A torrid affair between two women, a struggling artist and a flame-haired blues singer, upsets a man who has a thing for the girl. A torrid affair between two women, a struggling artist and a flame-haired blues singer, upsets a man who has a thing for the girl.
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FunTranscript
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00:03:09I get red hot, cause you know what, I guess it's nothing less than, that I'm in love with you.
00:03:39The first time I ask her, she takes me home.
00:03:47She doesn't ask my name.
00:03:51I call her Agnes Dei.
00:04:07Agnes Dei, quitolis pecatamundi.
00:04:11Agnes Dei, who takes away the sins of the world.
00:04:29I don't usually do it with a woman.
00:04:34But there's something about you.
00:04:41It's like being with a beautiful young man.
00:04:44But it's just one night.
00:04:56After this, Master.
00:05:00It's just messed up.
00:05:30The hybrid next Michael Hood vindings.
00:05:34And remember that she can take an adventure.
00:05:38It's returning to men.
00:05:40You see her dead heart the body has washed off.
00:05:44Tell me about it.
00:05:46It's not the light, it's not the light you're hidden now.
00:05:49If there's something we write down for you,
00:05:53everything's happened.
00:05:55I stay in the streets at night.
00:06:03I end up at the banks of the Seine, where I stay part of the night waiting.
00:06:25I stay in the streets at night.
00:06:55I stay in the streets at night.
00:07:24I stay in the streets at night.
00:07:54I stay in the streets at night.
00:08:24I stay in the streets at night.
00:08:54I stay in the streets at night.
00:09:24I stay in the streets at night.
00:09:26I stay in the streets at night.
00:09:28I stay in the streets at night.
00:09:30I stay in the streets at night.
00:09:32I stay in the streets at night.
00:09:34I stay in the streets at night.
00:09:36I stay in the streets at night.
00:09:38I stay in the streets at night.
00:09:40I stay in the streets at night.
00:09:42I stay in the streets at night.
00:09:44I stay in the streets at night.
00:09:46I stay in the streets at night.
00:09:48I stay in the streets at night.
00:09:50I stay in the streets at night.
00:09:52Until you've flipped your heart and you have lost
00:09:58No, you don't know what love is
00:10:04Do you know how a lost heart fears
00:10:10The thought of reminiscing
00:10:16And our lips, the taste of tears
00:10:22Lose their taste for kissing
00:10:27You don't know
00:10:30Our hearts burn
00:10:33For love that cannot live yet never dies
00:10:38Until you've faced each down with sleepless eyes
00:10:45No, you don't know
00:10:51Just what I need
00:10:54An artist
00:10:55I won't have a minute to breathe
00:11:02It will be all the time
00:11:04In bed
00:11:06When I get dressed
00:11:08When I put on my makeup
00:11:10You must take yourself for Van Gogh
00:11:30Maybe Picasso
00:11:34And you want me to model for free
00:11:37As though I owe it to Junius
00:11:46Okay, it's time for you to go now
00:11:53I thought you wanted me to stay
00:11:57Enough of your trolley
00:12:00Enough of you
00:12:03Go fuck yourself
00:12:24You don't know me yet
00:12:29You don't know me yet
00:12:30Why is Agnes Day so secure and confident?
00:12:55She says she'll never need a gun or a knife
00:12:58Her tongue is enough
00:13:01And the look in her eyes
00:13:03You don't know me yet
00:13:04You don't know me yet
00:13:05You don't know me yet
00:13:05You don't know me yet
00:13:06You don't know me yet
00:13:07You don't know me yet
00:13:07You don't know me yet
00:13:08You don't know me yet
00:13:09You don't know me yet
00:13:09You don't know me yet
00:13:10You don't know me yet
00:13:11You don't know me yet
00:13:11You don't know me yet
00:13:12You don't know me yet
00:13:13You don't know me yet
00:13:14You don't know me yet
00:13:15You don't know me yet
00:13:16You don't know me yet
00:13:17You don't know me yet
00:13:18You don't know me yet
00:13:19You don't know me yet
00:13:20You don't know me yet
00:13:21You don't know me yet
00:13:22You don't know me yet
00:13:23You don't know me yet
00:13:24You don't know me yet
00:13:25You don't know me yet
00:13:26Start with a concrete figure and arrive at an abstraction with no corrections possible.
00:13:56The girl gives me a name.
00:14:22She calls me Lover.
00:14:24Remember the lovely sweet time we had together.
00:14:32Remember the violet tiaras and the braided roses and the saffron you used to wear.
00:14:41Remember the meadows of daffodils and how lightly you tried on them.
00:14:52Tell me those words that no one has ever told me.
00:14:58Gentle.
00:15:00Gentle love.
00:15:08She uses her nakedness as an armor.
00:15:16The night is hers.
00:15:19The city is hers.
00:15:25Gentle love.
00:15:33Gentle love.
00:15:39Gentle love.
00:15:47Gentle love.
00:15:53Gentle love.
00:16:00Gentle love.
00:16:08She never asks about my life.
00:16:10She doesn't know anything about me.
00:16:14When I'm not with her, I stop existing altogether for her.
00:16:21If need be, she would say I'm a painter.
00:16:23Gentle love.
00:16:25Who cares and why not are her favorite expressions.
00:16:29She's right.
00:16:31Who cares?
00:16:33I can't help it, my love.
00:16:54I can't help it, my love.
00:17:05Violent delights have violent ends.
00:17:22This isn't the first time for us, and it won't be the last.
00:17:29It won't be the last time for us.
00:17:41It won't be the last time for us.
00:17:45I saw you from the window.
00:18:01Would you believe that this time I'm looking for you?
00:18:07That's the first step to a big role in an important movie by a famous director.
00:18:18I have relationships with a lot of people who are going to help me out with my career.
00:18:24That's the way it's done.
00:18:27Friends give you a hand with your work.
00:18:29Friends?
00:18:30Yes.
00:18:37You go to bed with them like you go out to bars with them.
00:18:40So that's the way it's done?
00:18:44That's the way.
00:18:47She isn't my type.
00:18:50Who said I've wasted years of my life for a woman who wasn't even my type?
00:18:57We do what we do.
00:18:59Don't we?
00:19:02It must be fascinating to be attracted to someone who doesn't attract you.
00:19:04It must be fascinating to be attracted to someone who doesn't attract you.
00:19:11The idea that I could be a failure as a painter doesn't occur to Boussavé.
00:19:30There's nothing judgmental about her.
00:19:34She understands the slow process of work and its disappointing phases.
00:19:41Her presence and her absence are everything to me.
00:19:45notes and know what is happening in the way to the cat outside of the cat outsideUNYIFDH is currently narrated to your connection.
00:19:46It must be very satisfying to be Jon.
00:19:48Cancer is is here and you make fun.
00:19:49We do not know.
00:19:50But you can also request.
00:19:51Thank you, mom.
00:19:52And the hope of time can lead you to someone who does not—
00:19:54I can also demonstrate information on the way to the cat out of each other.
00:19:56A human being hearsay when it is gas instructions.
00:19:57We are Mā Ter beer – Dare to Surprise!
00:19:58Can be an absolute hak that will not pass you to find yourself out?
00:20:00Here, maybe if your governments have got a greater code in thisiasasio to feel.
00:20:02baseball is now right.
00:20:04In fact it's greater well.
00:20:05Not a couple friends don't have toily talking about health.
00:20:06There must not be .
00:20:38I love dancing with men or women. I love dancing alone just as much. What do you think, Banjo?
00:21:08Why don't you leave me alone?
00:21:33I have to fight with men every day. I'm not going to do that with you. I don't want you
00:21:45to come home with me. Didn't you hear? I don't want to see anybody. And don't wait for me
00:21:53either. Make yourself scarce. Understand?
00:21:58I don't want to see anybody. I don't want to see anybody. I don't want to see anybody.
00:22:05I don't want to see anybody. I don't want to see anybody. I don't want to see anybody.
00:22:44Her room has the silver light of the afternoon that comes with the paleness of the sky.
00:22:53The leaves of the plain trees are seen inside out in a translucent green.
00:23:00The curtains bring up the memory of snow.
00:23:07Soon, she and I are pulled out of the room and into an unadorned, open, deserted room.
00:23:13You can bet it's some old man, she's a shot in a bat.
00:23:22I say it in a mean old man's, mean old man's world.
00:23:27I ask it in a mean old man's, mean old man's world.
00:23:32Oh, it's a mean old man's, mean old man's world.
00:23:38It's a mean old man's, mean old man's world.
00:23:42I'm gonna ask you one more time, girls, the same thing.
00:23:47And it mean, and it mean, mean old man's world.
00:23:49You see, man's held the world in the palm of his hand.
00:23:59It's been that way ever since the world began.
00:24:03I'm so thankful for the day when Matt's at a foot in round with a thing called Clay
00:24:13Because he wants to be the boss that you understand.
00:24:18Because he says, woman was made for nothing but man.
00:24:23I ask you ain't it, I ask you ain't it, I ask you ain't it, one more time ain't it?
00:24:35And in a mean old man's, and in a mean old man's world.
00:24:44He's putting the pressure on.
00:25:04I can't trust him.
00:25:05Is there anyone who can?
00:25:07Where's the painter?
00:25:08I haven't seen her in a long time.
00:25:14I haven't seen her in a long time.
00:25:44I know I have a bad character.
00:26:07I know that I'm not good.
00:26:10And that I'm illogical.
00:26:14But you seem to understand me.
00:26:17You never get mad at me.
00:26:18The hum of traffic sounds far away.
00:26:30There's a bright light behind the white curtains.
00:26:34The sheets are soaked vivid with her perfume.
00:26:36I learn that if I look long enough, if I fumble long enough, a form will slowly develop.
00:26:56You never get into my pool.
00:27:06You never get into my room.
00:27:10I'm outta here.
00:27:12No, no.
00:27:13I can make a few sketches if you let me.
00:27:35But I won't.
00:27:42I want to draw you.
00:27:44Well, maybe I'll let you.
00:27:48But no one condition.
00:27:51And what would that be?
00:27:54I have an idea.
00:27:56Whatever it is, no.
00:28:11You can look now.
00:28:12You're rather pretty as a girl.
00:28:24Is this what you really like?
00:28:26I told you, I'm not to know my girls look like boys.
00:28:32One day I'll ban you from my bed.
00:28:36Will you?
00:28:36Yes.
00:28:38Because this is how I want you.
00:28:49I wanted to see how it feels.
00:28:51I've met you already.
00:29:05Your face is familiar.
00:29:08Maybe I remind you of someone.
00:29:10That's it.
00:29:11You remind me very much of someone.
00:29:12I hope it's a good number.
00:29:15It is.
00:29:16It is.
00:29:16It is.
00:29:19It is.
00:29:23I'm not.
00:29:26I don't know.
00:29:56I don't know.
00:30:26Do you see him?
00:30:32He's the one that's watching us.
00:30:34He's watching you.
00:30:36He can't watch me without seeing you, too.
00:30:38Why did you bring me here?
00:30:49Because I want you to know about him.
00:30:50He's a dangerous man, and he's a clearer man.
00:30:55It's time you found out.
00:31:02It would be unfair to go on like this.
00:31:04If he pushes me so much, it might be because you're watching him.
00:31:13You're not up to him.
00:31:15You must know that.
00:31:17It's already gone too far.
00:31:20Who cares?
00:31:22I may care.
00:31:23I'll heal.
00:31:23Who cares?
00:31:23Who cares?
00:31:24Who cares?
00:31:24I may care.
00:31:24Who cares?
00:31:28that's new doesn't sound like anything you've written before does that mean you like it
00:31:47very much
00:31:49I'm not working well you should say not working at all
00:31:57just keep working
00:32:10I will
00:32:27but
00:32:30I will
00:32:32I will
00:32:34I will
00:32:36I will
00:32:38I will
00:33:10All these flowers give me the chills.
00:33:16It looks like a funeral home.
00:33:19There are more than enough for a still life.
00:33:22Very still.
00:33:24And I don't do still life.
00:33:27If at least there were flowers that I like.
00:33:31Red puppies or blue corn flowers.
00:33:34But no chance.
00:33:40What's wrong?
