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Death in Paradise Season 1 Episode 7

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Transcript
00:00Music
00:05Music
00:11Music
00:13Music
00:18Music
00:24Music
00:28I'm watching, you know, the greatest performer of all time.
00:44Thanks.
00:45You all don't know how lucky you are, you know.
00:47Surely he hasn't stepped foot on stage for ten years.
00:50Amazing.
00:51Where's the chief?
00:52I don't want him to miss this.
00:53He said he had to get some air.
00:55Air?
00:58No, no, honestly, I'm fine.
01:05No, no.
01:07No.
01:18You're going to miss the show.
01:20Yeah, wouldn't that be terrible?
01:21You know, they say that a man who doesn't love music doesn't love life.
01:31I'm waiting for a cup of tea.
01:36They don't serve tea here.
01:39They told me they did.
01:41They took my money.
01:42Oh, come on.
01:43Dwayne will have a coronary if you miss this.
01:45Oh, come on, Charlie.
01:46Think of it as a team building exercise.
02:02Richard, come on.
02:03Well, this is fun.
02:19Don't spoil it.
02:21Look, here he comes.
02:32Tell me.
02:37Okay.
02:54So, what is it we're waiting for?
03:04The singer, Sully, press us from the coffin.
03:08Why?
03:09It's show business.
03:24Ladies and gentlemen, the one, the only, Solomon, Sully, Joseph!
03:49It's a trick, just wait and see.
03:54It has to be.
03:56You said it was show business.
04:03Okay, honoree, please move back.
04:05Thank you, thank you.
04:26It's convenient really, having your own coffin, ready and waiting.
04:30Convenient, really, having your own coffin, ready and waiting.
04:53Blood-gripping show he was definitely killed inside it.
04:56Close-range gunshot wound.
04:58You should have the area searched, see if anyone discarded the murder weapon anywhere.
05:01Maybe in the coffin.
05:02Well, no, no.
05:03That would be highly unlikely.
05:09Or not.
05:10Have Duane run it for prints.
05:15Any idea what this is?
05:17Maybe a good laton.
05:19Obviously it didn't work, then.
05:20You know, some strange way it's been laid out, isn't it?
05:29With his arms folded.
05:30At rest.
05:32Then repose.
05:34You don't do that unless you have a connection with someone.
05:37Whoever did this must have known him.
05:40Cared about him.
05:41Maybe even loved him.
05:42They've got a funny way of showing, then.
05:48I've been waiting for this day for ten years.
05:51For, uh, for Sully to die?
05:53No, no.
05:54For the band to get back together.
05:56I played with other groups since the split, but...
05:59When Curtis, Eddie and Sully was out there.
06:03Woo!
06:04It was magical.
06:06Why did the band break up the first time?
06:08I don't know.
06:09You must have some idea.
06:10No, I just hit the keys.
06:12I avoid all that stuff.
06:14A couple months back, Eddie, the bass player, called me up and said Sully finally agreed to do some new shows.
06:20Some shows?
06:22So this wasn't just a one-off?
06:23Eddie had big plans for us.
06:25Back in the studio.
06:28Back on the road.
06:29It would have been fun.
06:32When was the last time you saw Sully?
06:35Backstage.
06:36Just when we went to get ready.
06:38Let's make sure you boys can keep up with me.
06:40Okay?
06:46Explain the coffin to me.
06:48Sully's thing.
06:49Fifteen minutes before the show, he goes out and gets into the coffin.
06:53Pulls the lid and waits there to be taken onto stage.
06:56And, um, he went in there alone?
06:59Nobody was allowed.
07:00Sully was very strict about it.
07:03You could set your watch to it.
07:04Fifteen minutes.
07:07Something's never changed, I guess.
07:09Fifteen minutes, bass!
07:11You'll be getting in there right now.
07:12We were all backstage together.
07:15Sully away on his own.
07:16Wow.
07:17The rest of us finally able to relax and have some fun.
07:21See, when we first started out, we were good.
07:24You know, we were solid.
07:25But nobody came to see us.
07:27We were just another band.
07:28We didn't stand out.
07:29So you came up with the coffin as a stage gimmick?
07:31Sully did.
07:32You can say what you like about the guy, but he was a genius when it came to that side of things.
07:36Playing at the whole mystical angle.
07:38Telling the press that he slept in it.
07:40That's where he got his voodoo force.
07:43It had been ten years since we were out on stage, so I guess he needed this time now more than ever to get into character.
07:52To do the things the way he always did.
07:58I didn't believe a word of it.
08:00Not then, not now.
08:03The coffin, the whole fifteen minutes alone, he didn't need it.
08:06I think he just wanted to make sure that we knew he was the boss.
08:09He was better than the rest of us.
08:10So, when there was some resentments in the band towards him.
08:17We spent years working hard to sell records to make him famous.
08:22But the more popular we got, the more Sully got distracted.
08:25The drinks, the party, the humor.
08:27Threw away his career.
