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Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:20Sorry, I don't do private dances.
00:00:22She'll strip her money, but you won't fuck a guy?
00:00:24I'm not a hooker, show some respect!
00:00:28You fucking bitch, I'll show you respect!
00:00:31Mr. Morgan, I am so sorry!
00:00:33She's new here, I've got to train her better.
00:00:36Just have a seat, we'll be with you shortly.
00:00:38Sorry about that.
00:00:44You ungrateful bitch!
00:00:46You remember who saved your ass?
00:00:48When you were knee deep in debt?
00:00:50Me!
00:00:55How are we doing with the search?
00:00:56Not good, boss. I'm still going.
00:00:59Find her. I don't care what it takes.
00:01:05I found the perfect woman for you.
00:01:07It's about time you settle down and get married.
00:01:09Her name is Carla. She's a daughter of a friend of mine.
00:01:12Dad, we've been over this.
00:01:14I don't need you to find me the perfect woman.
00:01:16Of course I do. You're an Arduin.
00:01:18I have to make sure my son marries the perfect woman.
00:01:20So now all of a sudden you give a shit about me?
00:01:22You never care when you drove mom away.
00:01:24Or when you sent me to that orphanage all by myself.
00:01:27Silence! How dare you!
00:01:29It's for the Arduin family business.
00:01:31You're marrying Carla Jennings.
00:01:33End of discussion.
00:01:34Dad.
00:01:35Dad.
00:01:37Dad.
00:01:41I paid your 500 grand debt.
00:01:43And I gave you a job.
00:01:44Now if you want to quit so bad, pay me back and get the fuck out of my club.
00:01:49Please, you know I don't have $500,000. Just give me another chance.
00:01:53Then get the fuck back in there, apologize to that nice gentleman,
00:01:57and do whatever the fuck he tells you to do.
00:02:00Now if I get any more complaints from our clients, you will be sorry.
00:02:04Got it?
00:02:06Is there a problem here?
00:02:08No, sir. Everything's fine.
00:02:11She looks just like her.
00:02:19Will you marry me?
00:02:28Will you marry me?
00:02:33Now let's tell my father I've chosen a wife for myself.
00:02:35Are you sure, boss?
00:02:37She's a stripper.
00:02:38How about we make a deal?
00:02:40Name any price you want, then we get married.
00:02:43I owe my boss $500,000.
00:02:46He's not gonna let me go until I pay it.
00:02:49Anything else?
00:03:01This is your house?
00:03:03It's our house now.
00:03:05Welcome.
00:03:06Alright.
00:03:07Sign this agreement, and we'll be contractually married for a year.
00:03:18After that, you can file for divorce.
00:03:20Until then, you're part of the richest family in the country.
00:03:24My heart belongs to somebody else, though.
00:03:36I want you to know that I'm not attracted to you.
00:03:39We're just gonna be married on paper.
00:03:43Is that so?
00:03:44Well, don't worry.
00:03:46I'm not attracted to you either.
00:03:48I just wanted the money.
00:04:02Hey, where am I staying, by the way?
00:04:04In the guest room.
00:04:05Wow.
00:04:06Total jerk.
00:04:07This isn't bad.
00:04:08It's been over 10 years.
00:04:10I miss you so much.
00:04:26I miss you so much.
00:04:56Nuss, I need you to find out everything you can about the woman I just married.
00:05:00See if she grew up in the same orphanage.
00:05:03Sorry, I didn't mean to.
00:05:19This is my bathroom.
00:05:21What do you think you're doing?
00:05:23Nice try.
00:05:24Trying to use your little tricks to get my attention.
00:05:26It's not gonna work, though.
00:05:28Sorry.
00:05:29I wasn't trying to get your attention.
00:05:32You mind turning that off?
00:05:39I just thought the carpet needed some cleaning.
00:05:43You're here to be my wife, not a maid.
00:05:46Who are you?
00:05:49Wait, you're that stripper.
00:05:54What are you doing in Edward's house?
00:05:57I am.
00:05:58Who are you?
00:05:59I am Edward's fiancé.
00:06:05Edward, you're marrying a stripper?
00:06:08I thought I was your fiancé.
00:06:10My father arranged for us to get married only for the sake of our families.
00:06:14We wouldn't be happy even if we did get married.
00:06:17But I would be happy, Edward.
00:06:19Carla, you know I have someone that I love.
00:06:22She's the one I'm waiting for.
00:06:24I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:31dumber than I thought.
00:06:33Miss, get it straight.
00:06:35I'm not competing with you.
00:06:37Stop it.
00:06:39Edward!
00:06:40Are you defending her now?
00:06:43You're not a dumb bitch.
00:06:45Just wait.
00:06:46Wow.
00:06:47You got a lot of admirers, huh?
00:06:50Need more that I need to watch out for?
00:06:52Look, if you see me in the living room, don't show your face.
00:06:57Same will go for me.
00:06:58Your house, your rules, big deal!
00:07:00Hi, I'm Velma.
00:07:11I've worked a lot of odd jobs in the city.
00:07:17Waitressing and working in nightclubs.
00:07:22All for a chance to act.
00:07:30I'm also looking for someone.
00:07:35And I hope that one day he sees me on screen.
00:07:44That way he knows that I'm still here.
00:08:00Okay.
00:08:01I hope you see me.
00:08:05That's okay, Sarah.
00:08:20Thelma doesn't need to dine with me.
00:08:22Bring my food to my room and I'll eat there.
00:08:24Yes.
00:08:25It's fine.
00:08:27I usually don't eat with people anyway.
00:08:30By the way, I'm going out for a bit today.
00:08:33Where you go is none of my concern.
00:08:36Fine!
00:08:41Is he always this big of a jerk?
00:08:44Excuse him, ma'am.
00:08:45He's just used to living alone.
00:08:47I'm sorry, Sarah.
00:08:49It must be difficult dealing with him every day.
00:08:51It's okay.
00:08:52Yeah.
00:08:53I'll be right there.
00:08:59Okay.
00:09:00Sit.
00:09:01So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:07Is it true?
00:09:08I didn't know that he was a billionaire until after we were married.
00:09:13You're joking!
00:09:14How did you manage that?
00:09:15Shh!
00:09:16I just signed a contract.
00:09:17It's fake.
00:09:18What?
00:09:19Well, who cares?
00:09:20What are you waiting for?
00:09:21Seal the deal.
00:09:22I know that I can't think of the deal with you.
00:09:24I know that I can't think of the deal.
00:09:25I know that I can't think of the deal.
00:09:27That's right.
00:09:28Okay, sit down.
00:09:30Okay, sit down.
00:09:31It's fake.
00:09:32What?
00:09:33Well, who cares?
00:09:34What are you waiting for?
00:09:35Seal the deal.
00:09:36I don't know that I can't think about anyone but Algar.
00:09:39T, it's been 10 years since you two escaped the orphanage.
00:09:43I mean, Algar could be anywhere.
00:09:45He could be dead.
00:09:46He's not dead!
00:09:47Okay, um, it's okay.
00:09:50I'm sorry.
00:09:51So, what's your plan?
00:09:54Keep things the way they are, I guess.
00:09:57Now I can focus more on acting and not dancing in strip clubs.
00:10:02Hey!
00:10:03That's exciting, right?
00:10:04That's something you've always wanted to do since you were a kid.
