Escape is an American radio drama. It was radio's leading anthology series of high-adventure radio dramas, airing on CBS from July 7, 1947 to September 25, 1954.
Category
😹
FunTranscript
00:00You are lost in a London fog, uncertain whether the figures looming around you are real or
00:18creatures of your imagination, and somewhere in the wet grayness lurks a murderer from
00:24whom you must escape. Escape, produced and directed by William N. Robeson, and carefully
00:40contrived to free you from the four walls of today, for a half hour of high adventure.
00:45Tonight, we escape to a fog-shrouded city, and the terror of a shell-shocked mind, as
00:56Algernon Blackwood describes them in his ghostly story, Confession.
01:01There was no doubt about it. The woman was dead. Her cheek was cold to my touch. The head
01:16of the long, sharp hat-pin protruded from her breast above the heart. She was dead, murdered,
01:22and I stood there by the bed, my brain whirling crazily. I was alone in an empty house with
01:28a murdered woman. And then suddenly, fear flashed across my brain and cleared it. I heard the
01:38door below open and close. Footsteps. Someone was coming across the downstairs hall, onto
01:44the stairs, coming up, up here. In a moment, I would be discovered. In a moment, someone
01:50would walk into this room and see me standing over the body. In a moment, my escape would
01:55be cut off. Quickly, I slipped across the hall and into another of the empty bedrooms. I
02:01leaned against the closed door, breathing heavily, listening to those steps come closer.
02:07Would he look into any of the other bedrooms first? Would I be discovered here? He passed
02:17my door and went into the room, straight in, closed the door behind him. Then he knew where
02:25to come. I waited a moment, waited for some sound, some gasp of discovery. There was none.
02:32Then he knew what to expect. I must escape quickly before he came out of that room. I started down
02:37the stairs, carefully, to avoid any sound. And suddenly, the door of that room opened. The
02:48beam of the flashlight searched down the hall. I took the stairs three at a time, burst open
02:52the front door, and fled into the street, fled into the sanctuary of the Fork.
02:57How long and how far I ran, I do not know. I could see nothing, feel nothing but the clammy
03:08dampness of the fog. I don't know whether he was still following me or not. I ran out of sheer
03:13terror, up one street, down another, with no idea of where I was or where I was going. Perhaps I was
03:19running in circles. Perhaps I would run right back to the house. Well, I stopped. I leaned heavily
03:26against the wall. My hands were shaking as I raised them to my perspiring face. I held
03:32them there to steady them. Ran them through my wet hair. My hat. I didn't have it. I'd left
03:41my hat back there in that room, on the bed beside that dead woman. And it had my initials
03:47in it.
03:47Nearby, a street lamp formed a fuzzy ball of yellow in the enveloping murk. And now
04:00a figure loomed suddenly beneath it, just as she had materialized so short a time ago
04:05under another streetlight. Or was it the same one? Was it she again? Was it he, the one
04:12who was following me? Was it real at all? Perhaps it was only a creature of my madness.
04:18My dear sir, you're ill. I...
04:22Oh, Harold, let me help you. Why, you're almost ready to fall.
04:27Yes, sir. Thank you.
04:29Yeah, just lean on my arm.
04:31Yes. You are real, aren't you?
04:35Real?
04:36Well, I don't understand. I say you're very near collapse, you know. And I happen to be
04:43a doctor. Luckily, too, you're just outside my very house. Come in for a moment, won't
04:47you?
04:48Why, I... You're very kind. Yes, I will, if it's not too much trouble for you.
04:55None at all, my dear chap. Please do.
04:57Within five minutes, I was seated in a comfortable chair before a toasting fire, sipping a hot
05:09cup of tea. I could feel my nerves relaxing, but the traces of my illness must have been
05:16clear on my face, because my host observed.
05:20Your trouble is shell shock, isn't it?
05:23Why, yes, how did you know?
05:24Well, I've been in the service, and I'm a doctor.
05:27Oh, of course. I only meant I'm supposed to be recovered, or almost. But I got lost in
05:34the fog, felt ill suddenly. Terrified, you know.
05:38I know. You should never have been out on a night like this. If you've got far to go,
05:43you better let me put you up.
05:44You're very kind, very kind indeed, but I don't want to be in any trouble.