08:29All our careers.
08:30So, yeah, you can say there was some kind of resentment, yes?
08:32Sir, do you think you could put that thing elsewhere while we talk to you?
08:35It's just a little distracting.
08:38I am a Lafayaphilist.
08:40It means I am fond of snakes.
08:43Smart creatures.
08:45Very loyal.
08:46Even so.
08:47You rather I just let her run free?
08:49That's fine, that's fine.
08:50So, quarter to nine, Sully goes to his coffin to prepare for the show.
08:55Where were you?
08:56The rest of them, backstage.
08:58Ready to go on.
09:00I wasn't sure about the comeback.
09:02Wound wounds.
09:04But there's no denying it.
09:06Building up to that nine o'clock showtime.
09:08Why?
09:09Why?
09:10It felt good to be back.
09:13When the band start playing their first, um, number, it's your job to make sure the coffin
09:19appears on stage.
09:20Two minutes into the music, I go backstage to get the coffin.
09:24I didn't know anything was wrong till I opened it up.
09:30So you're the only one who had access to Sully?
09:32Officially, yes.
09:34And, um, where were you during the 15 minutes of his alone time?
09:38Well, I was on stage checking out the equipment.
09:40You could ask anyone at the bar.
09:41And, as far as you know, nobody went to see him during that time.
09:44Sully would have torn them off a strip.
09:47But, Sully being Sully, could always be exceptions to the rules, like that girl.
09:52Which girl?
09:53I didn't know her name.
09:54She's been around for a week or so.
09:56She says she was a photographer.
09:58Pretty little thing.
09:59Early twenties.
10:00Sully was obviously very fun of her, but he didn't shout and scream around her like he did
10:04to everybody else.
10:06She even stopped by to see him earlier this evening.
10:09Right.
10:09Do you remember what shoes she was wearing?
10:12Any distinctive features?
10:14You know, plain shoes or...
10:16Something a little more ostentatious.
10:20Quite a pronounced heel.
10:21Or maybe blue flowers on the front.
10:25I didn't realise you were so interested in women's fashion.
10:27I'm not.
10:28I'm simply trying to establish what kind of shoes she was wearing.
10:30Oh, I see.
10:32Well, shoes are shoes, man.
10:34And with a smile like that, you focus on her face.
10:37That can't have been easy for his wife.
10:39Sully running around with a younger girl.
10:42Nothing Sully ever did was easy on other folk.
10:45So you're seriously telling me you weren't jealous of him spending time with a younger, prettier woman?
10:50Which is what I would be asking Evita Jackson if you hadn't let her leave.
10:57Sir, she was crying.
10:59She had just lost her husband.
11:00No, no, no, no.
11:00She hadn't lost him.
11:01He was murdered.
11:02Which is all the more reason to keep her here.
11:04Okay, Chief.
11:06I screwed up, I know.
11:09Right.
11:10Evita.
11:12The wife.
11:13Eddie.
11:14Bass player.
11:15Architect of the comeback.
11:16Curtis.
11:17The guitarist.
11:17Renwood.
11:18The keyboard player.
11:19And Neville.
11:20The roadie.
11:21Each one has an alibi for the time of the murder.
11:25Anyone know where the word alibi comes from?
11:28No?
11:29Latin.
11:30Somewhere else.
11:33Locative of the word alias.
11:34To pretend to be someone you're not.
11:38Two questions.
11:52Who was the mystery lady with pretty shoes?
11:56Yes, but also...
11:59Why a gun?
12:02Yeah, by the way, it's quieter.
12:05Exactly.
12:06Where do you want this, Chief?
12:08Ah.
12:10Just what we need.
12:12On the table, please.
12:16Seen this?
12:18Mm-hmm.
12:19A woman with impressively large breasts.
12:23No, here.
12:24Look.
12:24A pendant around his neck.
12:26Oh, so.
12:27The killer took it off and placed it in his hands.
12:30Okay, great.
12:31Why?
12:33I don't know.
12:37Good to go, Chief.
12:38Do you want me to clear some space, in case you get the urge to kick off your shoes and dance?
12:43It's important that we profile the victim.
12:46Family, friends, colleagues.
12:48In Solly's case, we have the added benefit of being able to learn about him from his own words.
12:53His own songs.
12:55Understand the man, and you'll understand the murder.
12:58One second thoughts, Dwayne.
13:10Perhaps it would be better if you listened through it, transcribed the lyrics for me.
13:13No need.
13:13No need.
13:15Solly sang about two things.
13:17Monsters and women.
13:19Well, there were some pretty weird-looking individuals of that show of his, but I think we can rule out any of them being actual zombies.
13:24So what did he say about women?
13:26Solly sang about being a bit of a playboy.
13:28You know, man the hunter, women the prey.
13:31Every girl a flower waiting to be plucked.
13:34An uncharted map to be explored.
13:36Yeah, we got the picture.
13:37Although, strictly speaking, there's no such thing as an uncharted map.