00:10:06Is that audition today?
00:10:08Yeah!
00:10:16Hi, I'm here for the audition.
00:10:19You think you could just show up like that, you slut?
00:10:22Are you stalking me?
00:10:23Oh, don't flatter yourself.
00:10:24I'm the lead of this production.
00:10:25She's not auditioning.
00:10:26Sorry.
00:10:27You can't do this.
00:10:28I worked so hard for this opportunity.
00:10:29Oh, like stripping for men and fucking them in strip clubs?
00:10:30Got it.
00:10:31I was dancing.
00:10:32That's it!
00:10:33What's the fucking difference?
00:10:34I eat girls like you for breakfast.
00:10:35You can't do this! I've worked so hard for this opportunity!
00:10:40Oh, like stripping for men and fucking them in strip clubs?
00:10:44Got it! I was dancing, that's it!
00:10:47What's the fucking difference?
00:10:49I eat girls like you for breakfast.
00:10:52Let's go, Derek.
00:10:56No! Please! Wait!
00:11:05Be quiet.
00:11:35You...
00:11:43Boss, get the details.
00:11:46Thelma, she went to high school not far from here.
00:11:50Dropped out. The husband auditioned for films.
00:11:53She worked at nightclubs to make a living.
00:11:56Bad relationship with her parents.
00:11:59But not an orphan.
00:12:07No name changes.
00:12:09And definitely never been to an orphanage.
00:12:20I wanted it to be her so bad.
00:12:23Of course it can't be Helen.
00:12:25You've been looking for this girl for 10 years.
00:12:28Who is she?
00:12:29Someone more important to me than life itself.
00:12:32Hmmmm...
00:12:34Hmmmm...
00:12:42Oh my god.
00:12:44It is her!
00:12:50Find me the location where this photo was sent.
00:12:52Who said?
00:12:53Got it?
00:12:54Photo's been sent.
00:12:55Good.
00:12:56Where is she?
00:12:57Oh...
00:12:59Out like a lame.
00:13:01I guess marrying Edward won't solve everything.
00:13:04I hope you've got it.
00:13:05Do whatever you want with her.
00:13:07And clean it after you're done.
00:13:22I've been searching for you for so long and you were right here.
00:13:29in someaciones and put the money aside.
00:13:49Boss!
00:13:50He's gone!
00:13:51Find him.
00:13:52And keep this between us.
00:13:53Got it.
00:13:54You got it.
00:13:55Algar, save me.
00:13:57Come on.
00:13:58I got you.
00:14:11Algar.
00:14:13I'm sorry.
00:14:15I can't tell you who I am.
00:14:18Not yet.
00:14:24We'll need your names once we're out of here, right?
00:14:39Yeah, we're starting a new life.
00:14:41I'll be...
00:14:43Thelma.
00:14:44What about you?
00:14:45Algar.
00:14:47Helen!
00:14:48Where are you?
00:14:50You have to run quick.
00:14:52Trying to escape again?
00:14:53I've warned you it's not gonna work.
00:14:56Looks like I gotta give you some real punishment.
00:14:59You go first.
00:15:00At least one of us needs to escape.
00:15:02No.
00:15:03You go.
00:15:04She's gonna kill you.
00:15:05I won't let her catch me.
00:15:07Just go.
00:15:08I'll find you.
00:15:09Let's meet the amusement park.
00:15:14I'll wait for you, Algar.
00:15:16I'll wait for you, Algar.
00:15:17I'll wait for you.
00:15:18I'll wait for you, Algar.
00:15:23I'll wait for you, Algar.
00:15:24What happened?
00:15:25Nothing to worry about.
00:15:26Just some issues with the film crew.
00:15:28Why are you being so nice to me?
00:15:30I'll wait for you, Alger.
00:15:37What happened?
00:15:44Nothing to worry about. Just some issues with the film crew.
00:15:48Why are you being so nice to me?
00:15:51No reason. Here, take this card.
00:15:55It's unlimited. Spend it however you want.
00:15:58Why are you doing this? I don't want your money.
00:16:03Well, if you need money, just let me know.
00:16:05And you can stop looking for odd jobs.
00:16:12Odd jobs? Acting is my dream.
00:16:16I danced in strip clubs for a living,
00:16:19but people like you, born from a silver spoon, wouldn't understand that.
00:16:24Then stop doing it.
00:16:26We're in a contract marriage, right?
00:16:29I won't interfere with your life and you can't meddle in mine.
00:16:33Acting is something that I've always wanted.
00:16:36And besides, I'm not gonna take your money besides the number that we agreed on.
00:16:42I need to rest now.
00:16:45I need to rest now.
00:16:49Do you mind?
00:16:50Do you mind?
00:16:51I need to rest.
00:16:52You have to stay an opposite.
00:16:53Here they are.
00:16:54What if you need to go to bed?
00:16:56I need to rest now.
00:16:57I'm standing back in my seat, so...
00:16:58Be still here.
00:17:00See it.
00:17:01Look at this mess.
00:17:04Clean it up if you even think about going to bed.
00:17:10Look at this mess.
00:17:12Clean it up if you even think about going to bed.
00:17:29Eat up. He must be starving.
00:17:33Nah, he probably worked hard for this.
00:17:36Come on, take it.
00:17:40I can't believe she locked you out for three days and made you do all this.
00:17:46Did she even feed you all?
00:17:48You made it easier for me.
00:17:50No, get back before she sees you here.
00:18:10Excuse me, I'm calling to ask about my audition.
00:18:14I'm sorry, your name has been blacklisted from reproduction.
00:18:18What?
00:18:24This is the dude who took them out and sent you those pictures.
00:18:28How about a drink?
00:18:38There are two glasses of scotch there.
00:18:40Pick one.
00:18:42I'm sorry, Mr. Hepburn.
00:18:44Please.
00:18:45Just a friendly gesture from the boss.
00:18:48One more thing.
00:18:50Only one of those glasses is poison-free.
00:18:54You should have known better
00:18:56that would happen when you kidnapped Emma.
00:18:58Here, I'll do it for you.
00:19:00I'll do it for you.
00:19:01Hold it!
00:19:05Go!
00:19:08Go!
00:19:16Take him away.
00:19:17This is what I've become, Thelma.
00:19:27I hope you never see me like this.
00:19:30Ruthless.
00:19:31Merciless.
00:19:34Both glasses would have silenced the man.
00:19:38But I simply can't forgive him for what he did.
00:19:44Thelma, will you forgive me?
00:19:47What?
00:19:53What the fuck happened to you?
00:19:55How did he find you?
00:19:56What happened?
00:19:58Oh, you can't even talk now?
00:20:01God, you fucking useless!
00:20:05Inform every production you can reach.
00:20:07Thelma will never be an actress.
00:20:12Make sure of it.
00:20:15Go!
00:20:17Dad!
00:20:27Are you okay?
00:20:30I've been blacklisted by every production company.
00:20:34Even the Actors Guild.
00:20:36What am I gonna do?
00:20:37Okay.
00:20:38Don't lose heart, okay?
00:20:39I happen to know of an audition going on today if you're interested.
00:20:42Since when did...
00:20:43Good friend of mine tipped me off.
00:20:44Now come on.
00:20:45Let's go.
00:20:46Alright?
00:20:47It's better than moping around here.
00:20:48Come on.
00:20:50See?
00:20:51Here it is!
00:20:53So I can just go in there?
00:20:54Just like this?
00:20:55Yes!
00:20:56I got everything set up, okay?
00:20:57Just go ahead.
00:20:58Go in?
00:20:59And do your thing.
00:21:01You got this!
00:21:02Break a leg!
00:21:03What is she doing to you?
00:21:04Who is she?
00:21:05Nobody.
00:21:06She's not here for the audition too, is she?
00:21:07Well in that case, we're in for a truth.
00:21:19Carla Jenny you're up next.
00:21:20She's not here.
00:21:21Look at it.
00:21:22Watch out.
00:21:23Ahem.
00:21:24Ahem.
00:21:25Ahem.
00:21:26Ahem.
00:21:28Ahem.
00:21:29Ahem.
00:21:30Ahem.
00:21:31Ahem.
00:21:33I'm not too late.
00:21:34I'm not too late for the audition.
00:21:35I'm not too late.
00:21:39Oh no.
00:21:40Ahem.
00:21:44Ahem.
00:21:45Hey.
00:21:46Are you ready?
00:21:47I can't believe it! It was you, all along!
00:22:00That's right. I never thought you'd find me. But it must come to an end.
00:22:07Oh no!
00:22:17Cut! I'm sorry, were you shot or did someone just step on your toe?
00:22:28Can I just try again? I was just a bit nervous.
00:22:32Miss Jennings, we are making a thriller with a tragic ending. What you just did was borderline comedy.
00:22:39Excuse me? Do you know how close I am with your investor?
00:22:45Sir, she was indeed recommended for the role. May we give her another chance?
00:22:57No! No, no, no, no, no. We are creating art that appeals to our audience.
00:23:02And she is clearly not right for the role. Next!
00:23:07I'm sorry, Miss Jennings. That was great. Maybe another project or another...
00:23:12What are you still doing here?
00:23:15I thought you were blacklisted. So it was you.
00:23:18You know, if that's the best you got, then I'm not that worried.
00:23:21You think you could do better than me?
00:23:24Then you're nothing.
00:23:28Yeah! Show us what you got!
00:23:31So it was you. All this time!
00:23:50That's right. I never thought you would find me.
00:23:55But now it must come to an end.
00:24:01No! This can't be it for us!
00:24:11Cut!
00:24:14Well, that was amazing!
00:24:17You fully captured that role! Congratulations! You get the part!
00:24:23What?!
00:24:29What about me? You promised me!
00:24:31Oh, come on. You have to admit, she was exceptional!
00:24:34She is perfect for the part!
00:24:36Pearl! You killed it!
00:24:38You were great!
00:24:40I'm Alex. Looks like we're going to be team partners.
00:24:43Thelma!
00:24:44Hey, do you want to go somewhere more private?
00:24:46We can talk about the scripts.
00:24:47Yeah, sure.
00:25:02What the fuck?
00:25:03I'm hitting on the wrong girl, buddy.
00:25:05Edward, what are you doing?!
00:25:07I need to go talk to Thelma.
00:25:10How about you shoot another day?
00:25:16What are you doing?!
00:25:18Can you explain yourself?
00:25:19I don't owe you any explanations.
00:25:22So you're seeing new guys?
00:25:26What? No! We were just acting out a scene!
00:25:29A scene where you two get real close? Like a couple?
00:25:32I was just doing my job. There's nothing wrong with it!
00:25:35And besides, even if I was seeing someone, it would be none of your business!
00:25:46Yay! I heard you got the lead role. That's amazing. I knew you'd kill it.
00:25:52Janet, what is Edward doing here?
00:25:54Who?
00:25:55Come on, you know who I'm talking about.
00:25:56Oh, gosh, you still don't know, do you?
00:26:01You know what?
00:26:04Well, he's actually the investor of this movie.
00:26:07This is his project.
00:26:14Why did you bring me here then?
00:26:16Well, it was actually his idea.
00:26:23Hello?
00:26:25Hi, is this Jean?
00:26:26Who is this?
00:26:27This is Edward Arduin.
00:26:29I recently invested in a film project, and I want you to take your friend Thelma.
00:26:33I think she'll be great for a lead role.
00:26:36Wait, wait, you're Edward Arduin?!
00:26:38I wired the payment to your account. Thank you.
00:26:41Wait, wait, wait!
00:26:46I still can't believe I spoke to the legendary Edward Arduin.
00:26:50I can't believe you knew all this time and you didn't tell me.
00:26:53Oh, well, don't look at me.
00:26:55I'm just the middle man doing somebody else a favor, okay?
00:26:58And you still got the lead.
00:27:00It's amazing.
00:27:01But, you know, a lot of people say that Edward's not very nice.
00:27:06He's like a stone-cold man.
00:27:08So why is he being so good to you?
00:27:11Yeah, I don't get it either.
00:27:13I mean, women must be throwing themselves at him.
00:27:17Why would he help you?
00:27:26Maybe he's fallen for you.
00:27:28Come on, that's impossible.
00:27:30Why?
00:27:31He said some pretty harsh stuff earlier, so...
00:27:33No.
00:27:34Is that why you look all gloomy?
00:27:36What happened?
00:27:37Did you guys fight?
00:27:38He saw me doing a scene with another actor and...
00:27:41That's...
00:27:44Okay.
00:27:49Why do you care what he thinks, though?
00:27:53Come on, girl.
00:27:54This does not sound like you.
00:27:55Are you sure you haven't fallen for him, too?
00:27:57No, it's just...
00:28:00There's something about him that's...
00:28:03Familiar, like...
00:28:05Like...
00:28:07I've seen him before.
00:28:09Hm.
00:28:27I think I didn't see you here, Helen.
00:28:30This place is depressing.
00:28:31I don't know if I could make it without you.
00:28:35You're the one protecting me.
00:28:38I can't stand watching you getting hurt.
00:28:40You're as sweet as a sugar pea.
00:28:42Can I call you sugar pea?
00:28:43Sure.
00:28:44As long as I can call you my little rock.
00:28:47My little rock?
00:28:48Cause you make me feel safe.
00:28:50Like a rock fell and I'll never break.
00:28:53Deal.
00:29:01Elker...
00:29:04What have you done to me?
00:29:06I see your face everywhere.
00:29:10I see your face everywhere.
00:29:22Oh, good.
00:29:23Just in time.
00:29:24I see your face everywhere.
00:29:31Damn.
00:29:34Why are you being so nice to me?
00:29:40Look, I'm...
00:29:42Sorry about today.
00:29:44It was...
00:29:45Stupid of me to react that way.
00:29:48No, I mean...
00:29:49Why did you help me get the role for your film?
00:29:54Well, you...
00:29:58Won't take my money.
00:30:00And...
00:30:01I can't allow the wife of Edward Ardoin to just work a regular job.
00:30:06Oh.
00:30:07Okay, so that's why.
00:30:09Mm-hmm.
00:30:10They're all rich people listening to themselves.
00:30:12What was that?
00:30:14Nothing.
00:30:15This is great.
00:30:20You know, you can be real sweet sometimes.
00:30:23This is delicious.
00:30:25I'm glad you like it.
00:30:28Sweet pea.
00:30:33Good morning, ma'am.
00:30:35Edward has left already.