05:48No trouble at all. I'd like to be of help. It's the least we veterans can do for each
05:52other. Oh, the blasted war. Thank goodness it's over.
05:57Not English, are you?
05:59No, Canadian. I haven't been demobilized yet. I'm still in the army hospital at Regent's Park
06:04under the care of Dr. Henry.
06:06Oh, yes, yes. Very good man. I'd say he's done well by you. Up till tonight, I mean.
06:12Yes. Of course, we had no idea there would be a fog. I still get in a panic when I feel
06:18all alone. Well, that's usual, but then there was something more than that tonight, wasn't
06:24there? What do you mean? Simply that you've had rather severe shock quite recently, haven't
06:30you? How did you know that? My dear chap, I'm a doctor. My business to know. You were in
06:37much too agitated a state when I found you for me to suppose it could have been done simply
06:41by the fog. And if I may hazard another guess, I should say it would be a relief to you and
06:48wise as well if you could unburden yourself to someone who would understand. Am I not right?
06:55Someone who would understand? That's just it. I doubt if there is anyone like that. It's
07:01so incredible.
07:03Oh, the more incredible, the greater your need to tell it. Repression in cases like yours
07:08can be dangerous, as you must know. You think you've hidden it, but it bides its time and
07:14it comes up later, causing a lot of trouble. Confession, you know. Confession is good for
07:20the soul.
07:21Yes, I suppose you are right, but it is so wildly unbelievable.
07:26Since we're strangers, my belief or disbelief can make no difference. And I think I can promise
07:31you in advance that I shall believe all you have to say.
07:35Well, but I've got to tell somebody about it soon anyway.
07:40A cigarette to help with telling?
07:52Well, I'd better start back at the very beginning of the adventure then.
07:55It started today at the sanitarium. I've been there for some months, and today when Dr.
08:00Henry called to check on me, I knew it was good. Well, young man, you're as fit as a prize
08:04heifer and twice as frisky. The diet here must agree with you.
08:07I have no complaints, doctor, but if I'm well again, then I'd like to get back into circulation.
08:10Will you listen to him, nurse, rushing things as usual? You'd think he didn't like us here.
08:15The way he bothers us to let him go into town, I'm sure of it, doctor. He's getting so healthy,
08:21he's bursting at the seams.
08:22There, you see? How about it, doctor? Can't I just have a day or an evening in town?
08:26Well, what's the great attraction in that dirty place? Some girl, no doubt?
08:30Well, yes, that is in a way. I met her in France. She's a Red Cross girl.
08:36She's invited me to stop in for tea if I'm up in London, and...
08:39Well, it's just that I'd feel human again, seeing a girl having tea, a cigarette, chatting. That's all.
08:46Young man, I not only approve of your day in town, I'm prescribing it. It'll do you good.
08:51You've got to start getting used to society again anyway.
08:54And you think I can manage it alone?
08:57Why not? You get around the neighbourhood by yourself well enough, don't you?
09:00There's nothing so very different about London. Certainly nothing to be afraid of.
09:04No, of course not.
09:05Call the young lady and find out the directions, where to get off the underground, what terms to take and so on.
09:11Go in the daytime, return before dark. No danger of getting lost.
09:15It should be simple. Nothing to it. Do you good.
09:18Then this means I'm getting better. I'll be able to go home soon?
09:21Well, there you go. Rushing things again. But yes, I think perhaps we're on the last leg.
09:26Oh, that'll be all, nurse.
09:28Yes, Dr. Henry.
09:31Now, tell me, young man, what about your friends?
09:35No, doctor. I think they've deserted me.
09:38I don't see them anymore. No more ghosts.
09:41No more dead comrades stopping in for a chat.
09:44Good.
09:45For how long now?
09:46Oh, several weeks at least. I can hardly remember when I last saw one.
09:50Thought you saw.
09:51Yes, thought.
09:53Of course, in the dark room at night, sometimes the shadows...
09:57That's not quite the same thing.
09:59Lots of well people fancy they see the shadows move at night.
10:02Especially after they've been reading some Penny Dreadful.
10:06Yes, I suppose so.
10:07At any rate, you can distinguish between the real people and the unreal now.
10:11And that's a big step, considering how you were a few months ago.
10:14Well, it's only when I feel completely alone, cut off, that the old panic begins a little, but not as much as before.
