powerful, so arrogant.
01:19:10Now look at him, all that strength and arrogance contained in this one little jar.
01:19:18This one's Simeon, he called me a loony.
01:19:22This one...
01:19:23It's not true, it's not possible, they can't be the same.
01:19:28Isn't it?
01:19:29Michael!
01:19:31Where is Michael?
01:19:32Michael, Michael, my father's favorite son, your bridegroom.
01:19:37Here he is.
01:19:40Michael's alive, you're insane.
01:19:45Insane, am I?
01:19:48Insane, am I?
01:19:53Alive is he!
01:19:57I killed him six weeks ago.
01:20:02Two days after you got this letter.
01:20:05Your own brother, your own brother!
01:20:08In this letter you said your love goes beyond this world.
01:20:12Well, now we'll see if you're right.
01:20:15At last, I shall have the opportunity to see two souls joined together in spiritual love.
01:20:23Think of it, Marianne.
01:20:25Spiritual love, free from the nastiness of your perfect body.
01:20:42Take me to Brackley, quickly!
01:21:12Marianne!
01:21:38Marianne!
01:21:40Marianne!
01:21:58Look, look!
01:21:59He and Michael, together.
01:22:01The river.
01:22:03Marianne!
01:22:06Michelle!
01:22:07Michelle!
01:22:08Michelle!
01:22:09Michelle!
01:22:10I'm sending you to Michael!
01:22:12Michelle!
01:22:13I'm sending you to Michael!
01:22:15No!
01:22:16To Michael!
01:22:17No!
01:22:36So it was you, wasn't it, Brack?
01:22:41Yes!
01:23:06Loni!
01:23:07Loni!
01:23:08Loni!
01:23:09Loni!
01:23:10Loni!
01:23:11Loni!
01:23:12Loni!
01:23:13Loni!
01:23:14Loni!
01:23:15Loni!
01:23:16Loni!
01:23:17Loni!
01:23:18Loni!
01:23:19Loni!
01:23:20Loni!
01:23:21Loni!
01:23:22Loni!
01:23:23Loni!
01:23:24Loni!
01:23:25Loni!
01:23:26Loni!
01:23:27Loni!
01:23:28Loni!
01:23:29Loni!
01:23:30Loni!
01:23:31Loni!
01:23:32Loni!
01:23:33Loni!
01:23:34Loni!
01:23:35Loni!
01:23:36Loni!
01:23:37Loni!
01:23:38Loni!
01:23:39Loni!
01:23:40Loni!
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01:23:42Loni!
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01:23:56Loni!
01:23:57Loni!
01:23:58Loni!
01:23:59Loni!
01:24:00Loni!
01:24:01Loni!
01:24:02Loni!
01:24:03Loni!
01:24:04Loni!
01:24:05Loni!
01:24:06Loni!
01:24:07Loni!
01:24:08Loni!
01:24:09Loni!
01:24:10Loni!
01:24:11Loni!
01:24:12Loni!
01:24:13Loni!
01:24:14Loni!
01:24:15Loni!
01:24:16Loni!
01:24:17Loni!
01:24:18Loni!
01:24:19Loni!
01:24:20Loni!
01:24:21Loni!
01:24:22Loni!
01:24:23Loni!
01:24:24Loni!
01:24:25Loni!
01:24:26Loni!
01:24:27Loni!
01:24:28Loni!
01:24:29Loni!
01:24:30Loni!
01:24:31Loni!
01:24:32Loni!
01:24:33Loni!
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01:24:35Loni!
01:24:36Loni!
01:24:37Loni!
01:24:38Loni!
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01:24:40Loni!
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01:24:53Loni!
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01:24:55Loni!
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01:24:59Loni!
01:25:00Loni!
01:25:01Loni!
01:25:02Loni!
01:25:03Loni!
01:25:04Loni!
01:25:05Loni!
01:25:06Loni!
01:25:07It's all over, Maria.
01:25:14It's all over.
01:25:53♪♪
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