The New Yorker Festival - Junot Díaz and Karen Russell (Edited)

The New Yorker
The New Yorker
  • 10 years ago
Fiction Night: Junot Díaz and Karen Russell discuss the difficulties of writing short stories with Willing Davidson.

Recommended

4:40
I
Up next
Richard Brody’s Best Movies of 2024 So Far
The New Yorker
17:15
A Mother’s Perilous Journey from Venezuela to Brazil
The New Yorker
16:08
Bringing Midwifery Back to Black Mothers
The New Yorker
13:10
Family Bonds Protect a Trans Teen In Texas
The New Yorker
21:22
The Black Mothers Fighting to Get Their Kids Back, in “To Be Invisible”
The New Yorker
5:01
Richard Linklater Unmasks Glen Powell In "Hit Man"
The New Yorker
17:45
Connecting with Trans History, Rebellion, and Joy, in “Compton’s 22”
The New Yorker
22:35
Laughing in the Face of Dying Young, in “Cherry”
The New Yorker
19:38
Flirtation and Confrontation in “Sparring Partner”
The New Yorker
6:08
Julio Torres on the Rocky Relationship That Drives "Problemista"
The New Yorker
8:02
Crashes and Community in “Demolition”
The New Yorker
15:04
Flipping the Script on Trans Medical Encounters
The New Yorker
10:46
Textures: For Black Women, Embracing Natural Hair Is About More than Style
The New Yorker
13:08
A Teen-Ager’s Quest to Manage His O.C.D. in “Lost in My Mind”
The New Yorker
3:56
Richard Brody on the Movies That Should’ve Been Nominated for Best Picture in 2024
The New Yorker
33:05
TikTok and War Intersect in “Following Valeria”
The New Yorker
12:50
Cousins: An Awkward Reunion
The New Yorker
6:02
Roger J. Carter: Rebel Revolutionary
The New Yorker
6:14
Proof of Concept: Richard Kind on Making a Short Film about Making a Short Film
The New Yorker
13:31
Friday Night Blind: Bowling Without Sight
The New Yorker
4:32
How Ava DuVernay Restages History in “Origin”
The New Yorker
34:54
The Barber of Little Rock: One Man’s Fight to Close the Racial Wealth Gap
The New Yorker
5:11
Amanda Petrusich’s Best Albums of 2023
The New Yorker
4:47
Richard Brody’s Best Movies of 2023
The New Yorker
17:17
Echo: A Pioneer of Echolocation for the Blind
The New Yorker