00:30:39I saw you were cooking last night.
00:30:41I watched your utensils.
00:30:43Uh, yeah.
00:30:45It was Edward.
00:30:47He is the cook.
00:30:48Edward.
00:30:50Gotta go.
00:30:53I'm good.
00:30:58What is going on?
00:31:00What are we waiting for?
00:31:01Let's get started!
00:31:02One of our lead roles is not here yet.
00:31:05Oh, my God.
00:31:07The one thing I ask everyone here is to be professional.
00:31:12Woo!
00:31:13Sorry, guys.
00:31:14Traffic was nightmare.
00:31:16All right.
00:31:17I'm ready to start.
00:31:19Wait, I thought that she didn't get the part.
00:31:21Well, how about that?
00:31:23Looks like I'm gonna be playing your SD.
00:31:27After this, nobody's even gonna remember you.
00:31:30We'll see about that.
00:31:3542 Delta take two.
00:31:37Ready!
00:31:38And...
00:31:39Action!
00:31:40You have to leave now!
00:31:41Not without the love of my life.
00:31:43I'll wait for him no matter what!
00:31:51Cut!
00:31:53What do you think you're doing?
00:31:55Just playing my role.
00:31:56I don't want to say maybe I'm just using that.
00:31:59Carla!
00:32:00What the hell was that?
00:32:02That wasn't even in the script.
00:32:04I was just adding some extra touch to it.
00:32:06You know?
00:32:07For the sake of art.
00:32:08Art?
00:32:09A slap doesn't make any sense.
00:32:11And who gave you the authority to change my script?
00:32:16It's fine.
00:32:17She can hit me.
00:32:19Oh.
00:32:20Thelma, are you sure about this?
00:32:22It's all good if it's all for the sake of the effect.
00:32:26Wow.
00:32:27I knew I was right.
00:32:28I'm choosing you as my lead.
00:32:31Okay, okay.
00:32:32Back to ones, please.
00:32:34Yes, thank you.
00:32:35Can you pick up my script?
00:32:37And...
00:32:38Action!
00:32:39You have to leave now!
00:32:41Not without the love of my life.
00:32:43I'll wait for him no matter what!
00:32:47Edward?
00:32:48Good to see you here.
00:32:54Were you watching me?
00:32:56Me and Thelma make a perfect team, don't we?
00:32:59Jay, have these two switch roles.
00:33:01I want Thelma to do the slapping.
00:33:04Since it's all for the sake of art.
00:33:13But Thelma's the lead.
00:33:14Yeah, that wouldn't make any sense.
00:33:17We can't make more changes to the script, Ed.
00:33:19We're already behind.
00:33:21Better get right to it then.
00:33:23You don't have to do this for me.
00:33:25I'm not doing it for you.
00:33:27I'm doing it for my own investment.
00:33:28All right, uh, we have added a line to the script.
00:33:38So now, Thelma, uh, Carla's new line will be your cue for the slap.
00:33:45Got it?
00:33:47All right, and...
00:33:49Action!
00:33:51You have to leave now!
00:33:53Not without the love of my life.
00:33:55I'll wait for him no matter what!
00:33:56What?
00:33:57What if he's dead?
00:33:58What if he finds somebody else?
00:34:00You're just gonna spend the rest of your life waiting for someone who will never come?
00:34:09Then I'll be sure to leave no room for regret.
00:34:14Cut!
00:34:15Oh!
00:34:16Oh!
00:34:17Bravo!
00:34:18That was perfect, Thelma!
00:34:21You handled that perfectly!
00:34:23Thelma, were you not supposed to slap Carla after that line?
00:34:27Uh, no need for that.
00:34:29I think that my character is above that kind of pettiness.
00:34:31I'm going to expose you, Thelma.
00:34:32Sooner or later.
00:34:33I'm going to expose you, Thelma.
00:34:34Sooner or later.
00:34:35I'm going to expose you.
00:34:36Sooner or later.
00:34:40I'm going to expose you, Thelma.
00:34:42Sooner or later.
00:34:44I'm doing fine.
00:34:47But I'm not sure to find you.
00:34:55Where are you, my little rock?
00:34:58I'm doing fine.
00:35:00Don't you worry.
00:35:04You know it's bad to waste food.
00:35:06Do you think you deserve to be punished?
00:35:08Yes, headmistress, I do.
00:35:11Ma'am, Helen's sick. That's why she couldn't finish.
00:35:14Isn't that sweet?
00:35:16Too bad, she's getting more punishment because of you.
00:35:20Isn't that sweet?
00:35:22Well, if you so insist, you can take it for her.
00:35:25Oh, get off.
00:35:28You're alright.
00:35:41Found the worker who leaked info to our computer.
00:35:44A manager who's worked with us for 20 years.
00:35:47What do we do with him?
00:35:49Uh, fire him.
00:35:52Sue him if we need to.
00:35:54Can't have disloyalty in the company.
00:35:57Why wound him and his family?
00:35:59So be it.
00:36:01Fine.
00:36:03Can't have disloyalty.
00:36:05Who can you talk to me?
00:36:06Can't have disloyalty in the company.
00:36:08Can't have disloyalty in the company.
00:36:09Exactly.
00:36:10How could you do that?
00:36:11Yeah, yes.
00:36:12A single person of business.
00:36:13Then we're off.
00:36:14Who could you talk to us.
00:36:15When is it possible?
00:36:16We think it's all beautiful,
00:36:17and we're you.
00:36:18How could you do that?
00:36:19And how would you go?
00:36:20You could, you know what,
00:36:21what?
00:36:22And how could you do it?
00:36:23Where do you know what?
00:36:25How could you do it?
00:36:26Elker
00:36:45Elker
00:36:56Elker
00:37:04Elker
00:37:08Elker
00:37:16Elker
00:37:18Elker
00:37:24Elker
00:37:30Elker
00:37:33Elker
00:37:36Elker
00:37:38Elker
00:37:45Elker
00:37:50Nothing.
00:38:01I carried you to your bed last night, and that was it.
00:38:07No, seriously, what are you doing?
00:38:10Nothing, sweet pea.
00:38:12What did you just call me?
00:38:15Sweet pea.
00:38:18You sat in your sleep last night.
00:38:20I see.
00:38:24Well, don't ever do that again.
00:38:26Sure.
00:38:40Hi.
00:38:42Could you maybe explain this scene a little bit?
00:38:44I'm not sure if I get it.
00:38:45I mean, it is pretty straightforward.
00:38:47Just do what it says without improvising.
00:38:49Well, Emma, you were so great yesterday.
00:38:56I want to go over this one part.
00:38:58Now, when you say this line, I'm about...
00:39:01We'll see who wins.
00:39:05Nos, what am I doing this afternoon?
00:39:07Well, it's kind of a very important meeting.
00:39:11Did you forget?
00:39:12Canceled.
00:39:14Canceled.
00:39:15Send them my apologies.
00:39:17What?
00:39:19So, what do you normally do when you're not working?
00:39:21Uh, I do striptease.
00:39:24Oh.
00:39:24I was thinking more along the lines of going to the movies.
00:39:29There's actually a good one out right now.
00:39:32I mean, maybe if you're interested, we could try to catch it together.
00:39:35Sorry, but I really need to focus on this job right now.
00:39:39Oh, yeah.
00:39:39Sure, sure.
00:39:40You're a really interesting person to talk to.
00:39:44You know that?
00:39:46Edward!
00:39:48Are you here to see me?
00:39:51Oh, you're a brutal dad.
00:39:53Oh.
00:39:55Edward?
00:39:56It's not for you.
00:39:57I'm sorry.
00:39:58Why is she still talking about you?
00:39:59Go put the snacks in the lounge.
00:40:03Got it, boss.
00:40:09Edward?
00:40:11What's your name again?
00:40:13Actually, it doesn't matter.
00:40:15What were you talking to my wife about?
00:40:25Oh.
00:40:25Thelma, I had no idea that you were married.
00:40:30Oh, don't worry about it, man.
00:40:32We were just talking about stuff in the script.
00:40:35Is that right?
00:40:36Hey, so you must be Edward Ardoin.
00:40:39I've heard a lot about you.
00:40:41I'm Alex.
00:40:42Cool.
00:40:43Bye, Alex.
00:40:44Great.
00:40:45Yeah, well, I'll see you later, Thelma.
00:40:48No, you won't.
00:40:49Good.
00:40:50You guys are all here.
00:40:51Edward brought snacks.
00:40:52They're in the lounge if anyone wants some.
00:40:54Yes, I'll come.
00:40:55What?
00:40:55Snacks.
00:41:02Edward doesn't usually come to set this often.
00:41:05He's quite the busy man.
00:41:06I think he's here to see you.
00:41:08He's here to see Carla, not me.
00:41:10Oh, please.
00:41:11Can you not see the way he looks at you?
00:41:14Whatever.
00:41:15Oh, speak of the devil.
00:41:18I will give you two some privacy.
00:41:19Wait, see?
00:41:20No, don't.
00:41:21Excuse me.
00:41:22You're getting out of hand.
00:41:30Don't forget, I'm the one who hired you.
00:41:32Excuse me?
00:41:33Stay away from Alex.
00:41:35Got it?
00:41:36What are you talking about?
00:41:37There's nothing going on between us.
00:41:38Besides, you came here to see Carla.
00:41:40So you're jealous.
00:41:46What are you talking about?
00:41:47I'm not just...
00:41:48What are you doing?
00:41:59Carla and I are together.
00:42:01I'm here for you.
00:42:02You really expect me to believe that?
00:42:05Carla.
00:42:10Yeah, girl?
00:42:14What?
00:42:22Jean, are you absolutely sure?
00:42:24Yes.
00:42:25Positive.
00:42:25I used to know this guy from the streets
00:42:27and he and Algar drifted around for months.
00:42:30So where is he?
00:42:32Well, they later got separated
00:42:34so he has no idea after that
00:42:35but that's got to mean that Algar's still alive, right?
00:42:39Oh my goodness.
00:42:41Thank you so much.
00:42:42You have no idea how much this means to me.
00:42:44It's been ten years.
00:42:47Don't forget, you are married too.
00:42:50What are you going to do?
00:42:51I'll divorce him once our contract is up.
00:42:54I needed the money.
00:42:56Algar will understand.
00:42:58I don't know.
00:42:59Edward seemed really into you.
00:43:03Actually, Jean, I think I should keep my distance from him.
00:43:06You okay?
00:43:18Yeah.
00:43:23Want to tell me what happened?
00:43:24I just want to be alone for a bit, okay?
00:43:29Is this about Carla?
00:43:32I told you I went to see you, not her.
00:43:35Edward, I don't care who you're seeing.
00:43:37We're only married on paper, right?
00:43:39Is this because we're moving too fast?
00:43:50Is this about Carla?
00:43:53I told you I went to see you, not her.
00:43:56Edward, I don't care who you're seeing.
00:43:58We're only married on paper, right?
00:44:03Is this because we're moving too fast?
00:44:06I just think that we should keep our distance.
00:44:11Please.
00:44:19Thought she was playing hard to get, huh?
00:44:21Maybe she doesn't want to seem too eager.
00:44:24I mean, why would anyone reject you?
00:44:27It's impossible.
00:44:29Come on.
00:44:30Let's get to the set.
00:44:31Hey, Thelma, you'll be wearing this dress for the next scene.
00:44:38Is that okay?
00:44:38That's fine.
00:44:42So you think you could just take whatever you want?
00:44:49I thought this was my personal changing room,
00:44:52like it's always been.
00:44:54Carla, this room is for the lead role.
00:44:56Yours is outside.
00:44:57Well, actually, I'm all done here.
00:45:01Carla loves taking things that aren't hers.
00:45:03Be my guest.
00:45:04Use it.
00:45:06Oh.
00:45:07Well, aren't you quite generous then, hmm?
00:45:10Edward's not here so you can drop the act.
00:45:13We actually need to get back to work,
00:45:15if there's nothing else.
00:45:17Actually, I can finish my makeup myself.
00:45:23Go on.
00:45:24What do you want to talk about?
00:45:25Well, let's make a deal.
00:45:27A deal?
00:45:31Who the fuck do you think you are?
00:45:33Well, as far as I know, I'm Edward's wife.
00:45:41Gunner, deal.
00:45:42Stop picking fights with me.
00:45:43Stop giving me a hard time on set,
00:45:45and I won't take anything away from you.
00:45:47I'll actually help you with whatever you and Edward have going on.
00:45:54All right, deal.
00:45:55I'm done with this room, by the way.
00:45:58It's yours if you still want it.
00:46:00I don't need your pity.
00:46:01Don't you have, like, business to run?
00:46:16What are you doing here all day?
00:46:18Hey, um, actually, about what happened.
00:46:28I think that we should talk.
00:46:30Why don't you meet me in the lounge after we wrap up?
00:46:33Why can't we talk now?
00:46:35Wanted to be a surprise.
00:46:37See you later.
00:46:38What does she want to talk about?
00:46:50Does she not want to see me?
00:46:53Hi, Edward.
00:46:54I don't want to talk to you later.
00:46:55Carla?
00:46:58Why are you here?
00:46:59Where's Stella?
00:47:00Who should I be?
00:47:02Maybe you don't have a script?
00:47:06What are you doing?
00:47:07Are you trying to set those two up?
00:47:09Yeah, and if they're together,
00:47:11then they'll have nothing to do with me.
00:47:14Sounds like a terrible idea.
00:47:16Well, if you have a better idea,
00:47:18then let's hear it.
00:47:18Edward!
00:47:25If they're together,
00:47:27then they'll have nothing to do with me.
00:47:30Well, as long as you're okay with this.
00:47:33Of course I am.
00:47:35Why wouldn't I be?
00:47:36I mean, now I can just focus on what really matters,
00:47:40and I can try to find Algar.
00:47:44Edward!
00:47:46What the fuck are you doing?
00:47:48Whatever games you're playing,
00:47:56you need to stop.
00:47:57What are you talking about?
00:47:59You came here to see Carlos, right?
00:48:01Dalma, come on.
00:48:03Edward, we're going to be divorced really soon.
00:48:06So?
00:48:07So if you're attracted to somebody,
00:48:09then go for it.
00:48:09I want you to be happy.
00:48:11The only person I love is you.
00:48:12You.
00:48:12Edward, how could you?
00:48:21Everything I do for you, Carla,
00:48:23I do for your father.
