Skip to playerSkip to main contentSkip to footer
The New Yorker
  • 5/20/2015
Khalil (Killa) Williams and Xavier (X) Days are champion bone breakers from Bed-Stuy, Brooklyn. Here, they dance through the bone-white World Trade Center Transportation Hub, in lower Manhattan.

Recommended

10:27
Up next
Tweezie Discusses Relationship with Maino, Taking Influence From Dance + Freestyles Live
SwaysUniverse.com
2:15:46
DISCWOMAN Lab NYC Takeover : UMFANG / TYGAPAW / DJ HARAM / VOLVOX
Mixmag
13:10
2016 Summer in New York City
pinkest_dragonfruit
9:16
Jadakiss Teases "Top 5 Dead Or Alive" Release Date & Performing With The Lox at MSG
SwaysUniverse.com
0:49
Police Lieutenant Takes Abandoned Baby And Breastfeed Him.
Julialee
1:24
The Grudge 2 Milk Drinking Scene
Desean Taj
15:08
The Torment of a Neighbor’s Noise in “Beeps”
The New Yorker
21:15
What Do Adopted Children Owe Their Birth Parents?
The New Yorker
15:16
Deadlifting in Your Nineties, in “Strong Grandma”
The New Yorker
16:24
The Maddening Disconnect of Phone Therapy in “Happy to Help You” featuring Amy Sedaris
The New Yorker
19:48
How an L.G.B.T.Q HotLine Became a Lifeline
The New Yorker
32:44
The Last of the Nightingales
The New Yorker
3:03
John Early Enters the New Yorker Cartoon Caption Contest
The New Yorker
22:47
One Conductor’s Mission to Diversify Music in "The Orchestra Chuck Built"
The New Yorker
15:10
Frank
The New Yorker
15:40
“Goodbye, Morganza” Follows the Legacy of a Black Family’s Property Loss
The New Yorker
24:55
Offering Dignity for Those Who Die Alone in “People Like Us”
The New Yorker
7:09
How the Artist Barry Blitt Turns Politics Into Cartoon Cover Gold
The New Yorker
30:24
A Family Reckons with a Father’s Wish to Be Preserved Using Cryonics in “Eternal Father”
The New Yorker
17:48
A Veterinarian’s Soothing Compassion in “The Passing”
The New Yorker
14:53
Zooey Zephyr’s Defense of Trans Lives in a Deep-Red State in "Seat 31"
The New Yorker
15:40
A Relationship and a Nation in Turmoil in “Bogotá Story”
The New Yorker
22:08
Denial
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker