Curse of the Fly (1965)
Approved | 86 min | Horror, Sci-Fi, Drama | May 1965 (USA)
Patricia Stanley breaks out of a mental hospital and is picked up by passing motorist Martin Delambre. The two do not reveal much about themselves to each other, but nevertheless decide to get married. At the Delambre family mansion, Patricia meets Martin's father, Henri, an eccentric scientist. Snooping about the grounds, she discovers evidence of the family's strange experiments in teleportation and the grisly results thereof.
Director: Don Sharp
Writer: Harry Spalding
Stars: Brian Donlevy, George Baker, Carole Gray
Approved | 86 min | Horror, Sci-Fi, Drama | May 1965 (USA)
Patricia Stanley breaks out of a mental hospital and is picked up by passing motorist Martin Delambre. The two do not reveal much about themselves to each other, but nevertheless decide to get married. At the Delambre family mansion, Patricia meets Martin's father, Henri, an eccentric scientist. Snooping about the grounds, she discovers evidence of the family's strange experiments in teleportation and the grisly results thereof.
Director: Don Sharp
Writer: Harry Spalding
Stars: Brian Donlevy, George Baker, Carole Gray
Category
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Short filmTranscript
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00:04:40The stores won't be open for hours.
00:04:43Okay.
00:04:45Hop in. We'll see what we can do.
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00:05:12When we get to a phone, you'd better call your family.
00:05:17I don't have any family.
00:05:23How about friends?
00:05:26None here.
00:05:28Where are you going to stay in Montreal?
00:05:30Do you have any money?
00:05:32No.
00:05:36Hey, not bad.
00:05:40I'll book you a room in my hotel until you get fixed up.
00:05:44I couldn't do that.
00:05:47Thanks a lot, sir.
00:05:49♪♪
00:06:04Come in.
00:06:08Hotel?
00:06:12What's the trouble?
00:06:14I feel that I shouldn't be here.
00:06:18Well, would you like to call somebody?
00:06:20I told you, there isn't anybody.
00:06:22Well, I'll drive out and get you things.
00:06:24No.
00:06:26Well, I'll tell you what we'll do.
00:06:28I'll lend you some money.
00:06:30Get yourself some clothes and pay me when you can.
00:06:32I can't take it.
00:06:34What are you going to do?
00:06:36Get a job.
00:06:37In that dress? In tennis shoes?
00:06:39Now, this is just a loan until you can pay me.
00:06:42Now, I've got things to do.
00:06:46And so have you.
00:07:00Did you get that call through to my home yet?
00:07:03No, the Quebec number.
00:07:05Well, would you try it again, please?
00:07:07No, I'll wait.
00:07:09The Delambre residence.
00:07:14Oh, Mr. Martin.
00:07:15I've been expecting your call.
00:07:17I've been to the laboratory.
00:07:19And the new equipment will be ready next Wednesday week.
00:07:22Will you tell Father?
00:07:25No.
00:07:26No, I'll stay in Montreal until it's ready,
00:07:29and then I'll bring it up with me.
00:07:32How is he?
00:07:34He's fine.
00:07:36How is he?
00:07:38I haven't talked to him, only to Mr. Albert.
00:07:41He says he's well, but very tired.
00:07:45Yes, sir, I will.
00:07:47Goodbye.
00:07:49Well?
00:07:51He says he'll stay and pick up the new equipment.
00:07:53I'll tell them in London.
00:08:06Goodbye.
00:08:36Calling G-2FRR London.
00:08:38Calling G-2FRR London.
00:08:40This is V-E-3-T-T-F Quebec.
00:08:42Calling G-2FRR London.
00:08:44Are you reading me?
00:08:46Repeat, are you reading me?
00:08:50This is V-E-3-T-T-F Quebec.
00:08:52Calling G-2FRR London.
00:08:54Are you reading me?
00:08:56Albert!
00:08:57Repeat, are you reading me?
00:08:59Over.
00:09:00Okay, Father, I heard it.
00:09:02Okay, Father, I heard it.
00:09:15This is G-2FRR London.
00:09:17Coming V-E-3-T-T-F. Over.
00:09:19How are you copying me, Mr. Albert?
00:09:21The signal's 509, Ty.
00:09:23Did you hear from Martin?
00:09:25He called from Montreal.
00:09:27He's ordered the equipment.
00:09:29He'll bring it here himself a week from Wednesday.
00:09:31Anything else?
00:09:32That's all, sir.
00:09:34Oh, he wanted to know how his father was feeling.
00:09:36There's nothing the matter with me. I'm fine.
00:09:38Tell him.
00:09:40Could you hear that, Ty?
00:09:42He's fine.
00:09:43I'll tell Mr. Martin.
00:09:45You do that. No need to call unless you hear something from him.
00:09:47Yes, sir.
00:09:53Why don't you tell Martin the truth?
00:09:55I don't want to worry him. We're so close to success.
00:09:58If you won't tell him, I will.
00:10:00I won't have anything more to do with the experiment.
00:10:03Three generations of Delambres
00:10:05have devoted their lives to this work.
00:10:08You can't leave us now.
00:10:12I'm entitled to a life of my own.
00:10:14I'm simply asking you to wait.
00:10:16For another three generations?
00:10:18For just a little while.
00:10:20You can marry your girl, then, and have your family.
00:10:25The teleporter will replace every known means of transportation.
00:10:29I know all about the Dreamfather. It's all I've ever heard.
00:10:32But it doesn't work.
00:10:34What about the failures?
00:10:36Judith, Samuels, and Dill.
00:10:38No great advance was ever made without sacrifice.
00:10:41Your grandfather
00:10:43transferred a China saucer
00:10:45from one room to another.
00:10:47Last week, you and Martin
00:10:49teleported me from Quebec to London.
00:10:52Is that failure?
00:10:54Why can't I make you understand?
00:10:59Look at your body.
00:11:01Do you call that success?
00:11:04Hey!
00:11:06You haven't finished your medicine.
00:11:08Do you prescribe this sort of medicine for all your patients?
00:11:11Only if they're beautiful.
00:11:13Now I know you're not a doctor.
00:11:15Well, as a matter of fact, I am, but not of medicine.
00:11:18What do you do, Martin?
00:11:20I'm in research.
00:11:22In Montreal?
00:11:24Not anymore. No, we bought a place a couple of hours north of here.
00:11:27Well, we have a full week to ourselves
00:11:29before I have to go back.
00:11:31I don't want to start it on an empty stomach.
00:11:34I always do what my doctor tells me.
00:11:49Do you really have to leave tomorrow?
00:11:52Uh-huh.
00:11:54Why?
00:11:56This is the longest vacation I've had in years.
00:12:01I envy you, Martin.
00:12:06You love your work, don't you?
00:12:08Most of the time.
00:12:10You never talk about your home.
00:12:12What's it like?
00:12:14Oh, it's a great big barn of a place
00:12:16way out in the country on its own.
00:12:18Sounds wonderfully peaceful.
00:12:20Wonderfully dull.
00:12:22That's why I like to escape every now and again.
00:12:26Do you realize I've been here over a week
00:12:29and haven't even looked for a job?
00:12:37Are you sorry?
00:12:39No, not sorry.
00:12:41Just guilty.
00:12:44It's all your fault.
00:12:48Pat.
00:12:51Would you like to come back home with me?
00:12:56As my wife?
00:13:00But you don't know anything about me.
00:13:03You don't know anything about me, either.
00:13:06And I don't need to know.
00:13:20If this Patricia Stanley escaped on the 12th,
00:13:23why did you wait until now to report it, Madame Fournier?
00:13:26Ours is a private mental institution.
00:13:28We try to annoy the police with our problems
00:13:30as little as possible.
00:13:32You annoy the police a good deal more
00:13:34when you turn a lunatic loose for nine days
00:13:36without a word to anyone.
00:13:38We do not turn her loose, and she is not a lunatic.
00:13:41She simply suffered from what you would call
00:13:43a nervous breakdown, Inspector Ronay.
00:13:45Suppose you tell me about her.
00:13:48Patricia Stanley was trained as a concert pianist.
00:13:51Her father died when she was a child.
00:13:53The mother was a very ambitious woman
00:13:56who wanted to realize her own hopes in her daughter.
00:13:59A few weeks before she was to make her concert debut,
00:14:03her mother died suddenly.
00:14:05When was this?
00:14:07About a year ago.
00:14:09Without the mother's strength,
00:14:11Patricia became almost helpless.
00:14:14On the night of her first concert,
00:14:16she never got any further than the dressing room.
00:14:19She became a child again.
00:14:21They found her on the floor, weeping hysterically.
00:14:24And it was then she was committed to your institution?
00:14:27Shortly afterwards.
00:14:29And how did she respond to treatment?
00:14:31We felt she was making an excellent recovery.
00:14:34Martin, what's the matter?
00:14:36Are you ill?
00:14:39No.
00:14:40No, I'm all right, but...
00:14:42You'd better get back.
00:14:46Quickly, get back into the car. I'll drive.
00:14:50I'll drive.
00:14:52I'll drive.
00:14:54I'll drive.
00:14:56I'll drive.
00:14:58I'll drive.
00:15:00I'll drive.
00:15:02I'll drive.
00:15:28Martin?
00:15:30Put the car away.
00:15:34Martin, are you all right?
00:16:00Oh, I didn't think you'd ever come.
00:16:02I've been ringing and ringing.
00:16:04I want you to open Mr. Delambre's door, room 104.
00:16:07I can't.
00:16:09It's not allowed.
00:16:16104, you said, miss?
00:16:18Yes. You see, he's been ill,
00:16:20and now he doesn't seem to answer.
00:16:23Orissa?
00:16:31Oh, Martin, I was so worried.
00:16:33Why didn't you answer?
00:16:35I'm sorry, Pat.
00:16:37I must have fainted or something.
00:16:39Oh, darling.
00:16:41Martin, I was so worried.
00:16:43Why didn't you answer?
00:16:45I'm sorry, Pat.
00:16:47I must have fainted or something.
00:16:49Oh, darling.
00:17:11Oh, darling.
00:17:41Ah, Mr. Martin.
00:17:43I'm relieved you're here.
00:17:45Your father needs you.
00:17:47Ty?
00:17:49This is Mrs. Delambre, my wife.
00:17:51It is a privilege
00:17:53to welcome you to this house,
00:17:55Mrs. Delambre.
00:17:57I wish you much happiness here.
00:17:59Thank you very much, Ty.
00:18:01This is a surprise, Mr. Martin.
00:18:03Congratulations.
00:18:05Well, thank you, Ty.
00:18:07We'll be in our room.
00:18:09Oh, the things are in the car.
00:18:11Your father, Mr. Martin?
00:18:13He'd like you to call him immediately.
00:18:15What time?
00:18:17On the hour.
00:18:19Did she say where she was going?
00:18:21No, Inspector.
00:18:23Her address doesn't help very much, does it?
00:18:25Why did she leave?
00:18:27I don't know.
00:18:29Did she have any visitors, any phone calls?
00:18:31No, she spent all her time with the gentleman.
00:18:33Gentleman?
00:18:35The one she came with.
00:18:37He had the room opposite.
00:18:39He left with her this morning.
00:18:41Perhaps his address will be a little more explicit.
00:18:46Martin Delambre.
00:19:00You did that beautifully.
00:19:04I like this room.
00:19:06I hoped you would.
00:19:08I'm sorry my father can't be here to do the honors.
00:19:10When will he be back?
00:19:12I shall know more when I talk to him later.
00:19:14Do you think he'll like me?
00:19:16Of course he will.