13:42The whole point of cartography is to illuminate the unknown.
13:46It's poetry.
13:47You have no romance in your soul.
13:50Either way, I think we can safely say Solly had an eye for the fairest sex.
13:55Oh, Solly had his fun all right.
13:58All over town.
13:59Despite being married.
14:01For 20 years.
14:02And seeing a certain members of the service, all fit to let her slip away yesterday.
14:05Perhaps now we should see what the wife has to say for herself.
14:34Mrs. Jackson?
14:35Mrs. Jackson?
14:40Sorry for disturbing you.
14:44You, uh, are you thinking of leaving?
14:48Our detective inspector...
14:49I know who you are.
14:51I understand this is a difficult time for you.
14:53Would you mind if I saw your shoes?
14:55Yes.
14:56Won't take a second.
14:57They're on my feet.
14:58And there's another pair by the door.
15:06Is there another item of clothing you'd like to see?
15:10No.
15:11No.
15:11Although I, uh, do notice you're throwing away those that belong to your husband.
15:17He's good.
15:18Very observant.
15:21There's no reason for me to hang on to them now.
15:23You don't seem very upset.
15:27Would you rather I was weeping and wailing on your shoulder?
15:31Am I sorry he's gone?
15:32Yes.
15:33Do I miss him?
15:34I don't know yet.
15:36Am I gonna sit here and dwell on it?
15:39I have too much to do before I go back to St. Lucia.
15:42Solly's wake to organize and grief isn't gonna help that.
15:45At the time of his death...
15:48I was backstage, watching his bandmates act like the little kids they are.
15:54Do you know of anyone that might have wanted him dead?
15:57I know people who didn't like him, but to kill him?
16:01We suspect the murderer might be someone new, someone close to him.
16:06Are there any brothers, sisters, children?
16:09Solly was an only child.
16:11And as for having little ones, I thought about it.
16:15Cried about it.
16:16But he wasn't interested.
16:19Although, the other day, a man looks around at me and says,
16:23it wouldn't have been the end of the world.
16:26That was Solly.
16:28Just when you think you've figured him out,
16:30he'd find a new way to mess with your mind.
16:34This time ended the war.
16:37Do you have any particular significance for it?
16:39This voodoo tat is practically worthless.
16:41My husband wore six-inch platform heels for a month in 1992.
16:46He wanted to be noticed any way he could.
16:49Back when his voice was something worth listening to.
16:52Scrape away the obi makeup, the costumes, the whole silly act.
16:56When he started singing, he could break your heart.
17:00If he wanted to.
17:03I'm sure he got a lot of attention.
17:06Certainly his music paints him as something of a humanizer.
17:10Sally was a go-out, stay-out sort of man.
17:12If he came home before sunrise, I never saw it.
17:14And what he did when he was out there, I never asked.
17:18I never wanted to know.
17:19But after all those years out of the spotlight,
17:23the prospect of a comeback must have been quite distressing for you.
17:26Perhaps you should say what you mean.
17:30There was a girl seen hanging around this past week, do you know?
17:35I saw her.
17:36Okay, let's give Sally a space.
17:38Come on, let's do this.
17:40Bye.
17:43Do you think he was having an affair with her?
17:45Do you think I want to answer these questions?
17:47Sir.
17:47I'm sorry, I know it's hard, but I'll have to ask.
17:49I don't know.
17:52Nevertheless, the prospect of a comeback.
17:55Many more shows, many more crowds, many more women.
17:59The thought of that must have made you very unhappy.
18:01Unhappy enough to kill him is what you mean.
18:03Simply trying to establish your state of mind at the time of the murder.
18:06Oh.
18:07Is that what you're trying to do?
18:09You should watch your tone with a lady.
18:13Avita.
18:19This is a murder investigation.
18:22We have to follow all leads.
18:23Our husband died yesterday.
18:28She was with the rest of us when Sonny got...
18:30When he passed away, we were all together.
18:35No matter how many questions you ask.
18:38I am so sorry.
18:41Maybe we should let them be for the moment.
18:46Right.
18:47Yes.
18:47We'll come back with any follow-up questions.
18:55Don't make any travel plans without letting us know.
18:57Don't make any travel plans without letting us know.
19:27And yet everyone could see him as an alibi.
19:30The gun in the coffin.
19:32The body in the pose.
19:33The pendant in the hand.
19:35There's got to be a reason behind all those things.
19:38Which is?
19:40Well, I don't know.
19:41I'm just saying.
19:42Oh.
19:43I thought you had something.
19:46No.
19:47Never mind.
19:57I don't know.
20:17That's me.
20:39Pendant.
20:40What?
20:41Show me the pendant.
20:42One was found in Solitaire's.
