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00:00:00.
00:00:30Oh, my God.
00:01:00Worth a fortune, these.
00:01:04Who is the painter?
00:01:05Who is the painter?
00:01:06Triumph Farrell, of course.
00:01:08Oh, that one?
00:01:09That one.
00:01:10He gets a thousand pounds for the flick of a brush.
00:01:14Fortune he makes.
00:01:15My word.
00:01:16These.
00:01:17Is this Triumph Farrell in English?
00:01:19Yes, but they say he never comes here.
00:01:21No one ever sees him.
00:01:23They say he's shy.
00:01:24Always in hiding.
00:01:25My name of Triumph Farrell.
00:01:27I wouldn't be in hiding.
00:01:28How much do you think that would cost?
00:01:31Oh, Zippy.
00:01:32I mean, you're returning to America, Mr. Wittenham.
00:01:35Tomorrow.
00:01:37Wish there was some way I could meet Farrell.
00:01:39There isn't.
00:01:41I've been his agent for 15 years.
00:01:43And I've never met him.
00:01:44Strange man.
00:01:46Wise man.
00:01:48He lives his own life.
00:01:50These, my boy, were painted by your famous cousin.
00:01:53All one of them.
00:01:55Oh, in the tent of what he's done.
00:01:58He simply spawns paintings.
00:02:00Speak on.
00:02:02Are you related to Triumph Farrell?
00:02:04I'm his first cousin.
00:02:05Could you tell me where I might find him?
00:02:09I doubt if anyone could tell you that.
00:02:11I haven't seen him since he was a child.
00:02:13Even his bankers don't know him.
00:02:15I'm sorry.
00:02:17Thank you so much.
00:02:22May I show you about it?
00:02:23Oh, please don't trouble.
00:02:25Trouble, I assure you.
00:02:26Now, he.
00:02:29Aren't your cousin's paintings wonderful?
00:02:32Yes, Papa.
00:02:33Isn't that one particularly fine?
00:02:36Yes, Papa.
00:02:37Now, look.
00:02:38This is his most famous painting.
00:02:41The policeman.
00:02:44Nice, isn't it?
00:02:45Nice.
00:02:45Why, it's worth thousands.
00:02:48Dear, dear.
00:02:49Can't see a policeman being worth all that.
00:02:53I suppose you know Mr. Farrell well.
00:02:55Me?
00:02:56I have never even seen him.
00:02:57No one has.
00:02:59I know his secretary, Mr. Leak.
00:03:01Will?
00:03:02Well, that is, I don't exactly know him.
00:03:04I, uh, I correspond with him.
00:03:07He writes nice letters.
00:03:09That's the way I got married.
00:03:12I beg your pardon?
00:03:13The matrimonial times.
00:03:14Is that the paper you use?
00:03:17Really, my dear man.
00:03:18There's no need to get touchy.
00:03:20It's as good a way as any.
00:03:23Did yours turn out well?
00:03:25Well, uh, she has a bit of a limp.
00:03:28But she's jolly.
00:03:29Where was he when you last heard?
00:03:31His last picture came from Spain.
00:03:34You can't dream what these few weeks have meant to me.
00:03:37I've wanted for years to know you.
00:03:40Oh, really, Lady Helen?
00:03:41You don't know how great you are.
00:03:44How simple.
00:03:46Simple?
00:03:47Unpretentious, unaffected.
00:03:49Like a child.
00:03:52If only we could be together always.
00:03:54That would be nice, wouldn't it?
00:03:59Really?
00:04:00Do you mean that?
00:04:01Oh, why, I, I mean, I...
00:04:03Oh, she's glorious.
00:04:07I'll take you out of your shell.
00:04:08I'll take you out into the world where you belong.
00:04:11No, no, no.
00:04:11I'm afraid of the world.
00:04:12Oh, not my world.
00:04:14You love my world.
00:04:15No, no, no, I won't.
00:04:16I, I, you see, I can't bear being noticed.
00:04:18People terrify me.
00:04:20I, well, I've always been like that.
00:04:21Of course, you can't understand.
00:04:23There, dear, there.
00:04:24You get over all that.
00:04:25I'll help you.
00:04:26No, I...
00:04:27Oh, Mary.
00:04:28Oh, good afternoon.
00:04:30Mary, the most wonderful thing has happened.
00:04:32Should we tell her, dear?
00:04:33Why, I'm...
00:04:34Of course we must.
00:04:35Well, she's my dearest friend.
00:04:37There's no need to tell me.
00:04:38I can guess.
00:04:39Why, it's written all over you.
00:04:41Oh, I'm so glad, Mr. Farrell.
00:04:42I'm sure you'll both be very happy.
00:04:44Oh, yes.
00:04:46We have the most wonderful plans.
00:04:48We're going to travel.
00:04:48We're going into the world.
00:04:49You've no idea what a lion you'll be, Mr. Farrell.
00:04:52No, I suppose not.
00:04:53I have to, excuse me, I have to go back to the inn now.
00:04:56We'll see you for dinner, dear.
00:04:58Yes, yes.
00:04:59We'll celebrate.
00:05:00Yes.
00:05:01No.
00:05:04How ever did it happen?
00:05:06I'll never know.
00:05:09I can scarcely believe it.
00:05:12It's wonderful, dear.
00:05:14Dear Mrs. Hunter,
00:05:20Your photograph is beautiful.
00:05:26Will I ever see the original?
00:05:29Not unless I find a new master.
00:05:32I'm enclosing a snapshot of Mr. Farrell and me.
00:05:40The one on the right is me.
00:05:51Meek.
00:05:53Meek, back.
00:05:54Back up.
00:05:54We've got to get away from here at once.
00:05:55What's happened, sir?
00:05:56It's not going to happen, Meek.
00:05:57Now, back up and don't ask any questions.
00:05:59Well, where are we going, sir?
00:06:00Oh, I don't know anywhere away from here.
00:06:01Some place where they can't find me.
00:06:03Nobody knows you in London, sir.
00:06:05Huh?
00:06:07Perhaps you're right, Lee.
00:06:08We could open up the old house.
00:06:10For all these years?
00:06:11Yes, no one would know you there, sir.
00:06:13Right again, Lee.
00:06:15Who's that?
00:06:17El senor asked for the bill.
00:06:19Yes, pay it, Lee, will I?
00:06:22No one's known the well, even.
00:06:23You understand?
00:06:24Si, senor.
00:06:25No one's.
00:06:25Si, si.
00:06:26Give us only extra, Lee.
00:06:27Here, at recess.
00:06:28Take care of the service.
00:06:29Oh, my monsieur.
00:06:31Shh, shh, shh.
00:06:32We'll be back.
00:06:33You think of me.
00:06:35Always, always.
00:06:37Throw that muttering out there.
00:06:39Get on with your packing.
00:06:40Yes, sir.
00:06:40Yes, sir.
00:06:40Yes, sir.
00:06:58I saw the dog.
00:07:11I saw the dog.
00:07:15Three doors off.
00:07:28We'll be here in a minute.
00:07:30You ought not to have gone out without your coat, sir.
00:07:33We don't want you to catch cold, too.
00:07:36You ought to have gone out with your dressing gown, sir.
00:07:37No.
00:07:38We must get you to bed at once.
00:07:39You think you can make it up one flight to my room?
00:07:40Me?
00:07:41Yes.
00:07:42In your bed, sir?
00:07:43Oh, don't be silly.
00:07:44Come on.
00:07:45I'll help you.
00:07:46I hate to be such a new, sir.
00:07:47Come on.
00:07:48I hate to be such a new.
00:07:53I hate to be such a new husband, sir.
00:08:00I hate to be such a new, sir.
00:08:03I hate to be such a new.
00:08:04All right.
00:08:05All right.
00:08:09I hate to be such a new.
00:08:12It's all right.
00:08:14Come on.
00:08:15Here he goes.
00:08:16Thanks, sir.
00:08:17He took 10くmy in the store.
00:08:18You'll be all right in the morning, it's just a cold.
00:08:34Back we come.
00:08:40When I mentioned this address, the doctor gave me a most peculiar look.
00:08:48Is this Mr. Farrell's house?
00:08:53Come on up.