00:33:45Nothing.
00:33:51Help me with this, will you?
00:34:01Your pill.
00:34:02Five minutes to show time.
00:34:18Wait for me after the show.
00:34:28Take me back.
00:34:29I don't want to go in the car.
00:34:36Let's go in the next one.
00:34:37No.
00:34:39It's okay, you leave me, okay?
00:34:42Boss closed.
00:34:43It's getting late.
00:34:50What happened again?
00:34:52Forget it.
00:34:53Let's get out of here.
00:34:54A man will never say to his girlfriend that he enjoys fucking men.
00:35:11That's the worst thing he could admit.
00:35:14But when they're with me, they pretend to be doing it with a man.
00:35:26They call me men's names.
00:35:32I know what nobody else knows.
00:35:34That's what I have over them.
00:35:41That's why they come back.
00:35:44I know they do.
00:35:45I know they do.
00:35:45And you only see men.
00:35:49And you only see men.
00:36:19But it won't last, I warn you, no sir, no lover, not if you purse it in your attitude, you prissy, pricky little cock.
00:36:50If I'm not good enough for you, if I'm not clever enough, then forget it.
00:37:01What's good enough for them is good enough for you.
00:37:04I'll show you lover what I do every night, and you'll like it.
00:37:14But first come, look at me.
00:37:17Come.
00:37:19Come.
00:37:19I don't know.
00:37:49What is it?
00:38:03What?
00:38:10It says, get rid of her now or someone else will.
00:38:14You know what I do when someone tries to force me to do something?
00:38:22You don't do it.
00:38:24I don't do it.
00:38:28So I'm keeping you.
00:38:32At any cost.
00:38:41Now they'll see what I'm made of.
00:38:44I'm in trouble.
00:39:12I'm here to keep you out of trouble.
00:39:16Can you do that?
00:39:18You know I can.
00:39:22For how long?
00:39:24For only as long as you want me to.
00:39:26I don't know.
00:39:39Yeah.
00:39:42You know I can.
00:39:46I don't want to be.
00:39:47Alright.
00:39:48For now.
00:43:04What do you think you're doing?
00:43:05Get the hell out of here!
00:43:08I can fuck whoever I want to!
00:43:15Now, do you understand?
00:43:16I don't want you to be mixed up in all this.
00:43:22I don't want you to know more.
00:43:25I don't want you to know more.
00:43:31Is it the morning after?
00:43:36Are the leaves behind the window a very tender green?
00:43:40Does she tell me that she can't go on without me?
00:43:44Do I hold her so tight that no one, not even that man, can ever tear her from my arms?
00:44:06I look for Boussavet in the places she and I spend time.
00:44:09I look for Boussavet in the places she and I spend time.
00:44:13I don't know.
00:44:16Thanks, I'm going to be moving.
00:44:18I'm going to be with you.
00:44:20I'm going to be with you.
00:44:22I don't know.
00:44:22I'm going to be with you.
00:44:23I'm going to be with you.
00:44:24Let's go.
00:44:54Let's go.
00:45:24Let's go.
00:45:26Who's there?
00:45:40I'd like to know.
00:45:42Let's go.
00:45:44Let's go.
00:45:46Let's go.
00:46:16Let's go.
00:46:18Let's go.
00:46:20Let's go.
00:46:22Let's go.
00:46:24Let's go.
00:46:26Let's go.
00:46:28Let's go.
00:46:30Let's go.
00:46:32Let's go.
00:46:34Let's go.
00:46:36Let's go.
00:46:40Let's go.
00:46:42Let's go.
00:46:44Let's go.
00:46:46Let's go.
00:46:48Let's go.
00:46:50Let's go.
00:46:52Let's go.
00:46:54Let's go.
00:46:56Let's go.
00:47:00Let's go.
00:47:02Let's go.
00:47:04Let's go.
00:47:14Let's go.
00:47:16Let's go.
00:47:18Let's go.
00:47:20Let's go.
00:47:22Let's go.
00:47:24Let's go.
00:47:26Let's go.
00:47:32Let's go.
00:47:34Let's go.
00:47:36Let's go.
00:47:38Sing a song for me.