00:48:25He looked out for me,
00:48:27so this is me paying him back.
00:48:29I'm already in love with somebody else.
00:48:39It's never going to be you.
00:48:41But if that man didn't exist,
00:48:43would you consider me?
00:48:44Stop it, Edward.
00:48:45It's never going to happen.
00:48:46It's never going to happen.
00:48:46What do I do, Algar?
00:48:54I know you're out there.
00:48:57What do I do?
00:48:57Boss, you've been here for a while.
00:49:12Is everything okay?
00:49:16Why don't you tell her
00:49:17you're the one she's looking for?
00:49:20Do you remember what I did
00:49:22to return to the Ardoin family?
00:49:27About Algar.
00:49:37Are you telling me
00:49:38that Mr. Ardoin knows
00:49:40his illegitimate son is Algar?
00:49:43Yes.
00:49:44And now the old man wants him back.
00:49:48Another brat to share their inheritance.
00:49:51If I could only get rid of his mother,
00:49:55getting rid of him
00:49:55shouldn't be a problem.
00:49:57Madam, it's our fault.
00:50:00Please don't withdraw
00:50:01your donation to the orphanage.
00:50:03If we work together on this,
00:50:06I could even help you.
00:50:09Get rid of Algar.
00:50:12For good.
00:50:17Take care of it.
00:50:19But make sure we lose it.
00:50:24Shall we go to the Ardoin?
00:50:25Rose Garden?
00:50:26Yes, please, sir.
00:50:27I must have to see it.
00:50:28I hope to.
00:50:29Goodness, sir.
00:50:30Yes.
00:50:34I got rid of the woman
00:50:35who killed my mother
00:50:36and sent me to an orphanage.
00:50:40I eliminated everyone
00:50:41associated with her.
00:50:44Over the years,
00:50:45I did whatever it took
00:50:52to gain my father's approval
00:50:54to secure my inheritance.
00:50:58My methods were ruthless.
00:51:01My conscience,
00:51:03callous.
00:51:05You did what you had to do.
00:51:08And now I'm a different man.
00:51:10A monster.
00:51:11She doesn't even recognize.
00:51:12If she finds out this is the man
00:51:15she's been looking for
00:51:16all these years,
00:51:16it'll drive her away.
00:51:21I can't lose her again.
00:51:25So it was true?
00:51:26Argon and I,
00:51:34we roamed the city for a winter
00:51:37and a lot of people say
00:51:40he made some enemies.
00:51:43One night,
00:51:44under the bridge where we slept,
00:51:46he got stabbed
00:51:47and he died.
00:51:49No.
00:51:52You're mistaken.
00:51:54He always had a ring with him.
00:51:56It was a nice ring.
00:51:58I think it had the letters
00:51:59A and H on it.
00:52:03I told him he could
00:52:04pawn it for a few bucks,
00:52:06but he just kept it with him.
00:52:10No, he can't just be gone.
00:52:12He can't just be gone.
00:52:13It's okay.
00:52:14It's okay.
00:52:19Oh, Thelma.
00:52:25Sweetie, what's wrong?
00:52:27Oh my God, baby,
00:52:29you have an evening
00:52:29in three days.
00:52:31Can I get you something?
00:52:33Anything?
00:52:35It's not good for you.
00:52:39It's okay.
00:52:41It's okay.
00:52:44This is my fault.
00:52:47She's burning up.
00:52:48The doctor said
00:52:49it was from
00:52:50emotional distress
00:52:51and not eating.
00:52:54Go make her something late.
00:52:56I'll stay with her.
00:52:58Yes.
00:53:05You need to get some rest
00:53:06and let me handle this.
00:53:08No, it's okay.
00:53:09Leave it to me.
00:53:11Look, I know you care,
00:53:13but I've never seen you
00:53:14do this for anyone.
00:53:15And if that old lady
00:53:17were here,
00:53:18she'd be heartbroken
00:53:19to see you this exhausted.
00:53:22Don't worry about me, Sarah.
00:53:23You can go now.
00:53:34Do it.
00:53:35I'm not hungry.
00:53:39Thelma, please eat
00:53:41and get better.
00:53:41Thelma, oh my god, are you okay?
00:54:11I've been trying to call you for ten times.
00:54:15You haven't done something stupid, have you?
00:54:17I can't find a reason to go.
00:54:20Stop saying that, okay?
00:54:22Don't listen to what that guy said.
00:54:24He doesn't know what he's talking about.
00:54:26They never found Algar's body.
00:54:28Maybe he's still alive.
00:54:31You've waited ten years, okay?
00:54:34You sure you're going to give up now?
00:54:36Don't you want to find out the truth for yourself?
00:54:40Yeah, you're right.
00:54:42I should keep going.
00:54:44Good.
00:54:45Now go get some sleep and get back to set, girl, okay?
00:54:48That is something that you've always wanted,
00:54:50and you're not going to screw it up, all right?
00:54:53Yeah.
00:54:55I understand.
00:54:58I'll keep going for Algar.
00:55:02I want that bitch dead.
00:55:05You got that thing ready?
00:55:06I'm sure I would do the job.
00:55:14All right.
00:55:16Don't mess this up.
00:55:17Ready for first aid.
00:55:19Coming!
00:55:19Coming!
00:55:20You wanted to see me?
00:55:33Yes.
00:55:33It is about the scene where you're stabbed.
00:55:36We will be using this as a prop.
00:55:39So once the safety is clicked off,
00:55:41the blade will go back inside itself upon impact,
00:55:44so don't worry.
00:55:44It's not going to hurt you.
00:55:45See?
00:55:47Nice.
00:55:50Exactly.
00:55:56Thelma, Carla, all set.
00:55:59All departments ready?
00:56:01And action.
00:56:11Wait.
00:56:12Cut, cut.
00:56:13Edward, are you okay?
00:56:15Oh, God, how did this happen?
00:56:16Edward, don't die on me.
00:56:21Please.
00:56:22I know that my past is complicated,
00:56:25and I'm not worthy of your time or your love.
00:56:28What makes me so special?
00:56:31Edward, I'm not worthy of your love.
00:56:34Okay, I admit.
00:56:35I think somewhere along the way,
00:56:37I became attracted to you,
00:56:39and I know that you keep this stone-cold face,
00:56:43but I know that that's not the real you.
00:56:48Please.
00:56:50Show me the real you.
00:56:51Let me in.
00:56:56Edward!
00:57:01What are you doing?
00:57:04That's not funny.
00:57:05I was worried sick.
00:57:06What's the matter with you?
00:57:07How else could I get such a lovely monologue?
00:57:10Okay, you know what?
00:57:11I'm going to go get a doctor.
00:57:12No, no, no.
00:57:13No.
00:57:13I'm fine.
00:57:15No.
00:57:16Look, not even a scratch.
00:57:18Just need a minute.
00:57:19Are you sure?
00:57:20It seemed pretty serious.
00:57:21Yeah, the knife didn't even get to me.
00:57:25Something blocked it.
00:57:27Really?
00:57:28Where is it?
00:57:30Nothing.
00:57:31I'll find out what happened today.
00:57:33Meanwhile,
00:57:35be more careful on set.
00:57:36Yeah?
00:57:37No, don't worry about it.
00:57:39You're the patient.
00:57:40Just rest up now.
00:57:43I heard everything you were saying, by the way.