00:09:01Hey, Leek, we're discovered.
00:09:04Good evening, Doctor.
00:09:05Good evening.
00:09:18How long has Mr. Farrell been ill?
00:09:24I asked you, how long has your master been ill?
00:09:28Oh, yes, well, I...
00:09:32We...
00:09:33He began to complain when we got off the boat this morning.
00:09:36What's wrong, do you think, Doctor?
00:09:38Well, you've knew it might be anything.
00:09:41Bring me some boiling water at once.
00:09:42There isn't any.
00:09:44You have water, haven't you?
00:09:46Oh, yes, but...
00:09:47Not boiling.
00:09:48Well, never mind.
00:09:50I'll get a plaster.
00:09:51I'll bring.
00:09:53My assistant.
00:09:56Get his clothes off.
00:09:57Have you brandy?
00:09:58Yes.
00:09:59Yes, sir.
00:10:00Yes, sir.
00:10:01Yes, sir.
00:10:02Yes, sir.
00:10:03Yes, sir.
00:10:04Yes, sir.
00:10:05Yes, sir.
00:10:06We'll get it.
00:10:07We have some use here.
00:10:08This is serious.
00:10:10My poor Leek.
00:10:11He takes you for me.
00:10:12We ought to tell him.
00:10:13Not at all.
00:10:14It'll save me a lot of that infernal curiosity.
00:10:15Now, come on.
00:10:16Let's get some of these clothes off, huh?
00:10:17Yes, sir.
00:10:18I...
00:10:19I hate to be such a nuisance, sir.
00:10:20Where is the brandy, Leek?
00:10:21Where is the brandy, Leek?
00:10:22No, sir.
00:10:23No, sir.
00:10:24No, sir.
00:10:25No, sir.
00:10:26No, sir.
00:10:27No, sir.
00:10:28No, sir.
00:10:29No, sir.
00:10:30No, sir.
00:10:31No, sir.
00:10:32No, sir.
00:10:33No, sir.
00:10:34No.
00:10:35No, sir.
00:10:36Yes, sir.
00:10:37No, sir.
00:10:38I see.
00:10:39No, sir.
00:10:40No, sir.
00:10:41No, sir.
00:10:42I've missed it.
00:10:43It's the brandy, Leek.
00:10:44It's in my small bag, sir.
00:10:45I see.
00:10:46The temperature a hundred and a half,
00:10:47hold a hundred and forty in a week.
00:10:48We've tried injection of strychnine, at once.
00:10:50Can I help?
00:10:51Can I do anything?
00:10:52Do you see that chair?
00:10:53Yes, I'll see it.
00:10:54Yes, I'll see it.
00:10:55We'll go and sit in it.
00:11:15I see.
00:11:16Where's that brandy?
00:11:17What?
00:11:18The brandy.
00:11:19The brandy.
00:11:20Isn't that there?
00:11:22Yes, yes.
00:11:23Has he any relatives?
00:11:25Oh, I don't know.
00:11:26They should be notified at once.
00:11:28Oh, what is it?
00:11:29What?
00:11:30What?
00:11:31What's the matter?
00:11:32What is it, Doctor?
00:11:33It's all over my man.
00:11:36Oh, but he can't be there.
00:11:38He was a perfectly strong, healthy man.
00:11:39Oh, what, what is it? What, what's the matter?
00:11:47What is it, Doctor?
00:11:49It's all over, my man.
00:11:51Oh, but he can't be. He, he was a perfectly strong, healthy man.
00:11:54Precisely.
00:11:56It's not unusual for strong, healthy men to go off suddenly
00:11:58from acute double pneumonia.
00:12:00Well, it's impossible. I, I don't know.
00:12:03It's impossible. I, I don't know.
00:12:06What I'll do without that man.
00:12:08Look here, you don't seem to be much use here.
00:12:10I'll notify the register.
00:12:12Register?
00:12:13We have to report Mr. Farrell's death, you know.
00:12:15Okay, Doctor, I'm afraid there's been some mistake.
00:12:17What?
00:12:18You see, I, I...
00:12:19Now, listen to me, my man.
00:12:21There's been no sort of mistake.
00:12:23Everything's been done that could be done.
00:12:25But I...
00:12:26Look here, you're all done up.
00:12:28You need some rest.
00:12:30I'll be back in the morning.
00:12:32I'll be back in the morning.
00:12:34I'll be back in the morning.
00:12:37But Doctor!
00:12:45Yes, Doctor?
00:12:47What back?
00:12:48What time?
00:12:50Where?
00:12:52Pneumonia?
00:12:53Thank you so much, Doctor.
00:12:56Prime Farrell's death.
00:12:58Prime Farrell's death.
00:12:59Prime Farrell's death.
00:13:00Prime Farrell's death.
00:13:02Prime Farrell's death.
00:13:04Prime Farrell's death.
00:13:05Prime Farrell's death.
00:13:06Prime Farrell's death.
00:13:07Prime Farrell's death.
00:13:08Prime Farrell's death.
00:13:09Prime Farrell's death.
00:13:10Prime Farrell's death.
00:13:11Prime Farrell's death.
00:13:12Prime Farrell's death.
00:13:13Prime Farrell's death.
00:13:14Prime Farrell's death.
00:13:15Prime Farrell's death.
00:13:16Prime Farrell's death.
00:13:17Prime Farrell's death.
00:13:18Prime Farrell's death.
00:13:19Prime Farrell's death.
00:13:20Prime Farrell's death.
00:13:21Prime Farrell's death.
00:13:22Prime Farrell's death.
00:13:23Prime Farrell's death.
00:13:24Prime Farrell's death.
00:13:25Oh, my God.
00:13:55Oh, my God.
00:14:25Lee, Lee, why don't you...
00:14:29It took your time answering.
00:14:56Lee?
00:14:57This is Mr. Duncan Farrell, the Lake Master's cousin.
00:15:00Where's the body?
00:15:01Upstairs.
00:15:02First door.
00:15:11Lee!
00:15:12Lee!
00:15:13Lee!
00:15:14Your name's Lee, isn't it?
00:15:16This is for you.
00:15:17I picked it up at the door.
00:15:20See here, Lee.
00:15:21If I were you, I wouldn't try and get another valeting job.
00:15:24I beg your pardon?
00:15:25You may have suited Priam Farrell.
00:15:26Art is a strange.
00:15:27But I don't believe you'd suit an ordinary employer.
00:15:29Do you recognize your cousin?
00:15:30I haven't seen him since he was 12 years old.
00:15:32But I think I may safely say I should have recognized him anywhere.
00:15:36I shall treasure this as a mentor.
00:15:37This shroud, as it were.
00:15:38Well, I'll be doing.
00:15:39What arrangements have you made?
00:15:40None.
00:15:41I've been asleep.
00:15:42I've never seen a man.
00:15:43And not a man.
00:15:44I haven't seen him since he was 12 years old.
00:15:46But I think I may safely say I should have recognized him anywhere.
00:15:50I shall treasure this as a mentor.
00:15:55His shroud, as it were.
00:15:56Well, I'll be doing.
00:16:01What arrangements have you made?
00:16:06None. I've been asleep.
00:16:08You're not very respectful.
00:16:10Okay, now, that dressing gown belongs to me.
00:16:14Oh, so you're starting to claim things, are you?
00:16:17We'll soon put an end to that, sir.
00:16:23Ah, pigsty.
00:16:26I can't put you, Johnny. Those are painting things.
00:16:28Oh, so you're a painter too, are you?
00:16:30Now, see here, Leek.
00:16:32I fancy you and I had better come to an understanding at once.
00:16:35What salary did my cousin pay you?
00:16:37A hundred pounds a year.
00:16:39When were you last paid?
00:16:40Ah, let's see. I, um...
00:16:42Well?
00:16:43Oh, the day before yesterday.
00:16:45Here's eight pounds in lieu of notice.
00:16:48Yes, but listen, I...
00:16:49Take it.
00:16:50But I want to tell you...
00:16:51Take it.
00:16:52Now, pack up and get out of this house as soon as you can.
00:16:55But I'm not...
00:16:56I shall not argue.
00:17:00Are his papers here?
00:17:01Yes.
00:17:02Where's the key?
00:17:03There's something I want to tell you.
00:17:04No doubt.
00:17:05No doubt.
00:17:06Ah.
00:17:07Here's his will.
00:17:08That's all there.
00:17:09I thought it'd have been destroyed.
00:17:10Do you know what it says?
00:17:11Everything is left to England for the establishment of a new gallery.
00:17:15And you get five pounds for your trouble as executor.
00:17:16Yes, I see.
00:17:17Well, he probably thought I should be annoyed.
00:17:18He did.
00:17:19And you get five pounds for your trouble as executor.
00:17:22Yes, I see.
00:17:23Well, he probably thought I should be annoyed.
00:17:25He did.
00:17:26Oh, he's left to England for the establishment of a new gallery.
00:17:28And you get five pounds for your trouble as executor.
00:17:31Do you know what it says?
00:17:33Everything is left to England for the establishment of a new gallery.
00:17:36And you get five pounds for your trouble as executor.
00:17:40Yes, I see.
00:17:42Well, he probably thought I should be annoyed.
00:17:44He did.
00:17:45Well, my man, the idea of a great public institute
00:17:47bearing my family name is not unpleasant to me.
00:17:50But he meant it as a joke.
00:17:52I don't see why you complain.
00:17:55You come into 80 pounds a year under it.
00:17:57I was forgetting about that.
00:17:59I never sought a disrespectful servant in my life.
00:18:02Now, get your things together and go.
00:18:04Yes, sir.
00:18:09Whose luggage is that?
00:18:11Mine.
00:18:11Yours, indeed.
00:18:13Are your initials P.F.?
00:18:15Oh.
00:18:17Have you a latchkey?
00:18:18You have all the keys.
00:18:21I'll notify you about the funeral.
00:18:24Where will you be stopping?
00:18:25Grand Babylon Hotel.
00:18:27The man's mad.
00:18:30Yeah.
00:18:30Thanks, man.
00:18:30Listen to me.
00:18:31Try it.
00:18:32Hey, man.
00:18:41W historians, K pal.
00:18:42K pal, k pal, k pal, k pal.
00:18:49All the INGASES OF DINING AłoFetihafakiyafakiyafek!
00:18:53Oh, my God.
00:19:23Oh, my God.
00:19:53Oh, my God.
00:20:23Oh, my God.
00:20:53Oh, my God.
00:20:54Oh, my God.
00:20:55Oh, my God.
00:20:56Oh, my God.
00:20:58Oh, my God.
00:20:59Oh, my God.
00:21:00Oh, my God.
00:21:01Oh, my God.
00:21:03Oh, my God.
00:21:04Oh, my God.
00:21:05Oh, my God.
00:21:06Oh, my God.
00:21:07Oh, my God.
00:21:08Oh, my God.
00:21:09Oh, my God.
00:21:10Oh, my God.
00:21:11Oh, my God.
00:21:12Oh, my God.
00:21:13Oh, my God.
00:21:14Oh, my God.
00:21:15Oh, my God.
00:21:16Oh, my God.
00:21:17Oh, my God.
00:21:18Oh, my God.
00:21:19Oh, my God.
00:21:20Oh, my God.
00:21:21Oh, my God.
00:21:22Oh, my God.
00:21:23Oh, my God.
00:21:24Oh, my God.
00:21:25Oh, my God.
00:21:26One.
00:21:27Oh, my God.
00:21:29Oh, dear.
00:21:30Uh, yes.
00:21:31Excuse me, my biennete.
00:21:32Uh, will you take those bags upstairs?
00:21:34Oh, is it here?
00:21:37Nice, in the back.
00:21:39Was Mr. Farrell a good master?
00:21:40Oh, very.
00:21:41Yes.
00:21:42Won't you sit down?
00:21:43Thank you. But I see you're not in mourning.
00:21:45No, that is, I...
00:21:47I don't hold with mourning myself.
00:21:49If you can't show respect without a pair of black gloves with the dyes always coming off earth.
00:21:53It's grumbling against Providence, too.
00:21:55Not but what I don't think there's a good deal too much talk about Providence.
00:21:57Oh, I quite agree with you, ma'am.
00:21:59I suppose you'll have to be going back soon.
00:22:01To arrange things like...
00:22:03Oh, no. No, I've been dismissed.
00:22:05I hope you made them pay you your money.
00:22:07Oh, yes.
00:22:09Who dismissed?
00:22:11Mr. Duncan Farrell. He's a fool.
00:22:13Why?
00:22:15Wouldn't let me keep my dressing gown before I was trying to steal it.
00:22:17That kind?
00:22:19And it was a beautiful dressing gown, really.
00:22:21And then there was something very important I wanted to tell him and he...
00:22:23He wouldn't let me.
00:22:25But how could he stop you?
00:22:27Cut me off like... like that.
00:22:29Perhaps you really didn't want to tell him.
00:22:31You could write him, you know.
00:22:33No, no, I won't write him.
00:22:35Then you didn't want to tell him.
00:22:37Perhaps you're right.
00:22:39And if I were you, I should think no more about it.
00:22:43You're a great comfort, Mrs...
00:22:45Alice is all right.
00:22:47Alice, yes.
00:22:49And you've no occasion to be shy with me.
00:22:51There's no call for it.
00:22:53I'm just as you see me.
00:22:54Shy?
00:22:55Oh, I don't feel shy with you.
00:22:57That's all right, then.
00:22:58Because I should take it as a full compliment being shy with me.
00:23:01You know, I think a matrimonial agencies are very good and useful, don't you?
00:23:07Well, yes, I suppose, yes.
00:23:09Because if you are thinking of getting married, well, what are you to do?
00:23:13You could sit in a chair and wait till eggs are sixpence a dozen and you'd be no nearer.
00:23:17No.
00:23:18If you want to get married.
00:23:20If you want to get married.
00:23:21There's no use pretending you don't.
00:23:23I do hate pretending.
00:23:25And if you ask me, matrimonial agencies are the most useful things ever invented.
00:23:30Next to dress shield.
00:23:31There is your prices.
00:23:34Look, will you have lunch with me?
00:23:36Oh, will you have time?
00:23:37I have so much time.
00:23:38If anything comes of this, I shall pay the fee to the agencies with the greatest of pleasure.
00:23:43So that was the end of it?
00:23:45Well, I think it would be.
00:23:47You are like your photograph.
00:23:50Like my photograph?
00:23:52I knew you at once.
00:23:54May I see it?
00:23:55Oh.
00:23:57I love it.
00:23:58The one on the right is me.
00:24:01If it isn't room to ask Mr. Lee, why did you always typewrite your letters?
00:24:05It seems so public.
00:24:08You see, I write so badly.
00:24:11Poor Mr. Fowle.
00:24:13What good did it do him to be so celebrated?
00:24:16Always trying to hide as if the police were after him.
00:24:19Well, after all, he had the pleasure of being successful in the work he liked best to do.
00:24:23Well, but couldn't he have had that without chasing all over Europe?
00:24:26He might just as well have been a commercial traveler.
00:24:28Alice, you're wonderful.
00:24:30Oh, you wouldn't laugh, Mr. Lee.
00:24:32But believe me, there's nothing like a comfortable home and a quiet life.
00:24:36And the clearer in the newspapers, the better.
00:24:37Right.
00:24:39Well, nothing like it indeed.
00:24:44Extra crime trash all day!
00:24:49Extra crime Produkt.
00:24:55Yeah, but I knew he was afraid of them.
00:24:57I can't imagine a person being afraid of anyone.
00:25:00When I'm with you, I can't imagine it either.
00:25:03When I was with him, I understood it so.
00:25:05Poor man, he doesn't need to be afraid of anyone now.
00:25:07Extra, extra, extra, extra, extra, extra, extra, extra.
00:25:15But you haven't told me whether you were ever natural.
00:25:17No, never.
00:25:18You've always lived alone like that.
00:25:20No home, traveling, and no one to look after you properly.
00:25:23Who one gets accustomed to it?
00:25:25I suppose so.
00:25:26But I feel sorry for you all these years.
00:25:34A country garden.
00:25:37A country garden?
00:25:39That's what they're playing.
00:25:41Oh.
00:25:43You love me, yes, yes.