00:19:19Now you get settled.
00:19:21I'll be back as soon as I can.
00:19:36Yes?
00:19:40Oh, would you just put them on the bed?
00:19:42Here, let me help you.
00:19:50How do you do?
00:19:52I'm Mrs. Delambre.
00:19:54I know.
00:19:56I'm sorry.
00:19:58I didn't recognize you.
00:20:00I'm Mrs. Delambre.
00:20:02I know.
00:20:04I know.
00:20:12My name is Juan.
00:20:21Calling G2FRL London.
00:20:23Calling G2FRL London.
00:20:25This is V3TDF Quebec.
00:20:27Are you copying, meow?
00:20:29Four, five and nine.
00:20:31Am I glad to hear your voice,
00:20:33we've been trying to get you for two days.
00:20:35Oh, just a moment, here's father.
00:20:37Mark, thank God you're back.
00:20:39Did you get the equipment?
00:20:41Yeah, I brought it with me this evening.
00:20:43Hey, what's all the excitement?
00:20:45Well, I don't know how, but the authorities here
00:20:47have found out that I don't have my passport.
00:20:49In order...
00:20:51You know what it would mean if I had to explain
00:20:53how I got here without it.
00:20:55I've been hiding in the lab.
00:20:57Now, you've got to get me back to Canada.
00:20:59How long will it take to install the equipment?
00:21:01I don't know.
00:21:03But it should be tested.
00:21:05We haven't got time for testing.
00:21:07I must get out today.
00:21:09I can't let you take that risk.
00:21:11Let me decide that.
00:21:13This is G2FRL London, signing clear.
00:21:31♪♪♪
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00:21:55Shall I alter that patching?
00:21:57No, I'll give this a fast test first.
00:21:59That ought to do it.
00:22:01Switch on the converter.
00:22:11Okay.
00:22:13♪♪♪
00:22:16♪♪♪
00:22:18♪♪♪
00:22:20♪♪♪
00:22:30Ready.
00:22:32♪♪♪
00:22:34♪♪♪
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00:22:54It checked out like a dream.
00:22:56It's 5 o'clock here.
00:22:58So everybody is still asleep.
00:23:00If we hurry, we can pull the maximum power load from the outside lines.
00:23:03We're ready here, Martin.
00:23:05You're insane to take this kind of a chance.
00:23:07Give us 10 minutes, then we'll do contact.
00:23:09Roger. This is VE3 TDF Quebec signing clear for 10 minutes.
00:23:12Martin, I couldn't find you. I searched everywhere and...
00:23:15Martin, who was that? What are you doing there?
00:23:20Oh, you said you'd come back.
00:23:22I must have been asleep for hours.
00:23:24Darling, there was an emergency.
00:23:26I had to install the new equipment at once.
00:23:28But...
00:23:30Tonight?
00:23:32I know. I'm sorry.
00:23:34I can't explain in detail. Just believe me.
00:23:36It had to be done. It was necessary.
00:23:38It's that sort of work.
00:23:40Of course.
00:23:42I'm just being silly.
00:23:46I knew I'd have to share you with your work.
00:23:48Will you be much longer?
00:23:50Not long. I'll come as soon as I can.
00:23:52Can't I stay here?
00:23:54Not this time, darling.
00:23:56I'll take you to your room.
00:24:14Switch on the converter.
00:24:16This is VE3 TDF Quebec.
00:24:18Calling on schedule.
00:24:24This is G2FRR London.
00:24:26Stand by VE3 TDF.
00:24:34Ready VE3 TDF.
00:24:36Start countdown at five.
00:24:40Ready VE3 TDF.
00:24:42Start countdown at five.
00:24:46Ready VE3 TDF.
00:24:58Ready for countdown. Over.
00:25:00At the moment.
00:25:06Ready.
00:25:10Five.
00:25:12Four.
00:25:14Three.
00:25:16Two.
00:25:18One.
00:25:44Reintegrate now.
00:25:46Repeat.
00:25:48Reintegrate now.
00:26:14Objective achieved.
00:26:16VE3 TDF off and clear.
00:26:44Better get me the scissors, Ty.
00:27:14Hello, Barton.
00:27:16Father.
00:27:18How are you feeling?
00:27:20Are you all right?
00:27:24What happened to your chest?
00:27:26Help me up, Master.
00:27:44We've won.
00:27:46It works perfectly.
00:27:48What happened to your chest?
00:27:50Well, without the new equipment,
00:27:52there was some radiation burns,
00:27:54but I'm much better now.
00:27:56Here, let me see.
00:27:58I must talk to you first.
00:28:00Thank you, Ty.
00:28:02We'd better get you to bed.
00:28:06Barton,
00:28:08earlier today,
00:28:10I had a feeling
00:28:12that something had happened.
00:28:14Earlier on the radio,
00:28:16I heard a woman's voice
00:28:18in this laboratory.
00:28:20It wasn't Wanda's.
00:28:22No, no, it wasn't.
00:28:24Ty, would you mind?
00:28:28I'll get your bed ready, sir.
00:28:30It's good to have you home.
00:28:34You know, I have to tell you, Father,
00:28:36I still don't know how to say it.
00:28:42In Montreal, I met a girl,
00:28:44and we were married yesterday.
00:28:46That's impossible.
00:28:48You can't.
00:28:50It's done, Father.
00:28:52Send her back.
00:28:54You mustn't do this to her.
00:28:56I can't.
00:28:58My God, if you won't understand,
00:29:00who will?
00:29:02I want a life of my own.
00:29:06That's strange.
00:29:08Albert told me the same thing.
00:29:10In those very words,
00:29:12Al? Albert's met a girl.
00:29:14It's all right for him.
00:29:16He doesn't have my problems.
00:29:18Martin,
00:29:20it won't work.
00:29:22What about her parents, her friends?
00:29:24Her parents are dead.
00:29:26She has no friends.