10:21Many people don't like to feel alone and cut off, but they can fight down that panicky feeling, nip it in the bud.
10:29So will you in time.
10:30But I must warn you, severe shock could undo all our work.
10:35By all means, avoid shock.
10:38Avoid shock, he said.
10:47Very funny, isn't it?
10:49But who could have known then what would happen?
10:52How could I have suspected as I went about planning my day in town, my holiday?
10:56I called the girl, arranged our tea party.
11:00I was to be at her little house in Morley Place at four.
11:03So if you find the first time, with your Canadian backwards instincts, you'll probably manage it better than any Londoner.
11:10Yes, I'm sure I will.
11:11It's near South Kensington Station, then.
11:14Exactly.
11:14You'd change at Piccadilly Circus.
11:17Yes.
11:17Without leaving the underground station.
11:20And come to South Kensington.
11:22That's three streets left from there, then two right, one more left, and right again into Morley Place.
11:28It's really not far.
11:29Oh, I'll find it, all right.
11:30Now, don't go to any great bother.
11:32Oh, you just leave that to me.
11:33This is a special occasion, you know.
11:36Till four, then.
11:37Until four.
11:38Yes.
11:39Thanks.
11:44And so it all started out as a cheerful adventure.
11:50And everything went well into the city.
11:52I made my change underground at Piccadilly, took the local to South Kensington Station.
11:57And there I came up at the surface again.
11:59And when I walked out, I stepped into a solid, opaque blanket of white fog.
12:07I could hear the traffic, the rumble of the city around me.
12:15I could hear footsteps, an occasional muffled voice.
12:18But I could see almost nothing.
12:21This is how a blind man feels, then.
12:24The only objects of relief from that dreadful, enveloping gray wall were an occasional blur of yellow from a street lamp.
12:31Or a motor car headlight.
12:32A glimmering patch from some big lighted shop window here and there.
12:37And the figures.
12:39The figures of other people passing by.
12:42Dark.
12:43And floating.
12:45And indistinct.
12:47Or were they people?
12:49Might they not be those phantom figures again?
12:52Just like the ones that haunted me before I went into the sanitarium.
12:55Ghostly, blurred figures of dead comrades from Dunkirk and Abbeville and the mud of Belgium.
13:05Here comes another one.
13:07I can hear his cane tapping.
13:09Look closely now.
13:10Make sure.
13:15There.
13:16He looked real enough, didn't he?
13:17They are real.
13:18I'm positive of it.
13:19And I'm not alone.
13:20They're all around me.
13:21But even as I told myself this, the old panic was growing inside.
13:28Here now, old fellow.
13:28You've got to get hold of yourself.
13:30Next one comes along.
13:31Speak up.
13:32Speak up to him.
13:32Ask him the way to Morley Place.
13:34Ask, can you put me on the trail to Morley Place?
13:36Just like that.
13:38You'll see.
13:39Here now.
13:40Here he comes.
13:42Ask the way.
13:43Make pardon.
13:44Can you put me on...
13:45I say, is this right for the tube station, do you know?
13:47I'm utterly lost.
13:49I want South Kenyon.
13:50Why, yes.
13:51I have just come from there.
13:52Straight along, I think.
13:53Oh, thanks, old fellow.
13:54Oh, but I say, can you put me on the trail to Morley Place?
14:01He's gone.
14:03Well, no matter, he was real enough.
14:05He spoke up like a real person, all right.
14:08Maybe the next...
14:08Oh, I say, I beg your pardon.
14:11Oh, I am frightfully sorry.
14:13I didn't see you and you standing still.
14:15I'm afraid I must be lost.
14:18Can you direct me to Morley Place?
14:19Oh, dear, I think you've missed your turning.
14:22You'll have to double back a street, maybe two, and take the first turn to the right,
14:28and go one street, and then double back two, and then left again, and you'll come through.
14:35I say thanks.
14:37That was first right, and then...
14:40She's gone.
14:43Disappeared.
14:45Like a ghost.
14:46The panic was rising in me.
14:56They were real people, yes, but they appeared and disappeared so disconcertingly quickly.
15:01And when I turned off down the main street, there were fewer of them.
15:05I turned again and again.
15:08But I couldn't remember the directions.
15:11Suddenly, I...
15:12I knew I was lost.
15:14And now I was in some little backwater where passers-by were rare.
15:18Where no one came.
15:20Where I was alone.
15:21Now the panic swept over me.
15:29I stumbled on a curb.
15:30My cane swept empty air.
15:32I fell to the icy pavement.
15:34I was shaking so that I couldn't rise to my feet.
15:37I crawled across the open space of the street on my hands and knees.
15:41Only when I crossed the curb and felt a warm wall could I stand up again.
15:45And then I stood there, shaken and frantic.
15:48Morley Place must be very close.
15:50The little Red Cross girl waiting with her warm fire and hot tea.
15:54But where?
15:55Where?
16:03Suddenly, in the yellow blur of the nearest street lamp, a faint darkening of the fog caught my eye.
16:08It was not a figure this time.
16:10Only the shadow of the pole grotesquely magnified.
16:13No.
16:15No, it moved.
16:17It came toward me.
16:18It was a figure.
16:19A woman.
16:20It came right up to me.
16:21Fear gripped me and then I remembered the doctor's advice.
16:24Don't ignore them.
16:25Treat them as real.
16:26Speak to them and go with them.
16:28You will soon prove their unreality then.
16:31And they will leave you.
16:33And so I gripped the wall behind me and spoke to her.
16:35Lost your way like myself, haven't you, ma'am?
16:38Do you know where we are at all?
16:39Morley Place, I'm looking for.
16:41Where am I?
16:41Well, I say you're more frightened than I am.
16:44May I help you?
16:45I'm lost.
16:47I've lost myself.
16:49I can't find my way back.
16:51Same here.
16:52I'm terrified of being alone, too.
16:54I've had show shock, you know.
16:56Let's go together.
16:57We'll find our way together, eh?
16:59Who are you?
17:00Name's O'Reilly.
17:01Canadian.
17:02I'm going to have tea with a friend in Morley Place.
17:04What's your address?
17:05Do you know the name of the street here?
17:07I came out suddenly.
17:10Unexpectedly.
17:11I can't find my way home again.
17:14Just when I was expecting him to.
17:16I say steady, ma'am.
17:17He may be there now.
17:19Waiting for me this very moment.
17:21And I can't get back.
17:23Have you any idea of the direction, ma'am?
17:24Any at all?
17:25We'll go together.
17:26Listen.
17:26I hear him calling.
17:29I remember.
17:31Wait, ma'am.
17:31Wait.
17:32Don't leave me here alone.
17:33I'm going with you.
17:34Wait.
17:35She was running fast through the fog.
17:37It was all I could do to keep up with her.
17:39But I felt I must not lose her or my own nerves would go to pieces.
17:42How she found a way in the fog running so quickly I didn't know,
17:45but I kept close on my heels, running hard.
17:47I could smell a faint perfume in the air trailing behind her.
17:50A faintly familiar odor, but not pleasant.
17:53And then suddenly she stopped and turned into the gate.
17:55So suddenly that I almost bumped into her.
17:57Oh.
17:58Is this in?
17:59You found it, then.
18:01Um, may I come in with you for a moment?
18:03Perhaps you'll let me telephone my doctor.
18:06Doctor?
18:06Yes, Dr. Henry at the army hospital.
18:08I'm in his care, you know.
18:10My home is somewhere here.
18:12I'm near it.
18:14I must get back in time.
18:16For him.
18:17I must.
18:18He's coming to me.
18:19I say, ma'am.
18:22But she turned and walked toward the house.
18:25For a moment I hesitated.
18:27This woman was acting very strangely.
18:29But no matter it, she was at least real and I needed help.
18:32Quickly I followed her up the steps across the porch.
18:34The door was ajar.
18:36She slipped through and I followed him to the dark house.
18:39It was so dark inside I couldn't see anything at first.
18:41I stopped, groping.
18:42But she went on quickly, easily, as if she knew the way.
18:45She was ignoring me completely.
18:47I heard her steps cross the hall,
18:49go up the stairs quickly.
18:50I waited and listened.
18:53She walked along the hall upstairs.
18:55Where?
18:57Oh, where is it?
18:59I must find it.
19:00And now the hair on my neck felt as if it were rising.
19:03Was she, after all, another of my figures?
19:06Was she unreal, too?
19:08Oh, at last.
19:10I found it.
19:12I'm home again.
19:13I heard her open a door upstairs.
19:15Go in and close it after her.
19:17Then there was silence.
19:19Profound silence.
19:21And I was alone in a dark, unoccupied house.
19:24The white-covered furniture in the hallway loomed like ghosts.
19:28And there was no sound.
19:31I felt my panic coming back.
19:34But she was upstairs.
19:36And at least she was companionship.
19:38I groped my way up the stairs.
19:50Along the upstairs hall.
19:53There was no sign of life.
19:56Where are you?
19:58I want to help you.
19:59Which room are you in?
20:00There was no answer.
20:05But as I put my hand on a table to steady myself, I felt something.
20:10It was a candle stump.
20:12With a gasp of relief, I took it up and lighted it.
20:14Ah, now I could see a little.
20:21One by one, I tried the bedrooms.
20:23They were dusty and unused.
20:25The furniture covered, the mattresses rolled up on the beds.
20:29They were all alike.
20:31Until I opened the last door.
20:34Instantly, I knew this was it.
20:36I smelled the perfume.
20:39Only now I recognized and understood why it was unpleasant to me.
20:41It was the smell of a hospital.
20:44Of chloroform.
20:46And there was the woman.
20:48Her dark fur coat wrapped around her.
20:50Her jewels just showing at the neck.
20:52And she was stretched out on the bed, motionless.
20:56Instantly, I...
20:58I knew she was dead.
21:03In the next instant, I thought I would go mad.
21:07The blood on her face was congealing.
21:10Her skin was cold.
21:12I knew then that she'd been dead for an hour at least.
21:15And that what I saw in the street was not real.
21:20This was the shock that Dr. Henry had warned me to avoid.
21:23And what happened then?
21:25Well, I...
21:26I heard the door open up downstairs.
21:29Someone came in.
21:30The one she'd been expecting, no doubt.
21:32And suddenly, I realized the...
21:35The danger of my being found there beside a woman who had obviously been murdered.
21:40Well, I slipped into another bedroom.
21:41And when he went into that room with her, I slipped out and crept downstairs.
21:44I stumbled and he heard me and I came out.
21:47I ran down and out into the fog, into the street and away.
21:50How long I ran or where, I don't know.
21:55When I was exhausted, I stopped.
22:00And then you came and found me.
22:03Well, what do you think?
22:08Tall tale, isn't it?
22:09Yes.
22:10Strange, but not incredible.
22:12I see no reason to disbelieve anything you've told me.
22:15Things equally remarkable, equally incredible, happen every day in a big city.
22:20I know from personal experience.
22:23Oh, I could give you many instances.
22:24But the woman, I saw her, and yet she was already dead.
22:27Such things are hard to explain.
22:30Perhaps cannot be explained, except, of course,
22:32your mind in its present state may still play tricks on you.
22:36Perhaps you saw a woman in the fog and followed her.
22:39You may have missed her and only thought you saw her going to that house.
22:43But what about the dead woman?
22:44She was real or not?
22:45Perhaps, perhaps not.
22:47She, too, may have been just fantasy.
22:50You may never have left the street.
22:53No.
22:53No, I'm sure of that, at least.
22:55I must believe it.
22:56She was real, and the man who came up the stairs was real.
23:00If I didn't believe that, I think I should go mad.
23:02Yes, perhaps that is important.
23:05Then, let me see.
23:07Have you any proof of what you saw?
23:10Something, perhaps, that you carried away with you?
23:13None.
23:15But...
23:15But wait.
23:17I left something there.
23:19My hat.
23:21I left it on the bed beside her body.
23:24My initials were in it.
23:25Ah.
23:25And so, if it was all real, I shall be getting a visit from the police one day soon.
23:32Perhaps.
23:33And then I'll know.
23:35And I'll be charged with murder.
23:38I don't think so.
23:40You think the police would believe this fantastic story?
23:42As I told you, many strange things happen in a city like this.
23:46For instance, I knew of a similar case many years ago.
23:49Strangely similar case.
23:52Almost a coincidence.
23:53Would you like to hear it?
23:55I...
23:56Yes, I suppose so.
23:59It happened during the last war.
24:01A colleague of mine, a surgeon now dead, married a charming girl, young and beautiful.
24:06He was wealthy, and they lived comfortably for many years.
24:09They seemed happy together.
24:10Then came the war, and he went overseas.
24:14His income was stopped, of course.
24:15The big house closed.
