• 8 years ago
Early in the illustrious career of Argentine bandoneonist, composer, and arranger Rodolfo Mederos, he played with some of tango's most legendary figures and, later in his career, assumed the role of teacher, both formally and informally reaching out to a younger generation of tango enthusiasts. Born on March 25, 1940, in Buenos Aires, Mederos studied at the University of Córdoba and took his greatest inspiration from Astor Piazzolla. At age 20 he formed Octeto Guardia Nueva and was blessed with the opportunity to perform as the opening act at a Piazzolla concert in Córdoba. Enthused by the experience and moved by the warm audience reception, Mederos packed his bags and moved to Buenos Aires 15 days later, with plans to devote himself to music rather his biology studies at the university.
After some rough years in Buenos Aires as a struggling artist, the highlight of which was a 1966 album on the Producciones Matus label, Buenos Aires...al Rojo!, Mederos set sail for Paris, France, in 1967. Two years later he accepted an offer back in Argentina to join the orchestra of Osvaldo Pugliese, in which he served as bandoneonist and arranger until 1974. Afterward he formed a group of his own, Generación Cero, with which he recorded a pair of albums for Trova Discos, Fuera de Broma (1976) and De Todas Maneras (1977). Then in 1978 Mederos released a solo-billed album, Todo Hoy, and, after five years of silence as a recording artist, returned in the mid-'80s with a pair of additional solo albums, Buenas Noches, Paula (1983) and Verdades y Mentiras (1984), these ones for Sony.
In 1984 Mederos and associates founded a school of music, La Escuela de Música Popular, in the Avellaneda neighborhood, at which he served as a professor for many years, and accordingly, he began refocusing his efforts on teaching rather than entertaining. This didn't stop him from resuming his recording career toward the end of the decade, however, adding such albums to his credit as Reencuentros (1989), Tanguazo (1993), Carlos Gardel por Rodolfo Mederos (1992), Mederos Quinteto (1994), Mi Buenos Aires Querido (1995), El Día que Maradona Conoció a Gardel (1996), and El Tanguero (1998) -- most of these released internationally rather than just domestically as his previous albums had been.

Musicians:
Mederos : Bandoneon
Gustavo Fedel : Acoustic Piano, Mini Moog and Synthesizers
Francisco Arregui : Electric Guitars
Glavic Oscar : Bass
Gabriel Calderaro : Drums

http://www.allmusic.com/artist/rodolfo-mederos-mn0000248706/biography

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Music