00:57:46Okay.
00:57:46You know what?
00:57:47I'm really getting you a doctor now.
00:57:48Just shut up.
00:57:49You saved my life.
00:58:06How are you doing, boss?
00:58:08Oh, not too shabby.
00:58:11So, what do you plan to do with Karma?
00:58:15Cool.
00:58:16Almost forgot.
00:58:17Let's get payback.
00:58:19Let's go.
00:58:22I'm not sure what we're going to do after your little incident.
00:58:27I'm sorry.
00:58:28I wasn't thinking.
00:58:29It won't happen again.
00:58:30I promise.
00:58:31Jay, get a replacement for her role.
00:58:33She's done.
00:58:39Edward, what are you saying?
00:58:41I told you to stop pulling these tricks behind my back.
00:58:43I didn't do anything.
00:58:45Don't listen to her.
00:58:46She's making it all up.
00:58:48Carla had someone on the prop team switch the fake knife with a real one.
00:58:51She almost killed Thelma.
00:58:53And myself.
00:58:54Edward, I'm sorry.
00:58:56I messed up.
00:58:57Please, please give me another chance.
00:59:00I've given you plenty of chances.
00:59:03Really, Edward?
00:59:04Edward, after all these years, please stop bearcing yourself.
00:59:12Hey, mate.
00:59:13Doing all of this for a man, I hope it's worth it.
00:59:18Edward, you know everything I did is because I love you.
00:59:22If you try hurting her again, you will be sorry.
00:59:25Hand her over to the police.
00:59:37Well, now that that's over, we should talk about what you said to me earlier.
00:59:42Which is what?
00:59:45That you were attracted to me.
00:59:50We're not going to talk about that.
00:59:51That's not fair.
00:59:52You tricked me.
00:59:53I got it.
01:00:11What if the person you're looking for is me?
01:00:17Don't be ridiculous.
01:00:18Besides, you come from a rich and powerful family, and he's an orphan like me.
01:00:28And he's incredibly kind.
01:00:30He wouldn't even step on an ant.
01:00:34I can't say the same thing about you.
01:00:39People can change.
01:00:41And I'll never stop searching for him.
01:00:44I'm afraid that you can't stop me.
01:00:45Am I even worthy of love?
01:00:59Am I even worthy of love?
01:01:02You're a billionaire.
01:01:04I'm sure that there's plenty of women fighting over you.
01:01:07Plus, I stand by what I said.
01:01:14I don't think that this Edward is the real you.
01:01:19Do you remember when we first met?
01:01:22You saved me.
01:01:24You're a good person.
01:01:26You're kind to Nos, to Sarah.
01:01:29You'll find the love that you deserve.
01:01:40He's gone.
01:01:45I waited ten years, and he's just gone.
01:01:52Do you like the man I am now?
01:01:53It doesn't matter.
01:01:55We're getting divorced in a year.
01:02:01If I give you all my properties and assets, can we not get a divorce?
01:02:06Oh.
01:02:10No.
01:02:10My head.
01:02:33Do you remember what happened?
01:02:40You said something about money and assets, and then after that, not a thing.
01:02:58All right.
01:02:59Okay.
01:02:59Back to work.
01:02:59Come on.
01:03:04Can't be watching people get arrested all day.
01:03:06Can we talk?
01:03:07I heard you've been looking for someone.
01:03:12Yes.
01:03:16I believe this could be helpful.
01:03:20This place is reopening soon.
01:03:23I'd like for you to come.
01:03:26What does this have to do with the man that I'm looking for?
01:03:29You'll see.
01:03:33Okay, I'll go.
01:03:34Good.
01:03:36Edward is about the place.
01:03:38What does this have to do with Edward?
01:03:40Don't see.
01:03:44Look at that.
01:03:45See?
01:03:46Oh, my God.
01:03:47Yes, I trusted you.
01:03:48Guys, we're blowing up.
01:03:50What do you mean?
01:03:51After we posted the behind the scenes, we went viral.
01:03:55Thelma became a sensation.
01:03:57She's now trending number one.
01:03:59Big star.
01:04:00Trending?
01:04:01Does this mean more money?
01:04:02Oh, of course it does.
01:04:04And that is just the easy part.
01:04:06I was thinking about my next movie.
01:04:09And I want you to be in it.
01:04:11Wow.
01:04:12This is a dream come true.
01:04:14And we're having a wrap party at the hottest bar tonight.
01:04:18All right.
01:04:19You wonder who's so generous.
01:04:20You wonder who's so generous.
01:04:29Boss, about this new contract.
01:04:31Do you think Thelma will be surprised by the party I'm throwing for?
01:04:34Oh, definitely.
01:04:35So should I pick her up or do I need to show up at the party?
01:04:40You don't do this often, do you?
01:05:00Great party, Edward.
01:05:03It'll only be fitting, right?
01:05:04I'm not entirely bad.
01:05:07So, thank you.
01:05:10How would you like to thank me?
01:05:12Sorry, everybody.
01:05:13Attention, attention.
01:05:15Thank you, thank you.
01:05:16First off, this has been an amazing three months.
01:05:22I'd like to thank everybody in here.
01:05:24And here is to its huge success.
01:05:30Cheers.
01:05:30Cheers.
01:05:30Cheers.
01:05:32Mm-hmm.
01:05:32And now, a few words from Edward, the man, the big boss.
01:05:38Without him, none of this would be possible.
01:05:41Thank you all so much.
01:05:43I just want to say how grateful I am for the opportunity.
01:05:46Jay is an exceptional director.
01:05:50He's casting remarkable.
01:05:53Thelma's performance in particular, out of this world.
01:05:56And I'd like to take this moment to tell her that I'll always be there to support her.
01:06:03Cheers.
01:06:07Thelma!
01:06:08The superstar!
01:06:09Stop it.
01:06:11By the way, do you think Algar will watch my new show?
01:06:15Do you think he'll recognize me?
01:06:17No.
01:06:19Thelma, I know this is really hard to hear, but you've got to let him go.
01:06:24Algar's gone.
01:06:25I'm not giving up until I know for sure.
01:06:40Hey!
01:06:41Let me out!
01:06:48Thelma!
01:06:48Are you quitting?
01:06:50What are you talking about?
01:06:51Production told me you turned down Jay's new project.
01:06:54And you didn't show up for any of the promo events.
01:06:57What new project is this about?
01:06:59Who told you this?
01:07:00Oh.
01:07:01Oh, no.
01:07:03It couldn't be Edward.
01:07:06Could it?
01:07:08Edward?
01:07:08So, he turned it down and he told everybody that I quit?
01:07:15Maybe he thought it was for your own good?
01:07:18Interfering with my career without telling me?
01:07:20How is that for my own good?
01:07:26Babe, Mr. Ardewin is in a meeting right now.
01:07:29He got me out of my way.
01:07:31Apologies, gentlemen.
01:07:32Let's take a break.
01:07:33We'll continue this afternoon.
01:07:38Did you turn down the offer for my new film?
01:07:46Can I explain?
01:07:48This will terminate our contract marriage.
01:07:50The deal is over.
01:07:52What do you mean?
01:07:54I'll pay the penalty for breaching our contract.
01:07:57Once it's settled, I don't want you meddling in my life anymore.
01:08:00You almost got hurt on set.