00:25:45Have you a garden, Alice?
00:25:47Yes, with a wall around it.
00:25:51Was it only today we met?
00:25:53Magic day.
00:25:55And now I must be going.
00:25:58Oh, please don't.
00:25:59Oh, but it's late.
00:26:00Now I must be getting back to something.
00:26:02I'll see you home.
00:26:03Oh, no, you poor dear.
00:26:05You're too tired.
00:26:06But we could walk to get you.
00:26:08Is it far?
00:26:09Not very.
00:26:10Nothing.
00:26:11Too bad.
00:26:12I wish we could take the music with us.
00:26:14We can.
00:26:15We can.
00:26:16We can.
00:26:29Here, I say.
00:26:30What's what happened with you?
00:26:31We're waiting.
00:26:32We'll go down.
00:26:33I'll go down.
00:26:34I'm afraid.
00:26:35That's crazy.
00:26:36I have to go down.
00:26:37I got to go down.
00:26:38This is a story.
00:26:39Let's go up.
00:26:40I can.
00:26:41I didn't go down.
00:26:43It's fine.
00:26:44Oh my God.
00:26:47Oh my God.
00:26:48Oh my God.
00:26:49Let's go down.
00:26:51Let's go down.
00:27:57You're Mr. Leake, I presume.
00:27:58What are they?
00:27:59I'm Horning of the courier.
00:28:00Unbarboned than literally.
00:28:01Well, you have no right to improve yourselves in here.
00:28:03My papers prepared to offer you a hundred pounds for your story on Parall's eccentric life
00:28:07on the continent.
00:28:08Eccentric life on the...
00:28:09Well, I'll be...
00:28:10I'll write the article.
00:28:11All you have to do is sign it.
00:28:12You'll make it a hundred and twenty-five pounds.
00:28:13To sign an order for the fellow's execution.
00:28:15A hundred and fifty.
00:28:16Or burning at the stake.
00:28:17Can you tell me if Mr. Farrell had any notion that he'd be buried in the Abbey?
00:28:19Buried in the Abbey?
00:28:20Well, that's preposterous.
00:28:21Why preposterous?
00:28:22Why bury that fellow in the Abbey?
00:28:23England's sacred shrine where only the greater buried.
00:28:25It's absurd.
00:28:26Absurd?
00:28:27Do you know about his will?
00:28:28He left everything to found the gallery of modern art in London.
00:28:31Oh, so that's it.
00:28:32He's to be buried in the Abbey because he's a philanthropist.
00:28:34Not because he's an artist.
00:28:35Oh, as England all over.
00:28:36Yes, well, I won't have it.
00:28:37You'll not.
00:28:38No.
00:28:39I'll tell you something else.
00:28:40Farrell is not dead.
00:28:41Not dead.
00:28:42Oh, what next?
00:28:43I'll tell you.
00:28:44I'll tell you something else.
00:28:45Farrell is not dead.
00:28:46Not dead.
00:28:47Oh, what next?
00:28:48I'll tell you.
00:28:49I'll tell you something else.
00:28:50Farrell is not dead.
00:28:51Not dead.
00:28:52Oh, what next?
00:28:53I am Prime Farrell.
00:28:54Oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh, oh.
00:28:55Oh, oh, oh, oh.
00:28:56Oh, oh, oh, oh, oh.
00:28:57Oh, oh, oh.
00:28:58Oh, oh, oh.
00:29:00Oh, oh.
00:29:01Debt out.
00:29:02Is he mad?
00:29:03He must be.
00:29:04Nothing but a valet.
00:29:05He takes a suite in the most expensive hotel in London.
00:29:07Then he refuses £150.
00:29:09And now, bless me, if he doesn't think he's Prime Farrell.
00:29:12Debt out.
00:29:14Oh, he said proud of me if you ask me.
00:29:16Prime Farrell, he'd be.
00:29:19It must be stopped, it must be stopped, I...
00:29:22Someone should explain to the Dean of Westminster.
00:29:25Someone should...
00:29:52Well?
00:29:58Is Mr. Parker at home?
00:30:00Mr. Parker.
00:30:01This is the Dean's house.
00:30:03Oh.
00:30:04Pardon me.
00:30:05I...
00:30:06I thought Mr. Tanner lived here.
00:30:08Mr. Tanner?
00:30:09But you said Mr. Parker.
00:30:11Did I?
00:30:13Forgive me.
00:30:14I'm a little confused.
00:30:16Obviously.
00:30:18But I say I...
00:30:28I couldn't do it.
00:30:31I couldn't do it.
00:30:34But the Abbey.
00:30:36Oh, it's fantastic.
00:30:48Pam.
00:30:52Pete.
00:30:54Pete.
00:30:55Pete.
00:30:56Pete.
00:30:57What's her?
00:30:58Oh, my God.
00:31:01Oh, my goodness.
00:31:12Oh, Jim.
00:31:15Jim, it's all right.
00:32:30You mustn't make that noise anyway.
00:32:53I had no idea.
00:32:57I'd be so honest.
00:32:58Who is it?
00:32:59Don't know him from Athens.
00:33:00What's all this noise?
00:33:02I have no idea.
00:33:05I have no idea.
00:33:07They're waiting for you.
00:33:08Get him out.
00:33:14Now stop.
00:33:15This is my funeral.
00:33:16Shh.
00:33:17I don't want to do it.
00:33:18No, I tell you, it's my funeral.
00:33:20I believe it.
00:33:21No, don't do it.
00:33:22It's always.
00:33:27It's an outrage.
00:33:28It's an outrage.
00:33:29You've asked for it.
00:33:31Let go of me.
00:33:32I tell you, I am Brian Farrell.
00:33:34Drunk, that's what he is.
00:33:35What's all this?
00:33:36He's been making a disturbance in the organ.
00:33:38He says he's Brian Farrell.
00:33:40Oh, is that so?
00:33:41Let go of me, will you?
00:33:42Easy, my lad.
00:33:43What's all this?
00:33:44Drunk and disorderly in the Abbey.
00:33:46I'm not drunk.
00:33:47I'm stunned.
00:33:49Officer, if you only knew what was going on in the Abbey.
00:33:54No, no, don't cry.
00:33:56But what am I to do?
00:33:58Well, first of all, if I was with you, I should get a new ass.
00:34:01There, there, stop crying.
00:34:05Oh, it is the music.
00:34:07Now, off with you.
00:34:08Now, off with you.
00:34:09Ha, ha, ha, ha, ha, ha, ha.
00:34:11Ha, ha, ha, ha, ha, ha, ha.
00:34:13Well, Mr. Lee, come in.
00:34:14You're hurt, Dr. Lee.
00:34:15Why, Mr. Lee.
00:34:18Come in.
00:34:22Why, Mr. Lee, come in. You're hurt, Captain. And you'll be needing a new hat. That's what
00:34:45the policeman said. Well, don't tell me you've been quarreling
00:34:48with policemen. I tried to stop them burying that fellow on the air bay.
00:34:51But why should you do that? Because there's been a dreadful mistake.
00:34:54There, there. You're all upset. Just a moment. What will she think of?
00:35:11Do sit down. I tell you, there's been a dreadful mistake. There, there.
00:35:15But I must tell you, my real name is not Henry Lee. Oh, isn't it?
00:35:20No. Well, what does it matter so long as you haven't committed a murder?
00:35:23But my real name is Priam Farrell. I thought that was your gentleman's name.
00:35:28Well, the doctor thought Lee was me and I tried to tell him and he wouldn't let me.
00:35:31I don't know what you're talking about. But can't you understand?
00:35:35I am Priam Farrell. I had a valid call, Lee. He died and they thought he was me.
00:35:39You mean it's Henry Lee that's buried in the abbey?
00:35:44Yes, of course, yes.
00:35:46Well, if I were you, I should keep perfectly silent about it.
00:35:50You don't believe me.
00:35:52I shouldn't let it worry me. The best thing you can do is to forget it.
00:35:55The best thing you can do is to forget it.
00:35:59He doesn't believe me.
00:36:02Give me your coat.
00:36:25Oh, I see your collar's coming about.
00:36:27Well, let me, I can just...
00:36:29You have two funny moles on your neck close together.
00:36:31That's good enough.
00:36:33There.
00:36:35That's better.
00:36:37I hope you're not thinking of taking another position immediately.
00:36:39Position?
00:36:41Uh, no, no, of course not, no.
00:36:43It's not necessary, you know.
00:36:45What with your legacy and my income from the brewery.
00:36:47Oh, no.
00:36:49It's not necessary, you know.
00:36:51What with your legacy and my income from the brewery.
00:36:53Brewery shares?
00:36:55Yes. Father always said, keep your money in beer, Alice.
00:36:57Beer will never fail you in England.
00:36:59And he was right.
00:37:01Yes, put this on.
00:37:03You'll be more comfortable.
00:37:05Do you mean that you want to share your income with me?
00:37:07What else?
00:37:09And your home.
00:37:11Why not?
00:37:13Alice, you're wonderful.
00:37:15You, you even remember the dressing gown.
00:37:17I've wanted someone to look after a long while.
00:37:19Oh, no.
00:37:21Heaven knows you need it.
00:37:23It'll be the, the beginning of a new life.
00:37:25All the tearing around you, Beth.
00:37:27Why, I'll be a different person.
00:37:29At least you'll have peace and comfort.
00:37:31Oh, no, it's too fantastic.
00:37:33I bring no end to the problem.
00:37:35No more than we can take care of.
00:37:39I'd be born again.
00:37:41I'd be born again.
00:37:43That does sound a bit religious.
00:37:45Your milk will be burning over.
00:37:47I say, Alice, it is lovely here.
00:37:49Mm-hmm.
00:37:51Perhaps I have died.
00:37:53And gone to heaven.
00:37:55Oh, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no.
00:37:59I say, Alice, it is lovely here.
00:38:01Perhaps I have died.
00:38:03And gone to heaven.
00:38:07I do.
00:38:09I do.
00:38:13I do.
00:38:29Want anything else, love?
00:38:43What are you reading that's so interesting?
00:38:45Oh, Priam Farrell's Princely Bequest.
00:38:49New gallery of modern art started.
00:38:51Foundation stone, made eulogies, and so on.
00:38:53So, they've begun it.
00:38:55Taken them long enough.
00:38:57A year.
00:38:58You know, it is true.
00:39:00What's true?
00:39:02I have died and gone to heaven.
00:39:04Silly.
00:39:05And I've got something to show you.
00:39:07What?
00:39:08Close your eyes and follow me.
00:39:10I'm following.
00:39:13Eyes closed.
00:39:15Tight.
00:39:17See nothing.
00:39:19I smell something.
00:39:21It's a...
00:39:25It's...
00:39:27It's paint.
00:39:28Shh.
00:39:29Oh, I know.
00:39:30You painted the bathroom chair.
00:39:31Bathroom chair, indeed.
00:39:32Now, now turn around.
00:39:33Mm-hmm.
00:39:34Open your eyes.
00:39:35There.
00:39:36Oh.
00:39:37Did you do that?
00:39:38Yes.
00:39:39How does it strike you?
00:39:40Well, I'm sure it's very beautiful, but what is it?
00:39:42Is that the bridge?
00:39:43Yes, dear.
00:39:44But don't go anywhere.
00:39:45Well, if you don't want me to see it close.
00:39:46Well, you can't take a picture like snuff, you know.
00:39:47What's that red streak behind there?
00:39:48There?
00:39:49That's the railway bridge.
00:39:50Oh, so it is.
00:39:51Now, if you were to put a train on it, then people would be sure.
00:39:55Yeah.
00:39:56I suppose you'd land a tape from your...
00:39:57Pretty good, you know.
00:39:58In fact, his debris is good.
00:39:59The old fellow would have got 800 pounds for the like of that.
00:40:02It's wonderful how wonderful people become after they're dead.
00:40:05Oh, there's the postman.
00:40:06Excuse me.
00:40:07I'm sure it's very wonderful, dear.
00:40:08I'm sure it's very wonderful, dear.
00:40:10I'm sure it's very wonderful, dear.
00:40:12I'm sure it's very wonderful, dear.
00:40:15I'm sure it's very wonderful, dear.
00:40:17I'm sure it's very wonderful.
00:40:19I'm sure it's very wonderful, dear.
00:40:22I'm sure it's very wonderful, dear.
00:40:25By Jove, I can paint.
00:40:30Well, Alice, she will think me mad.
00:40:38Here's a bit of news.
00:40:39What is it?
00:40:40My brewery shares.
00:40:42We shall get a penny this year.
00:40:43Not one penny unless there's been some mistake.
00:40:46Yes, sir or madam.
00:40:48Oh.
00:40:50There's been no mistake the brewery has done for us, in fact.
00:40:54This would have been a great surprise to Father.
00:40:57Well, whether we get anything or not, I've got pastry to me.
00:41:01Well, you can look.
00:41:16I'm not worrying.
00:41:17I've no patience with worrying.
00:41:19No, I don't want you to worry.
00:41:20Alice, I can always take care of you.
00:41:22If you think I'm going to let you go into another situation, you're mistaken.
00:41:25No, I wasn't thinking of that.
00:41:27Then what were you thinking?
00:41:28Oh, whatever.
00:41:29Because those things they advertise.
00:41:30Homework, envelope addressing and selling grammar phones on commission.
00:41:33They're no good, you know.
00:41:34Look here, Alice.
00:41:35I can sell that picture and anything else that I paint.
00:41:38Please.
00:41:39Please don't bother about money.
00:41:41I won't have you bothering.
00:41:42Why, Alice, you're crying, darling.
00:41:44Yes.
00:41:45Only because I think it's so awfully nice of you.
00:41:48Wanting to help like that.
00:41:49Oh, you darling.
00:42:01Another beauty, Mrs. Lee.
00:42:03Isn't it?
00:42:04This'll make Mr. Cohen's eyes pop.
00:42:08I told him he'd have to pay 15 pounds for the next one.
00:42:12It's nice of you to handle these for me, Mr. Simmons, but I wish you'd take a commission.
00:42:16No, indeed.
00:42:17Mr. Cohen always buys a frame.
00:42:20And that's payment enough.
00:42:22You are kind.
00:42:23And how is Mr. Lee?
00:42:25Very well, thank you.
00:42:26Marvelous.
00:42:27He can make money like this.
00:42:29And it's so easy for him.
00:42:30A few hours and it's done.
00:42:32Someday he may be famous.
00:42:34Oh, I hope not.
00:42:36He wouldn't like that.
00:42:37Wouldn't he now?
00:42:38Not in the least.
00:42:40Well, as they say, it takes all kinds of people to make a world.
00:42:46Whoever said that was more than right, Mr. Simmons. More than right.
00:42:51He was, Mrs. Lee.
00:42:53He was indeed, Mr. Simmons.
00:42:57Isn't it a beauty?
00:42:59How much?
00:43:00I told you the last time.
00:43:02The price has gone up.
00:43:04It's 15 pounds.
00:43:07Sixty pounds, Sandberg.
00:43:10All right.
00:43:17Where did you get this?
00:43:19That's my affair.
00:43:21It's good enough.
00:43:23But it's unsigned.
00:43:25Unknown painters are hard to sell, you know.
00:43:28Not that one.
00:43:30How much do you want for it?
00:43:32A hundred pounds.
00:43:34I'll risk that much.
00:43:36I'll send you a check.
00:43:37Thank you, Mr. Oxford.
00:43:39And, uh, Feinberg.
00:43:40Yes, sir.
00:43:41You might send me any more of this fellow's things you get.
00:43:45I'll see what I can do.
00:43:49Here's a mystery.
00:43:50What's that, sir?
00:43:51Well, don't you recognize the painter?
00:43:54No, sir.
00:43:55This is a prime pharaoh.
00:43:57Well, how can that be, sir?
00:43:58We've bought up all the pharaohs.
00:43:59We thought so.
00:44:01But there's no doubt this is a pharaoh.
00:44:03Take a cable to Mr. Whitt.
00:44:06Have found another pharaoh.
00:44:09Unusually fine example.
00:44:12Painting unsigned.
00:44:14But I will guarantee it.
00:44:16I'm sending it to you tomorrow.
00:44:18Oxford.