00:29:28No one will come looking for her.
00:29:32I made an appointment with Inspector Schiraz,
00:29:34ex-Inspector Schiraz, really,
00:29:36for this afternoon at 4.
00:29:38Let's see what this has to do with finding Patricia Stanley.
00:29:40You will, when Inspector Schiraz
00:29:42tells you about the fly.
00:29:44What on earth are you talking about?
00:29:46I thought you might remember.
00:29:48Inspector Schiraz was on the original
00:29:50Delambre case, before the family moved from Montreal.
00:29:52So this Martin Delambre
00:29:54has been involved with the police before?
00:29:56Not Martin. His grandfather.
00:29:58Inspector René,
00:30:00I'm not really interested in Martin Delambre,
00:30:02let alone his grandfather.
00:30:04I'm only interested in finding
00:30:06Patricia Stanley.
00:30:36Good morning.
00:30:38Good afternoon.
00:30:40Is it that late?
00:30:42It's after one.
00:30:44My father is here.
00:30:46What? Here in the house?
00:30:48Waiting to meet his daughter-in-law.
00:30:50I bet he won't wait much longer.
00:31:06Hi.
00:31:08This is Pat.
00:31:10Welcome, my dear.
00:31:12You are a pleasant surprise.
00:31:16At least we don't have to say we've heard so much about each other that...
00:31:18I was afraid you'd be angry.
00:31:20We should have asked your approval.
00:31:22I've already given it, gladly.
00:31:24Mr. Martin.
00:31:26Shall we sit down?
00:31:36Did you have a pleasant trip?
00:31:38Excellent.
00:31:40I didn't expect to meet you so soon.
00:31:42I thought Martin said you were in London.
00:31:44Well, travel is so much quicker these days.
00:31:46One can get any place almost in a flash.
00:31:50There's someone at the gate.
00:31:52I think I'd better go myself.
00:31:54Anything I can do?
00:31:56Yeah. Keep Patricia entertained until I get back.
00:31:58I'm afraid that's easier said than done.
00:32:00We keep pretty much to ourselves here.
00:32:02I hope you don't mind.
00:32:04Oh, not with this lovely piano here.
00:32:06Do you play?
00:32:08Oh, yes.
00:32:10That is, I did, but I'm out of practice.
00:32:12I wouldn't use that one if I were you.
00:32:14It really shouldn't be in this room.
00:32:16It's much too damp.
00:32:18Why, it has a lovely tone.
00:32:34Oh.
00:33:04Oh.
00:33:24Be quiet now.
00:33:26Be quiet, Judith.
00:33:28Be quiet.
00:33:34Have you finished your lunch?
00:33:40Silence!
00:33:42There'll be no more food for you today.
00:33:44None!
00:33:54I'll take the dish.
00:34:14You're hurting me.
00:34:18Let go, Judith.
00:34:28My hand.
00:34:30I'll have to go now.
00:34:32Wash away the blood.
00:34:50I'm Martin Delambre. You wanted to talk to me?
00:34:52I'm Inspector Ronay.
00:34:54What have you done with Patricia Stanley?
00:34:56Who are you?
00:34:58This is Madame Fournier.
00:35:00Miss Stanley never mentioned you?
00:35:02That does not surprise me.
00:35:04Madame Fournier operates the asylum
00:35:06from which Miss Stanley escaped.
00:35:08The girl's mentally ill, Mr. Delambre.
00:35:10We'll have to take her back.
00:35:12So she did not tell you about that.
00:35:14Where is she?
00:35:18Miss Stanley and I were married yesterday.
00:35:20I do not believe you.
00:35:22I don't care what you believe.
00:35:24I am responsible for Patricia.
00:35:26I have a right to see her.
00:35:28Absolutely not.
00:35:30She's within her rights, Mr. Delambre.
00:35:32Do you have a search warrant?
00:35:34It will be a simple matter to get one.
00:35:36Madame Fournier was anxious to avoid
00:35:38unnecessary publicity.
00:35:54Beautiful, my dear.
00:35:56You play very well.
00:35:58I'm out of practice.
00:36:00I haven't felt like playing
00:36:02for a long time.
00:36:08Pat!
00:36:12Martin?
00:36:14Who are these people?
00:36:16Inspector Ronay and Madame Fournier.
00:36:18They're here to see you.
00:36:20Martin?
00:36:22Who are these people?
00:36:24Inspector Ronay and Madame Fournier.
00:36:26I told them that Pat and I were married,
00:36:28but they wouldn't believe me.
00:36:30I assure you they are.
00:36:32I'm her father-in-law. I should know.
00:36:34Why ask Ty to get me this?
00:36:36She won't believe me.
00:36:38Perhaps she'll believe a certificate of marriage.
00:36:42It's genuine.
00:36:44I think you should know
00:36:46that your daughter-in-law
00:36:48is being treated for a mental ailment.
00:36:52She appears to have made a remarkable recovery
00:36:54since leaving your hands.
00:36:56We will require a full release, of course.
00:36:58You send the papers along
00:37:00and the post inspector will sign anything you want.
00:37:04I'd like to speak to Madame Delambre, if I may.
00:37:08I think, Inspector, that my wife has been disturbed enough today.
00:37:12Ty, would you show them out, please?
00:39:40Darling?
00:39:42Oh, Martin.
00:39:44Darling, you've gone.
00:39:46They won't bother you again.
00:39:48Martin,
00:39:50I saw something.
00:39:52Where?
00:39:56Over there.
00:39:58I hoped you wouldn't go there.
00:40:02I meant to warn you.
00:40:04What is it?
00:40:06They're animals.
00:40:08Part of a research experiment.
00:40:10But that's horrible.
00:40:12You didn't tell me it was that sort of work.
00:40:14Pat, I didn't tell you anything.
00:40:16And you didn't tell me anything.
00:40:18That's what we agreed on.