01:08:02I was trying to protect you.
01:08:03God, I don't need your protection, okay?
01:08:06I can look out for myself.
01:08:07This is my life.
01:08:09You're making a big mistake here.
01:08:12Just stay out of my work and my personal life, Edward.
01:08:16We're done.
01:08:23Hey, it's Thelma.
01:08:24Can I see you real quick?
01:08:29Thelma, you're very talented.
01:08:31It was such a shame just seeing you give up.
01:08:35But I knew you had it in you from this start.
01:08:39I saw it in you all the way.
01:08:44Now I strictly get to make decisions for myself.
01:08:47Now let's see this next project.
01:08:50Next project, next project.
01:08:52Here it is.
01:08:57What do you think?
01:09:01Let's just say that it's a pleasure doing business with you, Jay.
01:09:10Congratulations.
01:09:23Come on.
01:09:24Please move.
01:09:25I'm leaving.
01:09:25You need to calm down.
01:09:26What are you doing?
01:09:27Excuse me.
01:09:27I'm perfectly calm.
01:09:29How about we both compromise?
01:09:31You continue with your acting as long as it's through Ardoin investments.
01:09:35You still don't get it, do you?
01:09:37I'm not your accessory.
01:09:38I'm not a part of the Ardoin family.
01:09:41Plus, the only person that can make decisions for me is myself.
01:09:45Can't we talk about it for the sake of our relationship?
01:09:49Look, I'm thankful for everything you've done for me.
01:09:54You've crossed the line.
01:09:57Bye, Edward.
01:10:02Oh, Thelma.
01:10:03Look, I have rarely seen Edward smile since his father passed away.
01:10:08And he's like a new man now that you're here.
01:10:11I'm sorry, but I can't stay here.
01:10:16It's okay, Sarah.
01:10:19Let her go.
01:10:19Since when did we become stalkers?
01:10:40Where is she?
01:10:41I know she has a bunch of crazy fans trying to get her attention, but if those assholes think they have a shot with my woman...
01:10:47You've not seen the news?
01:10:49Thelma has announced she's single again.
01:10:52What?
01:10:52Yeah, even a bunch of haters have turned into fans now.
01:10:57Especially after watching her show.
01:11:03Thelma, Thelma, Thelma.
01:11:04Thelma, Thelma.
01:11:04Thelma, Thelma.
01:11:06Thelma, are you still working with Ardawan Investment Family?
01:11:21The Ardawan family's never officially announced your divorce.
01:11:24Is there something that they're hiding?
01:11:25Was your marriage to Edward Edward in strictly business, like the tabloids say?
01:11:33Uh, why don't you ask the man himself?
01:11:46Mr. Ardawan, you got a second?
01:11:48I don't.
01:11:49It's fine.
01:11:49So, Mr. Ardawan, what brings you here?
01:11:56Thinking of joining the entertainment industry?
01:11:59You know why I'm here.
01:12:01Sorry, I can't help you with that.
01:12:04Uh, so this new film is a romantic drama with some comedy.
01:12:09You ever wanted to eat?
01:12:12Let's go!
01:12:14No.
01:12:15Not yet.
01:12:15As always, I would love to thank our amazing director, Jay, for all of his amazing visions
01:12:21and everyone else who's helped me on this incredible journey.
01:12:25What?
01:12:26Hello, specifically?
01:12:28And I'm so excited to get started because I know that this is going to be another hit.
01:12:33All right, ready to check out the set for the new movie?
01:12:36I'll walk in.
01:12:37Uh, actually, do you want to check it out together?
01:12:39Sure.
01:12:42Thelma, Thelma, Thelma.
01:12:44Thelma, how do you win back a woman?
01:12:48Um, flowers, romance, gifts are always a good movie.
01:12:54How would you win?
01:12:56Let's get back to the office.
01:12:57All right.
01:13:06I, uh, got these for you.
01:13:10You can just leave them there.
01:13:11Thelma, I'm sorry.
01:13:19I was wrong.
01:13:25Please, give me another chance.
01:13:29I, I promise I won't be overbearing.
01:13:32I'll respect all your opinions.
01:13:34And I'll never interfere with your career again.
01:13:41The flowers look good.
01:13:49I'll take these and we can talk about the rest later.
01:13:52Go.
01:14:01I don't want to see you again.
01:14:04Cuts.
01:14:06Well done, everybody.
01:14:07That is a wrap.
01:14:09You were great.
01:14:10Here.
01:14:11I got you a cup of coffee.
01:14:13Thanks, Alex.
01:14:14Oh, shoot.
01:14:14I need to know where she is.
01:14:40Now.
01:14:43I think I might know where she is.
01:14:45Why the hell would you, though?
01:14:46Do you have something to do with it?
01:14:47No, man.
01:14:48Look, all right.
01:14:48Carla was talking to some sketchy dude about Carla's basement.
01:14:52I think Thelma might be there.
01:14:53Trust me, man.
01:14:54I don't want anything bad to happen to her either.
01:14:56Believe me.
01:15:03Thelma?
01:15:03Thelma?
01:15:04Where are you?
01:15:16Let's not do anything stupid.
01:15:19Whatever you want, just name it.
01:15:23Edward, Edward, Edward.
01:15:28How did you find this place?
01:15:34You again?
01:15:37You didn't seriously believe I would just walk away, did you?
01:15:41You're a coward.
01:15:44Killer.
01:15:46And, Edward, I want you to watch.
01:15:48If you touch her, I will skin you alive.
01:15:52I got it.
01:16:00Thelma, run!
01:16:04It's okay.
01:16:28It's over.
01:16:29It's over.
01:16:32It's all over.
01:16:34It's today.
01:16:56I promised Nass I would go.
01:17:04Wait, this is the amusement park I agreed to meet Little Rock at.
01:17:12I thought it closed down years ago.
01:17:16Thelma?
01:17:17Edward?
01:17:19What are you doing here?
01:17:20Nass told me to come.
01:17:22What are you doing here?
01:17:24Well, now that you're here, I need to tell you a little secret.
01:17:29Be right back.
01:17:30Edward.
01:17:31Edward.
01:17:43Don't be scared, sweet man.
01:17:45What did you just call me?
01:17:46I told you I'd meet you here, Ellen.
01:17:51I told you I'd meet you here, Ellen.
01:18:02I told you I'd meet you here, Ellen.
01:18:04I told you I'd meet you here, Ellen.
01:18:07Alcar, but how?
01:18:09Why didn't you tell me after all this time?
01:18:13After I escaped the orphanage, the headmistress sent people after me.
01:18:17so I had to fake my own death.
01:18:21I survived,
01:18:22but the price was becoming a different man.
01:18:26Cold,
01:18:28ruthless,
01:18:30even cruel.
01:18:33And I was so scared
01:18:34that if you found out this was the man I'd become,
01:18:38you wouldn't love me anymore.
01:18:40Besides, the Arduin family erased every trace of my past.
01:18:45If they find out you're the one I'm looking for,
01:18:48they'll use you against me.
01:18:50And I can't risk that.
01:18:52Algar,
01:18:53you know that I love you.
01:18:57You do?
01:19:01Yeah, with you by my side,
01:19:03I'm not afraid of anything.
01:19:06I don't want us to ever be apart again.
01:19:08Yeah.
01:19:17Yes.