00:44:20Lovely.
00:44:21Loveliest thing I've ever seen.
00:44:22Silly.
00:44:23It is silly to be in love with one wife.
00:44:26And your wife is silly, too?
00:44:27No.
00:44:28My wife is wise.
00:44:29My poor dear.
00:44:30I know so little.
00:44:31She knows how to live.
00:44:32And that's everything.
00:44:33And you've taught me.
00:44:34Well, it's the thing we do most of, isn't it?
00:44:35Yeah.
00:44:36Well, I'm painting better than I ever did.
00:44:37Your last picture brought 50 pounds.
00:44:38Think of it.
00:44:39It's like a fairy tale.
00:44:40Yes.
00:44:41Yes.
00:44:42Oh.
00:44:43Oh.
00:44:44Oh.
00:44:45Oh.
00:44:46Oh.
00:44:47Oh.
00:44:48Oh.
00:44:49Oh.
00:44:50Oh.
00:44:51Oh.
00:44:52Oh.
00:44:53Oh.
00:44:54Oh.
00:44:55Oh.
00:44:56Oh.
00:44:57Oh.
00:44:58Oh.
00:44:59It's like a fairy tale.
00:45:00Yes.
00:45:01It is.
00:45:02Oh.
00:45:04Oh.
00:45:05One of your tradesmen.
00:45:06They know better than to come to my front door.
00:45:08Oh.
00:45:09Oh.
00:45:10I have to go to work.
00:45:11In any case, you have to be sane, you know?
00:45:23Oh.
00:45:24Is this Mr. Leake's house?
00:45:25Yes.
00:45:26Could I see him?
00:45:28It's about pictures.
00:45:30Won't you come in?
00:45:42Henry, here's a gentleman come to see you about pictures.
00:45:47Won't you sit down?
00:45:50Good afternoon, master.
00:45:52Good afternoon.
00:45:53I've been buying some things of yours.
00:45:56And I've traced them, not without difficulty, to the picture framer shop here.
00:46:01Yes, that's where I sell Mr. Nick's pictures for him.
00:46:04I called to see if by chance you'd anything more for sale.
00:46:08Pardon me. May I look?
00:46:10Oh, do.
00:46:16It's a masterpiece, madam.
00:46:19Yes, it is rather pretty when you come to look at it.
00:46:22If you care to consider, say, five hundred pounds.
00:46:27Five hundred pounds?
00:46:29Why, Henry, that's marvelous.
00:46:33I came prepared to spend.
00:46:36If you'll kindly count these.
00:46:39I'm too dizzy to count them.
00:46:41I never did understand this art business.
00:46:44How did you do it, Mr. Farrell?
00:46:46Do what?
00:46:47Escape from the abbey.
00:46:50What's that?
00:46:51I saw Priam Farrell buried in the abbey.
00:46:54So did I.
00:46:55And now I'm talking to him.
00:46:57Alice, you see what comes with many strangers.
00:46:59Do you mind telling us who you are?
00:47:01Oxford.
00:47:02At the Parfitt's Gallery.
00:47:03Quite so.
00:47:04Your old dealer, Mr. Farrell.
00:47:05And what makes you think I'm Priam Farrell?
00:47:07That.
00:47:08And the other pictures that I've bought.
00:47:10My style is entirely different from Farrell's.
00:47:13Oh, you try to disguise your brush.
00:47:15But your signature's in every stroke.
00:47:17Oxford, I must ask you to say nothing to anyone about this mad idea of yours.
00:47:20It would be devilish awkward.
00:47:21I'm afraid I shall have to ask you to state publicly that you're Priam Farrell.
00:47:26Publicly?
00:47:27Why?
00:47:28I've been selling some of your paintings to Mr. Witt of Pittsburgh.
00:47:31But my guarantee that they're genuine Farrells.
00:47:34You've no right.
00:47:35Mr. Witt has discovered a date in the back of one of the canvases.
00:47:39And that date is after your death.
00:47:42Do you see the face?
00:47:44Yes, it's your fix.
00:47:45Well, Mr. Witt's bringing suit against me.
00:47:48For fraud.
00:47:49My reputation's at stake.
00:47:51I shall have to insist upon your going into the witness box.
00:47:54Me in the witness box?
00:47:56A public cross-examination?
00:47:57No, no, no, no.
00:47:58I think we can't think about it.
00:48:00I'll have to ask you to go, Mr. Oxford.
00:48:02And here's your money.
00:48:03We can't be under obligation.
00:48:05But I bought this picture.
00:48:07I must insist upon having it.
00:48:09Very well take it.
00:48:10But you must pardon us.
00:48:11I can't have my husband upset.
00:48:13I'm sorry, Mrs. Farrell.
00:48:15Good day, master.
00:48:21You can find your way.
00:48:22Oh, yes, thank you.
00:48:24Now we're in for it.
00:48:26I told you I'll bring down trouble on us.
00:48:28If he tells that I'm Farrell, I'll never face it.
00:48:30Reporters, publicity, I...
00:48:31There now, dear.
00:48:32You must get all on wires again.
00:48:34Come, I'll fix your teeth.
00:48:35Oh, Alice, I...
00:48:36Your faculty for remaining calm is amazing.
00:48:38Well, somebody has to keep calm.
00:48:40You don't seem to care tuppence whether I'm Priam Farrell or not.
00:48:43What does it matter to me who you are so long as you're you?
00:48:46You can be the Shaw of Persia if you like.
00:48:48But I am, Farrell.
00:48:50Honestly, I wish I wasn't.
00:48:52But I am.
00:48:53Bless you, love.
00:48:54It doesn't matter.
00:48:55Come.
00:49:11But that isn't what you said in the first place.
00:49:13On the contrary, that's exactly what I said.
00:49:15Oh, what a memory you have.
00:49:16Case?
00:49:18Yes.
00:49:21Marmalade?
00:49:22No, dear.
00:49:27Who could that be?
00:49:33Is this Mr. Henry Leakes?
00:49:35Yes.
00:49:36What is it you wish?
00:49:37We were determined to get in.
00:49:38And in we've got.
00:49:40John, shut the door.
00:49:42Yes, Henry.
00:49:43Now, Mother, don't put the door on me.
00:49:45Mother, don't put yourself about.
00:49:48Where is Mr. Henry Leake?
00:49:50There you are, Henry.
00:49:51After 25 years.
00:49:53Think of it.
00:49:55I'm his wife, ma'am.
00:49:56The rightful Mrs. Henry Leake.
00:49:58And these are my sons who have come with me to see that I get justice.
00:50:03What does it mean?
00:50:04What does it mean?
00:50:05I think you'd all better come and sit down.
00:50:08There.
00:50:09Will you?
00:50:10And which of you boys had the idea to keep a middle-aged woman perishing on the doorstep?
00:50:14Now, Mother, don't give way.
00:50:15I think we'd all better have tea.
00:50:17Now, Mother, do you recognize this man as your husband?
00:50:20Yes.
00:50:21It's a rare long while.
00:50:23You're sure he's your husband and our father?
00:50:25Yes.
00:50:26And sorry I am to say it.
00:50:27Never saw him before in my life.
00:50:28I never saw him.
00:50:29He married me just 25 years ago.
00:50:30And a month after our twins were born, he just walked out of the house and left me.
00:50:36And never a word of explanation.
00:50:41I never saw a mother.
00:50:42I never saw a mother.
00:50:43I never saw a mother.
00:50:44You're sure he's your husband and our father?
00:50:46Yes.
00:50:47And sorry I am to say it.
00:50:48Never saw him before in my life.
00:50:49I never saw him.
00:50:50He married me just 25 years ago.
00:50:52And a month after our twins were born, he just walked out of the house and left me.
00:50:55And never a word of explanation.
00:50:57I never saw her in my life.
00:50:59I never saw her.
00:51:00Then how do you explain this marriage certificate, sir?
00:51:04Do you really recognize my husband?
00:51:07Your husband, madam?
00:51:08He's the same sort of man and got the same eyes.
00:51:13Now, Mother, don't give way.
00:51:16Do you remember, Henry, how you said you wouldn't be married in a church not for anything?
00:51:22But it's strange our sons should both be curates.