20:43gold yeah yes see just like these ones right in the early albums and in the last few early to
20:55mid 90s he switched look to silver yes but when he was killed back to gold again it's got to be
21:03significant bad news tried tracing the gun came up with nothing no serial number no leads sorry
21:09chief and what about our mystery girl anything on her sorry chief yeah great we'll keep hitting the
21:16streets asking people as if she's just gonna walk in here and say hello uh hello i'm michelle
21:26bouchon i hear you've been looking for me yes i'm detective inspector richard pool uh have a nice
21:35shoes thank you very nice distinctive so you met with soli a few times i was doing a photo
21:44assignment on him for a newspaper or magazine freelance you're not local no well sort of my
21:53mother was we moved away when i was young and where were you before the show started last night
21:59i was just at the venue waiting for it to kick off didn't leave at all no may i
22:08there's obviously more between you and soli than a photo assignment
22:21she didn't do it why too pretty
22:37so you went to the venue and the band came on stage no sorry there wasn't a question it was a
22:45statement see i know you weren't you're outside crying why so you know the why part that means
22:53it's a question i'd like you to answer i was just stressed huh really because of what work yes
23:00of course yeah your your photo assignment you can see for yourself
23:05not bad you have a decent eye you also have a silver pendant that's all around his neck
23:16up until his death so if you have his pendant you must have been very close with him
23:21no i only met him last week we were born in 1991
23:24yes same year the album cover show the pendant changed from gold to silver
23:29he gave the gold one away didn't he to your mother
23:34yes
23:36so he was your father
23:38one for him and one for her
23:45they had swapped
23:47you gave her the gold pendant he kept the silver one and you switched them back when you killed him
23:52what
23:53no i didn't
23:55didn't switch them or you didn't kill him
23:56i i didn't kill him then why switch the pendants
24:00seemed only right
24:03to give him back the one that
24:07she had kept for so long
24:10so you admit to being there
24:12i went
24:16to wish him luck
24:17before you went out there
24:20he was so excited about doing another show
24:24two months back i didn't know anything about my father name face nothing
24:30then my mother
24:32she
24:33she gets sick
24:36she died
24:3912 days ago
24:42i came here because i didn't know where else to go thought i had no other family
24:48did he mention anyone at all anyone who might have had a motive to kill him
24:52he wasn't killed
24:54that's what hurt the most
24:57i just found him
25:00and he said it made him feel complete
25:03and then for him to take his own life
25:08i knew he'd be worried about the comeback about whether he could still wow the crowd
25:16and i never thought he'd do this
25:20i should have run
25:22i should have got help but i didn't
25:26i couldn't let them find him
25:28not like that
25:30sorry had said to me that when he went out he wanted to be doing what he loved
25:34out there on stage
25:36i just watched my mother pass away in some anonymous hospital surrounded by people she didn't know
25:42by people she didn't know i wasn't gonna let that happen to my father as wrong as it was
25:52it was also right
25:55out there on stage
26:00one last show
26:05the gun arms folded pendant all accounted for
26:13uh we'll need to get the camera uh photographs of potential
26:17at least
26:20and dependent
26:39i told you she didn't do it
26:40yeah based on the fact you think she's pretty
26:43why
26:43do you think she isn't
26:45wait
26:46i'm married
26:47so
26:48so
26:48of course she is
26:50but that's no reason to presume innocence
26:52then i was right then wasn't that
26:54you take her word for it
26:56he's still pouting then
26:59not pouting
27:01she'd be glad murder's terrible thing
27:03now suicide isn't much better
27:05either way soli would be pleased now man will become a legend never grow any older it's a dream of every star
27:15and he's definitely pouting
27:17i just don't believe it
27:20chief all the evidence
27:22not to mention everyone close to him everyone who loved him has a cast iron alibi
27:27something's not right
27:31hello
27:33oh thank you thank you very much
27:37the prince on the gun
27:38not solis
27:40no
27:40only solis
27:44i know you're disappointed
27:46his little mystery is solved already
27:49you think i'm wrong
27:51i didn't say that
27:52chief
27:53if you say it wasn't suicide
27:55then i guess it wasn't
27:56yeah
27:57you're always right
27:58well one does one's best
28:00so who did it then
28:03your mother's right
28:04i am now officially pouting
28:11they run a gunshot residue analysis on soli's hand and clothes you
28:15no
28:16make sure they do it
28:17holding a gun's not the same as firing it
28:20as far as i'm concerned this case isn't closed yet
28:26work to be done
28:28i don't suppose you could put that in some sort of room
28:31all right
28:33come on
28:40i still can't believe i'm not going to do his vice again
28:45yelling at you stay in time
28:50we could keep going
28:55with the band
28:56huh
28:56i could sing
28:59since when last you sing
29:01in the shower
29:06a bit strange
29:07huh
29:07just
29:09solly gets off and then there's you
29:14all of a sudden
29:15wanting to be lead man
29:16what you're saying
29:19i'm not saying a thing
29:20i want to know what eddie means
29:25are you suggesting i had anything to do with soli's death
29:28he had more reason than me
29:33don't even go to here
29:33and what about you
29:35ah
29:38after all the time i spent getting this band back together
29:41so this is how this is going to be huh
29:44us sitting here throwing accusations at each other
29:46hello
30:01hi
30:03now tell me this is the best place in time to get a drink
30:05to tell the truth
30:08might i recommend the planter's punch
30:12that's the most expensive drink
30:14oh really
30:16i hadn't noticed
30:19i'll give you a minute to decide
30:21no
30:32don't worry
30:33you get a discount
30:37your father played here a long time ago
30:40he told me
30:43that boy couldn't stay still for a second
30:46he'd be on his knees climbing the walls
30:48rolling around like the devil himself
30:50was tickling his bones
30:52and that was for a handful of folk watching
30:55imagine how bad he was
30:58when the house was full
31:01maman the man wants a drink
31:10i know it's not easy
31:13i lost my dad when i was six
31:15i'm sorry was he ill for a long time
31:18oh no no he's not dead
31:20he just found a new family
31:22that's you survived a long time without a father
31:25you'll get by
31:27i almost wished i'd never met him
31:29he upset you
31:31he hurt my mother a lot and i guess i was looking forward to
31:36you'll make him pay
31:36you'll make him pay
31:38no
31:40just
31:42making sure he understood what he'd done
31:45it doesn't matter now does it
31:46what
31:48not going to happen
31:51it's over
31:53not quite over the investigation is still open
31:57we are not quite convinced it was suicide
31:59but if it wasn't
32:03do you think you'll find out who did it
32:04we'll do everything we can
32:06and i know d.i pool won't sleep until he's found out the truth
32:22and i see you
32:24and i was looking for the right
32:26but i don't think i'd be able to end up
32:27and i didn't know who did it
32:28i am
32:30i don't know
32:30so
32:31because i was not going to be in it
32:32and i was going to be in it
32:35i i was going to be in it
32:35and i was going to be in it
32:36and i was going to be in it
32:41and i was going to be in it
32:43I warn you, I'm armed and, well, I'm armed.
33:13I'm armed and, well, I'm armed and, well, I'm armed.
33:43I am armed and, well, I'm armed and, well, I'm armed.
34:13that's very kind but um just to warn you i do snore now i don't mind sleeping on the sofa
34:22but i am told i'm very loud i'll be fine
34:27sure
34:32it was worth it you know just to see those pajamas again
34:42sleep okay of course only you did seem a little shaken last night no not at all it's just an
35:08englishman never likes to have his sleep disturbed me i've got something that will make you feel
35:13better gunshot residue reports
35:16no sign of soli having fired the gun correct i knew it well i suspected it so you can definitely rule out
35:30suicide soli's death was murder i think we should
35:35oh wow very immature i'll have work with whoever did that there's only you and me here
35:43well i'm sorry sir you were saying ask curtis about his snake
35:49and why it ended up in my bungalow
35:54excuse me
35:59yeah
36:08yeah well there's the house of a man who ran out of money
36:20i'll be careful
36:22i'll have a react when cornered
36:24curtis james this is detective inspector richard pool
36:35what to what
36:38do you know if we see your snake for a moment
36:42is that meant to be funny
36:44not particularly
36:45she'd be missing all night
36:50been searching for her everywhere
36:52sorry about the mess
36:56been going crazy
36:59trying to find my girl
37:01but wait a minute
37:06well you know she was missing
37:07because somebody placed it in my bungalow last night
37:10you find out
37:12she all right
37:13yes but that's not really the point
37:14oh
37:15oh no no no
37:16thank you very much
37:17no thank you very very much
37:18you don't understand
37:19it was deliberately placed in my home
37:21a dangerous animal
37:22reptile
37:23not animal
37:24and i have a license
37:26somewhere
37:27you're still failing to understand
37:31look under the circumstances
37:32your animal
37:32your reptile
37:34was used to threaten a police officer
37:36what are you going to arrest me
37:37but i haven't done anything
37:39well that remains to be seen
37:41well she's safe right
37:43my snake
37:44definitely okay
37:45this woman in this photograph
37:49is that avita
37:50you seem close
37:53we were
37:55before
37:58before sully
38:00you better come upstairs
38:04where you can get a little breeze
38:05you seem very bitter about sully
38:08when we spoke to you
38:09even after you discovered
38:10you just died
38:11we were in a band
38:13didn't mean we're a family
38:16and it didn't mean i liked him
38:18because of how things turned out
38:21with avita
38:21when i met her
38:25she wanted to be a singer
38:26i just joined sally's band
38:29she used to do the ad show with us
38:33you know
38:33two of them out front
38:35singing away
38:36tearing it up
38:37i didn't see it coming
38:41i was blind
38:43you never got over her
38:45i'll be seeing her
38:47right
38:48i think we've established that you like her
38:50so
38:51in a way
38:53everything's worked out for you
38:55all right
38:56let's say i did it
38:57say it's me killing
38:58yeah
38:59what would you do next
39:01if you was me
39:02act normal
39:03go about my business
39:05albeit a little sad
39:06you know
39:07in mourning
39:08would you drive to the investigating officer's house
39:10and put a snake
39:12a snake you know
39:13that was clearly tied to you
39:14through his door
39:15that was incredibly stupid i might
39:17do i seem incredibly stupid to you detective inspector
39:20i don't know you well enough to say for sure
39:22you might be
39:23or maybe you think that someone else did it
39:26you trying to throw me off the scent
39:27like uh...
