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Transcript
00:00If I come to you, I don't know if I'm a creative producer.
00:07I don't know if I'm involved and creative, but I don't know if I'm a creative producer.
00:15I don't know if I'm a creative producer.
00:19He's a man with a lot of self-respect.
00:28He doesn't take it for granted.
00:36He's an engineer.
00:40That's why I joined the engineering.
00:45I went to college for four years.
00:49If you go to cinema, you can go to a degree.
00:52How many years?
00:5510 years ago.
00:58Okay.
00:59I'm going to go there.
01:01I'm going to tell you.
01:03Within the fourth year, I'm clear.
01:07I'm going to cinema.
01:09Okay.
01:11He asked me to work with him.
01:15I'm going to tell you what I'm doing.
01:18He said no.
01:19He said no.
01:20He said no.
01:21He said no.
01:23He said no.
01:24He said no.
01:25He said no.
01:26He said no.
01:27I'm speaking to you.
01:29I was going to film you.
01:32The Movie is finished.
01:33I'm just listening to you.
01:34He said no.
01:35He's finished the movie.
01:37I'm going to the movie right now.
01:38I'm going to the movie right now.
01:40He told me to work with him.
01:42He told me to sit down on me.
01:43And I was going to watch the movie.
01:45It's cool.
01:46Andrew is a one of his videos.
01:47He was on the one of his videos.
01:48He told me to stay and walk with you.
01:50He walked with me and he walked with me and he walked with me.
01:55Vikram Sugumaran's script, dialogue, shoot and dubbing,
02:04and Madhuri's editing and post-production.
02:09He said, what is this today?
02:13He said, what is this today?
02:22He said, what is this today?
02:26He said, what is this today?
02:30Throughout the journey,
02:33Adley's question is to pursue some leadership in the world.
02:44He said, how do your work?
02:46He said, what is this today?
02:50He said, what is this today?
02:52You know, a lot of soldiers are staying inside.
02:54I was waiting for him.
02:56He said, what are you doing?
02:58discuss, work is not working.
03:00Then we will have a discussion.
03:02So, that's why I worked.
03:06That's why I worked.
03:10I don't hesitate to say anything.
03:14I'm sorry, I'm sorry.
03:16I'm sorry.
03:18I'm sorry.
03:20So, that's why he was with me.
03:26In the first part,
03:28the train sequence shoot.
03:30He was working
03:32for that shoot.
03:34That's why he was post-production.
03:36So, in that moment,
03:38L. Reds are
03:42an introduction.
03:44L. Reds are very impressed.
03:46They are very impressed.
03:50They have
03:52contributions
03:54and
03:56he said,
03:58he said,
04:00he said,
04:02he said,
04:04he said,
04:06the way he carries himself,
04:08the way he puts across his thoughts.
04:10That's what L. Reds
04:12said.
04:14He said,
04:16he said,
04:18he said,
04:20he said,
04:22he said,
04:24he said,
04:26he said,
04:28he said,
04:30he says,
04:32he says,
04:34he said,
04:36he said,
04:38I thought it's a very good idea to explore further.
05:08I thought it was a very good idea to explore further.
05:37I thought it was a very good idea to explore further.
05:44I thought it was a very good idea.
05:51I thought it was a very good idea to explore further.
05:58I thought it was a very good idea to explore further.
06:05I thought it was a very good idea to explore further.
06:12I thought it was a very good idea to explore further.
06:19I thought it was a very good idea to explore further.
06:21I thought it was a very good idea to explore further.
06:28I thought it was a very good idea to explore further.
06:35I thought it was a very good idea to explore further.
06:37I thought it was a very good idea to explore further.
06:44I thought it was a very good idea to explore further.
06:46I thought it was a very good idea to explore further.
06:48I thought it was a very good idea to explore further.
06:53and all other technicians,
06:55all of them are in the vision
06:57as well as they are in the vision.
07:01GV, as always,
07:07GV is in his musical prime,
07:13very efficient,
07:17very vibrant,
07:21very vibrant,
07:24and
07:26you have to do it in full.
07:31You have to do it in full.
07:34That is one of GV's very special qualities.
07:39He doesn't tire,
07:42he doesn't tire,
07:43he doesn't tire,
07:45he doesn't tire,
07:47I have to message him
07:49what are you doing?
07:52Then next question,
07:53where are you?
07:55If you are in the studio,
07:58I will come.
07:59Okay, come.
08:00I will come.
08:01If you are in the studio,
08:03you will work in the studio,
08:04you will work in the studio.
08:05You will work in the studio.
08:06It's not like that,
08:07but I don't have to do it in the studio.
08:09Otherwise,
08:10the same energy is there.
08:11you will work in the studio.
08:12If you are in the studio,
08:13as always,
08:14you can see the background score,
08:16and
08:17so that
08:18he can create such impact,
08:22that he is an impact,
08:24so that he is able to do the impact.
08:25And
08:26he can do the background score,
08:27and
08:28he is able to create such impact,
08:29quite impactful,
08:31so that he is doing something.
08:32There is a star film and a content film.
08:36Everything is good.
08:37And I don't doubt this film is a strong strength in GV.O. music.
08:43And now, the footage is now written in Reki.
08:51How do I see this footage?
08:54I think it's written in the footage.
08:57It's going to be a very challenging task for everybody to create this,
09:12to be part of this behind the camera and in front of the camera.
09:16It's a very challenging challenge.
09:18I think he's taken up a very, very, very big challenge.
09:23But, what is it?
09:25Suri Madhuri is a dedicated artist.
09:29Elred Madhuri is a passionate producer.
09:33Elred Madhuri is a producer.
09:35What is it?
09:37The producer is a second job.
09:39He's a first AD.
09:41He's a assistant.
09:43He says,
09:44You're the kind of guy.
09:45You can tell me.
09:46You're the kind.
09:47I don't know.
09:48I'm sure you don't care.
09:49I don't care.
09:50You have an extra.
09:51I don't care.
09:52You, sir.
09:53If you have a kind,
09:54he has an extra phone,
09:55I said a hundred and a half hours.
09:56I said that people don't care.
09:57But, you have been in the full three days.
09:58That's the money.
09:59Budget.
10:00No money, budget, no sir, sir, that's not good, sir.
10:04And then Peter came and said,
10:06Sir, you can't talk, sir.
10:08It's good, sir.
10:10Now, the director, the producer, convinced him to do it.
10:16And then we said,
10:17Oh, how are we doing it?
10:18So, that's why I was passionate about the storytelling process.
10:24And that's why I was involved with the director and the producer.
10:30So, in this case, there is a team.
10:32I was able to do it as well.
10:35Suri,
10:38what kind of roles are you doing?
10:44A rural, rustic film,
10:48He's a strong man.
11:06In the sense, he's fit physically and mentally.
11:08He's very strong.
11:10We can push any extent.
11:13He's a strong man,
11:15He's a strong man.
11:19He's a strong man.
11:21He's a strong man and convinced him
11:22I'm known he was a strong man.
11:24Will he help him in the scene?
11:26You can't keep him, dude.
11:28And then,
11:29Suri was a strong man.
11:31Then,
11:33He's a strong man,
11:36Thank you very much.
12:06I am not surprised, but I am not surprised.
12:13I suggest a little bit to suggest.
12:18Let's talk about money.
12:21Money is a filter.
12:27Money is a filter.
12:32I'm going to talk more about what was the most important thing to do.
12:36I'm going to talk more about the project.
12:41I'm gonna talk more about the project.
12:54Thank you very much.

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