24:17His wife found life not so pleasant as before.
24:20And somehow she blamed her new hardships on him.
24:23You see, she was devoid of imagination, without any power for sacrifice.
24:27But she was still young and beautiful.
24:31The inevitable young man came along to console her.
24:35He was rich.
24:36They planned to go off somewhere.
24:37Only by chance, the husband came back from overseas suddenly.
24:44Just in the nick of time.
24:46Well, he should have let her go.
24:47He was well rid of her, I'd say.
24:50Well rid of her, yes.
24:52Only he decided to make the riddance final.
24:55He decided to kill her and her lover.
24:59You see, he loved her.
25:02He planned the time and place carefully.
25:05They met, he knew, in the big house.
25:07Now closed.
25:09He waited for them there.
25:11The plan failed, however, in one important detail.
25:15She came at the appointed time, but without her lover.
25:19She found death waiting for her.
25:22Completely painless death.
25:24But the lover did not come.
25:26The door had been left open for him.
25:28The house was deserted, and it was a foggy night like tonight.
25:30But he did not come.
25:34Instead, a stranger came.
25:37I...
25:38And where was the surgeon all this time?
25:43Waiting outside, concealed in the fog.
25:46He saw the man go in, and he followed him to kill him.
25:49But the man was a stranger.
25:50He came in by chance, like you, to shelter from the fog.
25:55I think that I should...
25:57Why?
25:58What is the matter, sir?
25:59Well, I...
26:00I really must be going.
26:03Of course, if you wish.
26:04Thank you for your kindness and hospitality.
26:08Oh, it's been a pleasure, young man.
26:09I enjoyed your story.
26:11Although I confess I expected one a little different.
26:15Your coat.
26:18I'll walk with you to the door and give you the directions.
26:22Ah, you're in luck.
26:24I think the fog's lifting a bit.
26:27Doctor, may I ask?
26:30Your friend, the surgeon.
26:33Was he ever caught?
26:34Ah, that's the part of the story I don't know.
26:38He was clever enough so that I doubt it.
26:40Unless he told somebody, made a confession.
26:44I see.
26:45And even so, unless that other person had some proof.
26:50Oh, by the way, you...
26:51You can't walk about in the fog without a hat.
26:53Here.
26:54It's an extra one of mine.
26:56You needn't trouble to return it.
27:01Thank you very much.
27:11I went out of his consulting room.
27:15With a hat on my head.
27:18In ten minutes, I was at the tube station.
27:22It was only there that I permitted myself to take off the hat.
27:26And look at it.
27:28It was my own.
27:31The hat I had left on the bed.
27:34Beside the dead woman.
27:35Escape is produced and directed by William N. Robeson.
27:50And tonight brought you Confession by Algernon Blackwood.
27:54Adapted for radio by John Dunkel.
27:57With Bill Conrad as O'Reilly.
27:59Ramsey Hill as the doctor.
28:01And Peggy Weber as the woman in the fog.
28:04Music was conceived and conducted by Cy Fuhr.
28:07Next week.
28:14You are trapped in the dark maze of the native quarter of Mozambique.
28:19A dead man at your feet.
28:21The police closing in around you.
28:23And beside you is a girl.
28:26With whom you must escape.
28:28Music.
28:41Next week, we escape with Percival Gibbons' fast-moving adventure,
28:45Second Class Passenger.
28:48Good night, then, until this same time next week,
28:51when again we offer you Escape.
28:53Escape.
29:07This is CBS, the Columbia Broadcasting System.
29:1718th August 1, 1292, 52.
29:22Woof.
29:23Jamie, what the story is?
29:23You are too many friends atwater stop-movingliga,
29:25whoơnjo次.
29:25They don't know da,
29:26do not know.
29:28Police.
29:28That's what you need to do in love.
29:29Housing.
29:29Mad road.
29:30認為 deber?
29:30Cum.
29:30плane hä采 swerveddo.
29:31That's so good.
29:31It's right, sir.
29:32I would enjoy that I'd rather not know that you are 제일
29:33in love.
29:34That's so good.
29:34That's so good.
29:35I'd rather have ever been,
29:36because every trip with you,
29:36then it's my happy life.
29:38Looking at the world right,
29:39that's one place.
29:39And a way you to find the universe.
29:41So not really,
29:42it's in love.