39:30maybe evita
39:31no
39:33she didn't do it
39:34you can't sound a hundred percent sure
39:36all right she was a little angry with soli but to come on
39:38angry
39:39why
39:40because she found out he had a daughter
39:45yes
39:49then
39:51she's a good woman
39:52you having an affair with evita
39:54what
39:56no
39:57you aren't
39:58are you
39:59all those looks
40:00it's always been from afar
40:02for so long
40:05did you know she feels the same way
40:08you really think so
40:09oh
40:10i saw the way she reacted
40:12when you came around to see her
40:14like
40:15everything was all right
40:18yes as beautiful as this is you're still suspected of murder and threatening
40:22and potentially harming a police officer stop smiling
40:26still in a lot of trouble
40:28how much remains to be seen
40:31how much remains to be seen
40:35no
40:36no
40:36no
40:37no
40:38no
40:38no
40:39no
40:40no
40:41no
40:42no
40:43Curtis has motive. Solly stole his girlfriend. Never moves on, has to watch his friend become
40:51a big star. The woman he loves on Solly's hour. Well, if only he didn't have an alibi.
40:59I know. Those 15 minutes, Solly's alone. I've checked all the witness statements. The band,
41:08Evita, all together. Somebody's lying. Yep. Someone is. You're in love with Curtis.
41:25I'm sorry. What do you mean to say? You love Curtis and he loves you. Does the fact that
41:29I'm recently widowed not mean anything to you? So you're not denying it then? You don't think
41:34where this is going. Curtis already phoned me and he told me that he said I knew about
41:39Michelle. The fact you failed to mention to us. So now you want to know, was I upset, hurt,
41:45angry enough to kill him? If you'd be so kind as to indulge me. Yes. Yes. No.
42:01Do you still love Solly? I don't know. Do you think he was pleased to find out he had a child?
42:08A daughter would mean responsibility. We're talking about a man who used to burn his bills
42:12when they came in so he didn't have to deal with them. Michelle seems to think he was happy.
42:18People put a brave face on things. But if he was nice to her, she's lucky. Because he cared.
42:26Because he died before she knew the man he was. Or maybe she did see that side of him. Poor girl.
42:35Is it all about time? Not at all. Nice to see you all together.
42:40We just wanted to finalize the details for Solly's wake. Yeah. Very conscientious.
42:45We've known each other for 20 years. What else did you expect?
42:59Hmm. It's natural that it all comes together at a time like this.
43:02Something we're missing. Got to be. Maybe they were all in it together.
43:17No, no. One of them would have cracked. Given something away.
43:21Okay, so, Evita. Angry at her husband for the child he never knew about.
43:26Curtis. Jealous of him for the years stolen with a girl he loved.
43:29Michelle. The mother left to bring her up alone.
43:32And then there's the rest of the band. Will you please turn this racket off?
43:36Sir. I can't work with this noise.
43:40You're being too hard. It's a police station, not a discotheque.
43:54No. What on Dwayne? On yourself.
43:57Sometimes you just have to relax. Go with the floor.
44:02Please tell me you didn't just say that.
44:04I just mean if you loosen up a little, you'll unwind, things wouldn't be so tough.
44:09Yeah. Music please, Dwayne.
44:11Oh, come on, sir.
44:12No, no, no. I need to loosen up. I've got to rip up all my clothes and limbo under a desk.
44:17What are you doing?
44:18I was being sarcastic.
44:19So you want me to...
44:20Yes!
44:21No.
44:22Oh, come on. You've made your point.
44:27This song.
44:28The Serpent Suite.
44:30It's the one they play when Solly comes on stage, yeah?
44:33Yes.
44:34I need to hear the version they played on the night.
44:36This is it?
44:37No, no, no, no. No, no. This is the studio version. I need the actual one. The live one. They played the night of the murder.
44:42Unless you have a time machine, that's going to be impossible.
44:47Nothing's impossible.
44:49Videl.
44:50Not long to go now, eh?
44:56I know.
44:57Your very own bouncing bundle of joy, eh?
44:59I know.
45:00Nervous?
45:01Well, actually, the more you talk about it, yes.
45:03Thought of any names yet?
45:04We don't even know if it's a boy or girl.
45:06Juliet wants to be a surprise soul.
45:07Doesn't mean you can't get a head start on the name.
45:09There's so many different ones to choose from.
45:11I suppose.
45:12Here.
45:13Take my advice, eh?
45:14Keep the name short.
45:15Hmm?