00:40:20Well, now she's been here,
00:40:22I want to tell you.
00:40:24Not now.
00:40:26First, we'll have a drink.
00:40:28Then we'll have some lunch,
00:40:30and then you'll feel more like talking.
00:40:36It's seldom me.
00:40:38I'd have warned you against marrying a scientist.
00:40:40I'm not sorry.
00:40:42The work with animals distresses you, though.
00:40:44I know.
00:40:46I watched you when Martin was explaining.
00:40:48Well, if Martin has to do it,
00:40:50I'm sure it's all right.
00:40:52Until you understand our work better,
00:40:54I suggest that you avoid the animal cages.
00:40:56I will.
00:40:58And thank you for not minding about me.
00:41:02What are you going to do now?
00:41:04Unpack.
00:41:06All right.
00:41:08I've got some work to do with Father.
00:41:12Come down as soon as you're finished,
00:41:14and I'll show you the grounds.
00:41:16All right.
00:41:32Go.
00:41:36Here.
00:41:38Over here and lie down.
00:41:42Easy.
00:42:00When did this start again?
00:42:02I don't know.
00:42:04I was careless.
00:42:06In Montreal.
00:42:08They must have created an imbalance.
00:42:10Neither one of us can afford to be careless.
00:42:12You know that.
00:42:14Martin.
00:42:16This marriage is forcing our hand.
00:42:20We can't work in secrecy much longer.
00:42:24When am I ready?
00:42:26You'll have to go ahead, ready or not.
00:42:28Why?
00:42:32I think it was Albert
00:42:34who told the London authorities about my passport.
00:42:36I know Al hates her work,
00:42:38but he wouldn't do that.
00:42:40Since he met that girl in London,
00:42:42he's been ready to chuck the whole thing.
00:42:44And now this policeman's showing up here.
00:42:46You know how they are.
00:42:48They'll rake over the whole thing again.
00:42:50They'll find some excuse to search the place.
00:42:52Then we'll have to move quickly.
00:42:54You and I have got to go to Montreal today,
00:42:56wind up our financial affairs.
00:42:58I can't leave Pat alone.
00:43:00It'll only take a few hours.
00:43:02You can explain it to her.
00:43:04If we're away as soon as you're fit,
00:43:06we can be back at midnight.
00:43:08Inspector Sharas?
00:43:10I'm awake. I'm awake.
00:43:12There's a telephone call for you.
00:43:14Uh-oh.
00:43:18It's from an Inspector Roney.
00:43:20Oh, I thought he was coming to see me.
00:43:26Hello?
00:43:28Hello?
00:43:30Sharas here.
00:43:32Roney here, sir.
00:43:34I won't be coming out to see you after all.
00:43:36I thought you were on to something about the Delambre's.
00:43:38I'm afraid I wasted your time, Inspector.
00:43:40Delambre's case was a bit before my day,
00:43:42and I had been hoping you'd give me the background.
00:43:44It turns out I don't need it.
00:43:46Why not?
00:43:48Martin Delambre married this girl, Patricia Stanley.
00:43:50But that's impossible.
00:43:52Martin Delambre's married already,
00:43:54has been for years.
00:43:56What do you mean, was married?
00:43:58Still is, as far as I know.
00:44:00Well, they could be divorced.
00:44:02Or she may have died.
00:44:04My interest in the Delambre case is well known.
00:44:06If there'd been a death or a divorce in the family,
00:44:08someone would have told me.
00:44:10I'll check it, sir.
00:44:12What can you tell me about her?
00:44:14Martin met her at the university.
00:44:16She's a brilliant girl.
00:44:18Fine pianist, too.
00:44:20Her name is Judith.
00:44:26Martin.
00:44:28Martin.
00:44:54Martin.
00:44:58Martin.
00:45:28Martin.
00:45:58Martin.
00:46:00Martin.
00:46:02Martin.
00:46:04Martin.
00:46:06Martin.
00:46:08Martin.
00:46:10Martin.
00:46:12Martin.
00:46:14Martin.
00:46:16Martin.
00:46:18Martin.
00:46:20Martin.
00:46:22Martin.
00:46:24Martin.
00:46:26Martin.
00:46:28Martin.
00:46:30Martin.
00:46:32Martin.
00:46:34Martin.
00:46:36Martin.
00:46:38Martin.
00:46:40Martin.
00:46:42Martin.
00:46:44Martin.
00:46:46Martin.
00:46:48Martin.
00:46:50Martin.
00:46:52Martin.
00:46:54Martin.
00:46:56Martin.
00:46:58Martin.
00:47:00Martin.
00:47:02Martin.
00:47:04Martin.
00:47:06Martin.
00:47:08Martin.
00:47:10Martin.
00:47:12Martin.
00:47:14Martin.
00:47:16Martin.
00:47:18Martin.
00:47:20Martin.
00:47:22Martin.
00:47:40Come, Judith.
00:47:42It's time to go now.
00:47:52Darling, darling, you've been having a nightmare.
00:48:13Oh, Matt.
00:48:14It was all just a bad dream.
00:48:18No, no it wasn't.
00:48:21It all happened.
00:48:25I went down and that woman thing was playing.
00:48:33It isn't possible.
00:48:35Martin, it was real.
00:48:39Juan was there.
00:48:45You don't believe me, do you?
00:48:48We better have Juan up here.
00:48:50I'll get her.
00:48:53Martin, you've got to believe me.
00:48:56I did see it.
00:48:57It was...
00:48:58Honey, sometimes when you're upset...
00:49:00I was wide awake.
00:49:02I remember everything.
00:49:04I put on my robe.
00:49:06I couldn't find my slippers and...
00:49:11Juan, when you saw my wife in the conservatory in her bare feet,
00:49:15why didn't you help her back to bed?
00:49:17I'm sorry, Mr. Martin.
00:49:19I was in the conservatory, but I didn't see your wife.
00:49:25Was anyone playing the piano tonight?
