Pusher Trilogy Trailer
- 18 years ago
The PUSHER Trilogy
In select theatres 8/18
Writer and director Nicolas Winding Refn turned down a place at the prestigious National Danish Film School in order to make his 1996 feature film debut, PUSHER. This violent, edgy, yet moving cult classic established Refn as an uncompromising filmmaker of great talent and depth. Following his next two films, Bleeder (1999), and Fear X (2003), Refn returned to the Copenhagen underworld in 2004 with PUSHER II: WITH BLOOD ON MY HANDS, while 2005 saw the release of the 3rd instalment, PUSHER III: I’M THE ANGEL OF DEATH. All three PUSHER films display Refn effortlessly blending moody atmospherics and frenetic action, portraying his characters with a depth and confidence far belying his years. Though each film can be appreciated independently of the other three, Refn subtly interweaves these three tales so that a minor character in one film moves to the fore to become the central character of the next. The resulting trilogy stands as a masterful reinvention of international crime cinema, as poignantly human as it is brutally and viscerally realized.
In select theatres 8/18
Writer and director Nicolas Winding Refn turned down a place at the prestigious National Danish Film School in order to make his 1996 feature film debut, PUSHER. This violent, edgy, yet moving cult classic established Refn as an uncompromising filmmaker of great talent and depth. Following his next two films, Bleeder (1999), and Fear X (2003), Refn returned to the Copenhagen underworld in 2004 with PUSHER II: WITH BLOOD ON MY HANDS, while 2005 saw the release of the 3rd instalment, PUSHER III: I’M THE ANGEL OF DEATH. All three PUSHER films display Refn effortlessly blending moody atmospherics and frenetic action, portraying his characters with a depth and confidence far belying his years. Though each film can be appreciated independently of the other three, Refn subtly interweaves these three tales so that a minor character in one film moves to the fore to become the central character of the next. The resulting trilogy stands as a masterful reinvention of international crime cinema, as poignantly human as it is brutally and viscerally realized.