45:16Punchy.
45:17Something like...
45:18Oh.
45:19I don't know.
45:20Dwayne.
45:22Hmm.
45:23Okay.
45:25Right.
45:26How you doing, Ricky?
45:27Fidel, grab it.
45:28We'll take this.
45:29God bless Solly.
45:30You got any life, Soph?
45:31We're looking for a bootleg of last night's show.
45:32No, no.
45:33Be illegal.
45:34We don't carry that.
45:35Now, you and I both know that isn't true.
45:37So unless you want me to look for myself...
45:39Shame the show ended early the other night, eh?
45:40Yeah.
45:41Look.
45:42I think he's getting into it.
45:43What the music?
45:44He can't help it.
45:45Even if it only lasts a few minutes.
45:47I don't know.
45:48You and I both know that isn't true.
45:49I don't know.
45:50I don't know.
45:51You and I both know that isn't true.
45:52So unless you want me to look for myself...
45:54Shame the show ended early the other night, eh?
45:55Yeah.
45:56I don't know.
45:57I don't know.
45:58I don't know.
45:59I don't know.
46:00You can't help it.
46:01I don't know.
46:02I don't know.
46:03If anyone knows.
46:04You can't help it.
46:05I don't know.
46:06Yeah.
46:07Look.
46:08I think he's getting into it.
46:09Even if it only lasts a few minutes, the rhythm gets to you.
46:14Not the chief.
46:15Not the chief.
46:16I mean, can you really imagine him getting on down, dancing, what we're doing?
46:19Yes.
46:20I can hear you, you know.
46:27Dwayne.
46:28Chief.
46:29In your professional opinion, on a scale of one to ten, how would you class Soli's band?
46:33A ten.
46:34Keep good time, perfect tune, rarely make mistakes.
46:37I'd say never.
46:38Really?
46:40Hmm.
46:41Because that's not what I'm hearing.
46:43So, what do I know?
46:46You're the big fan.
46:47Now let's see if they manage to hit the right notes on this.
46:50The greatest hits.
46:55When did you buy this?
46:57At the market.
46:58When we picked up the live one.
47:01This is an official release?
47:02That's right.
47:03It came out yesterday.
47:05Apparently it's very popular.
47:08Sorry.
47:09Excuse me.
47:09Excuse me.
47:11What do you think?
47:15All his best tunes are here.
47:17J-j-jambore.
47:19Oh, stick a spell on my heart.
47:21And nothing else?
47:22No.
47:24Oh, well, apart from the fact that even considering how fast digital production is, the band would have had to be pretty focused to get the city burnt, covered, designed, printed, packaged, and distributed only one day after Soli's death.
47:43No, there's nothing else.
47:44No.
47:45There's nothing else.
47:46No.
47:47There's nothing else.
47:48No.
47:49No.
47:50No.
47:51No.
47:52No.
47:53No.
47:54No.
47:55You know, for a moment there, I really thought the baby was coming early.
47:58Whoa.
47:59Whoa.
48:00Whoa.
48:01Whoa.
48:02Whoa.
48:03Whoa.
48:08There's a time period in which you're expecting the baby to arrive, yeah?
48:10Right.
48:11And all things going to plan, that will happen.
48:15Of course.
48:20Okay, where's the rest of Michelle's photos?
48:22On my desk.
48:23Okay.
48:31Ha, ha, ha, ha, ha, ha, ha.
48:33Ah!
48:36Yeah.
48:41The drums start.
48:42The bass comes in, the guitars, the horns.
48:47I have no idea what he's talking about.
48:49It's a metaphor.
48:50Right.
48:51I still have no idea.
48:53It all starts to come together.
48:56Separate pieces becoming one.
49:00Pidal, one last job here.
49:01You can meet us there.
49:02Where?
49:03We have a wait to attend.
49:12You know, timing is everything.
49:15Sorry!
49:17If you could join us.
49:18I just need to get everything ready for the wake.
49:21It'll only take a minute.
49:22Or ten.
49:24Ten golden minutes.
49:27The window of opportunity the murderer used to kill Solly.
49:30Taken by Michelle at 8.34, according to the camera, on the night of Solly's murder.
49:44And yet the dressing room clock, in this same photograph, says it's 8.44.
49:518.34 on the camera, 8.44 on the dressing room clock.
49:57Ten minutes.
49:59Here's a photograph I took of the dressing room clock just before I came in here.
50:03Same camera, same dressing room clock.
50:07And the time on the dressing room clock?
50:1011.55.
50:13And the time on the camera?
50:1711.55.
50:19Thank you, Renard.
50:24We were meant to believe that Solly died in the 15 minutes before he went on stage.
50:29He's a lonely.
50:31But he didn't.
50:33Because someone changed the dressing room clock.
50:39Unknown to Solly, he got into the coffin ten minutes early.
50:42Giving the killer time to do the job, then slip away and join the others.
50:45Leaving no one any the wiser as to the fact that Solly was already dead.