00:49:28No.
00:49:29She's lying.
00:49:32I saw her.
00:49:33Patricia, please.
00:49:34Stop it.
00:49:35I'll make her tell the truth.
00:49:36Don't you understand?
00:49:37She's lying.
00:49:39She was there with that thing.
00:49:42Martin, I won't stand for this.
00:49:46Please make her tell the truth.
00:49:48I think you'd better go.
00:49:52You're all against me.
00:49:54You won't believe anything I say.
00:49:56Pat, Patricia, no one is against you.
00:50:00We just know that you're wrong.
00:50:02You couldn't have seen anything.
00:50:04There's nothing like that in our house.
00:50:06Now, you've had a pretty bad nightmare.
00:50:09I'm sorry, but you'd better pull yourself together.
00:50:13I'll see you both in the morning.
00:50:15Good night, Father.
00:50:16Good night.
00:50:20Oh, Martin.
00:50:22I'm sorry.
00:50:30Come on.
00:50:43What is happening, Martin?
00:50:47Happening?
00:50:49I know I wasn't dreaming.
00:50:51But that means that horrible thing is in the house.
00:50:56And that can't be true.
00:51:00So what is happening to me?
00:51:03Am I...
00:51:04Pat.
00:51:05Pat.
00:51:07It was only a nightmare.
00:51:10You must believe me.
00:51:12You must trust me.
00:51:14However real anything may seem.
00:51:17I do trust you, Martin.
00:51:20I love you.
00:51:22You believe me?
00:51:24I love you.
00:51:29You will not let Judith out again.
00:51:32Except by Mr. Martin's order or mine.
00:51:36Is that understood?
00:51:38He will never let her out now.
00:51:40That girl here.
00:51:44Well, thank you very much for your support last night.
00:51:48Did she take her tablets?
00:51:49Yeah.
00:51:50She should sleep for the rest of the day.
00:51:53How does she feel?
00:51:59She thinks she's going mad.
00:52:03Might be better if I just simply told her the truth.
00:52:06You can't.
00:52:07I can't stand by and let that happen to her.
00:52:10Good God, Father.
00:52:12Hasn't she been through enough?
00:52:14Martin, we can help her.
00:52:16We can help ourselves too at the same time.
00:52:19We can save everything we've worked for.
00:52:22And we can show her there is no creature in our house.
00:52:27But we've got to have strength.
00:52:29Go on.
00:52:31We've got to teleport Samuels and Dill to London immediately.
00:52:37And we've got to get rid of all evidence before that detective comes back.
00:52:42What will happen in London?
00:52:44Albert will dispose of them.
00:52:46He won't do it.
00:52:48Then I'll have to give him no alternative.
00:52:54Remember, Albert is in this as deep as all of us.
00:53:00You've got it all figured out, haven't you, Father?
00:53:02Well, they're no longer human.
00:53:04They're just suffering animals.
00:53:07And you'll have to show Patricia the empty cages to convince her, you know.
00:53:12You haven't mentioned Judith.
00:53:15Do we teleport her?
00:53:17Since you'll be remarried, I think that decision is up to you.
00:53:47Come on.
00:54:18Come on.
00:54:33You better take it easy. I'll handle the other one.
00:54:48That was the original laboratory in which Martin's grandfather made his first experiments.
00:54:54He disintegrated an object in one glass case and reintegrated it in the other.
00:54:59Ultimately, of course, he had to find out if he could do it with a human being.
00:55:04And he tried it on himself.
00:55:06Tragically, yes.
00:55:08But he failed to notice there was a common housefly in the case with him.
00:55:15And when he reintegrated, he was like that.
00:55:20It's unbelievable.
00:55:22I didn't believe it myself.
00:55:24When his wife told me, I thought she was deranged.
00:55:28And then I saw it.
00:55:30You saw the fly?
00:55:32Yes.
00:55:33That was the beginning of the curse of the Delambre's, the curse of the fly, you may say.
00:55:39Later, his son reversed the experiment and put the fly and the monster in the glass case
00:55:44and restored them to their original condition.
00:55:49No effects? No deformities?
00:55:52None that you can see.
00:55:54Flies, you know, have a brief span of life, usually dying off in the cold of the first winter.
00:56:00Martin and his father are affected by cold and also at times by a premature and very rapid aging.
00:56:08They have to have regular injections of a special serum.
00:56:12The other brother Albert's quite normal.
00:57:38Ah!
00:57:54Calling G2FRR London.
00:57:57Come in, G2FRR.
00:58:00This is VE3GDF, over.
00:58:06Any answer?
00:58:07No.
00:58:08Take the cabinet down, will you?
00:58:28Isolate her arm.
00:58:37G2FRR London.
00:59:07G2FRR London.
00:59:37G2FRR London.
00:59:38G2FRR London.
01:00:08Calling G2FRR London.
01:00:10Calling G2FRR London.
01:00:12This is VE3GDF.
01:00:14Come in, G2FRR.
01:00:16Keep trying. We must reach him.
01:00:18Calling G2FRR London.
01:00:20Calling G2FRR London.
01:00:22This is VE3GDF.
01:00:24Come in, G2FRR.
01:00:26G2FRR.
01:00:28G2FRR.
01:00:30G2FRR.
01:00:32G2FRR.
01:00:34G2FRR.
01:00:37This is G2FRR London.
01:00:39Come in, VE3GDF.
01:00:41Where the hell have you been, Al?
01:00:42Here, let me speak with him.
01:00:44Albert, this is your father.
01:00:47Now listen carefully.
01:00:49We've had an emergency here.
01:00:51I want you to reintegrate immediately.
01:00:53Do you understand?
01:00:55Why did you disintegrate?
01:00:56We can't talk on the radio.
01:00:58I want you to dispose of it, if you can't.
01:01:02Wait till Martin and I get there.
01:01:04Check your radio every hour.