00:47:52I can't.
00:47:53Here's something for your loving, but you won't like it.
00:48:11It's very nice to eat.
00:48:15This time you'll pay.
00:48:25Well, here we are.
00:48:42I'm the one who's going to get it.
00:48:49I'm the one who will pay.
00:48:55Night after night, bar after bar, I keep following him.
00:49:10Night after night, bar after bar, I keep following him.
00:49:17Night after night, bar after night, bar.
00:49:37Pousserie?
00:49:43Pousserie?
00:49:50Is it loaded?
00:50:02Here. Be careful.
00:50:05Be careful.
00:50:16Is she here?
00:50:18She left a few hours ago.
00:50:20Was she alone?
00:50:23I said, was she alone?
00:50:26We respect our guest's privacy, as you are aware.
00:50:29I need to know.
00:50:31I really didn't pay attention.
00:50:35Have you seen her?
00:50:48No.
00:50:50A drink?
00:50:52Thanks.
00:50:53I think she left town with the boss.
00:50:56The boss?
00:50:57You didn't know?
00:50:58He owns the place, and everyone in it.
00:51:00And everyone in it.
00:51:05Yun.
00:51:06Yes.
00:51:07Yes.
00:51:08Yes, yes.
00:51:09Yes.
00:51:10He's on the line on the floor.
00:51:11Yes, yes.
00:51:13Yes.
00:51:15Yes, there is no one way.
00:51:17What is your day?
00:51:18Yes, yes.
00:51:19Yes, yes.
00:51:20Yes.
00:51:22Yes, yes.
00:51:23Yes.
00:51:24I don't know.
00:51:54I don't know.
00:52:24What if she's gone for good?
00:52:40I don't know.
00:53:10I don't know.
00:53:40I don't know.
00:54:10I don't know.
00:54:40I don't know.
00:55:10I don't know.
00:55:40I don't know.
00:55:41I don't know.
00:55:42I don't know.
00:55:44Come in.
00:55:46Look what I have for us.
00:55:48You'll like this.
00:55:50Here.
00:55:56Here.
00:55:58You may need this.
00:56:00You may need this.
00:56:10Thank you, lover.
00:56:12You don't know.
00:56:24You don't know what I went through.
00:56:26I don't know.
00:56:28Forget it.
00:56:30You don't need to know.
00:56:36I don't know.
00:56:46I don't know.
00:56:48I don't know.
00:56:50I don't know.
00:56:52No.
00:56:53You're...
00:56:54I don't know.
00:57:02Yeah.
00:57:04I don't know.
01:00:34What can I do?
01:01:02Stay with me.
01:02:06And come back later.
01:02:08And watch for me at my window.
01:02:10Will you do that, lover?
01:02:12Then it will be just the two of us.
01:02:42Then it will be just the two of us.
01:03:12Then it will be just the two of us.
01:03:24Then it will be just the two of us.
01:04:05I go to the girl's place as usual.
01:04:21I don't ask any questions.
01:04:25She doesn't mention the nail before.
01:04:27Have some foie gras, lover.
01:04:30Or would you prefer caviar?
01:04:32Anyway, you must test this wine.
01:04:34It's superb.
01:04:35What's the matter with you, lover?
01:04:47I'm going to take you on a cruise.
01:04:49On a boat going very far away.
01:04:52I don't know where.
01:04:53Maybe the Bahamas?
01:04:55Why don't you take me into your arms?
01:05:03I can't stay.
01:05:03Ever.
01:05:05Why don't you take me into your arms?
01:05:10Talk to me.
01:05:11I have to go.
01:05:18I have to go.
01:05:18I have to go.
01:06:04I walk. I walk. Hours pass. Maybe days. There are no birds. There's no sun. There's no light. There are no clouds.
01:06:34There are no clouds.
01:07:04There are no clouds. There are no clouds. There are no clouds. There are no clouds.
01:07:11Don't worry. Don't worry. Don't worry. Don't worry. Don't worry. Don't worry.
01:10:45Agnes Day?
01:10:54Agnes Day?
01:10:55Did he hurt you, Laura?
01:11:13Agnes Day?
01:11:43Agnes Day?