50:51Hmm.
50:53That's interesting.
50:55Now none of you has an alibi for the time of the murder.
50:59So who's the killer?
51:01Curtis.
51:05Broken hearted.
51:08Jealous.
51:10Eddie.
51:12All that effort put into a reunion and Solly's still ungrateful as ever.
51:16Renard.
51:18The man who loved the band.
51:20Cast out for ten years waiting on the whim of his singer.
51:23Evita.
51:25Many women would have walked away a long time ago.
51:29No one could fault you for trying just as no one could fault you for finally breaking when you found out about the daughter.
51:36Michelle.
51:38Solly walked out on your mother.
51:40Didn't want to know.
51:41Left her to bring you up alone.
51:43Can't have been easy.
51:45Everyone had a motive.
51:48You missed someone?
51:50No.
51:51Me?
51:52Well you didn't do it.
51:53Could have.
51:54Really? What was your motive?
51:56He owed me money.
51:57Did he?
51:58No.
52:00But you're not wrong.
52:03I mean you're not the killer but you have hit the big question.
52:07Who stood to gain from Solly's death?
52:08After all the new CD's available from all good market stalls and retailers now.
52:15In fact I checked.
52:18And interestingly enough it's going to make the Caribbean Charts next week top ten.
52:26And why?
52:28Because Solly's dead.
52:30Precisely.
52:32As career moves go I understand it's one of popular music's finest.
52:36Did um, Solly have life insurance?
52:40He thought he was going to live forever.
52:43Savings?
52:45Surely I will.
52:50So he leaves nothing but the music.
52:52And the royalties.
52:54Do you see any of those?
52:56No.
52:57I just played guitar.
52:59I'll write his go to the songwriters.
53:01Which is Solly and...
53:06Eddie.
53:11Never going to commit to a tour was he?
53:14New album.
53:16Doubt it to sell enough to cover the costs.
53:19In fact, alive, he was worthless.
53:23One last show.
53:25One last payday.
53:27It was you who changed the time on the dressing room clock.
53:35Making Solly head off to the coffin early.
53:39Fireworks were due to start around 8.35.
53:42And so they did.
53:44Right on time.
53:45Then there you were.
53:57Making sure you were noticed.
53:59If anyone was asked what time they saw you, it would be the same time that Solly was alone.
54:04You knew Solly better than anyone.
54:06Knew that he'd be in the coffin.
54:07Knew that you'd have time to shoot him.
54:08Make it look like suicide.
54:09Then be back with the rest of the band before anyone realised.
54:12Ready to go on stage.
54:14And everything was going to plan.
54:18Neville would fetch the coffin just after nine.
54:21He'd find it open, Solly dead.
54:25Suicide.
54:26Tragic.
54:28Another casualty of rock and roll.
54:30Another legend born.
54:31Another album flying off the shelves.
54:35You were so surprised when you saw that coffin arrive.
54:38You lost it for a moment, didn't you?
54:41Should have been playing an A.
54:43You played an E flat.
54:52So I hit a wrong note.
54:55It's not a crime.
54:56No.
54:58But murder is.
55:01You love the limelight.
55:02You can't just sit back out of the way, can you?
55:05When you find out it's a murder investigation, you plant a snake.
55:08Trying to implicate Curtis.
55:10A move not unlike your songwriting.
55:13Brash.
55:14Unsubtle.
55:15Clumsy.
55:16So clumsy you didn't even think to wipe your fingerprints off the dressing room clock when you changed the time.
55:20That's right.
55:22I've got sticky fingers all over it.
55:35I've got a top ten album.
55:37What have you got, huh?
55:39You got something else as well.
55:40What?
55:41This!
55:43You wanted to do that for years.
55:45Is there anyone in this band you'd do, like?
55:47Everyone will remember me.
55:49This is the story.
55:50You've got a singer and a songwriter.
55:53Once dead, once a killer.
55:55I'm a legend!
55:59I don't know about that.
56:02You're just a bass player.
56:03How have you done?
56:04I'm a legend.
56:06Bill Sharek, I've not ever heard.
56:07You know what I'm talking about?
56:08You're just a bass player.
56:10That's not just a bass player.
56:12That's not just a bass player.
56:13You're just a bass player.
56:14I want to make a bass player.
56:16You're just a bass player.
56:18I'm a bass player.
56:21I don't know about this.
56:22It's a bass player.
56:23I'm a bass player.
56:24Time can help me out.
56:26The bass player.
56:27Do you think they could turn this down a little?
56:42I just don't see why it always has to be so loud.
56:44So you can feel the rhythm in your head, your feet, your heart.
56:56No.
56:57One song.
56:58I need to scroll one.
56:59I do not dance.
57:00You've got a good ear.
57:01Only person who noticed that oak nut in the song.
57:03Ears, arm, feet.
57:04Richard, it's what Sully would have wanted.
57:22Richard!
57:22I'd like you to stink.
57:35Come on, I got him.