00:51:26And now, this dreadful scandal.
00:51:31You may shrug your shoulders, but you can't shrug us our distance.
00:51:35Here we are, and you can't get away from us.
00:51:39You're a bigamist, sir.
00:51:41A deserter of women.
00:51:43Heaven only knows.
00:51:44Sugar.
00:51:45Two, please.
00:51:46Two, please.
00:51:47One, please.
00:51:48And how did you happen to find us out at last?
00:51:55Through an advertisement in the paper put into that Mr. Oxford.
00:51:59I need not say, madam, that you have all our sympathy.
00:52:04You mean me?
00:52:05I repeat, madam, you have our sympathies.
00:52:08You are not his wife.
00:52:09You can never be his wife.
00:52:11You're living in the same house with him under circumstances which I hesitate to name the situation in plain words.
00:52:19No, I'm afraid.
00:52:20Would you please hand this to your mother?
00:52:23Oh, John.
00:52:25You always wear so clumsy.
00:52:28And a clean cloth, too.
00:52:31Oh, don't mind, please.
00:52:32Dear, will you run into the kitchen and bring me something to wipe this up with?
00:52:36Yes, dear.
00:52:37Of course.
00:52:38Immediately.
00:52:39Oh, dear.
00:52:40Oh, dear.
00:52:41Oh, dear.
00:52:42Oh, dear.
00:52:43He's gone.
00:52:44He's gone.
00:52:45Who?
00:52:46Father.
00:52:47I'm afraid so.
00:52:48Does he mean to come back?
00:52:50I'm afraid not.
00:52:52There's not the slightest use trying to drive him.
00:52:55He can only be led.
00:52:57You see, he's rather peculiar.
00:52:59Who knows better than I that he's peculiar?
00:53:02He has his good points, far be it from me to say anything against him.
00:53:07He's often very good to me, but a cup of tea, Mr. John.
00:53:13You don't mean that he...
00:53:18One morning when I was ironing, he snatched the hot iron and...
00:53:22Oh, don't.
00:53:23Don't.
00:53:24I know because I've been through.
00:53:26You don't mean to say that he threatened you with a...
00:53:29If threatening were only all.
00:53:31Then he's not changed in all these years.
00:53:35He was always so queer.
00:53:38Queer.
00:53:39That's it.
00:53:40Queer.
00:53:41I don't think he's quite right in the head.
00:53:45I never wake up in the morning, but what...
00:53:47I don't think maybe today they'll put him away.
00:53:50Put him away?
00:53:52Yes.
00:53:53In Hanwell or whatever asylum it is they put them in.
00:53:56Would you please pass the cake?
00:53:59Did you say asylum?
00:54:01Yes.
00:54:02And you have his blood in your veins.
00:54:05Another cup of tea.
00:54:07Yes, ma'am, if you please.
00:54:10I think I ought to tell you that this is my house and my furniture.
00:54:14He has nothing at all.
00:54:16Oh, is that so?
00:54:19Many a blow he's laid on me in anger.
00:54:22But all the same I pity him.
00:54:27Maybe these two strong young men will be able to do something with him.
00:54:31But I doubt it.
00:54:32He's very strong.
00:54:34And he has a way of leething out at you sudden like.
00:54:37I was that relieved when he left the house just now.
00:54:40He ought to be prosecuted for bigamy.
00:54:43That's what ought to be done.
00:54:44Most decidedly.
00:54:45Quite right.
00:54:46That would only be justice.
00:54:48But then of course he'd deny he's the same Henry Leeds.
00:54:51He is, I'm sure of it.
00:54:53No doubt you could prove it.
00:54:55But the trouble with these law cases, they're so expensive.
00:54:58What with private detectives and that sort of thing.
00:55:01Yes, that's very true.
00:55:04And of course there'd be the scandal.
00:55:07Oh, don't mind me.
00:55:10I'm innocent.
00:55:11But I don't know how it would suit you Mr. John and Mr. Henry as clergymen
00:55:16to have it known that your own father was in prison.
00:55:19I don't know that we'll be able to avoid it.
00:55:23This Mr. Oxford's lawyers are already in communication with the police.
00:55:27Oh, I see.
00:55:30Well, in that case, we're all in for us.
00:55:36I'd better get some hot water.
00:55:38Excuse me.
00:55:44We'd better clear out of this.
00:55:45We can go by the front door.
00:55:47Before he comes back.
00:55:48I didn't want him to come in the first place.
00:55:50Now, Mother.
00:55:51Mother, don't give way.
00:55:52Mother, don't give way.
00:55:53So must you go?
00:55:54Henry.
00:55:55Henry.
00:55:56It's all right.
00:55:57They've gone.
00:55:58Henry.
00:55:59Henry.
00:56:00It's all right.
00:56:01They've gone.
00:56:02Henry.
00:56:03Henry.
00:56:04Henry.
00:56:05It's all right.
00:56:06They've gone.
00:56:07Henry.
00:56:08Henry.
00:56:09Henry.
00:56:10Henry.
00:56:11Henry.
00:56:12Henry.
00:56:13Henry.
00:57:02The gun?
00:57:03How you start on me.
00:57:05Yes.
00:57:06Ages ago.
00:57:07And where have you been?
00:57:08Walking.
00:57:09In the fog.
00:57:10Without hat or coat.
00:57:12You'll be down with pneumonia.
00:57:14Here.
00:57:15Get these wet things off.
00:57:17Sit here with the fire.
00:57:27Don't scorn me.
00:57:29Oh.
00:57:30It isn't even hot.
00:57:32It isn't hot.
00:57:35Mrs. Leep won't want me if I lose my feet.
00:57:39Poor soul.
00:57:40Those two stout lads, my sons.
00:57:42What about them?
00:57:44How'd you get rid of them?
00:57:45By kindness.
00:57:47You know, if Oxford has begun advertising for me, he'll never stop until he gets me into court.
00:57:52Well, what will be, will be.
00:57:54And we won't worry about it.
00:58:01It's not hot.
00:58:02Alice, you don't really believe that I ever married that woman, do you?
00:58:06If there's one thing I'm sure of in this world, it's that you were never married to anyone before you married me.
00:58:13That I will swear to, dear.
00:58:16Oh, it is not.
00:58:18It is, darling.
00:58:19It is not.
00:58:20Oh, it's not.
00:58:50You have been an avid collector of Farrells, have you not?
00:58:53For a number of years.
00:58:55Were you at all surprised or suspicious
00:58:58when you began receiving unlisted Farrells
00:59:01after Mr. Farrell's death?
00:59:03Surprised, but not suspicious.
00:59:05What first aroused your suspicion?
00:59:07Quite by accident.
00:59:09One day, I noticed the canvas maker's imprint
00:59:11on the back of one of the pictures.
00:59:13And it was dated.
00:59:15What was the date?
00:59:161932.
00:59:18That was two years after Brian Farrell's death.
00:59:21Exactly.
00:59:23How many Farrells in all did you find from Mr. Oxford
00:59:27since Mr. Farrell's death?
00:59:29Seven.
00:59:30And you believe them all to be fictitious?
00:59:32I believe them all to be fakes.
00:59:34What did you pay for?
00:59:3511,000 pounds.
00:59:41Is this the picture that was dated?
00:59:43Yes.
00:59:45Is that the mark you see?
00:59:48Yes.
00:59:50Gentlemen, have you seen the date?
00:59:511932.
00:59:521932.
00:59:531932.
00:59:541932.
00:59:551932.
00:59:56Less than a month after the twins were born, he left me.
01:00:05Is that your husband?
01:00:06That gentleman sitting on the end there?
01:00:07It is.
01:00:08Weren't you in doubt when you first saw him?
01:00:09It's all come over me since.
01:00:10Shouldn't a woman recognize the father of her own children?
01:00:11She should.
01:00:12It's ridiculous.
01:00:15It's ridiculous.
01:00:16So did you see the father of a baby?
01:00:17It's a young man doing the father of the young people.
01:00:18A young man.
01:00:19And when he was born, he left me.
01:00:20Is that your husband?
01:00:21That gentleman sitting on the end there?
01:00:22It is.
01:00:23Weren't you in doubt when you first saw him?
01:00:27It's all come over me since.
