The New Yorker Festival - A Conversation with Regina Spektor

The New Yorker
The New Yorker
  • 10 years ago
During the 2010 New Yorker Festival, Regina Spektor talks to New Yorker staff writer Michael Specter about her musical development, her heritage, and the creative process.

Category

Recommended

30:02
I
Up next
“Incident” Shows How Officers React When a Police Killing Is Caught on Tape
The New Yorker
17:35
Friendship and Hard Work Amid Italy’s Anti-Immigrant Rhetoric in “Fratelli Carbonai”
The New Yorker
11:02
A Drag Queen Story Hour Simply Observed in “It’s Okay”
The New Yorker
8:07
A Woman’s Forced Marriage in Post-Invasion Afghanistan, in “Hills and Mountains”
The New Yorker
4:40
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker
17:45
Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”
The New Yorker
22:35
Laughing in the Face of Dying Young, in “Cherry”
The New Yorker
19:38
Flirtation and Confrontation in “Sparring Partner”
The New Yorker
6:08
Julio Torres on the Rocky Relationship That Drives "Problemista"
The New Yorker
8:02
Crashes and Community in “Demolition”
The New Yorker
15:04
Flipping the Script on Trans Medical Encounters
The New Yorker
10:46
Textures: For Black Women, Embracing Natural Hair Is About More than Style
The New Yorker
13:08
A Teen-Ager’s Quest to Manage His O.C.D. in “Lost in My Mind”
The New Yorker
3:56
Richard Brody on the Movies That Should’ve Been Nominated for Best Picture in 2024
The New Yorker
33:05
TikTok and War Intersect in “Following Valeria”
The New Yorker
12:50
Cousins: An Awkward Reunion
The New Yorker
6:02
Roger J. Carter: Rebel Revolutionary
The New Yorker
6:14
Proof of Concept: Richard Kind on Making a Short Film about Making a Short Film
The New Yorker
13:31
Friday Night Blind: Bowling Without Sight
The New Yorker
4:32
How Ava DuVernay Restages History in “Origin”
The New Yorker
34:54
The Barber of Little Rock: One Man’s Fight to Close the Racial Wealth Gap
The New Yorker
5:11
Amanda Petrusich’s Best Albums of 2023
The New Yorker