01:01:06Everything we've worked for depends on you.
01:01:09We'll contact you later in the day.
01:01:11This is VE3GDF signing clear.
01:01:24They put them both through.
01:01:27How will they reintegrate?
01:01:29I don't know, Martin.
01:01:31I don't know, Martin.
01:01:33A mass of cells, probably.
01:01:36But easier to kill than an animal, even for Albert.
01:01:42Will I become like you?
01:01:45We're scientists.
01:01:47We have to do things we hate.
01:01:49That even sicken us.
01:02:01Telephone for you, sir.
01:02:03It's Inspector Ronnie.
01:03:31No, no, that won't be necessary.
01:03:33You don't have to come here.
01:03:35If you insist, we'll both come to Montreal.
01:03:38Yes, Inspector, immediately.
01:03:41What's he want to talk to us about?
01:03:43I don't know.
01:03:45He wouldn't say, Martin.
01:03:50Pat?
01:03:53What's the matter, Pat?
01:03:57Pat?
01:04:05Pat?
01:04:13Martin.
01:04:16The picture.
01:04:18What picture, darling?
01:04:20It was to you.
01:04:22I dropped it.
01:04:27There's nothing there.
01:04:30Here.
01:04:32I didn't dream it.
01:04:36What was the picture, darling?
01:04:39A woman.
01:04:41Oh, I can't remember.
01:04:44It was a dream.
01:04:46It's fading already.
01:04:48Now, you settle down and take that tablet.
01:04:57By the time you're awake, Father and I will be back.
01:05:01Where are you going?
01:05:03Montreal, for a few hours.
01:05:15Her name was Judith.
01:05:22That means something, doesn't it?
01:05:25I said to Martin, all my love, always Judith.
01:05:31There was a Judith once.
01:05:34But believe me, there's no photograph here.
01:05:37There hasn't been for a long, long time.
01:05:41Then how do I know?
01:05:47Am I going mad, Martin?
01:05:50Oh, Pat.
01:05:52Pat.
01:05:54Do I see creatures in photos that don't exist?
01:05:58And if they aren't here, I must be mad, mustn't I, Martin?
01:06:04No.
01:06:06No.
01:06:08No.
01:06:13Tell me.
01:06:17You did see her.
01:06:20At the piano.
01:06:23It was Judith.
01:06:26That lovely photo.
01:06:30One of our experiments went wrong.
01:06:41I want to tell you the truth.
01:06:45It isn't animals.
01:06:49It's people.
01:06:55Oh, my God.
01:07:00Pat.
01:07:02I'm not some kind of a monster, Pat.
01:07:05I'm doing this because this machine...
01:07:08could be a great and wonderful gift.
01:07:12To be able to transport people and equipment...
01:07:15to any part of the world in a matter of seconds.
01:07:19Think what it could mean.
01:07:22Wherever there's a flood or a disaster or an earthquake...
01:07:27we could get the best surgeons, the best engineers...
01:07:31the best equipment there in a matter of seconds.
01:07:34The suffering that that would save.
01:07:39Isn't that worth the occasional failure?
01:07:43Judith Delambre can't have disappeared into thin air.
01:07:46You must have some idea where she went.
01:07:49None at all, Inspector.
01:07:51There wasn't any intent to kill her.
01:07:54I don't think so.
01:07:57I don't think so.
01:08:00I don't think so.
01:08:03I don't think so.
01:08:06I don't think so.
01:08:09I don't think so.
01:08:12There wasn't any intent made to find her.
01:08:14My son's wife left him, Inspector, of her own free will.
01:08:18Martin got a Mexican divorce and we haven't heard of her since.
01:08:21You have the papers, naturally.
01:08:23Not with us.
01:08:25I'd like to see them tomorrow.
01:08:28Do you recognize these two men?
01:08:32Yes.
01:08:34Samuels and Dill.
01:08:36Where are they now?
01:08:38They worked for us as lab assistants.
01:08:41They were exchange students.
01:08:43When their terms ran out, they returned home.
01:08:45I have their addresses at the house.
01:08:47I still hear from them.
01:08:49That would be very helpful.
01:08:51I don't mind telling you we've been unable to contact either one.
01:08:54We're only too glad to help, Inspector.
01:08:57I'll see you tomorrow, then.
01:08:58You can depend on it.
01:09:02Goodbye, Inspector.
01:09:11Yes, Inspector?
01:09:12See if Judge Gerard is in his chambers, will you?
01:09:14I need a search warrant.
01:09:41© BF-WATCH TV 2021
01:10:11© BF-WATCH TV 2021
01:10:24Judith.
01:10:32She's in the bedroom, Judith.
01:10:36She's in your bedroom.
01:10:41Judith!
01:11:11Judith!
01:11:41Judith!
01:12:11Judith!
01:12:42Mrs. Delambre!
01:12:48Judith!
01:13:12© BF-WATCH TV 2021
01:13:23Judith.
01:13:24We have to leave here, quickly.
01:13:25Please, find her.
01:13:27She'll come to me.
01:13:30I killed her, Juan.
01:13:34Why?
01:13:36I don't know.
01:13:37It was an accident.
01:13:40Come on, let's go.
01:13:42No, Tai.
01:13:45The police will call it murder.
01:13:47They'll have to prove it first.
01:13:50Mr. Martin will never forgive us.
01:13:52We'll say she ran away.
01:13:57Does that girl know?
01:14:04Will you help me?
01:14:11We'll be ready in a minute.
01:14:16© BF-WATCH TV 2021
01:14:39Martin.
01:14:43Martin.
01:14:46I'll get the car.
01:14:49© BF-WATCH TV 2021
01:15:10How long has it been since Judith ran away?
01:15:1515 minutes, maybe 20.
01:15:18Why don't you look for her?
01:15:20There's no time for that.
01:15:22The police may be on their way.
01:15:24Pack your things, you can take one of the cars.
01:15:27Tai, Martin will need you before you go.
01:15:30He'll call you.
01:15:32I can't bring her.
01:15:35Just as well.
01:15:37She's in shock.
01:15:39Nothing serious.
01:15:40We have to let her go.
01:15:42We have to get away and leave her.
01:15:45I had no right to marry her.
01:15:47We can't leave her, Martin.
01:15:49Not now that you've told her.
01:15:51It would ruin us.
01:15:53It would be the end of all this.
01:15:58We have to teleport her to London.
01:16:00No.
01:16:01It's your one chance for a normal life, Martin.
01:16:04If you love her and she loves you,
01:16:06that's the way she wants it.
01:16:10It's too dangerous.
01:16:13I can't risk it.
01:16:15I'll go first.
01:16:17If I'm all right,
01:16:19there's no risk in sending her.
01:16:21Tai will teleport you out before he leaves.
01:16:30Albert, listen to me.
01:16:31You've got to help us.
01:16:33The police will be here any minute.
01:16:35No.
01:16:36I'm finished.
01:16:38Father, you're not God.
01:16:40You're not even human.
01:16:42You killed those men and you made me a murderer too.
01:16:45Every great scientific advance
01:16:47is made at the cost of human lives.
01:16:50Success justifies small defeats.
01:16:53Small defeats?
01:16:57Do you call Judith a small defeat?
01:17:00Or Samuels?
01:17:02Or Bill?
01:17:03I take full responsibility for that.
01:17:05You didn't know what you were doing.
01:17:08I know what I'm doing now.
01:17:10I'm leaving.
01:17:11I've had as much as I can stand.
01:17:13Here.
01:17:14You burn these, Father.
01:17:15Let me talk to him.
01:17:19Al?
01:17:21Al, I don't know how you feel about me.
01:17:25If you don't want to help me,
01:17:27I'll stay here.
01:17:29But you've got to save your father.
01:17:33You can't let them hold him up in court as a monster.
01:17:37He's insane, Martin.
01:17:39The camp put this power in his hands.
01:17:42Time's run out, Al.
01:17:43I'll give you five minutes to prepare
01:17:45and then I'm sending him through.
01:17:47Countdown from five.
01:17:48Martin, stop.
01:17:49Wait!
01:17:57Think he'll do it?
01:17:59What choice has he got?
01:18:01He really thinks we're monsters, you know.
01:18:05Thank God I could be as certain as you are that he's wrong.
01:18:35Calling G2FR on London.
01:18:49Calling G2FR on London.
01:18:51This is VE3DDF.
01:18:53Come in G2FR on London.
01:18:55Martin, wait.
01:18:56Listen to me.
01:18:57Starting countdown at five.
01:18:59Repeat, starting countdown at five.
01:19:02Martin, for God's sake, wait!
01:19:04Listen to me.
01:19:05Five.
01:19:06Four.
01:19:07Three.
01:19:08Two.
01:19:09One.
01:19:34Reintegrate now.
01:19:43Repeat, reintegrate now.
01:19:47Al?
01:19:50Al, are you there?
01:19:54Calling G2FR on London.
01:19:57Calling G2FR on London.
01:19:59This is VE3DDF.
01:20:01We're back.
01:20:03Reintegrate now.
01:20:04Repeat, reintegrate now.
01:20:08Calling G2FR on London.
01:20:10Calling G2FR on London.
01:20:12This is VE3DDF.
01:20:13We're back.
01:20:33Calling G2FR on London.
01:20:53Calling G2FR on London.
01:20:55This is VE3DDF.
01:20:57We're back.
01:20:58Come in G2FR on London.
01:21:16Calling G2FR on London.
01:21:19Oh no!
01:21:22Help me!
01:21:23Help me!
01:21:24Oh!
01:21:25Oh!
01:21:26Oh!
01:21:27Oh!
01:21:28Oh!
01:21:30Oh, help me!
01:21:33Oh, help me!
01:21:35Help me!
01:21:37Oh!
01:21:38Oh no!
01:21:39Oh!
01:21:40Oh!
01:21:41Oh!
01:21:42Oh!
01:21:43Oh no!
01:21:44Help me!
01:21:47No!
01:21:48Put me up!
01:21:51Help me!
01:21:52Oh!
01:21:53Oh!
01:21:56Oh!
01:21:59Oh!
01:22:01Oh!
01:22:03Oh!
01:22:10Oh!
01:22:14Don't touch me! Don't touch me!
01:22:16Don't touch me!
01:22:17Leave me!
01:22:20Leave me!
01:22:26Oh!
01:22:46Please, leave me!
01:22:47Oh, no!
01:22:49Oh!
01:22:56Oh!
01:22:57Oh!
01:23:14Sam!
01:23:15Come on, help me!
01:23:17Help me!
01:23:27Oh, no!
01:23:33I'm at the Delambre house.
01:23:35I need half a dozen men as soon as you can.
01:23:37And put out an APB on the Chinese couple.
01:23:40You'll find the report on my desk.
01:23:42Last seen heading for Montreal in a 1963 blue Chevrolet.
01:23:47Right.
01:23:57Operator!
01:23:59Operator!
01:24:01Operator, please help me!
01:24:03Mrs. Delambre?
01:24:06Who are you?
01:24:07I'm Inspector Ronay.
01:24:09It's Barton.
01:24:11He's...
01:24:12Where is he?
01:24:14Outside.
01:24:16I don't want to leave you alone, Mrs. Delambre.
01:24:18Do you think you're strong enough?
01:24:20I don't want to leave you alone, Mrs. Delambre.
01:24:22I don't want to leave you alone, Mrs. Delambre.
01:24:24Do you think you're strong enough?
01:24:26Yes.
01:24:34What number did you want, caller?
01:24:35Are you there, caller?
01:24:37What number did you want?
01:24:49Wait here.
01:24:54Wait here.
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