Bano Qudsia (Urdu: بانو قدسیہ; 28 November 1928 – 4 February 2017), also known as Bano Aapa,[1] was a Pakistani novelist, playwright and spiritualist. She wrote literature in Urdu, producing novels, dramas and short stories. Qudsia is best known for her novel Raja Gidh.[2] Qudsia also wrote for television and stage in both Urdu and Punjabi languages. Her play Aadhi Baat has been called "a classic".[3] Bano Qudsia died in Lahore on 4 February 2017.[4]
Personal life[edit]
Bano Qudsia was born on 28 November 1928 in Firozpur, British India, as Qudsia Chattha.[5] Her father was a Bachelor of Agriculture and her brother Pervaiz Chattah was a painter. She migrated to Lahore with her family after the partition of India and had begun writing short stories while studying in class 5.[6] She graduated from the Kinnaird College in Lahore and then joined the Government College University (Lahore) (GCU) to do her masters in Urdu literature which she completed in 1951.[7]
Qudsia married writer Ashfaq Ahmed whom she had met at the Government College University (Lahore).[6] They had three sons Aneeque, Anees and Aseer.[8] The couple had been considered inseparable in their social lives.[9]
Literary work[edit]
Qudsia's novel Raja Gidh (The King Buzzard) is considered a modern Urdu classic.[1] Among her more prominent writings are Aatish-i-zer-i-paa, Aik Din, Amer Bail, Asay Pasay, Chahar Chaman, Chhotaa Sheher Baray Log, Footpath ki Ghaas, Haasil Ghaat and Hawa Kay Naam.[6] The most well known plays she wrote include Tamasil, Hawa ke Naam, Seharay and Khaleej.[7]
Her critically acclaimed play Aadhi Baat was about a retired headmaster. The play examined the headmaster's day-to-day life problems and had Qavi Khan acting as the lead character. The play's director was Agha Nasir and it was produced by Tauqeer Nasir. Aadhi Baat was performed in May 2010 in Islamabad at a three-day event which was organized by the Pakistan National Council of the Arts.[3] Ashfaq Ahmed's autobiography Baba Saheba was incomplete at the time of his death in September 2004. Qudsia completed the biography and the second part of it was published as Rah-i-Rawaan. The contrast in the narrative styles of the couple is evident in these two books; while the first half is considered "provoking, lucid and utterly spellbinding" by critics, the second half takes the feeling of sorrow. Qudsia credits Ahmed for transforming her after their marriage and eventually allowing her to devote to her writing.[9]
Qudsia’s latest novel Haasil Ghaat was published in 2005 and was noted for its diction but also criticized then for usages of English slangs than her usual traditional Urdu narrative. The language however became popular amongst other writers in future.[7]
Bano Qusia also wrote a book about Qudrat Ullah Shahab (prominent Urdu literature writer) titled "Mard-e-Abresham" "مردِابریشم". The book mainly portrays Shahab's life and how it was connected with Ashfaq Ahmed and his family both on social and spiritual level.
Personal life[edit]
Bano Qudsia was born on 28 November 1928 in Firozpur, British India, as Qudsia Chattha.[5] Her father was a Bachelor of Agriculture and her brother Pervaiz Chattah was a painter. She migrated to Lahore with her family after the partition of India and had begun writing short stories while studying in class 5.[6] She graduated from the Kinnaird College in Lahore and then joined the Government College University (Lahore) (GCU) to do her masters in Urdu literature which she completed in 1951.[7]
Qudsia married writer Ashfaq Ahmed whom she had met at the Government College University (Lahore).[6] They had three sons Aneeque, Anees and Aseer.[8] The couple had been considered inseparable in their social lives.[9]
Literary work[edit]
Qudsia's novel Raja Gidh (The King Buzzard) is considered a modern Urdu classic.[1] Among her more prominent writings are Aatish-i-zer-i-paa, Aik Din, Amer Bail, Asay Pasay, Chahar Chaman, Chhotaa Sheher Baray Log, Footpath ki Ghaas, Haasil Ghaat and Hawa Kay Naam.[6] The most well known plays she wrote include Tamasil, Hawa ke Naam, Seharay and Khaleej.[7]
Her critically acclaimed play Aadhi Baat was about a retired headmaster. The play examined the headmaster's day-to-day life problems and had Qavi Khan acting as the lead character. The play's director was Agha Nasir and it was produced by Tauqeer Nasir. Aadhi Baat was performed in May 2010 in Islamabad at a three-day event which was organized by the Pakistan National Council of the Arts.[3] Ashfaq Ahmed's autobiography Baba Saheba was incomplete at the time of his death in September 2004. Qudsia completed the biography and the second part of it was published as Rah-i-Rawaan. The contrast in the narrative styles of the couple is evident in these two books; while the first half is considered "provoking, lucid and utterly spellbinding" by critics, the second half takes the feeling of sorrow. Qudsia credits Ahmed for transforming her after their marriage and eventually allowing her to devote to her writing.[9]
Qudsia’s latest novel Haasil Ghaat was published in 2005 and was noted for its diction but also criticized then for usages of English slangs than her usual traditional Urdu narrative. The language however became popular amongst other writers in future.[7]
Bano Qusia also wrote a book about Qudrat Ullah Shahab (prominent Urdu literature writer) titled "Mard-e-Abresham" "مردِابریشم". The book mainly portrays Shahab's life and how it was connected with Ashfaq Ahmed and his family both on social and spiritual level.
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