Franz Liszt - Consolation No. 3 - Sylvain Blassel, harp
- il y a 13 ans
Écrites à la mort de Chopin en 1849, les Consolations révèlent un Liszt doucement mélancolique, presque chagrin. Occupé à la rédaction d'un livre en hommage à son confrère polonais, Liszt semble s'imprégner du langage de son défunt ami, particulièrement à travers cette troisième consolation, sans doute la plus connue des six.
Sylvain Blassel joue cette troisième Consolation, S.172, sur une harpe Erard, style gothique à colonne torsadée, de 1907.
Written in 1849 as Chopin passed away, the Consolations divulge a slightly gloomy Liszt, almost sad. As he was writing a book in tribute to his Polish colleague, Liszt seems to have adopted his deceased friend's language, especially in this third consolation, probably the most popular of all six pieces.
Sylvain Blassel performs this third Consolation, S.172, on a gothic styled, twisted column Erard harp from 1907.
http://www.sylvainblassel.com
http://www.harpebudin.com
http://www.laurebourru.fr
Sylvain Blassel joue cette troisième Consolation, S.172, sur une harpe Erard, style gothique à colonne torsadée, de 1907.
Written in 1849 as Chopin passed away, the Consolations divulge a slightly gloomy Liszt, almost sad. As he was writing a book in tribute to his Polish colleague, Liszt seems to have adopted his deceased friend's language, especially in this third consolation, probably the most popular of all six pieces.
Sylvain Blassel performs this third Consolation, S.172, on a gothic styled, twisted column Erard harp from 1907.
http://www.sylvainblassel.com
http://www.harpebudin.com
http://www.laurebourru.fr