01:00:29Shouldn't a woman recognize the father of her own children?
01:00:31Shouldn't a woman recognize the father of her own children?
01:00:35She should.
01:00:40It's ridiculous.
01:00:42Priam Farrell was a gentleman.
01:00:44This valet is a lout.
01:00:46I knew that the moment I set eyes in.
01:00:48I packed him off at once.
01:00:50This fight with your cousin when you were children.
01:00:53Tell us what occurred.
01:00:55Well, we fought.
01:00:57Oh, you fought.
01:00:58What did you two naughty boys fight about?
01:01:04About a plum king, I think.
01:01:08And what was the result of this savage encounter?
01:01:16I remember tearing half his clothes off.
01:01:19Ah.
01:01:20Are you sure you remember that?
01:01:22Yes.
01:01:23I remember now that my cousin had two moles.
01:01:28On his neck.
01:01:30Just below the collar.
01:01:33Can you describe these adornments?
01:01:38One was hairy.
01:01:40One was plain.
01:01:42So, after this correspondence with Mr. Lee,
01:01:46you met Mr. Farrell,
01:01:47thinking he was Mr. Lee.
01:01:49Mr. Farrell?
01:01:50Yes.
01:01:50And married him?
01:01:51Yes.
01:01:52So, he deceived you?
01:01:54No, he told me he was Prime Farrell.
01:01:57Then you knew all the time.
01:02:00Well, the poor dear wasn't well,
01:02:01and I thought he was imagining things.
01:02:03It was silly of me.
01:02:05When did you first come to believe he was Farrell?
01:02:08The day Mr. Oxford came.
01:02:10The day Mr. Oxford paid your husband 500 pounds?
01:02:12Yes.
01:02:15Was it the money that induced you to change your mind?
01:02:18You're very rude.
01:02:19Answer the question, please.
01:02:21I wouldn't have had my husband ragged
01:02:22by such vicious people for the bank of England.
01:02:24For the bank of England.
01:02:29These are genuine Farrell because...
01:02:32I see, I see, I see.
01:02:37These are fictitious Farrells because...
01:02:41I see, I see, I see.
01:02:45Genuine Farrell.
01:02:48Fictitious Farrells.
01:02:51Genuine Farrell.
01:02:53Fictitious Farrells.
01:02:54Fictitious Farrells.
01:02:55Fictitious Farrells.
01:02:56Fictitious Farrells.
01:02:57Fictitious Farrells.
01:03:15Say your name is Prime Farrell?
01:03:17Yes.
01:03:19You have been known as Henry Lee.
01:03:20Yes.
01:03:21Which are you?
01:03:22Both.
01:03:23How can you be both?
01:03:25None of this interests me in the least.
01:03:27Please answer the question.
01:03:29Oh, very stupid.
01:03:31Question, please.
01:03:33Who cares who I am?
01:03:35Question, please.
01:03:37I have no more of this.
01:03:38Ridiculous.
01:03:39Question, please.
01:03:40I have better things to do.
01:03:42You are at work on a masterpiece, no doubt.
01:03:44Oh, some oaf will think it a masterpiece, no doubt.
01:03:47When did you meet Mr. Oxford?
01:03:49Oh, he's been my dealer for many years.
01:03:52When did you meet him?
01:03:53Some weeks ago.
01:03:55When he discovered you were Farrell?
01:03:56Yes.
01:03:57Was there a passage of money on this occasion?
01:04:00Five hundred pounds.
01:04:02When he paid you five hundred pounds, you decided you were Farrell?
01:04:05He paid me five hundred pounds for a picture.
01:04:06And you discovered you were Farrell?
01:04:07He discovered it.
01:04:08You didn't know it.
01:04:09Farrell is buried in the Abbey.
01:04:10I wish you let him rest there.
01:04:11Will you answer the question?
01:04:12Why put people in the Abbey if that'd be dragged out again?
01:04:13What's the good of the place?
01:04:15He's mad!
01:04:16He's mad!
01:04:18He's mad!
01:04:19He's mad!
01:04:20He's mad!
01:04:21He's mad!
01:04:22He's mad!
01:04:23He's mad!
01:04:24He's mad!
01:04:25He's mad!
01:04:26He's mad!
01:04:27He's mad!
01:04:28He's mad!
01:04:29He's mad!
01:04:30He's mad!
01:04:31Why must you torture him?
01:04:33Will you answer the question?
01:04:34Why must you torture him?
01:04:35Forgive me, Alison.
01:04:38I'm not being tortured.
01:04:40It's all too comic.
01:04:41Oh, to face.
01:04:42Who you are?
01:04:43But I am Priam Fennel.
01:04:44I'm nothing more to say.
01:04:49Have you two moles?
01:04:50Yes.
01:04:51Where are they?
01:04:52On my neck, just below the collar.
01:04:54Will you indicate the spot?
01:04:59Perhaps you will remove your collar and show the moles to the court?
01:05:02No.
01:05:03You would prefer doing it perhaps in his lordship's room?
01:05:06No.
01:05:07But surely, I won't do it anywhere, Molested.
01:05:10But the law?
01:05:11There's no law that can make me take off my collar.
01:05:19Must be a law.
01:05:20Must be a law.
01:05:21Must be a law.
01:05:22Must be a law.
01:05:25But the trial cannot proceed unless you remove your collar.
01:05:27It's not my trial.
01:05:28Oh, but it is.
01:05:29You may be put in a hollyworld for bigamy.
01:05:32I fancy a hollyworld.
01:05:33They have a short method with people who won't take off their collar.
01:05:36Ah!
01:05:37England, in order to prove she has a great artist, arrests him for bigamy and shoves him into prison.
01:05:40Very characteristic.
01:05:41Quiet, dear.
01:05:42Now, Mr. Oxford, do you think my husband entitled to some part of the 11,000 pounds Mr. Witt paid you for his pictures?
01:05:48I'll gladly turn all of it over to him.
01:05:51Less reasonable commission.
01:05:53Well, that's fine of you, Oxford.
01:05:55You won't touch a pen there, wretched money, not a penny.
01:05:57I wouldn't dream of asking you to, dear.
01:05:59I shall touch it.
01:06:00Huh?
01:06:01Now, gentlemen.
01:06:02If you wouldn't mind leaving us alone a moment.
01:06:05Certainly, Mr. Farrell.
01:06:10Now, love, we must be sensible.
01:06:12I don't care if they don't think you're an artist.
01:06:14But I won't have them thinking you're a bigamist.
01:06:17And dragging you off to jail.
01:06:19They wouldn't dare.
01:06:20I put nothing past them.
01:06:22Huh?
01:06:23Come, darling.
01:06:24Show the gentlemen your moles and we can go along home.
01:06:28Must I?
01:06:32Won't be long.
01:06:33Oh.
01:06:34Gentleman my moles...
01:06:35The moles!
01:06:36The moles!
01:06:37The moles!
01:06:39The moles!
01:06:41Order!
01:06:42Congratulations!
01:06:43Order!
01:06:44Oh, congratulations!
01:06:50Congratulations!
01:06:51I wonder what our new name will be.
01:06:54Mr. and Mrs.
01:06:56Mr. and Mrs.
01:06:57What was it that mattered?
01:06:59We'll miss our garden.
01:07:01We'll find another garden.
01:07:03Dear Anna.
01:07:05Dear Henry.
01:07:07You'll always be Henry to me.
01:07:09Nothing could change that.
01:07:13What are you thinking?
01:07:14I'm wondering where they'll bury me the next time.
01:07:26Let's go.
01:07:28My children are used to ask people if they would bury me.
01:07:31You think they're a little white?
01:07:33We're done!
01:07:35Josie, I can't wait to see you.
01:07:37I can't wait to see you in the middle of our bakery.
01:07:39I can't wait to see you.
01:07:41You're a little pwent.
01:07:42I can't wait to see you in the back of yourreso site.
01:07:45Big Daddy is a dream.
01:07:47I didn't want to see you in the back of your debts.
01:07:49I'm waiting for you.
01:07:50I'm waiting for you.
01:07:51We're waiting for you.
01:07:52I can't wait for you.
01:07:53I'll wait for you to see you in the back of your house and you're looking for me.